Foreign
Foreign
Communication Development 99
and Other known landmarks and events. See, for example, the suggested
communicative syllabus in Chapter Four. Instructors who discuss totally
unfamiliar topics, people, or places, place a huge burden on the student
trying to cope with comprehending messages in a new language.
The students also have an active role to play in insuring
comprehensible input: when the listeners do not understand, they need
to know how to regulate the input. Every language has ways Of asking for
clarification, asking speakers to repeat, to slow down, to explain. If such
tools Of communication are taught early, students wdll have some means
of managing their own input. An added advantage Of being able to use
these aspects of conversational competence is that they help make it
possible to converse with speakers Of the target language outside the
classroom.
It is also important that the difficulty level of the content of the activity
be properly adjusted. If students encounter too much new vocabulaw
and structure in an activity, they tend to spend their time translating
instead of participating in conversation. In terns Of the theory. it is the
instructor's job to make sure that the language of the activity is not far
beyond the students' current level (i + 1),
Finally, the instructor must have some idea as to whether the
sh.ldents understand what is being discussed. It is not necessary to check
whether every sentence is understood, nor is it necessary that every
sentence be understood. In fact. it would be highly undesirable, as
constant checking for comprehension would certainly get in the way of
the information exchange that is at the core Of the NA. A variety of
techniques to check comprehension are possible, ranging from directly
asking the students whether they understand to merely noting whether
thejr verbal and nonverbal responses indicate comprehension, Clearly
the more involved the students are in the activity, the easier it will be to
ascertain whether they understand the instructor's and each other ts
input, 3
The effectiveness of any acquisition activity can be measured by the
interest it evokes in the students to comment on or ask questions about
the topics which have been treated. In fact, this in the form of addi
interaction iS the most valuable aspect of these activities since real
communication normally takes place in these •followups.
We will describe the acquisition activities in four groups: (1 ) affective-
humanistic, (2) problem solving, (3) games, and (4) content. This division
is principally for ease of exposition since in reality many of the activities
contain elements of more than one type. For example , an affective
activity may be turned into a game, or a game may involve a problem-
solving activity, and 50 forth. All activities are designed to funherthe
acquisition process. As such they must provide comprehensible input in
ways: through student interlanguage and from the teacher-talk included
in the activity as well as in the "follow-up" to the activity. In all cases
there IS a focus on content, i.e. , there is a reason for doing the activity
other than just language practice.
AFFECTIVE-HUMANISTIC ACTIVITIES
Affective activities atternpt to involve students' feelings. opinions,
deSires, ideas and experiences. Although not affective-
humanistic activities work' in situations with an students and all
instructors, they are varied enough to be of especially high value in the
Natural Approach classroorn. In addiHon, and more irnportantly, they
meet the requirernents of an acquisition activity: the focus is on
content, i.ev, ve'hat the students are saying, and the instructor a strong
atternpt to louver affective filters. 4
(Continue)
In suggesting the use of dialogs, we must be clear on how they are to be
used. They are not, of course the center of the program, as they are in
audiolingual teaching. Dialogs should be Short and should contain
material that is usefUl in conversation. Their function is to srnooth the
conversation by helping students to sound rmore natural and more
fluent with commonly discussed topics and to help them regulate input
and manage conversations.
Mastery of dialogs thus has little to do directly with the acquisition
process. They do, however, help beginning and intermediate students
interact in conversations. This ability is especially important for students
of a sec ond language since they face immediate conversational
demands outside Of class. In addition, the instructor can follow up on
the conversations the students have created by discussing what went on
in the dialog and soliciting the students' reactions. This interchange can
produce a great deal of cornprehensible input.
In terviews
Students are divided into pairs and are given a series Of questions
to ask their partner, In early stages, the interview can be given in
102 The Natural Approach
matrix fonn (on the chalkboard, overhead projector, or reproduced),
so that the students
are required only to supply a single word or shott phrase.
What's your name? My name is
Where do you live? I live in
Do you study or work? I
The best interviews are those which focus on interesting events in
the students' own lives, for example. a series of questions about
childhood: When you were a child, did you haue a nickname? What
games did you play? When during childhood did you first notice the
difference between boys and girls? What is something you once saw
that gave you a scare?
Another possibility for interviews is to choose the role of a famous
person; the mto participants create both questions and answers.
Interviews in the Natural Approach normally have a clear situational
or topical focus. In the following interview, the focus is childhood
illnesses: What illnesses did you have as a child? Who took care of you?
Did you have to stay in bed for long periods of time? Were you often
sick as a child? What is the most serious illness you ever had?
Interviews can be constructed around a particular grammatical
structure. For example, in the following interview the questions all
make use of past tense verbs.
Did you go to the beach a lot last summer? What did you do at
night? Did you often go to the movies with friends? Did you work?
Where did you live?
If the conversational exchange is interesting enough, the
grammatical focus will probably not interfere with the interaction and
the activity will be successful in giving an opportunity for
conversational interaction, However, a bit Of restructuring with a
semantic and contextual emphasis will shift the focus away from
grammatical form.
Did you goto the beach lastsummer? Who with? Which beach did
you go to? What did you do there? Why do you like the beach?
What did you do at night? Did you Often stay home? Did you go to
the movies often? What was your favorite activity on weekend
nights? Where did you live? With yourparents? With yourfamily?
With friends? Did you like the place where you lived?
Did you work last summer? Where? What did you do there? Did you
like what you did? What did you like best about working?
The difference between the two is clear: the first uses the interview.'
technique as an excuse for pracficing certain verb forms. Ihe second
serves as an opportunity to allow the students to talk to each other
about past experiences, tn the follow up with the instructor, the
students will have ample
Oral Communication
Development 103
plays baseball
studies has baseball works in
Jim studies practice has *'tm team supermarket plays
practice lifts weights waterpolo viSitS
I nuise studies works at friends
Herman record store
After the chart is completed it can serve as a basis for lively questions
and discussions which provide the desired comprehensible input, The
level of the discussion depends on the level of the class. For students
only beginning the ' 'speech emerges" stage, the following questions
would be ap propriate:
Who has baseball practice on Wednesdays? What does John do on
Saturdays? Does Herman lift weights on Wednesdays?
As the students' ability to produce increases, so does the difficulty level
of the instructor's input.
Does Jim have baseball practice on Wednesdays? What team is he
on? What position does he play? Who plays water polo on
Saturdays? Why does she play on Saturdays? Does she everplay
during the week? Does she play for fun only or is she on a team?
What position does she play? Do girls and women ordinarily play
waterpolo? Why? Why not? Do you suppose Louise knows how to
swim? Well? Why?
Charts may also be created so that the students first fill out the chart
with personal inforrnation and then this inforrnation serves as a basis
for the class follow-up discussion, In the following chart for a beginning
Spanish course, the students are asked to say whether or not they did
certain activities yesterday, and if so at what time of the day. Ihe
activities include Did you wash your car? Did you go to the beach? Did
you watch television? Did you clean house? and so forth.
Oral Communication Development 105
2 Fue a la playa?
3. Mild la televisién?
4, Limpiö su casa?
5. Fue de compras?
6. Ley6 el pericZico?
7. Fue a una fiesta?
8, Viol a su novio(a)?
In the follow-up, the instructor will extend the conversation as
naturally as possible. For example,
Did you wash your car? Did you go to the beach? Did you watch
television? Did you clean house? and so forth.
Another technique used in chans is to ask the students' opinion about
some issue. Ih the following table, the students are asked to consider
each activity in relation to health — is the activity good, bad, or
irreEevant to good health?
Commandments for Health
1. Take a bath daily.
2, Eat vegetables frequently
3. Lie in the sun.
4, Do exercises.
5. Drink a glass of wine daily.
6. Smoke cigarettes.
7. Drink 10 cups of coffee daily,
8. See a doctor regularly.
9, Keep your house clean.
10. Don't spend much money.
Students examine the commandments, make notes and then
participate in a follow-up in which they mustjustify their answers. The
follow-up can be done in small groups or with the class as a whole — it
might be wholly student directed or controlled by the instructor
depending on the proficiency of the students
In the the instuctor will want to find Ol'" vho is bringing what
and why they decided to bring that particular dish. Maybe some of the
students will volunteer to explain one of their favorite recipes, Activities
Using the Imagination
There are various sor# of experiences in which the students are asked
to imagine some situation, some person, or some interaction which might
take place, After a period, they are asked to describe to the class what
they "saw" and "said"
One common technique is to ask that students close their eyes and
imagine a place with certain characteristics, for example, a pleasant
place or a frightening place. After they have finished their visualizations,
they volun tarity describe what they imagined either to the class as a
whole or in small groups.
Visualizations serve as a basis for comprehensible input in two ways.
First, the insttuctor may choose to guide the visualizations explicitly (ap
propriate pauses are not marked):
Think of a pleasant place, It may be outdoors or indoors. Look
around you. Notice as much as you can, Try to fee/ the air around
you. What is the weather like? Can you see the sun? Is it cloudy? is
it warm? Cold? Is it a calm day or are there storms on the hohzon?
Perhaps it is raining. Now get up and walk around your
environment. What is the first thing you see? Look at it carefully.
Describe it in your mind. Is it large? What is the shape? Are there
colors? Is this thing you see alive? What is it doing?
Another common activity is to imagine some hypothetical situation
and ask the students to relate what went on in the situation. For
example. the instructor might ask the student to speak with Napoleon
108 The Natural Approach
and give him ad vice in his campaign against RLRsia. Or, the student
might intewiew his great, great grandmother as she crossed the plains in
a covered wagon on the way to California.
In these sorts of activities, the students usual\yare divided into groups
for the initial part of the activity and then the instructor does the follow-
up with the class asa whole. In this initial stage, the students receive a
good deal of
Oral Communication Development 109
interlanguage input and have ample opportunities to express
themselves using their imagination. In the follow-up, the instructor has
the oppoftunity to give comprehensible input in the form of questions,
and reactions.
In some activities the students may be asked to role play, A favorite
topic is a group of people marooned on a desert island. Or, another
group may be the first explorers on another planet describing by
television what they encounter on the new planet,
The important point with activities using the imagination is that the
students be interested in each other's experiences and that the focus
be main tained on the topics which arise It is the instructor who in the
follow-ups to these activities must continue to provide good
comprehensible Input.
PROBLEM-SOLVING ACTIVITIES
GOOD MORNING
1. It's seven o'clock in
the morning
2. Wake up.
3. Stretch and yawn and
rub your eyes.
4. Get up.
5. Do your exercises.
6, Go to the bathroom.
7. Wash your face,
8 Go back to your bedroom.
9, Get dressed
10, Make the bed.
11. Go to the kitchen.
12. Eat breakfast.
13. Read the newspaper.
14. Go to the bathroom and brush your
teeth.
15. Put on your coat.
16. Kiss your family goodbye.
17. Leave the house.
For this activity, the instructor brings to class as many props as
possible. In this case. a minimum amount of items would include a
washcloth, a toothbrush, a newspaper, and an overcoat In preliminary
conversation, the instructor talks about the props and infroduces the
students to the context of the series. Step 00 is an initial demonstration
of the series in which the instructor repeats the sentences one by one
demonstrating the action described by each sentence. This may require
several presentations if a number of new words is involved. The third
Oral Communication Development 111
step involves the clas As the instructor again repeats the series the
students must all act out the activity being described. If desired, the
students read and copy the list of sentences. The instructor can answer
any questions and clear up doubts that remain about the meaning of
specific words or phrases. Finally, the students work in pairs and give
each other these same commands (perhaps in random sequence, if
they likel
One useful technique for stimulating student narration as well as
pro-
110
SPENDING MONEY
TRANSPOR. TIME MONEY SPENT
TATION THERE dollars) (U.s.
NAME PLACE dollars)
After some work with these two activities, it will be a simple matter
to construct a similar table using students in the class and recent trips
they have made. 'Ihe follow-up discussion then can go in the direction
the class interests lie as we suggested in the previous section.
Maps can be used in the same way as charts, tables and graphs. khe
following map, locating various buildings will allow practice in asking,
giving, and finding directions. In the case of beginners with limited
production, the map can be used in conjunction with an open-ended
dialogs as in this case: 10
A: Can I help you?
B: Where's the
ThetJnweßllyCoffeeShap
Chase
Map B follow the instructions in Map i The student with Map "A" guides
the student with Map "B" to the locadons that are marked on Map A but
not on Map B and vice versa These sorts of activities give the students an
opportunity to produce a great deal Of the target language and to receive
com prehensible input in the fom of interlanguage talk.ll
FIR
ST ST. FIRST ST,
1, You are 'he Park Ask your partner bow to get to the Record and Bookstote_ When you arrive write in the name
01 ghe store.
2. You juvt a bike the bkycle shop and nvsv you 10 register bike the Polite Stanort,
Ask your partner how to gee to the PEce station to your bicycle the Pohce Station
3, You are at the Record and Bookstore and you see you are very on gas, Ask your partner to to
the Gas Stahon. Label the Station
4. You at You have there all dB,y endyou have headache. You need Ask get 10 the
Drug-stow. Label the
5. You meet a friend at thu Drugstore and decide rneet for dinner the local Chinese restaurant You
to ask for dåections so c-nust ask jsour map partner hour to get there from the Dtugqore Obel
the Chinese Resmrant.
The Natural
6_ You are In class one day at school and suddenly you remember you to get a haircut
tomorrow, Ask your how toget to the Barber
Parloqn•tdircuttets.
114 Approach
rode your bike to (he Zoo and you leave you notice that you have a nal tire. Ask your partner
hogv go gel to the Shop. Label the Bike Shop,
2. You are the Bicycle Shoo and you remember that you ase supposed to take a ('bight class at the
High School at 6:00 p.m. Ask your partner wheæ the f'åqh School is lh.e Bicycle Shop, the
school,
3. After ciass you need to buy groceries dinner Ask your partner how to to the Super rnarket from
the HiVb School. Label lhe tnarket.
4. You are the park on a picnic friends and you need d can opener fot your cold drinks, Ask your
panne• how get 10 Hardware Store from the perk, Label it,
Oral Communication Development 117
5. After the pier* remember that have to buy a gift lor a weddi1YN Ask wur partner how bo gel to
the the park. Department
6. You need to get a bus to another town You ask a at the Police Staticn how to get to the bus
station. Label the
The Natural
115
4. You entera new restaurant vay late and find that it is completely
full. The hostessasks you ifyou have reservations. You say:
Advertisements
Newspapers or magazine advertisements are an excellent source of
topics for discussions, As noted in Chapter Four, they can be adapted to
either early or intermediate production stages, In the following ad," for
example, questions for students in early production stages would
concen-
117
HOME SHOPS
As comprehension and production increase, the difficulty level of the
ads can be increased In the following ad, i3 there are ample opportunities
for the students to practice guessing at the meaning of new words or
expressions from context (carry-on, gamnent bag, foam padded carrier,
etc.). Questions might include: What is the advantage Of a concealed
identification area? Why do some have wheels while others do not?
What is the meaning of canyon? And of course personalization: Who
owns a complete set of luggage? Where did you buy it? Have you used it
often? If I
118 Approach
wanted to buy new luggage, where could you recomtnend ihQi I go foi
good quality? Which is more important, quality or pHce?
The Natural
M&M VERDI SIMPATICO COLLECTION
Great Savlngs Conen%d
BarrelT6te
Luggage Dept.
Oh!rbachS
WiLShire et Fairfax • Dal Amo Feshbn Ware
• Panorama City