(The Tavistock Clinic Series) Simonetta M. G. Adamo (Ed.), Margaret Rustin (Ed.) - Young Child Observation - A Development in The Theory and Method of Infant Observation-Karnac Books (2013)
(The Tavistock Clinic Series) Simonetta M. G. Adamo (Ed.), Margaret Rustin (Ed.) - Young Child Observation - A Development in The Theory and Method of Infant Observation-Karnac Books (2013)
(The Tavistock Clinic Series) Simonetta M. G. Adamo (Ed.), Margaret Rustin (Ed.) - Young Child Observation - A Development in The Theory and Method of Infant Observation-Karnac Books (2013)
Edited by
Simonetta M. G. Adamo & Margaret Rustin
KARNAC
First published in 2014 by
Karnac Books
118 Finchley Road
London NW3 5HT
The rights of the editors and contributors to be identified as the authors of this work
have been asserted in accordance with §§ 77 and 78 of the Copyright Design and
Patents Act 1988.
ISBN: 978–1–78220–060–4
www.karnacbooks.com
This book is dedicated to our grandchildren,
with whom we love to play:
Lorenzo, Gloria, Madeleine, Rosemary, and Gilbert
CONTENTS
acknowledgements xv
Introduction
Simonetta M. G. Adamo & Margaret Rustin 1
I
part
Developmental issues 25
vii
viii contents
II
part
Observing in the home 97
III
part
Observing in a nursery 163
IV
part
Applications 211
part V
Research 257
Epilogue
Michael Rustin 321
references 335
index 351
SERIES EDITOR’S PREFACE
Margot Waddell
S
ince it was founded in 1920, the Tavistock Clinic has d eveloped
a wide range of developmental approaches to mental health
which have been strongly influenced by the ideas of psycho
analysis. It has also adopted systemic family therapy as a theoretical
model and a clinical approach to family problems. The Clinic is now
the largest training institution in Britain for mental health, providing
postgraduate and qualifying courses in social work, psychology, psy
chiatry, and child, adolescent, and adult psychotherapy, as well as in
nursing and primary care. It trains about 1,700 students each year in
over 60 courses.
The Clinic’s philosophy aims at promoting therapeutic methods
in mental health. Its work is based on the clinical expertise that is
also the basis of its consultancy and research activities. The aim of
this Series is to make available to the reading public the clinical,
theoretical, and research work that is most influential at the Tavistock
Clinic. The Series sets out new approaches in the understanding and
treatment of psychological disturbance in children, adolescents, and
adults, both as individuals and in families.
At the beginning and end of this beautifully organized and
thought-through volume, Young Child Observation, Simonetta Adamo
and Margaret Rustin’s Introduction, together with Michael Rustin’s
xi
xii series editor’s preface
W
e are most grateful to all our contributors and to the many
families, children’s services of different kinds, and nurseries
who have allowed the observations to be gathered.
Invaluable support has been given in the preparation of the manu
script in various ways. We thank in particular Sue Coulson for help in
translation, Harry Caidan for typing many drafts, Karen Tanner for her
support, and Kate Stratton for editorial and bibliographical help. The
past and present editors of the Journal of Infant Observation, Lisa Miller
and Trudy Klauber, have been a vital source of encouragement and
practical help.
We also thank Taylor and Francis for permission to republish some
papers originally published as articles in Infant Observation: Interna
tional Journal of Infant Observation and Its Applications: Simonetta M. G.
Adamo & Margaret Rustin (2001), “Editorial” (Vol 4, No. 2: 3–22); Isca
Wittenberg (2001), “The transition from home to nursery school” (Vol.
4, No. 2: 23–35); Donald Meltzer & Martha Harris (2001), “The story of
child development—a psychoanalytic account” (Vol. 4, No. 2: 36–50);
Simonetta M. G. Adamo & Jeanne Magagna (1998), “Oedipal anxieties,
the birth of a second baby and the role of the observer” (Vol. 1, No. 2:
5–25); Sharon Warden (2001), “The day Captain Antonio’s balloon
burst” (Vol. 4, No. 2: 68–79); Claudia Henry (2001), “Laurie and his
cars: A three year old starts to separate” (Vol. 4, No. 3: 87–95); Simonetta
xv
xvi acknowledgements
xvii
xviii about the editors and contributors
Anna Burhouse has been working therapeutically with children and young
people since 1988. She is a qualified child and adolescent psychotherapist
with a special interest in infant–parent mental health, child development
research, and autism. Alongside this clinical role, Anna has also developed
an interest in the role of clinical leadership in organizational improvement
and is the Director of Strategic Modernisation for 2Gether NHS Foundation
Trust. Anna is a Health Foundation fellow and is currently undertaking an
MSc in Leadership Quality Improvement at Ashridge Business School as
part of the Health Foundation’s “Generation Q” leadership programme.
Anjali Grier initially qualified as an art therapist and worked with adults
in a hospital acute-admissions psychiatric unit, before developing her
interest in working with children. She has worked as an art therapist with
very young children in a hospital oncology department and also, for many
years, in a Child & Family Consultation Clinic. She then qualified as a Child
and Adolescent Psychotherapist at the Tavistock Centre and currently
works as a Senior Child & Adolescent Psychotherapist in the CAMHS and
Perinatal Departments of the Chelsea & Westminster Hospital. She is also
training at the Institute of Psychoanalysis, London.
Tavistock Child Psychotherapy Training and was responsible for its ambi
tious gradual expansion in the 1970s. She was a deeply inspiring teacher
who influenced a whole generation of clinicians working with children
and families, particularly through her espousal of the value of Infant
Observation for clinical work with children and adults. In the last years
of her life, she travelled with her husband, Donald Meltzer, to teach in
many countries. Several of her books have recently been republished by
Karnac.
to Wilfred Bion’s ideas about the development of the mind. Among his
best-known books are The Psychoanalytical Process (1967) and The Claustrum
(1992). His teaching and writing continues to be enormously influential
world-wide, particularly in relation to the understanding of early develop
ment and to the practice of child psychotherapy.
Mel Serlin worked for several years in social care with looked-after children
living in foster homes and residential settings. After originally graduating
in Media Arts, she completed her Master’s in Psychoanalytic Observation
and has since trained as a child and adolescent psychotherapist at the
Tavistock Clinic, based in the Fostering, Adoption and Kinship Care team
and the Adolescent Department.
T
his book is devoted to Young Child Observation as it is under
stood and practised within a large number of Psychoanalytic
Observation courses running within academic and professional
contexts across six continents. It is intended as a step towards establish
ing a theory of this approach to the study of the development of chil
dren between roughly 2 and 5 years. We hope to interest readers in the
growing awareness of the specificity of Young Child Observation and
address the need for more reflection and debate about some fundamen
tal questions. What are the specific aims of Young Child Observation, as
a learning experience, compared with Infant Observation? What is the
knowledge one can hope to gain from it in terms of child development,
and in what way can it offer a valuable contribution to the training
of child psychotherapists and to the broadening of understanding of
young children in the wider professional sphere? In this introductory
chapter we aim to tackle some of these matters.
Some of our questions concern problems of technique and possible
applications of the method. Young Child Observation should not be
considered as an applied version of Infant Observation, but as a devel
opment of it, which requires adjustments of technique and confronts
the observer with specific challenges. These arise from the necessity of
redefining the observational role in the face of the increased autonomy
of the child, and with the full impact of oedipal conflicts, which bring
1
2 simonetta m. g. adamo & margaret rustin
A historical note
It may be useful to start with some history, not only in order to set
Young Child Observation in the broader context of the development of
psychoanalytically oriented observation, but also in order to give full
recognition to the role played by some pioneers and to outline some
similarities and differences among the different approaches. In a paper
she wrote in 1951, Anna Freud recalls how:
when the knowledge concerning infantile sexuality and its trans
formations had once spread in the circle of psychoanalytic workers,
direct observation of children began. Such observations were carried
out first by parents, either under analysis, or analysts themselves, on
their own children, and were recorded regularly in special columns
of the psychoanalytic journals of the time. When psychoanalysis
began to be applied to the upbringing of children, the analysis of
teachers and nursery school workers became a frequent occurrence.
The observational work of these professionally trained people had
the advantage of being undertaken with greater objectivity and more
emotional detachment than parents can muster when confronted with
the behaviour of their own children. It had the further advantage of
dealing not only with individuals but with groups. [A. Freud, 1951,
p. 18]
The dual focus on the individual child and on children’s group life
is one of the most interesting themes of a number of chapters in this
book and is characteristic of much contemporary thinking about Young
Child Observation.
the way observations should be recorded and presented for group dis
cussion. Even if one adopts the above-mentioned devices, the “purity”
of the observation is in fact, according to Isaacs, no more than an ideal
to which one can, in the best conditions, approximate.
Only if he [the observer] . . . enters into no active relation with the
children, merely listening to what they do and say, without comment
or question, and as unobtrusively as possible, can he keep near to
the passivity of the mere observer. This, however, can only happen
behind the shelter of other adults, who do take responsibility and
accept an active relationship with the children. [Isaacs, 1930, p. 9]
If other adults are in fact absent, the child will see the non-interfering
observer not as a neutral figure, but as a “passive parent” who either
colludes with what he is doing or leaves him unprotected against his
potential destructiveness and sense of guilt. This is an ethical and tech
nical issue, which remains very relevant in Young Child Observation:
there can be times when the observer is the only adult present in the
room with the child and is confronted with demands from the child to
set limits, as well as to understand and join in.
A last point that we would like to make arises from Isaacs’s com
ments on the degree of “freedom” in the contexts where the observation
is taking place. When children are allowed to be more active and free to
express and pursue their own impulses and curiosity, without undue
restriction, “they show us their inner minds with far less reserve and
fear than in ordinary circumstances . . . There [is], in other words, more
for us to see and we [can] see it more plainly”. We think here of the
sense of boredom that observers sometimes complain of, feeling that
“there is nothing there to be seen”. This statement can, of course, have
multiple roots and be understood in different ways, but it tends to be
made in situations, at home or at school, that are characterized by the
great impoverishment of the intellectual nourishment provided for the
child. The observer will tend, in these cases, to feel strongly identified
either with the child deprived of the food necessary for intellectual
growth, or with a depriving mother figure who inflicts on the seminar
group material that lacks interest or depth.
London, in the years between 1940 and 1945, the Hampstead War Nurs
eries and, finally, the Nursery at the Hampstead Clinic, subsequently
renamed the Anna Freud Centre. This Nursery operated from 1957
until 2000, when, sadly, it was closed. The Jackson Nurseries hosted
very young children, 1–2 years of age, and observing them immediately
confronted adults with problems related to the methodology of data
collection—that is, as Hansi Kennedy (1988) puts it, the choice between
“behaviouristic observation” and what Anna Freud called “the analytic
method”:
With hindsight, there is no doubt that these observations were from
the beginning not mere records of observed behaviour but a method
of collecting data on the basis of pre-existing knowledge: an attempt
to observe children’s behaviour which aimed at confirming or con
tradicting psychoanalytic assumptions. [Kennedy, 1988, pp. 272–273]
The War Nurseries were set up (Edgcumbe, 2000) by Anna Freud and
Dorothy Burlingham “for children separated from their families by
the death, illness, absence in the armed force or on war work of their
parents . . . and aimed not only to provide for their physical and edu
cational needs, but also for their emotional and psychological needs”.
What makes this work unique is the collection and scrutiny of literally
hundreds of detailed written observations by all the nursery workers,
as part of their in-service training. The observations gathered were used
not only to modify the organization of the nurseries in order to better
meet children’s needs, but also to nourish the psychoanalytic under
standing of children’s development, as evidenced by the literature
that was based upon them (Freud & Burlingham, 1944; Hoffer, 1981).
To the written material should be added the visual material, made up
of the hundreds of photos taken by Willi Hoffer, which often record a
whole series of events in sequence and represent, in that sense, a sort of
precursor of subsequent techniques of recording observations through
film or videotape. It should be remembered, in this context, that one of
the first psychoanalysts to use this technique, James Robertson, him
self worked in the War Nurseries as a social worker (Edgcumbe, 2000).
Another video, by Lynn Barnett (1988), shows the use of observation
at the Anna Freud Centre, while a paper by Nancy Brenner (1992)
describes in a more detailed way its methods of work.
The nursery, attended by children aged between 2½ and 5 years, was
set up “to provide students training at the Centre with the opportunity
to observe and study normal child development”. But “ongoing obser
vations on the children are also recorded daily by the staff”. Brenner
introduction 7
quotes the words of Manna Friedmann (1988), the teacher for the first
20 years:
At first, when we were asked to record observations, we did not really
know how to go about it. We wrote long daily descriptions of some
particular child, his appearance, his activities, and so on, and we
wondered how to utilize them. At a special meeting with Anna Freud,
she spelled out how we should proceed: “Make a note”, she said,
“of anything you would feel inclined to tell a friend, either because
it charmed you, or it was funny, and amused you, or it was irritat
ing and angered you, make a note of anything which would confirm
some psychoanalytic theory or which would contradict it and make
a note of any behaviour which would seem to you precocious or the
opposite.” [Friedmann, 1988, pp. 280–281]
As an example, Friedmann quotes a comment made by Anna Freud on
observing the interactions between children and teachers:
We had what we called a “thinking bench” which was used as a
punishment for a child who had hurt another child in the garden.
Anna Freud overheard the teacher saying to a boy: “Sit and think
about what you have done, so that you won’t do it again, then you
can come back to us again.” Anna Freud’s humorous comment later
in the meeting was: “Won’t the child in future connect ‘thinking’ with
punishment? Maybe it would be better to call it ‘a waiting bench’”,
which we did. [Friedmann, 1988, pp. 281–282]
Interestingly, a similar episode occurred few years ago in a large confer
ence held in Naples (Italy) to launch a training programme for nursery
teachers. One of them recounted that a similar punishment had been
inflicted on a young boy who misbehaved in the classroom. This little
boy, however, had spent the time he had been restricted drawing on a
sheet of paper the bench on which he had been confined and gave it
to his teachers with the comment that “it was very useful and all the
classrooms should have one of them, for sure!” Undoubtedly in this
case the boy had rightly understood the positive function of this “wait
ing bench”.
Going back to the Anna Freud Centre, for the nursery teachers,
observing and recording observations constituted “additional time
given to children”, “the occasion”, as Brenner (1992, p. 88) puts it, “to
have with the single child, a ‘private’ visit, which enabled our ongoing
relationship to deepen”.
Marie Zaphiriou-Woods (personal communication, 2001), Nursery
Consultant in the years 1986–1997, gives the following account of the
use of observation in training:
8 simonetta m. g. adamo & margaret rustin
training became more extensive and lasted four and, ultimately, six
years. “There was a change of name from ‘Nursery’ to ‘Young Child
observation’. Weekly observations were undertaken, lasting a year.
Some people observed the children in their own homes and some in a
nursery or pre-school setting. Weekly observations were undertaken,
lasting one year” (p. 6). Not much has changed since then. Since the
seminar became a component of the MA course, students have been
required to write an essay on their work, which meant the beginning
of a wide collection of written observational material on children from
3 to 5 years. At the Tavistock, the Young Child seminar usually begins
in the second year of training. Students have, therefore, already had the
experience of observing a baby for one year when they begin to observe
a young child. The d ifficulty of keeping in mind simultaneously both
a very small baby and a more autonomous, but still very dependent
young child, with their different needs, is considerable. But it also
makes possible the anticipation of the growth of the baby and allows
for review of the baby stages and states of mind seen in the young child.
The tendency to make comparisons and, sometimes, to feel preferences
allows the observer to feel from within the richness and challenges of
parenthood and helps him or her to empathize with the situation of
being a parent of children of different ages.
A “natural experiment” concerning differences arising from the
duration of the Young Child Observation happened in Italy, where
for many years for historical reasons in the development of the cur
riculum the Young Child Observation seminar lasted two years, and
therefore students began the two observations simultaneously. When
the observation lasts two years, the relationship between the observer,
the child, and the rest of the family tends naturally to become deeper,
and the conclusion of the observation requires careful preparation.
In an unpublished paper, Meltzer (1987) speaks of the “responsibil
ity” that the observer takes on and of the opportunity to continue to
visit the family even after the completion of the period of observa
tion, since the observer often becomes, in some sense, “a member
of the extended family”. It is difficult, however, to establish general
rules, and the “weaning” from observation will be influenced by the
process and relational style of any particular observation (Adamo
& Magagna, 1998). It is also clear that a two-year duration helps to
develop the “therapeutic potential” of observation, where very dif
ficult and troubled families are concerned, as is shown in some of the
chapters in this book.
introduction 15
the family. Very often, the observer has to choose a child to observe,
singling one out from among a group of peers. This can be a very diffi
cult task. The observer may become anxious about choosing the “right”
or “wrong” child, one more or less suitable or interesting, or can feel
that, by choosing a particular child, too much of the self will be revealed.
One observer who had “lost” the child she was previously observing,
because the child had moved to a different school, later chose to observe
a child whom she found rather unappealing and uninteresting. With
the help of the puzzled seminar group, she could see how through
this “choice” she had unconsciously protected herself from becoming
emotionally involved with a new child and having to risk suffering
another loss. This choice, however, risked her not committing enough
of herself to the observation. Choosing can be particularly difficult if
the school is characterized by scarcity of resources and deprivation,
as some can be. The observer may feel guilty at being able to offer to
only one child the extra attention that observation provides. Sometimes
the atmosphere can even seem similar to that of an institution where
abandoned children are waiting and hoping for adoptive parents. If
such feelings are present and not specifically addressed and worked
through in the seminar group, the observer can find it very difficult
to concentrate on a single child and can easily lapse into a superficial
observation. From this point of view, just as we usually advise infant
observers to look for an ordinary—that is “good-enough”—family in
which to observe, it may be important to steer young child observers,
where possible, towards a setting that is fundamentally supportive of
the children’s development. Of course, things can always turn out to be
different from expectations, and that has to be lived with.
play. In some other cases, however, photos can give a pejorative image
of the child, as becomes clear to the observer when he is confronted for
the first time with the actual child. In these cases, the issue seems to be
one of parents who have a distorted image of the child, filtered through
their own projections. By showing it to the observer, a parent may be
introducing a crucial problem that affects the relationship with the
child, possibly with the unconscious hope to be helped to get, through
the observer’s eyes, a different picture of the child (see, in this respect,
Grier’s chapter: chapter 5).
Coming back to the children, the play with toys and devices associ
ated with vision, with its obvious symbolic meaning, demonstrates the
deep, intuitive grasp children have of the nature of the observer’s inter
est in them. This play with toy cameras, sunglasses, and so on suggests
an unconscious understanding of the task of building a mental repre
sentation of a person, where the choice of focus, as well as the personal
perspective of the observer, contribute to the creation of the final image.
At the same time, the child can identify with the observer in the sense
that he or she too is very much occupied in building a picture of family
structure and relationships. The term “familiar”, wrote Gaddini (1976),
“is associated with the idea of family as something one is supposed to
be well acquainted with. This is certainly not so for the growing child,
for whom the task of becoming familiar with his family’s structure and
life is certainly immense” (p. 397).
The task of orienting himself in a complex and partly unknown
system of roles and relationships and of finding his place in it also faces
the child entering school and can promote his identification with the
observer. Here is a delightful sequence from an observation held in a
nursery school.
The male observer went into the school every Monday for an hour,
in the class of the older children—that is, children aged from 24 to
36 months. He took a seat on a small chair and observed what hap
pened around him. Every Monday the children knew that he would
arrive and began to wait for him. When he arrived, they were very
curious, they clustered around him, brought toys to him, inspected
his coat, and asked him to accompany them to the toilet. Only
one child stayed silently near him, saying nothing, doing nothing,
but staying there quietly looking around. Once he dragged a little
stool, smaller than the little chair on which the observer used to sit,
and he sat down beside the observer. One day he placed the little
stool behind the observer, who, after a while, forgot him. When the
20 simonetta m. g. adamo & margaret rustin
observer turned to see what the child was doing, he found that the
child was, as usual, sitting and looking around him, but this time
he had a triangle made of paper glued on his chin, just like the
observer’s beard!
The observer often becomes the witness or confidant of a child’s inves
tigations of sexuality, as is shown in the following example.
However, the glasses put him in touch with thoughts about his sister
and reinforce his anxiety. The sense of guilt connected with the feeling
of having “stolen” something, through peeping under the girls’ skirts,
becomes so unbearable that he has to project it into the other boy, accus
ing him of stealing his sister’s glasses. He can then identify himself only
with his good feelings towards the girls and his sister.
When a child’s curiosity is imbued with powerful wishes to intrude
or steal, it tends to be denied and projected. One little girl scolded her
doll for being a “busy-body”. The observer, too, can become the recipi
ent of such projections and thus a threatening figure from whom one
wishes to escape. “One of these days I want to become a ghost, so you
will have nothing to look at!” pointedly exclaimed a 3-year-old to her
observer. Curiosity about sexual and intimate relationships is enhanced
by the birth of a sibling, which is a very frequent occurrence in the life
of children of this age. Several chapters in the book describe the “cata
strophic changes” activated in the family by this event, the conflicts that
it enhances, but also the ways in which it contributes to spur the child’s
epistemophilic instinct and the enlargement of his relationships. Inter
estingly, in some cases where the relationship between the mother and
the young child was initially very closed and enmeshed, the mother
became pregnant with a new baby during the course of the observa
tion or at its conclusion. One could hypothesize that the need to make
space for a third could, at least unconsciously, have contributed to the
parents’ decision to accept the observer.
This takes us to the consideration of the impact on both observer
and family when the observation takes place in circumstances that are
difficult, either in terms of the strains of particular current aspects of
the family’s life, such as the arrival of a new baby or a family illness
or bereavement, or with respect to the overall social and economic
external context, or more chronic family problems, such as long-term
unemployment or a disabled family member and the question of the
limitations of the family’s internal resources.
It is striking, in reading reports of a wide range of Young Child
observations, that observers can find themselves painfully aware of
the children’s experience of emotional deprivation and at times become
anxious about abusive relationships within the family. The observer’s
reliable, thoughtful, interested presence can, of course, sometimes
provide an important additional resource. In particularly worrying
circumstances, observers need the support of their seminar group to
understand and tolerate the painful feelings evoked in the observation
and to think out whether the severity of the family’s difficulties is so
22 simonetta m. g. adamo & margaret rustin
Concluding remarks
Finally, we should like to underline some specific areas in which the
practice of Young Child Observation can contribute to growth in under
standing. First, it enlarges the observer’s knowledge and appreciation
of the different modes of expression open to a child that give access to
the inner world of unconscious phantasy: play of all sorts, conversation,
dreams, body states, early forms of artistic expression (song, dance,
drawing, etc.), and, most importantly, relationships with adults and
other children. Observers are introduced in memorable ways to the
cultural world of the child—to the culture of family is added that of
school, and influencing both of them is the culture of the mass media,
which exert a powerful impact through television, film, and video and
toys associated with these images. All this is enormously valuable for
observers in their work with children. Second, it provides v aluable evi
dence of the impact of institutional experience on children’s develop
ment. Such study opens up areas of possible early intervention and
preventative work in nursery settings. Third, it offers a setting in
which psychoanalytic thinking about group life can be integrated with
the study of the growth of individual personality. Fourth, it can be a
resource that can be creatively employed and applied to offer support
to children and families in difficulty and to enrich the offer of more
traditional services. Finally, it offers rich opportunities for research
allowing access and understanding of the under-the-surface life within
human relationships.
The book should therefore be of interest to parents, students,
and teachers of Young Child Observation, to nursery teachers, social
workers, and all professionals working with young children, but also
to policymakers in the fields of education, of children’s mental health,
introduction 23
Developmental issues
The first part contains four chapters, which explore developmental issues
in more than one sense. These contributions relate to the historical devel-
opment of the practice of Young Child Observation and to the psycho-
analytic understanding of development in young children, as a process
that reactivates infantile anxieties and provides opportunities for further
psychological growth. The key role of Martha Harris and Isca Wittenberg in
developing the whole field of psychoanalytic observation was rooted in the
contribution of their imaginative empathy with young children and their
grasp of how psychoanalysis could enrich our understanding.
Chapter 1, written by Isca Wittenberg under her maiden name, is based
on more occasional but very careful observations made by parents and
nursery teachers. The paper was originally written for the opening confer-
ence of a training programme for nursery teachers. These observations
are more similar to those conducted by sensitive and psychoanalytically
informed parents and professionals in the early days of psychoanalytic
direct observation (A. Freud, 1951). Going to a nursery school is, for a
child, a crucial transition, similar in impact to the first major transition of
birth. Particularly poignant are the author’s comments on sensory over-
stimulation. The noise that a child experiences in this new environment
can be felt as an unbearable bombardment, perhaps not so very different
from what happens to a baby leaving intrauterine life to enter into the new
world outside. Attention and comparison of the child’s different behaviour
and moods at home and at school can help parents and professionals go
beyond a superficial picture and enable them to differentiate real integra-
tion from compliance, resignation, depression, or adhesive adjustment.
In chapter 2, we enter the more familiar realm of observation proper. It
is a pleasure to include this chapter, which shows how Martha Harris and
25
Donald Meltzer approached material from the observation of a 3-year-old
undertaken by Romana Negri. The chapter has the lightness of a fairy tale,
and this adds to its originality and does not diminish its depth. The story
starts with a reconstruction of the initial condition of the foetus. The accent
here is mainly upon the “friends” a child can encounter in his developmen-
tal journey. The narcissistic, omniscient parts of the personality offer them-
selves as allies to the child confronted with the struggles and the losses of
growth, and fight with the dependent aspects of personality. This conflict
is heightened at all times of change, as is shown by the observation of the
child just beginning nursery school. Simone had been observed for a long
period at home (Negri, 1988) before the school observation took place. We
have therefore here (as in chapter 10, by Elisabeth Dennis), an example of
a mixed observation—that is, an observation usually taking place either at
home or at school, which includes occasional visits to the other context. In
such cases, the observer represents a link between home and school, and
the way the child relates to her provides evidence of his capacity for or
difficulty with linking. In the situation described by Romana Negri, Simone
totally ignored the observer, probably because, as Martha Harris suggested,
he was “trying to keep at bay his feelings or thoughts concerning home
and being away from home”. The observer was used by the child in order
to split and project upon her the “bad mother, who sent him to school”, in
order to protect the good mother, who was “left at home”.
We see a very different situation in Elisabeth Dennis’s chapter (chapter
10), and the continuity of the observation allows us to follow the evolution
of the child’s relation to the observer. The little girl’s fear of being forgot-
ten, or even abandoned, by her parents prompted her to stick close to the
observer, whom she had first met at home and who therefore represented a
kind of umbilical cord, or a safety belt, against the fear of being lost in an
empty space, “in a no-man’s land of affection” (A. Freud, 1943) and feeling,
as a 5-year-old boy expressed himself, “nobody’s nothing” (A. Freud, 1943).
“Young Child Observation is itself a second-born”—this is one of the
opening sentences of chapter 3, by Simonetta M. G. Adamo and Jeanne
Magagna, on “Oedipal Anxieties, the Birth of a Second Baby, and the Role
of the Observer”—the first published paper specifically devoted to Young
Child Observation as now generally practised. This partly accounts for the
wide range of aspects that the chapter explores. These include some histori-
cal information on the place of Young Child Observation in the Tavistock
training, based on the personal communications of some of the child psy-
chotherapists who contributed to it, the movements in the relationship to
the mother and to the father that the birth of a second baby sets in motion,
theoretical considerations on the role of the father, and some technical issues
26
linked to the role of the observer of a child of this age. The projection onto
the observer of aspects associated with the father’s role is a relevant issue
in this chapter. In fact, this observation allowed the child to have a special,
“private” space to which she could move when she felt overwhelmed by the
high temperature of feelings associated with the relationship between the
mother and the newborn. This “private” space, contiguous with yet separate
and distinct from the realm of primary relationships, is the space of symbolic
representation, where play can take the place of enactments. In this way,
intense, ambivalent, primitive anxieties could be approached, be available
for inner and outer communication, and be initially explored.
Maggie Fagan’s original chapter (chapter 4) introduces a fresh perspective
in noting the particular way in which the childhood family experience of
observers is evoked by their experience of observing a young child. Whereas
in Infant Observation the “memories in feeling” (Klein, 1957) that are often
stirred are at an unconscious level, closeness to young children at play in
family and nursery settings provokes conscious as well as unconscious rec-
ollections and can shape powerful identifications. In addition, the fact that
for most observers the Young Child Observation begins subsequent to a year
or more of Infant Observation, and usually lasts for a shorter time, can have
the effect of giving it a diminished status or lead to observers experiencing
the two observations as rivals, with Young Child Observation seen as the
intruding and unwelcome new baby. She discusses the special responsibility
the seminar leader carries for awareness of these potential dynamics in the
group. She also has some interesting reflections on the place of theory in
observation seminars, made even more complex by the expanding research
literature on child development. The risk of a focus on the norm and hence
also on pathology rather than the sympathetic attention to individual com-
plexity is highlighted.
27
CHAPTER ONE
This chapter was written as a talk for a group of nursery teachers in Naples
at an opening conference of a new project of ongoing workshops for nursery
staff. It presents a lucid and evocative account of the problems young children
encounter in facing the first substantial separation from mother and home and
provides a fitting introduction to a collection of papers arising from observa
tions of young children at home and in nursery settings. It is a reminder of a
natural link between child psychotherapists and those involved in education
in the early years. The upsurge of commitment to and investment in preschool
education in Great Britain and elsewhere provides a new opportunity for such
fruitful encounters.
E
mbarking on something new—a course of study, marriage,
having a baby, moving to a new house—all such events tend to
arouse hope of increasing our knowledge, pleasure, and fulfil
ment. It is such hopeful expectations that lead us throughout life to
continue to seek out new experiences. The young child beginning to go
to nursery is also filled with hope, expecting to find interesting toys to
play with, to learn to do things that the older children he admires are
able to do, and to meet children who might become his friends. Unless
previous experiences have been too deeply disappointing, we continue
throughout life to hope that some new event might bring us nearer to
the fulfilment of what we desire. We may invest it with hope and indeed
29
30 isca wittenberg
idealize it, but at the same time we are also likely to harbour fears and
dread about what this unknown new situation will bring with it. We
may be afraid that the new place or person will be frightening, the new
child be unmanageable, unlovable; that the new teacher will be harsh,
punitive, too demanding. We may be afraid that we will not have the
physical, mental, or emotional capacity to live up to the new challenge;
we may feel lost in new surroundings, confused and disturbed by
new ideas. We may fear to be judged by others, thought to be stupid,
ignorant, lacking talent; we may be afraid that we will be made to feel
inadequate, laughed at, disliked, thrown out. All these thoughts tend
to arise when we are faced with a new situation.
We do not usually speak about having such disturbing emotions.
We may be ashamed of them and think that we should have outgrown
such fears, that they are childish. They are childlike only in as far as
their origin dates back to early childhood. The psychoanalytic study of
the mind has shown that all our experiences, right from the very begin
ning of infancy, leave memory traces, and the emotions connected with
the events remain in the depth of our minds throughout life. Very early
experiences are not consciously remembered but reappear in the form
of what Melanie Klein (1957) called “memories in feeling”—that is to
say, in bodily and mental states and phantasies. These are re-evoked
in us whenever the present situation in one way or another resembles
an earlier one. Thus, the feeling states we experienced in infancy and
childhood remain within us, they are never outgrown. Being in touch
with these child aspects of ourselves helps us to understand and toler
ate our own and other people’s more infantile fears and desires. And
such understanding is essential if we are to appreciate what goes on
in the minds of young children. Unlike us, most 2- or 3-year-olds can
not put their thoughts into words, and when they feel lost in strange
surroundings they cannot ask someone to show them the way home;
they do not even know where home is. All they can do is communicate
through their behaviour how they feel.
Robert, a child of 2½, was excited at the thought of going to nurs
ery. He liked the company of other children and had been told that
there would be many new toys to play with. When he arrived at
the nursery with his mother, he at first stayed close to her but then
began moving a little further away from her and sticking coloured
shapes onto a piece of paper. An hour after their arrival, mother
thought that he had begun to settle down happily and got up to
leave. Robert rushed to her, started crying but, encouraged by the
the transition from home to nursery school 31
teacher, mother went out, saying she would be back when she had
done her shopping. When she rang the nursery an hour later, she
was told that Robert had stopped crying and was fine. The next day,
when after a little while Robert had started happily to use the paints
at the nursery, mother left, but when she phoned later, she could
hear her child crying. On the third morning, Robert was reluctant to
leave home; he asked for another drink, then another biscuit, then
for another cuddle and another. By the weekend he was running a
slight temperature and seemed generally unwell. When the parents
took him for a walk in the park, he did not run ahead as usual.
When he saw his grandmother, he greeted her without his usual
enthusiasm, and when his parents went to the canteen to fetch a
drink, he would not, as he had always done on previous occasions,
stay happily with her but kept pulling her in the direction his par
ents had gone, asking repeatedly: “Where is mummy, I want to go
to mummy”. On Monday morning he did not want to get dressed
and cried all the way to the nursery. He screamed when mother
tried to leave him there, as the teacher suggested. The teacher said,
“Maybe it’s just bad temper”, but because he had been disturbed
all weekend and was now looking very frightened and would not
settle, mother eventually took him home. She said she had never
seen him in such a state before except sometimes when strangers
came to the house. When mother went back later to speak to the
head teacher, Robert clung to her, crying so intensely that the adults
could barely carry on a conversation. The teacher told mother that
she had been over-protective of Robert and that was why he had a
problem separating from her. The parents acknowledged that there
could be some truth in this but felt hurt at being blamed. They in
turn criticized the nursery staff for not helping the child sufficiently.
Such mutual blaming is not uncommon but helps no one. Let us,
rather, try to understand the situation. What sense can we make
of the extent of the child’s distress? How could the beginning at
nursery have been made more tolerable for him? Robert’s mother
decided that he was too young to start nursery, that she would wait
another four months before taking him back. But is it really going
to be very different then?
Let us start by examining what feelings are aroused in a young child
when he finds himself left by his mother in strange surroundings with
people he does not know. To understand the depth of the emotional
distress, we have to turn our attention to the very beginning of life,
32 isca wittenberg
to the event of birth itself. And here we note that being born is both
a beginning and an abrupt ending. The infant loses the world he has
lived in for nine months. As he leaves mother’s body, never to return,
he exchanges a fluid environment where he was automatically fed
and held within the warmth and protective layer of the womb for a
new existence in aerial surroundings. He is exposed to the cold, to
the impingement of harsh lights and sounds. Life within the womb
may have become restricting, but now he suddenly finds himself in
boundaryless space. Furthermore, the human newborn lacks the mobil
ity to support his body, to reach the source of food, warmth, shelter, and
protection from danger. This extreme helplessness leaves him terrified,
afraid to fall, to die. The French doctor Leboyer (1975) demonstrated
how the dramatic experience of entering this new world can be made
less traumatic by trying as far as possible to re-create the conditions
operative in utero during and immediately after the baby’s birth, thus
providing some degree of continuity of experience for the baby. This
includes keeping the lights dimmed, putting the baby on the mother’s
stomach before the umbilical cord is cut, allowing the baby to suck
at the breast as soon as possible, immersing him in a warm bath, and
gently massaging his body. When this procedure was followed, the
infant’s cry soon subsided, his cramped posture relaxed, and he began
to explore the world around him.
Infant Observation has shown that throughout the early weeks,
a baby only feels safe if the link with the placenta is substituted by a
readily available nipple in the mouth, and the physical holding within
the boundary of the wall of the womb replaced by his feeling closely
held and enveloped. The infant’s state of bliss when connected with
the breast and held securely within mother’s arms and loving attention
quickly gives way to screams and disjointed movements whenever he
feels cut off, uncontained, disconnected from the source of life. Here
we witness the epitome of the terror of separation. Wilfred Bion called
this terrifying state catastrophic anxiety. It threatens to overwhelm us
whenever we face change. Clearly, the further we are removed from
our home base, the more frightened, the more lost and disorientated
we tend to feel. We fear that we will again experience such helplessness
and terror as we did in our infancy. We are afraid to be alone, aban
doned, left to die. We see reflections of this at all the stages in our life
that involve major changes. Thinking about children, the younger the
child, the more helpless he in fact is, and hence the greater the anxiety
he is likely to experience when faced with what is new and unfamiliar.
the transition from home to nursery school 33
The way anxiety is dealt with also has resonance with the way he could
be comforted in babyhood. We saw, for instance, how Robert, afraid of
being left by mother, held onto her body, asked for drinks, food, and
cuddles, clinging onto all these vital connections with the source of
life and security he had learnt to depend on. And just as we saw that
the provision of some continuity of experience helped the newborn to
become interested in the totally unknown environment of the external
word, so the continuity of the mother’s presence and the gradual hand
ing over to the teacher when he has become used to her can greatly
facilitate the child’s transition into the world of the nursery. That such
factors as the noise level in the nursery may be as disturbing to a child
coming from a quiet home as loud sounds are to a baby was brought
home to me when I was told that Robert had complained that his ears
hurt and said, “I can’t hear the music, there’s so much noise.”
So far, we have looked at the residues of the impact of the abrupt
ending, which is part of being born. But the child coming to nursery
will, of course, have also experienced many less extreme separations.
Every ending of a feed, every putting the baby down in his cot, every
time mother goes out of the room is a separation, making the baby
aware of being not at one with but separate from his mother. As
Winnicott (1964) pointed out, it is important to “introduce the world
to the baby in small doses, otherwise being separate is too terrifying”.
Mother–infant observations show that only through many repeated
experiences of loving attention from a mother who is readily available
when he feels frightened, hungry, or in pain can the infant come to feel
that there is someone who will be there when needed. Together with the
taking in of the milk, he takes in a picture of being mothered and gradu
ally establishes a mental concept of a mother who is reliably loving,
comforting, and able to respond to his communications of pleasure and
pain. Gradually these memory traces of good experiences in mother’s
presence enable him to have short periods of lying awake by himself,
holding onto and re-creating in his mind his pleasurable, sensual inter
changes with his mother. When he is put down, he may at first cry,
but he can increasingly call on this inner picture to provide him with
a feeling of being held and comforted. It is the task of parents to learn
to judge what their baby can tolerate, how long he can be left without
getting into a state of panic. There are parents who put their baby out
of earshot so as not to be disturbed by his ongoing crying; if the baby is
left too often for too long, trust in a reliable, good mother may never be
securely established. At the other extreme, there are parents who cannot
34 isca wittenberg
bear their baby to cry for a minute: they pick the baby up at the slightest
sign of upset. This undermines the development of the child’s learning
to draw on his inner resources—such children become dependent on
mother being always there to help. I think this might have been so in
Robert’s case. It is often difficult for parents to discover what is right
for their child because in looking after the baby and later the child, their
own infantile self is evoked, and therefore they tend to react in much
the same way as their own parents and carers responded to them dur
ing their infancy and childhood. Good experiences enable the baby to
invest the outer world with hope. But while other people and objects
in his environment will attract his interest, mother usually remains the
secure base, the terra firma from which he ventures forth only as long
as he feels sure he can return to it.
Let us look now beyond these brief separations to a very crucial
ending in every infant’s life: being weaned. Whether the baby has
been breast-fed or bottle-fed, the feeding situation provides the great
est intimacy between mother and baby. It is a relationship in which a
loving kind of giving and taking, touching and looking, in one-ness
and separateness, physical closeness and responsiveness to each other
is developed or fails to develop. It lays the foundation for all later inti
macy. The ending of this most intimate relationship faces the baby with
a very profound loss. In Klein’s opinion, the way weaning is dealt with
determines the way we are likely to deal with losses later on in life.
I would like to bring a brief example from an Infant Observation to
see what it can teach us about the difficulties encountered at weaning:
Katrina was a happy baby who had a close and passionate though
quite demanding relationship with her mother. When mother sat
her up in the middle of a feed in order to burp her, she always
protested, but as soon as mother gave her a cuddle, stroked and
kissed her, she was again all smiles and happily settled at the second
breast. This changed dramatically when, at the age of 7 months,
mother began to wean her, leaving out the mid-morning feed. She
now bit the breast whenever it was first offered. This made mother
exclaim with pain and scold the baby. When at the end of the feeds
Katrina protested, her mother’s affectionate behaviour no longer
soothed the baby. She simply arched her back and turned away.
Mother told the observer how rejected this made her feel. She felt
sad about breast-feeding coming to an end. When visited two weeks
later, however, mother had stopped breast-feeding altogether. She
looked depressed, and the radio was continually turned on, playing
the transition from home to nursery school 35
loudly. Katrina was sitting in her chair, hugging her big teddy bear,
talking to it excitedly, at times pushing her head into its stomach.
When mother picked her up, the baby looked away and struggled
to get off her lap.
It would appear that neither mother nor daughter was able to sustain
the pain of the breast-feeding relationship coming to an end. The baby
showed by biting and turning away how angry she was with mother.
She now invested all her loving feelings in teddy, an object that unlike
mother was under her control, could be pushed into, held onto, spoken
to, thrown away, and picked up again at will. Mother found the baby’s
little bites not only physically painful but also emotionally very hurtful.
She in turn became angry with Katrina and withdrew physically and
mentally from her. Thus the loss of the breast led to a loss of emotional
closeness. Worry and guilt at causing each other pain could have led
mother and baby to try to regain their loving relationship and share
the sadness at the loss of the intimate feeding relationship. But if loss
is dealt with by the evasion of such pain and resentment prevails, the
good relationship cannot be re-established. If this turning away in
hatred remains a permanent rather than a temporary state, it results in
avoiding commitments to deep relationships and choosing instead to
depend on seeking comfort from material possessions.
Weaning is a crucial stage of development, putting to the test, like
all later losses, the capacity to maintain love and gratitude in spite of
frustration, anger, and the pain of missing what is desired, and feeling
depressed and sad. The baby needs the parents to tolerate the emo
tional turmoil he is undergoing. He needs them to demonstrate that in
spite of his destructive outbursts, they and their love for him survive.
Instead, many parents respond, as Katrina’s mother did, by distancing
themselves from the child or punishing him in some way. Equally, most
adults cannot bear to see a baby being miserable, as many babies are
at the time of weaning. They try to jolly the baby up, amuse him, and
distract him. And yet what the baby needs is not cheering up or denial
of his emotions but to find that his feelings of anger, of worry that the
breast has gone because he has hurt or drained it and his feeling of
grief at losing this close relationship can be accepted, understood, and
shared. He will need at this time a great deal of extra attention so that
he can discover that although the breast is no longer there for him,
mother as a person remains as available and loving as before. This will
stimulate him to find new ways of building connections with her, with
other people, and with the world around him. Equally, the feelings of
36 isca wittenberg
may well have made him feel worried or guilty. Here is another child
beginning nursery:
Maria is a very quiet girl with a gentle manner. Unlike Robert, she
showed no resistance to being at the nursery when she was taken
there at the age of 3. Her father stayed for a while on the first two
days, and when he left she made no fuss and continued to sit quietly
in her group with the teacher. Each day, she brought home a nice,
neat drawing she had made. The parents felt that she had settled
down well. In the third week, however, they noticed that Maria
always looked forlorn and withdrawn when they came to collect
her, and they were not at all convinced by the teacher telling them
that Maria had had a very happy time. It made them wonder how
much the teacher paid attention to her unhappiness. Mother was
worried enough to decide to observe the child at nursery. She was
shocked to discover that the nursery teacher, though not unkind
to the children, was constantly shouting at them, asking them to
be quiet because having to shout gave her a sore throat and telling
them not to make a mess because they made her tired and ill. She
said she needed to be well because she had an ill mother to look
after when she got home. The children were spoken to in this way
not once, but day after day. Maria’s parents felt that their child was
too burdened by her teacher’s outbursts and decided to remove her.
After looking at a great number of places, they found a nursery that,
in their words, was “child-orientated, not adult-orientated like the
other one”. But this is an over-simplification, for if we want adults to
be taking good care of the children, the teachers’ needs have also be
to be taken care of—that is to say, the staff have to be helped to con
tain the enormous burden they are carrying. Not only can a group of
under-6-year-olds make a great deal of noise and mess, they and their
parents make very considerable emotional demands on us. Teachers
need therefore to have the opportunity to meet on a regular basis in
order to share and discuss the problems they encounter. Such a group
could have helped Maria’s teacher to contain the stress she was under,
perhaps even to get some assistance rather than feel so overwhelmed
that it spilt out onto the children. I think this case also illustrates that
we should pay attention not only to the children who demonstrate
their unhappiness loudly and clearly, but also those whose distress is
expressed in quieter ways. While Robert showed his feelings openly,
Maria seemed to accept passively being left in a frightening situation,
so very different from the gentle atmosphere at home.
38 isca wittenberg
her mother were allowed to visit the nursery for an hour a week for
some time before she started attending on her own and on a regular
basis. She experienced no difficulties at joining the group but was at
first very tired by the end of the morning and more demanding of her
mother’s attention in the afternoons at home. Sometimes she was a
little anxious when her mother went out of the house; at other times
she was bad-tempered with her. Lucy had been well prepared, the
transition had been gently and carefully handled, and the disturbance
at beginning nursery was minimal. But even in these very favourable
circumstances, as we can see, a child is quite likely to show some degree
of anxiety and anger at the ending of being the baby in the family and
having mother all to herself for part of the day.
There is one other transition I would like to draw attention to: the
ending of the child’s time at nursery and the beginning of school life
proper. If all goes well, the nursery becomes for the child after a while
a home away from home, a place he knows well, where he feels he is
taken care of by kindly adults, where he has enjoyed being and has
made friends with other children. Leaving nursery involves parting
from all these attachments. Such an ending needs to be prepared for
well beforehand, so that there is a chance for both the anger at some
thing valued coming to an end and the sadness at parting to be worked
through. The children may, because of their jealousy of new little ones
taking their place, have sudden outbursts of tearing paintings, breaking
toys, or becoming aggressive to their teachers. Others may talk so much
and so excitedly about going to school that they make the nursery staff
feel that they are only too eager to get away from nursery. Teachers tend
to feel hurt and rejected by such children in the same way as Katrina’s
mother did. It helps to tolerate such behaviour if we realize that such
children are passing on to the teacher the painful feelings they find
too hard to bear: feeling ousted from the nursery, replaced by the new
group of younger children, anger at being left, and avoiding feelings of
sadness at losing so much of what they have come to love and depend
on. If teachers can tolerate the destructive and rejecting behaviour of
the children and continue to care, the child’s love and sadness will in
most cases eventually come to the fore. As one little girl told her mother
when she was about to leave the nursery: “I loved my green room, my
dear room, I will miss it.” Teachers too may find it hard to part from the
children they have come to love and have difficulty in mourning their
loss. One teacher reported that she had been telling the little boy who
was her favourite that he only produced rubbish and that she had been
generally short-tempered with him. In the process of telling us about it,
the transition from home to nursery school 41
she became aware that she was going to miss him when he left at the
end of the term, how angry she was with this, and that rubbishing him
had been her way of escaping from the pain of losing him.
Such pain also makes teachers, like mothers, reluctant to let children
go and thus makes it hard to prepare them for the transition to school.
Going to school involves another very great change for children: having
become by this time one of the big ones in a small pond, they feel fright
ened, bewildered, lost, and helplessly at sea when they find themselves
being a little fish surrounded by lots of bigger children in a very big
space. I know of some nursery teachers who, realizing the difficulties,
have taken the children for preliminary visits to the school they are
going to join, looking with them at the classroom and talking with their
future teacher and head teacher. Such bridge-building is enormously
helpful, allowing children to find their way about the school and feel
ing held in both the old and the new teacher’s mind. Such adults also
show by their example that it is possible to care beyond the ending of
the immediate relationship. If endings can be dealt with in this way,
there is an external loss, but the past good experience is remembered
with gratitude and becomes part of the individual’s enriching, inner
treasure that accompanies him throughout life.
CHAPTER TWO
Donald Meltzer
T
his morning we would like to tell a story entitled “The Genesis of
Development” based on the ideas of Melanie Klein and Wilfred
Bion as interpreted by Donald Meltzer. Martha Harris will com
ment on material presented by Romano Negri from the observation of
a boy during his first days at nursery school. We will attempt, through
the observation of the child, to see whether we can rediscover traces of
the first phase of his life after birth in his experience of the first period of
nursery school. Melanie Klein’s view of this “Genesis” was definitively
described in her book Narrative of a Child Analysis (1961). The Kleinian
theory of child development is in fact implicit in the description of the
analysis of Richard and in the notes that complete it.
The story could be told in the following way: Once upon a time
there was a little creature who lived in a world of his own; it was a very
comfortable world, especially because he had a close friend with him
(the placenta), which seemed to understand him perfectly and to which
he was strongly attached by the umbilical cord. This little world of his
was perfectly suited to him for various reasons: there was enough space
to move, and there were no sharp or dangerous objects; the habitat was
enhanced by a delightfully diffused light, every sound was muffled, it
even had a pleasant taste, and all the stimuli were perfectly suited to his
42
the story of child development 43
delicate skin. This place was therefore extremely pleasant from every
point of view, so much so that he never wanted to leave it. However, the
space gradually became smaller and smaller and proved an obstacle to
his freedom of movement; as the space shrank, the tiny creature became
increasingly restless and felt the need to make it broader and longer
by using all the strength in his body. Suddenly, however, something
terrible happened, as though everything had exploded, and the tiny
creature felt as though he were being forcibly sucked and dragged out
of his lovely comfortable world into a much less inviting place, which
differed considerably from his original habitat.
This new world is a place full of noise, light, and high-pitched
sounds; hard objects touch his skin, he feels cold, and, the worst thing
of all, he realizes that his friend is no longer present. Naturally, the child
screams, searching for his lost friend, and, to his amazement, his friend
immediately arrives: no, not through the umbilical cord, but through
his mouth, with something that fills his stomach and makes him, at
least for the time being, very contented. The child therefore thinks he
has found his lost home and can go to sleep peacefully. However, when
he re-opens his eyes, he realizes that it isn’t true, and every time he
awakes he feels really unhappy. It is true that his new friend (the breast)
has somehow entered inside him and that, when joined to it, it seems
to him as though he could return back inside the world he had come
from. However, there are many unpleasant happenings which stop him
from believing this is really true. But to his great relief his new friend
continues to reappear and attaches itself to his mouth, and, now that
the child can distinguish it more clearly, he is struck by its beauty. He is
amazed by how beautiful it is, so milky white, with a dark part in the
middle, so delicious and succulent. Despite this, a problem remains: he
cannot understand why his friend does not stay inside his mouth, as
had happened before during the union with his first friend.
Quite soon, the child starts to realize that the delicious dark part that
joins him to his friend sometimes changes in appearance and seems to
look ugly and nasty when it disappears. He also notices something else:
when his friend is attached to his mouth, two dark spots also appear,
which are most fascinating, but these too sometimes change into some
thing frightening (the eyes). The child also notices that, through the
repetition of these events—the friend entering his mouth, the sucking,
which gives him so much pleasure and relief, and so on—his friend
now seems to reappear inside him as well. However, it is not just the
good friend who is around, but also the nasty frightening one. The
child thus realizes that he actually has two companions inside him who
44 donald meitzer & martha harris
are completely different from one another; things are beginning to get
really complicated.
There are now friends outside—good and bad ones—and friends
inside—again both good and bad. As a result, the child feels very con
fused and insecure. He therefore decides that it might be better to keep
only the good friends inside him and throw out the bad ones; in order to
do this, he tries to expel them by burping or by peeing or by defecating.
At first this intelligent system seems to work well; however, it has
rather complicated consequences, though he feels pain and suffer
ing when his bad friend is inside him, he at least knows where it is.
However, when he expels it from his mouth or his bottom, it seems as
though it is all around him once more, in every shadow that he sees.
He seems to see it around him particularly when the lights are turned
off. In order to get some relief in this situation, there seem to be only
two options: either he has to go inside his good internal friend and
sleep there—and this is akin to rediscovering his original habitat—or
he has to attach himself with his mouth to the good external friend and
feel completely safe and satisfied. Yet, even these two alternatives have
their problems because, when the child goes to sleep inside the good
internal friend, he sometimes dreams of the terrible adventure that had
cast him outside; he feels as though he were imprisoned inside or on
the verge of being jettisoned outside—a real nightmare. He is forced to
recognize that even the external friend (the one that attached itself to
his mouth) has the disadvantage that it often goes away, leaving him
very discouraged and suspicious of it.
The child therefore arrives at the conclusion that his friend is no
longer exclusively his but must have other friends in the world. He
realizes that his friend has one friend in particular (his father); he comes
to the conclusion that his original friend is no longer his own exclusive
possession, and he consequently feels completely alone in the world.
However, he very soon discovers that he has a new friend inside him
which is much better than the first: a friend that really does share his
body as well as a large part of his feelings of bitterness and discourage
ment; a friend that appears to be more intelligent than he is and seems
to have an explanation for all of these transformations (the omnipotent
part of himself). Indeed, it seems as though this friend has a more
independent mind; it continues to explain to him that he has no need
of that other friend which has been unfaithful to him and which has
attached itself to the other creature; it tells him that he must learn to do
without it, and it teaches him that he can put other things in his mouth
the story of child development 45
which are just as good as that exquisite object; it helps him to discover
other parts of his body and the child can experience immense pleasure
by touching them. It seems that he has found a wonderful friend. The
most important thing is that this new friend seems to wield great power
over the external world; now he knows how to scream and get others to
obey him, and this seems to him to be a really good solution. The child
therefore decides to follow this new friend and allows it to scream and
consequently keep his old friend under control so that it comes and
feeds him every time he so desires, thus making it his slave.
However, this does not altogether seem to give him satisfaction;
indeed, the child realizes that being fed by a slave is not the same as
being fed by a good friend. Although he feels more secure, he also
feels rather unhappy. He therefore decides to break off every form of
contact with this friend that seems so omniscient and omnipotent, and
instead find another friend; even this friend, he realizes to his aston
ishment, shares his body and, like his other friend, his first friend, it
is also white, soft, extremely pleasurable and warm (his thumb in his
mouth). The child realizes that he can have a kind of friendship with
this friend, which closely resembles the one that his first friend has with
the creature known as “daddy”. Child and thumb, when they are by
themselves, can cuddle each other and obtain mutual pleasure in the
same way that he imagines the mother–creature and the father–creature
do when they go to bed in the evening; this, thinks the child, is the secret
of eternal happiness.
He soon becomes aware, however, that there are yet more complica
tions because, when he spends a nice time in bed with his new friend,
he sometimes has dreams that are not particularly nice; they might not
be considered exactly nightmares, of the type he dreamed when going
inside his old friend, but they are still rather upsetting. In these dreams,
the mummy–friend and the daddy–friend seem to have become two
enemies who somehow hurt each other, and this provokes terrible
feelings within the child. He is not now as afraid of them as he was at
the beginning when he treated them as slaves, but he still experiences
awful feelings . . . which make him cry, ask for forgiveness, promise that
he will not behave like this anymore . . . and other feelings of this kind.
When he feels like this and cries, feeling ashamed of himself and
wanting to say sorry, out of the blue his “know-all” friend reappears,
the omniscient friend, who tells him: “You mustn’t behave like this,
they aren’t your friends, they’re your enemies, you should hate them,
you must find a way of escaping from their influence and control!” The
46 donald meitzer & martha harris
ous that his friend does not dare stay with him anymore. Then another
thing happens: when he still has his mummy–friend in his mouth, it
seems to him as though everything is clear to him, things are going fine
and there is not just this sense of loss but also the chance of discovering
a new form of happiness. However, as soon as he is alone, his know-
all friend reappears and suggests things are not as they seem; it is all
a trick and a bluff and they are actually keeping all the good things to
themselves, leaving him with just the bad things.
Exactly what he feared turns out be true: his mother–breast no
longer enters his mouth—and he forms an alliance with his omniscient
friend and tries to dominate mother with screams and tantrums in
order to make her his slave once again; but she does not give in, and
the child feels desperate.
Nevertheless, when he is with her again, when her eyes, which so
remind him of her nipples, smile at him and she puts all that stuff in
his mouth, it seems that everything is all right again; the stuff is actu
ally rather good, and the sharp things in his mouth turn out to be very
useful. Maybe a whole new world of happiness is about to open itself
up to him.
Everything seems to be going smoothly: his mother loves him, she
does the right things for him, even his father seems to be a friendly
figure who looks after his mother. The child thinks that it might be pos
sible to go on in this fashion until he is big enough to keep his mother
in his bed with him every night and live happily ever after. His faith
in his mother is newly restored; even when he is not with her, he has
another one within himself whom he can be with, who can cuddle him.
This leads him to think that he could get rid of his know-all friend, the
one who taught him that everyone was his enemy. The child now seems
to have found a satisfactory equilibrium.
But once more, another extremely worrying thing happens: it is as
though something is happening to his mummy–friend; the child real
izes that her tummy is getting bigger and bigger and he has a sudden
flash of intuition—this must have been his first home! And if it really
was his first house, it must now be somebody else’s home . . . and this
is really the worst betrayal of all.
It is clear that the only thing left to do is to go inside and get rid of
his rival. He seems to recall that there was a way of entering his internal
home and he thinks that there may be a way of entering the external
home too; it is a matter of finding the key, the secret, the means of enter
ing that tummy.
48 donald meitzer & martha harris
It as this point that his know-all friend reappears and explains that
he has the key, right between his legs . . . he just needs to find the way
to insert it, to get inside the place and eliminate his rival.
This comes as a tremendous shock to the child; he feels as though
all his and the world’s goodness and innocence have been destroyed in
one blow. The world is no longer a Garden of Eden, a place of goodness,
where the only problems are those that his omniscient friend pointed
out to him. There are now bad things everywhere and he must be con
tinually on the alert against the bad things inside him and those inside
others; life for him will never be happy anymore.
Now, this is obviously an extremely simplified tale, but it contains,
I believe, the essential elements of the story of child development as
discussed by Melanie Klein. Here it can be seen how, from the very first
narcissistic union with the mother, a differentiation takes place and is
accompanied by a split between good and bad, in the self and in the
child’s objects. This gives way to the evolution of bisexuality, and lastly
the depressive position emerges, thus putting an end to any dream of
living happily ever after.
This fairy-tale is a model, a version of the story of the first year and a
half of life. These primordial conflicts, and the primary efforts to resolve
them, are repeated in each phase of development and every time there
is a change—which Bion refers to as “catastrophic change”—which
constitutes a significant part of the developmental process.
This endless series of conflicts, beginning with the birth of the
individual and culminating in the birth of the “other” child, tends to
repeat itself and must be successfully worked through until it becomes
possible to rediscover a depressive orientation towards one’s objects
and an image of the world as a place where it is possible to live happily
although not in perfect bliss.
At this point we shall continue as follows: Romana Negri will read
an observation of a child aged 2 years and 10 months on his second day
at nursery school—two days after a sort of birth, I would underline—
and Martha Harris will try to examine whether it is possible to find
traces of this primordial scheme, which covers the period from birth to
the birth of the other child.
Simone
Simone was born in October 1979. Francesca, his sister, was born in
March 1982. At the time of this observation, she was 6 months old, and
Simone was 2 years and 10½ months.
the story of child development 49
September 1982
It is Simone’s second “full” day at nursery school. I have noti
fied staff through the child’s parents that I would go and observe
Simone at 10.30 am. I enter through the school’s gate and I see that
the children are playing in the garden that is in front of me. The
school is on my right; a lady comes out from a door and tells me
that Monica (later on I learn that she is Simone’s teacher) is coming
out in a few seconds with her group of children including Simone,
and so I wait outside. In the meantime, two children come run
ning out of their classroom; one of them falls down and begins to
cry. Soon afterwards, two older children come out holding Simone
by the hand. They go to help the child who had fallen down. The
cook, the lady who has spoken to me earlier, comes out to help too;
two older girls take him by the hand and go back to their class
room. Simone does not notice me. Some children go towards the
cook, who is just outside the kitchen door, and ask her about their
lunch; she replies that there is no lunch today, and so they have to
go home to eat.
Now Simone comes running out together with an older boy to
whom he shouts, “Let’s go!”. Simone stays on the grass along with
three other children; they form a circle and they look at their clothes
for some time and then they run towards the bottom of the garden.
Simone is the last one to arrive, and his three companions start play
ing with a big ball. He stops, looks around him rather seriously, and
then he moves towards an older boy, Alessandro, who is 5 years old.
Simone obviously knows him quite well. Simone and Alessandro go
towards a small swing with two seats that are already occupied by
two other children; he stops to watch. He is very serious and looks
around him, then gains a seat on the swing with his friend, thanks
to the staff member who is close by, to ensure that the children take
turns on the swing. They sit opposite each other. Simone smiles now,
shouting “ooh!” and watching the other children who are jumping
around the big garden. One soon has the impression that this is a
rather traditional nursery school. The children, the staff, and the
cook are all dressed in white, and the relationship between the staff
and the children is very much limited, as each nursery nurse is in
charge of more than 30 children.
Simone has not yet noticed me, even though he is looking in my
direction. He is watching his teacher from one side, and she calls
out, “Change over”. He gets off the swing holding on to his friend,
50 donald meitzer & martha harris
then stops near a very big tree and watches the children on the big
swing. Then, holding his friend’s hand tight, he goes towards a
merry-go-round, which is made up of several small seats, and finds
seats for himself and his friend. Meanwhile, four big children form
a circle round me and ask me what I am doing, and they follow me
when I go towards the merry-go-round where Simone is playing.
He talks with the other children who are with him on the merry-go-
round. He looks rather serious or even worried. At a certain point,
while he is going round, it seems to me that he notices me and starts
to look frequently in my direction. “Ciao”, I greet him, but he does
not respond.
Some girls are dragging a big cart, and when they pass near us,
they ask, “Simone, what are you doing?” I have the impression that
Simone is now smiling, but he seem worried too and begs his com
panions, “Let’s go slowly!” Now he looks towards the centre of the
wheel and calls out, laughingly, but with great fear at the same time,
“Stop”, and gets off, slipping as he does so, as the merry-go-round
has not stopped completely. He falls, the nursery nurse goes to the
rescue and calls out, “Stop!” Simone picks himself up, touching his
bottom with one hand and his head with the other, wincing while
doing so. Then he joins his friend, taking hold of his hand, and talks
to him while he keeps his other hand on his buttocks. I turn round
to watch him while sitting on the grass, and it seems to me that he
is cross. The two children go over to the big swings. Simone keeps
his hand on his head and begins to rub his eyes. He cries for quite a
long time and seems upset. The nursery nurse who is seated nearby
tries to console him, saying, “Oh, you will spoil your lovely eyes!”
“I want to go home, to my mummy, I don’t want to stay here for
lunch . . .” he retorts.
Meanwhile, another child who is near us and has seen the scene
bursts out crying desperately. Her teacher says, “Rossana, why
are you crying? Those beautiful eyes!” But the child does not seem
comforted at all. Simone takes his friend by the hand and talks to
him. I can hear him saying, his cheeks wet with tears, “I won’t come
back, when mummy and ‘bambino’ come. I won’t come back!” He
stays very close to his friend and never looks at me, almost as if I
am not there. They go off arm in arm. The nursery nurse explains
that Simone’s upset started because he did not want Alessandro
to leave him to go alone on the swing for the bigger children. She
explains to me that Simone manages to relate to the other children
the story of child development 51
repeat his aggressive gesture, Simone laughs out loud. One of the
children who are on the cart grumbles at “Furia” the horse. Now
“Furia” asks Alessandro to change places. Simone tries to protect
his friend and says to “Furia”, “Go away, you ugly beast!” Luckily
“Furia” smiles at the insult. The child sitting near Alessandro imi
tates Simone and shouts out, “You ugly beast of flesh and bones . . .
Mr President Horse . . .” Simone is delighted by this. The child–horse
roars in menacing tones, “I am a big strong animal”. Simone gets up
on the cart and sits by Alessandro. Rossana, who is still at my side,
smiles while she watches the children playing this game. She looks
and smiles at me repeatedly while holding onto a big conker and a
small book. Now, at the signal given by the “companion-horse”, a
child cries out “Off you go, you ugly dinosaur.” Simone pretends
to whip him saying, “Gee-up”. The child–horse moves away from
the shaft, pulls up some grass, and throws it at the three children
sitting on the cart. Simone shouts too, “Off you go, you ugly dino
saur!” simply repeating what he has just heard. Then he brushes the
grass off his friend and repeats whatever Alessandro says. Simone
watches the child–horse and laughs at what he is doing. The horse
says, “Grass, the horse’s favourite sweet”, and he throws fresh
grass at his friends as he says this. Simone laughs happily while he
picks the grass off Alessandro; the latter gets off the cart and runs
away. Simone says to me, “I am going off with the big cart now.” I
think that he has just noticed Rossana for the first time and invites
her to go with him, then shouts, “Off we go!” From the cart, Simone
watches Alessandro, who is playing near the big cement tunnels.
He orders Rossana to climb down and shouts at the boy who is
pulling the cart, “Come on, dinosaur, heh . . . horse turn that way”.
Simone looks at me, lets a big boy climb on the cart, and then gets
off, saying, “I must say something to that horse”. Then pointing at
a child on the cart, he exclaims, “Come on, horse, eat him up, come
down”. After that he takes the shaft and shouts, “Go away, you
pirate!” He abandons the cart almost immediately and begins to
run towards the tunnels. He falls, picks himself up, and starts run
ning again. I realize that he is looking for Alessandro. Simone goes
into a tunnel where a child is seated. It is not Alessandro, and he
comes straight out. He sees his friend who is playing in the garden,
leans over another tunnel, and remains there for some time with his
hands outstretched, clinging to it, embarrassed. He finds the green
plastic accordion on the grass, picks it up, and then throws it again,
the story of child development 53
Martha Harris
I think it is important to say that Simone is developing very well; RN
has observed him weekly from birth at home, and he knows her well.
This is the first time that the child is observed at school, and it is his
second day there. The fact that he does not see her or pretends not to
see her for a long time may mean that he is trying to keep at a distance
his feelings and thoughts about home or his absence from home. He
seems to keep close to Alessandro, this older child whom he already
knows, rather like the friend who DM was talking about previously;
this companion is always there, and, in his company, he does not seem
to feel the need for mummy or home. Simone seems to attach himself
in rather a tyrannical way to this friend. He wants to be with him all
the time and does not let him play with the older children. The attach
ment to his friend appears to be a defence against the anxiety of being
with so many other children, since there are about 30 of them in the
class. He does not seem able, in this context, to use the teacher as a
maternal figure, perhaps for the precise reason that she has so many
children to look after; indeed, she tells RN that the child is happy to
play in small groups in class, whereas, when he is outside with lots of
other children, he seems to experience problems. It is interesting to see
that Simone begins to feel worried when he goes on the roundabout
with other children: perhaps the movement allows him to feel “held
together”, and when he falls, it does not seem as though he has hurt
himself physically, but, rather, that he feels as though he has been cast
out from a position where he felt omnipotent and invulnerable because
54 donald meitzer & martha harris
he had his friend with him; he now feels humiliated, reduced to being
just a small impotent child who needs his mummy.
It is important to note that when Simone starts to cry, the little girl
Rossana also begins to sob and cry for her mother. It is most interesting
to see how the girl approaches RN as a maternal figure, while Simone
cannot do this because he feels much closer to his older friend Alessan
dro. Thus, when Simone is upset, he is not able to use RN as a maternal
substitute, despite the fact that he knows her well; he seems angry at
his bad mummy who has sent him to school, and the observer con
sequently becomes the persecutory mother while the good mother is
unavailable at home. Furthermore, at the end of the observation, during
the game with the cart and the tiger-horse Furia (Fury), Simone seems
able to express—or to find someone who can do this for him—this
“fury”, albeit in a rather contained form—his “fury” at his mother for
abandoning him and sending him to nursery school: it seems as though
he is able to elaborate some of his anxieties and fears in this game.
Donald Meltzer
There is something that seems to me particularly worthwhile underlin
ing, and that is the relationship between Simone and Alessandro, which
changes during the observation. Initially, Simone is strongly attached
to this child; he holds him by the hand, he regards him as a reassuring
object, he even touches him very delicately, stroking his hair. It is pre
cisely due to the significance that Alessandro represents for him—he is
someone who was already a friend, who comes from his family circle,
and whom he encounters again at school—that, as soon as he loses
sight of him, he goes and looks for him in the big concrete pipes. It is
also interesting to see that Rossana is attached to RN, partly because
of the attraction to her as a maternal figure and partly because she is
interested in Simone and would like him to be interested in her; here,
the two children function together, the boy part and the girl part of the
personality. When Simone feels freer of his childish anxieties and par
ticipates to a greater extent in the game, the significance that Alessandro
has for him also evolves: Alessandro becomes for Simone the older
child to be admired, the child who knows how to get by. He becomes
interchangeable with the other children who play with the horse and
cart. It looks as if Simone’s changed attitude towards Alessandro is
caused by the accident on the roundabout.
Simone was initially attached to his mother–breast and has already
undergone the experience of being abandoned and afraid of having
the story of child development 55
nothing to hold on to. At this point he rebels against his mother and
attaches himself in a narcissistic fashion to Alessandro as a sort of elder
brother. He clearly seems to be absorbed by the game with the cart. It
offers the children a perfect portrayal of the ambiguity of the relation
ship of the father–horse or tiger with the mother–cart. This is because
there is the good father–horse who pulls the cart–mother, but a moment
later he becomes the father–tiger who attacks the children in the cart. It
is clear that he admires the father–tiger who also becomes the father–
dinosaur. Alessandro now seems to be slightly ignored and to become
“one of the gang”, just one of the children taking part in the fight. At the
start of the observation, we saw how Simone seems to be a child who
is feeling lost without his mother, and by the end he becomes “one of
the gang” of children. This represents a significant transformation, or
what I would term a metamorphosis.
Martha Harris
It is significant that Simone has only had a sister for a few months; it is
just now that he is sent to nursery school to join lots of other children,
when he has not yet adapted to the situation at home where he is no
longer the only child. Nor can he forgive RN for having observed his
little sister on several occasions, as we have seen in other observations.
I therefore feel that the moment he turns to Alessandro as an elder
brother can also be seen as turning to the figure of his father and against
his mother who has betrayed him.
Donald Meltzer
With respect to the story that I have just told, the essential difference
between the girl and the boy can be seen, as MH has pointed out, at
the moment when the child has to cope with the birth of a little brother
or sister. Prior to this, the development of both sexes is very similar.
Look at the behaviour of Simone and Rossana: Rossana plays with her
chestnuts, then with a little book, then with a small plastic accordion,
and finally she attaches herself to RN.
In my story, we could say that the girl lives in hope and the boy falls
into despair; in other words, a large part of masculinity is constructed
through the attempt to overcome the despair that stems from the aware
ness that one is no longer an only child and that it is impossible to con
sole oneself any longer by imagining that it will be possible to become
the mother and have children with her. The boy thus finds himself
56 donald meitzer & martha harris
Oedipal anxieties,
the birth of a second baby,
and the role of the observer
Simonetta M. G. Adamo & Jeanne Magagna
T
his chapter describes the changing relationship between a
mother and her young child following mother’s pregnancy and
the birth of a second baby. It is based on the observations of
a 2-year-old girl presented to a Young Child Observation seminar.
Since this is a relatively unexplored area of observational study, a
brief history of the development of this seminar within the Tavistock
Training will be given first. The image of an ancient Greek vase
will then help to introduce, through the evocative power of its
representation, the theme of the wait for the new baby and the young
child’s turning to the father. In particular, the chapter will focus on
the father’s role, as mediated by the observer, through transferential
functions assigned to him by the child. Special attention will be paid
to the young child’s search for a private space with the observer,
physically separate from the intense intimate relationship with the
mother together with her new baby. This emotional space provides
a boundary around the primitive emotions experienced by the child,
thus allowing the development of some capacity for self-observation
and reflection.
58
oedipal anxieties, a second baby, and the role of the observer 59
aspects from both the breast and himself and creates a bad third figure”
(Segal, 1989, p. 96).
At the pre-genital level the father is experienced mainly as a part-
object, while the later Oedipus complex is related to the two parents
perceived as whole objects. Segal (1989) points out how Klein progres
sively linked the vicissitudes of the Oedipus complex with the develop
ment of the depressive position: “The relation to the mother as whole
person carries the implication of a mother who is separate from the
infant . . . having a life of her own, which includes principally a relation
ship with the father, with all [the implied] feelings of exclusion, envy
and jealousy” (pp. 2–3). But the link with the depressive position also
means that the beginning of the Oedipus complex is not associated with
the phase of maximum sadism, but, on the contrary, with a diminishing
sadism and with strong reparative impulses aimed at restoring not only
the breast, but also the couple and the family as a whole.
This process can also imply the temporary regression to splitting
mechanisms between a good breast–mother and a bad genital mother.
In fact, when “aggressive impulses turn, in the child’s mind, the victims
of his aggressive phantasies into injured and retaliating figures . . . the
infant feels an increased need for a loved and loving object—a perfect
and ideal object—in order to satisfy his craving for help and security”
(Klein, 1945, p. 379). Therefore, for children of both sexes, the father
arouses feelings of both love and hate, which are partly inherited from
the relationship with the mother and are partly experienced in a new
way towards him.
Although within a different conceptualization of early psychic
development, Gaddini (1976, 1977) considers the father formation in
the child’s development in some similar and interesting ways. The
father appears on the psychic scene at the time when the child is begin
ning to recognize mother as separate from himself. The father is seen at
first as a duplication of mother, “a dichotomous aspect” (Gaddini, 1977)
of her, and is differentiated from her only gradually. The real personali
ties of the father and mother may decisively influence what part of the
infantile relationship with the mother is split off and displaced into the
father and what part remains with the mother (Gaddini, 1977).
The child can either displace onto the father all the conflictual
aspects connected with the separation from the mother, in order to re-
establish with her a perfect relationship, or try to “invest the new rep
resentation with all that has been lost in the first one” (Gaddini, 1977).
This massive displacement can fulfil either a developmental or a regres
sive aim. In the first case it allows a more gradual working-through
64 simonetta m. g. adamo & jeanne magagna
pregnancy with a second child. Lucia, aged 2 years and 2 months, has
recently begun attending nursery school. The couple experience some
marital difficulties, with the husband being viewed by the mother as
being insufficiently supportive to her.
fears, via the displacement onto her toy animals. She is also able to
recover and to describe flexibility, moving between her identity as a
child and being in projective identification with her mother.
Britton (1989) describes how the primal family triangle provides the
child with two links connecting him separately with each parent and
confronts him with the link between them:
If the link between the parents . . . can be tolerated in the child’s
mind, it provides him with a prototype for an object relationship of
a third kind in which he is a witness and not a participant. A third
position then comes into existence from which object relationships
can be observed. . . . This provides one with a capacity for seeing
oneself in interaction with others and for entertaining another point
of view whilst retaining one’s own, for reflecting on oneself whilst
being oneself. [p. 87]
ing her own bond with the baby. For instance, mother pretends that
in the morning she goes to work instead of staying at home with the
baby. This manoeuvre does not work, and she finds herself confronted
with a very regressed daughter and a neglected baby. In this context
mother tells the observer that she has spoken to her husband about her
worry that the floor of their bedroom, having such an increased load,
might collapse, crushing someone underneath. She told her husband
that it would be necessary to put in “an additional beam” in order to
support the floor.
Mother’s request for an “additional beam” is directed first to her
husband, and then to the observer. However, the whole Young Child
seminar group is required to widen the lap of attention, offer contain
ment of psychic pain, sustain understanding and hope for development
within the family. What tends to happen during the observation is that
the observer finds that the child is not yet home when she arrives. Her
time is thus split between listening to the mother and observing the
child. Accepting mother’s request for support and having actively to
restrain Lucia if she tries to hurt the baby when mother is absent are
both seen as necessary ways of providing for the family the “additional
beam” required to sustain the increased emotional load following the
birth of the new baby and the worsening marital relationship.
The difficult tightrope upon which the observer is called to walk
includes accepting the family’s infantile anxieties and projections but
only when openly requested and only for the time that is strictly
necessary. Similarly, when mother hands the baby to the observer, a
concrete representation of the family’s infantile feelings, the observer
takes the baby in her arms but then, after a short while, gently finds a
way of giving him back to his mother. In this way the observer main
tains her role as an observer while being receptive to the family’s need
for her capacity to hold some of the emotional burden. The observer
does not assume the explicit interpretative role of a therapist, but
implicit in her work of being receptive to the family is her silent under
standing which informs the way in which she receives the family’s
communications and behaves towards them.
Lucia, 3 years
In the last visit before the summer holidays, Lucia is desperately
trying to establish and maintain close emotional links. She is very
pleased with her birthday gift, a book brought to her by the observer,
and she asks her mother to read it to her. But this moment of deeply
70 simonetta m. g. adamo & jeanne magagna
same way as mother’s care can be requested or refused, with the child
turning towards or away from the breast. It is towards the observer
that Lucia now turns in her search for someone willing to perform an
unfulfilled role. In the subsequent weeks, Lucia determinedly protects
her time with the observer. “I’ve been told that you come to spend one
hour with me”, she says to the observer. On another occasion, when
mother is talking to the observer, Lucia objects, saying, “She only talks
to children.” Also, the space with the observer must be a particular one,
separate and protected from brother’s space, or brother-and-mother’s
space. “This play turns out all right if we are alone, just the two of us”,
she explains to the observer.
Lucia’s play centres around a recurrent theme: usually the observer
is asked to be father, while Lucia is mother. As a couple they have to
take to the hospital, cure, nourish, and protect their innumerable ill
and suffering children. Although the quality of the care Lucia provides
to the babies is very rough and ready and shows a high degree of
ambivalence, it seems that the opportunity for private play is of great
importance. The private space with the observer provides security to
Lucia through allowing her to symbolize her aggression towards the
baby. Through this a splitting process is enabled to develop in Lucia. It
is gradually possible to see the re-emergence of her love for her mother
and concern for the new baby. This is illustrated in the two following
vignettes:
they resume “the old play”. When they arrive in her room, Lucia
puts her dolls into the pram, specifying that she is only taking the
ill ones. She covers them with blankets, saying she is protecting
them from the gypsies “who steal children and everyone’s precious
belongings”. Lucia then puts her favourite baby boy doll into her
little brother’s high chair and she feeds him. When she is finished,
she puts him into his bed “to sleep”.
The difficult question of how an observer should deal with the fact
that the baby has fallen over, though continually addressed in the
observer’s mind, is not the main point at issue just here. In playing
with the observer, Lucia requests that they move to another room, a
separate geographical space which stands for a different mental space.
In order to achieve this change, Lucia had to be able to distance herself
from her primitive feelings and primitive modes of expression. In a
symbolic area one thing can stand for another, the baby doll represent
ing mother’s new baby. This distancing also permits the contemplation
of the damage that has been inflicted, for all the children are ill.
In her private space with the observer, it becomes possible for Lucia
to regain the experience of an unshared space in mother/observer’s
mind. This seems to be a very precious belonging that must be protected
in the inner world. Through the concrete re-enactments of leaving and
being alone with the observer, Lucia is expressing her need to re-affirm
the trust in her unique relationship with the mother, in the sense that
each child has the right to feel that there is a space that is unique and
irreplaceable that he occupies in the minds and lives of the parents.
This space seems to mitigate Lucia’s jealousy and thus allow for the
possibility of triadic relationships. Some reparative aspects towards the
damaged mother’s children can then emerge.
The following week, however, Lucia is pervaded by terrible anger,
almost fury, against her baby brother. She torments him in many
ways, and this results in her mother scolding her. This prompts
Lucia to go out of the room, but then she quickly turns around, runs
towards the baby brother, who is in mother’s arms, and tears his
shirt by tugging at it with her teeth. Following this, Lucia retreats
into her room, asking the observer to go with her. In the safety of
her room Lucia wants the observer to take on the role of the ill child
while she is the mother who sees that her child has a high fever and
cures her. After this scene, Lucia asks the observer to reverse roles
with her, with Lucia being the very ill child and the observer being
a female doctor who succeeds in curing her.
oedipal anxieties, a second baby, and the role of the observer 73
In this private space with the observer, Lucia’s fiery feelings of jealousy
and hate, aroused by the mother holding the baby, are symbolically
seen as a high emotional temperature, a painful illness, which needs
to be healed. However, there are different ways of conceiving a pos
sible treatment. These different cures appear in the following observa
tion, just preceding the conclusion of the agreed weekly visits by the
observer to the family.
this, Lucia sharply hits him and throws him down again. Then she
hastily decides that she will “definitely heal him”. She lays him
gently on the bed. Taking a plastic knife, she pretends to cut him into
pieces and cooks the pieces. Looking at the observer and laughing,
Lucia proceeds to eat all the pieces of her cut-up “baby”.
Just at this moment, mother comes into the room and talks about
the end of the observations. Lucia forcefully attempts to reinforce
the barricades at the entrances. Her mother responds by pretending
to be a wolf wanting to penetrate the den, and Lucia “shoots” her.
Following this, Lucia’s mood changes once again, and she decides
that she is going to let her brother in after all . . . but she specifies
that he will be a baby polecat and the observer’s little brother.
regression to take place, there needs to be room for the child’s aggres
sive, retributive, and loving phantasies within the child’s internal
dream stage and for expression in play.
The observer can at times provide “a separate lap” to bridge the
changes brought about by the new baby. Lucia seemed to be existing
in a sea filled with dangerous fish and a dragon until the safe boat-lap
of the observer was located. Her very first words to the observer after
the baby was born consisted of complaints that all the space had been
invaded by “that thing”. The play in the basin-boat, felt by Lucia to be
damaged by the threatening presence of her oedipal rivals, father and
the baby, revealed that she needed to recover a peaceful region2 in her
mind in which she could experience her love towards her mother. She
tried to achieve this by finding a figure onto which she could displace
her longing for her lost loved mother and for her lost loving self. There
fore she initially turned towards her father, but she quickly retreated
from him when she became anxious about the erotization of this link
which was increased by father’s seductiveness. Turning to the father
was also fraught because it was difficult to be so close to him when he
was in such conflict with her mother.
Unfortunately, there did not seem to be other figures in Lucia’s
milieu to enable her to work through the changes brought about by
the new baby. It was not simply containment by the mother which was
needed. If there is not a father’s space outside the mother, but linked
with mother, available to receive projective identifications, the child
cannot introject the couple’s mutually cooperative functioning. What
was significant was that Lucia was able both to request and to succeed
in eliciting this space from the observer.
Gaddini (1977) has emphasized that although the father’s image
inherits feelings originally associated with the relation with mother,
he also gradually contributes more to the shape of this relationship, so
that in the end a distinctive image of father can emerge. In this sense
the contribution provided by the observer was crucial in determining
what kind of paternal constellation took shape.
It is well known how in Infant Observation “the observer provides
an additional ‘reflective space’ for the mother” (M. J. Rustin, 1997). In
Young Child Observation, in addition to this, the observer can help the
young child to reinforce, in identification with him, his observing and
reflective stance, his capacity to look at the external and internal fam
ily relations. In her private space with the observer, Lucia was able to
“step sideways”, to accomplish that “lateral movement” that “provides
the capacity . . . for reflecting on oneself whilst being oneself” (Britton,
oedipal anxieties, a second baby, and the role of the observer 77
to manage separating from the family. Lucia’s world was full of primi
tive phantasies and feelings, which she very often tended to act out
against her baby brother. The observer’s lack of response to this could
have been interpreted by Lucia and the baby as an indication that she
was a passive parent (Isaacs, 1933). If the observer is perceived as being
in the role of a passive parent, either the child believes that the observer
endorses destructiveness and harm or the child suffers internally from
the dread of inner retribution. This dread sooner or later results in the
child acting out some sort of self-destructive behaviour. For this reason
the observer was encouraged to protect the baby left alone without the
parents.
It was likely, in view of the last observation described, that an
abrupt separation of the observer from the family would precipitate
intense and painful feelings and a possibly destructive acting-out by
Lucia. This was evident because the relationship with the observer
had become extremely important for the young child and the mother
and also the other family members. For this reason, it was felt that to
keep rigidly to the pre-arranged conclusion of the observation after
two years was inappropriate. A gradual weaning from the observer
was therefore adopted. This consisted of monthly observations for the
subsequent year and more sporadic visits for some time after. At one
point in these later meetings mother was able to ask the observer for
assistance in finding some psychotherapeutic help for herself in order
to find a better solution for her marital difficulties. Some telephone calls
made to the observer enabled Lucia to keep alive the memory of “her
friend” and the times spent together.
Conclusion
In more favourable circumstances, the observer’s role is an easier one.
He is, so to speak, left comfortably sitting in his place, taking part, but
only via his empathic attention, in the events that unfold. However, this
is not always the case. Sometimes the required cast is incomplete, some
of the actors are missing, and the observer is called more directly onto
the stage. But, after all, the stage is not real life.
In this family from the very beginning a strong convergent pressure
emanating from both mother and child was placed on the observer to
fulfil some missing paternal functions. Of course the observer could not
be a substitute for the real father. But she could and did respond, in her
role as an observer, in ways that provided for the child and her mother
a rescuing space, support, and understanding.
oedipal anxieties, a second baby, and the role of the observer 79
Notes
Acknowledgements: We would like to thank Miss Francesca Verdelli for allowing us
to quote her observation and to give special thanks to Mrs Eugenia Maria Marzano
for her generous permission to quote at length material drawn from her work as
an observer and to use it as a basis for thinking on this subject. We are also deeply
grateful to Mrs Shirley Hoxter for sharing the history of the development of Young
Child Observation with us.
The authors take full responsibility for the comments on the observations.
This paper was first presented at the Second International Tavistock Clinic
Infant Observation Conference, London, 1–4 September 1997.
1. This recurrent theme in Lucia’s play is also frequently found in observations
of other children, as is graphically illustrated in the following vignette:
Rita, 4 years and 6 months and Giorgio, 2 months
Giorgio awakens and now, holding him in her arms, mother offers dinner to
Rita. Rita says: “I’d like to eat Giorgio. Will you cut him in small pieces for
me?” She mimes the cutting gesture, adding: “Cut him, then we will cook him
and eat him. He is a stinker.”
Mother begs her: “Stop! You’re not being nice to him.” Rita responds by
blowing a raspberry at mother and spitting at her: mother scolds her. Shortly
afterwards Rita climbs on the observer’s knees and asks her to “do as they
did yesterday”. The observer understands that she has to repeat a frequently
played “game” which is to allow Rita to sit on her legs and let her fall as the
observer widens the space between them. The observer explains that if she
doesn’t hold Rita while she goes through her legs, she will indeed have a bad
fall. The observer is puzzled by why Rita continually complains that she does
not want to be held.
In considering this episode, it seems apparent that Rita is re-enacting the notion
that if she wishes to cut her brother Giorgio into pieces and eat him, then he will
no longer be in mother’s lap. But if this occurs, then Rita, in identification with her
baby brother and according to the law of talion, will deserve to be dropped out of
mother’s lap.
2. One is reminded of Melanie Klein’s (1945) description of her patient Rich
ard’s drawing which depicted the status of the blue maternal empire. Some of the
countries within the empire were freer and more peaceful, while others were felt
to be dangerously occupied by the armies representing the bad daddy, the brother,
and Richard himself.
CHAPTER FOUR
T
his chapter is an exploration of aspects of Young Child Observa
tion and, in particular, its relationship to its older sibling, Infant
Observation. It draws on my experience as a young child seminar
leader on the Tavistock Observational Studies course (M7). The chapter
seeks to investigate how the complexities of sibling feelings in both the
observers themselves and in the observed family influence the way
in which students establish the observer role as they struggle to find
a place for themselves with the young child—a place that is neither
so neutral that it risks being seen as dismissive by the child, nor so
involved that it leads to a confusion of roles and boundaries, in relation
to both the young child and their parents. The chapter also seeks to
explore some of the ideas the young child will undoubtedly have about
the observer. Who is this person who comes every week and doesn’t
play—at least, not very often?
I also discuss how the dynamics in a child observation group may
be different from those experienced with Infant Observation because
an awareness of our own sibling relationships frequently adds com
plexity to becoming an observer of a young child and also adds to
the often intense dynamics of the seminar group. In addition, for
many students, at least initially, the Young Child Observation can feel
as a second-best option, a poor relation to their first love of Infant
80
the young child observation seminar 81
the world and its possibilities, including the world of sexual difference,
through the imagination and play. Struggling to be not too big or too
small is perhaps a struggle to find the place, like Goldilocks with her
three bears, that is just right. Within this oscillation issues of sibling
rivalry, both conscious and unconscious, are played out, and there is
the tormenting phantasy of the perfect sibling who has it just right—the
sibling who is just perfect in the parents’ eyes. The work of being 3 or
4 doesn’t stop there, for then comes the task of finding one’s place in
the wider social world, beyond the family—at nursery, for example.
In the many Nursery Observations we hear, this striving is frequently
done with very little adult help. All this makes up the exciting world of
the young child, and yet, somehow, historically in the psychoanalytic
context, it hasn’t attracted the same level of interest and exploration as
Infant Observation. Perhaps this is changing.
Memories of the thrill and excitement of beginning Infant Observa
tion are often referred to. That was the context in which we began to
know about the value of close observations, the beauty of getting to
know a baby and his family through weekly visits, and the satisfactions
of developing an observational stance. The discussion of our weekly
observations in a seminar group and hearing about the other babies at
a similar stage of development are large learning experiences for most
of us. For many, Infant Observation remains like a first love, or even a
first-born. Then, a year or two later, students begin their Young Child
Observation. (This is the course structure at the Tavistock, but it varies
elsewhere, as discussed in the Introduction.) This can appear to the
student like second-best, even a poor relation, notwithstanding that
in beginning Young Child Observation they are entering the dynamic
world of a child’s oedipal development, the world of the struggle to
share and to handle more aggressive or competitive feelings within a
social context, and the world in which we appeal to our parents or oth
ers in loco parentis, like the nursery worker, to restore fairness and calm
when there are disputes of snatching and difficulties in sharing. This
is also the world in which peer relationships and friendships begin to
be richer, opening out a new arena for loving relationships outside the
family, providing the difficult work of being able to maintain contact
with a good internal object can be sustained in the face of the separa
tions inevitable in a 3-year-old’s life.
I say “we” because one of the striking facets of Young Child Obser
vation is how present are the observer’s own thoughts, feelings, and
childhood memories stirred by the observational experience. In the
the young child observation seminar 83
Perhaps some parents abdicate their parental responsibility for the child
while at nursery, as if all that happens at nursery is nursery business
and they do not need to be too concerned about it. Or perhaps some
nurseries convey a feeling of taking over from parents and excluding
them, or parents believe that even if it is not the reality. In many cases
the issues of intimacy and distance in establishing the observer role
persist, and the student is left wondering how to introduce themselves
to the child. Every observer has to negotiate the right temperature and
distance for the child under the influence of the abstract ideal of the non-
participating observer. But that is the point. This stance is something of
an ideal: it is not actually attainable or even desirable. Many students at
the outset of Young Child Observation experience this more involved
observer role as inferior to the ideal of the non-participating observer,
so that the observational stance required in many Young Child Observa
tions comes to be seen as second-best. Then interactions with the child
are seen as regrettable or a mistake, a belief that reading a book or slot
ting together pieces of the railway track will be judged harshly by the
seminar leader, who represents the fantasized ideal of non-participation.
For students who have struggled hard to establish a less participa
tory role in Infant Observation, coming to Young Child Observation can
be confusing. Just as a mother had to work hard to find in her mind the
space for two children with quite distinct needs, so the observer has to
find mental space for two distinct approaches to the observer role, and
this seems far easier for some than others.
There can also be scope for splitting between the Infant Observation
and the young child seminar. Some students become so identified with
the baby and the family in Infant Observation that starting another
observation seems too difficult, even painful, and they may feel resistant
to finding a young child to observe. In Young Child Observation there is
not the same invitation to identify with the wanted baby, or to become
part of the family. Sometimes the Young Child Observation seems to
be experienced as the birth of a new sibling who unconsciously is not
really wanted and may be seen as a rival to the existing baby. Does
Young Child Observation more easily find a lively place in the student’s
mind if it is not set alongside Infant Observation, with the risk of poor
relation status?
Giving up an identification with the idealized chosen baby to begin
a second observation can often occur before the position of being
an infant observer is firmly established. Sometimes, for a variety of
reasons, students have to begin to look for another observation family
before they feel ready. Students who had difficulties in finding a baby
the young child observation seminar 87
Anna
An example of an observation rooted in attunement comes from a
student who brought a Nursery Observation of a 3-year-old girl called
Anna. Anna and her family had recently arrived in this country, and
she only understood a limited English vocabulary and spoke even
less. By coincidence, the observer spoke her mother tongue but did
not think that the little girl knew this. In the observation seminar we
discussed what it would mean to this little girl if the observer spoke
to her in their shared mother tongue. Not surprisingly, the group was
divided between those students who felt the observer should let the
child know they spoke the same language, and those who felt that
this would compromise the observation and a fuller understanding
of the child’s experience at nursery. One day the children were play
ing, and the observer felt acutely the pain of Anna’s bewilderment as
she could not understand the instructions being given by the nursery
worker to all the children. But the observer decided not to “help out”
88 maggie fagan
by explaining the rules of the game to Anna. A few minutes later it was
time to go outside, and the nursery worker told the children to get their
coats and put them on. Anna got her coat, but struggled to put it on,
and then the observer “found” herself kneeling down to help button
up the child’s coat. Perhaps at this point she felt she wanted to contain
something more about this child’s experience of being an outsider to
the group and wanted to protect her from the “cold”.
This observer was observing from a position of attunement, won
dering all the time about what the experience of being observed meant
to the child. She used the observer position to understand the child’s
experience and did not immediately act to take the painful experience
away—even though her own autobiography informed an understand
ing of what it is like to be an outsider because of language difficulties.
But she was also aware of the limitations of her role and yet ultimately
wanted to be a benign presence for this child and not add to her difficul
ties. When she could quietly add to Anna’s experience of containment
within the nursery group, she did so, and when this observation was
reported to the seminar, the group was very touched by her account.
track back from Corrine. It breaks, and she attempts to put it back
together. Granddad jokes about how competitive they are and then
takes Corrine downstairs to have a snack, telling Shaun to tidy his
room. Shaun comments “what about me ?” and Granddad replies
that he will save him some food.
Shaun and I are left, just the two of us. He picks up the broken
track and tries to stab me with it. I tell him to be gentle. He informs
me “this is my sword!” and as I move the remaining pieces out of
the way, he tries to engage me in a sword-fight. “You can kill with
swords”, he lets me know. I nod and watch to see what he’ll do next.
He then notices other pieces of the track on the window sill, and as I
help him move them, I become aware of lots of photos scattered on
the window sill, lying down in their frames rather than standing up.
They look old and faded, as if they have been in the sun. Shaun is
a baby in them. “These are nice”, he murmurs. Shaun then discov
ers that a photo frame has come apart. “Can you mend it?” he asks
quietly. I put the pieces back together, and he seems pleased but still
leaves the photo flat down with the others.
A few minutes later, Shaun goes downstairs. I sit at the bottom of
the stairs next to mother. Shaun bounces up to her, jumps on her,
and attempts to give her a big hug. Mum gives him a cuddle back,
but he turns and bites her on the chin. “Owwwww” she screams in
pain. “What’s that for? That really hurt me, Shaun” she adds crossly,
and Peter shouts at Shaun across the room, “what have I said about
hurting mummy?” Shaun walks off to sit with granddad.
Conclusion
Using one’s judgment in moments like the two just described is hard
work for observers—the need to consider how they appear in the
child’s mind in order to constantly re-define how they will express the
observational stance within each specific observation. When a child is
busily engaged in a good-enough encounter with their own mother or
nursery, this is less pressing, but we hear many observations where the
child is experiencing a truly difficult world. Blessing (2012) developed
a helpful metaphor for thinking about the stance needed to sustain an
observation without succumbing to becoming over-involved or over-
flexible. She writes:
the young child observation seminar 95
Note
I would like to thank Abigail Gillingham and Angela Pye for generously allowing
me to quote from their observations.
PART II
97
bathroom, the parents’ bedroom, the child’s room, and so on—become
in the child’s imaginative world a representation of the child’s own and/
or the parents’ body and functions. As the author notes, a Young Child
Observation observer is immediately confronted with problems of privacy
and boundaries in a way different from what is experienced in Infant
Observation. In many chapters of the book, we are confronted with situ-
ations where the observer has to decline, “kindly, but firmly”, the child’s
invitation to enter into places (tents, bathroom, parents’ bed) imbued with
phantasies and feelings of seduction, intrusiveness, sexual excitement, or
abuse and to reaffirm that he will maintain his position. In this chapter, the
author describes how the observation originally took place in the parents’
bed—the “duvet house”—and only gradually was it possible to move to
the child’s room, making evident “a clear link between Laurie being able
to play somewhere other than his parents’ bedroom and his emotional
development”.
Chapter 7, by Sharon Warden, provides a beautifully detailed descrip-
tion of a little boy’s relationship with his father and its oedipal significance.
This is one of the chapters where the richness and complexity of the
relationship between the child and his father are properly recognized and
explored, taking into account also how the gender of the child contributes
to its shaping through the processes of identification. The author’s account
of her own shifting perspective on the observed family is a particularly
vivid reminder of the complex engagement between observer and fam-
ily and the intensity with which this is experienced. It also demonstrates
how valuable the study of the observer’s reactions can be in exploring the
underlying emotional atmosphere in the family and the pattern of anxieties
and defences.
In chapter 8, the last chapter included in this part, Simonetta M. G.
Adamo writes about a little girl’s painfully moving struggle to cope with the
impact on her of the stillbirth of a younger sibling. The observer’s assistance
to her, of special importance given that the whole family has been terribly
upset by the loss of the baby, is of immense significance. The chapter is an
example of the fact that an observation may have considerable therapeutic
potential for a child, even though it has been undertaken with the primary
purpose of the observer’s learning. This feature of observations makes the
question of how to end them appropriately an important one, as is discussed
elsewhere.
98
CHAPTER FIVE
I
n this chapter I discuss my observation of a 3-year-old boy, whom
I shall call Suraj. He is the second child of Asian parents and has a
7-year-old sister. His parents are both immigrants, having arrived
in this country in their early adulthood, and appear to be in their early
forties.
Both Suraj and his sister were conceived with the help of fertil
ity treatments after their parents endured several years of painful
disappointment at being unable to conceive naturally. His sister was
conceived through IVF (in vitro fertilization), and Suraj was described
as being a GIFT (gamete intrafallopian transfer) child. At our first meet
ing his mother poignantly described the great difficulty with which
Suraj was conceived: the repeated disappointments of unsuccessful
IVF treatments over three years, and their decision finally to accept the
alternative of a GIFT baby—implying that the “gift” was possibly both
the donation of an egg, as well as the miracle of their much-wanted
second child, for whom they were deeply grateful.
Alongside these feelings of gratitude, his mother also communi
cated a sense of disconnectedness and dissatisfaction in relation to
Suraj. She conveyed that he was very much his father’s son—which, of
course, biologically, he was—and not hers.
In retrospect, I wondered whether these difficult feelings may also
have been related to a need to mourn the loss of her own “ideal”
99
100 anjali grier
phantasied baby for whom she had waited so long. Her own rather
ambivalent feelings towards Suraj may also have been amplified by a
deep and almost exclusive attachment between Suraj and his father. I
discuss below some of the complex dynamics this gave rise to in the
relationship between Suraj and his mother.
Feeding difficulties were a major feature of the early observation.
Apparently Suraj had never been a good feeder, even as an infant. I
wondered whether his mother’s hostility towards Suraj might have
been linked to her feeling that he denied her, too, the possibility of
recognizing him as her baby through satisfactory breast-feeding. As
my weekly observation frequently coincided with Suraj’s lunchtime,
I was often witness to furious battles over food between mother and
son, which were sometimes painful to observe. The main theme that I
explore are some aspects of the development in Suraj’s attitude to eat
ing. I show how his developments in feeding were underpinned by the
developments in two other areas—those of his toleration of separation
and oedipal issues. These changes were accompanied by the expression
of warmer feelings between his mother and himself.
With regard to his separation anxieties, I show how Suraj, who
came across as a passionate child, coped with my departures, initially,
by not acknowledging them. I discuss the first occasion when he did
wish me goodbye, very movingly from within the protective “shell”
of his play-tent, and how he would later protest at my departure and
attempt to control it.
I discuss an interesting development with regard to language. Suraj
spoke fluently to his family in their mother tongue, Gujarati, which was
encouraged and valued by his parents. He also spoke a fair amount of
English, as he regularly attended a local nursery. Although I come from
a similar cultural background, I do not speak Gujarati, and I had com
municated this to Suraj. However, he would often lapse into speaking
to me in Gujarati, seemingly unconsciously. He would take no heed of
my reminders that I could not in fact understand what he said when
he spoke to me in his mother tongue. I explore some aspects of the
meaning of these communications and his gradual and increasing use
of English with me, in terms of his oedipal development.
Ethnic background
Suraj’s family had come to this country from South Africa several years
ago, and they seem quite settled here amidst most of their extended
observation of a young asian child with feeding difficulties 101
food. Due to the constant interplay between the infant’s actual experi
ences and its internal phantasy life, Klein emphasizes the importance
of the external factor—that is, the mother’s attitude towards her infant
and her capacity to be attentive to her infant’s needs—in helping to
modify or increase his anxiety.
Bion’s (1962) notion of maternal reverie describes a state of mind
in which the mother is able to take in the baby’s projections of distress
and then empathize with the baby’s experience and think about it. This
enables the baby to feel understood and contained by the mother’s
mind and to take back its projections in a less toxic, more “digestible”,
and hence more tolerable form. Problems with the mother’s capacity
to contain the baby’s distress can contribute to the baby’s difficulties in
taking in and digesting food.
Williams (1997) extends Bion’s concept of container–contained by
exploring the quality of introjective processes, with particular regard
to a function which she names the “omega function”, whose charac
teristics are at the opposite end of the spectrum from those of Bion’s
“alpha function”. She describes omega function as arising out of the
introjection of an object that is not only impervious but also intrusively
projecting into the infant, which has a fragmenting effect on the infant’s
personality. She explores the subject of eating disorders and, in particu
lar, the issue of food refusal in terms of the infant’s responses to being
bombarded by maternal projections.
Some clinical studies illustrate these theories. Chatoor and col
leagues (Chatoor, 1989; Chatoor, Schaefer, Dickson, & Egan, 1984;
Chatoor, Egan, Getson, Menvielle, & O’Donnell, 1988) studied the
ways in which the quality of the emotional relationship between
mothers and infants impacts upon the establishment of healthy feed
ing patterns in the infants. This study shows how the infants with
feeding disorders were also those in the most disturbed relationships
with their mothers.
Daws (1993) understands some feeding problems in terms of sepa
ration difficulties between mother and baby, underlying which were
often issues to do with loss or bereavement. She also discusses ambiv
alence or unconscious hostility in the mother towards the baby. In
another paper (Daws, 1997), she concludes that a key element in feed
ing difficulties may be the mother’s intrusiveness or anxieties about
intimacy, possibly engendered by hostile phantasies of damaging her
infant.
observation of a young asian child with feeding difficulties 105
Suraj
First meeting
I was introduced to Sunita by the leader of a local playgroup. When
I spoke with her on the telephone, she said she was happy for me to
observe her son, who was 3 years and 1 week old. However, it proved
difficult to arrange a time to meet with the parents together for an ini
tial meeting, due to her husband’s work commitments. Consequently
I arranged to meet with the mother, on the understanding that I could
meet Suraj’s father at a later date. In fact, it took several months before
this meeting with him took place.
My first meeting with Suraj’s mother was overtaken by a sense of
confusion and frantic activity. She appeared to be preoccupied by build
ing works that were taking place in their home. We were frequently
interrupted, for which she apologized.
Sunita looked pained as she described the difficulties they had had
in conceiving Suraj and then in managing and caring for her older child
during her second pregnancy. She said that, although Suraj had been
a “good” baby, he had always been a poor feeder. She seemed disap
pointed and frustrated by this. She had breast-fed him for three months
and then weaned him, but he had refused to drink powdered milk after
this and still didn’t drink milk.
She also warned me that if I saw Suraj with his father, he wouldn’t
take any notice of me, as he would be “stuck” to his father. I had a sense
of her feeling excluded from this relationship and also of doubting her
value to her son.
Just before I left, she wanted to show me a photograph of Suraj—it
was an enlarged photo of him with his father and sister, in which Suraj
was frowning and looking rather grumpy. I had anticipated the kind
of photograph that his mother might be proud to show me, showing
Suraj smiling and happy. I was left somewhat taken aback and confused
about her motivation for showing me this particular image.
First observation
My first observation took place the following week. My initial impres
sion was of how different Suraj looked from the photograph—he was
small and lively, with an attractive smile and an engaging manner:
Although quite little in comparison to his brother, Suraj had a lively,
mischievous expression and strong, attractive features. He walked
106 anjali grier
Feeding difficulties
As I mentioned above, my observations frequently coincided with
Suraj’s lunchtimes. Possibly mother hoped for support from my pres
ence in the difficult dynamic between herself and Suraj over food.
When I arrived, Suraj would often be sitting alone at a little wooden
table in the sitting room, a plate in front of him, with a relatively small
portion of food on it—usually half a sandwich, neatly cut into two
squares, with some cheese or cucumber to accompany it. His mother
would usually be in the kitchen, cooking.
In the first few months of this observation, Suraj would rarely be
able to finish even half his meal, frequently interrupting it to engage in
rather frantic, compulsive activity. For instance:
Suraj, who was eyeing me over the top of his sandwich, suddenly
put his sandwich down, jumped up, and ran off towards the win
observation of a young asian child with feeding difficulties 107
dows at the far end of the room. He licked the fingertips of his right
hand and then rubbed his wet fingers on the glass, as if cleaning
it. He repeated this cleaning activity with each of the four window
panes in turn. He then upturned a stool and started dusting it with
a brush. The switch from one activity to the next was abrupt. . . .
[Observation 2, 3 years & 2 weeks]
I wondered if Suraj was in the grip of a persecutory phantasy that
something had turned bad or become contaminated (by me?), hence his
attempts somewhat obsessively to clean or “purify” his environment
(Klein, 1952). This possibility was borne out by his subsequent rather
aggressive wish to get rid of his food:
His mother entered and asked him rather plaintively to eat his
lunch. Suraj jumped up and said in a rather strong bargaining man
ner that he wouldn’t eat the half-chewed sandwich but he’d eat the
fresh one. Mother said OK. Suraj then took a bite out of the fresh
sandwich and then immediately opened it up and removed the
cucumber, saying he didn’t want that. He then took the half-eaten
sandwich and threw it on the floor and said that he didn’t want that
either. His mother shouted angrily at him to pick it up. Suraj jumped
up, saying “bin” several times in a frenzied way, and picked the
sandwich off the floor. [Observation 2, 3 years & 2 weeks]
I thought Suraj’s difficulties with taking in food were related to perse
cutory anxieties that had become attached to food. His need to get rid
of his food in the aggressive manner described above—or, as on other
occasions, by spitting or vomiting it out—seemed to be a way of dealing
with these anxieties (Klein, 1946). These situations would frequently
escalate into furious battles between mother and son, in which Suraj’s
controlling and aggressive behaviour often provoked an angry and
tyrannical response from his mother. These conflicts were very painful
and difficult to observe. I had the impression that mother and son were
locked in a fused and stifling combat:
Suraj then darted into the little space between his mother’s chair
and his own and emerged with a mobile telephone. His mother
sternly ordered him to put the phone down and eat his lunch. Suraj
started speaking into the phone in an incoherent and manic way . . .
he then kicked the table over with his feet, upturned it completely,
and sat inside it, saying in a frenzied manner, “Drive the car, drive
the car”, making wrrr-ing car-sounds. [Observation 3, 3 years &
4 weeks]
108 anjali grier
tion to his very negative attitude to food—by which she seemed to feel
personally rejected and so felt inclined to absent herself. Her leaving
him to his own devices, however, quite possibly made it difficult for
Suraj to modify and integrate his bad internal objects (O’Shaughnessy,
1964), since he was left prematurely to deal with his anxieties on
his own.
One possibility was that Suraj was using me as a containing object
(Bion, 1962), in whose presence he was able to take in more food, both
concretely and symbolically. There was by now an interesting devel
opment in his capacity to play in a focused and imaginative way. On
one occasion, he became absorbed in playing with his play-tent and
enthusiastically invited me into it. I refused (firmly, though kindly).
He reacted by asking me to shut the door-flap, in a slightly dampened
mood. However, he soon peeked his head out of the door to ask if I
might like a cup of tea? I said that would be nice. He then pretended
to make me a cup of tea and handed it to me. This was the first time
that he had managed to play in such a sustained manner. It seemed to
be important to him that I didn’t disappear, even when I had not given
in to him (on this occasion, to his seductive oedipal wishes to enter his
tent), but remained open to receiving his tea.
Some months later, there appeared to be a marked change in Suraj’s
attitude, when he was able to express some enjoyment in eating his
food:
Before I had properly entered the room, Suraj was already talking
to me, saying, “This is cheese!” brandishing his cheese-string with
great relish on a fork. I said hello to him and sat down in my usual
place. He grinned at me, pointing at his cucumber sandwich and
saying, “Cucu”. I nodded and he pointed at it again and said, “Sand
wich!” He grinned at me, bending his head slightly shyly/coyly to
his left, and munched his sandwich. I smiled. . . . [Observation 21,
3 years & 7 months]
On another occasion his mother had cooked a special traditional snack.
She offered me a piece and asked Suraj if he might like some too.
Suraj said yes, he would have a piece. When his mother came in a few
moments later and asked him whether he liked it, he told her that he
still had some left on his plate and would she please not take his plate
away yet? His mother took this as a sign of appreciation and was very
pleased. Suraj was now able to accept that his mother had something
good to offer him.
110 anjali grier
Separation
As I mentioned, Suraj found separation a particularly painful issue,
and initially this was reflected in his inability to acknowledge my
departures. However, on one occasion when Suraj was very absorbed in
playing with his play-tent I said that it would soon be time for me to go:
Suraj stuck his head right outside the tent and said “No!” very
loudly and firmly. I said that I would be back next week. He then
asked me to give all his bricks back to him. When I had done so,
he shut the door-flap again. I got up and said goodbye to him. He
responded from within and said bye-bye. [Observation 9, 3 years
& 3 months]
This was the first time that Suraj had said goodbye since I had com
menced the observations. It was very poignant that he was able to do
so on this occasion, from within the protective “shell” of his play-tent.
As we have seen, he had often seemed to experience separation as a
violent ripping apart. Being enclosed within his play-tent, however,
appeared now to function both as a barrier defending him from the pain
of separation and as a protective container, enabling him to acknowl
edge my departure.
Subsequently, Suraj would frequently protest when it was time for
me to leave and then attempt to take control of the ending by inform
ing me that I could go after he had completed a particular task—for
instance, tidying away his toys or eating his food. Then he would trium
phantly say, “Now you can go!” (Observation 20, 3 years & 7 months).
His mother initially complained that Suraj was still in nappies and
refusing to cooperate with toilet training. To be toilet-trained demands
a capacity to let go of the phantasy of keeping and not losing one’s
urine and faeces into the lavatory. It seemed that as Suraj found ways
of tolerating the pain of separation, he was also able to overcome his
anxieties in this area. By the time he was 3 years and 5 months old, he
had succeeded in becoming toilet-trained during the day.
He still had difficulty getting to sleep at night and wouldn’t go to
sleep until his parents were ready to go to bed. Apparently he still slept
in his parents’ bed and had steadfastly refused either to sleep in his own
bedroom or to share a room with his brother. Although his mother felt
uncomfortable about this, his father tended to give in to his wishes. This
might well have made Suraj feel quite powerful, and it also may have
fuelled his oedipal phantasies.
observation of a young asian child with feeding difficulties 111
Oedipal development
When I first met Suraj, he wanted to make exclusive claims on my atten
tion, and he found it difficult to share me with his mother. I wondered
whether he might be splitting, by idealizing me and denigrating his
mother by pushing her out. His mother conveyed that she felt excluded
from the close attachment between Suraj and his father. I described
some of the entangled and fused battles between Suraj and his mother
that erupted over food, and also how Suraj would frequently break
into his mother-tongue, Gujarati, while speaking with me. This often
happened when he wanted an intimate, dyadic relationship with me,
perhaps a replacement for his primary maternal relationship. In these
situations Suraj appeared to have difficulty in tolerating a triangu
lar relationship without feeling threatened by it; simultaneously he
appeared stifled by the exclusively dyadic relationship with his mother.
It sometimes felt as though these difficulties were exacerbated by his
father’s absence during much of the observations—despite my often
reminding his mother, it took several months before my meeting with
Suraj’s father took place.
It felt significant that the first time that Suraj communicated with me
consistently in English, which he knew to be “my” language, was on the
first occasion when both his parents were present. At this time, the pres
ence of his father appeared to enable him to participate in a triangular
relationship without feeling either excluded from or threatened by the
parental couple. The warm and affectionate attachment between Suraj
and his father was also evident. I was aware that Suraj was observing
the interactions between his parents and myself, which mostly involved
conversations relating to himself. It seemed possible for him to have an
experience of a benign parental couple who had space in their minds
for him (Britton, 1989). After this meeting between me and father, Suraj
rarely spoke to me other than in English.
Conclusion:
the implicit use of the observer to negotiate
some of the mother–child conflicts
In the relatively short space of time (approximately eight months)
during which this observation took place, there appeared to be a
marked development in Suraj’s capacity to take in and enjoy his food,
both concretely and symbolically. This seemed integrally related to
112 anjali grier
Note
With thanks to my Young Child Observation seminar leader, Cathy Urwin.
CHAPTER SIX
I
n this chapter I am going to explore the struggle towards independ
ence of the little boy I observed. I started my observation when
Laurie had just turned 3 years of age. During the initial meeting with
Tania, his mother, she described him as an “interesting child” who had
an “obsession with cars”. He could name them exactly, including not
only their make, but also their model.
I will try to illustrate how cars, both real and imaginary, dominated
his early fantasies and how they represented an underlying preoccupa
tion with becoming more separate from his parents. I will show how
he expressed in his play a clear move from a phantasy of being very
much fused and “entangled” with his parents, to starting to find a place
of his own.
About half way through the year of my observation, Laurie’s father
had a car accident. Fortunately he was not badly hurt. Laurie was only
able to explore this experience and his feelings about it when he became
more separate and was able to show in his play that he could represent
relationships between people rather than control them. A lot of Laurie’s
play took place in his parents’ bedroom at the beginning of the year. It
was interesting that there was a clear link between Laurie being able to
play somewhere other than in his parents’ bedroom and his emotional
development.
113
114 claudia henry
lashes that contrast with his blond hair. He has a warming smile and is
quite small and slight in build. He observed me from the comfort of his
mother’s arms for much of the first observation as I observed him and
seemed to be working out in his mind who I was and what I was there
for. Tania explained that I had arrived just after a tantrum. She seemed
quite relieved that he had calmed down before I arrived. As the obser
vations progressed, it became clear that Tania was quite uncomfortable
when Laurie had tantrums in front of me. She often spoke to Laurie in
a baby voice, which contrasted quite sharply with Laurie’s knowledge
of cars and his keen interest not only in their make, but their model
and number. One of the questions discussed in the seminar group was
whether Tania was struggling with a wish to keep Laurie as a needy
baby rather than being able to see him as a sometimes difficult and
aggressive little boy.
As Laurie started to move from his mother’s side during the first
few weeks, he quickly became aware that wherever he went I would
follow. He would run from the bedroom to the living room, looking all
the time over his shoulder to see if I was coming and smiling when he
noted that I was. My feeling was that he was testing me out, wonder
ing whether I was there to be entertained or invited in and enjoying the
control he had over where we went. During the third observation Tania
told me that Laurie was convinced that I lived upstairs. She said that he
had heard a noise upstairs one day and had asked if it was me driving
around. I was a little confused by this account as, from the very first
meeting, a ritual had been set up that was to continue right through the
year. At the end of the hour Laurie and Tania would come out to the
front door and wave to me as I drove off. This was a time of moving
back close to mummy. During a period when Laurie was not allowing
his mother into the room while I was there, it was a comfort to me to
see him cuddled up against her and them waving goodbye as I left. The
goodbye was so pronounced that it seemed strange that he also had the
fantasy of me living upstairs. I wondered if it was that maybe as yet I
could not exist if I was anywhere too far from his immediate surround
ings. In keeping me “upstairs” no anger had to be felt at my going away.
It was the beginning of an indication of how much the feelings of anger
that Laurie had could not as yet be expressed. The goodbye ritual was
completely wiped out, and I lived upstairs. This denial of anger and
ways of managing such moments of denial were to be seen at many
other points during the year.
Laurie’s play during the first observations seemed to emphasize
his need to distance people when they left him. He started using
116 claudia henry
his parents’ bed as a central focus point. The games started off with
his mother playing peek-a-boo with him under the covers. However,
shortly afterwards his mother was quite aggressively banished from
her own bedroom. He would tell her to “go away” and then, when she
had left, he would repeat, “Where has that lady gone?” He seemed to
distance himself from any emotional need for his mother and or rela
tionship with her as she became “that lady”. I wondered if in the nurs
ery as well she became “that lady” once she had gone. A mummy who
existed somewhere else did not as yet seem to have been established.
An extract from one of the early observations is as follows.
of the Tom and Tilly couple and to come on the parental bed to play
at hiding under the “duvet house”. I was always quite firm about not
joining in this game and said that I would watch him from where I
was sitting. It may be interesting to note that “Tom and Tilly” are two
children’s television characters who live on a canal barge. It is unclear
if they are a couple or brother and sister, but what is clear is that Tom is
the one who drives the barge. He is the one in the “driver’s seat” while
Tilly stands by him as the passenger.
In the observations, the bed slowly became an elaborate car (never
a barge) with a passenger seat, which, he insisted, was for me to sit in.
I had to repeat week after week that I was going to watch him from
where I was sitting, and he gradually accepted that this passenger
(myself) was going to stay where she was. His invitations onto the
parental bed, however, continued, although gradually less persistently,
right up until the end of the observations.
I only met Laurie’s father twice during the year. The first occasion
was on my second visit. He seemed quite affectionate and demonstra
tive with Laurie, although he was also quite preoccupied with his work
on both occasions. Laurie seemed to identify with his father and would
quite often play at daddy going off to work in his car. The bed became
a car, and it had a “steering wheel bit” and “the radio bit”. There was
then the “passenger bit” in the back, and this at first was always left
empty. A steering wheel made out of a plate or a round place mat was
often placed on the steering-wheel side. Over the course of the obser
vations these steering wheels started appearing in all sorts of places
that, in Laurie’s imagination, had been transformed into cars. During
one observation I was introduced to five cars, one on each bed, one
on the sofa, one on a chair, and one hidden under a blanket, which
was revealed to me towards the end of the hour. His favourite “car”,
however, continued to be his parents’ bed. At first this “car” was often
a Lada, the car his father had. It was interesting to note that the word
“Lada” was similar in sound to the sort of word a very small child
might say, which may have been part of its attraction. Laurie would sit
in the “steering wheel bit” and turn around and wave goodbye to me
as he drove off to work.
I felt that this was one of Laurie’s ways of exploring his feelings
about separation. He became the one going to work, the active one,
rather than the passive one who was being left behind. However, if
Laurie dealt with the separation by becoming daddy, then what hap
pened to his identity when this was happening? Laurie seemed to be
118 claudia henry
part of both his mother and his father in a way that was represented
by his getting into the “big body” of his parents’ bed. Could he stay in
their mind and they in his and still be separate?
The cars, which kept on appearing, seemed to represent aggressive
and powerful feelings that could only as yet be seen in the cars and not
be owned by Laurie. Except when Laurie was telling his mother to go
away, he was generally quite gentle in his movements and play. He often
played, however, with a toy “cookie monster” (a character from Sesame
Street), an aggressive cookie-eating monster that had a growly voice and
seemed to represent feelings such as anger and aggression that as yet
Laurie found hard to own. It may have been that he was scared that if
he got really angry, it might be unbearable for those around him and
might drive everyone away. It could be that his play with the cookie
monster was his way of splitting and projecting his oral aggression, a
part of himself thus projected into the monster and lodged there.
Laurie would quite often confuse the gender of characters in books,
almost as if he were still unaware of a separate mummy, a separate
daddy, and a separate Laurie. “Mr’s and Mrs”, as he called them, all
became one. Perhaps this was also related in some way to uncertainty
about his own identity and the stability of others. After hiding under
the duvet one day, Laurie shouted out, “I have gone, where am I?”
This sentence puts across very strikingly the feeling of temporary loss
of one’s own identity that accompanies projective identification (Klein,
1955). Laurie knew he had gone, but he was not sure where. How
could he find and own certain parts of himself without it feeling too
overwhelming?
Jack’s car crash happened five months into the observation. Jack was
not badly injured, but the car was quite badly damaged and sat outside
the flat for a few weeks. It was clear that the vision of this smashed-up
car had quite an impact on Laurie. During each observation I was led
by the hand to look at it. However, the only explicit remark that Laurie
made initially about the implications of the accident was that daddy
was going to get a Rover Mark 3 litre engine or a Golf GTI Cabriolet,
the implication being that anything broken could be mended by getting
a new and better one. Laurie seemed to use his knowledge of cars here
as a way of hiding behind or masking any worries or depressive anxie
ties (Klein, 1935) that he may have been feeling. David Simpson (2004)
writes of children with Asperger’s syndrome as tending “to “know”
in the sense of accumulating knowledge, not of learning creatively”.
It seemed that at first Laurie used his “knowledge” of cars to “know”
in a manner that somewhat resembled Simpson’s description. It took
laurie and his cars: a 3-year-old begins to separate 119
some time before he was able to play more symbolically and learn more
“creatively” from the experience of his father’s accident.
I learned during this time that Tania herself had quite a strong fear
of cars. She hated being in them and was adamant that she did not want
to learn to drive. This perhaps contributed to Laurie’s preoccupation
with cars. He may also have been taming the projections of his mother’s
fears by knowing all there was to be known about them.
Just before the crash Laurie had started to allow his mother back
into the room when I was there. At the same time, he started to develop
a preoccupation with the “passenger seat” in the car, speculating on
which cars had them and which cars did not. It was as if he was trying
in his mind to find a place for a third person. It could be speculated
that Laurie’s beginning to explore a place for a third just prior to his
father’s crash was a fortunate development. The murderous feelings
that it could be imagined he had towards father because of his oedipal
feelings were maybe tamed slightly by a move towards more depres
sive feelings. This, in turn, may have left him a little less full of guilt
that he had really caused the crash. I wonder whether the gentle but
firm boundaries upheld in relation to not joining him on the parental
bed had in some ways helped towards this development, in a sense
providing a paternal boundary. When thinking about the differences
between baby and Young Child Observations, issues around bounda
ries and how to gain the right balance become much more prominent,
and the need not to act but think on one’s feet and with the support
of the seminar group in mind is central. If such play had occurred in a
different setting, one might well have had quite a different response. It
was the nature of Laurie’s specific phantasies that make me feel that I
needed to hold my ground.
A few weeks after the crash, the main place where Laurie chose to
play moved from his parents’ bed to his own. I wondered if his mother
talking to me openly about her fear of cars had shifted some of the anxi
ety from Laurie. It was without doubt a very important change for him.
It seemed that the earlier obsessive play had been a way of controlling
his anxiety. I now observed that much more fluid and free play started
to develop. The play could incorporate actual toy cars being moved
around rather than Laurie moving around inside a car. Laurie was still
interested to find out which car had a passenger seat and which one
had a boot, but the people in the cars now started to have different
names, in contrast to when Laurie had played all the different roles.
An extract from an observation during this period is as follows; we are
in Laurie’s room.
120 claudia henry
able. I was therefore relieved when he started to play with this very
soft, large, colourful cushion.
During the summer I did not see Laurie for four weeks. Before this
Tania had been unsure of how she was going to fit my observations in as
she was starting a different job, which would involve her working more
hours. She was anxious about what she was going to do with Laurie.
There was a feeling of there not being enough room. I left for the sum
mer break feeling quite unsure about the continuity of the observations
and aware that Laurie might be feeling the same. We were, however,
able to organize a time on a different day.
I arrived at the first observation after the summer holiday to find a
very excited Laurie. He named all his toys and then asked me to repeat
all the names. It felt that he was testing to see if I remembered and
whether I was thinking of him during the break. An extract from this
observation describes what happened next.
T
he title of this chapter is taken from an observation at the allot
ment in which our main character cast himself as Captain of
a ship, while he sat singing upon a tall silver conical climbing
frame. He was reliving his experience of a boat trip to Egypt on a
recent family holiday. Clinging onto a side railing below, his father
played a foot passenger and was instructed on and off the boat at will
and reminded on one passage how he narrowly avoided plunging into
the sea.
The observation reminded me of another imaginary Captain, “a
small miracle whose name was Captain Antonio Corelli”. I chose to
call the young hero of this piece “Antonio” after Louis de Bernières’s
legendary Captain, whose love of life and music wins him the hearts
and minds even of those whom his forces occupy—a man whom de
Bernières described as winning battles “armed with nothing but a
mandolin”. It is my fantasy that the two Captains shared similar child
hood experiences.
123
124 sharon warden
The chapter, broadly speaking, falls into two halves. The first section
is more descriptive and introduces Captain Antonio and his parents
with some reference to relevant observational material. The second
half focuses on discussing excerpts from the observations. As so much
of the material is occupied by the Oedipus conflict, I have organized
it around three themes. These are: observing father and son and the
oedipal rhythm of their relationship; pre-oedipal anxiety and “the cel
lar of doom and despair”; and, finally, “the day the balloon burst” as a
metaphor for oedipal knowing.
incidental. They rarely match, are often missing, but somehow never
clash and always have a habit of looking extremely comfortable.
Antonio is very quick, smart, and in tune with his environment. He
is master of his own space. He seems thoughtful and sensitive. From the
first observation he strongly identified with the observer when towards
the end he sat in a chair watching, taking it all in. In the third observa
tion, the only one to date with Louise, Antonio said to the observer
half-way through that “we are working, and you are watching”. He
climbed down the ladder, picked up a square of Perspex, and moved
around looking at the observer and room through it. He seems to enjoy
being observed. He greeted the observer with a delighted expression
in Observation 5, saying, “Hello! You’re coming every day now”, and
two minutes later, when his father tried to engage him in a cake-making
task, Antonio marched upstairs seductively, telling the observer to fol
low. Ian inquired what Antonio was going to show me. “Everything!”
was his reply.
The Oedipus conflict appears healthily alive, beating its rhythm in
Antonio’s soul, a rhythm of fixation on the size and potency of father’s
“tools” and a desire to interrupt and possess his mother’s music les
sons. However, his parents seem to have an instinctive understanding
of their child. They enjoy him and accommodate his needs. Like the
stars for ancient mariners, they provide security in a timeless system
of navigation through space and turbulent waters.
below, the cellar. Toys, people, food, music, activity, bicycles, and furni
ture abound. Yet there is a sense of space; everything has its place, from
Antonio’s orange aeroplane swing in the kitchen arch to the cats’ food
shelf in the hallway. All are catered for without obsession. In Observa
tion 6 Antonio explained his sense of space in the place used to secure
the family’s bikes on the front wall. He gave the running order: first
Louise’s, then the tandem (his father’s including his seat), and then his,
all attached to each other. He seemed in tune with the oedipal order of
his life and environment at present.
Ian and Louise are in their late twenties, both tall, slightly plump,
and each with short dark-brown hair and pale olive skin. Louise, like
her son, has crystal-clear green-blue eyes and diamond-white teeth.
Ian’s features are similar but less striking, and despite his obvious
industriousness, he has an air of disorganization about him. Both par
ents share the same casual relationship to clothes as Antonio. They are
music teachers and run a small business together. Ian teaches guitar
and reed instruments, his speciality being the saxophone, and Louise
teaches brass and piano. Although entwined in business and love, both
parents have a separate life outside the house. Louise is training to
become a Steiner teacher. Her training demands frequent weekend trips
to London, on some of which Antonio accompanies her.
The observations gave a sense of people with a strong and profound
sense of community and sharing, the pivot of a wider family. Ian and
Louise are thoughtful people deeply committed to a certain ecological
lifestyle—there are few concessions to modern technology. They do
not own a car or television; they travel on bicycles, buses, and trains.
They have an allotment where Ian grows organic vegetables and have
a sense of rhythm with the earth and their part in it. The depth of this
quality was commented on in initial group discussions about the fam
ily. They consider all aspects of life, yet the ideology does not appear
to be “spray-on”. It has genuine depth and clarity, and they pass it on
to their son via everyday life. Antonio is given a lot of space to think
and explore. He is frequently invited to offer ideas and solutions to the
task at hand. The emphasis is on sharing and involvement. The group
thought about what this meant for Antonio, “a little boy swimming in
a rich containing painting”.
Virtually all the observations of father and son took place while Lou
ise was teaching a young boy called Jack the tuba. Jack’s adroitness on
the tuba provided the backdrop to Antonio’s development throughout
the observations.
the day captain antonio’s balloon burst 127
The observer was the woman–mother watching the boys getting dirty
together and working the land.
A competitive rivalry as to who is bigger and who is being observed
abounds. Ian addresses Antonio as “little man”, emphasizing he is big
ger and exposing his son’s immaturity. Antonio resents being reminded
of his youth. For example, in Observation 12 Antonio ran into the
kitchen and said, “Look! We’re making apple juice!” He picked up a
sharp knife. Ian entered the room, grabbed the knife, and said, “Not
with that sharp knife!” He gave Antonio another. The latter protested
vehemently and threw the new knife across the table at his father.
Ian looked cross but said to Antonio he was not going to use a sharp
knife because it was for older people. He told Antonio he could choose
whether he wanted Ian to cut the pieces or cut them himself with the
knife he had been given, and he handed it back to his son, who rejected
it, saying he wanted to use the “real” knife. Ian thought he could cut
well with the one he had been given. Antonio tried cutting a piece of
apple and protested it was not sharp enough. Ian asked if he wanted
him to cut the apple with the real knife. Antonio agreed, passing the
pieces to Ian, but then criticized Ian’s cutting saying the pieces were too
big to fit in his press to extract the juice. Ian re-cut a piece and asked if
it was better. Antonio agreed but added, “Louise did proper pieces!”
Antonio wants to use a sharp knife to demonstrate his maturity,
particularly in front of the observer, but Ian exposes his vulnerability,
giving a “you need protecting” message. Antonio’s response is to retali
ate with “a shot across his father’s bow”: Mother did proper pieces of
apple!
Later in the same observation, Antonio asked if I could hear the
tuba. He said, “That’s Jack on the tuba!”. Ian made us all tea and, as
usual, asked, “Do you want to give Louise her tea, little man?” Antonio
nodded, taking the cup and carefully giving it to Louise in the front
room. Once in the room, he examines Jack’s tuba, peering under his
chair to see it all. Ian leads him out of the room, but Antonio’s eyes are
firmly fixed on Jack’s instrument. Back in the kitchen Antonio trium
phantly tells me, “I saw Jack’s tuba, and it was upside down and went
right down to Jack’s feet under his chair.” The sound of a tuba rever
berates through the house, and Antonio says it is like church bells and
imitates the sound, giggling and finishing with a jiggle of his body. He
then said he was hungry and wanted something to eat.
Later still, in the bedroom above Louise and Jack, Antonio bangs on
his keyboard full volume, telling the observer that in Peter and the Wolf
the day captain antonio’s balloon burst 129
the wolf gobbled up the duck. Ian pushes the volume button down.
Antonio moves it back up and proceeds through all the special effects
on his keyboard. He seems to be showing the observer more than just
“his machine”. He is jealously interrupting the lesson below and bat
tling with his father for control of the volume key!
The group discussions of this observation commented on Antonio’s
spying on Jack’s tuba to satisfy his curiosity. He is excited, wondering
what his mother is doing in there with that boy? Antonio’s feelings of
inadequacy after being reminded he is little are heightened. The tuba is
big, and Antonio is consumed with adoration, resentment, and jealousy.
He seems in touch with very difficult “wolf-like” feelings and then feels
hunger, as if to compensate for the feelings of missing something. His
parents have an understanding of Antonio’s jealousy. He is allowed to
take the tea into the room to Louise followed by Ian, a space between
the two. However, despite this thought for Antonio’s feelings, there are
inevitably other feelings the family struggle with and consign to the
“cellar of doom and despair”, such as those related to breaks, disagree
ments, and separations.
“Yes, a very big one, bigger than this [he extends his arms as far
apart as possible] and bigger than my house, even bigger than all
our house!”, Antonio exclaimed, with eyes wide like saucers.
“That is big”, I agreed.
“Yes it was very big and we went to Egypt in it! We saw the pyra
mids; one was bigger than the other”, he added, nodding his head.
I was compelled to be impressed and reiterate, “Egypt . . . the pyra
mids, gosh!” Antonio looked at me, smiling with satisfaction—the
mirror image of his father’s face behind him. Ian resumed the detail
about the current rebuild of the house’s cellar, and Antonio reiter
ated it was now rubble so they had to completely rebuild it.
Antonio had explained to me in Observation 6 that the house had two
cellars. He had pointed to their whereabouts under the floor. Ian had
added that they were cold and disorganized, and I remembered they
were also his territory. He said he called them “the cellar of doom and
despair”. At that point, Antonio chipped in that the name was because
the cellars were cold and wet and there was a chimney falling down
that needed special work to hold it up.
In the same observation, after a disagreement between Louise and
Ian,
. . . . Antonio ran into the kitchen, picked up a tea towel, and told
me it had his trains on it. Realizing it was upside down, he turned
it round and said it had a broken corner. I said I could see. He pro
ceeded to tie the towel to the table leg and cellar door handle and
started pulling the table round, asking Ian to help. Tea towel con
nected, Antonio moved the table. It seemed a lot of effort, but he
explained he could open and shut the door with the table. A table
leg became stuck on the carpet, and Ian intervened, unsticking the
leg. Antonio continued opening the door, but shutting it proved
problematic. Another leg became stuck. He asked Ian to help. The
latter came over, unstuck the leg, and quietly shut the door. Antonio
looked up, noticed the door was shut, smiled, and said, “There!” Ian
smiled and agreed the door was shut. Antonio moved onto playing
with a large plastic bag, getting inside and covering himself with it,
and looking at the observer from his place on the floor.
Antonio’s behaviour becomes very intense, as if he has to take Ian’s
mind off the disagreement with Louise. Perhaps picking a tea towel to
mop up after it? The object has a corner missing: it is imperfect, like
the day captain antonio’s balloon burst 131
the family whom the observer now sees in a more realistic light—initial
idealized thoughts long gone.
In group discussions, we wondered about Antonio’s anxieties. He
comes home from holiday, telling the observer it was a very huge
experience to go in a plane and boat to Egypt, and returns to find the
foundations of his house unstable. In reality this must have reflected
his own deep-seated anxieties, a symbol of pre-oedipal fears. Is Antonio
frightened, deep down, that there are lots of things that need mending.
Perhaps he fears he could fall to bits like rubble? The observer becomes
anxious for his safety when he plays with a large plastic charity bag,
and the group wondered about the significance of this in relation to
Bick’s ideas about second-skin formation. Antonio appears to be in tune
with something wrong in his world and seems frightened. Was the play
alleviating his anxieties by providing a second skin? Is this how this
family deals with fundamental anxieties: angry feelings are shut out,
avoided, and left to the cellar of doom and despair?
Having thought about the inescapable anxieties of “wrestling with
one’s monsters”, I would like to conclude by turning attention to the
inevitable pains of separation involved in growing up and changing.
“Why can’t we fix it?”, he sobbed. Ian said it would not fix and sug
gested they buy another one.
“But Louise blew this one!” Antonio replied.
“Did she?” said Ian, beginning to look puzzled. There was a brief
silence.
“Ian, will she notice? Will Louise notice the balloon?” asked Anto
nio.
Ian thought she would, and Antonio started crying. Ian asked if
Louise had bought him the balloon. Antonio said she had bought
it in Bradford while visiting his Nana. He again asked if Louise
would notice, and Ian wondered why this mattered as he thought
she would understand. He tried to distract his son by talking about
his next birthday. He said it would be soon, and he would have lots
of balloons then. “You’re going to be four!”, he added in an upbeat
fashion.
Antonio dissolved into further tears, saying he did not want to be
four; he did not want to get any older.
“Don’t you want a birthday, Popsy? And presents?” tried Ian. “No!
I don’t want to be four”, wailed Antonio.
‘OK, then you can stay three then”, said Ian, drawing his son closer
and kissing him on the head.
The doorbell rang, and both of them got up to answer it. Upon their
return, Antonio approached me somewhat recovered and said Post
man Pat was on his way to Inglenook. The tape told us Postman
Pat was indeed on his way to Inglenook. Ian entered and asked if
Antonio wanted to build a train set. “What do you want me to do
for you little man? Tell me what you want me to make”, he asked.
Antonio, seemingly recovered, sat down and instructed his father
on what to build for him.
passion for his mother and her beauty. The millet-filled balloon is a dual
sexed symbol: a womb filled with seeds (or perhaps the seeds represent
imagined rival siblings). Antonio enters an erotic dance of celebration,
worshipping the balloon on his parents’ bed, while the observer and
Ian watch. He is captivated by the balloon, bouncing it like a baby, in
an almost fetishist manner. The toy seems charged with an aura of the
person he loves, his object (reminding us of Freud’s theories about
the castration complex and fetishism). It is a noisy dance, interrupting
mother and her pupil below. Then the balloon bursts, and Antonio is
devastated and asks his father to fix it as he has so many other things, to
put it back together again, but father cannot fix this. Antonio learns that
things cannot last forever. The balloon bursts, infantile omnipotence is
coming to an end, and despite his desire, he needs to treat his object
well and take responsibility or else he may destroy it. Ian learns he can
not fix everything and has to tolerate the humility of feeling his son’s
impending maturity, the two tolerating reality together. Ian attempts
to console, with thoughts of more balloons and birthdays, but Antonio
knows that more painful reality comes with age and maturity: he does
not want to be four. He wants to retain his omnipotence. He grieves the
loss this impending knowledge brings and resumes the familiar rhythm
of building with his father, while Postman Pat drives away. And the
observer watches, also reminded of reality. There will be a parting here
too; the observations will come to an end.
T
he above conversation took place just before the summer holi
day, between a 4-year-old girl and the observer, who had been
visiting her house on a weekly basis for a year. The observation,
conducted within the framework of the Young Child Observation semi
nar, would continue for another year, as is usual for Tavistock-model
training courses held in Italy (Adamo & Magagna, 1998).
The child, named Giorgia, seems to be reflecting on her own experi
ences and, more specifically, on the separations and acquisitions that
this year has brought her. It has been a difficult year in many ways. Her
mother’s new pregnancy ended tragically with the death of the baby,
and this had a powerful impact on the child. However, these words also
show the workings of a mind that is capable of self-observation and
of sharing thoughts with a person of her own choosing. The observer
has been a discreet and sensitive witness over the year of the emo
tional turmoil and upheaval faced by Giorgia as she navigates through
oedipal conflicts. The crossing proved to be a stormy one, due in part
to her internal equipment, which showed a mixture of vulnerabilities
135
136 simonetta m. g. adamo
and some notable resources. It has certainly been severely tested by the
traumatic event. During a later phase of the observation, the picture of
a boat in a stormy sea without sails or rudder appeared in one of her
drawings, and this seemed a very apt image.
The observer’s1 carefully kept records follow her difficult journey
and monitor the child’s gradual conquest of an observational stance
from where she can think through her mental states and their trans
formations. However, the observer’s role does not confine itself to this
function but plays a more dynamic function, in encouraging the devel
opment of the child’s own observing and reflective capacities.
Similar issues were discussed in a previous study (Adamo &
Magagna, 1998). There is, however, an important difference. In that
paper we were confronted mainly with the child’s struggles between
acting out her aggressive feelings towards the newborn and retreat
ing into a “private space” shared with the observer, where she was
able to restrain herself from impulse to action and to symbolize her
feelings in play. In this case, by contrast, due to the tragedy of the
baby’s death, the focus is more on the inner mourning process as
reflected in the child’s play, drawings, verbalizations, and use of sto
ries. Through them, we can follow the development of the mourning
process from its initial state, characterized by strong persecutory feel
ings and depression, to the attainment of a more depressive state and
of reparative capacities.
a child neuropsychiatrist who had reassured her and excused her from
any blame, although he added that Giorgia was a “child that needed to
be at the centre of attention”.
The observer realizes the mother’s fear of a possible resumption of
similar episodes and the threat looming that they may be concealed
in apparently banal events and other problems. The mother’s sense
of guilt is almost tangible and, although calmed by the remarks of the
doctor, later becomes openly acknowledged when, in reference to her
recent bout of depression, she attributes it to her perfectionism and her
tendency to regard herself as responsible for anything that goes wrong
in the household, including her daughters’ lives.
Apart from being evoked by the forthcoming birth of another child,
these memories and worries have risen to the surface in the mother’s
mind through contact with the observer. The mother frankly expresses
her doubts about the observation: will it not be simply a further burden
in a period when she will be busy looking after three young children?
How will Giorgia react? How could she introduce the observer to her?
At an unconscious level, the mother may also be communicating her
anxiety that the observer may view her from a critical and judgmental
point of view, noting inadequacies and problems and accentuating her
sense of guilt. However, she shows the capacity to cope with these
conflicts and face them openly in a debate that takes place first in her
mind and then with the observer. Her eventual agreement therefore
seems to be the outcome of careful consideration rather than an impul
sive decision.
In the light of these comments we can suggest that she may be
expressing the hope that Giorgia may benefit, during the delicate period
marked by the birth of a baby brother, from the special “attention” she
may receive from the observer. By referring to the neuropsychiatrist’s
diagnosis and comments, the mother may be tentatively considering
the possibility of alternative ways of approaching and understanding
her daughter. Perhaps the observer may be the person to offer a new
perspective.
It is certainly the case that Giorgia’s experiences, as recounted by
her mother, bring to mind similar descriptions of other babies (Miller,
Rustin, Rustin, & Shuttleworth, 1989) who had “a reaction of panic
and collapse” when their clothes were taken off, possibly because
their “mental skin was not strong enough to protect. . . . [them] from
overwhelming anxieties of disintegration”. These descriptions give us
an idea of the nature of the child’s experience but perhaps not of its
intensity. One needs to bear in mind that when the spasm occurred,
138 simonetta m. g. adamo
Giorgia was already a year old and not a baby of only a few weeks. Her
anxiety could not in any way be discharged by crying or movement
but had provoked a sort of somatic short circuit: the emotional spasm.
We are not facing a child’s fear of dying, which, by means of a success
ful process of containment, can be soothed and modulated by mother,
but, rather, a situation in which mother and child live through a shared
experience of “danger of death”.
she is being continually pushed by her sister and nearly falls off
the chair . . .
Giorgia then tries again with a large doll, which she prompts the
observer to hand her. Finally,
. . . . she gets a Barbie, takes off its adult clothes, puts on a nappy
and a dummy. She puts the doll in the pram and remarks. “She cried
last night. Now I will leave her with the Filipino maid and go out
for dinner.”
However, it is Giorgia herself who, immediately afterwards,
addresses her mother in a tearful voice, beseeching her, “Mummy,
stay here. Where are you going?” She says this on each of the two
occasions when her mother briefly goes out of the room.
Comment
What is immediately striking is the emergence in the material of a
theme, alluded to above in the description of the infantile trauma,
which will resurface regularly during the observations: the need to find
shelter and protection from exposure to a cold environment. Giorgia
introduces the theme in her game with the blanket and the two puppies
in which she also takes for granted the fact that the blanket “is not large
enough to cover both of them”.
Her experience of a container that is not large enough for two
resurfaces more evidently in a subsequent situation, when she becomes
anxious because her mother leaves the room for a few minutes. It is
as though she needs the continual concrete presence of the mother in
order to feel integrated, and that her mother’s absence, despite being
momentary, causes her baby self to re-emerge, a self that cannot cope
on her own.
However, the blanket that cannot cover the hard plastic dog and
the soft fluffy puppy may be also interpreted as a representation of her
self, of a psychic skin that cannot embrace different and split aspects
of herself: the competent part and the soft and vulnerable baby part.
We witness Giorgia’s repeated violent attempts to put the doll’s shoes
on her little sister as if she wanted to free herself, through projective
identification, from her baby self.
Her game with Barbie, who was deprived of her clothes and her
adult identity, seems to throw light on the dynamics of this process.
Giorgia seems to be saying that it is not at all safe to abandon a pseudo-
adult identity and be revealed to be small and dependent, since this
140 simonetta m. g. adamo
When her little sister comes near their mother, Giorgia stops playing
and asks her mother for a cuddly toy. Her mother gives her a very
beautiful kitten and says to her, “Did you tell Emanuela who gave
you this lovely new kitten?”, to which Giorgia replies, “Granny!”
The mother then turns to the observer and adds, “Since Gabriella
had taken possession of Giorgia’s old one, my mother brought this
new toy kitten for her the other day.” Giorgia interrupts, correcting
her, “Mio Mao is Gabri’s and this one is mine.”
The observer looks at the white kitten, and it suddenly reminds her of
the cartoon The Aristocats, so she says,
“She looks like one of the Aristocats.” And mother says, “Yes, it’s
true, she looks like that kitten . . . Oh, what’s its name? Minou, I
think.”
The observer confirms this. Giorgia then asks her mother, “Do you
remember, how they all cried when they were out in the cold and
the rain?” There is silence. Then Giorgia continues, “I’d like to see
The Aristocats, but it’s probably better that Gabriella doesn’t because
she’s afraid of storms.”
With extreme determination, Giorgia gets up and goes straight to
the television and nags her mother to see the film, reiterating that
it would be better for her sister not to see it because she would be
frightened. The cartoon begins, and both sisters watch it. Suddenly,
Giorgia goes and sits on the observer’s lap, as if by accident.
Giorgia’s naturalness in the way she does this really surprises the
observer; she simply took the opportunity to get up, push her sister
away, and then, as if she was going back to her original place, came to
sit on her lap.
The observer puts her hands round the child’s waist to hold her
close, and they stay like this for at least ten minutes. It is the part
of the film where the kittens are abandoned by the evil butler in an
unknown place in the rain.
Comment
These observations are very sad, and they powerfully convey the
feelings of loss within the family provoked by the death of the baby.
Following this event, during a lengthy telephone conversation with
the observer, the mother tells her about the tragic death of a previous
partner of hers. An earlier image resurfaces in our mind of the time
when she described Giorgia’s first emotional spasm, and mother wan
dered around the house holding her daughter “who looked as though
she were dead”.
The image of the “child on the cloud” seems perhaps to refer
not only to father’s attempt to find “the right words” to tell Giorgia,
but also to mother’s need to find shelter from the raw details of the
baby’s death. At the start of the next observation, spurred on by her
mother, Giorgia greets the observer with a surprised smile as if she
didn’t really believe she would see her again. No one refers explicitly
to what has happened, but there are constant reminders. The new toy
kitten given by her grandmother seems to be a symbolic substitute,
which implicitly alludes to the child that should be there but is not.
It also signifies the adults’ concern for the suffering that the elder
child is going through. They seem to be trying to avoid any appro
priations of feelings of softness or vulnerability by the younger child,
even though we later witness Giorgia’s attempt to attribute them to
her little sister. She says she wants to “protect her” from watching
the film; however, in reality she wants to inflict her fear and suffering
onto her sister.
It might be asked whether the hardening defence that results from
the splitting and projective identification of her vulnerable parts may
also underlie Giorgia’s failure to give a name to her new kitten: “Mio
Mao is Gabri’s and this one is mine”. It seems as though Giorgia, who
had thought of a name for her baby brother, wanted to protect herself
from the recognition of the personal bond and special attachment that
the giving of a name implies.3
However, the loss, while not spoken of directly, is approached by the
symbolic mediation offered by the observer, through her spontaneous
association to the story of the Aristocats, the kittens that the evil butler
wants to get rid of because of his jealousy and the fear of not being
the sole beneficiary of his mistress’s will. The impossibility of naming,
expressed by Giorgia, seems to correspond with the difficulty voiced by
the mother to find words to speak with her daughter about the death of
the baby. The spontaneous association of the observer seems, therefore,
144 simonetta m. g. adamo
Giorgia then suggests to her sister that they play Simba and Nala
(the two main characters of The Lion King). The girls crawl and slide
around the floor, partly attacking and partly embracing each other.
The observer feels that Giorgia is trying to eroticize the game. They
don’t speak, and Giorgia, in particular, roars like a lion. In a corner
of the room, she constructs a kind of den and goes inside and asks
her sister to do the same. She starts to make a sort of groan, which
frightens Gabriella, who leaves the den. Giorgia tries to bring her
back in, then, still on all fours, goes back inside, saying that she
has to hatch her eggs. She opens her legs wide apart and sits on
top of the dolls and says, “Look, my baby Nalas have been born.”
Gabriella watches her and seems uninterested in this performance.
Perhaps she is slightly afraid. She asks her sister, “Gio, will mummy
come soon?” Giorgia, in a rather irritated voice, replies, “Yes, she’ll
come later”.
During the game that follows, one can observe Giorgia’s change from
one mental state, where fantasies of total access to a mother–breast
over which she claims exclusive control seem to predominate, to
another in which she seems to identify first with the mother in the
primal scene, and then with mother producing babies.
During the greengrocer game, she initially moves with impatience
and greed, as if wanting to take full possession and deprive the shop
keeper–breast of all her food, leaving nothing for the shopkeeper or her
little sister. She shows no respect for times or rules.
Subsequently, when she suggests the Lion King game and keeps the
part of Nala for herself, the intense enactment of her oedipal desires and
phantasies seems to prevent their effective containment at a symbolic
level. The game thus assumes an excessively realistic quality (Hoxter,
1977), which provokes unease in the observer and frightens her little
sister, to the extent that Gabriella asks for reassurance about the return
of mother who will be able to guarantee the restoration of parental roles
and prerogatives.
It is interesting to note how these themes re-emerge in later material
but in a different form—a drawing—and are the subject of an explicit
verbal exchange between Giorgia and the observer.
The observer arrives at Giorgia’s house and, even from outside, she
can hear her crying and saying, “I want daddy, I want daddy”. As
soon as Gabriella sees her, she says, “Giorgia is crying because she
wants daddy.”
The door of the girls’ room is closed, and Giorgia can be heard
sobbing. The observer, followed by Gabriella, enters to see Giorgia
sitting in a corner, beneath the window, with her head in her hands
and balanced on her knees. Without coming too close, the observer
asks her why she is so sad and angry. She doesn’t immediately
reply, partly because Gabriella interjects, “Because daddy has gone
to work, isn’t that it, Gio?”
Giorgia later expresses her unhappiness at not being allowed to go to
work with her father as she had done in the past and is able to put her
desire and hurt into words . . .
“Yes, it’s because little children want to be with their daddy and
mummy.” Gabriella echoes her words and says, “I want to be with
mummy.” Giorgia then takes the book of The Little Mermaid and tells
the story to the observer. The theme is rivalry: Ursula the Octopus
the observed child, the observing child 147
steals the voice of Ariel, the Little Mermaid. Giorgia compares the
two and wonders who is more beautiful.
Then she wants to draw but decides to put her pyjamas on first. The
observer is struck by the way she undresses and puts on her pyjamas,
as well as by the peculiarity of her movements . . .
She seems to be “a real little madam” when dressing. She has a par
ticularly complicated way of putting on her pyjama top and seems
to be imitating an adult who is dressing a child.
The observer had already been struck by something similar when . . .
Giorgia, in an attempt to control her anger towards her sister, takes
her hand and slaps it. The observer comments, “She reminds me of
a miniature version of an old-fashioned schoolteacher”, suggesting
that the nature of the identification with an adult role is projective
rather than introjective.
When she is ready to go to bed, Giorgia takes the observer by the hand,
and they go into the sitting room, where there are sheets of paper to
draw on. Gabriella wants to draw as well, and follows them.
The two girls both sit on the floor. Giorgia starts to draw a long,
narrow castle. She draws a girl inside the castle and points out that
she is not the princess. Outside the castle she draws a prince and
a queen, while, on the other side, she draws some shapes and asks
the observer to guess what they represent. She gives her a clue by
telling her that they are sweet. They have the shape of an upside-
down cup. She draws two or three of them. On top of each one, she
sketches a little doodle which looks like a kind of fringe. The colours
are extremely vivid. The little girl in the picture has dark hair, and
she looks like Ursula the Octopus pretending to be Ariel the Little
Mermaid. The queen has fair hair. Giorgia talks to the observer
about her drawing and explains, “I am the child, you are the queen,
and daddy is the prince, no, I mean mummy is the queen.” She then
writes on top of the sheet of paper: “mummy and daddy”.
When, a little later, the observer says to the girls that they will
be able to show their drawings to their parents later on, Giorgia
comments that she will show her drawings to her teacher as well.
The observer agrees and . . . Giorgia asks her, “Will you become a
schoolteacher?”
148 simonetta m. g. adamo
Comment
The sound of Giorgia crying greets the observer and leads her towards
her hiding place where, closed in her room and half hidden under the
window, she sits all hunched up. This is the occasion when the little
sister shows for the first time that she is really growing up and can
put the distress of her elder sister into words. She can understand her
sister’s pain, although she doesn’t share it because, as she points out
in a subsequent series of remarks, she is too far away from the grief of
an openly oedipal conflict. When Giorgia explains to the observer why
she is crying: “Yes, because little children want to be with their daddy
and their mummy”, her little sister corrects her, contrasting her own
feelings: “I want to be with mummy!”
Possibly Giorgia’s sense of isolation has been added to by her diffi
culty in communicating verbally with the maid, the only adult present,
who has a limited knowledge of Italian and can only express herself
in rather factual terms.5 This difficulty was noticed several times by
the observer, and the mother spoke about it at length in a subsequent
session. Giorgia’s need for her father’s attention, her intense hurt, and
her frustrated desire to share other spaces of his life seem to drive her
towards fantasies of projective identification with mother. The tradi
tional theme “Who is the most beautiful girl in the kingdom?” surfaces
in the material about the Little Mermaid. Ursula the Octopus, through
deceit and magic, wants to steal the physical appearance and talents of
Ariel—both her beauty and her lovely voice—in order to win the love
of the prince. The observer’s sensitivity allows us to follow the changes
in the child’s feelings and her identificatory movements through a
range of forms of expression: crying, verbal communication, behav
iour, drawing. The desire to escape from pain by means of projective
identification emerges not only in the story of the relationship between
Ursula and Ariel, but also in other details of Giorgia’s behaviour. The
the observed child, the observing child 149
and she replies, in a weak and plaintive voice, “Yes, I want him.”
They both remain silent for a few minutes. The observer feels sad
as well.
Comment
What seems to be especially interesting during this observation is the
space that provides the context for communication. Giorgia’s new bed,
designed by the father, seems to allude symbolically to her need to
find a “mental lap” in her father and the observer (Adamo & Magagna,
1998). It can function as a more containing space, at a time when the
maternal lap is possibly perceived as overburdened with feelings con
nected to death. The child’s experience may have been provoked by the
fact that her mother could not tell her directly about the death of the
baby. However, it may also be fuelled by Giorgia’s problems in com
ing close to her mother because of feeling weighed down by a sense
of guilt and persecutory anxiety due to her hostile feelings towards
the imagined baby. The observer thus becomes not only the silent wit
ness, but also an accompanying presence in a developmental process
that gradually assumes a clearer and steadier orientation towards the
depressive position.
The mother moves to one side and builds a tree out of Lego, with a
cat at the top of it. She asks Gabriella to tell the observer what they
had seen the day before. Gabriella looks at it questioningly. Then her
mother reminds her of the fire engine that they had seen coming out
of a garage with the sirens blaring. Gabriella asks her, “Where did it
go? Did it come to our house?” Her mother replies, “No, luckily they
didn’t need to come to our house. Maybe they were going to rescue a
kitten that had climbed up a tree and couldn’t get down, like the one
in the tree I built.” Gabriella looks at her mother’s construction; and
Giorgia ceases to sort out her animals for a while and asks mother
to show her the cat that needs to be saved. Then she goes back to
what she was doing.
Using extreme tact and taking a round-about route via symbolic dis
placement of the object—“the kitten”—and a place—“outside, not
here”—mother seems to be helping the girls to approach the idea that
it is possible to repair and reconstruct a space within the family for a
new child.
Both the implicit and hidden dialogue are taken up by Giorgia, who
reveals, in her game and the words that accompany it, the thoughts that
preoccupy her.
Giorgia collects up all the animals into a group and then organizes
them so that they are standing up and all face in one direction.
She then picks up the gorilla, the largest of all the animals, and
faces it towards the group. She talks in a low voice while she does
this and makes the gorilla say things that the observer is unable
to understand. She then goes slightly closer, and Giorgia asks her,
“Did you hear what I said?” The observer says no, so the girl asks
her to come closer while she repeats the gorilla’s words, still in a
low voice, “Now, everyone listen to what I’m going to say. One by
the observed child, the observing child 153
one, come and tell me what you want and I will help you.” To start
with, she picks up an elk and brings it to the gorilla and says, in an
even lower voice, so low that the observer has to come really close
to hear her words, “I don’t have a mummy or a daddy any longer.
Will you help me, please?” Giorgia turns towards the observer and
asks her if she heard and whether she wants her to repeat it. The
observer tells her she has understood. She then picks up another
animal, puts it in front of the gorilla and makes it say, “I don’t even
have a single friend any more. I’ve lost them all. Will you help me?”
The gorilla then calls the puppy and mumbles something to him in
a made-up language. Afterwards she says that the gorilla wants to
make a declaration and states, “This puppy, who is here beside me,
has told me that you’ve said a lot of stupid things which aren’t true.
You, it’s not true that you don’t have a mummy or a daddy. That’s
nonsense. And you, it’s not true that you don’t have any friends.
That’s nonsense. Therefore I am not going to help anyone because
what you say isn’t true.”
Comment
The story of the gorilla and the wise puppy constitutes a crucial
moment in the intimate and private communication between child and
observer. The gorilla, which invites the other animals to tell him their
problems, probably represents a good maternal object that does not
evade its role as a container but welcomes it instead. This is probably
the role that, in the transference, the child has assigned to the observer,
who has performed this function by means of her constant and sensitive
presence and through her capacity for understanding.
However, the function of the gorilla-observer is not purely a recep
tive one: he also has the task of re-establishing truth, a truth that must
be clearly recognized and “proclaimed”. This is possible since an inner
dialogue has been initiated. Articulation with another point of view
contributes to the chance of sorting out the truth.
The observation material therefore reflects the child’s gradual acqui
sition of the ability to “move sideways” and to “observe a relationship
in which he or she is not directly involved”, which, according to Brit
ton (1989), seals the elaboration of the oedipal situation and marks
the establishment of the self-observational capacity. “In mental life”,
notes Segal (1991), “this observing part is a necessary component for
the existence of insight and benevolent curiosity, and is the basis of a
constructive epistemophilic approach”.
154 simonetta m. g. adamo
The child shows now a new capacity to distinguish her actual loss
from a persecutory and depressive anxiety which extended, in her inner
world, to all her good objects, which were regarded as destroyed or
lost. It was this anxiety that made Giorgia regard herself as no longer
the acknowledged daughter of her parents (the girl in the drawing who
was not the princess) and made her feel isolated and persecuted by her
classmates. The child’s shift seems parallel to a healing process in the
mother. Not only is she full of new life—pregnant with a new baby—
but also, being no longer burdened by cumulative death experiences,
her capacity for communication with her children is restored, preparing
them for the new event through the symbolic play and the story of the
kitten’s rescue.
that she was not invited to the princess’s party, and Giorgia asks
again, “Because they had forgotten, or because they didn’t want her
to come?” The observer replies that she was not a welcome guest.
Gabriella then joins in and says, “Then the Wicked Queen was right
to be angry.” Giorgia says, “Yes, but she’s not in the right, you real
ize that she will kill her when she is older!” Gabriella insists, “Oh!
But she’s right to be angry!” After a few minutes, Giorgia tells the
observer that, when her mother was little, grandmother always
used to shout at her in the mornings because mother was always
late for school. Then she says, “They made Snow White when granny
was little, Cinderella when mummy was little, and The Little Mermaid
when I was little.”
The film continues. When it gets to the scene of the meeting with the
prince in the wood, Giorgia says that she doesn’t like it when Sleep
ing Beauty sings and dances with the prince. When the observer is
about to go, she hears Giorgia shout, “Quick, come here and watch!”
She goes over, but the scene has already finished. She asks her what
happened. Giorgia replies that she saw the cake made without any
magic by one of the good fairies. Since she was no good at making
cakes, the cake fell all over the place, and, to make it stand up, they
balanced it on a broom handle.
The observer and the girls all laughed before she left.
Comment
This observation occurred soon after the one during which Giorgia
secretly told the observer about the story of the gorilla and showed how
her thoughts are developing. Giorgia is initially busy cutting things out
of paper. This seems to correspond to intrapsychic work aimed at laying
down boundaries such as those that distinguish her from her mother.
It is this work that she is alluding to when she discusses the picture
of Mickey Mouse in the guise of the sorcerer’s apprentice. It is worth
stressing that Giorgia knows the story. What she wants to know is why
Mickey decides to steal the wizard’s magic by putting himself in the
wizard’s shoes. She is aware of the “mess” or chaos that such an omnip
otent mechanism can cause and, indeed, has caused in her inner world.
She is seeking help to understand what lay behind this process. This
question remains unanswered until she indirectly indicates the answer
to the observer when she excitedly calls her to show her the scene of
156 simonetta m. g. adamo
the cake “without magic” made by the good fairy. The abandonment of
omnipotent mechanisms leads to a slower, more painstaking process,
marked by successes and frustration and mistakes.
It is worth while noting that Giorgia’s mind is now more interested
in the “whys” and the underlying reasons for behaviour rather than the
behaviour itself. The questions she asks the observer when the Wicked
Queen appears are intended to explore the reasons for her exclusion
from the party.
At this stage of her development, Giorgia is able, in contrast to the
past, to cope with the image of the witch and to think about the various
possibilities connected with the witch’s exclusion: Was she not wanted,
or had they forgotten about her? Even when the observer confirms the
intentionality of the exclusion, she distances herself from the punitive
and vindictive logic that is adopted by Gabriella, the younger sister,
who defends the reasons for the Wicked Queen’s anger. “Yes, but she’s
not in the right. You realize that she will kill her when she’s older!”
This is the achievement of Giorgia’s inner reparative work—despite
the extent of anger and the pain caused by exclusion, these feelings
cannot justify the desire to eliminate a rival. The reparative work not
only leads to the restoration of an internal family, but, by re-drawing
the boundaries, which have been confusingly obliterated by projective
identification, it becomes possible to put the generations into their right
place and to examine what, despite the inevitable differences, links
them together. This theme, already introduced in a previous observa
tion when a hand was used as a metaphor for the extended family,
returns and is developed here.7 When referring to her own mother as
a child, who was reprimanded by grandmother, and later, in her com
ments on the films, Giorgia seems to reflect that every generation has
its own witch. Every girl confronts the image of her mother as a witch,
but eventually has to accept the idea that, when she is a grown-up, she
herself will be perceived in the same way by her own daughter. This is
the script from which one cannot escape, even though there are obvi
ously variations and good fairies as well.
did not obey her and didn’t want to go to bed”. She describes the scene
vividly and concretely, as if she had really seen it, recounting what
seems to have been a hallucinatory experience.
When the scene of the death of Bambi’s mother is over, Gabriella calls
Giorgia, who comes and watches the film and sits next to the observer.
Giorgia starts to ask her questions, “But the dead mother still loves
Bambi, doesn’t she?” She then continues, “Of course, she is in
heaven, or maybe she isn’t; maybe she is in the hunters’ tummy,
since I have heard that they eat her”. Then she adds, “But when he
is sad, Bambi thinks about his mother, who still loves him although
she is not there anymore”.
Comment
What is fascinating about this observation, which has now lasted two
years and is close to finishing, is the chance to follow the child’s devel
opment through the re-surfacing of related themes. This session shows
affinities with the one immediately subsequent to the loss of the baby
brother when Giorgia wanted to “protect” her little sister, who was
projectively identified with her more fragile self, from seeing the pup
pies in danger.
Her mother is pregnant again, and Giorgia seems worried about
what will happen to the baby, to the extent that she once begged her sis
ter not to cry, “because even this baby may not stay”. However, in con
trast to the past, Giorgia manages to avoid unloading her anxiety onto
her little sister and acknowledges it as belonging to herself. Instead, the
contact with her own worries enables her to empathize with her little
sister and wish that she, too, may feel contained by the observer. This
is an experience that she has undergone in the past, but now she can
158 simonetta m. g. adamo
Handed-down clothes
It is now June, and the observation will soon finish. The mother is at
home because her baby is due in a few months, and the themes of birth
and separation pervade the whole observation.
The observer is initially struck by Giorgia’s physical appearance.
She now appears significantly larger and taller.
Giorgia asks the observer to get her two baby dolls: one is com
pletely naked, while the other is dressed in winter clothes. The child
wants the observer to hold the naked baby doll while she looks after
the other doll, which she undresses and then dresses again. While
she plays at being mother, she asks the observer if she will give her,
as a Christmas present, a baby doll called Ciccio Mio, which laughs
and cries. The observer tells her that she can ask Father Christmas,
and the child replies that she has already asked mummy to write
to him.
After a while, Giorgia curls up next to her mother, strokes her obvi
ously pregnant tummy several times, and says, referring to the baby,
the observed child, the observing child 159
“How tiny you are!” She says this through clenched teeth, as though
she was repressing a certain degree of aggression. Then mother and
child start to play a game that Giorgia thoroughly enjoys. Mother
asks Giorgia if she loves her. If she says “no”, Giorgia will undergo
the torture of being tickled. If she says “yes”, then they hug each
other. Giorgia, though, is torn between saying yes or no, since she
really enjoys her mother tickling her, so she alternates between the
two answers.
The question of the forthcoming holidays and the end of the observa
tion is discussed.
Her mother is clearly moved as she describes how, the previous
week, she went to enrol Giorgia at school and started to cry at
the thought that her daughter was already about to go to primary
school. This is a moment of real emotion, which seems to be related
to the forthcoming separation from the observer.
Giorgia meanwhile decides she wants to change her clothes. She
opens the wardrobe and takes out a beautiful little light blue
organza dress with a white satin belt. She asks her mother if she can
put it on, and, after a short while, reappears fully dressed. Mean
while, Gabriella tries on an endless number of shoes. Her mother
tells the observer that she had worn the dress at a relative’s wed
ding when she was Giorgia’s age. The observer also notices that it
is very similar to the mother’s wedding dress portrayed in several
photographs.
The hour ends, and Gabriella comes over and gives the observer a
kiss, as usual. Giorgia waves goodbye, then, unusually for her, gets
up and approaches her to give her a kiss, too. Their mother also
gives the observer a kiss and closes the door behind her.
Comment
When the door closes behind the observer, one has the impression
of having witnessed a reciprocal journey. The family and the little
girl have accompanied the observer during her professional training,
allowing her to participate in their most intimate emotional experi
ences and learn considerably from them. The observer has accompa
nied the girl and her family through a difficult time in their lives, not
just participating in their pain but also witness to their capacity for
160 simonetta m. g. adamo
psychic growth. Almost like a mirror image, the story of this observa
tion, which began with sorting through clothes, ends with the girls
trying on new clothes.
A sense of peace and reconciliation seem to characterize the final
observations, not merely horizontally, between the girls, but also ver
tically, between the generations. The observer, whom Giorgia asks to
hold her naked baby doll, has been a witness to the moments of her
greatest vulnerability but also to the development and strengthening
of her psychic structure.
By asking the observer for a baby doll as a present, and later by
asking the mother to put on the dress that had belonged to her and
was so similar to her wedding dress, Giorgia is really asking permis
sion to make an “anticipatory identification” (Alvarez, 1992) with the
begetting mother. The aggressiveness towards the “little one” and the
ambivalence towards mother can now be expressed and are mitigated
by the expectation of one day being able to become the begetter, having
re-established a creative couple in her own psychic world.
Within her inner world, as in her external world, she cries a little and
laughs a little, sometimes loves her mother and sometimes does not.
Notes
1. I am very grateful to the observer, Emanuela Pasquetto, for allowing me to
quote extensively from her observation, which I supervised within the context of the
Young Child Observation seminar held at the Centro Studi “Martha Harris”, Rome.
2. Emotional spasms are described in detail in the manuals on neuropsychiatry
dedicated to childhood: “A more frequent ‘cyanotic’ form has been identified which
occurs as a result of frustration or physical pain, accompanied by spasmodic cry
ing . . . leading to apnoea, cyanosis, and to loss of consciousness . . . and a ‘mild’
form which happens more suddenly, preceded by fear or traumatism, without
crying or with a short scream, followed by loss of conscience. The development of
the symptom is entirely positive and disappears within the second to fourth year
of life without any consequences of an epileptic nature” (Di Cagno, Ravetto, &
Rigardetto, 1982).
3. “Poor slob without a name”—these are the words of the main character in
the famous novel by Truman Capote, Breakfast at Tiffany’s (1959), who had led a
“wandering” existence since her childhood and, as an adult, justifies her “choice”
of having no emotional ties; she makes clear the extent to which the attribution
of a name implies the assumption of a special bond, in contrast to a pronoun or a
common name that conveys the sense of indifferentiation and interchangeability of
objects and relations.
4. It is interesting here to appreciate the linguistic subtlety and examine its pos
sible meaning. I refer to the two sentences that Giorgia uses in close succession: “Yes,
because little children want to be with their daddy and mummy” and “Children
the observed child, the observing child 161
find it difficult to leave their mummies and daddies and their teachers.” Indeed,
I believe that, in the first sentence, Giorgia mentions first her father and then her
mother because this order corresponds to the classification currently occupied by
her love objects, whereas, in the second one, the order is inverted because Giorgia
works through the evolutionary sequence, which progressively goes from the pri
mary object to the “discovery” of the father and other people who have important
roles, such as her teacher.
5. The important and frequently undervalued role played by nannies and other
people who assist the mother as her child grows up has been analysed by Jeanne
Magagna (1997) in a paper based on observations of babies.
6. The exact text of the nursery rhyme sung by the girls is the following: “This
is grandfather . . .”, and they touched their index finger; “This is granny . . .”, and
they touched their ring finger; “This is daddy . . .” and they touched their middle
finger; “This is mummy . . .” and they touched their ring finger; “the little one, who
knows?” and they touched their little finger; “and this is how the family goes . . .”
and they beat their hands on the floor. The precarious nature of the space occupied
by the “little one” is particularly striking; it may express the child’s fragility but also
the instability of the child’s identifications, which are changeable, both in the nature
and in kind of the object.
7. In a recent paper, Sapisochin (1999) considers how important it is, in order
to solve the Oedipus conflict, to re-establish the position of the child in a tri-gener
ational line, which includes the grandparents.
PART III
Observing in a nursery
163
legitimate opportunities . . . for the older children to have a turn at being
babies”. So the children’s roles become rather fixed and stereotyped. This
left Helena to express her desperate neediness through becoming physi-
cally ill. Fortunately, her parents understood what she was trying to com-
municate and responded by reducing her time at nursery.
Another striking aspect of this observation is the description of the deep
impact of the fragmented attention available from teachers. Helena was
pushed to move and talk at a “breakneck speed”. We have here a vivid
and powerful illustration of the conclusions reached by Bain and Barnett
(1980) in their research, when they write that fragmented attention is even
more disruptive for children than the repeated separations from attachment
figures that they have to cope with at nursery.
Transitions and separations are also the central themes of the two follow-
ing chapters, which further explore the issue of the relationship between
children’s needs and anxieties and the school’s culture and organization.
Chapter 11, by Elizabeth Taylor Buck and Margaret Rustin, focuses on the
problems of a little boy who has had to adapt to extensive time at nursery
from very early days. This early transition to group care has given rise to
a particular personality organization, which serves him quite well much
of the time, but which is vulnerable to shifts of external context since it
is highly dependent on external validation. His adaptation to group life
has been achieved at the expense of aspects of himself that might have
enriched his inner world if they had been in a dynamic relationship with
more available adults. The chapter also speaks to the need for support for
nursery staff, who are faced with the enormity of the children’s needs, the
inevitably limited human resources available, and the pressure on them of
the children’s emotional state. Often their training has not equipped them
well to respond to the demands of their task and leaves them exposed and
vulnerable.
In Simonetta M. G. Adamo’s chapter 12, children as a group prepare
themselves for the separation at the end of the school year and the depar-
ture of one child through imaginative play. “The house is a boat”—the
words of the observed child who is moving to another town and who is
therefore the group’s spokesman—echo the title of a poem by Robert Louis
Stevenson, “My bed is a boat”, the site of the child’s imaginative journey
in dream life. The loss of the taken-for-granted stability, of familiar points of
reference that help to orientate, the fear as well as the excitement of new
horizons are evoked and worked through by children in their free play. It is
most interesting to see how the feeling state is neither acted out nor split,
but is contained symbolically, led by the leaving child but developed by all
of them. This group of children do not have to hold themselves together to
164
compensate for feelings of abandonment by adult figures. Understanding
teachers are in the background. They seem to respect the children’s need to
have a separate space for dramatizing and sharing their feelings, but thus
help to sustain the process. This to and fro of adults between being more
central and more able to “stand by”, allowing both intimacy and separate-
ness, is crucial in facilitating the possibility of experiencing separation as
painful but not catastrophic or destructive. Good experiences can then be
gathered, like seeds or little plants, and treasured, with the hope that they
will take root and flourish in a similarly benign environment.
165
CHAPTER NINE
O
bserving the fluctuations between strength/vulnerability and
building/collapse in the first few weeks of a Young Child
Observation, I worried how I was going to make any sense
of Faizul’s play. I wanted to define him as either vulnerable or confi
dent—how else, I feared, would I be able to write a coherent narrative?
As time went on, I realized it was precisely these fluctuations that are
the building blocks for the healthy development of a young child.
Waddell captures the rhythm between different states when she refers
to the “constant interplay” or “immediate to and fro” between devel
opmental phases more generally (Waddell, 1998, p. 8). Just as Faizul’s
internal object was “under construction”, so was my understanding of
the complexities of child development.
167
168 ben yeo
This passage of play was my first encounter with Faizul, who had just
turned 4. Alvarez suggests that “everything we need to know about
the patient is contained in the first session, if only we had the wit and
understanding to see it” (Alvarez, 1992, p. 15). From my experience of
observing a young child in his nursery over the course of one year, I
now think this also applies to Young Child Observation: the symbolism
of this opening sequence gave many clues to what I would observe of
Faizul over the ensuing months.
Faizul was a prolific builder of towers during the time that I
observed him. Towers came in many different forms, sizes, materials,
and shapes. I came to understand that the construction and collapse of
these towers was to some degree symbolic of a boy grappling with his
own sense of potency (Erikson, 1963). The nursery was a “building”
site for his internal world. The small block he placed at the bottom of
the tower revealed his lack of a solid “foundation”; like many children
around him in the nursery, his internal parental object (Klein, 1958,
p. 238) was very much a work in progress. Significantly, after each col
lapse, he kept working to build the tower back up, showing resilience,
hope, and determination in pursuit of strength. Just as the towers grew
taller, so Faizul’s internal object appeared to become more robust over
the course of my observations.
Faizul was a British Bangladeshi child, from a Muslim family, like
the majority of the other children who attended the nursery. I am a
white British male observer with several years’ experience of work
ing in the British Bangladeshi community. Most of my observations
took place in the nursery that was part of a large primary school in
a deprived inner-city area. The nursery had two classrooms, which,
though large, sometimes felt cramped because of the large numbers of
children. There was also a fairly large outdoor concrete play area. Chil
dren could choose freely to participate in a variety of activities, which
were spread out in different areas throughout the nursery.
When I arranged the observation with his mother in the nursery, we
agreed that I would also observe Faizul at home during the school holi
days. In these home observations I learned that Faizul had two older
brothers—one 7 years old, and one at secondary school.
“Under construction”
Immediately after my first encounter with Faizul, he moved to another
area of the nursery, where there was a plastic box full of Lego bricks:
the work of playing 169
Faizul works hard to search for the same width of Lego bricks,
which he fits together. He attaches the bricks together so firmly that
I see his fingernails go white as he pushes. He then attaches a larger
brick (more than double the length) on the end of the column of
smaller bricks. He holds his contraption by the longer brick, which
acts like a handle, and uses it like a gun. He points the gun towards
the wall, takes aim, and pretends to shoot. Faizul gets excited and
speaks words that I cannot quite make out. [Observation 1]
After the continual building and collapsing of wooden building blocks,
Faizul’s choice of a new building material was significant. Lego bricks
could be more firmly attached together, and Faizul made sure of this by
squeezing them in place. Rather than a fragile small brick at the base,
he attached a larger block to the end of his construction, perhaps repre
senting a parental figure. With the bricks held firmly in place and with
parental stability at one end, Faizul’s potency and creativity grew, and
he picked up the construction to use as a gun. In identification with the
powerful role of the man with the gun, Faizul’s excitement grew, and
his words got lost. Faizul appeared to be using the more solid structure
and identification with the gunman to give him greater solidity in the
nursery.
Like Donald Trump, it was vertical towers that really seized Faizul’s
interest, not the bulky or different-shaped constructions that I saw
from other children. But without a solid base, the higher Faizul built,
the more unwieldy and unstable his structures would become. Towers
came crashing down or split into different parts. The same dynamic
was evident in Faizul in the first few weeks of observations: he strived
to be bigger, stronger, and older—but this was often checked by periods
of fragility and collapse:
Faizul runs around the playground making punching movements
like a boxer and repeating a word that is, I think, linked to the chil
dren’s cartoon “Power Rangers”. As he runs, he puts the hood of
his jacket over his head and places one arm out in front of him, like
Superman. He runs to different parts of the playground quickly. His
movements are punctuated by pauses where he looks ponderous
and slightly lost, almost like he has run out of ideas. At these times,
I feel he is more conscious of my presence, and he looks at me with
a nervous glance, scratching the back of his neck. [Observation 2]
In this excerpt, Faizul moved around the playground like a superhero,
but his bravado was interspersed by moments of anxiety. His superhero
170 ben yeo
brother. Additionally the brothers would often battle and try to outdo
each other to “win” my attention as observer.
The home environment was quite bare, and there were few toys for
the children to play with. This contrasted starkly with the stimulating
environment of the nursery. Yet Faizul still used the resources around
him in an attempt to assert his “bigness”. At one point, he clambered up
onto the dining room table and towered above both me and his brother.
Just like the superhero swagger of the playground, there was a fragile
quality to this display of strength. Indeed, with Faizul perched precari
ously on the table and with mother in the other room, I felt obliged to
break the observational stance by asking him to come down from his
position.
My second home visit (Observation 13) revealed a vital motivation
for Faizul’s construction projects. The boys were taking me on a tour
of the house, and we had reached the main bedroom. Faizul’s brother
Nazmul showed me the bed, saying, “this is where Mum sleeps . . .” and
then, after a pause, “ . . . alone”. He proceeded to tell me that their father
was in Bangladesh. This snippet of information gave Faizul’s obsession
with building towers a new context. Perhaps Faizul was trying to make
sense of his father’s absence, his construction projects an attempt to
restore an elusive paternal object. It was perhaps also the case that he
and his brother were displacing their rivalry with their father onto each
other in his absence. Feelings stirred in me to take action when faced
with Faizul’s precariousness on the table perhaps suggest a pressure for
me to step in as a substitute father.
Building back up
Though Faizul’s states of fragility or “collapse” were frequent in the
first couple of months, he had a capacity to build himself back up again.
Faizul used the resources of the nursery to help him: both the physical
building blocks of the nursery equipment and the emotional building
blocks of staff and other children.
I arrived early for my sixth observation to arrange a home visit with
Faizul’s mother over the Christmas holidays. As Faizul entered the
nursery, he clung closely to his mother, and he started sobbing when
she left. Minutes later,
In this excerpt, the nursery nurse played a crucial role in helping Faizul
recover after his mother had left. Wandering towards the home corner,
perhaps in an attempt to re-establish a link with his parental object,
Faizul was in a state of emotional collapse. The pain of his skin condi
tion revealed just how much anxiety he was experiencing. The nursery
nurse provided a “containing” function (Bion, 1962a, p. 90). She held
and tolerated his anxiety as she gradually coaxed him into the activity
of stringing the cubes. Faizul then seemed more able to bear his feelings
and to gain strength as he began to thread the blocks himself. This activ
ity seemed perfectly designed for Faizul in this crisis: the string and
the knot linked the blocks and enabled Faizul himself to feel gathered
together. Once the nursery nurse left the scene, he was able to draw on
his own resources by humming to sustain this feeling.
Later in the same observation, and with Faizul more settled, he felt
able to explore the theme of separation further:
Faizul goes over to the carpet area and picks up a small bright and
shiny red ball. He holds the ball in his hand and then lets it drop
to the floor. At one point he mouths the words “disappear” and
closes his eyes, and then his eyes open again as he looks up at me.
He then releases the ball so it rolls in front of him and he lets it roll
away before he walks over to fetch it; he does this several times. He
seems far more relaxed in this passage of play, and he lies down on
the carpet. [Observation 6]
Reminiscent of Freud’s description of his grandson and the cotton-reel
game (Freud, 1920g, p. 15),1 Faizul seemed to be making sense of the
the work of playing 173
strength had grown noticeably by the third month, and he was able to
manage this separation in a more playful and powerful way:
Before his mother leaves the nursery, he points at his face and ges
tures for her to give him a kiss. He looks so happy, and I feel he has
mastery over his mother. The nursery feels like a happy and bright
place for him. [Observation 12]
In the seventh month, and with an increasingly robust internal object,
Faizul helped other children manage the transition from home to nurs
ery at the beginning of the school day. He helped a vulnerable-looking
boy get settled into a drawing activity by guiding him with comments
like “here is a stencil” and “you will need paper”.
In Observation 20, Faizul began to build a tower from blocks. I sud
denly realized that his preoccupation with “growth” and “collapse”
had been absent for several weeks: this was the first tower he had built
for some time. Perhaps a broadening of his “horizontal” relationships
with the children, staff, and equipment in the nursery had given him
sufficient internal resources to move away from the cycle of building
and collapse involved in his “vertical” construction projects.
values, home life for most children in the nursery would typically
feature both a mother and father. Faizul was in a rare position to have
a single carer at home. At the end of the observation, I noticed how I
found it very difficult to say goodbye to Faizul and leave the nursery. A
parental function had been awakened in me; in my mind I had come to
represent Faizul’s father, who was going to abandon him. Perhaps this
feeling was shared by Faizul: in the previous observation at his home
he seemed concerned to know where I was going after the observation
and hung his head out of the front door to watch me walk away down
the road.
Our relationship was further explored at the sixth-month point of
the observations. Faizul was spending much of his time at the “arts
and crafts” corner, where he would make pretend wrist watches out of
pieces of coloured sugar paper. Children were encouraged to choose
pictures to stick onto the paper watch straps to symbolize a watch face.
Faizul would continually choose a picture of Ben 10 (Ben 10 is a televi
sion cartoon character that was very popular with young boys in the
nursery). He would become engrossed in making, and then wrapping/
unwrapping, these “watches” around his wrist. Perhaps he was making
a connection between his relationship with observer Ben (me), and an
absent father: the wrapping and unwrapping of the watch strap may
have been symbolic of the comings and goings of a male observer and
his father, and the resulting feelings of containment/lack of contain
ment. I subsequently watched the Ben 10 cartoon, and it was interesting
to see how the watch is a transformative device that allows Ben 10 to
turn into alien creatures; perhaps Faizul wished he could transform
himself into an observer/father figure in an attempt to avoid feelings of
abandonment. Indeed, one week he had skilfully secured the “watch”
around his wrist with Sellotape and felt the paper strap with satisfac
tion while he sang a repetitive line: “I am a big man, I am a big man, I
am a big man.”
Into my sixth month of observations, on a rainy day with all the
children crammed into the nursery, Faizul used my presence to create
some quiet space for himself. Waiting for me to follow him, we went
outside into a covered veranda area, and he played in my watchful
presence for 20 minutes, working alone on a jigsaw puzzle. By this
stage, I felt that Faizul was actively using my presence to make up for
any imbalance in numbers between children and nursery staff. I had
become an additional resource that Faizul was garnering to build up a
strong internal object.
the work of playing 177
Conclusion
My understanding of Faizul developed gradually and was supported
by the people and structures involved in my training. Similarly, Faizul’s
emotional growth was not achieved in isolation: the nursery was a
building site full of equipment, children, staff, and an observer—all
of which Faizul used as “scaffolding” to strengthen his internal object.
Sometimes this support came in the form of “containment”, and I expe
rienced the hard emotional work involved in fulfilling this function. At
times of collapse, it felt as if Faizul would sometimes project his anxi
ety into me. Being a retaining wall was not easy, but I learned to digest
and survive his fears. At other times, Faizul used people to assert his
potency through rivalry—rivalry with an older brother, which took the
form of battling for my attention as observer; rivalry with classmates,
which usually involved a competition of who had built the biggest
tower or sword.
I have described Faizul’s towers as construction projects, but they
could also be interpreted as a survival of destruction. The collapse and
growth reflected the cycle of destruction and restoration characteristic
of moving between Klein’s paranoid-schizoid and depressive positions.
With his father in Bangladesh, Faizul could not only have been trying
to restore an elusive object, but perhaps he was also wrestling with his
own capacity for destruction—did he blame himself for his father’s
disappearance, and/or was he trying to reconstruct an internal object
at risk? Klein is suggestive on these points,
Constructive activities gain more impetus because the child uncon
sciously feels that in this way he is restoring loved people whom he
had damaged. [Klein, 1959, p. 259]
If the nursery was a building site, it contained “men at work” and “boys
working through”. Masculinity seemed to be an overarching theme
of my observations—building phallic towers, groups of boys playing
together, the loss of an absent father and Faizul’s interactions with me
as a male observer. The object relations I witnessed seemed to have a
very specific gender twist. My presence as a male observer may have
been a constituent factor in the picture I came to have.
As the months progressed, I noticed that Faizul’s preoccupation
with construction/destruction projects waned. This seemed to coincide
with a growing confidence, and engagement with a wider range of
activities and children in the nursery. In my final observations, Faizul
shared with me his trepidation about moving up to his reception class
the following year. Based on what I had witnessed over time, I felt
confident that, barring any huge seismic shifts, Faizul had created solid
enough foundations to face the challenges ahead.
Notes
I would like to thank Wendy Shallcross and fellow students in my Young Child
Observation seminar group for providing the “fertile ground where ideas/seeds
have a place to germinate”.
1. Freud witnessed his grandson playing with a cotton-reel in his cot, throwing
away the cotton and reeling it back with a pleased “da” [here] Freud (1920g). Freud
interpreted this as his grandson managing the comings and goings of his mother.
CHAPTER TEN
H elena was 3¼ when I met her for the first time at her house. She
is a little girl with light brown skin, with black curls cascading
around her face. She has big brown eyes and a big mouth with gaps in
her front teeth. Helena’s parents are a mixed-race couple. Her mother
is 6 feet tall, a well-built white woman, extremely friendly and outgo
ing. Helena’s father is youthful in appearance, more slight in build,
and looks as if he could be Asian. He was friendly but more reserved.
When I arrived, Helena told me to take my shoes off, as I mustn’t
dirty the new blue carpet. She then took me into the front room. I
noticed some pictures of the Sacred Heart of Jesus in the hallway. The
house was comfortable but not affluent. Helena’s father was sitting in
an armchair cradling the baby, and I sat on the settee opposite, with
Helena’s mother. I recall feeling that the baby was taking up everyone’s
attention. While Helena’s mother spoke to me, Helena was playing
behind an adjacent settee, which meant that I could not see her. Her
mother spoke to me about Helena as though she wasn’t present and
brought me some of her drawings to see. She told me that Helena was
used to “being studied”! She had been observed once before for a Baby
Nutrition study. Towards the end of my visit Helena came into the mid
dle of the room bringing a whole pile of toys with her. It was decided
after some discussion that I would observe Helena at the nursery.
179
180 elisabeth dennis
The nursery
The nursery that Helena attends is a Montessori school. Most of the
activities are time-limited and structured. There are four fully trained
staff and a number of assistants and trainees who stay at the school
on brief placement and seem to come and go. The staff–child ratio is
good, and each age group has a teacher. Group size is a maximum of
eight children. Varied and impressive projects line the walls and are
changed regularly, displaying the range of activities offered to the chil
dren. Despite this, the nursery has a slightly deprived and bare feel. It
is based in a Victorian house, with all the downstairs rooms used for
different educational activities. The front room doubles up as an art
room and dining room and has a carpeted area at the back for story
telling and a Wendy House corner. There are 15–16 children present at
any one time. The age range of the children is from toddlers up to 4½
year olds waiting to go to school. The nursery is multiracial and prides
itself on its anti-racist and anti-sexist philosophy. It is privately run,
and fees are high.
The observation
I warmed to Mrs Klein’s ideas when I read, “No mere description, I
feel, can do justice to the colour, life and complexity which fill the hours
of play analysis” (Klein, 1932, p. 64). In a minor way, I faced a similar
predicament in trying to convey my experience of Helena over the
year’s observation, an experience of her as a lively, complex little girl
struggling with the painful realities of her life.
Helena’s sister, Alice, was 6 months old in September when Helena
began attending full-time at the nursery. Helena was therefore well
aware that her baby sister was at home, occupying the nest. She was
looked after alternately by her granny and her father while Helena
herself was away from home. This major encroachment by Alice on
Helena’s family relationships was one of the principal themes of the
observation. Helena had had the experience of being the only child in
the family until relatively recently. She now faced in the nursery a big
empty space around her, which she describes in a series of drawings
done during the first observation.
Inside each border on every picture, Helena drew a zigzag line over
a short distance and then drew a big H with considerable flourish
and said, “‘H’ for Helena” to herself. I noticed that Helena made a
few faint half-hearted marks on the paper under the zigzag.
seeing beneath the surface 181
The key issue for Helena appeared to be how to exist in this vast space?
Could she still be in the picture at home? Above all, should she aim
to be a big, strong, flourishing Helena, or could there be room for a
weaker, not so self-assured little girl?
In this first encounter with Helena, she seemed fascinated by the
writing on my hand (I had made a note to myself). Would such writing
provide a way of ensuring that she made an indelible mark—one that
would never disappear? In a subsequent observation, Helena noticed
that the writing was no longer on my hand—it had been washed away.
Helena felt the need to make a strong impression when other children
were present and especially so when babies were in evidence. . . . In
my first observation:
Helena looked into my face intently and smiled. Somehow her look
felt as though it had got memorably lodged inside me, making a
deep impression on me.
On another occasion:
One day she told me, “You know when you go away, I miss you.”
I thought that she might be working out whether she was missed
when absent from home.
the hurly-burly of the nursery to some extent, and to counter both her
fear of being forgotten and subsequently even the fear of being left
behind, as the family began to make plans to emigrate to New Zea
land. In particular, the exquisite care that was obviously taken with her
clothes and her general effects seemed concretely to remind her that
she was cherished and evoked a tender recollection of that care. I was
never sure whether this particular loving attention was the province of
her grandmother, her mother, or both.
Helena with great care and tenderness picked up her pink knitted
cardigan. I wondered if it had been specially knitted for her. She
successfully put it on. Emilie praised her and enquired whether
someone had knitted it for her? Helena replied, “Grandma did, and
my mummy paid for the wool.” . . . Emilie encouraged her to do all
the buttons up and showed her how.
On another occasion, when Emilie was telling the children about
germs and the need to carry tissues, Helena was eager to tell the
group that it was important to have a tissue in her trouser pocket. . . .
As a result of her home experience—especially in practical areas—
Helena had an assumption that it was possible to ask for help and make
use of it when it was offered by the staff at the nursery. The problem
for her was that it required considerable effort to ask for it and that in
all likelihood the special contact with staff could be interrupted at any
moment, particularly by “baby” invasions, at the nursery.
In a lesson a nursery assistant came in and held a sleeping baby in
her arms. . . . She said to Emilie—“He’s gone off to sleep finally . . .
he’s very grumpy.” . . . Helena cursorily looked up and glanced at
the baby and looked away again. I found myself feeling interrupted,
as though we hadn’t been able to finish things off properly. Perhaps
I was feeling something similar to Helena. . . .
As a result of these interruptions at the nursery and now similarly at
home, Helena appeared to put herself through her paces at breakneck
speed. Whenever she read her sounds and her words, and indeed when
doing most things, she seemed ahead of herself, and early on I noticed
her lack of physical coordination. It seemed that her head and legs were
not in sync and that she might keel over.
On one occasion at the nursery, I observed the Head testing Helena
on her knowledge of numbers. At one point, Helena skipped one, and
seeing beneath the surface 183
I wondered if the Head would notice. The undivided attention that she
gave to each child was precious, and the mood in the room felt very
quiet and contained.
Nonetheless, the nursery environment with the constant parade of
visiting mothers with babies in their arms and the regular attendance
of children as young as 18 months of age inevitably aroused ambiva
lent feelings in Helena. These younger children were often carried
by the staff. They were held on their laps at story time and when the
nursery children gathered to recite nursery rhymes on the carpet in
the art room. On these occasions there was a sense of the generations,
and it seemed that Helena’s place was as one of the “big girls”. Some
times, when the babies and the other children impinged on her, she
would resort to an omnipotent frame of mind and had an apparent
capacity to obliterate the painful sights that she did not want to see.
She seemed to seal herself off in a world of her own, and others just
ceased to exist.
Helena was totally absorbed, not paying heed to the other children
and their activity. She made use of what she needed, taking crayons
and paper at will, attending to the others hardly at all.
Her stealthy forays into her neighbour’s “property” subsequently may
have been more conscious, but she did seem to have developed a
defensive capacity to cut herself off from the other children at will.
Her loneliness and longing for contact were kept at bay by frequently
talking to herself in the play area so that she did not feel so alone. At
times she held herself in a sort of narcissistic cocoon where she was at
the centre of things, making a show of her hilarity and having a great
time under her own steam, which gave the lie to the empty space in her
heart and all around her.
Helena chose a truck with a small skip on the back hitched to the
truck. She circled around and around, and I was struck yet again
by the sense of a wide empty space around her. She created wide
circles with her truck, tossing her dark curls as she drove it, laugh
ing uproariously as though she was a member of the royal family
or at least a small Jackie Onassis expecting to be photographed. . . .
She circled around numerous times, looking out at the other chil
dren from her vehicle. I thought she hankered after a response and
seemed lonely, although she gave the impression of having a whale
of a time.
184 elisabeth dennis
Jessica cried harder and called out for her mummy, standing pit
eously by the drainpipe. . . . Among all the commotion and the
“dodgem”-like traffic, Jessica kept on crying. . . . Helena started
bouncing on the trampoline which stood on one side. She seemed
disturbed and appeared to want to shut out Jessica’s wails. The
atmosphere felt frantic and unprotected. The other children passing
by Jessica occasionally lashed out at her.
Helena’s omnipotent denial of reality surfaced in a drawing in which
baby Alice was the one who was floating in space:
Helena did a matchstick person with a big tummy, arms and legs,
and a round head. In response to Emilie’s questioning, Helena said
this was mummy. She then drew a smaller person next to the mother
figure and an even smaller one floating above the two figures some
what at a distance from the two. . . .
She also attempted to shut out her peers’ achievements when they
surpassed hers and cut herself off from them, or she resorted to ideali
zation of her own work.
One or two of the children succeeded in constructing pyramids,
which was a struggle for Helena. I noticed that Helena seemed to
cut off completely from their endeavours and fixed her eyes on the
chimneybreast instead, or on the ceiling. Emilie told me that Helena
was always very proud of what she had produced and that once
she’s accomplished a task she seemed content to watch the other
children in their work without making any attempt to develop hers
any further. . . .
There appeared to be few legitimate opportunities in the nursery for
the older children to have a turn at being babies. When Helena or one
of the other children tried to climb into the toddler seats, which were
sturdy enough to support them, they were told promptly to desist by
the younger members of staff. One of the teachers, Carol, did seem to
understand the children’s need and made allowances. However, when
Helena made up the word “Dada blue brick” to vent her aggression
towards some of the other children in an acceptable way, she was told
to stop using baby talk. Jessica was the only older child who frequently
managed to get the staff to pick her up, and, inevitably, as Helena’s
conflicts began to overwhelm her, the spectacle of Jessica being picked
up aroused considerable torment and hostility in her. The two girls
began to clash.
186 elisabeth dennis
r ectangular one and a small green one, and began paring it down
fairly aggressively. I was aware that I was wearing green. . . . Seeing
me looking at her, Helena appeared to change her movements to
something a little softer! She told Emilie, “I’m cutting cheese Emi
lie, I like green cheeses”. Emilie queried “green cheeses?” Helena
added, “and yellow cheeses”.
Underlying anxieties
As time went on, Helena became steadily more anxious about the
nature of my involvement with her and my witnessing her apparently
unacceptable aggressive actions:
On one occasion in the playground Helena noticed a ladybird on
the ground and alerted one of the staff. No action was taken. A
small boy came up in his vehicle and deliberately tried to run over
the ladybird. I intervened and tried to lift the ladybird onto a leaf,
in vain. Helena came up and said peremptorily, “Don’t touch it!” I
told her I didn’t want it to get crushed, not certain whether she’d
heard me properly. . . . She cycled away and returned and rode over
my foot. Covertly she looked at my shoe, and I saw a small look of
pleasure on her face. . . . It seemed that I was the one who should
be crushed.
Her increasing worry at the loss of her more familiar sense of being able
to hide things about herself due to my presence at the nursery led her
to ask the staff and her mother whether I came to the nursery to see if
she was “naughty”. Her mother’s response was most helpful in what
had become a charged, potentially persecutory situation for Helena,
and she was able to reassure and calm her down.
Around this time, Helena’s parents began to make plans to emigrate
to New Zealand. Helena’s fears of exclusion from her family and the
fear of being left behind by her parents surfaced in her play.
Next she assembled flat pieces of Lego together as in a trailer, and
in this way she fitted two separate trailers in parallel. She used her
little length of yellow plastic to prise off the small compartment
and said “chop-chop” as she chopped them apart. She seemed
delighted at this action, ending up with one small compartment
and two lots together. I thought I had heard her mutter under
her breath that one of these long trailers was “mummy”. I was
informed that I could chop mine up too (and be a fellow con
seeing beneath the surface 189
In this observation it seemed she might feel that the huge bouncing
baby at home had taken everything away from her. She appeared
depressed, all the life-energy drained out of her. Around this time, I
saw Helena place a small brick on her neighbour’s gigantic construc
tion, and everything collapsed. . . . Helena herself seemed shaky and
falling. She didn’t have the liveliness to grab the attention of play
mates or staff.
In an earlier observation Nerissa had created two wicked witches,
which fascinated Helena, but she could not rally enough energy to con
nect with Nerissa:
Helena said, questioning almost to herself, “two wicked witches!”
but didn’t get much response from Nerissa and let the subject drop
and once more resumed her desultory handling of the Lego bricks,
picking them up and dropping them gently on the table. There
seemed a melancholy air about her activity. She then quietly said to
me, “I need to go to the toilet.” She could not attract staff attention
to get help to go to the toilet.
Unfortunately the moment was missed by the staff, and Helena did not
get the help she needed in time:
Once more I noticed her strangely knock-kneed walk, as though she
might catch her feet and trip over. Her omnipotent defences were
on the verge of total collapse. On her return to the table one of the
toddlers tried to usurp her place. Helena said to me, “can you move
that”, and placed her arms on either side of the toddler.
As she sat down on the carpet with the other children who were each
doing a turn in the middle of the group, Helena watched Rikaya
declaim her nursery rhyme with perfect diction. I noticed that Helena
was clasping and unclasping her hands. I wondered if she was feeling
anxious. When it came to her turn, she stood again a little clumsily and
recited “Mary, Mary” in a rather small voice. . . . Another child, Nerissa,
recited her rhyme like a “big girl”, and again I watched Helena’s hands
wrung quietly on the ground.
At this point Helena’s anguish at her own predicament reached a
peak. Ultimately the situation was salvaged by Emilie, who provided
some belated assistance for Helena. This point in the observation
seemed a particularly poignant time for Helena. She was trying to
deploy her wings but just could not fly. This was the time at which her
parents fortunately intervened and reduced her attendance.
seeing beneath the surface 191
T
he observations that follow highlight one aspect of children’s
lives. Even quite small children often live in more than one cul
ture of care—home and childminding, home and nursery, for
example. Within the family there will, of course, be a range of mini
cultures: father and mother will themselves provide different styles of
care, grandparents, babysitters, older siblings, aunts and uncles, still
more new experiences. Young child observers are always mindful of the
picture of home in the child’s mind as a background to the response to
nursery, but it is more unusual to have an example of a child’s transition
within nursery school from one class to another. Such moves evoke the
earlier, more significant one at the start of nursery, but they also allow
us to study the micro-society of the nursery class and its impact on the
opportunities for personal development provided.
The intensity of Jonathon’s reaction to joining a new class, even
one that shared a large space with his old group and where there was
overlapping of some staff, is a vivid example of the way in which a
sense of personal identity and security is easily threatened at times of
transition.
Possibly, the observer’s ongoing weekly presence may have con
tributed to the opening up of Jonathon’s personality to some of the
more troubling feelings, which he had been rather good at passing on
192
thoughts on transitions between cultures 193
Jonathon
Jonathon was 3 years and 4 months old when I began my observations.
He is a slightly built white child who lives with both his natural parents
and his younger brother in a semi-detached house on the outskirts of
a large city. Jonathon has attended a day nursery for five days a week
since he was 6 months old, and his brother, who was 6 months old at
the start of the observation, now attends the same nursery.
Jonathon’s mother responded positively to a letter asking if I might
be able to observe her son in nursery. I spoke to her on the phone after
contact with nursery staff and arranged to visit their home. This visit
was quite difficult to arrange, as both parents work during the week.
Jonathon tends to be picked up from the nursery quite late, and his
Mum said there was usually only time for a bite to eat before his bed
time. If Jonathon were to be involved in the preliminary visit, it would
have to be at the weekend. We therefore arranged for me to go round
on a Sunday afternoon.
Home visit
The following excerpt is from that initial home visit:
Jonathon’s mum shows me into the living room where Jonathon
is playing with an airport set on a coffee table. A short while later
his dad comes in, and I am introduced to him. He is carrying Jona
thon’s baby brother Paul, who is 6 months old. Jonathon’s mum asks
Jonathon where Paul should be put. “In the chair”, says Jonathon.
“In this one?”, asks mum. “No”, says Jonathon smiling, “that one’s
mine”.
His mum asks me about the dissertation I will be writing. I explain
there will not be a dissertation, just a short written piece. Jona
thon’s dad says that it would be interesting to read this, to find out
194 elizabeth taylor buck & margaret rustin
Jonathon at nursery
When the observations started, Jonathon was in a class of 3–4-year-olds,
called Red Class. His classroom was in a freestanding pre-fab building
across the playground from the main building. Jonathon’s class shared
this space with the slightly older children in Yellow Class, who were
based on the other side of a low partition. After six months Jonathon
moved up from Red Class to Yellow Class, on the other side of the
partition. In Red Class, Jonathon’s closest ally initially appeared to be
Clarissa, who had moved up through the nursery with him. His other
good friend was Lee, who was slightly younger, and although Clarissa
moved up to Yellow Class with Jonathon, Lee was left behind.
says, “Let’s build a boat.” Other children arrive on the mat, and
Clarissa says, “Who can be mummy?” She chooses Lee, and gives
him another large elephant, keeping the baby one herself. She says,
“Jonathon, let’s go to bed.” Jonathon uses his elephant to knock over
a tower the other Jonathon is building. They both laugh. . . .
Mark arrives and tries to take the roof off a model building, which
is close to Clarissa and Jonathon. They say, in unison, “No, it’s our
roof.” Mark starts attacking the building with a billy goat. Jonathon
and Clarissa play with the horses, in and out of the building. There
is a small dog outside which they make the horses stamp on, saying,
“He’s not our friend.” Mark seems to want my attention; he tells
me the billy goat is sharp. Jonathon says the horse family are going
on holiday. Mark seems to try a rival attraction, inviting everyone
to a picnic. Jonathon and Clarissa decline the invitation. . . . (Later)
Jonathon and Clarissa defend their house from fresh onslaughts
from Mark. This time he has a pig with which he attacks the house
saying, “I’m a monster.” [Observation 5]
Here Jonathon and Clarissa seem to be taking on the role of a paren
tal couple, defending themselves from intrusions. At the same time
their actions could be seen as a response to their shared experience
of the arrival of a younger child. Their play may have reflected a
wish to exclude their new siblings, or they might have been project
ing onto Mark their own sense of exclusion from the mother–baby
couple. Certainly, Jonathon had continued full-time at nursery while
his mother was at home with Paul. She commented to me in our
initial meeting that he had not displayed any jealousy, except during
the three weeks they all spent away on holiday. In our observation
seminar we reflected that envious feelings might well have surfaced
for Jonathon during those three weeks, when there was a chance for
him to re-establish a full-time link with his mother, and so to feel the
pain of separation from her, and of having to share her with his new
brother.
Clarissa and Lee go to the water trough with Craig. Jonathon hesi
tates for a moment and then goes to join them. They each have a
scoop. Jonathon pretends to drink from his, and the others copy.
Jonathon starts to take real mouthfuls and to spit it out. Nisa, the
nursery nurse, calls, “I hope that’s pretend spitting.” Clarissa says,
“Let’s pretend”, and exaggeratedly mimes sipping. . . . Clarissa gets
water in her eye. Lee starts rubbing his eye too. Jonathon is laughing
and enjoying himself . . . he and Lee jostle for space at the deep end.
(Later) The little gang of four are still together, they are tickling one
another, particularly Jonathon, who has both Clarissa and Lee’s
attention. Lee is both hugging and tickling him. He looks as though
he could eat him. [Observation 7]
As can be seen from some of the previous extracts, Jonathon had par
ticularly intense relationships with Clarissa and Lee. For most of the
time he negotiated these with ease, but occasionally rivalrous feelings
were aroused:
Jonathon was playing with the Duplo alongside Clarissa and Mar
tha. Nisa had Gilbert on her knee and was saying to him, “I really
missed you on Friday.” Shortly after this she went over to the mat
where Lee was. She said, “You can’t always play with Jonathon,
you have to play with other children too. He’s not the number one
child here. . . .”
It is striking that young children who spend long hours at nursery prob
ably both have to squash into limited time at home the exploration of
the intense emotional upheavals of the early years and have to seek at
nursery opportunities to work out very fundamental issues. Jonathon’s
preference for a parental role as part of a couple with Clarissa may have
suited the nursery staff in part, just as his capacity to accept the role
of big brother has been expected at home, but we see how the nursery
group provides a chance for different aspects of his feelings to get a
hearing through the other children’s personalities and responses.
Nisa asked Clarissa if she still loved Jonathon. Clarissa said yes.
Then Nisa asked Jonathon if he loved Clarissa, and he also said
yes. Nisa asked, “Who else do you love in nursery?”, and Jonathon
said “No one.” Nisa asked Clarissa if she loved anyone else, and
she said, “Yes, Keisha.” Jonathon said he also loved Keisha. Lee had
wandered back to the table and sat opposite Jonathon. Jonathon
198 elizabeth taylor buck & margaret rustin
gave Nisa a kiss, and she whispered for him to kiss Clarissa, but he
didn’t. She asked again, but still he wouldn’t. “How come you will
kiss big girls, but not little ones?” asked Nisa. “When I’m bigger”,
asked Clarissa, “will you kiss me then?” Nisa got up to go, and Lee
mumbled under his breath, “I don’t like that Nisa . . .”. [Observa
tion 15]
Clearly Jonathon and Lee had fallen out, and Nisa, rather than helping
them to deal with it, seemed intent on inflaming the rivalrous feelings.
It was as if she herself was in the throes of passionate feelings about
some of her favourites and was also stirring up these feelings in the
children she was caring for. The intensity of the feelings aroused meant
that it was hard for Jonathon to separate from his group and from Nisa
when it was time for him to move up to Yellow Class.
The relative immaturity of some of the young staff in nurseries is a
feature of the children’s experience. The staff members need emotional
support and containment before they can manage the subtle complexi
ties of the children’s need for understanding.
wrong. She asked him if he still loved Clarissa and Patricia. Then
she took Jonathon, Clarissa, and Patricia into the garden area, and I
followed. She showed them some of the plants. She said to me that
she enjoyed being with them, it was like having her old gang back,
and she missed them. I wondered if it was the move, and sense of
loss, that was making Jonathon listless. [Observation 22]
As well as missing his gang, Jonathon also seemed to miss his elder-
statesman role. He looked small and uncertain in comparison to some
of the boys already in Yellow Class.
Here it seems as though Jonathon is struggling to find his place in
the new class. The older boys know the rules and use them to exclude
Jonathon, while his old friends Clarissa and Keisha make him feel left
out with talk of Barbie dolls and clothes. Jonathon tries to bolster him
self and builds a big long train, but he is no longer treated as a favourite,
and Dora (Yellow Class teacher) instructs him to dismantle his train to
share the carriages around.
Gradually Jonathon seemed to learn the Yellow Class system and
establish a place for himself:
Jonathon had asked if he could play in the house from which
noises of energetic activity were coming. Linda (Yellow Class
teacher) said that it was five to ten and time for snack. She
showed Jonathon her watch. Jonathon also had a watch on, a plas
tic one containing a little ball-bearing maze. She showed him that
hers had hands, not a ball.
Jonathon started to sort the dinosaurs into two groups. The children
were being told to go and get ready for snack. Clarissa ventured that
she and Jonathon had just washed their hands, but was told that she
had been playing since and needed to wash them again. Jonathon
remained behind, sorting out the dinosaurs. Linda said thank you
to him, and he told her that this group was goodies, and this group
baddies. [Observation 25]
However, Jonathon does not get the same preferential treatment he
enjoyed in Red Class, and this seems to unsettle him:
It is Rika’s turn to call out names for snack. Jonathon gets picked
early on, and gets up to go to the table. As he walks over he kicks
the house, which Rio had been making, and the pieces scatter. Linda
stops him in his tracks, holding both his hands, and says, “Jonathon,
that wasn’t very nice, was it.” Jonathon looks gutted; he walks over
200 elizabeth taylor buck & margaret rustin
to the table with his eyes welling up and sits down. He keeps his
head bowed and wipes the tears away. [Observation 26]
Discussion
Donald Meltzer writes,
what is at least clear now is that the individual does, and must, live
in multiple worlds. If he confuses the meaning, the values and the
modes of operation among these worlds he will fall into confusion
and perplexity, be attacked by anxiety from which he must seek relief
by mechanisms of defence of one sort or another. [Meltzer, 1984, p. 90]
I
n this chapter I intend to describe how a group of nursery school
children lived through and coped with the experience of separat
ing from school, teachers, and each other at the end of the year. My
aim is to show how, if teachers are sensitive and able to stand by and
provide a containing environment and relationships, children may find
additional resources in their reciprocal relationship. Through becoming
a group, they can discover support to help them face separations and
transitions.
This appears particularly important in those contexts where nurs
ery-school classes are large and the ratio of children to teachers is far
from ideal. The teacher’s ability to guarantee a free and secure atmos
phere, where the links between children can develop, can encourage the
mobilization of new sources of support. Children’s group relationships
actually enable emotional states to be shared and, through free play,
provide opportunities for expression and symbolic containment.
This example is taken from observations made over two years in a
nursery school and discussed in a Young Child Observation seminar,
which was part of the Tavistock Model Observation Course held at the
Centro Studi “Martha Harris” in Naples.1
The first observation was made in June near the end of term. For
the child who was being observed, Mario, these were his last weeks
in the school and the city. Shortly, in fact, he would leave for France,
205
206 simonetta m. g. adamo
but associate with him and try to represent their feelings in the group
game. With the end of school and the impending separation, there are
no longer any fixed points, and the important sense of stability offered
by the regularity of the rhythms and rituals of school life will cease. The
house becomes a boat, the separation, a journey. But these children have
clearly found, in their relationship with the teachers and the school
as a whole, a positive experience in feeling themselves recognized as
individuals and kept together as a group. “The teachers always man
age to find the right thing to say to each one of them” was a frequent
comment of the observer. They therefore do not seem to experience the
separation in a catastrophic way. They build their Noah’s ark, which
can bring them to safety, and the first task they undertake is to clean
it. “But what do they have to clean?” we might ask. The experience of
separation always reactivates anxieties of being expelled, placed at a
distance, abandoned, and maybe a trace of these feelings can be found
in the sudden and apparently unmotivated gesture on Mario’s part
when he hits the observer on the head.
These feelings, however, are relatively marginal. The children’s cen
tral experience seems, in fact, to be that of being able to separate, feeling
themselves to be contained and bringing with them supplies made up
of memories, emotions, and sensations—colours, familiar smells, basil
and other plants—experiences that can be transplanted, in the hope
that they will root and flower in other places as well, in other contexts,
with other people. There are also dishes that represent, symbolically,
the nourishment received by the children through their experience at
school, which they can take with them and which will help them to
manage the separation, with its losses and the unknown future that
will follow. Mario seems fully aware that there will be harder and more
testing moments to come which will prove a challenge to his capacities
and his courage.
After a while, he exclaims, “Who wants to cross the river with me?”
Initially no one pays him any attention, but then a few follow him.
The game consists in hanging from hoops or from an exercise beam
and clinging on. . . .
The next observation session, a week later, coincides with Mario’s last
day at school.
Mario starts walking and goes near the wooden house in the gar
den. He walks with his head down. He looks sad, almost verging
on tears. He walks by himself disconsolately around the garden.
208 simonetta m. g. adamo
Near the wooden house, he picks some wild flowers that grow in
the garden. He holds a little bunch of them in his hand, he seems
rather awkward and doesn’t know where to put them. He makes
various attempts, and then puts them in the front pocket of his
dungarees. . . . He slowly comes towards the observer and looks at
him. . . . He stops at his feet and, bending down, picks up an unripe
hazelnut that has fallen from the tree. He puts it in his pocket and
continues wandering slowly round the garden while the other chil
dren play. . . .
One of the teachers says to the observer, “Mario’s in a really bad
mood today; he didn’t want to come, and he came in crying.” . . .
Meanwhile Mario stops in the centre of the garden and crouches
down. He seems to be picking up something in the grass. The
observer is struck by the absence of his usual friends near him.
Two children who rarely play with him come towards him. One of
them caresses his hair; the other one imitates him and caresses him
too and then gives him slight taps on the head. Meanwhile one of
the teachers goes and crouches down near to him and says some
thing to him.
Mario asks the two children to pick the same flowers that he had
picked beforehand. The children bring them to him, and he pulls
them apart, taking off the petals and making them into a little pile.
Bepi, his best friend, comes and asks him to play, but Mario doesn’t
even look at him.
After a while they gather together in the main room to eat a cake.
Mario is near to the headmistress, who explains that the cake is from
him; today he is leaving, and he wanted to say goodbye to everyone.
Mario holds the biggest piece of cake in his hand, the middle bit. A
short while afterwards the children go back into the garden. Bepi
sits down next to him and tells him that the cake was very good;
he asks him who made it. “I made it!” Mario replies emphatically,
arousing Bepi’s admiration.
A child comes up to him and says, “Are you going today?” and con
tinues walking. Mario shouts from a distance, “Yes, and I’m never
coming back again!”
In the background, a group of children play at being tied up by
the teacher. As this is going on, Luca, one of Mario’s best friends,
comes towards him and says, “I don’t believe you’re going”, and he
“the house is a boat” 209
goes away laughing, even when Mario repeats that it is really true.
Bepi, who has remained close to him, asks him if they have bought
a house. Mario says yes, and another child wants to know whether
it is a new house or one that they already had and that they had
done up.
When, later on, the children play at tag, Mario goes towards them
holding a small chair and says, “I’ll just watch”, and he stays seated
and watches the other children play.
The time is up, and the observer goes over to Mario and instinctively
runs a hand over his head and then leaves.
To part does not always mean to take leave. But in the situation
described, the children are helped to do it and to live fully the crucial
and painful experience of saying “goodbye”. And, as we can see in this
observation, the stronger the bond, the more difficult it is to separate.
The careful gaze of the observer records the unexpected absence
of the child’s closest friends and later on the show of indifference that
Mario displays towards them. “I can’t believe it”, is the reaction of one
of them, who walks away laughing in the desire to carry on in the con
viction that it isn’t true and that it is all a joke.
At first, two schoolmates who are less close to Mario come near him,
after his long slow wander through the garden spent gathering, with
his hands, his eyes, and his mind, traces to take with him, relationships
to remember, such as that with the observer, whom Mario looks at for
a long time and at whose feet Mario picks up a wild fruit.
The other children help Mario in his profoundly symbolic activities.
There is a real parting in the tearing off of the petals—and probably
the game played by children when they are tied up by the teacher is
unconsciously aimed at containing anxieties of scattering and fragmen
tation—but there is also the possibility of picking flowers and gathering
the petals together.
The sequence around the cake shows Mario next to the headmis
tress, who supports him, almost physically, in this moment of official
recognition of his departure. This is also the point at which Mario can
“feed” his friends and teachers, giving back their affection and express
ing his gratitude.
Leaving, as we have seen, is difficult not only for the person who
goes away, but also for those who remain, who may feel in their turn
abandoned and rejected. Bepi, his best friend, by appreciating the
cake, seems to want to emphasize to Mario and himself the goodness
210 simonetta m. g. adamo
Notes
This paper was originally presented in a Study Day on “Transitions”, held in Naples,
16 June 2000, as part of a Training Programme organized by the Project “Zero-sei”
of Naples’ City Council.
1. I would like to thank Dr Dario Bacchini for giving me permission to use some
extracts from his observations.
PART IV
Applications
This part includes three chapters, all of which depart from the mainstream
educational aspect of Young Child Observation in the direction of the
observer functioning in some sort of therapeutic role.
Chapter 13, by Deborah Blessing and Karen Block, discusses a participant
observation conducted in a special needs preschool. Participant observa-
tion is defined by the authors as an intermediate area between observation
proper and clinical work. The observation in this case had been initiated for
training purposes, but it had, unexpectedly, an impressive therapeutic impact
on the child, a 5-year-old girl with autistic features. The chapter describes
movingly the evolving relationship between the child and the observer, the
initial, recurrent tendency of her falling from the observer’s mind, the pos-
sibility of representing in play the wobbly connections that dominated her
inner and outer world, and the gradual, growing duration and solidity of her
interactions. The conclusion of the chapter is very sad, with the uncertain-
ties it casts on the future of the child. However, the chapter also raises some
important issues: nursery teachers are increasingly worried by children who
are, broadly speaking, on the autistic spectrum. They often don’t know how
to reach them and are concerned by the children’s tendency to fall from
their minds, due in part to the presence of other children who express their
difficulties and needs in a more active and compelling way. Their parents
sometimes find it very difficult to recognize the psychological aspects of
their children’s problems. This happens particularly frequently with children
on the autistic spectrum, partly as a consequence of a past professional
tendency to blame mothers as if they were primarily responsible for their
children’s pathology.
Interventions such as the one described in chapter 13 are valuable, as
they show how it is possible to offer within a school setting help to children
211
who, for different reasons, cannot access specialist help. This kind of sup-
port can not only set in motion again the blocked emotional development of
the child but can relieve the sense of powerlessness of the teachers and the
uneasiness that other children can experience when confronted with a child
who appears so unaware of their presence. These creative experiments may
perhaps come to be included in the range of interventions suggested by the
authorities responsible for children’s mental health, as in the case described
in the following chapter.
This chapter, by Anne-Marie Fayolle (chapter 14), describes work under-
taken at home with a child suffering from a serious illness. Professionals who
work with children with chronic and/or life-threatening diseases know how
difficult it can be to help them through ordinary psychotherapy. Often parents
who have to cope with the physical survival of their children are too over-
whelmed by their pain to be able to fully recognize the impact that the illness
and its treatment have on the psychic state of the child. The difficulty of add-
ing yet another therapy to a daily life already full of medical procedures and
treatments can be a further obstacle. This stimulated a concern in the multi-
professional team to find alternative ways of supporting ill children and their
families, offering, for instance, the possibility of receiving counselling and/
or psychotherapeutic help within paediatric departments. This is not always
possible or the best solution—and this not only for practical reasons, such
as, for example, the distance of the hospital from the family’s home. What is
mainly needed sometimes is to share the child’s daily life, recognizing and
supporting the psychic aliveness expressed through play and imagination.
In this case, a home participant psychoanalytic observation was suggested
by a child neuropsychiatrist to help the child and his mother. Much happens
and is understood in this observation, very little is spoken out loud. There is
no possibility, probably no need, to make communications explicit. What is
really important is that they happen. Playing with dinosaurs allows Tom to
represent the primitive fight for life, against the deadly threats that menace it,
the parental concern for the safety of their progeny. The observer’s presence,
her attention often shared with the mother, offered Tom the possibility of
reducing his outer and inner isolation. We are left deeply aware of the pain
that the observer had to endure, of her courage in keeping her mind and
heart open, of her need of being herself supported by a supervision group
and convinced of the importance that similar experiments could have in
thinking about the emotional pain and needs of ill children and the planning
of innovative services able to meet them.
One of the aims of Psychoanalytic Observation seminars is to help stu-
dents to develop their observational skills in order to apply them in their
work. The presence, within the Tavistock Course, of a Work Discussion
212
Seminar, where students present a detailed description of a work situation,
helps them to practise their capacity for self-observation. The third and last
chapter of this part, by Mel Serlin (chapter 15), is a striking example of how
observational skills informed her work as a supervisor of parental contact
with a child removed from their care. Some of the anxieties always present
in a Young Child Observation are here somehow concretized. The parents’
fear of being judged and criticized by the observer, the anxiety about the
use she will make of what she sees, are in this case enhanced by the shared
awareness that her observations and her written reports will influence the
Court’s decision. The three components of her job, as the author says, are to
supervise, to support, and to observe; several examples in the chapter show
the sensible use she makes of her observation, in order to get a fresh under-
standing of the child’s psychic state and to give something back to the child
and his parents. Separation for this child is not just a developmental issue,
but a daily reality, and loss, abandonment, and disappearance are not only
anxieties but impending risks and actual experiences. The main focus of the
chapter is, however, on the child’s developing personal resources, namely
the support offered to him by a fictional character and by the adults’ under-
standing of the special meaning it came to acquire for him. Thomas the Tank
Engine, a bedtime story written by a father for his own young child, allowed
Paul to approach, through the safety net represented by this symbolic repre-
sentation, some of his anxieties and furnishes a good example of how good
cultural products for children can “give form to the experience of their inner
worlds” (M. E. Rustin & Rustin, 2001, p. 15).
213
CHAPTER THIRTEEN
Sewing on a shadow:
acquiring dimensionality
in a participant observation
Deborah Blessing & Karen Block
I
n the interactive space between a mother and a baby, an infant
observer (and at some remove the seminar group) comes to have an
experience of watching relationships unfold and a child’s mind and
personality come into being. While always challenged by the task of
remaining in a non-initiating, non-intervening observational mode, the
observer has the luxury of being profoundly affected without having
to do anything more than the hard work of staying present to her own
feelings and to what is going on in the room. In clinical work we call
up the observing qualities of bearing powerful anxieties and attending
closely to the countertransference, but we also have something quite
particular to do with what we see and feel—through interventions and
interpretive work we strive to effect psychic change—to foster greater
reflective and emotional capacities.
In this chapter, we explore an intermediate area, that of a participant
observation. This application of a Young Child Observation was in a
preschool setting for children who had been unable to negotiate what
was required in a more ordinary preschool. We have come to see this
215
216 deborah blessing & karen block
Catherine’s mother says to me, “You don’t see me here too often.
It’s nice to see where Catherine spends her time. I have my life and
Catherine has hers—we are all so busy.”
From this detailed description of early moments of this participant
observation, we now fast-forward to a series of condensed vignettes
that trace the trajectory of a budding connection between Karen and
Catherine and the growth that flowed from it. Karen’s ability to stay
attentive and to withstand the many instances of not knowing what
Catherine’s interactions and communications meant could only have
resulted in change if and when Catherine could take in what was
offered—that is, only if she opened herself up actively to receiving
Karen’s mental and emotional nourishment. Something about Karen
and the atmosphere grabbed Catherine’s imagination. She desired this
engagement and also, it seemed, had the capacity to choose to take in
and benefit from Karen’s efforts and intentions, which was a change
from her usual position of being unreachable much of the time. To
return to the observation material:
Week 5
Catherine, carrying a large container of Lego pieces, comes and
sits beside me on the floor. I ask her what she is going to build. “A
castle”, she tells me. Gathering many pieces together, Catherine
begins to build. She puts one piece on a flat base, adds another, and
another, until she has formed a single wall. The pieces are not tightly
locked together; the wall leans. I feel empty looking at her castle,
and also anxious about the wobbliness of what she has constructed.
It is stark, lacking a form and people—a lifeless fragment. She sits
back, looks distractedly around the room. I wonder if I’ve lost her.
I move to draw her back to me by asking if there are people in the
castle. “Yes!” she says, but does not elaborate—gone again. I reach
out again: “Where are they?” She pulls a figure from the container.
I ask, “Who is it?” “Catherine!” she exclaims. Holding the figure in
one hand, she fishes out another. She initiates—“This is a person,
too!” She then tries to attach the figure to the top of the wall, press
ing down hard. The unstable structure collapses. She tries to reas
semble it, but once again the castle falls. “It won’t stay up—I can’t
do it”. This is a very painful moment for me. I respond, “Let’s see if
we can make it more secure.” I demonstrate how to link the pieces.
“Let’s do it together”, I say. We work together, rebuilding her tall,
grey wall, and when all the pieces are attached, she says, “There!”
220 deborah blessing & karen block
She then presses the two people down firmly into the base and
begins to build additional walls around them—the beginnings of a
castle with an internal space. Mrs A has been surveying our play.
She comes over, and comments, “This is incredible—she is playing.
She’s never done this before”.
Over the next two weeks, Catherine consistently seeks me out. One
morning the teacher asked me what I’d like to do with the children
that day. Catherine jumped up from her chair and shouted happily,
“I would like to play with blocks.” (My last name is Block).
Children with autistic or autistic-like impairments often lack a sense of
mutual, emotionally based curiosity about (or desire for) interpersonal
relationships (Alvarez, 2005). Catherine, a passive, indifferent, some
times avoidant child, awakens to the “interestingness” of Karen. She
ventures into new territory with Karen, attempting to grasp something
of the to-and-fro between people.
Week 10
I am working with three boys in a small area. Suddenly Catherine
appears, holding two telephone receivers. With a quick motion, she
forces one receiver into my hand, puts the other to her ear, and says,
“Hello.” Feeling a bit surprised, I put the phone to my ear and say,
“Hello?” She is silent. I continue, “Is this Catherine?” She happily
answers, “Yes!” I struggle to come up with something to talk about. I
say, “How are you?” She answers, “Fine”, then takes the phone from
me and puts the receiver back onto its base. I feel dropped. What
happened to our connection? Moments later, Catherine appears
again at my side, and we replay the whole scenario. Once more I feel
pressure to say something interesting to keep her on the line. And so
it goes. We repeat this exercise with slight variations several times.
Karen picks up on Catherine’s difficulties in making transitions and
a continuing experience of being dropped. It is familiar ground, with
Catherine having the control. But this interplay also points to a devel
opmental shift. Catherine seems to be practising taking turns in a
proto-conversation—she is recognizing how to engage with and to
make room for the other to respond, but she has not yet got the hang
of what goes in the middle and how to keep the conversation going.
Karen comes to experience the pain of not knowing what to say, as well
as the longing to keep the link alive for both of them.
sewing on a shadow 221
Note
This paper was originally presented at the International Congress of Infant Observa
tion in Buenos Aires in August 2008.
CHAPTER FOURTEEN
T
om was born on 29 March 2005; he is now 4½ years old. He is
the third child in the family. His older sister is 11, and his brother
is 8. His father is a technician, and his mother is a secretary. The
family get on well together. The extended family lives in a neighbour
ing département.
Two days after Tom’s birth he was diagnosed with a mega-colon.
Tom had not evacuated the meconium, and he was regurgitating his
feed. After X-rays he was transferred to the University Hospital with
his mother. He was suffering from Hirschsprung’s disease. He was
operated on when he was 4 days old. He could not feed, because he
lacked the cells that normally line the walls of the intestines, so he was
fed through a parenteral line.
He stayed in the regional university hospital from April to Sep
tember—that is, until he was 6 months old. During this time his
mother went to see him every weekday. His father went on Saturday
and Sunday with his sister and brother and members of the extended
family.
Following this, Tom spent a further three weeks in a hospital in
Paris, together with his parents, who were learning how to feed him
through the parenteral tube. His parents stayed in Paris throughout, as
they live 300 km away. He went home for the first time in October. He
was now 6 months 18 days old.
224
a participant observation with a boy with a chronic illness 225
From the age of 4 days until he was 3½ months old, Tom was fed
from a drip for 24 hours out of 24. After this there was a gradual cycliza
tion. The drip feed was progressively reduced to the point of 12 hours
out of 24. Since his return home, his parents put Tom on the drip in the
evening. He sleeps with his drip attached. In the morning a nurse and
his mother take him off the drip. Tom suffers from a particular form of
Hirschsprung’s disease. He will need to have a transplant from a donor
before he can be fed orally.
Tom was first seen in Child Psychiatry in November, when he was
9 months old. His parents had been advised to request an appointment
in order to support Tom and those close to him during the long course
of surgery, which was anticipated, and they followed this up.
Following the first appointment with a child psychiatrist, a partici
pant observation in the family home was suggested. This was partly
because of Tom’s age, partly because of his illness, and partly because
mother had asked for help. To do this, I spent an hour weekly in the
family home. The format of the observation was on the model of Infant
Observation originally developed by Esther Bick. It became a “partici
pant” observation, to use the phrase of Gianna Williams, as was needed
in this situation, in which the observer functioned as part of the thera
peutic team in a carefully defined way.
Mother readily accepted this form of treatment. She said that life
had been difficult since Tom’s birth. She had now stopped work to care
for her son, and she felt confined to the house. It was simpler for her to
have someone coming to the home.
I met Tom and his mother on one occasion in the clinic before start
ing to go to their home. He was a beautiful baby of normal size. He had
big brown eyes, which were very lively and alert. He took everything
in and was full of life. His mother was a very open, pleasant young
woman, who made good contact. She was prettily dressed in a modern
style. Tom was on the carpet, picking up objects and rolling from his
back on to his front. I explained that the idea of the home visits was that
we could be together close to Tom, paying attention to him and to how,
given his particular history, he was growing up. Mother was totally in
agreement with this work.
At the time of the first visits, when Tom was a baby, he was always
alert and ready to grasp everything around him. He was constantly
on the go, moving around or looking at new toys or making grunt
ing sounds. He handled the toys with intense and lively interest. The
atmosphere in the house was marked by a sense of vital urgency. Tom
wanted to see everything, and for his mother everything had to be
226 anne-marie fayolle
year after his operation. He had kept almost to the end an immense
wish to live the life of a little boy. All the richness of the psychic life
that he had developed and that I had been able to observe continued
to provide him with support. The stories about dinosaurs, which are
recounted in the following pages, had proved to be a source of vital
psychic nourishment.
often show his teeth. I also had to take care not to use a loud voice or
make a sudden movement with my animal, as this would have fright
ened Tom.
From November onwards, his play developed in a consistent way
without any regression, despite family events related to a difficult
period in the life of Tom’s older sister.
piece of furniture in the corner opposite the two sofas. Tom reminds
me that I’ve got the daddy, the mummy, and the baby triceratops
(these are nice herbivores). The triceratops protect themselves by
pushing their enemy with their heads. He shows me what to do
and does it with the plastic animals (this was something we had
already played). It is important not to repel the enemy just with the
head. Tom has the tyrannosaurus, which is a dangerous carnivore.
He holds on to it all the time. He also introduces another dinosaur
with a mouth that opens and a tongue that moves. This dinosaur
has a baby. He puts them both on the sofa where I am sitting. I
have the triceratops family: the daddy and mummy protect their
baby, but the tyrannosaurus comes along growling and takes the
baby triceratops. I have to be a protective mummy and a protective
daddy, but I must not be too protective, or I would stop Tom from
doing what he has in mind. I mustn’t do nothing either, or he says
discontentedly, “You play mummy.”
Before playing he often gives instructions; these instructions are clear,
and Tom describes certain things in a way that means there is no
alternative. It has to be just as he says; it is a matter of life or death.
But is this really fear, or another way of having absolute control? It is
also striking that Tom is impatient to play: when he is ready, there is
no waiting. Tom puts us in touch with the urgent desire for life rather
than the fear of death.
That day we found a good compromise. Tom is delighted: he takes
the baby triceratops with his tyrannosaurus and throws it onto the
other sofa. I play the parents who are troubled but not distraught
and who tell the tyrannosaurus that they want their baby back and
that they won’t abandon him. Tom waits for me to speak and then,
very proud of himself, brings the baby triceratops back to me. He
repeats the scene several times over. Then he goes and puts the baby
triceratops not back on the sofa again, but in the kitchen. He hides
it among tea and pasta containers. Going into the kitchen, it is the
tyrannosaurus held by Tom who kidnaps and takes the baby off, but
it is Tom alone who brings him back to the triceratops parents. His
trip from the sitting room to the kitchen is quite long, but he walks
briskly and has an air of importance. He is full of energy. He then
goes back into the kitchen to pick up the tyrannosaurus again, and
it takes the baby again. The tyrannosaurus’ house is in the kitchen.
He then comes back close to me and takes the dinosaur with the
opening mouth and its baby, which had stayed on the sofa where I
230 anne-marie fayolle
was sitting. The baby plays at going down the length of its mother’s
back. Tom adds another baby dinosaur and the baby triceratops.
The three babies play together for a bit. As for the tyrannosaurus,
he is in his house. Then he says they are going to go to sleep. I put
the babies to bed, and Tom puts to bed the dinosaur and the daddy
and mummy triceratops that were near me. The tyrannosaurus
returns to steal the baby triceratops. Tom states very clearly that he
is stealing the baby. He brings him back, then his play loses life a
bit. Tom looks at the other dinosaurs in his collection and puts some
of them to bed. We are getting near the end of the hour. Tom talks
to his mother about a dinosaur which makes a noise, which grunts
and which he would like for his birthday. When I say that I have to
leave, he pulls a face. I say, see you Tuesday.
Parental figures continue to appear in Tom’s play. He no longer has
them uniquely “played” by me; he can also make them play a part in
his script. But are these good parental figures? In this part of the game
the triceratops parents are not very active. They submit to the tyranno
saurus’ harsh law and can only call out. The dinosaur on the sofa with
three babies also seems to me to represent another passive maternal
figure. This dinosaur has a big mouth, but it does not seem to be of
any use to her. Sliding down her back is the babies’ only possible play.
Tom does not seem to be able to think of anything else. Tom continues
to struggle with what peoples his internal world.
15 October 2009
Yesterday Tom came back from the hospital in Angers. He had
an appointment because he was suffering from inflammation of
the rectum (proctitis) and a urinary infection. He had had nose
bleeds again. I sat down in the sitting room with his mother, who
brought me up to date. Tom gets out a book on sharks and shows
them to me. There are sheets of paper on the sitting-room table,
and we draw sharks. Tom wants me to draw the teeth; he watches
and waits for me to do the teeth, asks details, and comments. He
then wants me to draw a hammerhead shark, and we look for an
example in the book. Afterwards he says in his usual way, in an
impatient tone: “Right, let’s play.” Then as always there is Little
Foot, the hero of the cartoon, who is a dinosaur child, and his
friends Sera and Gober. Gober is a carnivore, while the others are
herbivores. Gober, Little Foot, and Sera have lost their parents,
a participant observation with a boy with a chronic illness 231
and they get together to play but also to fight together against
the dangers of dinosaur life. He goes to get me a big triceratops
mummy, as he often does. On that day he also goes to get Gober’s
daddy; he brings him to the sitting room and says he is dead. In
fact, he plays with him, but Tom says all the same that he is dead.
Then Sera also goes looking for her father. He brings Sera’s daddy
back from the study.
Brothers appeared in Tom’s stories a few weeks before. On this day it
was fathers who appeared.
Then the dinosaurs have to go for a swim. Tom busies himself put
ting the little ones in the water, and it is left to me to bring the bigger
ones. The crocodile arrives, and we all run away. Tom initiates our
flight and everything else that happens, and I must follow, bringing
the rest of the dinosaurs. If I am a bit slow for Tom’s liking, he brings
me into line. I ask where we are going. Tom says to “La Blesse”. His
mother, who has stayed in the room, is wondering what this word
means, just as I am. We both try to think, and Tom repeats the word
several times, but to no avail. His mother then says, “Perhaps it’s a
word you’ve made up.” Tom agrees and explains that “La Blesse”
is behind the television.
I don’t know if he really made it up, but he seems relieved to go along
with his mother’s idea. Later we will understand that this is a very
important place; it is the place between the world of carnivores and
that of the herbivores. Only Gober, Little Foot, and their friends can
live there. Gober is not aggressive in “La Blesse”, even though he is a
carnivore. But this place, which is actually called “La Breche” [The Gap]
in the cartoon, comes under very harsh attacks from the outside. It is a
good place, but unreliable; it can break, and it can come under attack.
Actually he changes his mind and says the dinosaurs are going into
the “Mysterious Valley” where the carnivores eat meat and the herbi
vores eat grass. We go to the dining room.
Perhaps the change of place is a way of Tom keeping “La Blesse” safe.
Tom sets up this scene on a low table; the herbivores’ food is on one
side, and the carnivores’ food on the other. He puts the animals around
their food, then he decides to go and get the egg thief (this is a smaller
dinosaur, which feeds on eggs stolen from nests). The egg thief, held
by Tom, comes and attacks the other dinosaurs. We run away once
more and hide in the kitchen in a cupboard behind the storage jars.
Tom has picked up his animals again and is talking very fast. He gives
232 anne-marie fayolle
a running commentary on the escape. The egg thief comes too; the
dinosaurs attack it again. Then all the dinosaurs get into the cupboard
behind the storage jars. Then the egg thief, still held by Tom, attacks
Gober and takes him off into the sitting room. Tom comes back to the
cupboard alone, saying we must go and look for Gober. We take all
the dinosaurs to the sofas, and we find Gober: he is in prison. It is the
egg thief who has imprisoned him. The egg thief goes to prison in his
turn, but he escapes and once again captures Gober. Tom then speaks
into each dinosaur’s ear, saying that they have to go into “La Blesse”,
beside the television.
“La Blesse” is always around the television.
The egg thief launches a new attack. A pebble falls onto the egg
thief’s head, but he doesn’t die and attacks Gober again. Gober dies
this time; he has to be taken care of, and this means finding the night
flower. We have to go to another place. We go into the kitchen, but
under a table, where we have never been before. He takes a cool
box that is there (it is, I think, the coolbox that is used to carry his
pouches of food) and finds a small object which a bit of a game,
which becomes the night flower. Tom says “I’ll be back in fifteen
minutes.” His mother, who is eating her lunch, says, “That’s exactly
what I say when I’m at the hospital with Tom and I go off to get a
sandwich.” When he comes back, Tom asks me if we still have some
time left to play. I tell him we have enough time to take care of Gober
with the night flower, but then we’ll have to stop. Tom is very disap
pointed; he sulks and leaves the game.
Gober has always been attacked from all quarters.
We had spoken during discussions of the material relating to the egg
thief about a wish to steal the parents’ fertility and to have access to the
parents’ insides. The story of the egg makes me think systematically
about the account of Tom’s conception. Mrs C, Tom’s mother, thought
she was infertile, because, as an adolescent, she had been hit in the
stomach by a ball during a game with some boys. One of the boys play
ing was her future husband. This blow had damaged her (Fallopian)
tubes, and the doctor told her she would never conceive naturally. Her
two eldest children were conceived by IVF. The parents did not want
a third child. Tom arrived completely unexpectedly. His mother thinks
that his illness could have arisen because the egg, while on its way to
implant itself in the uterus, had to pass through her damaged (Fallo
pian) tubes and was harmed in the process. Supposedly he “caught”
his illness in the course of this process.
In what he played out Tom–Gober is first of all an egg, which
a participant observation with a boy with a chronic illness 233
hatches out and then is taken by thieves but before that is welcomed
by Little Foot and his friends. He is always taken far away, just as Tom
is seized by his illness time and again. The egg thieves are always
attacked and fought against; they get rocks on their heads, but they
never die. In the game they are little dinosaurs, scrawny and very agile,
a bit on the vicious side. They correspond closely to one’s idea of a thief.
Doubtless Tom had very early on internalized objects that steal and take
things from inside him in an intrusive way because of his treatment and
of the constant need to monitor his state of health. He had to accept
demanding treatments daily and often unexpectedly. It also seems that
his incredible attention to all the visual elements of his environment, the
things that happened and the changing décor, and his ability to recall
the stories from cartoons, helped him to struggle with changes and not
to be too submerged by the huge constraints he endured day to day.
He knows all his surroundings with an exactitude that corresponds to
the uncertainty of his future.
The demands Tom experienced were echoed in his exchanges with
his mother. She had to answer all his questions, repeat what he had
said, and give confirmations. When treatment became even harder
to bear, Tom became even more demanding of his mother, unable to
bear the slightest sense of discontinuity between them. At such times
his voice was very high-pitched. Tom did not articulate very well, and
what he enjoyed above all was for his mother to take the time to tell
me the story of the cartoon that would form the basis of his play. Thus
he could be assured that I would have a good understanding of his
game, and at the same time he also took huge pleasure in listening to
his mother. The egg thieves could represent this part of Tom: they never
stopped taking and could never be destroyed. In the game there are one
or two egg thieves, but they are not a couple. They are separate and
different like a part of Tom’s life.
A benevolent parental couple makes an appearance. Tom “builds”
something for himself. However, confusion persists, maintaining a
state of total agitation in his internal world. . . .
that it is Tom’s time, and they go off to do their own thing. I ask Tom
what he has planned. He indicates some Lego bricks and says, “Yes, I
planned this.”
Tom plans games precisely before visits. With his mother’s help
he has developed the ability to make plans in order to protect himself
from the uncertainties of his daily life. He knows the place where he
has left each game; he always knows where his dinosaurs are. When
he has to go to hospital, he decides what he wants to take with him;
his world is regularly transported from the sitting room to his hos
pital room; his cassettes, his DVD player, his toys. He doesn’t forget
anything.
Tom then looks for the dinosaurs. He has had new dinosaurs this
weekend, and he is looking for Gober’s “twins”.
Gober is the most important, he is a carnivore. In the story carni
vores are also called “Sharp Teeth”. Gober is both a strong and powerful
friend because he is a “Sharp Teeth” and also a bit worrying because
the “Sharp Teeth” usually eat herbivores.
Tom takes Gober; he adds Gober’s mummy and daddy, who are
“Sharp Teeth” but not too dangerous. He adds 5 or 6 other dinosaur
children who are “twins”. He says to me “Let’s play”, but he doesn’t
give me any dinosaurs of my own. In the game my role is to be psy
chically present and follow what is happening and ensure the child
dinosaurs are safely transported while imitating the children’s feelings,
fear, surprise. . . .
Tom begins; he has Gober. Gober leaves his daddy and mummy to
go and play. He makes the daddy say, “ be careful, mummy has said
to be careful of the “Sharp Teeth”. Gober goes off to find a place. Tom
places the dinosaurs under the low table in the sitting room where he
builds a wall from Lego, which he can now fit together without any
difficulty. He says that he is making rocks; he also makes gates, first
one, followed by a second. Tom builds this wall slowly; he hums as he
puts the bricks in place, and he seems to be involved in building some
thing, which really seems to occupy him in a way that goes beyond the
construction of this wall.
On this day the wall is built of Lego, but very often he makes it
from the cartoon cassette boxes. These structures are thought out and
come from his imagination. Later he built walls taking account of the
importance he gave to the cartoons, which the boxes contained. Thus
the cassette boxes of certain cartoons were placed in more strategic
positions, as if they would better protect Gober from attacks.
a participant observation with a boy with a chronic illness 235
First of all he sings to himself without any words, but then “Sharp
Teeth, Sharp Teeth . . .” can be heard in his song. His grandparents
and mother come to have a look. Tom tries to hide when they
arrive. Tom suggests I bring the other dinosaur children once the
wall is finished. Gober’s parents look for him; Tom does the daddy
and mummy calling “Gober, Gober.” He puts expression into it
and tries hard to pronounce it well. He says, “The Sharp Teeth are
coming!” Tom portrays some panic, but not too much. He takes
two large “Sharp Teeth” dinosaurs. They come close to the wall,
and Tom–Gober says, “We have to make a plan.” The rocks in
the wall have to be pushed to make them fall on the two “Sharp
Teeth”. I help the other dinosaur children to make the rocks fall,
but the “Sharp Teeth” don’t die. Tom–Gober says, “We must go to
the land of mists.” The land of mists is the cupboard in the kitchen.
We have to hide behind the storage jars, and the two “Sharp Teeth”
come to sniff us out.
Then Tom says we have to sleep, not because it is night-time, only
that we must lie down and have a sleep. While we sleep, the “Sharp
Teeth” come and kidnap Gober and Little Foot. All the other dino
saur children go off to look for them when they wake up. They
have to call many times and with the right intonation, “Gober! Little
Foot!” We find them under the rock–cushions on the sitting-room
sofa. This hiding place has a door that Tom makes from the pirate
cassette. We come back to the land of mists—cupboards in the
kitchen. We have to hide again; Gober and some of the dinosaurs
hide inside the storage jars. He closes the storage jar. Tom brings
Gober’s mother back from the sitting room. She looks for Gober
for a long time, but she doesn’t find him in the storage jar. . . . Tom
continues to really think about what is happening and what should
happen next. He leaves the dinosaurs and returns to the sitting
room and comes back with the two “Sharp Teeth” who previously
took Gober and Little Foot. He places them near the storage jars. He
makes them move slowly and at the same time he seems to be think
ing. This lasts a good while. Then he goes off to the sitting room.
He comes back with the pirate treasure, which he puts between the
two “Sharp Teeth”.
Gober could not rely on a sufficiently strong maternal figure; she
searches but does not have enough resources to fight against the “Sharp
Teeth”. He finds himself alone without a parent to fight against the
236 anne-marie fayolle
“Sharp Teeth”, and he must think hard about how to satisfy this other
frightening parental couple. He gives them something precious.
It is lunchtime and the end of the visit. Tom is also aware of this and
asks me if we are still playing. I say that it is time to stop for today. We’ll
see each other again next week.
* * *
These frightening figures will continue to appear after the transplant,
which was done in January 2010. He introduces some very big dino
saurs, who are also doctors or nurses. Tom’s mother was sometimes
very tired; the nosebleeds he was experiencing were hard for her to
bear. She was afraid she would not be able to manage. She was some
times disheartened, like Gober’s mother, who searches but does not
find him. At our last meeting before Tom’s death, Gober and his father
are attacked by the “Sharp Teeth”. They fought together but despite the
help of flying dragons, both father and Gober are wounded. We have
to leave Gober in peace, he said. But this attack is followed by another,
an even more enormous Sharp Tooth arrives, he wipes everything out.
The disappearance of a good paternal figure is followed by the arrival
of another paternal figure, which is very powerful but lethal.
Tom had a chronic illness, which was also extremely dangerous. He
constantly ran the risk of contracting major infections; the doctors said
his liver was a time bomb. His world was divided between good and
bad dinosaurs, but also between what he needed to carry on living,
the treatments, which he knew by heart, the attention of and his links
to those who were close to him and his games, and the outside world,
which he kept at a distance. Tom was very apprehensive when he went
outside; he had little interest in other children, and he kept them at a
distance. Thinking about his illness was relegated to a distant world;
he never spoke about it directly.
He had, however, been able to develop a great ability to name
precisely what he was feeling, especially where he was in pain. He
did this accurately from the age of 3. He knew that his mother was
listening when he was in pain and that she knew that what he was
saying was right. He could also name his catheter and his bags as if
they were a part of his body. His catheter was a real part of him. Its
removal after the transplant was a significant event. By contrast, after
the transplant, when his health deteriorated, he refused to say where
he was hurting, probably to spare his mother and to avoid having
more treatment. He suffered a great deal. He only mentioned his
illness once when he returned to school several days after the trans
a participant observation with a boy with a chronic illness 237
plant; his mother found him explaining to little girls in his class that
he was no longer fed through a tube, he now had a “gastronomic but
ton”! Both he and his mother were a bit worried about his return to
school. He found a quite effective way of keeping the other children
at a distance while at the same time guaranteeing quite a special posi
tion for himself.
The observation made it possible to support the parents, to listen to
them and contain their anxieties, while at the same being attentive to
the development of Tom’s psychic life. For an ill child like Tom, home
visits were simpler for the family and less anxiety-provoking as they
limited the risk of infection. Tom was generally anxious about going to
appointments, so going to see him at home was a way of getting close
to his psychic life without everything being too dominated by the fact
of his illness.
Observing in someone’s home is a particular way of working. In
the beginning the family agrees to visits but does not know how things
will develop. They let you into their home life and give you access to
the heart of the family. The early days of a home-based observation are
quite unique, since not only is the family unaware of what the obser
vation will entail, but so is the observer. Our receptiveness, listening,
attention to all that happens and to the way we feel about our surround
ings are going gradually to create links that will define the observation.
The first meeting with Tom’s family was intense. Even now I can
recall vividly the first time I visited their home. The feeling of urgency
was palpable. They were waiting for me.
Tom’s mother seemed from this first visit keenly aware that I might
come to understand all there was to know about her son’s life and his
day-to-day existence. Faced with the kind of anxieties she was expe
riencing, she needed not to feel alone. Initially she guided me and
taught me how to get to know her son. Little by little she allowed me
to get closer to him. He could feel very angry and aggressive towards
his mother who, from his point of view, made him experience so many
medical procedures and restricted his activities. In parallel, his mother
found it hard to bear Tom’s oppositional behaviour, but she came to feel
that I could withstand even those aspects of Tom’s emotional life that
she herself could not bear to get near to. She allowed me to do this and
gave Tom permission to have this kind of relationship with me.
Our time together was important for Tom, for although his body
was not working well, his emotions were very acute. Regular atten
tion to his mental life was very valuable to him. For a long time he
needed my physical involvement in his games; I had to take hold of
238 anne-marie fayolle
the dinosaurs and put them as he instructed in his game. Later he took
over, and I just had to be psychically present.
It was, I think, this particular kind of attention that helped him
to become aware of his desire and real appetite for life’s adventures.
My attentive presence seemed to sustain his hope of life and, together
with the parents’ benign presence, allowed him to fulfil his potential
for development. His mother often commented on how he came more
alive when he knew we were going to meet. She said that following my
visits during his most difficult periods in hospital, Tom rediscovered
his pleasure in playing with dinosaurs.
Both Tom and his parents knew intuitively that his games were rep
resentations of his internal life. Tom also knew that his mother needed a
little time to talk each time I visited. He left her the space so that I could
accept and contain all his mother’s feelings and anxieties.
For my part, writing up and supervision allowed this material to
be worked on and transformed. This thinking work helped to support
every member of the family through the creation of a particular kind
of psychic space between the members of the family and the observer.
Thoughts arising from the relationships that develop during the obser
vation are internalized little by little. They are enriched as the visits
proceed, and they continue between visits and beyond, as has become
clear from the occasional contacts we still have with Tom’s family. Our
thoughts about him are still very much alive.
What I tried to do, with the help of supervision, was to follow Tom’s
thoughts and to understand them without being overwhelmed by pain
ful feelings related to his illness. It was so sad to see Tom suffer, yet his
family became able to think about his needs, to understand and accept
them, and to bear the knowledge of the shortness and limitations of
his life.
CHAPTER FIFTEEN
P
aul was 1 year and 8 months when I began working with him. An
only child, he had just been removed from home and placed with
a foster carer, due to his parents’ substance use, which at times
left them unable to care for him properly. As a Family Support Worker
based in a Local Authority contact centre, my role was to supervise
many of the daily contact sessions between Paul and his parents. In this
chapter, through my observations of Paul in contact sessions, I follow
this young child’s emotional journey through a year in transition and
explore how he tried to maintain his relationships and manage the pain
of separation.
239
240 mel serlin
Contact
For all families who have just been separated and children placed in
local authority care, this is a very bewildering and distressing time.
Arrangements for children to see their parents in a supervised setting
are usually made as soon as possible. At a first meeting, when contact
arrangements are explained, parents are often experiencing feelings of
shock, anger, confusion, denial, and powerlessness. They may be strug
gling to make sense of what is happening, why their children have been
removed, when they are going to see them, who are the sudden influx
of new professionals, what are their differing roles, and whom do they
feel they can trust. These feelings are often heightened for those going
through this experience for the first time and those from other coun
tries, who are not familiar with the British social care legal system and
may need the additional help of interpreters.
The contact worker role is supervisory (ensuring the children are
cared for safely), supportive (helping the parents to develop their
understanding of their children’s needs), and observational (as reports
of each session will be used to help inform decisions made in Court).
For the supervised family, being observed under constraints of time
and location can feel very difficult. The knowledge that workers will
write observational reports on their care-giving and the quality of inter
actions with their children can create a great deal of anxiety for parents
who may at times feel hostile and suspicious about what judgements
they believe are being made of them. However supervisors, particularly
when there is consistency of workers allocated to families, can also
often come to be experienced as a benign and helpful presence in the
room for both the parents and children, which can at times help to foster
positive development and change.
Over the year that I worked with this family, while the parents
engaged in treatment plans and recommendations were debated in
Court, there were numerous changes to the contact schedule to help
assess whether it would be possible for Paul to return safely to their
care. Contacts were relocated to the parents’ home, lengths of sessions
increased, overnight stays introduced, and two attempts made to reha
bilitate him home. While Paul experienced these numerous changes
of routine and transitioned daily between caregivers and locations, I
observed how his relationship with Thomas the Tank Engine grew from
an ordinary interest into something more obsessive. I was interested
to understand the special role Thomas came to play for Paul (and his
thomas the tank engine and friends 241
Like the young viewers who may be leaving their parents for the first
time when starting nursery, fears about coping with separation are
244 mel serlin
Paul
A year in transition:
the introduction of Thomas (June–October)
The day after Paul was accommodated into care, he had his first contact
with his parents, Joseph and Sylvia. The sessions were supervised at
the centre for two hours each weekday morning (I supervised twice
weekly), and he was also taken to church to see his parents on Sundays.
When his parents arrived, Paul would run excitedly up to greet
them, and they would scoop him lovingly into their arms. After a
friendly exchange with his carer they went into the contact room.
Inside, Paul would angrily push toys off the table and insist on going
out to the garden. It seemed that, after his initial excitement and relief
at seeing his parents, Paul was left with the more uncomfortable feel
ing that they had been absent and a realization that during his transi
tion into the contact room his carer had disappeared. Paul’s behaviour
seemed to reveal his need to release these difficult feelings by running
around and projecting his sense of being displaced into the toys. At the
ends of sessions, Paul would behave similarly, conveying his awareness
that when they left the room, his parents would leave again.
When reunited with his foster carer, Paul would jump excitedly into
her arms, much in the same way as he had greeted his parents. Joseph
and Sylvia would accompany him to her car, where they would say
goodbye. At this final point of separation, Paul would burst into tears.
It seemed his pleasure at finding his carer there waiting for him would
suddenly give way to the painful realization that her being there sig
nalled the loss of his parents. Not only was Paul powerless to prevent
thomas the tank engine and friends 245
their leaving, but was faced with the upsetting feeling that gaining one
parent always meant losing the other; he could never keep hold of both
sets of parental figures together.
It was during this first month that Paul was introduced to the
character of Thomas when his carer took him to play with her friend’s
children, who had some Thomas toys. When subsequently looking
for a toy to occupy him in church, she bought him a Thomas train.
Soon after, Paul received his second Thomas gift—this time from his
parents, who bought him a dish and cutlery set to use at the contact
centre. Paul was excited to receive this gift. His first Thomas present
from his parents, it demonstrated their capacity to notice and respond
to the things he liked. It also showed him that when out of their sight,
he was not out of mind, that in-between sessions they were preparing
for when they would see him next. The dish also seemed to provide
a containing function for Paul. Now, when his parents were occupied
with domestic tasks, he was able to hold himself together by focusing
his attention on the friendly face of Thomas on his dish, as illustrated
in the following observation.
When Paul went to get up from the table, his father called out to
him, “Finish your pear.” Paul sat back down at the table and fin
ished his fruit, as instructed. He was very calm and seemed content,
sometimes just saying “choo-choo” as he studied the pictures on his
Thomas dish.
Like most children having regular contact, after a month of experienc
ing his parents returning each day to see him Paul appeared to have got
used to the daily pattern of unions and separations between him, his
parents, and his foster carer. He seemed more able to trust that when
he said goodbye to his parents, they would not (as he might fearfully
imagine) disappear forever, but would return as usual to see him the
next day. After a month it was agreed that on two days sessions would
be increased to three hours and held in the parents’ home. (The sessions
I supervised continued to be at the centre.)
Unexpectedly, the following month his parents’ physical presenta
tion caused some concern. The following week they failed to turn up
on several consecutive days. During this time, the carer reported, Paul
had been distressed and aggressive at home. The next week, Paul’s
parents returned to contacts as usual, but I never observed any conver
sations with him about their absence. Paul’s behaviour was unsettled
for several weeks: he would angrily push things over and began hitting
his parents. His presentation would frequently change so quickly from
246 mel serlin
crying to giggling once his parents lifted him up, it often appeared as
if Paul really didn’t know how he felt. However, his behaviour did
convey how confusing things were for him and how he was both long
ing for affection and attention from his parents while also feeling very
angry with them.
In September it was Paul’s second birthday, and his parents bought
him a Thomas train set, which they gave to him at church. The next day,
Paul arrived at the contact centre with his train set, keen to continue
playing with it.
Joseph and Sylvia brought with them many more unopened pre
sents. They helped him to open the gifts and tried to interest him
in looking at the new toys, but Paul remained preoccupied by his
Thomas train, which he hardly put down for the whole contact.
In October all the sessions transferred to the family home and extended
to four hours a day, giving me the new experience of seeing Paul in his
parents’ home. The most striking difference between the environments
was the extensive use of the television, especially during mealtimes.
Paul would appear totally mesmerized by the moving characters on the
large screen, which held his attention in a far more sophisticated way
than the faces had once done on his Thomas dish.
At the end of the month, Paul’s mother was excited to tell me he
had got into a popular nursery and showed me a Thomas rucksack she
had bought for him. With his new bag on his back, they could both
take comfort in knowing that although he would be there without her,
Paul would still have his Thomas “friends” to accompany him as he
embarked on this new stage.
while Paul might not have been able to understand all the plans being
made, he was definitely feeling the gradual tipping of the balance from
spending most of his time in his foster home to more of his time in his
parents’ home. His lack of comprehension as to what was happening
and his inability to control this or express his feelings in words was
perhaps the source of his bad dreams and causing his rather desper
ate need to cling on tightly as the parental grip on him was changing.
When I visited the family on the morning after his first overnight stay,
Paul was quite unsettled.
Joseph tried to put Paul down so he could prepare his lunch in the
kitchen, but each time he tried to, Paul began crying and scream
ing “Cuddle! Cuddle!” gripping on to his father’s legs or reaching
his hands in the air so Joseph would pick him up. Joseph tried to
encourage Paul to watch television or play with his toys, but Paul
repeatedly became distressed, so Joseph carried him on his hip as
he made his lunch. Once held in his father’s arms, Paul fell quiet
again, but he looked sad and tired from his upset.
In this visit, when I explored with the parents Paul’s likely worry
about the disappearance of his carer, he appeared to express gratitude
and relief when I mentioned her by name. This seemed to show how
Paul had been able to form an attachment to his foster carer alongside
his relationship with his birth parents and could keep her alive in his
mind. My talking about her absence seemed to provide him with some
reassurance that while he couldn’t see her, she did still exist, as she was
also alive in my mind.
Both parents commented to me on Paul’s clinginess. I talked to them
about how confusing things were for Paul. I suggested that while he
was happy being with them, he was also used to seeing his foster
carer and her always returning to collect him, but for the first time
last night she had not come back to get him. Paul listened intently
from his father’s lap and stared at me pensively when I mentioned
his carer by name. When I suggested that perhaps Paul was wor
ried as to whether or not she was ever coming back for him, Paul
climbed silently off his father’s lap, walked across the room to me,
and gave me a cuddle.
After a fortnight of several overnight stays, the rehabilitation plan was
terminated due to several incidents that raised concern. During this
period Paul developed a high temperature, went off his food, and fell
248 mel serlin
visits, when Paul disappeared into the bedroom, I saw they had pur
chased a new Thomas duvet cover for him, like the one that he had in
his foster home. Paul was enjoying playing at climbing back and forth
across the gap between his bed and his parents’. The Thomas bedding
seemed a helpful way to convey the imminent changes to Paul, show
ing him visually the special place ready and waiting for him in their
home. Paul’s play on the beds seemed to indicate his need to explore
how this space was going to feel and test out again the degree of prox
imity and distance he would have to his parents at night-time.
On all of these occasions, when leaving the house, losing his par
ents’ attention, or alone in bed at night, focusing on Thomas or feeling
safely wrapped up in Thomas covers seemed to help Paul hold himself
together and manage the difficult feelings aroused by having to cope
with the frightening reality of there being a space between him and
his parents that was out of his control. For Paul, unlike most children
negotiating separation as a natural developmental task, the fear that his
parents, or indeed his carer, could be permanently lost to him during a
period of separation was a very real concern. In transitional moments
when such anxieties were likely to be stirred, Paul seemed to use focus
ing on Thomas as a way to mentally bridge these uncomfortable gaps
in parental attention, by physically holding on to the familiar smiling
face of Thomas, which, on a DVD case, toy train, or wallet could be far
more easily held within his control.
Paul’s use of Thomas in this way seemed to fit Winnicott’s (1951)
description of transitional phenomena, in which the object comes to
represent the space between the internalized image of the mother and
the external mother as a separate object over whom it has no control.
“It is not the object, of course, that is transitional. The object represents
the infant’s transition from a state of being merged with the mother to a
state of being in relation to the mother as something outside and sepa
rate” (pp. 14–15). Winnicott notes that bedtime often remains a time
when transitional objects are needed: “the original soft object continues
to be absolutely necessary at bed-time or at time of loneliness or when
a depressed mood threatens” (p. 4).
Winnicott (1951) specifies several qualities that an object must pos
sess in order for it to function as a transitional object: “it must seem
to the infant to give warmth, or to move, or to have texture, or to do
something that seems to show it has vitality or reality of its own” (p.
5). The character of Thomas, be it in the form of a model train or the
sound and image of Thomas moving on the screen, fits this criteria and
may therefore lend itself well to being used in this way, but I w ondered
250 mel serlin
whether there would come a time when Paul would be able to lessen
his dependence on Thomas. Winnicott suggests that a “need for a
specific object or a behaviour pattern that started at a very early date
may reappear at a later age when deprivation threatens” (p. 4), but that
ordinarily, “as cultural interests develop” (p. 14), the object can become
gradually relinquished by the child, as I was to discover.
Paul what was scary, Joseph told me he had learned this word from
the Thomas DVD. He said Paul also used another word, but could
not remember what it was. We both stopped talking, listened to the
television, and soon heard the word “spooky”.
At Easter, Paul received a new electric Thomas train set from his par
ents. Unlike his old model train, which needed to be pushed along the
tracks, this one could move by itself, and Paul was delighted when his
mother taught him how to press the switch to turn it on and off.
Paul sat on the floor happily playing with his new train set. Every so
often he would concentrate hard on pressing the small switch on top
of the train. Then he would jump up and down excitedly, gleefully
exclaiming to his mother that he had made the train stop.
Paul’s pleasure conveyed not just delight in his dexterity at being able
to manipulate the switch, but also his feeling of potency, that now he
could control when the train would stop and go. Winnicott (1951) sug
gests that “In playing, the child manipulates external phenomena in
the service of the dream and invests chosen external phenomena with
dream meaning and feeling” (p. 51). In play with this new electric train,
Paul could also enjoy taking a more omnipotent position, like the Fat
Controller deciding the movement of trains along the tracks. In phan
tasy, he could escape being in the helpless and frustrating position of a
child always being taken back and forth and instead enjoy playing at
being the one in charge.
Paul also seemed helped by the clarity of the Thomas stories in
which different emotions could be clearly distinguished on the faces of
the trains. Paul was keen to imitate their expressions and test out how
these different emotions looked and felt.
Paul had been looking at his new Thomas books when Joseph came
into the lounge. Paul jumped up and exclaimed “ooo!” raising his
eyebrows and holding his lips in the shape of the letter “o”. He held
the book out for his father to see. Joseph agreed the train looked
worried and explained it was because he was going quickly down
the hill. Joseph then encouraged Paul to pack up his books, as it was
time to go out to play. Paul began packing up but then wandered
over to me carrying two of them. He stood close to me and held up
a book in each hand. He pressed the spines of them together, mak
ing the books join side by side, and said “Two.” I agreed, “Yes, you
have two.” Paul continued carefully pressing the spines together for
a moment in a thoughtful way, then returned to tidying up.
252 mel serlin
Paul kept hold of one book, and Joseph asked if he wanted to take it
with him in the car, which he did. Joseph reminded Paul that at the
play-centre where they were going there was a Thomas book with a
button that made a “ch-ch” train sound. Paul listened to his father,
then picked up one of his toy train carriages and came over to me.
He showed me his train, making the “ch-ch” sound, and I repeated
it back to him. Paul then began jumping excitedly around the room,
turning in circles and pulling papers off the desk in a rather manic
way. Joseph told him to calm down, but Paul began shrieking excit
ably as he curved his train carriage through the air above his head.
He then began opening cabinets full of papers and pushing his train
into every space that he could find. His father looked at me and
commented, “everywhere”.
As summarized aptly by his father, Paul seemed to convey a wish that
his little train could get inside “everywhere”. His opening of the cup
boards and pushing his train into all the small spaces inside could be
understood as an expression of oedipal desire, perhaps also commu
nicated by his pressing of the two spines together. In her paper “Early
Stages of the Oedipus Conflict” (1928), Klein described the young
child’s wish to know and “appropriate the contents” of the mother’s
body (p. 188). However, for Paul, the phantasy of taking possession
of the contents of his mother’s body might have been heightened by a
wish that he could safely lodge himself inside this space.
By the middle of May, Paul began to show signs of becoming less
dependent on Thomas. For the first time, when another boy at the play-
centre picked up his train, Paul remained close by watching, but let him
play with it for a short time, before reaching out to take it back. The
following week, Paul suddenly realized that he did not have his train.
When Joseph told him it was in the car, he accepted this and continued
playing. In June, when Paul discovered he had left his train at his foster
home, he was again able to tolerate this without upset, knowing that
Thomas was still somewhere safe. Paul’s ability to let there be gradu
ally increasing distances between himself and Thomas seemed to be a
healthy development.
In addition to this, attending nursery was helping Paul to expand
his knowledge, develop social skills with other children, and manage
periods of separation from his carer. When an episode of Bob the Builder
came on television, Paul was keen to try and name all the different fig
ures, and it seemed he was ready to “make friends with” a new world of
characters. While Paul continued to express love and delight in Thomas
thomas the tank engine and friends 253
during this settled period, in which he lived with his carer and contacts
were consistent, the more dependent and obsessive aspects of his rela
tionship with Thomas seemed to gradually lessen, as Winnicott (1951)
concluded: “Its fate is to be gradually allowed to be decathected, so that
in the course of years it becomes not so much forgotten as relegated to
limbo” (p. 5).
Conclusion
Like the little trains keen to win attention and praise from the Fat Con
troller, Paul was a boy who worked very hard to secure adult attention
and communicate his feelings, suggesting that despite his difficult start
in life, the love and concern he received from his parents in infancy was
enough to enable him to feel that seeking out relationships and making
connections was worthwhile. This was apparent in how he would be
extremely loving and lively, or when fearful would scream, cry, and beg
to be held. Paul was able to form an important attachment to his carer
and also made use of me as another adult he could turn to for help in
trying to make himself feel understood. Paul’s adoption of Thomas as
a transitional object during this difficult period could be seen to reflect
his capacity to internalize his good experiences of relationships, as Win
nicott (1951) states: “The infant can employ a transitional object when
the internal object is alive and real and good enough” (p. 9). During the
course of the observations, it became noticeable that although from the
start Paul always found it hard to separate from his parents, increas
ingly, periods of heightened distress and reliance on Thomas occurred
at times when he was faced with the potential loss of his carer, who had
become a safe and reliable figure in his mind.
Paul was fortunate to have an attentive, dedicated, and sensitive
foster carer who recognized the importance of feeding her observations
of Paul back to the professional network, so contact plans could be
made in a thoughtful way. The carer was also able to recognize the com
forting role Thomas took for Paul and was able to distinguish this as
being different from how other children enjoyed watching and playing
with Thomas toys in a more ordinary way. As a result of her awareness
of the feelings of security that Paul found in Thomas, she suggested
his parents also bought him Thomas bedding. The parents’ capacity to
listen to her suggestions and respond with interest to things Paul liked
enabled him to make links between his different homes and parental
figures. However, at times when Paul was receiving increasingly more
254 mel serlin
Thomas gifts, I wondered if there was a point when this would begin to
become unhelpful to him. Would it feed his obsession in an unhelpful
and unhealthy way?
While his parents seemed to show an understanding of the special
way that Paul used Thomas, I noticed they also began making use of his
attachment to Thomas as a convenient parenting tool. When on one of
my visits Joseph took Paul’s train away as a consequence for bad behav
iour, should I have intervened, suggesting he did not remove this toy,
or would this have given a contradictory message and undermined an
otherwise age-appropriate parenting strategy that I should have been
encouraging? Within my remit of reporting the parents’ capacity to
care for their child, turning off the television or stopping play with toys
during mealtimes should demonstrate an example of their ability to set
helpful rules—but what if this programme or toy was Thomas? Was it
possible to justify exceptions and differentiate between the meanings
and functions of different toys?
As a family support worker, my role entailed having frequent close
contact with Paul and his family. This position, supported by my train
ing in psychoanalytic observation and child development, enabled
me to make detailed, and at times painful, observations that provided
evidence for the social worker of how the changes in Paul’s external
situation were impacting on his emotional wellbeing. In all cases, this
communication between contact supervisor and social worker provides
an important function in helping the social worker who has far less
opportunity for direct contact with the child, to keep the child’s emo
tional experience at the centre of their thinking when making complex
decisions on their behalf. However, for the social worker, when under
pressure to meet deadlines and make life-changing recommendations
for a young child, remaining in touch with the painful impact of their
decisions is not an easy task. Personal and organizational defences may
combine to protect the worker from a degree of emotional contact with
a young child’s distress, which may feel too much to bear and could
jeopardize the worker’s capacity to stand by difficult decisions made
about a child’s future. This difficulty could help to explain this social
worker’s decision to terminate the first rehabilitation plan after the
foster carer reported that Paul had developed a high temperature, gone
off his food, and fallen over. These responses, which all powerfully
communicated the extent of Paul’s confusion and distress, understand
ably made it hard for the social worker, in the face of such distress, to
feel able to proceed with plans for his rehabilitation. The importance
of maintaining a dialogue between social workers and family support
thomas the tank engine and friends 255
Note
1. Britt Allcroft was the creator of the children’s television series Thomas the Tank
Engine and Friends, directed by David Mitton.
PART V
Research
The first chapter of part V, by Anna Burhouse (chapter 16), takes us into a
new dimension: the enlarged vision opened by the attempts at integrating
the approach and discoveries of child development research with findings
coming from child psychotherapy and from psychoanalytically oriented
observation. Music’s recent book (2011) takes up some issues originally
investigated in Burhouse’s work. The author traces the development of
triangulation from its early origins, when it begins to evolve within the
two-person world of mother and baby. The infant develops the capacity to
“think triadically”—that is, to think of three things in conjunction—through
“joint attention skills” and the “shared affects” that he or she experiences
and practises in relation to mother. These experiences pave the way for the
child’s encounter with the triadic dynamics of the early and later more fully
developed Oedipus complex. The successful working-through of oedipal
conflicts, centred around themes of inclusion and exclusion, allow the child
to reach a “third position” (Britton, 1989), characterized by the possibility of
adopting an observational and self-observational stance.
These theoretical concepts are vividly illustrated by the record of the
observation of a girl of 2½ years, whose overall development appeared to
be consistently delayed. The threat of a serious illness seems to have pre-
vented the possibility of allowing some separateness and separation between
mother and child. The third figure—the father, the observer, the external
world—had become the receptacle of all threats and was strongly resisted
and banished from the primary couple. Once the risk of a possibly fatal ill-
ness was dispelled, more healthy developmental processes could be set in
motion again.
The two following chapters illustrate other aspects of the contribution
that Young Child Observation can give to research about the lives of young
257
c hildren. Both of them focus on the role that nursery schools can have in
children’s development and come from researchers who have a long-stand-
ing interest in this field.
Chapter 17, by Wilfried Datler, Nina Hover-Reisner, Maria Fürstaller,
and Margit Datler, focuses on the impact on children’s personality of the
transition from family to nursery. The authors show the specific place that
Young Child Observation methodology can have in studies that combine
quantitative and qualitative methods and describe in a very detailed way
their different steps and procedures. Some of them are the same well-known
elements that characterize the Observation seminars that follow Esther Bick’s
method and that have training aims. Others are specific to the use of the
method for research purposes. The potential for acquiring new knowledge
and understanding is, in our opinion, present in any observation conducted
with openness and rigour. This chapter, however, sets Young Child Observa-
tion in the wider epistemological debate about its legitimacy and specificity
as a research tool and shows the criteria that have to be satisfied in order to
fulfil this role. The single case described in the chapter is a very convincing
example of the usefulness of this approach, since it highlights a very easily
underestimated unwelcome effect of the nursery experience—that is, the
condition of “the silent suffering children” who do not develop an evident
symptomatology but who, through their listlessness, apathy, signs of empti-
ness, and aimless walking, appear to signal a worrying impoverishment and
flattening of their personalities.
Peter Elfer’s chapter 18 concentrates, instead, on the different ethos and
cultures that can inspire nursery organization. It is, however, important to
note that here we have two forms of nursery organization, both of which
provide a “good-enough” experience for the children. Elfer differentiates two
approaches—one that gives priority to the children’s attachment to nursery
teachers and another that puts more emphasis on peer relationships—and
he presents observational material gathered in these two different contexts.
It is interesting to see how this issue re-proposes, at a different, symbolic
level and in the nursery setting, a theme that can be found in many chapters
based on observations in the home described in previous chapters—that
is, the role that parent–child and child–sibling relationships perform in the
young child’s development.
258
CHAPTER SIXTEEN
O
ne of the most striking features of many Young Child Observa
tions is the wealth of oedipal material in which the child is seen
to grapple with the difficulties and rewards of triangular rela
tionships. This material often highlights the varied ways in which the
young child experiences what it can feel like to be included, excluded,
a participant or an observer in the general hubbub of family life. Such
highly charged and at times passionate encounters require underlying
cognitive and emotional skills which support the child to recognize,
think, and reflect upon their own position within the family. These skills
include an ability to think “triadically” about the inter-relatedness of
objects.
In this chapter I intend to illustrate how fundamentally important
the ability to make links and to “think triadically” is to the young
child. To begin with, I will describe how the ability to think triadically
emerges from preceding dyadic infant/caregiver relationships formed
in the first nine months of life. Next, I will demonstrate how triadic
thinking is linked to both the Oedipus complex and the Kleinian con
cept of the depressive position and how the experience of inclusion
and later exclusion help to promote a capacity for abstract and three-
dimensional thought. I will illustrate some of these triangular dynamics
with material from a Young Child Observation. Finally, I will attempt to
show how the observer is helped to retain an ability to think triadically
259
260 anna burhouse
ration (Alvarez & Furgiuele, 1997; Broucek, 1979; Bruner, 1968). As the
infant gradually internalizes a caregiver capable of holding him in this
way, so he begins to construct increasingly complex triadic exchanges.1
Sensorimotor accomplishments involving pointing, requesting, and
showing gestures and referential eye contact develop during this time.
Using these “joint attention skills” the child begins to make cognitive as
well as affective links between himself, his caretaker, and a third object/
event (Bates, Benigni, Bretherton, Camioni, & Volterra, 1979; Butter
worth, 1991; Scaife and Bruner, 1975). Central to this is the infant’s abil
ity to form links on several different levels: first, between two external
objects and himself, second, between internal thoughts, phantasies, and
external reality, and, third, over time and space.
Joint attention skills are always used in a social context and are
employed primarily to share attention and interest with others vis-à-
vis an object or event. The motivation behind these skills appears to be
the enjoyment and stimulation that the infant gains from sharing affect
with another person. They are used to express that an object is interest
ing rather than necessary or desired. This is distinct from other sensory
motor skills that are designed to elicit the material satisfaction of physi
cal needs, such as hunger, warmth, or thirst. The satisfaction gained
during these skills from the mutual exchange of emotions (surprise,
delight, joy, fear, uncertainty, pleasure) highlights their importance as
interpersonal and psychological skills.
Given this context, it is interesting to note that joint attention skills
have been found to act as an essential precursor to several major cogni
tive and linguistic skills. This includes the development of language,
the concept of dialogue, the ability to use reference in speech, symbol
use, and theory of mind, to name but a few. Of particular importance is
the link between joint attention skills and the theory of mind. The the
ory of mind hypothesis was developed in the late 1970s and originated
from animal experiments into psychological understanding. Since then
the emphasis has shifted to human psychology in an attempt to explain
how human beings come to have such a set of mutually understood
mental representations. It endeavours to explain how normal children
develop the capacity to “attribute mental states (such as beliefs, desires,
intentions, etc.) to themselves and other people, as a way of making
sense of and predicting behaviour” (Tager-Flusberg, 1993, p. 3). This
approach is based on the premise that we, as psychological beings,
do not have direct access to other people’s minds—that is, we cannot
always know what someone else is thinking and, certainly, that we
can both deceive and be deceived, keeping our thoughts or intentions
262 anna burhouse
c oncealed. Given that these skills are central to the process of under
standing other minds, it is not surprising to learn that the absence of
joint attention skills forms one of the earliest diagnostic indicators of
autism at 18 months (Baron-Cohen, Allen, Gilberg, 1992).
This is thought-provoking from a psychoanalytic point of view, as
these skills are clearly founded on a shared affective base. Using these
skills, the infant is able to assert his own capacity to notice things, to pay
attention to the world, and to explore the distinction between being a
participant and an observer. He is able to think in a more creative and
flexible way, taking up a third position, which allows him to reflect on
the nature of his own and other people’s minds and the link between
them. Central to this is the curiosity with which the infant appears
to be investigating, not only the external world, but also the caretak
er’s “internal world”. In this way the infant perceives the caretaker’s
responses, emotions, reactions, and interests to be engaging stimuli in
their own right.
The infant learns through this type of exchange (via intrapsychic
mechanisms of projection, introjection, and projective identification and
sensory-motor action, etc.) that people are “psychological” beings—
that is, capable of sharing and communicating mental and affective
states with others. With experience the child begins to sense how covert
psychological states are communicated interpersonally. This allows the
transmission of mind between infant and caregiver and vice versa. The
infant also gradually learns that he can make a potent impact on these
mental states in others and, conversely, that others can have an effect
on his own emotions and feelings.
It is through such shared mental and affective states that the infant
gradually becomes aware of the opaque nature of others’ minds.
Moments of de-synchronized behaviour between the dyad set up
differences in the infant’s more familiar continuum of experience. By
noticing the unfamiliar, the infant begins to question what is true and
what is false. The infant can gradually puzzle about things that are not
shared with him, or aspects of the caregiver’s internal world that are
not available to him. As this capacity develops, the infant can begin to
interact with others in a way that allows teasing, tricking, and joking
and so on, where experience includes moments when “all is not what
it seems” (Reddy, 1991).
This developmental advance promotes a sense that “self” and
“other” are different and separate, each with a discrete internal
makeup or perspective. This allows the growth of flexible think
ing, including the ability to think triadically and to begin to look
now we are two, going on three 263
Both Cody and her mother became more expressive of their ambiva
lence towards one another. During this period the close physical contact
between mother and daughter began to change character. The contact
Cody made with her mother would usually begin by being very lov
ing and affectionate, but would soon become increasingly sadistic and
painful.
Cody picked up a photo of her mother. She pointed to it, saying,
“me”. Her mother corrected her, saying, “No, it’s Mummy”. Cody
came over and sat on her lap. She stroked her mother’s face with
one hand while the other reached inside her shirt and pinched her
breast. Her mother said, “So this is the ‘I’m going to be nice to you
while pinching your boob’; the ‘love-you-and-torture-you routine’.”
This increase in sadism appeared to stem both from Cody’s envy of her
mother and a dawning acknowledgement that her mother was not only
shared with others, but actively wished to be so. Cody’s father began
to be allowed a more potent presence within the triad. He became an
increasingly important figure for Cody to turn to when she felt tem
porarily hostile towards her mother. She also sought him out to seek
different perspectives and opinions. Triads seemed to be more easily
accepted, and the family spent more time together in close contact as
a threesome.
As time proceeded, Cody slowly began to tolerate observing her
parents being together. She started to sit and watch them in conversa
tion without interrupting or drawing attention to herself. In this way
she became increasingly able to take on the role of the excluded third
party. She also allowed her mother to talk freely to the observer while
playing quietly at their feet. The observer’s role also changed within the
family. His presence seemed to be enjoyed, and his departure was often
a source of upset for Cody. She symbolically kept the observer alive in
her mind during his absence by pretending to phone him up during the
week to say “hello” and thus maintain contact.
There was also a marked increase in the amount of time that the
family spent reflecting, observing, and thinking about each other in
creative and ingenious ways. For instance, when the family went on
holiday, they made up a family play about three foxes. One of the three
foxes would lose their way in a “dark fox den” and become separated.
The other two foxes would search and search for the missing fox until
they were all reunited. Each member of the family took it in turns to
take up the excluded third party position, and Cody’s parents were
now we are two, going on three 271
Conclusion
Triadic thinking is an invaluable skill that, once established, provides us
with an inner resource for living life with curiosity. It is a skill initially
associated with the painful acknowledgement of being on the outside
of a parental couple. However, once the child begins to accept the loss
of the imagined exclusive relationship with the primary carer, this skill
also offers compensation in the form of new and exciting ways of think
ing and observing the world. Equipped with these new perspectives,
the child can begin to think about the links between himself, his envi
ronment, and other minds. He can then be more proactive in expressing
his own potency, creativity, and capacity for abstract thought. Triadic
thinking thus marks a bittersweet developmental moment where pain
and loss act as a threshold opening onto the benefits of living in a tri
angular world.
Notes
I would like to thank Martin Stern, Cathy Urwin, Kate Barrows, and Sara Rance for
all their support, supervision, and encouragement regarding this paper.
1. For the purpose of clarity, the infant or child is here referred to as “he”.
CHAPTER SEVENTEEN
P
aulina is 2 years and 8 months of age when she, together with her
parents and her 5-year-old sister Sarah, enters the nursery that
her older sister Sarah has already been frequenting every day of
the working week for the past two years. Paulina has often come along
when Sarah was taken here in the mornings or picked up in the after
noons. But now the day has arrived when Paulina’s first proper stay at
the day care centre is to begin.
From the observational account written by Lisa Schwediauer (2007),
which covers Paulina’s first day at the centre, it can be divined that
two rooms exist at the nursery, where, at certain times of the day, the
younger and older children are separately attended to. The group of
the younger children, of which Paulina now also is a member, bears the
name “Higgledy-Piggledy”; the older children’s group, which Sarah
belongs to, is called “Circus Tent”.
Early in the morning, as Paulina and Sarah are brought to the nurs
ery, both group rooms are initially still being made available to all of the
children. As if it were the most natural thing in the world, Paulina runs
over to Sarah’s group room, the “Circus Tent”. Together with her sister,
Paulina clambers into a small wooden house that has been set up on
an elevated platform. A little while later she poses in front of a mirror,
274
young child observation used as a research tool 275
again together with her sister. Then she runs about the room and seeks
the proximity of her mother, Mrs K., who, together with her husband,
Mr K., is sitting in the cloakroom. When Mrs Schuster, the caregiver,
calls on all the younger children to come and join her in the “Higgledy-
Piggledy” group room, she turns to Paulina with a friendly smile:
“Well, Paulina, wouldn’t you like to come along with us—huh?!
Sarah’s coming along too, she already knows the way.” [Schwediauer,
2007, 1/61]
Indeed, Paulina and Sarah, along with the other children, run over
to the “Higgledy-Piggledy” group room. There they steer towards a
wooden house, which is similar to the small house that is situated in
the “Circus Tent” group room. When Paulina discovers, underneath
this house, a box containing wooden railroad tracks, she starts to link
the pieces of toy track, with Sarah’s help.
All of this seems to convey the impression to the caregiver, Mrs
Schuster, that Paulina may well be able to cope with a day’s stay at
the centre without her parents. When Paulina’s parents ask when
they could start leaving Paulina behind at the centre, Mrs Schuster
replies: “Well, ordinarily we don’t keep the children here alone on
their first day. Usually, during the first four days, parents stay here
and leave for an hour, max” (Schwediauer, 2007, 1/7). But, she adds
immediately, it’s different in Paulina’s case, as she is already familiar
with the nursery centre and, in any case, her sister Sarah is here too
(Schwediauer, 2007, 1/7). The parents take this to mean that it will
be all right for them to go away and leave their child at the nursery.
When first the father and a little later the mother say goodbye to
Paulina, the girl does indeed react neither with tears nor any other
outward displays of distress. This appears to confirm Mrs Schuster’s
assumption that Paulina will not need her parents’ presence in order
to feel comfortable at the nursery.
Some days later, when the observational account is being dis
cussed at the seminar, the impression prevails that Paulina must have
been more strongly affected by her parents’ departure than initially
appeared to be the case. An indication of this may be gleaned from
the following: (1) Paulina runs away from her mother when Mrs K.
announces her imminent departure. This would appear to suggest that
Paulina is actively attempting to obviate the painful experience of the
impending abandonment by placing not herself, but her mother, into
the position of being the one who is abruptly left behind. The group
further noticed (2) that, after her parents’ departure, Paulina occupies
276 wilfried datler et al.
But then Paulina hesitates, as though she is not quite sure whether she
wants to greet her mother with such undiluted joy. She stops in mid-
step, turns around, and lies down on the floor, keeping her gaze fixed
on Mrs Schuster, the caregiver, giving her to understand that she first
wants to finish the puzzle she has started before going along with her
mother.
As the seminar group discuss these reactions of Paulina’s, they are
reminded of descriptions of insecure–ambivalently attached children.
The assumption arises that Paulina has to struggle more strongly with
painful emotions than either Mrs Schuster or the parents were initially
able to imagine. At the same time, the group begin to wonder how
Paulina’s process of transition from home-care to out-of-home day care
might continue to develop in conjunction with the relational experi
ences that Paulina will encounter at the nursery over the subsequent
weeks and months.
» T1: within the first two weeks of a toddler being left in the nursery
without the parent’s presence;
» T2: about two months later (or about 11 weeks after admission to the
nursery);
» T3: about another two months later (or about 20 weeks after admis
sion to the day care centre).
278 wilfried datler et al.
Figure 17.1 Time schedule, taking as an example the year 2007, after data
were being collected of 104 children who began attending the nursery in
2007, 2008, and 2009.
The date when—about two to four weeks before the children entered
the nursery—some data regarding the families of the children were
collected has been denoted as T0. Two further time-points, when addi
tional data were collected after the first 20 weeks, were marked by the
project team as T4.1 (six months after entry to nursery) and T4.2 (twelve
months after entry to nursery) (Figure 17.1).
The general quality features of the day care centres were being
surveyed during the first two months of this project with the use
of the German version of the “Infant/Toddler Environment Rating
Scale (ITERS)” (Harms, Cryer, & Clifford, 1990; Tietze, Bolz, Grenner,
Schlecht, & Wellner, 2005). Beyond that, 11 of the 104 children were
being observed, according to the Young Child Observation method,
an average of once a week during the first six to eight months in the
nursery.
Why and in which way we used Young Child Observation as a
research tool may be gleaned from the following overview. For this
purpose, we shall first dwell on videography as used in the research
project, in order to attain a kind of comparative framework, as a back
ground against which we may subsequently elucidate the particular
strong point and benefit of working with Young Child Observation.
In so doing, we shall repeatedly refer back to Paulina, whose first
day at the nursery we reported on at the outset and who is one of
the 11 children observed according to the Young Child Observation
method.
young child observation used as a research tool 279
» a positive mood;
» a negative mood;
» explorative/investigative interest;
» dynamic interaction with caregivers;
» dynamic interaction with peers.
Summing up the scores that were allocated to each of these five vari
ables at time points T1, T2, and T3 and computing the average scores
resulting from them for each time-point, it is then possible to convert
the data thus arrived at into a graphic representation that reflects a
certain image of each child’s transitional process.
Accordingly, the image that emerges, in this way, of Paulina’s tran
sition process (see Figure 17.2) suggests that in two areas Paulina’s
behaviour has barely changed at all from time point T1 onwards: the
girl’s behaviour expresses virtually no negative emotions at all, while
positive feelings are expressed only in a very mild form. Dynamic
interactions with other children, on the other hand, were waning con
tinually, while the dynamic interactions with the caregivers were on the
increase between T1 and T3.
In order to ascertain whether significant changes could be deter
mined within the transitional processes of the 104 children, all the
280 wilfried datler et al.
Figure 17.2 The scores of the ratings for the video recordings of Paulina
(Datler, Funder, Hover-Reisner, Fürstaller & Ereky-Stevens, 2012, p. 70).
1,560 scores taken of the children at time points T1, T2, and T3 were
fed into a mathematical model to determine statistically significant
results regarding the changes between all these data (Datler, Ereky-
Stevens, et al., 2012). This led, among other things, to the following
assertions:
ships between these results and other data can be analysed, making it
possible to find more answers to the central research questions of the
project.
Nevertheless, the research team would not be satisfied if, during the
current research project, only results of this statistical nature were to be
obtained. When it comes to the study of transitional processes, the team
is interested in a particularly intense way in finding an answer to the
question regarding the relationship experiences that children encounter
in these transitional processes and, beyond that, how these relation
ship processes impact on the inner worlds of children and hence on
the success or failure of these transitional processes. Finding answers
to questions of this kind will, however, fail as long as one’s methodol
ogy remains confined to the rating of video recordings, as outlined
above, and to the statistical analyses of data found in this manner (cf.
Shpancer, 2006).
» In the first group are papers that have, since 1997, carried on a debate
on the fundamental principles relating to the ways in which the spe
cific insights gained by the use of the observation method based on
the Tavistock model may be relevant to the ongoing development
of theoretical frameworks, and hence also to the pursuit of research
interests (Elfer, 2010; Lazar, 2000; M. J. Rustin, 1997, 1999, 2002, 2006,
2011a, 2011b; Trunkenpolz, Funder, & Hover-Reisner, 2010).
» The second group covers those papers reporting on the ways in
which observation according to the Tavistock model has already
282 wilfried datler et al.
Phase 1:
Clarifying the research project
Once it had been determined why, alongside videographic and other
research tools, the Young Child Observation method should be used,
we set about, with the help of the heads of the nurseries with which we
cooperated, engaging the support of eight parents who gave us permis
sion to observe their children. Subsequent to that, experienced students
who were majoring in education were invited to apply for the positions
of observers.4 On the basis of trial accounts of observation, which the
applicants were required to conduct, we selected eight students, who
were obliged:
The eight students were split into two groups of four. It was determined
that one group would meet weekly with Margit Datler, the other with
Wilfried Datler, to discuss the students’ observation accounts within the
framework of the Young Child Observation seminar. Also participat
young child observation used as a research tool 283
PHASE 2:
Observation as it is practised within the context of training and
continuing education
In the second phase of the research process, Young Child Observa
tion was carried out in the manner already familiar from the contexts
of initial training and the continuing training for expanded or added
competence. Accordingly, the process was characterized by the follow
ing five recurring steps:
» How may the observed child have felt during the individual
sequences of the observation hour; and how may the child have
experienced himself (or herself) and his (or her) environment?
» How, against this background, may it be understood that the
observed child did behave, in each case, in the manner described?
» What were his (her) experiences in those situations?
» What influence could those experiences, in turn, have had on his
(her) emotions?
PHASE 3:
Further processing of the material
Phase 3 docks on to results of the second phase, while taking it yet one
step further, with the intention of generating answers to the research
question, which would need to be adjusted in the course of undertaking
the single-case studies. To ensure that deeply ingrained thought and
interpretation patterns were not, unthinkingly, allowed to come to the
fore, and so that the circle of people who dealt critically with the obser
vation accounts might be enlarged, the “observation groups” that had
been set up for Phase 2 of the process had to be disbanded. Their place
was taken by newly named “research groups”, whose task consisted of
turning their attention, under the supervision of a seminar lecturer, but
also without such tutelage, once again to specific individual accounts.
young child observation used as a research tool 287
During the first year of our research project, “research groups” were
formed, consisting of two members each from one “observation group”
from Phase 2 with two members from the other “observation group”.
This mingling of the two groups was intended to ensure that, in each
case, two members of the “research group” were already familiar with
the accounts that were to be discussed, while the other two members
were new both to the material and to the results of the previous group’s
work. The “observation group” of the second project year became a
“research group” by dint of the fact that a new seminar leader who
was entirely unacquainted with the material that some members of the
former “observation group” had heretofore ploughed through came to
be in charge of the sessions.
to bundle and augment the results of the discussions and had started
writing up their final research reports, which were to be completed in
the shape of diploma theses. The individual chapters of these reports
were regularly discussed within the research groups as well as with two
members of the research team and, beyond that, also, in excerpt form,
within a research seminar.
Paulina lowers her gaze and seems to feel no inclination to enter the
room of the younger children and thus to part from her sister Sarah. But
290 wilfried datler et al.
When Mrs K., after some hesitation, decides to leave the nursery for the
time being, Paulina’s roar changes gear to a low whimper (Schwedi
auer, 2007, 8/5). A short while later, Paulina is even able to sit with Mrs
Schuster and look at a picture book together with her. And when Mrs
Schuster starts up a conversation with an assistant, Paulina disengages
herself from the caregiver and occupies herself by sticking cutout
shapes and wooden rods into the appropriate openings of two wooden
puzzle boards. In so doing, however, she seems to be preoccupied with
the desire to bring together separated parts that belong together. As
she continues playing, her power and energy appear, repeatedly, to be
leaving her entirely. During these episodes her gaze becomes empty,
showing signs of tiredness, and she keeps running towards the door
through which her mother left the group room and through which one
has to go if one wants to get to Sarah’s group room, the “Circus Tent”
(Schwediauer, 2007, 8/5).
But even while she engages in the intake of food, Paulina displays
hardly any signs of vitality. Nor does she get noticeably livened up
when casting a glance at the play corner, where at this very moment
some turbulent game is underway. On the contrary, it is only after some
while that Paulina bestirs herself to put away her dishes and move
towards a door that leads to the “Higgledy-Piggledy” group room,
via the cloakroom, from where she can attempt to get to Sarah’s group
room, the “Circus Tent”. One part of this door is ajar, the other part is
closed.
Paulina leans with her right shoulder against this, now closed, part
of the door. She looks inside the cloak room. Suddenly she raises her
upper body and I hear Paulina breathing audibly. It sounds like a
deep sigh. [Schwediauer, 2008a, 21/5]
Thus Paulina stands, until a sneeze obliges her to get a paper tissue,
after which she returns to the door again, lingering a while, and begins
to walk around the room. She approaches a small wooden house, which
stands on a shelf:
Paulina now spends a few minutes standing before the shelf and
touching the walls of the cottage. While she is so engaged, her gaze,
from time to time, sweeps across the room. After a while, Paulina
turns and looks around. Slowly, she takes a few steps forward. Look
ing about herself, Paulina now shuffles aimlessly through the group
space for a while. [Schwediauer, 2008a, 21/7]
If one follows the observer’s analysis, all of this indicates that Paulina’s
settling-in process cannot be regarded as having been a success. And
with reference to relevant publications, it may be noted that the pres
ence of sibling children would ostensibly appear to be useful only
under certain conditions, but is not generally conducive to the tran
sitional process of young children (cf. Kercher & Höhn, 2006; Merker,
1998; Peterson, 1995; Schwediauer, 2009, p. 141ff.).
» The fact that Paulina did not succeed in establishing a viable contact
with her peers corresponds to the fact that, according to Figure 17.2,
the values representing the dynamic social interaction with one’s
peers keep dropping. The simultaneous rise of values that reflect
the duration and intensity of the dynamic social exchanges with the
teachers corresponds to Schwediauer’s note (2008b, p. 34), accord
ing to which proximity to Mrs Schuster and the other adults at the
nursery was becoming increasingly more important to Paulina.
» However, Schwediauer (2008b, p. 34) points out that these same
adults also often do not seem to understand Paulina’s desire for
closeness and togetherness, and therefore also often fail to meet this
demand of hers. Seen against this background, it is not surprising
that the values for showing positive feelings remain low from the
beginning. The fact that the values for utterances of negative affect
also scored at unbeatably low levels coincides with the fact that over
long stretches of time Paulina behaved in the manner of a “silent suf
fering child” (Grossmann, 2011; Fürstaller, Funder, & Datler, 2011).
From these comments, once again, it can be gleaned that we, the par
ticipants in this research project, have gained deep insights into the
dynamics of transitional processes, especially through the discussion
of the Young Child Observation accounts and the related single-case
studies. This prompted us also, even while the research project was still
running, to get in touch with Viennese day care centres, in an effort to
develop well-founded concepts for the implementation of transition
processes, where those deep emotions are taken into account that are
experienced in these transitional phases not only by the children, but
also by the parents and caregivers. In the process, we employed—
among other tools—Work Discussion, another application of observa
tion according to the Tavistock model (Klauber, 1999; M. E. Rustin &
Bradley, 2008). But that, as the saying goes, is another story, which has
to be reported on elsewhere (cf. M. Datler, Datler, Fürstaller, & Funder,
2011; Fürstaller, Funder, & Datler, 2012).
Notes
This paper is based on the research project “Toddlers’ Adjustment to Out-of-
Home Care”, financed by the Austrian Science Fund (FWF) and run by Wilfried
Datler (Department of Education/Research Unit “Psychoanalysis in Education”)
in cooperation with Lieselotte Ahnert (Department of Developmental Psychology)
at the University of Vienna. Members of the research team are Nina Hover-Reisner
294 wilfried datler et al.
F
or many people, the word “nursery” may be understood as
meaning “nursery school”, an educational provision for 3- and
4-year-olds. However, in the United Kingdom, in much of West
ern Europe (but with the particular exception of Scandinavia), and in
North America different kinds of nurseries have developed historically
for different reasons, with different access criteria, different staffing,
and different ways of working. This range of nurseries has included
nursery schools for 3- and 4-year-olds, primarily focused on early learn
ing, day nurseries for children from before their first birthday to statu
tory school age focused on family support, and nurseries for children
whose parents are in full-time employment. In the last 30 years, these
different kinds of nursery have increasingly been subject to policies of
integration into combined nurseries offering all three functions: early
education, family support, and child care for working parents. These
nurseries take children from at least 6 months, if not earlier, for the
equivalent of adults’ full-time working hours and often a little more,
to allow for parents’ travel to and from work.
Questions have persistently been asked in the United Kingdom
and in North America about whether such nursery provision for very
young children may be detrimental to long-term development. It is
295
296 peter elfer
The observations
Observations of Sian (29 m)
Sian’s nursery
The observations took place in an early years centre setting that
has been open for only two years. The centre is multi-purpose, offer
ing nursery education for 3- and 4-year-olds and day care for working
parents of children aged 1–4, from 8 am to 6 pm.
Three observations were made of Sian, each lasting one hour. Sian is
in a room for children aged 24–36 months. She attends the nursery on
the middle three days of the week, from 8.30 am to 6 pm. Sian’s “key
person” is Dana. In the United Kingdom, this term is used to denote
a member of staff who has particular responsibility for a small group
of children and whose job is to form a settled attached relationship
with the child and family (DoE, 2012). However, the role is interpreted
differently in different nurseries, with some seeing it primarily as an
administrative and liaison role. In Sian’s nursery, there does not appear
to be a developed understanding of the term.
Documentation described the role simply as to:
. . . . build up a particularly close relationship with the parents and
your key children. The parents should know who you are and be
encouraged to discuss any information or concerns with you when
ever possible. Remember, it does not mean that you only ever deal
300 peter elfer
with your key children; and you should not let your key children get
attached to you to the extent that they will not go to anybody else.
However, staff interviews revealed the complexity of managing these
close relationships, with evidence of considerable anxiety about the
demands of children who had become attached:
Marjory spoke of her struggle with Jenny, who is just 2, and explains
to another member of staff how Jenny was fine first thing, but by ten
o’clock had become very tearful. “I couldn’t take her to the toilet,
and I explained that I couldn’t take her, but she was having none of
it—I’ve been really bullied by her, but I do need to put some distance
between us.”
In contrast to very detailed and sophisticated planning for learning,
staff seem to manage their emotional engagements with individual
children in their own way guided only by the importance of being
seen to treat all children equally and not to let children get “too
attached”.
Observation of Sian
(The names of nursery staff are in italics.)
From the beginning of observing, the staff emphasis on taking a
group approach was evident:
Dana begins to gather the children together, ready for a story. The
children appear to know the routine well and gather in one part of
the room sitting on chairs by the book box. Rosie and Roger sit next
to each other, jostling and laughing and tickling each other. Sian sits
next to them but not joining in, more calmly waiting.
Dana sits down in front of the assembled group of four children with
a bag of objects. From the bag she takes objects one by one, holding
them up to the children and saying their names: clock, fish, biscuit,
cat, mummy bear, and William baby bear. The children are invited
to take these “props”, and she asks who would like the mummy
bear. Roger shouts very quickly “Me!” and Rosie does the same
with the clock. Sian is quieter and asks if she can have the mummy
bear, which she is given, and she holds on her lap cuddling before
placing it on the empty chair next to her. As Dana reads the story,
characters or objects are named, and the children hold these up as
they are named.
young children’s relationships with staff and peers in nursery 301
has to wait is gentle and kindly, but it is also very firm—the rules
of turn-taking must be followed.
Sian’s response here raises the question of how children manage the
demands of having to share their “key-person”, in this case Dana, with
many other children.
After the welcome group, the children dispersed in the nursery
room, and Sian found a torch that did not seem to be working prop
erly. She brought it first to a member of staff and then to me to elicit
help before turning to play with an electric drill, using it first as a hair
dryer and then as a drill. She seemed adept at using the adults around
her, even me, with whom she had no relationship, for assistance, even
though Dana is available to her.
Once again, Dana brought the children together as a group:
Now Sian leaves the play house in the home corner, carrying her
doll and saying lots of goodbyes to the children left behind “Good
bye, goodbye, I love you, I love you”, and the adults suddenly seem
to notice this and applaud her: “Oh that’s nice—bless!” Sian brings
the doll right across the room and, noticing me sitting on the edge
young children’s relationships with staff and peers in nursery 303
Observation of Daisey
(The names of nursery staff are in italics.)
Daisey has fair hair, sometimes tied in a bunch to one side of her
head. She is of average height and build and has a round, open face.
My first impressions were of a very feisty personality, confident in the
nursery and rather oppositional. For example, in a recent observation
of another child, before Daisey’s observations started, I was distracted
by her sweeping, with considerable determination, all the dressing-
young children’s relationships with staff and peers in nursery 305
up clothes off a table top and onto the floor. She was very resistant to
day-care workers’ attempts to make her pick the clothes up and put
them back on the table.
In the first observation (mid-afternoon), Daisey seemed confident
and at home in the room, which was quiet compared to the crowded
morning session. After briefly playing in the sandpit, Daisey moved
quickly to the adjoining room, but Meera stood in the doorway and
Daisey could not get through—she was determined and persistent in
pushing Meera out of the way. It did not seem aggressive, but she was
clearly very intent on what she wanted.
Here, Daisey played with connecting large plastic bricks, before
“connecting herself” to Meera again:
she pushes the bricks together in a determined, almost impatient
way, seeming anxious to make them connect. . . . Then she returns
to playing in the room, making lots of large whole-body move
ments in the room—swinging her arms while bending and lifting
her body, running across the whole length of the room, walking
backwards—all as if exploring what she can do with her whole
body. She backs herself onto Meera’s lap, who is sitting on the floor,
and in that moment, watching her smiling and held by Meera, I had
a strong sense of how safe and secure she seemed in this room with
the confidence to drop down onto Meera’s lap, secure that she would
receive a welcome there.
But then she did the same “backing up” movement towards another
worker, who was reading a book to Ellen. Ellen gave Daisey a little push
away but was gently told off by Sana. Ellen complied, but then Daisey
snatched the soft squeezy ball that Ellen was holding and was told by
Sana not to snatch.
However, Daisey ran away with the ball, smiling and determined,
to Meera. Sana told Meera that she must make Daisey give the ball back
to Ellen because she needs to learn to ask and not to snatch. But Meera
was very vague, and Sana seemed to give up. Then she tried again, but
Daisey clung to the ball tightly. Sana persisted and eventually managed
to get Daisey to return the ball to Ellen, telling Daisey to ask for the
ball. Ellen, having just received the ball back, then offered it to Daisey.
Meera then prepared to take Daisey and another child to the base
ment area to play. Some children were wildly scooting scooters the full
length of this basement, but Daisey was more focused on details. She
sat on a bike that had a basket fixed by two plastic clips, one broken, to
the handlebars. Daisey examined the broken clip with great intensity.
306 peter elfer
She pressed the basket to the handlebar repeatedly but seemed to real
ize that however hard she pressed, it would not magically “reconnect”.
Pulling the basket away from the handlebar, as if to emphasize the
lack of connection, with vigour and determination, almost outrage, the
second clip snapped and she looked even more outraged, holding the
basket aloft. The Manager squatted beside her, telling Daisey that they
would try and mend it. This seemed to draw a line for Daisey, and she
pedalled away, looking confident and happy.
As Daisey pedalled by, she noticed a small jigsaw piece on the
ground. She stopped immediately, with a look of outrage to see some
thing out of place. Picking it up, she showed me again, as if to empha
size how outrageous it is that this toy should be out of its proper place.
She rushed off to take the piece indoors, presumably to put it in a
“proper place”.
I wondered if this concern about “things being in their rightful
place or properly connected” might represent her sense of displacement
from Meera’s care by the baby Violet. Yet much of the observation also
records her smiling, energetic, and engaged with activities.
* * *
In the second observation, Daisey had just been woken by Meera from
her afternoon nap. She seemed to be able to get into playing straight
away with bold confidence and no need to acclimatize or adjust to
being awake. She had a large tangle of beads to play with and began to
sort these out, spreading them flat on a table in a big circular shape. As
she played, another child took the remaining bundle of beads. Daisey
snatched them back, and they struggled for a moment, but Daisey was
bigger, stronger, and more determined, and as she retrieved them, the
other child bursts into tears, radiating rage and frustration. She contin
ued to play, apparently quite unperturbed, but the child took the beads
again, holding them more firmly. Daisey reached to snatch them back,
but Tina intervened, allowing each child to keep one bundle of beads
and offering Daisey two plastic wrist bangles instead. Daisey was not
interested in these and turned away.
She walks away from the table where she was playing and past me,
but there is no sign of anger . . . She looks composed and relaxed and
asks, “Where’s Meera? She finds Meera feeding Violet and rushes
to get the baby’s bottle. The baby is on Meera’s lap, and Daisey
sits watching Meera feed her and holding the bottle in readiness.
As soon as Meera has finished, she offers the bottle to Meera, and
young children’s relationships with staff and peers in nursery 307
Meera in turn gives her the finished bowl for Daisey to put on the
counter. In this interaction she seems very grown-up and like a “big
sister”, helping out. Daisey puts the bowl on the counter and returns
immediately, just in time for Meera to give her a bundle of tissue that
she has used to wipe Violet’s face and mouth. Again Daisey seems
pleased and enthusiastic to be in the helper role and rushes away
with the bundle of tissue, holding it a little bit by one edge, towards
the bin. Passing by me, she thrusts the tissue towards my face to
show me, with a triumphant look, announcing “Tissue!” Then she
pops it into the swing bin and runs straight back. She sits right by
Meera, who is still holding the baby between her legs.
Daisey sat quietly close to Meera, sucking on the biscuit and watching
all the activities in the room. Then she was on the go again, touring the
room, sometimes making a soldierly marching walk round the perim
eter of the room, smiling and exuberant. She played for the next 20
minutes, sometimes with another child, following each other in circles,
climbing on a chair, intermittently being told by various day care work
ers not to climb but always resuming. Once she asked me “Where’s
Meera?” who had briefly left the room, and climbed again on the table to
turn the lighting dimmer switch up and down. The staff, with a mixture
of humour and exasperation, call on Meera to tell Daisey not to climb.
Meera does respond, but she tends to be very quietly spoken and rather
indistinct in her English, which is not her first language, and so she
seemed to lack authority. Eventually, a member of staff gently guides
Daisey away—“How many more times do I have to tell you”—and,
carrying her to Meera, impatiently instructs Meera “Tell Daisey she is
not allowed to climb on the tables.” Meera seems still preoccupied with
Violet, and Daisey occupies herself once more, suddenly deciding to
bring me a plastic beaker.
For Daisey, “working” alongside Meera to care for baby Violet may
be a comfort in the face of feeling rather displaced by Meera’s preoc
cupation with Violet. However, there remains the difficult painful side
of this experience for Daisey. Does she partly conceals this in her “care”
of me as the observer but also reveal it in what she “projects” into her
adopted caring role? She holds the tissue that Meera has given her at
arm’s length and by the edge, like something unpleasant that she does
not want to allow coming too near her. The command to me—“drink,
drink”—also has the character of something much more imposed than
offered, perhaps reflecting an experience imposed on her too. Finally,
she climbs back and forth on the table, also reminding us that her
308 peter elfer
adopted “responsible” caring role is only partial and that the rebellious,
demanding Daisey is still present too.
* * *
In the third observation, it seemed Daisey was getting more familiar
with my presence, but she also seemed to show more dependence on
Meera. A day care worker called her attention to my arrival, and she
greeted me warmly, scooting her feet backwards and forwards under
the table, but also immediately asking where was Meera. When Meera
did re-enter the room, she seemed again rather absorbed with the
new baby she had been contracted to care for. Other day care workers
interacted with Daisey, but she became very upset or angry at their
attentions:
Marina goes to help Daisey wash her hands, but Daisey protests
loudly, pointing to Meera, who does come across to help her. Soon
Daisey is angry again, crying loudly and tearfully. She is red-faced
with her distress, and I don’t think I’ve ever seen her quite like this
before. The Manager comforts her, and I see that the chair where
Daisey was sitting has been taken by another child. The Manager
gently explains to the child, but Daisey again becomes upset, this
time it seems because Jennifer is comforting her rather than Meera.
Once back with Meera, Daisey becomes more settled . . .
A little later, Meera’s presence again seems important in maintaining
Daisey’s emotional equilibrium. Having been “washing dishes” with
the Manager, Meera helped her take off her plastic apron, and Daisey
stood, pulling out her t-shirt to show the Manager, I think proud of
having managed to keep it dry.
When the Manager tried to involve Daisey in another activity, she
would not cooperate, sitting instead on the floor with a garage and
cars with two other children. Suddenly, using a car, she swiped at one
of the children and lifted her arm ready for another hit before a staff
member intervened: “Gently, Daisey.” But when the Manager departed
to call a separate group of children together to sing a song, Daisey was
desperate to join in:
Daisey seems to love the singing and follows the exaggerated
movements of the adults as they work through the nursery rhyme
but also moving her body with a kind of exuberant excitement as
she intently watches the Manager’s expression of words and move
ments. The staff seem to sit near “their children”, and when the
nursery rhyme calls for the children to be tickled, it is their children
young children’s relationships with staff and peers in nursery 309
that they are tickling. Daisey does not have Meera with her, and at
one point calls to her as she goes by, but Meera does not respond.
Daisey does respond to the Manager’s invitation to her to join
in, smiling and miming the song’s actions, but suddenly her face
becomes solemn again and she asks Tina, “where’s Meera”? Tina
smiles back but does not respond.
Discussion
What did the staff do to facilitate children’s close interactions
with others?
In Sian’s nursery, staff maintain a highly organized environment with a
detailed daily timetable and close attention to adhering to it, so that the
children live in a very ordered and regulated world. Staff interactions
took place mainly with the children as a group, with separate time for
the children to play individually, then having only generalized staff
oversight. Staff convened groups very carefully and in the observations
of Sian, Dana, the room leader, showed how as she led each group, she
managed also to give individual attention to the children. This was
illustrated, for example, in the first observation, when she sensitively
and skilfully enabled a late -arriving child to join the “welcome” group
first thing in the morning and used an activity that addressed each of
the children in the group as individuals. The pink “Barbie” sheet, much
prized by the children, again showed her sensitivity and responsive
ness to their need to feel individually special. Finally, Dana had given
her own teddy, “Brian”, to Sian, which may have helped Sian feel spe
cial and individually held in Dana’s mind.
On the other hand, there appeared to be little institutional thinking
or action to support children’s attachments as a collective task of the
nursery. The Head said she was uncertain of the meaning of the “key-
person” system, although there are clear references in the nursery docu
mentation to its function (see “Sian’s nursery” above). The prescription
not to allow children to get attached to you to the extent that they will not go
to anybody else seemed rather limited and not very helpful in the absence
of any opportunity to reflect on children’s individual nursery attach
ments and when these may have become too demanding or restrictive.
This nursery has a high reputation for its sophisticated planning to
support children’s explorations and thinking. So it is something of a
surprise that so little attention is given to planning for emotion and
attachment in particular.
310 peter elfer
The question at the heart of this chapter is the debate about children’s
close interactions in nursery and whether attachment interactions with
nursery staff may undermine young children’s opportunities at nursery
to make close interactions with peers in friendships and groups. Catty
(2009), in a home-based observation of Henry from birth to 18 months,
showed the highly sensitive and subtle support provided to Henry by
his parents to enable him to make the gradual progression towards
increasing agency and independence. For young children, such agency
will be expressed in play and exploration alone, as well as with com
panions in emergent friendships and group relations. These three stud
ies together, by contrasting home and nursery contexts, suggests how
much more work there is to do to provide the conditions and support
in nursery so that crude or simplistic choices between adult interactions
or peer interactions can be replaced by more sophisticated understand
ings of the emotionally complex task that nursery staff face if they are
to enable children’s development in both these forms of interaction.
When Alison first started, she’d come in and she would just give
me the most appalling looks, and I said Kim, Alison doesn’t like
me, and Kim’s like don’t take it personally, and I said, no, I never
would, I couldn’t afford to in this. But as soon as Kim come on duty,
Alison would be, oh Kim, and her whole face would light up, and
I’d be, oh god, Alison doesn’t love me, and we’d have this laugh
between us all.
This rejection by Alison was laughed off by the room leader, but it
was easy to imagine the deeper painful feelings that may be evoked
for some staff and the conflicts between staff this may give rise to. In
the absence of some professional forum where such feelings could be
discussed and understood, a socially defensive response of the nursery,
for example to establish a procedure prohibiting attachments, seemed
more likely.
By contrast, staff in Daisey’s nursery reported much less conflict or
stress. Their accounts of their work experience were filled with anec
dotes characterized by the pleasure of deep personal engagement with
children, affection, pride, satisfaction, and amusement. They had often
looked after a child for several years, knew the family intimately, and
maintained contact with many families long after the children had left
the nursery. Yet this did not always mean that interactions were more
responsive in Daisey’s nursery than in Sian’s, as is evident from the
observation material. Clear questions are raised about the risks, as well
as the benefits, of nursery systems that prioritize such attachments. Can
Meera’s apparent disconnection from Daisey be seen as a defence, per
haps against painful emotions from her own difficult childhood? Could
systems of supervision or work discussion be effective in enabling her
to strike a more balanced approach in the division of her attention
between Daisey and Violet?
rooms, talking to children and staff and advising staff and modelling
interactions for them. This person also ran a weekly work discussion
group for staff to help them think about their interactions with children.
Here, the term “work discussion” has a special meaning beyond its
obvious literal one to mean a process of reflection on work experience
taking account also of emotions evoked in nursery staff by their work
and how these emotions influence their work with children. An evalu
ation of Work Discussion groups in nursery is given elsewhere (Elfer,
2012).
children are around 4 (Dunn, 2004, p. 13). Nor was there any evidence
of the “emotions of relating (of affection and mistrust, pride and
shame)” that Trevarthen (2005) has noted influencing the purposes and
interests of infants who are conscious of being noticed by others (p. 84).
Conclusion
An observation methodology to elicit young children’s thoughts
and feelings
There is a strong expectation in the early childhood literature, under
pinned by the United Nations Convention on the Rights of the Child,
that development in early years policy and practice should take account
of children’s views and feelings. Much work has been done to seek
the views of children over the age of 3 (see, e.g., Clark & Moss, 2001).
However, little work has been done to elicit the perspectives of children
under the age of 3 about their experience of nursery and how their
feelings may inform debate and development in nursery policy, for
example the interplay of interactions with nursery staff and interactions
with other children.
I have sought to show elsewhere (Elfer, 2011) the important con
tribution narrative methods of observation based on the Tavistock
method may have to make here. Earlier work used the observation
method in relation to two children in their second year (Graham aged
16 months and Henry 12 months when the observations started), both
attending nursery. The observations showed the interplay of interac
tion with nursery staff and interaction with peers, both important and
interdependent sets of interactions. This chapter, also using the same
method, has sought to examine this interplay in relation to two children
at nursery in their third year.
The data show in particular the potential of this observation meth
odology to give voice and meaning to the possible ideas and emotional
experience of these two children in different nursery settings. This
would not be accessible in the same way through other observation
methodologies, just as data produced by those methodologies would
not be available in this method, underpinned as it is by psychoanalytic
conceptions.
when with Dana and protest when she must share Dana’s attention
with a group. However, attachment is not seen as a priority in Sian’s
nursery, and there is little evidence of thinking about how attachments
may be nurtured and used to support children’s other interactions in
the nursery, with peers and in playful exploration. Sian did not show
much interest in peer interactions, either with friends or in groups,
although she did seem very interested in group processes and that
children were conforming to nursery rules.
For Daisey, the data showed the strong attachment she had made to
Meera, her allocated worker in a nursery that prioritized attachments.
However, the data also show how painful it was for Daisey when
Meera then became preoccupied with another, much younger child,
and Meera was then much less responsive to Daisey’s continued need
for individual attention. Nevertheless, Daisey was resilient and was
able to manage with the attention of other adults in the nursery (the
Manager, other staff, and me as the observer). In her peer interactions,
Daisey seemed aggressive, perhaps expressing her anger that Meera
was so preoccupied with another child. The emphasis on individual
attachments in this nursery raises a number of questions. Might Daisey
have been better off with a member of staff more able to hold all her
“attachment” children in mind, rather than becoming absorbed with
one? Might Daisey have had more positive interactions with peers?
How might these interactions with peers have been enabled or under
mined by Daisey’s attachment to Meera?
Y
oung Child Observation as defined in these pages is, in the
first instance, a method of study and a form of learning. It has
developed at the Tavistock Clinic over the last decades, as part
of a course that is now the Post Graduate Diploma and MA in Psycho
analytic Observational Studies. In this programme a single year’s
weekly observation of a child aged between 2 and 5 has taken place in
the second year of the course, normally in parallel with the second year
of a two-year Infant Observation, which has always been the central
component of this course. In the version of this programme that was
adopted in Italy for some years, and from which several contributions
to this book arise, Young Child Observation took place (like Infant
Observation) over two years, not a single year. This allowed for the
observation of more extended development in young children, adding
further possibilities for learning over this longer period.
Psychoanalytically informed observation is at the centre at the
Tavistock not only of the procedures of Infant Observation and Young
Child Observation, but also of Work Discussion (the subject of a recent
volume parallel to this one: M. E. Rustin & Bradley, 2008), and of Insti
tutional Observation, about which a further book is in preparation.
Central to this method is that students are expected to observe in the
321
322 michael rustin
case or not. Thus, where the primary object of study of Infant Observa
tion might be said to be the mother–infant couple, the primary object
of study of Young Child Observation is, rather, the young child him or
herself, their emerging separate personality, and the anxieties that may
accompany this development.
group care model work well—but also that where a child is assigned
and attached to an individual carer, the arrival of a younger child with
its own needs of the carer can lead to some problems of sharing. Well-
conducted case studies, just as in the clinical tradition of psychoanalysis
itself, allow for the subtle exploration of complex systems in a way that
no other kind of research can do.
Both the Viennese study and Elfer’s work demonstrate the potential
value of Young Child Observation as a method of research. Its distinc
tive virtue is that it makes the experience of the child the primary meas
ure of the quality of the institutions that care for them and provides
a powerful means of ascertaining what that experience is. This book
demonstrates the scope and need for a much broader use of Young
Child Observation, in training and in other ways.
Notes
1. According to the regulations of the Association of Child Psychotherapists in
the United Kingdom.
2. On the idea of clinical facts, see the special issue (Vol. 75, 1994) of the Inter
national Journal of Psychoanalysis edited by David Tuckett.
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351
352 index
triadic thinking, 257 weaning, 14, 35, 81, 105, 267, 271
capacity for, and Oedipus complex, Katrina (observation), 34–35, 40
263–267 and turning towards father as “ideal
link with development, 259–273 container”, 62
linking and acting, and dyadic Weizsaecker, E., 294
interactions, 260–263 Wellner, B., 278
in observer, 271–272 Whisky, 241, 242
triangular dynamics, 60, 259 whole objects, recognition of, 263
triangular mental space, 264, 265 Williams, M. H., 60, 62, 104, 221, 225
triangular relationship(s), 259, 263, 323 Wininger, M., 294
triangular space: Winnicott, D. W., 33, 81, 250, 323
oedipal, 265 mother, relationship to,
and third object, 264 internalization of, 241
triangulation, 264 “no such thing as a baby”, 330
development of, 257 play, patterns of, 241
Tronick, E. Z., 260 playing, role of, 251
Trunkenpolz, K., 281, 282, 294 primary maternal preoccupation, 124
Tustin, F., 13, 59 transitional object(s), 241, 249, 327
abandonment of, 250, 253
unconscious mental life, 326 transitional phenomena, 249
Undheim, A. M., 297 Wittenberg, I., xiii, xxii, 25, 29–41, 332
United Nations Convention on the Work Discussion, 212, 293, 314, 321, 331
Rights of the Child, 317 role of, in nursery work, 318–319
Urwin, C., 112, 263, 273, 282, 332 Work Discussion Seminar, 212
Vandemuelebroecke, L., 102 Yeo, B., xxii, 163, 167–178
Verdelli, F., 79 Yim, H., 296
videotapes/video recordings/ Young Child Observation (passim), 2
videography, 6, 279, 281, 288, vs. Infant Observation, 1
289 methodology, 258
rating of, data from, 292 object of study of, 324–331
used in the research project, 278 place of, in Tavistock Training, 59–60
Volterra, V., 261 as research tool, 274–294
structure of, 321
Waddell, M., ix, 84, 167 Tavistock model of, 281, 282, 286, 288,
“waiting bench”, 7 298, 293
Wakelyn, J., 331 as therapeutic resource, 331
Warden, S., xxi, 98, 123–134, 327 value of, 331–334
War Nurseries, London, 5–9, 323 Young Child Observation seminar,
war-time nursery, residential, 13, 14, 58, 59, 80–95, 135, 205,
interaction with peers in, 282–284
314–315
Watillon-Naveau, A., 331 Zaphiriou-Woods, M., 7