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MALUSAC NATIONAL HIGH SCHOOL

LEARNING ACTIVITY SHEET

Modern Art

Student's Name:________________________
Section:______________

ALYZA P. APIGO
Teacher
Impressionism
Origins of the Movement
The name impressionism was coined from the title of a work by French painter Claude
Monet, Impression, soleil levant (in English, Impression, Sunrise).
The term precisely captured what this group of artists sought to represent in their
works: the viewer’s momentary “impression” of an image.
It was not intended to be clear or precise, but more like a fleeting fragment of
reality caught on canvas, sometimes in mid-motion, at other times awkwardly positioned
—just as it would be in real life.

CHARACTERISTICS:
1. Short “broken” strokes that were
intentionally made visible to the viewer
2. Pure unmixed colors side by side
3. "Everyday" Subjects- captures
scenes of everyday life
4. Painting are painted outdoors
5. Open Composition- unusual visual
angles, sizes of objects that appeared
out of proportion, off-center placement,
and empty spaces on the canvas.
Impression, Sunrise
Claude Monet, 1872
Oil on canvas

THE INFLUENCE OF EUGENE DELACROIX

Eugène Delacroix is a French painter.


Delacroix was greatly admired and emulated
by the early impressionists—specifically for
his use of expressive brushstrokes, his
emphasis on movement rather than on
clarity of form, and most of all his study of
the optical effects of color.
In particular, Delacroix’s painting, The
Barque of Dante, contained a then
revolutionary technique that profoundly
influenced the coming impressionist
movement. And it involved something as
simple as droplets of water.
The painting is loosely based on a fictional
scene from Dante’s Inferno, showing Dante
and the poet Virgil crossing hell’s River Styx,
while tormented souls struggle to climb
aboard their boat. It is the drops of water
running down the bodies of these doomed
souls that are painted in a manner almost
never used in Delacroix’s time.
Impressionism
WORKS OF MANET, MONET AND RENOIR
Edouard Manet (1832-1883) was one of the first 19th century artists to depict modern-
life subjects. He was a key figure in the transition from realism to impressionism, with a
number of his works considered as marking the birth of modern art.

Rue Mosnier Decked With Flags


Edouard Manet, 1878
Oil on canvas

Argenteuil
Edouard Manet, 1874
Oil on canvas
Claude Monet (1840-1926) was one of the founders of the impressionist movement
along with his friends Auguste Renoir, Alfred Sisley, and Frédéric Bazille. He was
the most prominent of the group; and is considered the most influential figure in the
movement. Monet is best known for his landscape paintings, particularly those
depicting his beloved flower gardens and water lily ponds at his home in Giverny.

The Red Boats


Claude Monet, 1875
Oil on canvas

La Promenade
Claude Monet, 1875
Oil on canvas
Impressionism
Auguste Renoir (1841-1919), along with Claude Monet, was one of the central figures of
the impressionist movement. His early works were snapshots of real life, full of sparkling
color and light. By the mid-1880s, however, Renoir broke away from the impressionist
movement to apply a more disciplined, formal technique to portraits of actual people and
figure paintings.

Dancer Rue Mosnier Decked With Flags


Auguste Renoir, 1874 Edouard Manet, 1878
Oil on canvas Oil on canvas

Post-Impressionism
After the brief yet highly influential period of impressionism, an outgrowth movement
known as post-impressionism emerged. The European artists who were at the forefront
of this movement continued using the basic qualities of the impressionists before them—
the vivid colors, heavy brush strokes, and true-to-life subjects. However, they expanded
and experimented with these in bold new ways, like using a geometric approach,
fragmenting objects and distorting people’s faces and body parts, and applying colors
that were not necessarily realistic or natural.

WORKS OF CEZANNE AND VAN GOGH


Paul Cézanne (1839–1906) was a French artist and post-impressionist painter. His work
exemplified the transition from late 19th-century impressionism to a new and radically
different world of art in the 20th century—paving the way for the next revolutionary art
movement known as expressionism.

Hortense Fiquet in a Striped Skirt Still Life with Compotier


Paul Cezanne, 1878 Paul Cezanne, 1879-1882
Oil on canvas Oil on canvas
Post-Impressionism
Vincent van Gogh (1853-1890) was a post-impressionist painter from The Netherlands.
His works were remarkable for their strong, heavy brush strokes, intense emotions, and
colors that appeared to almost pulsate with energy. Van Gogh’s striking style was to have
a far-reaching influence on 20th century art, with his works becoming among the most
recognized in the world.

Starry Night Wheat Field with Cypresses


Vincent van Gogh, 1889 Vincent van Gogh, 1889
Oil on canvas Oil on canvas

Expressionism
A Bold New Movement
In the early 1900s, there arose in the Western art world a movement that came to be
known as expressionism. Expressionist artists created works with more emotional force,
rather than with realistic or natural images. To achieve this, they distorted outlines,
applied strong colors, and exaggerated forms. They worked more with their imagination
and feelings, rather than with what their eyes saw in the physical world.

VARIOUS STYLES THAT AROSE WITHIN THE EXPRESSIONIST ART MOVEMENTS


Neoprimitivism
Neoprimitivism was an art style that incorporated elements from the native arts of the
South Sea Islanders and the wood carvings of African tribes which suddenly became
popular at that time. Among the Western artists who adapted these elements was
AmedeoModigliani, who used the oval faces and elongated shapes ofAfrican art in both
his sculptures and paintings.

Head Yellow Sweater


Amedeo Modigliani, c. 1913 Amedeo Modigliani, c. 1919
Stone Oil on canvas
Expressionism
Fauvism
Fauvism was a style that used bold, vibrant colors and visual distortions. Its name was
derived from les fauves (“wild beasts”), referring to the group of French expressionist
painters who painted in this style. Perhaps the most known among them was Henri
Matisse.

Blue Window Woman with Hat


Henri Matisse, 1911 Henri Matisse,1905
Oil on canvas Oil on canvas

Dadaism
Dadaism was a style characterized by dream fantasies, memory images, and visual tricks
and surprises—as in the paintings ofMarc Chagall and Giorgio de Chirico below. Although
the works appeared playful, the movement arose from the pain that a group of European
artists felt after the suffering brought byWorld War I. Wishing to protest against the
civilization that had brought on such horrors, these artists rebelled against established
norms and authorities, and against the traditional styles in art. They chose the child’s
term for hobbyhorse, dada, to refer to their new “non-style.”

Melancholy and Mystery of a Street I and the Village


Giorgio de Chirico, 1914 Marc Chagall, 1911
Oil on canvas Oil on canvas
Expressionism
Surrealism
Surrealism was a style that depicted an illogical, subconscious dream world beyond
the logical, conscious, physical one. Its name came from the term “super realism,”
with its artworks clearly expressing a departure fromreality—as though the artists were
dreaming, seeing illusions, or experiencing an altered mental state.

Persistence of Memory Woman with Hat


Salvador Dali, 1931 Henri Matisse,1905
Oil on canvas Oil on canvas

Social Realism
The movement known as social realism expressed the artist’s role in social reform. Here,
artists used their works to protest against the injustices, inequalities, immorality, and
ugliness of the human condition. In different periods of history, social realists have
addressed different issues: war, poverty, corruption, industrial and environmental
hazards, and more—in the hope of raising people’s awareness and pushing society to
seek reforms.
Ben Shahn’s Miners’ Wives, for example, spoke out against the hazardous conditions
faced by coal miners, after a tragic accident killed 111 workers in Illinois in 1947, leaving
their wives and children in mourning.

Melancholy and Mystery Guernica


of a Street Pablo Picasso, 1937
Giorgio de Chirico, 1914
Oil on canvas Oil on canvas (Size: 11’ 5 1/2” x 25’ 5 3/4”)
Name Date

Section Score

My Favorite Among the different art

Art Movement
movements we spoke about in
the Activity Sheet, which one
was the most interesting for
you?
Choose 2 paintings from that art movement and paste them onto the boxes below.
You may CUT it from the pages of this Activity Sheet

Why do you think people liked


Provide 4 facts about this art movement. this art movement?
Each fact should be 1-3 sentences. What do you like about it?
Name: Date:

Section: Score:

Art Critique
In the box, is an artwork from the ones discussed in this Activity Sheet.

Look at the artwork carefully then answer the


following questions in 1-3 complete sentences.

What are the things you see in the artwork? What kinds of lines, shapes, or colors get your attention?

What do you think the artwork is about?

How does the artwork make you feel?

If you could change the artwork's title, what would you call it? Why?
Name Section

Date Teacher

MY FAMOUS
MASTERPIECE
1
Cut out one of the

famous works of art

discussed in this activity

sheet.

Paste it in the box here.

2
Using materials available

at your home, draw your

own version of the

artwork.

Base it on scenes from

your life, your thoughts,

or feelings.

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