Quattrocento
Quattrocento
Quattrocento
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Art of Italy
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The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the
Quattrocento (UK: /ˌkwætroʊˈtʃɛntoʊ, -trəˈ-/, US: /ˌkwɒtroʊˈ-/,[1][2][3][4] Italian: [ˌkwattroˈtʃɛnto])
from the Italian word for the number 400, in turn from millequattrocento, which is Italian for the year
1400. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably
International Gothic), the early Renaissance (beginning around 1425), and the start of the High
Renaissance, generally asserted to begin between 1495 and 1500.
Contents
1 Historical context
4 See also
5 References
6 Further reading
7 External links
Historical context
After the decline of the Western Roman Empire in 476, economic disorder and disruption of trade
spread across Europe. This was the beginning of the Early Middle Ages, which lasted roughly until the
11th century, when trade increased, population began to expand and the people regained their
authority.
In the late Middle Ages, the political structure of the European continent slowly coalesced from small,
turbulent fiefdoms into larger, more stable nation states ruled by monarchies. In Italy, urban centers
arose, populated by merchant and trade classes able to defend themselves. Money replaced land as the
medium of exchange, and increasing numbers of serfs became freedmen. The changes in Medieval Italy
and the decline of feudalism paved the way for social, cultural, and economic changes.
The Quattrocento is viewed as the transition from the Medieval period to the age of the Italian
Renaissance, principally in the cities of Rome, Florence, Milan, Venice, Naples. The period saw the fall of
Constantinople to the Ottoman Empire, and it has been compared with the Timurid Renaissance which
unfolded at the same time in Central Asia.[5]
Quattrocento art shed the decorative mosaics typically associated with Byzantine art along with
Christian and Gothic media, as well as styles in stained glass, frescoes, illuminated manuscripts and
sculpture. Instead, Quattrocento artists incorporated the more classic forms developed by classical
Roman and Greek art.
Since the Quattrocento overlaps with part of the Renaissance, it would be inaccurate to say that a
particular artist was Quattrocento or Renaissance. Artists of the time probably would not have identified
themselves as members of a school or period.
Andrea Mantegna
Antonello da Messina
Antoniazzo Romano
Antonio Rossellino
Benozzo Gozzoli
Bertoldo di Giovanni
Carlo Crivelli
Cosimo Tura
Desiderio da Settignano
Domenico di Bartolo
Domenico Ghirlandaio
Domenico Veneziano
Donatello
Filippo Brunelleschi
Filippo Lippi
Fra Angelico
Francesco di Giorgio
Francesco Squarcione
Gentile Bellini
Gentile da Fabriano
Giovanni Bellini
Giovanni di Paolo
Jacopo Bellini
Justus of Ghent
Leonardo da Vinci
Lorenzo Ghiberti
Luca Signorelli
Luciano Laurana[6]
Masaccio
Masolino
Melozzo da Forlì
Paolo Uccello
Pedro Berruguete
Pietro Perugino
Sandro Botticelli
Il Sassetta
Troso da Monza
Vecchietta
Vittore Carpaccio
Vittore Crivelli
Also see the list of 27 prominent 15th century painters made contemporaneously by Giovanni Santi,
Raphael Sanzio's father as part of a poem for the Duke of Urbino.