Four Quartets
Four Quartets
Four Quartets
In the field of literary criticism, a formalist approach is one that studies a text as a
text and nothing more. For example, a formalist reading of a poem would focus
on its rhythms, rhymes, cadences, and structure. It would not seek to locate the
poem in a wider political or cultural context except insofar as it helped to improve
the reader's understanding of the text itself.
Formalist literary criticism focuses on the text as the major artifact worthy of
study rather than, say, the author him or herself, the historical time period during
which the text was written, how the text responds to gender roles or class
concerns during the period, or anything else that exists outside of the text's world
itself. It is a mode of criticism that came about in response to the more author-
centered focus that dominated the literary world prior to the twentieth century.
Point of view is the viewpoint from which you view the setting, see the
action, observe the characters, and hear the conversations.
Depending on the powers the author has granted this narrator, you
may even be able to see inside a character's mind, learning what he
or she thinks and feels. (. . .ever wish we all had these powers. . .?)
o In first person point of view, "I" and "we" are used. Sometimes the first
person narrator is a participant in the story of the novel; sometimes,
he/she is an observer. The reliability of first person narrators should
be evaluated on the basis of their involvement in the story).
o In third person point of view, "he," "she," and "they" are used. Third
person narrators may be omniscient (all-knowing), offering editorial
comments on or an objective report of the characters and situations.
Third person narrators may also be limited omniscient, functioning as
a sort of central intelligence, though limited by the fact that they are
also a character in the story; hence, they usually cannot see into
minds, know the future, etc. A note of caution--It is important to avoid
confusing the narrator with the author in reading fiction.
Ask yourself the following questions in analyzing point of view:
1. How does the author's choice of point of view affect the reader's
understanding and feelings about the story?
2. Does the point of view in the novel have a particular use?
3. What advantages does the author gain by using this viewpoint?
4. What changes in the novel would have to be made if the point of view were
changed?
5. Does the author's choice of point of view reveal or illuminate his/her theme?
Setting is more than just the place and time a story takes
place. Setting also includes the atmosphere: the social and cultural
context of the story. A novel may have many settings or occur at
different times; however, each time and place were selected by the
author for a particular reason. As yourself the following questions:
1. Does the setting play an important role in revealing any element of the
novel?
2. What information does the setting give me about a situation or a
character?
3. What influence does the setting have on the characters or their
actions?
4. Does the setting contribute to the novel's theme?
Characters are the lifeblood of every novel, and some characters are more important
than others. Characters may be round (more like real life with positive and negative
traits) or flat (usually stereotypes that symbolize a certain type of person/place/thing).
Characters may also be dynamic (changing and growing as the novel's events unfold)
or static (those who remain unchanged no matter what happens to them).
In addition, note the following important character types as you read through
the novel:
o the protagonist - the main character around whom the novel's action
revolves (usually). Don't be trapped into thinking this character must
be human because he/she/it may not be.
o the antagonist - the important character with whom the protagonist is
locked in conflict. The antagonist may be a person or some other
animate life form (or a collection of said life forms), a place, or a thing.
o the foil - a minor character (usually) who is offered as a contrast to
point out or emphasize a distinctive characteristic of the protagonist.
Ask yourself the following questions about the important characters of the
novel?
What is Theme?
Theme is the point of the book, the author's message to us: the readers. Theme is
often complex, and thus, it may be difficult for two people out of ten to interpret the
same theme. Though certain readers may see similar themes, most likely the
themes they interpret will be different in some way or another to varying degrees.
Hence, theme is a matter of individual interpretation. However, the interpreter must
not be too cavalier in assuming he/she can choose any theme whatsoever. The
theme must logically come from the text; therefore, the theme must be supportable
by using specific text examples. Care should be given to interpreting these specific
text examples in the context that they are used in the novel. Care should also be
given to avoid "stretching" or "reaching" too far to make a text example fit into our
interpretation of the theme. In addition, the wise reader/interpreter will avoid
associating the author or the author's life too closely with the main character or
his/her life.
Questions to ask to get to the theme:
1. What lesson does the author want me (the reader) to learn from this book?
2. What lesson does the author want me (the reader) to learn about life?
* Important note - Be doubly sure to state the theme in an arguable statement. See
the following examples:
In Way of the Peaceful Warrior, Dan Millman writes about living in the present.
(This statement is not a theme; it announces the topic but does not make an
arguable statement about it.)
In Way of the Peaceful Warrior, Dan Millman concludes that living in the present is
the key to unreasonable happiness.
(This statement gives us the topic "living in the present" and makes a point about it
"is the key unreasonable happiness")