Graham Wallas: THE Art of Thought
Graham Wallas: THE Art of Thought
ART OF THOUGHT
BY
GRAHAM WALLAS
JONATHAN CAPE
THIRTY BEDFORD SQUARE LONDON
FIRST PUBLISHED IN M C M XXV I
MADE fe? PRINTED IN GREAT BRITAIN
BY BUTLER & TANNER LTD
F R O M E AND
LONDON
SCHOOL OF TOCOLOGY
AT CLAREMONT
C alirornio
PREFACE
>
A.
SYNOPSIS OF CHAPTERS
CHAP. PAGE
I PSYCHOLOGY AND THOUGHT 23
Men have recently increased their power
over Nature, without increasing the con
trol of that power by thought. We can
make war more efficiently, but cannot
prevent war; we can explore the world,
but cannot contrive an interracial world
policy; and the same want of intellectual
control exists, within each nation, in
politics, philosophy and art. We require,
therefore, both more effective thinking
on particular problems, and an improved
art of thought, in which scientific explan
ation may overtake and guide empirical
rules. But in thought, as in cookery,
science lags behind empiricism, and the
study of modern psychological text
books may even hinder effective think
ing. This fact is largely due to the use
by psychologists of the ‘mechanist’ con
ception of instinct as ‘power,’ and of
reason as ‘machine.’ Some of the best
modern physiologists and psychologists
are, however, opposed to that concep
tion, and substitute for it the ‘hormist’
conception of the human organism as an
imperfectly integrated combination of
living elements, each of which retains
some initiative of its own, while co-oper
ating with the rest in securing the good
of the whole organism. The aim of the
art of thought is an improved co-ordina
tion of these elements in the process of
thought.
CHAP. PAGE
II CONSCIOUSNESS AND WILL 48
The thinker must also fight against his
own ‘common-sense’ conception of con
sciousness and will as simple and abso
lute unities. Consciousness varies from
‘full’ consciousness to unconsciousness,
and from comparatively unified con
sciousness to ‘co-consciousness’; and the
thinker must train himself to observe his
less conscious as well as his more con
scious psychological experiences. Will,
also, varies, from full volition to non
volition, and from comparatively unified
volition to ‘co-volition.’ The distribution
of volitional control over the various fac
tors in our organism is, indeed, curiously
incomplete and arbitrary; so that Plato
and others have found difficulty in re
lating conscious purpose to creative
thought. The similarity of the charac
teristics and limitations of consciousness,
will, and organic life has led many
thinkers to believe that they may be
three different aspects of the same
fact.
CHAP. PAGE
III THOUGHT BEFORE ART 59
The art of thought is a modification by
conscious effort of a ‘natural’ form of
human behaviour. In a civilized adult,
it is very difficult to observe mental be
haviour apart from acquired habit; but
if we make a necessarily rough distinc
tion between nature and acquirement,
we find that the main ‘natural’ process
which the art of thought attempts to
modify is the ‘association of ideas,’ which
Aristotle and Hobbes observed by ex
amining the memory of past association
trains, and Varendonck and others by the
more difficult but more fruitful method
of examining association-trains during
their occurrence. Varendonck empha
sizes the risings and fallings of conscious
ness which accompany the ‘natural’
association-trains, and describes the ‘dia
logue form’ which results from automatic
mental attempts to solve psychological
situations. He correlates rising and fall
ing consciousness with rising and falling
rationality; and, less successfully, with
the use of verbal and visual imagery.
Varendonck’s evidence is influenced by
the fact that all his observations took
place while he was falling asleep, and
also, like that of H. Poincare, by an
oversimplified ‘mechanist’ theory of the
relation between thought and instinctive
emotion. But the thinker, from the re
cord of such observations, and from his
own introspection, can make for himself
a working conception of that natural
association-process which his art is to
modify.
chap. page
IV STAGES OF CONTROL 79
At what stages in the association-process
should the thinker bring the conscious
effort of his art to bear? If we examine
a single achievement of thought we can
distinguish four stages - Preparation,
Incubation, Illumination (and its accom
paniments), and Verification. At the
Preparation stage we can consciously ac
cumulate knowledge, divide up by logi
cal rules the field of inquiry, and adopt a
definite ‘problem attitude.’ In Verifica
tion we can consciously follow out rules
like those used in Preparation. At the
Incubation stage we can consciously
arrange, either to think on other subjects
than the proposed problem, or to rest
from any form of conscious thought.
This second form of Incubation is often
necessary for the severer types of intel
lectual production, which would be hin
dered either by interruption or by con
tinuous passive reading. If we are con
sciously to control the Illumination stage
we must include in it the ‘fringe-con
scious’ psychological events which pre
cede and accompany the ‘flash’ of Illu
mination, and which may be called
Intimation. We can to some degree
control Illumination by making our
selves conscious (as many poets are
conscious) of Intimation; and by both
encouraging the psychological pro
cesses which Intimation shows to be
occurring, and protecting them from
interruption.
CHAP. PAGE
V THOUGHT AND EMOTION IO8
A difficulty in the voluntary control of
thought arises from the elusive character
of ‘emotion’ or ‘affect.’ Sensation and
imagery are less elusive than emotion;
and poets and artists have attempted to
retain their emotions by associating them
with images of sensation. On the other
hand, emotions can call up ideas, and
nations have sometimes to choose be
tween a vernacular language whose emo
tional associations may provide intellec
tual stimulus, and a more exact literary
language with fewer emotional associ
ations. The intellectual influence of
certain emotions, such as humour and
sympathy, can best be appreciated by
considering them separately. In poetic
creation, one of the strongest intellec
tual influences comes from the emotion
of ‘significance.’ A century ago, the
problem of the relation between thought
and emotional association was discussed
by using the terms ‘reason’ and ‘imag
ination’; Shelley described his personal
intellectual development from ‘reason,’
which attempted to inhibit emotion, to
‘imagination,’ which used the whole
content of consciousness as a guide both
to truth and to human values.
CHAP. PAGE
VI THOUGHT AND HABIT 133
All mental activities, beside their imme
diate effects in the production of thought,
have later effects in the production of
mental habits; and it is sometimes con
venient to consider the activity as means,
and the habit as end. A regular time
stimulus is useful as producing the habit
of ‘warming up,’ and may be combined
with the stimulus of place or circum
stance, or of the muscular movements of
fingers or lips. But we should not be
come the slaves of habit; the best admini
strators often attempt to get a fresh point
of intellectual departure by breaking
their own mental habits; and those who
have to work to a time-table should sys
tematically watch and record their unha-
bitual ‘fringe-thoughts.’ Such thoughts
will often come at moments outside the
working day, and it is specially impor
tant for the social thinker to observe and
select them during newspaper reading.
Mental habits should vary with the
natural powers, the age, and the subjects
of study, of the thinker; and the manage
ment of habit is specially important for
thinkers who arc teachers or journalists.
The daily conflict between the stimulus
of habit-keeping and that of habit-break
ing, is only part of the larger problem
of regularity and adventure in the life of
a creative thinker.
CHAP. PAGE
VII EFFORT AND ENERGY 150
Further analysis is required of the facts
behind our use in psychology of such
words as ‘effort,’ ‘energy,’ and ‘ease.’
Creative artists often describe their
moments of greatest intellectual energy
as being without effort, but the artist
himself cannot always tell whether the
absence of effort means an increase or a
decline of energy, especially in those
cases where a mental activity which origi
nally required severe effort has become
habitual. Spencer describes a habit of
relaxed mental energy, and Mill a habit
by which he constantly renewed his men
tal energy. But efforts vary not only in
intensity, but also in the character of
their ‘stroke,’ and many men have wasted
their efforts because they never dis
covered the right stroke for their work.
Sometimes the effective stimulation of
mental energy depends on the relation
between thought and ‘emotion’; extreme
emotion may, however, weaken thought;
or the emotional factors in our organism
may fail to respond to an intellectual call
for energy. Some thinkers have advo
cated the production of organic harmony
by the general organic relaxation of
‘power through repose’; but the purpose
of thought is not organic harmony but
truth, and the seeker for truth must al
ways be prepared to sacrifice harmony.
The harmony resulting from action is
more effective for the production of
energy than the harmony of repose; but
action, if it is to heighten intellectual
energy, must be relevant to our purpose,
and to those conditions outside ourselves
on which the fulfilment of our purpose
depends. The ‘energy’ of which the psy
chologist speaks is an empirical fact of
introspection; it may some day be related
to the measurable ‘energy’ of the physi
cist and the physiologist.
CHAP. PAGE
VIII TYPES OF THOUGHT 171
Certain ways of using the mind are char
acteristic of nations, professions and
other human groups. Some of these are
the unconscious results of environment;
others have been consciously invented;
and others are due to a combination of
invention and environment. The French
and English nations have acquired differ
ent mental habits and ideals which they
indicate respectively by the word ‘logic’
and the phrase ‘muddling through.’
Each habit has advantages and dangers,
and it may be hoped that a new habit will
some day be developed which will com
bine both advantages and avoid both dan
gers. It is less easy to detect an American
type of thought. There are indications
that a more elastic and effective mental
habit may be developing in America than
is found elsewhere, but that habit cannot
yet be called the national type. The
‘pioneer’ habit of mind is perhaps more
prevalent in America than any other
single type; but it seems to be rapidly
dissolving under the influence of indus
trial development, religious change, and
the spread of popular interest in psycho
logy. A new standard of intellectual
energy may ultimately come to be ac
cepted in America, accompanied by a
new moral standard in the conduct of the
mind, and a new popular appreciation of
the more difficult forms of intellectual
effort.
CHAP. PAGE
IX DISSOCIATION OF CONSCIOUSNESS 204
The history of the art of thought has been
greatly influenced by the invention of
methods of producing the phenomena of
‘dissociated consciousness.’ The simplest
and most ancient of these are the methods
of producing a hypnotic trance by the
monotonous repetition of nervous stimuli.
Such methods have important and some
times beneficial effects on the functions
of the lower nervous system; and a slight
degree of dissociation may assist some of
the higher thought-processes; but the
evidence seems to indicate that the best
intellectual and artistic work is not done
in a condition of serious dissociation.
Dissociation, however, often produces
intense intellectual conviction; and the
future of religion and philosophy, in both
the West and the East, depends largely
on the conditions under which that con
viction is accepted as valid. In Western
Christianity, methods of ‘meditation’
have been invented, especially by Saint
Ignatius, which are intended to avoid the
dangers of mere dissociation; but the
process of direction of the association
trains of ideas and emotions by an effort
of will is so difficult that it constantly re
sults in the production of the same state
of dissociation as that produced by the
earlier and more direct expedient of self
hypnotism. And, since dissociation re
mains the most effective means of pro
ducing intellectual conviction by an act
18
chap. page
X THE THINKER AT SCHOOL 228
The discipline of the art of thought
should begin at an age when the choice
of intellectual methods must be mainly
made, not by the student, but by
teachers and administrators. If Plato
were born in London or New York, how
could we help him to become a thinker?
He would be a self-active organism, living
and growing in an environment far less
stimulating than that of ancient Athens,
and unable to discover for himself the
best ways of using his mind. His educa
tion should involve a compromise be
tween his powers as a child and his needs
as a future adult; he should acquire
steadily increasing experience of mental
effort and fatigue, and of the energy
which results from the right kind of
effort; he will need periodical leisure,
with its opportunities and dangers. The
present experimental schools in which
students are left to acquire thought
methods by their own ‘trial and error’
have not always been successful, and the
individual hints of a clever teacher as to
mental method often fail. It may, there
fore, be hoped that a knowledge of the
outlines of the psychology of thought
may become a recognized part of the
school and college curriculum; experi
mental evidence already exists as to the
effect of such knowledge in improving
the mental technique of a student.
CHAP. PAGE
XI PUBLIC EDUCATION 256
In the case of four-fifths of the inhabi
tants of a modern industrial community,
inventions of educational method will
only increase the output of thought, in
so far as they are actually brought to bear
on the potential thinker by the adminis
trative machinery of public education.
That machinery is everywhere new, and
was originally based on an over-simple
conception of the problem. In England,
we are slowly realizing the necessity,
(a) of making more complex provision
for the ‘average’ student, and (^) of pro
viding special treatment for the sub
normal or supernormal student. Differen
tial public education for the supernormal
working-class child had to wait for the
invention of a technique of mental diag
nosis, and only began in England at the
end of the nineteenth century; the sys
tem is still insufficiently developed, and
there is a serious danger that an exten
sion of the age of compulsion in its pre
sent form may lessen the productivity of
the most supernormal minds. If this
danger is to be avoided, we must recon
sider our present compulsory system,
with a presumption in favour of liberty
and variety; American experience shows
the intellectual disadvantages involved in
the compulsory enforcement of anything
like a uniform system of secondary edu
cation.
CHAP. PAGE
XII TEACHING AND DOING 279
The proposal to raise the age of educa
tional compulsion is often combined, in
England, with a scheme to make teach
ing, like law and medicine, a close ‘self-
governing’ profession, with a monopoly
of public service. That scheme involves
serious dangers to the intellectual life of
the community, and especially to the
training of potential thinkers; it ignores
not only the possible opposition of inter
est between the consumers and the pro-
SYNOPSIS OF CHAPTERS 21
n, p. 135)-
Ill
STAGES OF CONTROL
262,
Lyttelton - and spent a honeymoon of four in Scotland.
‘Any little waiting time as at the railway station,’ says
her daughter, Mrs. Drew, ‘was now spent in reading —
both husbands carrying the inevitable little classics in
their pockets.’ During the days when new knowledge,
new forms of thought, new methods in industry and
war and politics, and the rise of new nations were trans
forming Western civilization, ‘Lord Lyttelton was to
be seen at cricket-matches in the playing field at Eton,
lying on his front, reading between the overs, but never
missing a ball.’1
So far in this chapter I have inquired how far we can
voluntarily improve our methods of thought at those
stages — Preparation, Incubation (in its negative sense
of abstention from voluntary thought on a particular
problem), and Verification — over which our conscious
will has comparatively full control. I shall now discuss
the much more difficult question of the degree to which.
our will can influence the less controllable stage which
I have called Illumination. Helmholtz and Poincare,
in the passages which I quoted above, both speak of
the appearance of a new idea as instantaneous and un
expected. If we so define the Illumination stage as to
restrict it to this instantaneous ‘flash,’ it is obvious that
we cannot influence it by a direct effort of will; because
we can only bring our will to bear upon psychological
events which last for an appreciable time. On the other
hand, the final ‘flash.’ or ‘click’, as I pointed out in
Chapter III, is the culmination of a successful train of
1 Catherine Gladstone, by Mary Drew, p. 32.
94 THE ART OF THOUGHT Ch. 4
the fact that for the poet the finding of expressive words
is an integral part of the more or less automatic thought
process indicated by Intimation. The little girl had the
making of a poet in her who, being told to be sure of
her meaning before she spoke, said, ‘How can I know
what I think till I see what I say?’ A modern professed
thinker must, however, sooner or later in the process of
thought, make the conscious effort of expression, with
all its risks. A distant ancestor of ours, some Aurig-
nacian Shelley, living in the warm spell between two
ice ages, may have been content to lie on the hillside,
and allow the songs of the birds and the loveliness of
the clouds to mingle with his wonder as to the nature
of the universe in a delightful uninterrupted stream of
rising and falling reverie, enjoyed and forgotten as it
passed. But the modern thinker has generally accepted.
willingly or unwillingly, the task of making permanent
his thought for the use of others, as the only justifica
tion of his position in a society few of whose members
have time or opportunity for anything but a life of
manual labour.
The interference of our will should, finally, vary -
with the variations of the subject-matter of our thought
- not only in respect of the point in time at which it
should take place, but also in respect to the element in
a complex thought-process with which we should inter
fere. A novelist who had just finished a long novel, and
who must constantly have employed his conscious will
while writing it, to make sure of a good idea or phrase,
or to improve a sentence, or rearrange an incident, told
Ch. 4 STAGES OF CONTROL 107
me that he had spoilt his book by interfering with the
automatic development of his main story and of its chief
characters, in order to follow out a preconceived plot.
Dramatists and poets constantly speak of the need of
allowing their characters to ‘speak for themselves’; and
a creative artist often reaches maturity only when he has
learnt so to use his conscious craftsmanship in the ex
pression of his thought as not to silence the promptings
of that imperfectly co-ordinated whole which is called
his personality. It is indeed at the stage of Illumination
with its fringe of Intimation that the thinker should
most constantly realize that the rules of his art will be
of little effect unless they arc applied with artistic
delicacy of apprehension.
V
‘Thought
Alone, and its quick elements, Will, Passion,
Reason, Imagination, cannot die;
They are, what that which they regard appears,
The stuff whence mutability can weave
All that it has dominion o’er, worlds, worms,
Empires and superstitions.’
(Hellas, 11. 795-801.)
Ch. 5 THOUGHT AND EMOTION 131
p. 87).
156 THE ART OF THOUGHT Ch.7
oarsmen, may learn that ‘stroke’ for themselves. Some
thinkers never learn it at all; I have listened, on the
public bodies of which I have been a member, for hours
together to slack rambling speeches delivered with tre
mendous effort by good and earnest men and women
who have never caught the trick of stimulating in them
selves the mental energy which would have given point
to their thought. Sometimes a thinker will miss the
necessary ‘stroke’ because he directs his conscious effort
to some form of activity which is not that essentially
needed by the task in hand. I remember that when
William Morris was fatiguing his great brain and wcar-
ing_out his powerful body by delivering innumerable
confused Marxist speeches at street corners, Bernard
Shaw said to me, ‘Morris has come into this movement
with all his energy, but not with all his intellect.’ Shaw
was here using the word ‘energy’ in the sense in which
I am using the word ‘effort.’ Morris, in the arts of
designing and printing, and sometimes in his poetry,
had learnt the stroke by which the ‘energy’ (in the sense
in which I am using the word) of his intellect could be
most effectively brought to bear. In the kind of thought
which is the first duty of a social critic and inventor he
had not learnt that stroke, and had hardly recognized
that he needed to learn it.
Most thinkers, however, are neither natural artists in
thought, nor unable or unwilling to learn their art.
But, in the absence of an accepted ‘scientific art,’ they
learn by a puzzled and often unsuccessful imitation of
the thought-processes and mental attitudes of others,
Ch. 7 EFFORT AND ENERGY 157
• ✓
i7o THE ART OF THOUGHT Ch. 7
TYPES OF THOUGHT
DISSOCIATION OF
CONSCIOUSNESS
p.43. It is interesting to notice that even the best of these books, and even
when they are dealing with students who have entered a university
course, seem to assume that their readers will use the easier rather than
the more effective intellectual methods. Prof. Kitson, for instance, in
his book How to use your Mind, which I have already quoted, and which
is intended for students during their first college years, says, when deal
ing with the method of language learning, ‘As you look up the -words of
Ch. io THE THINKER AT SCHOOL 251
we had minds; and still fewer were aware that our in
tellectual operations had been analysed, and formed the
subject of a science the facts of which our own con
sciousness delighted to verify. Neither he nor his class
were logical, in any proper sense of the word. But no
exposition of the mere rules of reasoning could have
been half so useful as the course which he adopted,
which was first to classify and explain the nature of the
different faculties, and then to point out the proper
modes of using and improving them. This, though not
logic, was the first thing that wakened our dormant
powers.’1
On the question of the effect of psychological aware
ness in education I have myself gathered some amount
of experimental evidence. For the last ten years of my
life as a London professor of political science I deliber
ately used what I was able to learn about the psychology
of the thought-processes as a means of helping my
university students to capture and record thoughts
which would otherwise never have come into full con
sciousness. I gave my students class-lectures in psycho
logy outside their political science course, and in per
sonal work with my graduate students tried to help
them to acquire that power of observing the emotional
© and intellectual ‘fringe’ of their thoughts with which I
have dealt in this book. I have Before me letters from
four such graduate students. They were all cases of
men who had taken university degrees, after courses
(in a Colonial university, an English training college,
1 Henry Cockburn, Memorials (edition of 1909), pp. 19, 20.
Ch. io THE THINKER AT SCHOOL 253
PUBLIC EDUCATION
schools, published a novel called The Day Boy (R. Gurner, 1924).
As a novel the book is naught, but it contains an extraordinarily inter
esting first-hand description of the relation between the new administra
tive problems and the old ‘public school’ traditions. He is, I think, not
quite sufficiently aware of some of the considerations which I have
urged above; but he is speaking of a school intended rather for the
most supernormal thirty per cent of the population than for the most
supernormal one per cent.
India, or, in their original intention, the Greek Letter
societies of the American universities, or might keep
up the sort of intimacy with each other which is a
tradition among those who have been members of the
Society of Apostles at Cambridge.
I have striven to give my scheme of a little experi
mental school reality by the invention of detail; but I
still feel that it will seem fantastic when it is compared
by the organizers of public education with the solid
facts of the thousand students of an American high
school, or the ten thousand students of a Western
State university, or with a great new English municipal
secondary school.1 But it is only after long dwelling
in an imaginary world that the present world itself
begins to look fantastic, and that one sees sub specie
eternitatis, the tragi-comic^figure of that student of a
famous^ American university .who, a year or two ago,
used, on the invitation of the wife of a sympathetic
professor, to slip at dusk through her garden that he
might read and think for a few hours in her attic,
undisturbed by those of his fellow students who repre
sented more completely than himself the tradition of
the place.
One lives, however, in the world of solid fact, and in
that world it may be hopeless to expect a voting
11 once suggested to the public-spirited head of an endowed Ameri
can college that his college might help to create a new standard in
American undergraduate work if it offered entrance only to the ablest
students who applied. He answered, ‘In America we don’t do things
in that way.’
Ch. 12 TEACHING AND DOING 305
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