This is a work of fiction.

All of the characters, organizations, and events por-

trayed in this novel are either products of the author’s imagination or are used
fictitiously.

ANNA DRESSED IN BLOOD

Copyright © 2011 by Kendare Blake

All rights reserved.

A Tor Teen Book

Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010

www.tor-forge.com

Tor® is a registered trademark of Tom Doherty Associates, LLC.

ISBN 978-0-7653-2865-6

First Edition: September 2011

Printed in the United States of America

0 9 8 7 6 5 4 3 2 1
 C hapter O ne

T he grease-slicked hair is a dead giveaway—no pun

intended.
So is the loose and faded leather coat, though not as
much that as the sideburns. And the way he keeps nod-
ding and flicking his Zippo open and closed in rhythm
with his head. He belongs in a chorus line of dancing Jets
and Sharks.
Then again, I have an eye for these things. I know what
to look for, because I’ve seen just about every variety of
spook and specter you can imagine.
The hitchhiker haunts a stretch of winding North Car-
olina road, bordered by unpainted split-rail fences and a
whole lot of nothing. Unsuspecting drivers probably pick
him up out of boredom, thinking he’s just some college
kid who reads too much Kerouac.
“My gal, she’s waiting for me,” he says now in an excited
voice, like he’s going to see her the minute we crest the next
hill. He taps the lighter hard on the dash, twice, and I
glance over to make sure he hasn’t left a ding in the panel.
This isn’t my car. And I’ve suffered through eight weeks of
lawn work for Mr. Dean, the retired army colonel who lives
down the block, just so I could borrow it. For a seventy-
year-old man he’s got the straightest back I’ve ever seen. If
I had more time, I could’ve spent a summer listening to
interesting stories about Vietnam. Instead I cleared shrubs
and tilled an eight-by-ten plot for new rosebushes while he
watched me with a surly eye, making sure his baby would
be safe with this seventeen-year-old kid in an old Rolling
Stones t-shirt and his mother’s gardening gloves.
To tell the truth, knowing what I was going to use the
car for, I felt a little guilty. It’s a dusk blue 1969 Camaro
Rally Sport, mint condition. Drives smooth as silk and
growls around curves. I can’t believe he let me take it, yard
work or no. But thank god he did, because without it
I would have been sunk. It was something the hitchhiker
would go for—something worth the trouble of crawling
out of the ground.
“She must be pretty nice,” I say without much interest.
“Yeah, man, yeah,” he says and, for the hundredth time
since I picked him up five miles ago, I wonder how anyone
could possibly not know that he’s dead. He sounds like a
James Dean movie. And then there’s the smell. Not quite
rotten but definitely mossy, hanging around him like a fog.
How has anyone mistaken him for the living? How has
anyone kept him in the car for the ten miles it takes to get
to the Lowren’s Bridge, where he inevitably grabs the wheel
and takes both car and driver into the river? Most likely
they were creeped out by his clothes and his voice, and by

( 8 )
the smell of bones—that smell they seem to know even
though they’ve probably never smelled it. But by then it’s
always too late. They’d made the decision to pick up a
hitchhiker, and they weren’t about to let themselves be
scared into going back on it. They rationalized their fears
away. People shouldn’t do that.
In the passenger seat, the hitchhiker is still talking in
this faraway voice about his girl back home, somebody
named Lisa, and how she’s got the shiniest blond hair and
the prettiest red smile, and how they’re going to run off
and get married as soon as he gets back hitching from
Florida. He was working part of a summer down there for
his uncle at a car dealership: the best opportunity to save
up for their wedding, even if it did mean they wouldn’t see
each other for months.
“It must’ve been hard, being away from home so long,”
I say, and there’s actually a little bit of pity in my voice.
“But I’m sure she’ll be glad to see you.”
“Yeah, man. That’s what I’m talking about. I’ve got
everything we need, right in my jacket pocket. We’ll get mar-
ried and move out to the coast. I’ve got a pal out there, Robby.
We can stay with him until I get a job working on cars.”
“Sure,” I say. The hitchhiker has this sadly optimistic
look on his face, lit up by the moon and the glowing dash-
lights. He never saw Robby, of course. He never saw his
girl Lisa, either. Because two miles up the road in the sum-
mer of 1970, he got into a car, probably a lot like this one.
And he told whoever was driving that he had a way to start
an entire life in his coat pocket.

( 9 )
 The locals say that they beat him up pretty good by the
bridge and then dragged him back into the trees, where
they stabbed him a couple of times and then cut his throat.
They pushed his body down an embankment and into one
of the tributary streams. That’s where a farmer found it,
nearly six months later, wound around with vines, the jaw
hanging open in surprise, like he still couldn’t believe that
he was stuck there.
And now he doesn’t know that he’s stuck here. None of
them ever seem to know. Right now the hitchhiker is whis-
tling and bobbing along to nonexistent music. He probably
still hears whatever they were playing the night they killed
him.
He’s perfectly pleasant. A nice guy to ride with. But when
we get to that bridge, he’ll be as angry and ugly as anyone
you’ve ever seen. It’s reported that his ghost, dubbed un-
originally as the County 12 Hiker, has killed at least a
dozen people and injured another eight. But I can’t really
blame him. He never made it home to see his girl, and now
he doesn’t want anyone else to get home either.
We pass mile marker twenty-three—the bridge is less
than two minutes away. I’ve driven this road almost every
night since we moved here in the hopes that I would catch
his thumb in my headlights, but I had no luck. Not until I
got behind the wheel of this Rally Sport. Before this it was
just half a summer of the same damn road, the same damn
blade tucked under my leg. I hate it when it’s like that, like
some kind of horribly extended fishing trip. But I don’t give
up on them. They always come around in the end.

( 10 )
 I let my foot ease up on the gas.
“Something wrong, friend?” he asks me.
I shake my head. “Only that this isn’t my car, and I don’t
have the cash to fix it if you decide to try to take me off the
bridge.”
The hitchhiker laughs, just a little too loudly to be nor-
mal. “I think you’ve been drinking or something tonight,
pal. Maybe you ought to just let me off here.”
I realize too late that I shouldn’t have said that. I can’t
let him out. It’d be my luck that he’d step out and disap-
pear. I’m going to have to kill him while the car is moving
or I’ll have to do this all over again, and I doubt that Mr.
Dean is willing to let the car go for too many more nights.
Besides, I’m moving to Thunder Bay in three days.
There’s also the thought that I’m doing this to this poor
bastard all over again. But that thought is fleeting. He’s
already dead.
I try to keep the speedometer over fifty—too fast for
him to really consider jumping out, but with ghosts you
can never be sure. I’ll have to work fast.
It’s when I reach down to take my blade out from under
the leg of my jeans that I see the silhouette of the bridge in
the moonlight. Right on cue, the hitchhiker grabs the
wheel and yanks it to the left. I try to jerk it back right and
slam my foot on the brake. I hear the sound of angry rub-
ber on asphalt and out of the corner of my eye I can see
that the hitchhiker’s face is gone. No more easy Joe, no
slicked hair and eager smile. He’s just a mask of rotten
skin and bare, black holes, with teeth like dull stones. It

( 11 )
looks like he’s grinning, but it might just be the effect of
his lips peeling off.
Even as the car is fishtailing and trying to stop, I don’t
have any flashes of my life before my eyes. What would
that even be like? A highlight reel of murdered ghosts. In-
stead I see a series of quick, ordered images of my dead
body: one with the steering wheel through my chest, an-
other with my head gone as the rest of me hangs out the
missing window.
A tree comes up out of nowhere, aimed right for my
driver’s side door. I don’t have time to swear, just to jerk
the wheel and hit the gas, and the tree is behind me. What
I don’t want to do is make it to the bridge. The car is all
over the shoulder and the bridge doesn’t have one. It’s nar-
row, and wooden, and outdated.
“It’s not so bad, being dead,” the hitchhiker says to me,
clawing at my arm, trying to get me off the wheel.
“What about the smell?” I hiss. Through all of this I
haven’t lost my grip on my knife handle. Don’t ask me
how; my wrist feels like the bones are going to separate in
about ten seconds, and I’ve been pulled off my seat so that
I’m hovering over the stick shift. I throw the car into neu-
tral with my hip (should have done that earlier) and pull
my blade out fast.
What happens next is kind of a surprise: the skin comes
back onto the hitchhiker’s face, and the green comes back
into his eyes. He’s just a kid, staring at my knife. I get the
car back under control and hit the brakes.
The jolt from the stop makes him blink. He looks at me.

( 12 )
 “I worked all summer for this money,” he says softly. “My
girl will kill me if I lose it.”
My heart is pounding from the effort of controlling the
lurching car. I don’t want to say anything. I just want to get
it over with. But instead I hear my voice.
“Your girl will forgive you. I promise.” The knife, my
father’s athame, is light in my hand.
“I don’t want to do this again,” the hitchhiker whispers.
“This is the last time,” I say, and then I strike, drawing
the blade across his throat, opening a yawning black line.
The hitchhiker’s fingers come up to his neck. They try to
press the skin back together, but something as dark and
thick as oil floods out of the wound and covers him, bleed-
ing not only down over his vintage-era jacket but also up
over his face and eyes, into his hair. The hitchhiker doesn’t
scream as he shrivels, but maybe he can’t: his throat was
cut and the black fluid has worked its way into his mouth.
In less than a minute he’s gone, leaving not a trace behind.
I pass my hand over the seat. It’s dry. Then I get out of
the car and do a walk-around as best I can in the dark,
looking for scratches. The tire tread is still smoking and
melted. I can hear Mr. Dean’s teeth grinding. I’m leaving
town in three days, and now I’ll be spending at least one of
them putting on a new set of Goodyears. Come to think
of it, maybe I shouldn’t take the car back until the new
tires are on.

( 13 )
ANNA DRESSED IN BLOOD

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