Lesson 10
Lesson 10
Learning Outcomes
At the end of this lesson, the learners are expected to:
1. Elaborately discuss portfolio assessment as an evaluation tool.
2. Discover the usefulness of portfolio assessment.
3. Improve students’ portfolio using the strengthening evaluation guide.
4. Constructively use portfolio assessment in analyzing and reporting data.
Motivation Question
How can portfolio assessment promote a student’s abilities?
Discussion
WHAT IS PORTFOLIO ASSESSMENT?
In program evaluation as in other areas, a picture can be worth a thousand words. As an evaluation
tool for community-based programs, we can think of a portfolio as a kind of scrapbook or photo album that
records the progress and activities of the program and its participants, and showcases them to interested
parties both within and outside of the program. While portfolio assessment has been predominantly used in
educational settings to document the progress and achievements of individual children and adolescents, it
has the potential to be a valuable tool for program assessment as well.
Many programs do keep such albums, or scrapbooks, and use them informally as a means of
conveying their pride in the program, but most do not consider using them in a systematic way as part of
their formal program evaluation. However, the concepts and philosophy behind portfolios can apply to
community evaluation, where portfolios can provide windows into community practices, procedures, and
outcomes, perhaps better than more traditional measures.
Portfolio assessment has become widely used in educational settings as a way to examine and
measure progress, by documenting the process of learning or change as it occurs. Portfolios extend beyond
test scores to include substantive descriptions or examples of what the student is doing and experiencing.
Fundamental to "authentic assessment" or "performance assessment" in educational theory is the principle
that children and adolescents should demonstrate, rather than tell about, what they know and can do (Cole,
Ryan, & Kick, 1995). Documenting progress toward higher order goals such as application of skills and
synthesis of experience requires obtaining information beyond what can be provided by standardized or
norm-based tests. In "authentic assessment", information or data is collected from various sources, through
multiple methods, and over multiple points in time (Shaklee, Barbour, Ambrose, & Hansford, 1997). Contents
of portfolios (sometimes called "artifacts" or "evidence") can include drawings, photos, video or audio tapes,
writing or other work samples, computer disks, and copies of standardized or program-specific tests. Data
sources can include parents, staff, and other community members who know the participants or program, as
well as the self-reflections of participants themselves. Portfolio assessment provides a practical strategy for
systematically collecting and organizing such data.
1) Purpose
The primary concern in getting started is knowing the purpose that the portfolio will serve. This decision
defines the operational guidelines for collecting materials. For example, is the goal to use the portfolio as
data to inform program development? To report progress? To identify special needs? For program
accountability? For all of these?
2) Assessment Criteria
Once the purpose or goal of the portfolio is clear, decisions are made about what will be considered success
(criteria or standards), and what strategies are necessary to meet the goals. Items are then selected to
include in the portfolio because they provide evidence of meeting criteria, or making progress toward goals.
3) Evidence
In collecting data, many things need to be considered. What sources of evidence should be used? How much
evidence do we need to make good decisions and determinations? How often should we collect evidence?
How congruent should the sources of evidence be? How can we make sense of the evidence that is
collected? How should evidence be used to modify program and evaluation? According to Barton and Collins
(1997), evidence can include artifacts (items produced in the normal course of classroom or program
activities), reproductions (documentation of interviews or projects done outside of the classroom or
program), attestations (statements and observations by staff or others about the participant), and
productions (items prepared especially for the portfolio, such as participant reflections on their learning or
choices) . Each item is selected because it adds some new information related to attainment of the goals.
Steps of Portfolio Assessment
Although many variations of portfolio assessment are in use, most fall into two basic types: process
portfolios and product portfolios (Cole, Ryan, & Kick, 1995). These are not the only kinds of portfolios in use,
nor are they pure types clearly distinct from each other. It may be more helpful to think of these as two steps
in the portfolio assessment process, as the participant(s) and staff reflectively select items from their
process portfolios for inclusion in the product portfolio.
Step 1: The first step is to develop a process portfolio, which documents growth over time toward a goal.
Documentation includes statements of the end goals, criteria, and plans for the future. This should
include baseline information, or items describing the participant's performance or mastery level at
the beginning of the program. Other items are "works in progress", selected at many interim points to
demonstrate steps toward mastery. At this stage, the portfolio is a formative evaluation tool,
probably most useful for the internal information of the participant(s) and staff as they plan for the
future.
Step 2: The next step is to develop a product portfolio (also known as a "best pieces portfolio"), which
includes examples of the best efforts of a participant, community, or program. These also include "final
evidence", or items which demonstrate attainment of the end goals. Product or "best pieces"
portfolios encourage reflection about change or learning. The program participants, either individually or in
groups, are involved in selecting the content, the criteria for selection, and the criteria for judging
merits, and "evidence" that the criteria have been met (Winograd & Jones, 1992). For individuals and
communities alike, this provides opportunities for a sense of ownership and strength. It helps to
show-case or communicate the accomplishments of the person or program. At this stage, the
portfolio is an example of summative evaluation, and may be particularly useful as a public relations
tool.
Distinguishing Characteristics
Certain characteristics are essential to the development of any type of portfolio used for assessment.
According to Barton and Collins (1997), portfolios should be:
1) Multi-sourced (allowing for the opportunity to evaluate a variety of specific evidence)
Multiple data sources include both people (statements and observations of participants, teachers or program
staff, parents, and community members), and artifacts (anything from test scores to photos, drawings,
journals, & audio or videotapes of performances).
2) Authentic (context and evidence are directly linked)
The items selected or produced for evidence should be related to program activities, as well as the goals and
criteria. If the portfolio is assessing the effect of a program on participants or communities, then the
"evidence" should reflect the activities of the program rather than skills that were gained elsewhere. For
example, if a child's musical performance skills were gained through private piano lessons, not through 4-H
activities, an audio tape would be irrelevant in his 4-H portfolio. If a 4-H activity involved the same child in
teaching other children to play, a tape might be relevant.
3) Dynamic (capturing growth and change)
An important feature of portfolio assessment is that data or evidence is added at many points in time, not
just as "before and after" measures. Rather than including only the best work, the portfolio should include
examples of different stages of mastery. At least some of the items are self-selected. This allows a much
richer understanding of the process of change.
4) Explicit (purpose and goals are clearly defined)
The students or program participants should know in advance what is expected of them, so that they can
take responsibility for developing their evidence.
5) Integrated (evidence should establish a correspondence between program activities and life
experiences)
Participants should be asked to demonstrate how they can apply their skills or knowledge to real-life
situations.
6) Based on ownership (the participant helps determine evidence to include and goals to be met)
The portfolio assessment process should require that the participants engage in some reflection and self-
evaluation as they select the evidence to include and set or modify their goals. They are not simply being
evaluated or graded by others.
7) Multipurposed (allowing assessment of the effectiveness of the program while assessing performance
of the participant).
A well-designed portfolio assessment process evaluates the effectiveness of your intervention at the same
time that it evaluates the growth of individuals or communities. It also serves as a communication tool when
shared with family, other staff, or community members. In school settings, it can be passed on to other
teachers or staff as a child moves from one grade level to another.