Theme in Fiction
Theme in Fiction
Theme in Fiction
Title
Theme in Fiction
The theme is the central message of a literary work. It is different from a topic, which
can be expressed in a word or two: love, friendship, survival, war, hope, etc. Rather,
the theme is the idea the author wishes to convey about that subject. It is usually
expressed as a sentence or general statement about life or human nature. 1
In some stories the theme can be clear. At the end of Aesop’s fable about the council
of the mice that can't decide who will bell the cat, the theme is stated in the moral: “It
is easier to propose a thing than to carry it out”. In literary fiction, a theme is not always
so obvious. That is, a theme need not be a moral, it may be what the happenings add
up to, what the story is about.2 For example, if love is a topic/subject of two novels, a
theme should express the writer’s message about love. A major theme in one of the
novels could be “Love, if taken to extremes, can be negative rather than positive,”
while in the other novel, the theme might be “Love can conquer even the greatest evil.”
The topic/subject is the same, in the two novel, but the messages about that
topic/subject are different in different works. In other words, a theme is a meaning of
a work. Thus, the meaning of a work cannot be love, hate, or greed. This will make no
sense. Those are just topics, not themes. The theme is the statement an author is
making about a topic.
A literary work can have more than one theme, and most themes are not directly stated
but are implied. The reader must think about all the elements of the work and use them
to make inferences, or reasonable guesses, as to which themes seem to be implied.
1
Laying the Foundation, (n.d.). msyostsclass.weebly. Retrieved from
http://msyostsclass.weebly.com/uploads/5/6/1/7/56179967/writing-thematic-statmentsomam.pdf
2
Kennedy, X. J, & Gioia, D. (2016) Literature: An introduction to fiction, poetry, dram, and writing. Pearson. P.
204.
bazaar to buy a gift for a young woman, only to arrive too late, is to summarize plot,
not theme. (The theme might be put, "The illusions of a romantic young man are
vulnerable," or it might be put in any of a few hundred other ways.)
Sometimes you will hear it said that the theme of a story is "loss of innocence" or
"initiation into maturity," or that the theme of some other story is "the revolt of the
downtrodden." This is to use theme in a larger and more abstract sense than we use
it here. Although such general descriptions of theme can be useful, as in sorting a
large number of stories into rough categories, the reader is advised to look for
whatever truth or insight s/he thinks the writer of a story reveals.
3
Booth, A., & Mays, K. (2010). The Norton introduction to literature. Norton, p. 254.
is an order/directive such as “Be nice to elderly people” or “Love like there’s no
tomorrow.”
Themes are NOT common sayings (clichés, maxims, or aphorisms) such as “Actions
speak louder than words,” “Love hurts,” or “Absence makes the heart grow fonder.”
Themes do NOT refer to the specific names or events of a particular literary
piece. A theme does not summarize a work, but it does reflect what happens in the
work. A theme drops character names and uses more general terms like “parents,”
“leaders,” “society,” or “young people” in a general observation about the human
experience.
Themes avoid absolute terms such as “all,” “none,” “everything,” or “always”
because they indicate sloppy thinking; they are categorical, no exceptions. Terms
like “we,” “sometimes,” or “often” suggest a more realistic view of the variety of human
experiences.
References
Booth, A, & Mays, J. K. (2010) The Norton introduction to literature. New York:
Norton.
Kennedy, X. J., & Gioia, D. (2016). Literature: An introduction to fiction, poetry, and
drama. New York: Pearson.