Paper Craft: The Complete Photo Guide To

The Complete Photo Guide to
PAPer CrAfTs
× All You Need to Know to Craft with Paper

× The Essential Reference for Novice and Expert Paper Crafters
× Packed with Hundreds of Crafty Tips and Ideas
× Detailed Step-by-Step Instructions for More Than 60 Projects
Trice Boerens
more than
700
large format
Color Photos
The Complete Photo Guide To
Paper Crafts
Copyright © 2009 Creative Publishing international, Inc.
400 First Avenue North Suite 300
Minneapolis, Minnesota 55401
1-800-328-3895
www.creativepub.com
All rights reserved.
Printed in China
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Boerens, Trice.
The complete photo guide to paper crafts / Trice Boerens.
p. cm.
Includes index.
Summary: “Techniques and projects in step-by-step format
for all kinds of paper crafts”--Provided by publisher. Trice Boerens is an author of paper crafting, quilting,
ISBN-13: 978-1-58923-528-1 (soft cover) jewelry making, and stitching books. She has also
ISBN-10: 1-58923-468-5 (soft cover) worked as an art director, a magazine editor, and
1. Paper work. I. Title.
a product packager. Living and working in the
TT870.B585 2010 foothills of the Wasatch Mountains in Ogden, Utah,
745.54--dc22 she is always on the lookout for new techniques and
unexpected inspiration.
2009024170
President/CEO: Ken Fund

Vice President/Sales & Marketing: Kevin Hamric
Publisher: Winnie Prentiss Due to differing conditions, materials, and skill levels, the
Acquisition Editors: Linda Neubauer, Deborah Cannarella publisher and various manufacturers disclaim any liability
Production Managers: Laura Hokkanen, Linda Halls for unsatisfactory results or injury due to improper use of
Creative Director: Michele Lanci-Altomare tools, materials, or information in this publication.
Senior Design Managers: Jon Simpson, Brad Springer
Lead Photographer: Joel Schnell All rights reserved. No part of this work covered by the
Photographers: Corean Komarec, Kevin Dilley copyrights hereon may be reproduced or used in any form
Photo Coordinator: Joanne Wawra or by any means—graphic, electronic, or mechanical,
Cover & Book Design: Val Escher including photocopying, recording, taping of information on
Page Layout: Val Escher storage and retrieval systems—without the written permission
Copy Editor: Catherine Broberg of the publisher.
Visit www.Craftside.Typepad.com for a behind-the-scenes The Publisher grants to the reader permission to reproduce the
peek at our crafty world! templates in the back of the book for personal use.
The Complete Photo Guide To
Paper Crafts
cutting s folding s weaving s quilling s punching s collage s casting s journals s more

CONTENTS
Introduction 6
SURFACE DECORATION 8
Techniques 9
PUNCHING 14
Punching Projects 15
PAPER PIECING 22
Paper Piecing Projects 23
FOLDING 26
Folding Projects 27
COLLAGE 46
Collage Projects 48
MOSAICS 54
Paper Tiles 55
Mosaic Projects 56
WEAVING 64
Weaving Projects 65
STITCHING ON PAPER 76
Hand Stitching 77
Machine Stitching 79
Stitching Projects 82
PAPER CUTTING 90
Cutting Techniques 91
Paper Cutting Projects 92
QUILLING 102
Quilling Techniques 103
Quilling Projects 105
JOURNALS 114
Journal Details 115
Journal Projects 118
DECOUPAGE 130
Surfaces and Papers 131
Techniques 132
Decoupage Projects 134
SCULPTING 138
Sculpting Projects 139
PAPIER-MÂCHÉ 152
Simple Formula 153
Papier-Mâché Projects 154
BLENDED AND MOLDED PAPER 162

Blended Paper 163
Blended Paper Projects 165
Molded Paper 170
Molded Paper Projects 172
Templates 174
Index 206
Introduction
Hands down, the most common material used
by artists and crafters worldwide is paper.
It is familiar, user-friendly, and inexpensive.
Paper can be cut, coiled, punched, glued,
blended, molded, layered, folded,
sculpted, and stitched.
Papers
Strolling through the paper aisles at a craft supply store or
specialty paper craft store will reveal overwhelming choices
of papers with solid colors and printed designs. Paper comes in
a wide variety of weights and textures, too, which is an added
enticement to paper crafters.
Mulberry paper is made from the bark of mulberry trees.

Lightweight and organic in appearance, embedded
strands of fiber make it strong enough to stretch and
mold. It is favored by card makers for its beautiful
feathered edge and is available in a rainbow of
colors. Look for mulberry paper in craft and art
supply stores.
Vellum, also available in craft and art supply stores, is a brittle,

semi-transparent paper with a satin finish. Its polished surface and
crisp cut edge lend it to formal applications such as wedding invita-
tions. Use care when adhering it to any paper substrate. Vellum is not
porous and therefore adhesives which are applied to the reverse side
will show on the finished side. It is best to use small inconspicuous
squares of double-sided adhesive.
Cardstock, sometimes referred to as cover stock, is the same

weight as business cards and greeting cards.
Most porous papers have a grain or a north/south orientation. During the manufac-
turing process, the tiny cellulose fibers of the paper pulp are aligned parallel to each
other. To achieve a smooth folded edge, bend with the grain of the paper.
Before folding medium- to heavyweight paper, score it by running a dull knife along
the edge of a metal ruler. This creates an indentation that determines the fold line.
6 T H E C O M P L E T E P H O T O G U I D E T O PA P E R C R A F T S
Cutting tools Adhesives
Paper will dull the blades of your scissors. If you are working If you are making heirloom scrapbook pages, use adhesives
with fabric and paper, use two pairs of scissors and dedicate that will not discolor the paper or cause it to become brittle or
one pair to fabric, and one to paper. To sharpen your paper to disintegrate. Products that are labeled as being archival will
scissors, cut through fine sandpaper several times. not damage your paper or your photos. Archival adhesives are
available in tape or spray form.
Paper will also dull the blades of your craft knife, and trimming
with a dull blade will result in ragged edges. To achieve clean Using spray adhesive to attach paper to paper is fast and con-
edges, change your blades often. Protect your craft table when venient. Be careful to cover craft tables with newspaper before
using a craft knife by using a self-healing cutting mat. Use a spraying the adhesive because the spray covers a wide area.
metal edge ruler as a cutting guide and hold it firmly as you
pass the knife along the edge. When cutting heavy paper, don’t There are many projects that require double-sided adhesive.
attempt to cut with one pass and heavy pressure. Instead, make This product is available in sheet or tape form and is recom-
several light passes with the knife. mended for areas that require a tight grip. Cutting tape is faster
than cutting sheets, but sheets can be trimmed to any shape or
configuration. The adhesive will stick to your scissors, and will
quickly build up along the blades. Clean your scissors often
with steel wool or use scissors that are coated with a
nonstick surface.
ADHESIVES FOR PAPER CRAFTS
Adhesive Uses
spray adhesive for large shapes of lightweight paper
rubber cement for large shapes and those used to block out and define backgrounds
double-sided adhesive for medium- to heavyweight papers
glue dots for irregular shapes and accents
INTRODUCTION 7
S U R FA C E D E C O R AT I O N
There are many ways to texturize, color, or alter the appearance of paper to
give it unique characteristics for whatever purpose you have in mind. With
acrylic craft paints, watercolor paints, colored pencils, or chalks, you can use
many of the same decorative techniques you would use for other craft materials.
Try these ideas or experiment with other decorative techniques.
Techniques
MIRROR IMAGE BAS RELIEF
Fold the paper in half; unfold. Drop acrylic paint on Place 3-D objects on the craft table. Place the paper
one side; then refold and press the layers together. on top and rub the flat side of a colored pencil over
the surface.
POINTILLISM MELTED WAX
Dip the end of a pencil in a shallow pool of acrylic Shave bits of crayon onto the paper. Place between
paint, and touch the tip to the paper. sheets of scrap paper and press with a hot iron. Apply
a thin wash of diluted acrylic paint.
S U R FA C E D E C O R AT I O N 9
BATIK FAUX PLASTER
Draw on medium-weight paper with crayons. Stir cornstarch into acrylic paint and apply an even
Apply a wash of black acrylic or watercolor paint. coat on the paper. Etch a design in the wet paint with
a fork or stylus.
GLITTER WET-ON-WET WATERCOLOR
Draw a design on the paper with white craft glue. Wet the paper with a sponge brush. Apply
Sprinkle glitter on the wet glue and let dry. Remove the watercolor paint to the wet surface.
excess glitter.
SPONGE MARBLE SPRAY MARBLE
Dip a sponge in paint and blot. Lightly pat the Fill a basin with water. Spray a thin film of spray
sponge on the paper. paint on the surface of the water. Dip the paper in the
water. Let dry.
DIP DYE SPONGE PAINT DRY SPLATTER
Fold tissue or mulberry paper Dip the sponge in paint and Load a paintbrush with acrylic
in an accordion pattern. Wet the swirl it on the paper. paint. Hold it over the paper and
paper. Dip one side in diluted pink tap it against the edge of a metal
paint and the opposite in orange. ruler.
Unfold and let dry.
WET-ON-WET SPLATTER DISTRESSED PAINT PAINT STENCIL
Wet the paper with a sponge Paint the paper with acrylic Dip a stencil brush in acrylic paint
brush. Load a paintbrush with paint. Let dry. Sand with and blot on a paper towel. Fill in the
watercolor paint. Hold it over the medium-grit sandpaper. exposed area of a stencil with short
paper and tap it against the edge perpendicular strokes.
of a metal ruler.
DISTRESSED INK ANTIQUE STAMPING
Crinkle the paper and dip it into diluted acrylic Coat a paper towel with chalk and rub it on the
paint. Let dry. Lightly rub the ridges with a flat ink pad. paper. Stamp on the chalked paper.
MASKED STAMPING REVERSE STAMPING PIPE CLEANER STAMPING
Make a window from scrap Dip the stamp in bleach and blot Bend short lengths of pipe
paper. Place it on the paper and slightly. Press the stamp on dark cleaners into curved shapes. Dip
stamp within the window and over- paper. The bleach will draw the them in diluted acrylic paint and
lapping the edge of the window. color from the paper. press them on the paper.
CHALK STENCIL CHALK PULLED PAINT
Rub a sponge dauber in scrapbook Rub the flat side of scrapbook chalk Drop paint along the top edge
chalk and use it to fill in the exposed over the paper in a random pattern. of the paper. Press the edge of a
area of a stencil. cardboard scrap over the paint and
pull down. Move it back and forth
to make scallops.
PUNCHING
Rockets, radishes, robots, race cars, rabbits, roses . . . You can get punch drunk
on the array of punch designs that are available. Yet, you don’t need lots of paper
punches to incorporate paper punching techniques into your crafting. Some very
interesting effects can be created by simply punching multiple holes with a stan-
dard, small, round-hole punch. Look for other punches that can be used in creative
ways, and add them to your collection over time. Punch art is fast and foolproof,
and punches provide an easy way to make multiple images.
Punching
It is also possible to create design and texture with a handheld single-hole punch. We can thank
Benjamin Smith of Massachusetts, who in 1885 invented this tool specifically for train conductors to
use for punching passengers’ tickets. His spring-loaded punch had a built-in receptacle for collecting
the waste paper confetti, and thereby keeping the floors of passenger trains squeaky clean.
The one design limitation shared with both specialty punches and hand-held
punches is that their design allows you to punch only the edges and not the
interiors of the paper shapes.
Medium- and light-weight papers work best for punching. Avoid fibrous papers
such as mulberry and rice paper because the embedded strands will prevent
you from achieving a clean edge.
Punching Projects
This is the punch that our grand-
parents grew up with and it can still
STARRY NIGHT serve as a handy and versatile tool.
Poke holes in the night sky to reveal a snowy white backdrop.
YOU WILL NEED

t BSUXPSLXJUIBOJHIUTLZ
t QBQFSQVODI TNBMMIPMF
t QBQFSQVODI MBSHFIPMF
1 Punch holes in a random pattern

in the background of the artwork with
both punches.
PUNCHING 15
1
TODAY YOU ARE TWO

A punch will outline an important number or letter. Use velveteen paper,
which will not crease when rolled, and work from the outside to the inside.
1 On the wrong side of the paper,

draw the number in reverse.
YOU WILL NEED
t 5/8Y YDN
2 Starting at the bottom edge,
5
rectangle of velveteen paper punch holes along the marked line.
tQBQFSQVODI TNBMMDJSDMF
3 Carefully roll the edge to

tQFODJM
continue punching.
4 Repeat by punching near the oppo-

site edge and working toward the center.
5 Unroll the paper and flatten.
1
STIPPLED OVAL
Here’s a bright idea. Punch holes that radiate from the cut edge of a
silhouette shape.
1 Draw an oval on the wrong side of
YOU WILL NEED the paper.
t QBQFSPGUIFEFTJSFE 2 Cut the center from the oval to within

size and shape DN
PGUIFNBSLFEMJOF
t QFODJM
3 Punch along the marked line with
t TDJTTPST
both punches. 6
t QBQFSQVODI TNBMMIPMF
t QBQFSQVODI MBSHFIPMF
4 Punch along the entire marked line.
5 Cut along the marked line.
6 Working from the center out, punch

in a random pattern.
PUNCHING
COLOR BLOCK FLOWERS
Colorful squares accentuate the beauty of the punch pattern.
1 Punch two rows of images in the 3
YOU WILL NEED scrap paper.
tDPMMFDUJPOPGDPPSEJOBUJOH 2 Cut squares from the coordinating

colored paper papers that are slightly larger than the
tTDSBQPGDPMPSFEQBQFS image.
tOPUFDBSE 3 Arrange them on the note card to

tEPVCMFTJEFEBEIFTJWF correspond with the image windows,
and attach them with the double-sided 4
tOPWFMUZQVODI
adhesive.
tTDJTTPST
4 Attach the punched paper to the
note card with the double-sided adhe-
sive.
SWAN
For subtle texture, punch an all-over
pattern within a simple shape. Then
back it with paper that is one shade
lighter or darker.
1 Cut out the swan shapes from

YOU WILL NEED the print paper, using the templates
as guides.
tUFNQMBUF QBHF
2 Punch an all-over pattern in the
tQSJOUQBQFS
swan body shape.
tXIJUFQBQFS
5
tUSBDJOHQBQFS 3 Cut a matching shape from the
white paper. Spray the front of the
tQFODJM
white swan with adhesive and press the
tTDSBQTPGQBQFSJOUIF punched swan in place on top.
following colors: lavender,
gold, and avocado 4 Noting overlaps, attach the swan
tOPUFDBSE and flower shapes to the note card.
tTQSBZBEIFTJWF
5 Punch vertical lines in
tTDJTTPST the background.
tQBQFSQVODI TNBMMIPMF
PUNCHING 19
YOU WILL NEED
tTNBMMTRVBSFPGDPMPSFE
paper
tscrap of coordinating paper
tOPUFDBSE
tOPWFMUZQVODI
tBEIFTJWF
DINNER PARTY
1 Punch image in the paper scrap. At-
Typical of novelty punches is a delicate design spotlighting a tiny knife,
tach it to a note card with a small strip of
fork, and spoon. coordinating paper.
YOU WILL NEED

tDPMMFDUJPOPGDPPSEJOBUJOH
colored papers
tOPWFMUZQVODI
tCMBOLHSFFUJOHDBSE
1 Punch images from the papers.

FALL FOLIAGE CARD
Arrange and attach them to the card
An array of warm autumn papers makes a beautiful leafy rainbow. in the desired order.
CROWN TAG
Accentuate the positive YOU WILL NEED
and the negative. Post both tTNBMMTRVBSFPGDPMPSFEQBQFS
on a dark gift tag. tQBQFSUBH
tOPWFMUZQVODI
tEPVCMFTJEFEBEIFTJWF
1 Punch images in the paper scrap.

Attach one solid image and the
punched square to the tag with the
double-sided adhesive.
T H E C O M P L E T E P H O T O G U I D E T O PA P E R C R A F T S
YOU WILL NEED
tTUSJQPGTDBMMPQFEWFMMVN
tQBQFSQVODI USJBOHMF
tTFXJOHOFFEMF
1 Punch holes at each scallop.
2 Pierce holes around each

punched hole.
PAPER LACE BORDER

Pierced and punched vellum creates paper lace that invites a closer look.
This fast and easy project requires two tools and two steady hands.
YOU WILL NEED

tTDSBQPGMJHIUXFJHIUQBQFS
tQBQFSQVODI TNBMMIPMF
1 Cut an irregular starburst shape

from the lightweight paper.
2 Punch lines along the rays.
DIAMOND RING
Draw starbursts with a paper punch and increase the wow factor of a
heart-felt message.
PUNCHING 21
PA P E R P I E C I N G
Paper piecing is the paper crafter’s solution to illustration. Born from scrapbook
art, it consists of arranging individual shapes to make an image or design. It
brings to mind silk screen and paint-by-number art because of similar areas of
solid color that are combined for a whole. Also similar to fabric appliqué work,
areas that would appear in the background are positioned first, followed by
pieces that would appear in the foreground. Each new layer slightly overlaps
the previous layer, adding visual depth. Shading and outlining are limited be-
cause they require cutting separate paper shapes.
Paper Piecing Projects
To make the shapes, transfer the templates to the desired colored papers. Overlapping edges are
indicated with the broken lines. Choose solid colored papers or those with small patterns. Also combine
hues and values with enough contrast to define the design. Choose adhesives from the chart on page 7.
T-REX
General directions for paper piecing
1 2
YOU WILL NEED

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1 Cut out the shapes and assemble them
in order on the craft table. TIP
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2 Adhere the bottom layer of shapes to
t QBQFSTJOUIF the page. Note that you can lightly mark
desired colors
the background with a pencil for
3 Adhere the remaining shapes
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in place. shape placement. Erase any marks
after all of the pieces have been
4 Add hand-drawn or hand-painted
glued in place.
accents to the pieces before they are
layered and secured to the background.
ttttttttttttttttttttttt
PA P E R P I E C I N G 23
WHO’S THERE?
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FULL MOON
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AIR MAIL APRIL SHOWERS
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FLORETS
SUMMER OF LOVE
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CHERUB PAIR
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PA P E R P I E C I N G
FOLDING
If you have experience with turning paper scraps into airplanes or converting
gum wrappers into necklaces, you have all the training needed to become a
folding phenom. Pieces presented include everything from the frivolous to the
practical. And don’t be afraid to tackle more complex projects. Start with the en-
velope or the pocket, and work your way up to the origami flower. The weight of
the paper may be important to the strength or to the bulk of individual projects.
Weights are recommended for nonspecific papers in the materials lists.
Folding Projects
2
YOU WILL NEED

t UFNQMBUF QBHF
t DN
TRVBSFPGUXP
UPOFQBQFS NFEJVNXFJHIU
t USBDJOHQBQFS
2
t QFODJM
t TDJTTPST
1 Cut one flower shape, using the

SPOKED FLOWER template as a guide.
As easy as 1-2-3, but without the 3. 3
2 Working clockwise, fold the petals
All it takes is 1, cut and 2, fold. up along the dotted line.
3 Tuck the corner of the last petal

under the adjoining corner of the first
to secure.
YOU WILL NEED

t UFNQMBUF QBHF
t DN
TRVBSFPGUXP
UPOFQBQFS NFEJVNXFJHIU
2
t USBDJOHQBQFS
t QFODJM
t TDJTTPST
3
1 Cut one flower shape, using the
template as a guide.
2 Working clockwise, fold the petals

YO-YO FLOWER
up along the dotted line.
#FMPWFECZRVJMUFSTFWFSZXIFSF UIJT
4
folded blossom resembles a puckery 3 Tuck the corner of the last petal under
the adjoining corner of the first to secure.
cloth yo-yo.
4 Fold the corners back along the
dotted line.
FOLDING 27

1

THE ENVELOPE PLEASE

An elegant envelope often says more than what is inside.
Sporting a gilded edge, this one will never go out of style.
4
1 Cut one envelope shape, using the
YOU WILL NEED diagram as a guide.
t Y YDN

2 Score along the dotted lines.
sheet of scrapbook paper
MJHIUUPNFEJVNXFJHIU
3 Apply a thin strip of rubber cement

t USBDJOHQBQFS along the sides of one flap. Apply 4
rubber cement to the wrong side of the
t SVCCFSDFNFOU
gilding film. Allow it to dry.
t HJMEJOHGJMN
t TDJTTPST 4 Place the film on the strips and rub
with the flat side of a spoon. Remove
t EPVCMFTJEFEBEIFTJWF from the paper.
t EFDPSBUJWFQBQFSBDDFOU
6
t TDPSJOHUPPM
5 Fold the side flaps in.
t TQPPO 6 Fold the bottom flap up.

t NFUBMSVMFS
7 To seal the envelope, attach the
t QFODJM
decorative paper accent to the back with
the double-sided adhesive.
1
PLEATED POCKET
Nothing is handier than a pocket on a shirt, or in this case a pocket
on a postcard. Use it to deliver a ticket, a dollar bill, or a gift card
to someone special.
4
1 Fold the bottom of the paper up to

YOU WILL NEED meet the top.
t OPUFDBSE 2 Fold the upper edge of the top layer
t Y YDN
down to the fold line.
sheet of two-tone paper
MJHIUUPNFEJVNXFJHIU
3 Fold the lower edge of the top layer
up to the fold line.
t EPVCMFTJEFEBEIFTJWF 5
4 Fold the upper edge of the top layer

down to the fold line.
5 Place face-down and fold the sides to

the center back.
6 Attach the pocket to the note card

with the double-sided adhesive.
FOLDING 29
COLONIAL WINDOW
Open the window and pull up the
sash to reveal a paper charm on a
Merry Christmas note card.
YOU WILL NEED

t UFNQMBUF QBHF
t Y YDN

rectangle of two-tone paper
NFEJVNUPIFBWZXFJHIU
t USBDJOHQBQFS
t QFODJM
t OPUFDBSE
t QBQFSDIBSN
t EPVCMFTJEFEBEIFTJWF
t BEIFTJWFCBDLFEHFN
t TDPSJOHUPPM
t NFUBMSVMFS
t DSBGULOJGF
t DVUUJOHNBU
1 Cut one window shape using the 1 3

template as a guide. Also cut the solid
horizontal and vertical lines as indicated
on the template.
2 Align the ruler at the ends of the

horizontal cuts and score.
3 Fold the flaps open at the

scored lines. 2
4 Attach the window to the note card

with the double-sided adhesive. Center
the paper charm in the window and
attach it with the double-sided adhesive.
Stick the gem to the top of the window.
2
4
Tri-fold flower
This folded flower is a graceful You will Need
addition to a gift card. Use two-tone • template#15,page177
paper to make it pop from the page. • 41/4"x6"(10.8x15.2cm)
(mediumweight)
1 draw the flower and leaf outlines on
the wrong side of the paper, using the • tracingpaper
4
template as a guide. • pencil
• craftknife
2 Use the craft knife to cut along the
marked lines. • cuttingmat
• kneadedrubbereraser
3 Carefully erase the marked lines.
• metalruler
4 Score along the dotted lines and fold • scoringtool

the flaps to the back.
folding 31
YOU WILL NEED
t UFNQMBUF QBHF
t Y YDN

MJHIUUPNFEJVNXFJHIU
t USBDJOHQBQFS
t QFODJM
t DSBGULOJGF
t DVUUJOHNBU
1 Cut one tree shape, using the

template as a guide. Cut the V shapes
along the marked lines.
2 Fold the cut points down.
PEEK-A-BOO CHRISTMAS TREE

V shapes are cut and folded to cast lacy shadows on a polka-dot tree.
1
FAN ORNAMENT 1 Cut one fan shape, using the tem-

The lowly paper fan is dressed up plate as a guide.
FOPVHIUPIBOHBTBOFYRVJTJUF 2 Start with the right edge and fold

ornament. Assemble eclectic in an accordion pattern along the 4
dotted line.
papers and make an assortment
of fancy fans. 3 Staple at the bottom through
all layers.
4 On the wrong side of the fan, trim

YOU WILL NEED away the folded edges to reduce bulk.
t UFNQMBUFT QBHF 4

5 Cut two wedge-shaped bases
t Y YDN
from the coordinating paper. Cut two
sheet of light-weight paper pieces of double-sided adhesive that
t TDSBQTPGDPPSEJOBUJOHQBQFS are slightly smaller than the wedge and
attach them to the backs of shapes.
t USBDJOHQBQFS 6 Attach one base shape to the bottom
of the fan. Attach the second shape on
t QFODJM 8
the reverse side.
t SJCCPO
t TUBQMFS 7 Punch a hole in the top of the fan.
t QBQFSQVODI
8 Thread the ribbon through the hole.
t TDJTTPST
9 Tie a knot and trim the ribbon ends.
FOLDING 33
RicRac BoRdeR 1 Place the strip on the craft table with 2
follow the twists and turns, keep the wrong side up.
your folds at right angles, and enjoy 2 fold in the center at a right angle.
the ride.
3 fold under again to create a point.
4 fold the right end up.

You will Need
5 fold the left end up.
• 3/4”x12”(1.9x30.5cm)
strip of two-tone paper
(mediumweight) 6 turn the paper over and fold the right
end up.
• scissors 3
7 fold the left end up.
8 turn the paper over and fold the right

end to the right side.
9 fold the left end to the left side.
10 continue to complete the border

design and trim the ends.
34 t h e c O M P L e t e P h O t O G U I D e t O Pa P e r c r a f t s
4 4
5 5
6 6
7 7
8 8
9 9
folding 35
Fretwork Border 1 Place the strip on the craft table with 2
two V shapes mark the spot. Use the right side up.
this two-tone border on greeting 2 fold the left end down at 1" (2.5 cm).
cards, scrapbook pages, or a
3 turn the paper over and fold the long
journal cover.
end over to make a point.
4 turn the long end over again and

You will Need make a second point.
• two1/2"x12"(1.3x30.5cm) 5 turn the paper over and fold the end
strips of two-tone paper up at 2" (5.1 cm).
(medium weight) 2
• scissors 6 repeat steps 3 and 4.
7 turn the paper over and fold the end

up at 2" (5.1 cm).
8 repeat steps 3 and 4 to complete the 1"

V shape.
9 trim the long end.
10 repeat to make a second V shape.
3 3
4 4
5 5

FOLDING
MUFFIN CRADLE
A well-dressed muffin is irresistible YOU WILL NEED
for more than its delicious flavor. t UFNQMBUF QBHF
The container is equally enticing t DN
TRVBSF
and can turn an ordinary brunch sheet of two-tone paper
NFEJVNXFJHIU
into a party.
t USBDJOHQBQFS
t QFODJM
t DN
TBUJOSJCCPO
NN
XJEF
t TDJTTPST
t QBQFSQVODI
2 5 7
3 6 8
4 6 9
1 $VUPOFDSBEMFTIBQF VTJOHUIF 5 Apply small squares of the double- 7 Repeat with the remaining sections.
template as a guide. sided adhesive in the pie shapes.
8 Punch the end of each section.
2 Fold one section up at the inner 6 Remove the protective paper from
dotted line. one square to expose the adhesive. 9 Thread the ribbon through each hole.
Align the cut edge of one section with
3 Fold down at the center dotted line. the dotted line of the adjoining section
10 Pull the ribbon ends to tighten and
and press together to join.
tie a bow. Trim the ribbon ends.
4 Fold the remaining sections.
FOLDING 39
Origami SchOOlhOuSe
this schoolhouse rocks! (and it’s perfect for communicating good wishes to a favorite teacher).
1 fold the rectangle in half. Unfold. 7 Open and bend the point to
YOu will Need the inside.

2 Use the craft knife to cut the slits as
• templates#19,page197 indicated on the diagram. refold. 8 Cutachimney,windowgrid,and
• 31/4"x51/4"(8.3x13.3 doorfromthepaperscraps,usingthe

cm) rectangle of two-tone 3 fold the left side over at 5/8" templates as guides.
paper (medium weight) (1.6 cm).
9 slide the chimney through the slit
• smallscrapsofcoordinating
4 fold the corner down at 5/8" at the fold line and secure with double-
paper
(1.6 cm). sided adhesive. center the grid behind
• tracingpaper the window slits and secure with double-
sided adhesive.
• pencil 5 fold open to make a gable.
• double-sidedadhesive 10 fold open the window shutters.
6 repeat steps 3 and 4 with the
• craftknife opposite corner.
11 attach the door with double-
• cuttingmat
sided adhesive.
• metalruler
1 4 9
2 5 10
2 6 11
3 7
FOLDING
YOU WILL NEED
t UFNQMBUF QBHF
t DN
TRVBSF
light-weight paper
t USBDJOHQBQFS
t OPUFDBSE
t TNBMMQBQFSDJSDMF
t DN
TRVBSFPG
coordinating paper
t TNBMMCSBE
t QFODJM
t DSBGULOJGF
t DVUUJOHNBU
1 Fold the square from corner to

corner twice to make an X. Unfold.
2 Fold the corners to the center to

make a diamond. Unfold.
ORIGAMI FLOWER
3 Cut a slit from one corner to
The beauty of origami is in the transformation of a single square. Begin at
the center.
square one and crease and crimp your way to lovely pleated petals.
4 Fold back at the adjoining
diagonal fold.
1 3
5 Align the fold at the corner of

the diamond and crease.
6 3FQFBUTUFQTBOEXJUIUIF
remaining two folded corners.
7 Bring a folded corner to the

2 4 DFOUFS PQFOJOHBOESFGPMEJOHUIF
upper layer; crease.
8 Repeat with the remaining

two corners.
9 Fold the remaining points to

the center.
5 5 9
6 6 10
6 6 13
7 7
8 8 10 Secure the layers with double-

sided adhesive.
11 Cut the stem and leaves from the

DPPSEJOBUJOHQBQFS VTJOHUIFUFNQMBUF
as a guide.
12 Attach the stem and leaves to the
8 8 note card with the double-sided adhesive.
13 Place the circle and the flower on

the note card and use the craft knife
to pierce through all layers. Insert and
secure the brad.
FOLDING 43
YOU WILL NEED
t UFNQMBUF QBHF
t DN
TRVBSF
light-weight paper
t OPUFDBSE
t DN
TRVBSFPG
coordinating paper
t USBDJOHQBQFS
t QFODJM
t TDJTTPST
t TUBQMFS
3 Fold the corner down.
4 3FQFBUTUFQTBOEXJUIBOBE-
joining corner.
5 Fold the adjoining point up.
6 Fold the top left corner down.
7 Fold the top right corner down

slightly less than the left.
8 Fold in half.
O R I G A M I B U T T E R F LY
A butterfly graces a simple note card. Scattered punched accents help 9 Open and invert the upper half of
the center fold.
make it lighter than air.
10 Place on the craft table with the

shorter wing on top. Fold back the top
1 2
layer of the bottom corner.
11 Punch the top wing.
12 Cut the body from the coordinating

QBQFS VTJOHUIFUFNQMBUF
13 Layer the wings and body on the

1 Fold the square from corner to cor- 2 Fold one corner to the center. note card and staple through all layers
OFS UIFOVOGPME3FQFBUJOUIFPQQPTJUF to secure.
direction to make an X.
3 6 9
3 6
10
4 7
11
4 7
13
5 8
FOLDING
COLLAGE
Soon after paper was invented, artists found creative ways to use it. They cut
intricate paper designs to adorn books of scripture and family history. Printed
images were enhanced with gemstones, silk fibers, symbolic signs, and trims,
a practice that has carried over to contemporary collage artists. The most
famous modern collage artist is Henri Matisse. In 1930 he cut and arranged
shapes to use as thumbnail sketches for larger oil paintings. Enamored with this
process, he published a collection of his cut designs, celebrating his ability to
“draw with scissors.”
Specialty papers
Choose from a large

assortment of papers.
Bright chipboard boxes and Textured and embossed papers Old children’s books
removable labels
Old photos and postcards Recycled calendars and Old magazines

greeting cards
COLLAGE 47
Collage
Projects
Representing a stripped-down
form of collage, the featured
projects are limited to paper
and are offered as
sample compositions.
The art in this art form is in the choice and

placement of the backgrounds and images. Unlike the
more direct method of painting, you can change
the appearance of your design by arranging and ZIP LINE BABY CARD
re-arranging the elements until they are glued in place.
If you can’t find just the right background
paper, make your own with paint or markers.
THE JUGGLER
Catch someone’s attention by adding
detail to silhouette shapes.
PRINCE OF THE PICK-UP STICKS
When combining paper sticks to
build a border, make them slightly
off balance to boost interest.
H O N E Y, I ’ M H O M E
Add whimsy by pairing images
that are opposites.
COLLAGE 49
HOTEL BRAEMORE CARD
Create the impression of an
expanded frame by allowing
selected images to bleed to
the edges.
DINNER’S READY
To avoid a disaster and a collage do-over, write a caption or message on a separate piece of paper.
KING TOMATO
Packaging equals art. What better
way to pay homage to your
favorite food?
ACROSS THE MILES

You can age coordinating papers by scuffing them with fine sandpaper.
COLLAGE 51
Dance Party it’s sPring
to keep the eye moving You can’t go wrong when you
around a composition, start with a strong central
repeat one dominant image and then place sup-
element. porting elements around it.
King of the Kitchen carD

Mixed-up scale and
dissimilar art styles
combine for an
amusing card.
52 t h e C O M P L e t e P h O t O G U I D e t O Pa P e r C r a f t s
HERE THEY COME
The chase is on! Curves cut
across a flat plane to suggest
action and movement.
LOVE NOTES
Soften the look of a geometric
border by layering bits and
pieces on top of the blocks.
COLLAGE 53
MOSAICS
Hooray! It is possible to make three-dimensional mosaics with two-dimensional
paper. Traditional mosaics have a knobby appearance because they are built
with individual tiles or pebbles. Make paper tiles with medium-weight paper,
tissue paper, and even discarded cereal boxes and have fun imitating a serious
art form that has truly stood the test of time.
54 C O M P L E T E P H O T O G U I D E T O PA P E R C R A F T S
Paper Tiles
There are different ways to transform paper into tiles for mosaics.
TISSUE PEBBLES MINI-TILES SPIKY TILES
1 2
2
1 Cut light-weight tissue or origami
paper into ¾" (1.9 cm) squares.
2 Fold the squares on the end of a

narrow dowel.
1Use scissors or a craft knife to cut

1½" (3.8 cm) squares.
2 Roll each square between your

fingers until it is compact.
3 Use white craft glue to stick the

pebbles to the paper. For easy handling, Make mini-tiles from the perfect paper—
pick up the pebbles individually with discarded cereal boxes. They are easy
tweezers. In order to get defined shapes, to cut with scissors, rigid enough to use
the pebbles should be pressed tightly with white craft glue, are printed in
together. It is possible to reposition the bright colors, and have a glossy finish.
pebbles before the glue dries.
MOSAICS 55
Mosaic Projects
GRECIAN URN SCRAPBOOK PAGE
Make an antique in a hurry by securing paper bits with double-sided adhesive.
YOU WILL NEED

tNFEJVNXFJHIUQBQFSJO
selected colors
tTDSBQCPPLQBQFS
tUFNQMBUF QBHF
tUSBDJOHQBQFS
tQFODJM
tEFDPSBUJWFQBQFSBDDFOUT
tDSBGULOJGF
tDVUUJOHNBU
1 Cut one urn from the double-sided

adhesive, using the template as a guide.
2 Remove the backing paper and press
the urn on the scrapbook page.
3 Cut through the protective layer only
2 3 at the desired break, and remove.
4 Place small squares of torn medium-
weight paper on the exposed adhesive.
5 Repeat steps 3 and 4 for each
color area.
6 Attach the decorative paper accents
3 4
1
YOU WILL NEED
t XBUFSDPMPSQBQFS
(medium to heavy weight)
t UFNQMBUF QBHFt
tracing paper
t UJTTVFQBQFSJOEFTJSFEDPMPST
t XIJUFDSBGUHMVF
t UXFF[FST tQFODJM
3
1 Draw the cat on the watercolor

paper, using the template as a guide.
CAT ALBUM 2 Make tissue pebbles from the
I spy two little eyes on an album tissue paper.
that will delight and amuse both cat 3 Work in small sections and glue
the pebbles to the paper.
lovers and paper lovers.
4 Let dry.
YOU WILL NEED

t HJGUCPY
t UFNQMBUF QBHF
t USBDJOHQBQFS
t QFODJM
t UJTTVFQBQFSJOTFMFDUFEDPMPST
t XIJUFDSBGUHMVF
t UXFF[FST
3
1 Draw the butterfly on the box top,
using the template as a guide.

2 Make tissue pebbles from the tissue
B U T T E R F LY B O X paper.
Make this gift box for an extra- 3 Work in small sections and glue the
special friend. It just may outshine pebbles to the paper.
the present that is tucked inside. 4 Let dry.
MOSAICS 57
PLAQUE
An important message is outlined
with festive tissue stripes.
YOU WILL NEED

tDIJQCPBSESFDUBOHMF
(medium weight)
tUJTTVFQBQFSJOEFTJSFEDPMPST
tXIJUFDSBGUHMVF
tTDJTTPST
tUXFF[FST
1 Cut windows in the chipboard

to accommodate selected artwork.
2 Make tissue pebbles from the
tissue paper.
3 Work in small sections and glue the
pebbles to the chipboard.
1 3
1
CHERRY BLOSSOM SHOES

Step up with torn strips and mosaic squares and you’ll find that you can
teach an old shoe new tricks. You can also decorate small oxfords with
these techniques. Cover the toes with torn strips and the tongues with 4
spiky frosting.
1 Cover the toe with double-

YOU WILL NEED sided adhesive.
2 Remove the protective paper to
t QBJSPGCBCZTIPFT
expose the adhesive.
t UPSOTUSJQTPGNFEJVN 5
weight paper 3 Leaving the top of the adhesive
exposed (approximately 3/8" [1 cm]),
t £ DN
TRVBSFT press the strips of paper on the shoe.
of origami paper For optimal coverage, overlap the strips
t EPVCMFTJEFEBEIFTJWF along the sides.
t BDSZMJDQBJOU 4 Fold one square around the

dowel end.
t OBSSPXEPXFM 1/8" or 3/8"
5Press the dowel end on the adhesive. 7
[3 or 5 mm] wide)
Repeat to cover the exposed adhesive.
t QBJOUCSVTI
6 Paint the sides, back, and strap of
the shoe. Let dry.
7Repeat steps 1 through 6 for the
remaining shoe.
MOSAICS 59
FAUX GROUT MINIFRAME 1
The nattiness of this mini picture frame makes the case for recycling.
A dab of black paint adds just the right amount of contrast.
1 Apply small areas of glue to
YOU WILL NEED the frame.

2 Pick up a tile with the point of the 6
tDIJQCPBSEGSBNF
craft knife.
tUJMFTDVUGSPNDFSFBMCPYFT
(squares and rectangles 3 Place the tile on the glue.
approximately ¼" to 3/8" 4 Cover the surface area and let dry.
[6 mm to 1 cm] wide)
5 Apply small areas of black paint.
tXIJUFDSBGUHMVF Make sure to get the paint in the
7
tCMBDLBDSZMJDQBJOU recesses between the tiles.
tDSBGULOJGF 6 With the napkin, rub the excess paint

off of the tiles.
tQBJOUCSVTI
7 Work your way around the frame;
tQBQFSOBQLJOT
let dry.
GOLD DUST MINIFRAME 1
Made from a discarded box, this frame is topped with gold

embossing powder.
1 Apply small areas of glue to 5
YOU WILL NEED the frame.
t QBJOUFEGSBNF 2 Pick up a tile with the point of the

craft knife.
t UJMFTDVUGSPNDFSFBMCPYFT
(triangles and rectangles 3 Place the tile on the glue.
approximately ¼" to 3/8" 4 Cover the surface area and let dry.
[6 mm to 1 cm] wide)
5 Sprinkle powder on the frame.
5
t XIJUFDSBGUHMVF With the brush, push the powder
t HPMEFNCPTTJOHQPXEFS between the tiles.
t DSBGUFSTIFBUHVO 6 Following manufacturer’s directions,

apply heat to the powder to solidify.
t DSBGULOJGF
t TPGUQBJOUCSVTI
MOSAICS 61
GIFT BOX 1
What curiosity a well-dressed package kindles. Make one with a paper

topping that looks like a sweet confection.
1 Cut strips of double-sided adhesive
YOU WILL NEED to fit the top of the box.
tXSBQQFEHJGUCPY 2 Remove the protective paper from

one strip to expose the adhesive.
3 Press the foam shapes to the adhesive.
tGPBNGMPXFSTBOEQPMLBEPUT 5
4 Fold one tissue paper square around
tQJOLBOEZFMMPXUJTTVFQBQFS
the dowel end.
cut into 1” (2.5 cm) square
5 Press the dowel end on the adhesive.
tOBSSPXEPXFM 1/8" or 3/16"
Repeat to cover the exposed adhesive.
[3 or 5 mm] wide)
6 Repeat steps 1 through 5 for the
remaining strip of adhesive.
7 Cover any exposed adhesive with
strips of tissue.
1
CHUNKY TILES SCRAPBOOK PAGE

In a former life these avant-garde tiles were old news
(that is, printed on old newspapers).
6
1 Roll the paper dough between

two sheets of wax paper to 3/8" to ¼"
YOU WILL NEED
(3 to 6 mm) thick.
t NPMEFEQBQFSEPVHI QBHF

2 Allow the paper to dry completely,
t XBYQBQFS and paint with desired colors of acrylic
paint. Let dry.
t BDSZMJDQBJOU
3 Break the paper into the small
t TDSBQCPPLQBQFS
irregular tiles.
7
t XIJUFDSBGUHMVF
4 Draw a picture frame on the paper.
t SPMMJOHQJO
5 Apply a thin layer of white craft glue
t QFODJM to a small area of the frame.
t QBJOUCSVTI 6 Pick up a tile with the craft knife and
t DSBGULOJGF press it into the glue.

7 Repeat steps 5 and 6 to cover the
frame with tiles; let dry.
MOSAICS 63
W E AV I N G
Because paper is a great substitute for fiber, your kindergarten teacher was
inspired when she showed you how to weave construction paper into place
mats. Paper requires no loom or additional support system, it is flexible, and it
can be used for both warp and weft. Paper allows for variations of the basic
over/under weaving method, such as working in a circular pattern or entwining
curved shapes to make an interesting silhouette.
8FBWJOH1SPKFDUT
YOU WILL NEED
ENVELOPES t FOWFMPQFT MBSHFBOETNBMM
(PPEUIJOHTDPNFJOTNBMMFOWFMPQFT.BLFBGFXTMJUTJOUIF t MJHIUXFJHIUEFDPSBUJWFQBQFS

t QFODJM
FEHFPGUIJTFOWFMPQFBOEUIFOXFBWFJOCSJHIUQBQFSCBOET
t NFUBMSVMFS
5IFHMVFPOUIFVOEFSTJEFPGUIFGMBQTFSWFTBTUIFGJOJTIUP
t TDJTTPST
TFBMUIFFEHFJOQMBDF
Small envelope
1 2 3
1 0OUIFJOTJEFPGUIFýBQ ESBXMJOFT 2 $VUTMJUTJOUIFGMBQBUUIFNBSLFEMJOFT 3 $VUQBQFSTUSJQT NN

XJEF
UIBUBSFQFSQFOEJDVMBSUPUIFýBQGPME 8FBWFUIFQBQFSTUSJQTJOBOBMUFSOBU
GSPNUIFGPMEUPUIFEJBHPOBMFEHFT JOHQBUUFSO
Large envelope
1 2 3
1 0OUIFJOTJEFPGUIFýBQ ESBX 2 $VUBMPOHUIFNBSLFEMJOFT 3 $VUQBQFSTUSJQT BOEXFBWFUIFN

MJOFTUIBUBSFQFSQFOEJDVMBSUPUIF UISPVHIUIFTMJUTBMPOHUIFFEHFT
EJBHPOBMFEHFT
W E AV I N G 65
2
JAGGED BORDER
Anchor a narrow band of paper with contrasting ribbon. Then pinch at
uneven angles to make a border that is flat-out fabulous.
1 Punch holes 1" (2.5 cm) apart in the
YOU WILL NEED wide strip.
t£Y YDN
TUSJQ 2 Place one narrow strip over the first
of paper hole. Make a loop through the hole with 4
the ribbon to secure the strip.
tUISFF Y YDN

3/16
3 Place the strips on the craft table and
strips of coordinating paper
fold the strip at an angle.
tTJMLSJCCPO
4 Repeat steps 2 and 3 to complete the
tMBSHFFZFOFFEMF border.
tDFMMPQIBOFUBQF 5 Trim the ribbon ends and tape them
tTDJTTPST to the back of the border.
tQBQFSQVODI MBSHFIPMF
2
CAGEY SCRAPBOOK PAGE

Cut a few horizontal slits and make the cage for this
canary part of the page.
1 Cut the bird and cage outline from
YOU WILL NEED the paper scraps, using the template as

a guide.
t UFNQMBUF QBHF 5
2 Place the cage outline on the page
t TDSBQPGZFMMPXQBQFS and mark around the inside edge. Cut
t TDSBQPGDPPSEJOBUJOHQBQFS horizontal lines within the marked line.
t TDSBQCPPLQBQFS 3 Attach the bird to the center of the

cage with the double-sided adhesive.
t USBDJOHQBQFS
4 Cut narrow strips from the scraps that
t EPVCMFTJEFEBEIFTJWF BSFBUMFBTU DN
MPOH8FBWF
t DFMMPQIBOFUBQF the strips through the slits in a random
pattern. Note that the strips should be
t EFDPSBUJWFQBQFSBDDFOUT
placed over the bird. 7
t QFODJM 5 Trim the ends.

t NFUBMSVMFS 6 Tape the ends on the wrong side of
t DSBGULOJGF the paper.
t DVUUJOHNBU 7 Attach the cage outline to the page

8 Attach the decorative paper accents
W E AV I N G
BRICK BORDER SCRAPBOOK PAGE
Basic zigzag papers combine to make a border that is anything but basic.
1 Cut zigzag shapes from the paper
YOU WILL NEED strips, using the template as a guide.
t Y Y 2 Starting at the bottom, wind the strips
cm) strip of print paper around each other to join.

(medium weight)
1
t Y YDN

strip of coordinating print
paper (medium weight)
tUFNQMBUF QBHF
t USBDJOHQBQFS
t QFODJM 2
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
TWO HALVES VASE

Curved strips merge to make a simple paper vase with graceful contours.
1 Cut two mirror image vase shapes,

YOU WILL NEED
2 Weave the shapes together and tape
t Y YDN

the back to secure.
rectangle of paper
(medium weight)
2
t DPOUSBTUJOHY
YDN

rectangle of paper
(medium weight)
t UFNQMBUF QBHF
t TDJTTPST
t DFMMPQIBOFUBQF
2
FuzzY wuzzY Border

Slidepaperstaysoveranarrowstriptoallowittofloatonthesurfaceof
thepaper.Useaneedletomakeloopsofdownyfiber.
1 Punchholes1"(2.5cm)apartinthe
You will Need widestrip.
• 13/4"x12"(4.5x30.5cm) 2 Placethenarrowstripovertheholes.
stripofpaper Weaveonetaboverthenarrowstripand
4
throughtheholestosecure.
• 3/16"x12"(0.19x30.5cm)
stripofmatchingpaper 3 Repeatthroughallholes.Ontheback
ofthestrip,tapethetabendstosecure.
• twelve3/16"x12"(0.5x30.5
cm)tabsofcontrastingpaper 4 Weavetheyarnbackandforthalong
thelengthofthestrip.
• fuzzyyarn
• cellophanetape
• paperpunch(largehole)
• needle
w e av i n g 69
WAVE SCRAPBOOK PAGE
4IBLFPGGUIFSJHIUBOHMFT
PGUSBEJUJPOBMXFBWJOHCZ
JODPSQPSBUJOHXFGUQBQFSTUIBUCSJOH
UPNJOEUIFNPWFNFOU
PGPDFBOXBWFT
YOU WILL NEED

tY YDN

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NFEJVNUPIFBWZXFJHIU
tBTTPSUFEDPPSEJOBUJOH
TDSBQCPPLQBQFS MJHIUUP
NFEJVNXFJHIU
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.BSLBIPSJ[POUBMMJOF
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4 8FBWFJOUIFSFNBJOJOHTUSJQT6TF
/<NN>
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SVOPVUPGZBSO LOPUBOEUSJNUIFFOET
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W E AV I N G
FLOWER
3VODJSDMFTBSPVOECPSJOHEJFDVUTCZXFBWJOHJOBDJSDVMBSQBUUFSO
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ROPE BORDER SCRAPBOOK PAGE
YOU WILL NEED "TPGUFSWFSTJPOPGUIF[JH[BHCPSEFSJTNBEFXJUITDBMMPQFETUSJQFT
t Y YDN
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W E AV I N G
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W E AV I N G
S T I T C H I N G O N PA P E R
Put a needle and thread to work and create high-fashion paper pizzazz. Hand
or machine stitches can be used to attach paper appliqués, to join strips, or to
add textural details. Adopt a smart stitching strategy and you will look at paper
in a whole new way. If you are a beginner, follow these simple guidelines and
your success is almost guaranteed. If you are an experienced seamstress, substi-
tute paper for fabric and think outside the sewing basket!
Hand Stitching
Decorate a page with a single French knot or an entire back-
drop of cross-stitches. This age-old technique will dress up your
projects and take you back to a time when embellishment was
truly an art form.
Select rigid paper or card stock. Lightweight paper such as textweight paper
will tear easily and is not stiff enough to remain flat during and after handling.
Use embroidery floss, available at craft and needlework stores. Floss comes in
a variety of colors and fibers. Because individual skeins are inexpensive, pick
up a rainbow of colors.
Practice stitching on a paper scrap to achieve even stitching tension. Stitches

that are worked loosely will not lie flat on the paper, and pulling too tightly will
tear the paper. The projects in this chapter feature five basic embroidery stitches.
They include a straight stitch, a cross-stitch, a running stitch, a backstitch, and a
French knot.
YOU WILL NEED

1. t TJYTUSBOEDPUUPO
embroidery floss
tTFXJOHOFFEMF
medium size sharp
2.
tQFODJM
tTUSBJHIUQJO
tTDJTTPST
Straight stitch, cross-stitch Running stitch tXIJUFDSBGUHMVFPS
cellophane tape
1. 2. 3.
Back stitch French knot
S T I T C H I N G O N PA P E R 77
Hand stitching on paper
1 3 5
2 4 6
1 Draw the design or script on the front 3 Cut a short length of floss, approxi- 4 Working from left to right, backstitch
of the paper. Choose a colored pencil mately 10" (25.4 cm). short lengths are through the pinholes. take care when
that coordinates with the selected floss easier to draw through the pin holes and inserting the needle in the holes to avoid
color. In order to hide the marked lines, are less likely to twist or knot. separate tearing the paper. even slight tears may
you may choose to draw on the back of the strands and thread two strands in the make the stitched line appear uneven.
the paper. Keep in mind that images will needle. It is not necessary to knot the
need to be drawn in reverse. end of the floss strand. Because a knotted 5 When the stitching is complete,
end may pull through the pinhole to the place the paper on the craft table with
2 Use the straight pin to pierce holes in front of the paper, the end is secured the wrong side up. to secure the ends,
the paper along the marked line. space with glue or tape after the stitching is apply small drops of glue or squares of
the holes 1/8" to 1/4" (3 to 6 mm) apart. complete. Insert the needle on the back tape at the points at which the stitches
of the paper and draw it through to the start and stop.
front. Leave at least 2" (5.1 cm) at the
end of the floss strand and hold it in
6 allow the glue to dry and trim the
place as you sew.
floss ends.
Machine stitching
a sewing machine can be used to add distinctive lines and
textures to your paper projects. the process is quick and
easy, and any size or style of machine will do the trick.
stitching on paper will dull your needle, so designate one
machine needle for paper only. change to a sharp needle
before returning to stitching on fabric.
it is possible to use small or closely placed stitches if you back the paper with
nonwoven interfacing. it will reinforce the paper and prevent it from tearing
along the perforated stitching line. it is not necessary to use interfacing if you
choose a long straight stitch or an open zigzag stitch.
Before stitching, make sure that there is enough thread on the spool and on
the bobbin to finish the project. if you stop stitching to rethread the machine,
it will be difficult to resume stitching at the same point on the paper. restarting
will require you to align the machine with the pierced holes.
choose light- or mediumweight papers, and don’t stitch through more than
You will Need
two mediumweight or three lightweight layers. Use a scrap of paper to
experiment with stitch length and machine tension. perfect tension will display • tracing paper
the top and the bottom threads evenly.
• light- or mediumweight paper
the projects included in this chapter feature machine satin stitch, straight • all-purpose sewing thread
stitch, zigzag stitch, and free-form stitching. • nonwoven interfacing
• pencil
• straight pin
tip !
•••••••••••••••••••••••
Machine free-form stitch
• scissors
nonwoven interfacing is
recommended for satin stitch, and
small straight stitch. available at
craft and fabric stores, this handy
material is offered in a variety of
weights. Light or medium weights
work best for backing paper.
1 adjust the machine to a long straight stitch. it is not necessary to mark the design on
••••••••••••••••••••••• the paper before stitching. stitch slowly while turning the paper. although the design is
random, try to balance the scribbled stitching line within the desired area.
s t i t c h i n g o n pa p e r 79
Machine satin stitch
3 5
1
2 4
1 Draw the design or script on the front 3 adjust the machine to the desired 5 trim the excess interfacing from
of the paper. Choose a colored pencil settings. stitch slowly and turn the paper around the stitched image.
that coordinates with the selected thread. and interfacing together to follow the
marked line. When stitching a closed
2 Back the paper with a piece of image, slightly overlap at the ends.
interfacing that is larger than the
marked image. 4 When the stitching is complete,
place the paper on the work surface
with the wrong side up. Pull the end of
the bottom thread to create a loop in the
top thread. Use the straight pin to bring
the top thread to the back of the paper.
repeat with the second thread end.
Machine straight and zigzag stitches
1 2 3
1 adjust the machine to the desired 2 When stitching paper shapes, work 3 When the stitching is complete,
settings. Use both hands to guide the slowly around the edges. When stitching place the paper on the work surface
paper or papers through the machine. a closed image, slightly overlap at with the wrong side up. pull the end of
the ends. the bottom thread to create a loop in the
top thread. Use the straight pin to bring
the top thread to the back of the paper.
repeat with the second thread end. glue
or tape the thread ends.
Stitching Projects
EMBELLISHED GIFT TAGS
A few well-placed stitches dress up this trio of gift
tags. Use preprinted tags or add old-world designs
with rubber stamps.
Bird tag Acorn tag Cherries tag
1 1 1
1 1
2 2
1 pierce holes. With dark orange floss, 1 tear a square of contrasting paper 1 Use a pink pencil to address the tag,
use a running stitch to outline the bottom and place it on the tag. pierce holes and pierce holes along the marked lines.
of the tag. through both layers along the edge of the
square. then pierce corresponding holes 2 Backstitch the words with matching
2 pierce additional holes and add on the tag. pink floss.
straight stitches and French knots.
2 stitch the square to the tag with the 3 on the back of the tag, apply small
3 on the back of the tag, apply small light orange floss. dots of glue to secure the floss ends.
dots of glue to secure the floss ends. on
the front, add a message strip with glue 3 apply small dots of glue to secure
or double-sided adhesive. the floss ends, and finish by writing a
message on the tag.
3
WELCOME TO THE NEIGHBORHOOD GREETING CARD
Who wouldn’t want to live in a place with rolling hills and pie-in-the-sky
stitched flowers? Say hello to your new best friend with this creative card.
1 Tear free form shapes from selected 4 Repeat with the remaining flowers,
papers for the hills. Using template 30 and pull the thread ends to the back of
on page 197, cut the house and the the card.
flower shapes.
5 Change the adjustment to make a
2 Arrange the hill and house shapes long straight stitch, and make a free-form
and attach them to the card with double- design in the negative space around 5
sided adhesive. the flowers.
3 Adjust the machine to make a wide 6 Trim the thread ends and finish with
zigzag stitch. Place one flower on the a message strip that is attached with
front of the card and stitch slowly around glue or double-sided adhesive.
the flower center. Because the flower
center is small, rotate the card and
flower after each stitch.
4 BIRD NOTECARD
A duet of solid colors and simple shapes hits just the right note. Add a few
stitches for a big finish on a small card.
1 Using template 31, page 184 as 4 Use navy floss to add French knots
a guide, cut the shapes from selected for the eyes, and back stitching for
papers. Also cut a rectangle for the the legs.
background.
5 Glue the feet in place.
2 Attach the body, the wing, and the
circles to the rectangle with double- 6Draw a beak with a dark
sided adhesive. colored pencil.
3 Using the photo above as a 7At the top of the card, make a
7 guide, pierce holes for stitches. single stitch, tie the ends into a knot,
With coordinating floss, add straight and trim.
stitches for detail.
1
6
BABY SLEEPING SIGN
Make this miniature “Do Not Disturb” sign for your favorite baby. It’s a
stylish way to a good night’s sleep.
1 Use a lavender pencil to draw the mes- 5 Trim the excess interfacing and cover
sage on the paper, using template 32 on one rectangle with the stitched paper.
page 184 as a guide. Use contrasting paper to cover the sec-
ond rectangle for the back of the sign. 7
2 Place the paper on the interfacing.
6 With a ribbon handle sandwiched
3 Adjust the machine to make a narrow between them, glue the rectangles
satin stitch and use coordinating thread to together.
carefully stitch along the marked line.
7 Add stamped copy and accents with
4 From chipboard or cardboard, make glue or double-sided adhesive.
matching rectangles.
1
JOURNAL
If you need a handy place to pen your thoughts, don’t give up art for utility.
Make this snappy stitched cover for a chipboard journal and stash it in
your travel bag or backpack.
1 Cut strips of various widths from 4 Align a scalloped accent strip with a
5 selected papers. stitched seam and attach it to the pieced
paper with brads.
2 Choose contrasting thread. Slightly
overlap the long sides of the strips and 5 Cover the journal with the stitched
machine stitch them together with both paper and add die cut accents with glue
zigzag and straight stitches. or double-sided adhesive.
3 Stitch the pieced sections to a larger

sheet of backing paper.
EDGY EDGED CARDS
Enchanting borders turn cards into
magic. No sleight of hand required,
just a few basic stitches.
Wrapped edge card Cross-stitch card Sequined edge card
1 1 2
2 3
3 3
1 Mark and pierce holes at ½" 1 Trim a scrap of graph paper with a 1 Refer to the photo on page 88, and
(1.3 cm) increments. ¼" (6 mm) grid to the width of the card. mark and pierce the edge of the card.
Align the paper along the bottom of the
2 Working from left to right, wrap card and pierce through both layers at 2 With cream floss, use straight stitches
mauve floss around the edge of the card. the intersections. Pierce the desired num- to make the stems and the spokes. Thread
ber of rows for stitching. a white sequin at the top of a stem.
3 Reverse direction, and return to the
first pinhole. 2 Use variegated thread and working 3 Place a gold bead on the needle and
from left to right, make cross-stitches. insert it in the same hole that was used to
4 Adjust the stitches and on the back secure the sequin.
side of the card, apply a long strip of 3 Secure the ends with small dots of
cellophane tape over the entire row. craft glue or with cellophane tape. 4 On the back of the card, apply a
long strip of the cellophane tape over the
entire row.
PA P E R C U T T I N G
Don’t run with scissors! Instead find a comfy chair and settle in to make a paper-
cut masterpiece. The technique is a study in contrasts, with projects that range
from the simple to the sublime. Some are repetitive designs, made by cutting
through layers of folded paper. Others are single designs that you cut through
one layer with a craft knife. A few snips is all it takes to make charming retro
paper dolls and snowflakes. And with a nod to German Scherrenschnitte, you
can fashion an intricate heart or wreath.
Cutting Techniques
Choose a cutting method that suits your project. Some paper cutting is best done with a craft knife and cutting mat. Others are
cut with scissors from paper that has been folded in one of the following ways:
In halves or quarters In thirds or sixths (triangles) In an accordion pattern
Whether cutting with scissors or a knife,

hold all of the layers securely to ensure
accuracy. In order to make a cut tissue
paper shape easier to handle and to
glue in place, place it between two
sheets of wax paper. Press with a warm
iron to flatten and to infuse the tissue
with wax.
PA P E R C U T T I N G 91
Paper Cutting Projects
PLACE MATS
Reveal traditional motifs with a handy craft knife. A bouquet, a butterfly, a fruit bowl,
and a pair of doves make up this set of beautiful place mats.
For easy cleaning, cover them with lightweight vinyl.
YOU WILL NEED

tNFEJVNXFJHIUQBQFS
tUFNQMBUFT
QBHFTUP
tUSBDJOHQBQFS
tQFODJM
tDSBGULOJGF
tDVUUJOHNBU
tPJMDMPUI
tDMFBSWJOZM
1 Transfer the designs to the medium-

weight paper, using the templates as
a guide.

marked lines.
3 Attach the top layer of paper to the

bottom layer with double-sided adhesive.
4 Sandwich the paper design between

a rectangle of oil cloth and a rectangle
of clear vinyl. Machine stitch around
the outer edge.
ALPINE HEART 1 Fold the tissue in half. Noting fold
YOU WILL NEED lines, transfer the design to the top layer,
t TRVBSFPGQJOLUJTTVFQBQFS
2 Cut through all layers. Use a pair of
t UFNQMBUF QBHF
sharp scissors for the large areas and a
t XBYQBQFS craft knife for the small areas.
t USBDJOHQBQFS
3 Unfold and press between two sheets
t QFODJM
of wax paper.
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
t JSPO
SNOWFLAKE GARLAND 1 Fold each square into sixths. Noting
Celebrate winter with a cheery YOU WILL NEED fold lines, transfer the patterns to the top
layers, using the templates as a guide.
draping of cut paper snowflakes t BOE
and paper link chain. What a BOEDN
squares of lightweight paper sharp scissors for the large areas and a
great way to entertain the kids on
t UFNQMBUFT QBHFT craft knife for the small areas.
a school-is-closed snow day! UP
t USBDJOHQBQFS
t QFODJM
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
HOME FOR
CHRISTMAS
1 For the flowers, fold the paper in a
YOU WILL NEED four-panel accordion pattern. For the

houses, fold the paper in a six-panel
t Y YDN
accordion pattern. Noting fold lines,
rectangle of wrapping paper transfer the designs to the top layer,
t Y YDN

strip of wrapping paper
t UFNQMBUFT QBHFT sharp scissors for the large areas and a
BOE craft knife for the small areas.
t USBDJOHQBQFS
t QFODJM
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
SOUTH OF THE BORDER
Add a little Mexican flair to a greeting card
or scrapbook page with a shooting star or
Santa Fe heart motif.
1 Fold the tissue into quarters. Noting

YOU WILL NEED fold lines, transfer the design to the top
layer, using the template as a guide.
t DN
TRVBSFPGUJTTVF
paper, turquoise or red 2 Cut through all layers. Use a pair of
t UFNQMBUF QBHF sharp scissors for the large areas and a

craft knife for the small areas.
t XBYQBQFS
t USBDJOH 3 Unfold and press between two sheets
paper of wax paper.
t QFODJM
t TDJTTPST
HIGH NOON
YOU WILL NEED

t DN
TRVBSF
of lightweight paper
tUFNQMBUF QBHF
t tracing paper
t pencil
t scissors
t craft knife
t cutting mat
1 Fold the paper in half. Noting fold

lines, transfer the design to the top layer,

BEEHIVE 1 Fold the paper into quarters. Noting
WREATH YOU WILL NEED fold lines, transfer the design to the top
layer, using the template as a guide.
t Y YDN

rectangle of wrapping paper 2 Cut through all layers. Use a pair of

t USBDJOHQBQFS
t QFODJM
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
PAPER DOLLS 1 Fold the paper in a four-panel
YOU WILL NEED accordion pattern. Noting fold lines,

transfer the design to the top layer,
t DN
TRVBSFPG using the template as a guide.
wrapping paper
t UFNQMBUF QBHF
t TDJTTPST craft knife for the small areas.
t DSBGULOJGF
t DVUUJOHNBU
PA P E R C U T T I N G 99
DESERT 1 Fold the tissue into sixths. Noting fold
FLOWERS YOU WILL NEED lines, transfer the design to the top layer,
t wYw YDN

rectangle of blue tissue paper 2 Cut through all layers. Use a pair of

t XBYQBQFS
t USBDJOHQBQFS 3 Unfold and press between two sheets
t QFODJM of wax paper.
t TDJTTPST
t DSBGULOJGF
t DVUUJOHNBU
t JSPO
DON’T 1 Fold the paper in a six-panel accor-
FENCE YOU WILL NEED dion pattern. Noting fold lines, transfer
ME IN the design to the top layer, using the
t 2½Y YDN
template as a guide.
rectangle of wrapping paper
t UFNQMBUF QBHF
t tracing paper craft knife for the small areas.
t pencil
t scissors
t craft knife
t cutting mat
QUILLING
Women in colonial America amused themselves by making paper coils, and then
using the coils to embellish paper samplers and hatboxes. The tools available
to roll the coils were hat pins and quills, hence the name. This activity was held
in such high esteem that most elite boarding schools taught “Quill Work” along
with literature and music.
Quilling Techniques
Precut quilling papers are available in
1/8" and 1/4" (3 and 6 mm) widths.
To make your own, use a craft knife

and a metal ruler to cut mediumweight
paper into strips. For stiffer, looser
coils, use construction paper strips.
A quilling tool is recommended to roll

the strips. It is possible to shape the
strips with your fingertips, but without
a tool it is hard to achieve a uniform
coil. And because the strips are
narrow, hand rolling is more likely to
crush them while shaping.
To make a coil
2 4 1 Cut the strip to the desired length.

Most models were made from short strips
3" to 4" (7.6 to 10.2 cm) long. For big-
ger shapes, cut longer lengths.
2 Slide the end of the strip between the

metal prongs of the quilling tool.
3 Keep the paper in place while rolling

the tool handle.
4 Carefully remove the coil from

the tool.
3 5 5 To secure the coils to a surface,

squirt a shallow pool of white craft glue
in a dish or on scrap paper. Pick up a
coil with tweezers, dip the bottom in the
glue, and place it on the surface.
QUILLING 103
Pinch and bend the coils to make additional shapes.
Square Triangle Ellipse Leaf Tombstone
Combine shapes for mini three-dimensional images.
Fish Flower Boat
Person
House
Quilling Projects
QUILLED APPLIQUÉS
Quilled pieces glued to a base shape make adorable appliqués YOU WILL NEED
tRVJMMJOHQBQFST
for paper crafting. Here, individual appliqués are featured on
tQBQFSTGPSCBTFTIBQFT
peek-a-boo note cards.
tNFEJVNXFJHIUQBQFS
tUFNQMBUF QBHF
tUSBDJOHQBQFS
tQFODJM
tXIJUFDSBGUHMVF
tRVJMMJOHUPPM
tUXFF[FST
Heart appliqué
2
Lamb appliqué Leaf appliqué
2 2
1 Cut one lamb silhouette from 1 Cut one leaf silhouette from the
1 Cut a 6" (15.2 cm) length of
the mediumweight paper, using the mediumweight paper, using the
template as a guide. template as a guide. quilling paper. Pinch at the center.
2 Make coils from 3" (7.6 cm) 2 Make coils from 3" (7.6 cm)
2 Curl the ends to the center to form
lengths of quilling paper. Glue the lengths of quilling paper. Pinch the a heart shape.
coils to the lamb shape. Let dry. coils to make tear drop shapes. Glue 3 Glue the heart to the backing paper.
the coils to the leaf shape. Let dry.
QUILLING 105
FROSTED CUPCAKES
Scrumptious and calorie free! Make
paper cupcakes with frilly quilled
toppings to decorate for a party or
commemorate a special birthday.
YOU WILL NEED

tUFNQMBUF QBHF
tUSBDJOHQBQFS
tQBQFSDVQXJUI
(5.7 cm) base
tUJTTVFQBQFSTJO
desired colors
t4UZSPGPBNCBMM
t1BQFS$MBZ
tOFXTQBQFSTDSBQT
tXPPEFOPSXBYDBOEMF
tQBQFSTXIJUFRVJMMJOH
strips for the white frosted
cupcake; orange medium-
weight paper for the orange
frosted cupcake; pink
medium-weight paper for
the pink frosted cupcake
tXIJUFDSBGUHMVF
tTDJTTPST
tQFODJM
tRVJMMJOHUPPM
tUXFF[FST
tTUSBJHIUQJOT
1 4 6
2 4 7
3 4 8
5 9
To make the cupcakes
1 Cut a paper cup to the desired

height. Choose a cup with a wide base.
2 Cut large squares of tissue. Wrap

the tissues around the base of the cup Or cut a narrow strip of paper and twist 7 Insert the ball in the cup.
and tuck the edges inside. it diagonally to make a scallop band.
8 Wrap short paper strips over the bot-
3 Cover a foam ball with Paper Clay. 5 Cover the cup edge with the band. tom of a wooden or wax candle.
4 Cut a wide paper strip and fold it in 6 Stuff newspaper scraps in the bottom 9 Press the candle in the top of the
half to make a flat band. of the cup. cupcake. Let the cupcake dry.
QUILLING 107
White frosted cupcake Orange frosted cupcake Pink frosted cupcake
2 2 2
3 3
1 Make coils from 3" (7.6 cm) strips.
2 Glue the coils to the cupcake.
1 Cut spoked shapes from the 1 Cut 1¾" (4.5 cm) squares from the
mediumweight paper, using the paper. Cut slits along opposite sides to
template as a guide. XJUIJO NN
PGUIFDFOUFS
2 Coil the spokes of each shape. 2 Coil the strips on each shape.
3 Glue the coiled spokes to the 3 Glue the coiled strips to the cupcake.
cupcake. Hold the spokes in place with Hold the strips in place with straight pins
straight pins as the glue dries. as the glue dries.
LITTLE SPROUT 2
As if bald babies could be any YOU WILL NEED

cuter! A twist of quilled paper tartwork or photo of a baby
makes this one irresistible. tUXPUPOFQBQFS
tDFMMPQIBOFUBQF
tRVJMMJOHUPPM
tDSBGULOJGF
tDVUUJOHNBU
3
1 Cut a 1/8" x 2" (3 mm x 5.1 cm)

strip from the two-tone paper.
2 Coil the paper with the quilling
tool. Pull the end while releasing it to
create a spiral.
3 Cut a slit in the artwork and slide
the end of the spiral to the back. Tape
in place.
QUILLING
GIFT BOW
Interesting things happen when you
use your quilling tool to dress up a
paper bow.
YOU WILL NEED

tMJHIUXFJHIUDPMPSFEQBQFS
tTDJTTPST
tNFUBMSVMFS
tRVJMMJOHUPPM
1 Cut a 1" (2.5 cm) strip from the full

width of the paper. From the narrow
ends, make cuts 1/8" (6 mm) apart to
within 1" (2.5 cm) of the center.
2 Wind a paper strip around
the quilling tool. Pull the end while
releasing it to create a spiral.
3 Curl the remaining strips.
4 Fold the rectangle in half, bring
the curls together.
5 Fold in half again in the
other direction.
1 4
2 5
Carnival Mask 2
A lovely quilled mask evokes a mood You will need

or provokes a memory. • paper mask
• quilling paper
• white craft glue
• quilling tool
• tweezers

2 glue the coils to the mask around
each eyehole.
quilling 111
FRAME
Quill an edging around a mat
window to give even simple
artwork the royal treatment.
YOU WILL NEED

tMJHIUXFJHIUQBQFS
tGSBNF
tNFUBMSVMFS
tTDJTTPST
tRVJMMJOHUPPM
1 From the light-weight paper, cut

two rectangles 2" (5.1 cm) wide and
slightly longer than the width of the
frame window. Cut two rectangles 2"
(5.1 cm) wide and slightly longer than
the length of the frame window.
2 Refer to the diagram and cut slits in
the rectangles.
3 Coil the strips.
4 Attach the strips to the frame.
2 2 3
1/8 " "

1/8 "
1/4
13/4"
YOU WILL NEED
tRVJMMJOHQBQFS
tXIJUFDSBGUHMVF
tRVJMMJOHUPPM
tUXFF[FST

Pinch them together at the ends to
make disk shapes.
2 Glue the shapes together in an
arc shape.
DELICATE ARC
An easy treatment makes ordinary paper seem special.
NAPKIN RING 2
"EBJOUZRVJMMFEGMPSBMNPUJGUVSOTBTJNQMFQBQFSOBQLJOSJOHJOUP
a special memento.
1 From the two-tone paper, cut one

YOU WILL NEED wave shape and one flower shape,
3
using the templates as a guide.
ttwo-tone paper
2 $VUBOEDPJMUIFRVJMMJOHQBQFS
tmediumweight paper Glue the coils to the flower. Let dry.
ttemplates #48, page 197 3 Punch a hole in the end of the
ttracing paper wave. Tie some paper strips through
the hole. Glue the flower to the end of
tRVJMMJOHQBQFS
the wave shape.
tpencil 4
4 Bend and secure the loop at
tRVJMMJOHUPPM the slits.
thole punch
tadhesive
ttweezers
QUILLING 113
JOURNALS
Wild enthusiasm for the scrapbook has boosted the image of its first cousin the
journal. With an expanded definition, the word journal is now used as both a
noun and a verb. With a small stack of paper and a little imagination, you can
make a journal (noun) that is as personal as what you journal (verb).
Journal Details
The projects presented on pages 118 to 129 should be viewed as recipes for basic notebooks. Mix up your own versions
by altering the sizes or the decorative elements. You can even customize the interior pages by adding tabs, a flap, a
decorative corner, or a mini-envelope. If you are making a journal to present as a gift, consider making an ornamental
bookmark or decorated pencil as an accessory.
Tab
1 2 3
1 Cut strips and fold in half. 2 Add double-sided adhesive. 3 Attach to the top edge of the page.
Flap
Fold down the edge of a rectangle, and attach it to the page with double-sided adhesive.
JOURNALS 115
Corner
1 5
1 Fold a strip at a right angle. 4 Add double-sided adhesive to

the ends.
2 Fold again to make a point.
5 Attach to the page corner.
3 Trim ends.
3
Bookmarks
Mini-envelope
1 4
1 Cut slits in the top and bottom 3 Attach double-sided adhesive to

edges of an envelope. the ends.
2 Slide a strip of contrasting paper 4 Attach the strip to the page.
through the slits.
3
Pencil
JOURNALS 117
Journal Projects
WRAPPED TABLET
The jacket folded around this paper
tablet will protect your important
scribbles. Keep it nearby in case
inspiration strikes.
YOU WILL NEED

tY YDN

sheet of paper for the cover
(heavy weight)
tEFTJSFEOVNCFSPGY
(11.4 x 19.1 cm) sheets of
lightweight paper for the
inside pages
tTDPSJOHUPPM
tQBQFSQVODI
tSJCCPO
1 3" 3
tNFUBMSVMFS 9" 5"
tTUBQMFS
1 Score the cover at the score lines

indicated on the diagram.
2 Fold the sides in along the
scored lines.
3 Center the pages in the cover and 4
1
staple along the top edge.
4 Center the pages a hole in the left
flap and insert the ribbon.
5 Fold in the right and left flaps and
wrap the ribbon around the cover. Tie
in a knot. 2 5
BUTTON BOOKLET
Who’s got the button booklet?
Make a handful of these handy
notebooks and pass them around to
your circle of friends.
YOU WILL NEED

tUXPY YDN

sheets of paper for the cover
tEFTJSFEOVNCFSPGY
x 12.7 cm) sheets of paper for
the inside pages (light-weight)
tUXPCVUUPOT
tUISFBE
tDSBGULOJGF
t DVUUJOHNBU
tOFFEMF
tTDJTTPST 1 3
1 Mark the cover sheets at the dots

indicated on the diagram. Layer the
cover sheets and with the craft knife
pierce a hole through each at the dot.
2 With the needle pierce a hole in one 4
1
page at the dot indicated on the diagram.
Repeat with the remaining pages.
3 Stack the pages between the covers.
Place a button on the pierced hole and
insert the needle through all layers.
4 Thread the needle through the
second button on the back of the cover. 5
2
Working from the back to the front,
thread the needle through all layers.
5 Repeat several times, knot the
thread, and trim the thread ends.
6 Embellish the cover as desired.
JOURNALS 119
STITCHED JOURNAL
Based on traditional stitched books, this version joins the pages to a support strip with thread, then joins the strip
to the cover with double-sided adhesive.
1 3

/
YOU WILL NEED
tY YDN

NFEJVNUPIFBWZXFJHIU
tTJYUPUFOTIFFUTPGY
YDN
QBQFSGPS
UIFJOTJEFQBHFT MJHIUXFJHIU
t/Y YDN
TUSJQ
PGDIJQCPBSE HJGUCPYFTBSF 1 4
UIFQFSGFDUXFJHIUBOEEFOTJUZ
tUISFBE
tNFUBMSVMFS
tTDPSJOHUPPM
tQFODJM
tOFFEMF 2 5
tTDJTTPST

2 Fold the sides in at the score lines.
3 Mark the pages at the dots
4 With the needle, pierce the pages 3 6
at the marked dots.

1/2
5 Mark and pierce the strip at the

dots indicated on the diagram.
6 Center the strip on the stacked
pages and stitch through all layers.
Knot and trim the thread ends.
JOURNALS 121
S T I T C H E D J O U R N A L continued
7 Cut a narrow strip of double-sided 7 9

adhesive and apply it to the chipboard
strip. Remove the protective paper
from the adhesive.
8 Open the cover on the craft table.
Align the chipboard strip to the center
of the cover and press in place.
9 Open the book at the center and
8 10
place it right side up on the craft table.
Cut narrow strips of double-sided
adhesive and apply them to the ends
of the chipboard strip. Remove the
protective paper from the adhesive.
10 Bend the ends to the right side of
the cover and press in place.
11 Embellish the cover as desired. 11
ACCORDION ALBUM
Record the ultimate run-on sentence in a book that expands with your imagination. When you are done
writing, you can display your work on a dresser or tabletop.
1 2
YOU WILL NEED

tUXPTIFFUTPGY
(8.3 x 13.3 cm) paper for
the cover (heavy weight)
tGPVSTIFFUTPGY
YDN
QBQFSGPS
the inside pages (light to
medium weight)
tSVCCFSDFNFOU 2 3
tSJCCPO
1 Fold each inside page in an

accordion pattern as indicated on
the diagram.
3 Glue one cover sheet to each strip
2 To make one folded strip, refer
end with rubber cement.
to the diagram and glue the ends
together with rubber cement. 4 Wrap with ribbon to close.
JOURNALS 123
BANDED JOURNAL
Hand stitch these pages together; then secure them to the cover with paper bands. A decidedly formal element is
added with contrasting end papers.
YOU WILL NEED

tY YDN

tTJYUPUFOTIFFUT
PGY £
YDN
QBQFS
for the inside pages
(light weight)
tUXPY£
(14 x 17.2 cm)
sheets of paper for the
end papers (medium to
heavy weight)
tGPVS7/8Y
YDN

paper bands
tUISFBE
tOFFEMF
tNFUBMSVMFS
tTDJTTPST
tQFODJM
tTDPSJOHUPPM
1 Mark and pierce the pages at the

dots indicated on the diagram.
2 Stack the pages together and join
them with an over/under stitch. Knot
and trim the thread ends.
1 2 6

3 7

2 4
3/8 8
4 9
3 Fold the pages in half.
5 Apply two strips of double-sided
adhesive to each of the bands.
6 Place the stitched paper facedown
on the craft table. With the adhesive 5 10
side up, slide the tabs under the thread.
7 Open the cover on the craft table.
Place the stitched paper with bands
on the inside cover and fold to one
side. Remove the protective paper
from the adhesive.
8 Press the bands to the cover.
5 11
9 Repeat on the other side of the
cover.
10 Attach the end papers to the
inside of the cover with the double-
sided adhesive.
JOURNALS
Notebook of kNots
You can build this clever book in no time at all. assemble the folded pages within the cover and then tie it all together in a
bright red happy ending.
You will Need

• 81/2" x 11" (21.6 x 27.9 cm)
• desired number of 8" x 101/4"
(20.3 x 26 cm) sheets of
paper for the inside pages
(light weight)
• yarn
• decorative paper accents
• metal ruler
• scoring tool
• pencil
• paper punch
1 score the cover at the score lines

2 Mark the cover at the dots
3 fold along one scored line, and
punch through both layers at the
marked dots.
4 refold along the other scored line,
and using the punched holes along the
spine as a guide, punch through the
remaining side.
5 fold one sheet of lightweight
paper in half.
6 Place the paper in the cover
and fold. Using the punched holes
along the spine as a guide, mark
the paper.
7 Punch through both layers at
the marked dots. repeat with the
remaining pages.
1 3 6
1 3 7
2 4 8

2 5 8
5 9
8 Stack the folded pages and insert
them in the cover. Thread the yarn
through the cover and the inside pages
and tie the ends in a knot. Note that the
holes punched along the spine are used
only as a guide. Thread the yarn through
the holes along the outside edges only.
9 Complete with the remaining holes
and embellish the cover as desired.
JOURNALS 127
DECO FOLIO
An eye-catching way to create a simple binding, the dowel adds stability
and decoration. A win-win for a winsome journal.
1 4

YOU WILL NEED
tUXPY YDN

sheets of paper for the cover
NFEJVNUPIFBWZXFJHIU
tEFTJSFEOVNCFSPG£Y£
YDN
TIFFUTPGQBQFS
GPSUIFJOTJEFQBHFT MJHIUXFJHIU
t DN
EPXFM
1 5
tUISFBE
t TDPSJOHUPPM
tNFUBMSVMFS
t QFODJM
t OFFEMF
t TDJTTPST 2 6
1 Score the cover sheets at the score

lines indicated on the diagram.
2 Mark the cover sheets at the dots
3 With the needle, pierce the cover
sheets at the marked dots.
2 7
4 Mark and pierce the inside pages
at the marked dots.
5 Stack the pages and layer them
between the cover sheets. In an over/
under pattern, stitch through all layers.
At the end of the seam, loop the
thread again through all layers.
6 Lash the dowel to the front cover.
Use the same holes that were used to
stitch the layers together. 3 8
7 Knot the thread and trim the

thread ends.
JOURNALS 129
D E C O U PA G E
The beauty of decoupage is in its simplicity: cut and paste. Three hundred years
ago, wealthy Venetians employed master painters to decorate their walls and
furniture. The idea trickled down to the masses and took the form of printed art-
work that was cut from paper and glued in place. Thus was born the Italian label
for this technique—arte povera or poor man’s art. The Asian version features
many layers of shiny lacquer applied to dark furniture. Modern adhesives that
are specially formulated for decoupage make this craft fun and easy.
Surfaces and Papers
The best surfaces for decoupage are smooth and nonporous such as wood, metal, and plastic. When working
on wood, sand and seal with paint or varnish before gluing the paper in place. If you use lightweight paper
and a brush with soft bristles, it is possible to decorate surfaces with ridges, but avoid surfaces with bumps as
they will tear or wrinkle the paper. Book covers can be used as a substrate but must be rigid enough to accept
varnish without warping.
Choose decorative papers that are light to medium weight; heavy papers require more layers of varnish to
blend the cut edge. Or try specialty papers designed for decoupage. They are made to look like paintings and
are connected to a paper frame by small tabs. You can also use wrapping paper or novelty paper shapes.
Additional paper options include images cut from books, magazines, and napkins.
Decoupage papers Wrapping paper
Novelty paper shapes
D E C O U PA G E 131
Techniques
When cutting shapes from paper, you can alter the appearance by cutting around the image or leaving a contrasting
border around the image. You can also layer papers to create borders.
Use adhesives that are formulated especially for
decoupage, diluted white craft glue, or spray
adhesive to apply the paper to the surface. Avoid
using rubber cement, as it may leave raised
brushstrokes. When layering papers, start with a
lightweight paper such as tissue paper.
Add the second paper. Watch the edges as they dry,

and press them back in place if they start to curl.
If you want a lustrous or durable finish, coat the

surface with varnish. Choose from liquid or spray
varnish. Follow the manufacturer’s directions and
apply a thin coat. Allow the varnish to dry completely
and apply a second coat. Repeat until the desired
veneer is achieved.
Decoupage Projects
VINEGAR BOTTLE BUD VASE HARLEQUIN ORNAMENTS
Some bottles are too good to toss. Size up your Stripes never seem to go out of style. Make these
empties before you put them in the recycle bin. beautiful ornaments by decoupaging paper strips
onto glass eggs. A sprinkling of fine iridescent glitter
between coats gives them extra sparkle.
CD COASTERS HATBOX
With a resin coating, these CDs

serve as attractive coasters. Back
them with cork or nonstick shelf liner.
FRAME
Botanical illustrations were With abundant embellishments you can turn a

cut from an old picture book to cardboard hatbox into a fashionable hiding place for
decorate this very old frame. ribbons, sewing notions, or your favorite accessories.
EGG PITCHER PERFECT
Timeworn enamelware takes on new life with a

simple decoupage decal.
CLOCK
Paper stickers transform a craft-store wooden egg

into an old world treasure.
What time is it? Time to loosen up your tie.
BOOKS
From the best-seller list to the best-dressed list,

these books make the grade.
SCULPTING
Mild-mannered paper lying flat on your craft table is actually the stuff of dynamic
sculpting. In the blink of an eye it can be transformed into super home decor
projects, clever gift embellishments, or whimsical ornaments. This is an area of
paper crafting where two-tone paper or paper that is printed on both sides can
really make an impact. Try your hand at some of these projects or experiment
with cutting and folding to sculpt original designs. Table toppers, tree toppers,
cake toppers … these sculpting projects are all tops!
Sculpting Projects
Projects require paper that is weighty enough to hold its shape without drooping.
SALTWATER SANDALS 1
These paper sandals are sure to YOU WILL NEED

warm the heart of anyone who has t UXPY YDN

strolled along a sunny beach. sheets of two-toned scrapbook
QBQFS NFEJVNUPIFBWZXFJHIU
t UFNQMBUFT QBHF
1 Cut the sole and the band shapes,
using the templates as a guide. t USBDJOHQBQFS
t EPVCMFTJEFEBEIFTJWF 3
2 Reverse the patterns and cut a t GPVSTNBMMCSBET
second set of shapes.
t QFODJM
3 With the craft knife, pierce holes in t TDJTTPST
the shapes where indicated. Cut slits in
t DSBGULOJGF
the bands where indicated.
t DVUUJOHNBU
SCULPTING 139
S A L T W A T E R S A N D A L S continued
4 Cut small squares of double-sided 4 6

adhesive and attach them to the wrong
sides of the shapes as shown.
5 Fold the side flaps up along the dot-

ted lines.
6 Slide and attach the flaps to the bot-

tom of the sole.
7 Insert and secure a brad through the

pierced holes.
8 Fold the band ends under along the

dotted lines.
5 6
9 Align the pierced holes of the sole
and the band end, and insert and secure
a brad.
10 Attach the remaining ends to the bot-

tom of the sole.
11 Slide the toe strap through the slits.
12 Tie a loose knot with the strap ends

and pinch to secure.
5 7
8 10
9 11
10 12
SCULPTING 141
Guardian anGel 1 Using the template as a guide,
Options for angel’s skirt are You will need cut one angel shape from the scrap-
book paper and one face from the
endless. Perch her on a bedpost or • 12" x 12" (30.5 x 30.5 cm) white paper.
bookshelf where she can keep an sheet of scrapbook paper
(medium weight) 2 fold the notched edges up along
eye on things.
• scrap of white scrapbook paper the dotted line.
• templates #50, page 199

3 Bend the sides to the back and
• tracing paper overlap the edges.
• double-sided adhesive
4 staple the edges together.
• pencil
• scissors 5 fold the neck flap down.
• stapler
6 highlight the face details with the
• colored pencils colored pencils.
7 apply a small square of double-

sided adhesive to the back of the face
and attach it to the neck.
1 3 6
1 4 7
2 5
SCULPTING
BUD VASE
Need an instant bud vase? In this
perky paper disguise, even an
empty pill bottle fills the role.
YOU WILL NEED

t Y YDN

sheet of scrapbook paper
NFEJVNXFJHIU
t NFUBMSVMFS
t TDJTTPST
t QFODJM
t DSBGULOJGF
t DVUUJOHNBU
1 $VUPOFY YDN

SFDUBOHMF BOEPOFY Y
DN
SFDUBOHMF
2 Accordion-fold the narrow rectangle

in four sections.
3 Mark an X in the center of the top

fold. Mark a second X diagonal to
the first.

marked lines through all layers.
5 Push up all of the cut triangles.
6 Starting from one short side, roll the

large rectangle to form a tube.
7 Slide the cut section over the tube.
8 To balance the tube, adjust the

folded sections at even angles.
2 3 6
2 3 7
3 5 8
SCULPTING
MAY BASKET
Fill this rectangular basket with candy sticks, pretzel rods, and lollipops. Then ring
the doorbell and run!
1 Cut one basket shape, using the 5 Place the basket shape on the craft
YOU WILL NEED template as a guide. table. Fold one end up and wrap the
adjacent corners around it.
tY YDN
2 Cut slits in the shape where indicated.
sheet of scrapbook paper 6 Staple through all layers. Repeat with
NFEJVNUPIFBWZXFJHIU
the opposite end.
3 Score along the dotted lines.
tUFNQMBUF QBHF
7 Fold the point of one end down.
tUSBDJOHQBQFS 4 Fold the sides and ends in along the
scored lines. Repeat with the opposite end.
tQFODJM
8 Staple the handles together at the
tTDJTTPST
pointed ends.
tTDPSJOHUPPM
tNFUBMSVMFS
tTUBQMFS
2 4 6
3 5 7
4 5 8
sculpting 147
PINWHEEL
For a new spin on things, adorn
BHJGUCBHPSCPYXJUIBCSFF[Z
pinwheel instead of a bow.
YOU WILL NEED

t DN
TRVBSF
PGUXPUPOFEQBQFS NFEJVN
UPIFBWZXFJHIU
tTNBMMCSBE
tTDJTTPST
tDSBGULOJGF
tDVUUJOHNBU 2 4
1 Pierce a small hole in the center of

the square and cut slits from each corner
UPXJUIJO NN
PGUIFDFOUFSIPMF
2 In each of the triangles that have

formed, pierce a hole in the bottom left 3 5
corner, as shown.
3 Align one corner hole with the

center hole.
4 Working clockwise, align the

remaining holes with the center hole.
4
5 Insert the brad through all layers

and secure.
5 5
BOW
Ribbon’s not the only way to pop
FYUSBQBOBDIFPOBHJGUCPY
YOU WILL NEED

t /8Y YDN
TUSJQ
of two-toned paper
NFEJVNUPIFBWZXFJHIU
t TNBMMCSBE
t DSBGULOJGF
t DVUUJOHNBU
t TDJTTPST
1 With the wrong side up, make a

2 4
loop in the paper.
2 Make a second loop in the mirror

image of the first.
3 Pierce the center through all layers

with the craft knife.
4 Insert and secure the brad.
5 Trim the bow ends.
1 3 5
SCULPTING
Faux EastEr BaskEt
all the best-dressed eggs are wearing them this season. You will NEEd
• 12" x 12" (30.5 x 30.5 cm)
sheet two-toned scrapbook
paper
• 12" x 12" (30.5 x 30.5 cm)
sheet coordinating scrapbook
paper
• template #52, page 201
• tracing paper
• pencil
• metal ruler
• scissors
• stapler
1 Cut one basket shape, using the

template as a guide. Cut one 33/4” x 9"
(9.5 x 23 cm) rectangle from the coord-
inating paper. Cut 3/8" x 2" (3 mm x 5.1
cm) slits along the long edge.
2 fold up the opposite long edge

1" (2.5 cm).
3 slide the bottom of the basket shape

between the cut edge and the folded
edge.
4 Bend both shapes to make a cylinder

and overlap the ends inside the fold.
5 staple through all layers.
6 Bend the short ends down and tuck

them behind the coordinating band.
7 snip perpendicular slits in the

handle ends.
8 Join the slits to secure the handle ends.
9 Crinkle the cut slits to resemble grass.
1 5 7
sculpting 151
PA P I E R - M Â C H É
Papier-mâché has long been the medium that allows artists to create lighter-than-
air make-believe. From theatrical props to costume jewelry, you can build almost
anything with this combination of paper and glue. And although they are light-
weight, finished projects are sturdy enough to be carved and sanded. Ancient
papier-mâché helmets have been unearthed in China that were strong enough
to protect warriors from arrows and spears.
Simple Formula
The two ingredients required for papier-mâché are paper and paste.
Old newspaper is used most often because it is lightweight, porous, and easy
to tear. And most of all because it is inexpensive and abundant. A wide variety
of glue recipes can be used, some that include such exotic ingredients as bitter
cucumber (to scrub the paper fibers), garlic (to repel insects), and cinnamon (to
mask the smell of the garlic).
This recipe includes only four basic ingredients: flour, water, salt, and craft glue.
You can use the white or wheat flour that is on your pantry shelf. If you desire
stronger paste, use potato flour, and for smoother paste, use tapioca flour.
1 In a saucepan, sprinkle ¼ cup

flour into 2 cups of cold water and
stir with a whisk. Place on low to
medium heat and continue stirring
as the mixture thickens. Cook until
it becomes the consistency of runny
mashed potatoes. If necessary,
sprinkle in more flour and continue
stirring. Remove any large lumps with
a slotted spoon.
2 Remove from the heat and let the
paste cool. It will thicken slightly.
3 Add 1 teaspoon salt to
prevent mold.
4 Stir in 3 to 4 tablespoons of
white glue. This will make the paste
smoother to work with and stronger
when dry.
5 Tear the paper into small strips.
Torn edges will blend better than cut

edges.
6 Soak the strips in the paste.
7 Skim the excess paste from strips
before applying them to the surface.
Allow the paste to dry completely

between layers.
PA P I E R - M Â C H É 153
Papier-Mâché Projects
The models included in this chapter can be divided into two categories. Most projects have a framework or substrate
under the papier-mâché. The papier-mâché is used as a finishing layer and/or to add texture. The vase and the party
favors are in a different category. They take on the shape of their supporting forms, and when the forms are removed, the
papier-mâché is self-supporting. These projects’ integral strength is achieved with more layers of paper and paste.
YOU WILL NEED

tDBSECPBSE
tUFNQMBUFT QBHF
tUSBDJOHQBQFS
tNBTLJOHUBQF
tXIJUFDSBGUHMVF
tQBQJFSNÉDIÏQBTUF
tQBJOUCSVTIPSTQPOHF
tOFXTQBQFS
APPLE TRAY
tQBJOU
The ultimate green project: a multi-use tray made from materials resurrected
tTDJTTPST
from the recycle bin.
tQFODJM
tNFUBMSVMFS
1 Cut one cardboard tray shape and 4 Apply two to three layers of
two handle shapes, using the templates papier-mâché. Let dry. tTDPSJOHUPPM
as a guide.
5 Paint as desired.
2 Score along the fold lines as indicated. 4
3 Fold up the sides and secure them with

masking tape. Bend the handles down and
glue the handle shapes on top.
2 3
FLORAL FRAME
A favorite photo deserves a
special setting.
YOU WILL NEED

t UFNQMBUFT
QBHFTBOE
t USBDJOHQBQFS
t DBSECPBSE
t NBTLJOHUBQF
t XIJUFDSBGUHMVF
t QBQJFSNÉDIÏQBTUF
t OFXTQBQFS
t QBJOU
t QFODJM
t QBJOUCSVTIPSTQPOHF
1 3
1 Cut the cardboard frame and the
appliqué shapes, using the templates as
a guide.
2 Glue the shapes to the frame.
3 Apply two to three layers

of papier-mâché. Let dry.
4 Paint as desired.
2 4
PEPPERMINT ORNAMENT
Fashion this ornament completely
from scratch, or start with a
cardboard ball from the craft store.
YOU WILL NEED

tOFXTQBQFS
tNBTLJOHUBQF
tUJTTVFQBQFS
tQBQJFSNÉDIÏQBTUF
t1BQFS$MBZ
tQBJOU
tEFDPSBUJWFBDDFOUT
tQBJOUCSVTIPSTQPOHF
1 Form the newspaper into a ball and

secure it with masking tape.
2 Dip a sheet of tissue paper into

the paste and wrap it around the ball.
Smooth out any wrinkles and let dry. 1 3
3 Shape Paper Clay around the ball

and let dry.
4 Paint as desired.
2 4
CARROT
Not the edible kind, but here’s a
carrot any bunny would be proud to
call friend.
YOU WILL NEED

t OFXTQSJOU
t UFNQMBUF QBHF
t USBDJOHQBQFS
t QFODJM
t NBTLJOHUBQF
t UJTTVFQBQFS
t QBJOU
t EFDPSBUJWFBDDFOUT
t TDJTTPST
t QFODJM
t QBJOUCSVTIPSTQPOHF
2 4
1 Cut a fan shape from the newsprint,
2 Roll the fan into a cone shape and

tape the edge to secure. Stuff the cone
with tissue paper.
3 Fold the top edge down and tape.
4 Apply two layers of papier-mâché. 3 5

Let dry.
5 Paint as desired.
6 Add decorative accents.
BALLOON BOWL
Make a bowl in any size by
molding papier-mâché over
a balloon.
YOU WILL NEED

tCBMMPPO
tQBQJFSNÉDIÏQBTUF
tOFXTQBQFS
tSFDZDMFENFUBMMJE
tQBJOU
tQBJOUCSVTIPSTQPOHF
tTDJTTPST PQUJPOBM
1 Blow up a balloon and cover the 1 4

bottom with a layer of papier-mâché.
Let dry.
2 Apply two to three more layers of

papier-mâché.
3 Pop the balloon and remove it from

the form.
2 5
4 For an organic edge, leave it as.
For a finished edge, trim it with scissors.
5 Place the metal lid on the bottom of

the bowl. Apply two to three layers of
papier-mâché to cover the lid. Let dry.
6 Paint as desired.
3 6
PARTY FAVOR CUPS
Spark the table conversation with
readable party favors. Leave the
newspaper unpainted.
YOU WILL NEED

t QMBTUJDESJOLJOHDVQ
t OFXTQBQFS
t NFEJVNXFJHIUQBQFS
t EFDPSBUJWFBDDFOUT
t TDJTTPST
1 Apply two to three layers of papier-

1 4
mâché to the bottom of the cup. Let dry.
2 Bend the plastic cup to remove the

papier-mâché cup.
3 Trim the edge.

2 5
4 Cut strips of mediumweight paper
and fold lengthwise. Cut perpendicular
slits along one side.
5 Attach the strips to the cups with

narrow strips of double-sided adhesive.
2 5
6 Decorate as desired.
3 5
PRETZEL ORNAMENT 1 3
No-carb diet? No problem!
YOU WILL NEED

tCBMMPPO
tQBQJFSNÉDIÏQBTUF
tOFXTQBQFS
tSFDZDMFENFUBMMJE
tQBJOU
2 3
tQBJOUCSVTIPSTQPOHF
tTDJTTPST PQUJPOBM
1 Soak newspaper strips in the paste

and wrap them around the cord in
spirals.
2 Place the cord on the wax paper and

form it into a pretzel shape. Let dry.
3 Trim the ends and paint.
NAPKIN RINGS
For the uber inventive hostess.
1 2
YOU WILL NEED

t DPSSVHBUFEQBQFS
t NBTLJOHUBQF
t OFXTQBQFS
t EFDPSBUJWFBDDFOUT
t TDJTTPST
1 Cut a strip of corrugated paper.

Bend and tape it to make a ring.
2 Apply two to three coats of papier-

mâché. Let dry
3 Decorate as desired.
B L E N D E D A N D M O L D E D PA P E R
When you really crave that hand-made look, make your own paper, either flat
sheets or hand-molded shapes. The methods in this chapter are comparable to
papier-mâché, but for both blending and molding, the shredded paper is further
reduced to deconstructed pulp. Paper and fiber scraps are pureed to pulp in
a household blender, poured onto a screen to remove excess water, and al-
lowed to dry into unique paper sheets. Pulp combined with glue forms paper
“dough” that can be molded into interesting shapes, dried, and painted. Let’s
get messy!
Blended Paper YOU WILL NEED
Blended paper requires a household blender to whip the paper tQBQFS

tXBUFS
pulp together with air and water. After drying, the paper is
tOPOGMBWPSFEHFMBUJO
somewhat fragile—it will break when bent and dissolve when wet. (optional)
tMJRVJETUBSDI PQUJPOBM
Screen tCMFOEFS
tTDSFFO OPONFUBMMJD
screen stretched on a
wooden frame)
tEFDLMF PQFOGSBNFUIBU
fits within the screen
framework)
tQBQFSUPXFMT
Deckle
B L E N D E D A N D M O L D E D PA P E R 163
Making blended paper
1 tear an assortment of lightweight papers such as computer, 4 Place the deckle on the screen and hold them level over the
construction, and watercolor papers into small bits, (approxi- sink. Pour in the mixture and let it drain through the screen.
mately 1" to 11/2" [2.5 x 3.8 cm) squares), and drop them in
the blender. fill the blender with the paper to between 1/4 and 5 remove the deckle.
1/2 capacity.
6 to accelerate drying, blot the pulp with paper towels.
2 Pour 1 cup of hot water on the paper and let it sit for 15
minutes. then pour in enough water to cover the paper.
7 allow the paper to air-dry.
3 Blend by turning the pulse knob on and off until the paper
is pulverized and blended evenly with the water.*
1 3
1 5
2 6
*If you want to be able to write on the dried pulp, add unflavored gelatin to make the dried pulp stronger, add two to three tablespoons of liquid starch to
blended paper and pulse a final time. this will seal the fibers. If you want to the blended paper and pulse a final time.
Blended Paper Projects
LIGHTER-THAN-AIR BEAR
Shallow molds made for candy or clay can also work for blended paper. With
a nod to chocolatiers, make a molded bear that will last through the holidays
and beyond.
1 Press drained pulp into the treated
YOU WILL NEED mold. Slightly mound the pulp above the
edge of the mold, as the shaped mass
t CMFOEFEQVMQNBEFGSPN will shrink as it dries.
white lightweight paper, green
mediumweight paper, and 2 Allow the pulp to dry.
orange mediumweight paper
3 Carefully remove the shape from
t OPOTUJDLDPPLJOHTQSBZ
the mold.
t BDSZMJDQBJOU PQUJPOBM
4 Trim the excess paper from the

t GSBNF
edges, if desired.
t XIJUFDSBGUHMVF
t QBQFSBDDFOUT 5 Highlight the details with the paint.
Note that the shaped mass will dissolve
t NPME when wet, so limit paint to small areas.
t TDJTTPST PQUJPOBM
6 Attach the bear to the back of the

t QBJOUCSVTI PQUJPOBM
frame with white craft glue. Decorate the

frame with the paper accents.
1 3 5
2 4
*If the mold is not coated with a nonstick surface such as Teflon, it is necessary to spray the inside of the
mold with nonstick cooking spray to allow for easy release.
loose eNds Book Cover
add bits of thread or floss to the pulp
after it has been pulsed. stir them
in with a spoon so that you don’t
damage the blender blades.
You will Need

• blended pulp made from
white lightweight paper,
cream newsprint, purple
mediumweight paper,
and short lengths of
embroidery floss
• cast-off book
• screen
• tissue paper
• deckle
1 Pour the blended pulp on the screen

and remove the deckle.
2 allow the pulp to dry.
3 Break the dried paper into strips with

irregular edges.
1 2
4 Noting overlaps, arrange the tissue
paper and paper strips and attach them to
the book cover with the white craft glue.
Look it up Book Cover
paper pulp mixed with an old copy of the Yellow pages makes for an interesting 3
stew. This project is a great way to use up your pulpy leftovers.
1 place a sheet of wax paper on the

craft table. drop spoonfuls of paste on
You wiLL Need
the paper.
• paper pulp made from
white lightweight paper, 2 arrange the shredded paper over the
cream newsprint, and pink paste on the sheet of wax paper.
mediumweight paper.
• shredded yellow pages 3 add clumps of paper pulp. 4
• papier-mâché paste
4 place a sheet of wax paper over the
(recipe on page 153)
top and roll to compress.
• chunky book
• wax paper 5 remove the wax paper and allow
the compressed paper to dry.
• rolling pin 6 break an irregular shape from the
dried paper and attach it to the book
cover with the white craft glue.
b l e n d e d a n d m o l d e d pa p e r 167
wiNdow Box Backdrop
Paper pulp mixed with rose petals
and leaves makes for a day dreamy
backdrop. stir them into the pulp after
it has been pulsed.
You will Need

white lightweight paper,
cream newsprint, pink
mediumweight paper,
and chopped petals
and leaves
• window box frame
• 3-D accent
• screen
• deckle
1 Pour the blended pulp on the screen

and remove the deckle.
2 allow the pulp to dry.
3 Break the dried paper into a

rectangle with irregular edges.
1 2
4 Glue the paper to the back of the
window box frame with white craft glue.
PaPer Pot of Gold
a clay pot works as a terrific
molding form.
You will Need

white lightweight paper, white
mediumweight paper, and
yellow mediumweight paper
• nonstick cooking spray
• clay pot
• decorative accents
1 Spray the clay pot with the nonstick

cooking spray. Shape the pulp over the
treated pot. allow to dry.
2 remove the shaped paper pot from

the clay pot.
3 attach the decorative accents to the

pot with the white craft glue.
b l e n d e d a n d m o l d e d pa p e r 169
Molded Paper
Molded paper combines softened pulp with white craft glue.
The dried paper is extra hard and extra durable.
1 Tear or cut newspaper into small 5 "EEUPUBCMFTQPPOTPGXIJUF

YOU WILL NEED sections. Place them in a pot. craft glue to the mixture and work it into
the pulp. Keep adding glue until the pulp
tOFXTQBQFS 2 Cover the paper with hot water and sticks together.
tQPU let it sit overnight.

6 Mold the mixture into the desired
tXBUFS shapes with your hands. Place the
3 Transfer the mixture to a bowl.
tCPXM shapes on wax paper to dry thoroughly.
Store any leftover mixture in an
4 Pour the water from the mixture.
tXIJUFDSBGUHMVF airtight container.
Knead the paper in the bowl to squeeze
tXBYQBQFS more water from the mixture.
3
To make beads or ornaments from the molded

shapes, bore a shallow hole in the top with a needle.
Make a short wire loop and insert the ends in the

hole. Apply a small drop of glue or varnish to secure.
Molded Paper Projects
MOLDED ACORNS
These craggy dried acorns mimic the
appearance of those fashioned by
Mother Nature. Only a real squirrel
knows for sure.
YOU WILL NEED

tEPVHIGPSNPMEFEQBQFS
tXBYQBQFS
tBDSZMJDQBJOU
tGMBUNPEFMJOHUPPMTVDIBT
a knife or craft stick
tQBJOUCSVTI
1 Roll a clump of dough into a ball.

Use the modeling tool to shape it into
an acorn.
2 Place it on wax paper to dry.

Note that the acorn will shrink slightly
when drying.
3 Paint as desired.
1 2 3
EGGS
There’s no such thing as a rotten paper egg. Display these eggs for years to come.
YOU WILL NEED

t EPVHIGPSNPMEFEQBQFS
t XBYQBQFS
t BDSZMJDQBJOU
t QBJOUCSVTI

Note that the egg will shrink slightly
when drying.
3 Paint as desired.
MOLDED BEADS 1
Make beads in a variety of colors

and sizes, and string them together
GPSPOFPGBLJOEKFXFMSZ
YOU WILL NEED 2
t EPVHIGPSNPMEFEQBQFS
t XBYQBQFS
t BDSZMJDQBJOU
t QBJOUCSVTI
3

Note that the bead will shrink slightly
when drying.
3 Paint as desired.
B L E N D E D A N D M O L D E D PA P E R
Templates
To copy the templates, layer tracing paper or sheer vellum over the selected shape. Carefully trace around the
outline and cut along the marked line. Enlarge templates on a copy machine as indicated.
17
12
14
47
13
T E M P L AT E S 175
18
25
15
1
11
10
11 4
3
6
2
20
16
21
22
28
27
26
29
32
31
24
23
33
Copy at 200%.
34
Copy at 200%.
35
Copy at 200%.
36
Copy at 200%.
40
40
42
43
39
38
38
38
38
44
45
37
39
41
30
46
19
48
49
50
Copy at 125%.
51
Copy at 125%.
52
53
Copy at 200%.
54
Copy at 125%.
54
Copy at 125%.
55
Index
a bird note card, 85
d
adhesives, types and uses, 7 cross-stitch card, 88, 89
decoupage, about, 130
antique stamping technique, 12 edgy edged cards, 88–89
surfaces and papers, 131
sequined edge card, 88, 89
techniques, 132–133
b
welcome to the neighborhood
card, 84 decoupage projects
baskets wrapped edge card, 88, 89 books, 137
faux easter sculpted, 150–151 cardstock, 6 cd coasters, 135
May sculpted, 146–147 chalk stencil technique, 13 clock, 136
bas relief technique, 9 chalk technique, 13 egg, 136
batik, 10 Christmas projects frame, 135
blended paper, about, 162, 163–164 folding paper peek-a-boo harlequin ornaments, 134
blended paper projects Christmas tree, 32 hatbox, 135
lighter-than-air bear, 165 ornaments pitcher, 136
look it up book cover, 167 decoupage harlequin, 134 vinegar bottle bud vase, 134
loose ends book cover, 166 folding paper fan, 33 dip dye technique, 11
paper pot of gold, 169 papier-mâché distressed ink technique, 12
peppermint, 156
window box backdrop, 168 distressed paint technique, 12
papier-mâché pretzel, 150
book covers, 166–167 double-sided adhesive, uses, 7
paper cutting home for christmas, 95
bookmarks, 116 dry splatter technique, 11
coasters
borders
cd decoupage, 135
folding paper fretwork, 36–37
folding paper ricrac, 34–35
woven office scrap, 74–75 e
collage, about, 46–47 Easter basket, faux sculpted, 150–
paper cutting, 96 151
collage projects
punched paper lace, 21 envelopes
across the miles, 51
woven brick border, 68 folding paper, 28
dance party, 52
woven fuzzy wuzzy, 69 mini, 117
dinner’s ready, 50
woven jagged, 66 woven, 65
here they come, 53
woven rope, 73
honey, I’m home, 49
c Hotel Braemore card, 50

it’s spring, 52
f
cards faux plaster technique, 10
collage projects juggler, 48
flaps for journals, 115
Hotel Braemore card, 50 king of the kitchen card, 52
folding paper
king of the kitchen card, 52 king tomato, 51
about, 26
zip line baby card, 48 love notes, 53
tips, 6
fall foliage card (punching prince of the pick-up sticks, 49
folding paper projects
project), 20 zip line baby card, 48
Colonial window, 30
stitched projects cutting tools, 7
envelope please, 28
fan ornament, 33 stitched journal, 120–122 o
fretwork border, 36–37 wrapped tablet, 118 origami projects
muffin cradle, 38–39 butterfly, 44–45
origami butterfly, 44–45
origami flower, 42–43
l flower, 42–43
schoolhouse, 40–41
lamb quilled appliqué, 105
origami schoolhouse, 40–41 ornaments
leaf quilled appliqué, 105
peek-a-boo Christmas tree, 32 decoupage harlequin, 134
pleated pocket, 29 folding paper fan, 33
ricrac border, 34–35 m papier-mâché peppermint, 156
spoked flower, 27 machine stitching projects, 79–81 papier-mâché pretzel, 150
tri-fold flower, 31 masked stamping technique, 13
p
yo-yo flower, 27 melted wax technique, 9
frames mini-envelope, 117
decoupage, 135 mirror image technique, 9 paint stencil technique, 12
mosaic, 60, 61 molded paper, about, 162, 170–171 paper cutting, about, 90–91
mosaic faux grout mini, 60 molded paper projects paper cutting projects
mosaic gold dust mini, 61 acorns, 172 beehive wreath, 98
papier-mâché, 155 beads, 173 charmed life, 93
quilled, 112 eggs, 173 desert flowers, 100
mosaic projects don’t fence me in, 101

high noon, 97
g butterfly box, 57
cat album, 57 home for Christmas, 95
glue dots, uses, 7 paper dolls, 99
cherry blossom shoes, 59
chunky tiles scrapbook page, 63 place mats, 92
h faux grout miniframe, 60

gift box, 62
snowflake garland, 94
south of the border, 96
hand stitching project, 77–78
gold dust miniframe, 61 paper piercing, about, 22
heart quilled appliqué, 105
Grecian urn scrapbook page, 56 paper piercing projects
air mail, 24
j
plaque, 58
tiles, 55 April showers, 24
journal projects mosaics, about, 54 cherub pair, 25
accordion album, 123 mulberry paper, 6 florets, 25
banded journal, 124–125 full moon, 24
n
button booklet, 119 summer of love, 25
deco folio, 128–129 T-rex, 23
napkin rings
decorative elements, 115–117 who’s there?, 24
papier-mâché, 161
notebook of knots, 126–127 paper types, 6
quilled, 113
stitched cover, 87 papier-mâché, about, 152–153
notebooks. See journal projects
INDEX 207
papier-mâché projects
apple tray, 153
r journal cover, 87
machine stitching, 79–81
reverse stamping technique, 13
balloon bowl, 158 rubber cement, uses, 7 sequined edge card, 88, 89
carrot, 157 welcome to the neighborhood
s
greeting card, 84
floral frame, 155
wrapped edge card, 88, 89
napkin rings, 161
scrapbook projects
surface decorative techniques, 9–13
party favor cups, 159 mosaic
peppermint ornament, 156 chunky tiles page, 63
pretzel ornament, 150 Grecian urn page, 56 t
pencil covers, 117 woven tabs for journals, 115
pipe cleaner technique, 13 brick border page, 68 tags
place mats, paper cutting project, 92 cagey page, 67 punched crown tag, 20
pointillism, 9 rope border page, 73 stitched, 82–83
pulled paint technique, 13
v
wave page, 70
punching, about, 14–15 sculpting, about, 138
punching projects sculpting projects vases
color block flowers, 18 bow, 149 decoupage vinegar bottle bud,
134
crown tag, 20 bud vase, 144–145
sculpted bud, 144–145
diamond ring, 21 faux Easter basket, 150–151
woven, 68
dinner party, 20 guardian angel, 142–143
vellum, 6
fall foliage card, 20 May basket, 146–147
paper lace border, 21
w
pinwheel, 148
starry nights, 15 saltwater sandals, 139–141
stippled oval, 17 sponge marble technique, 11 weaving, about, 64
swan, 19 sponge paint technique, 11 weaving projects
today you are two, 16 spray adhesive, uses, 7 brick border scrapbook page, 68
spray marble technique, 11 cagey scrapbook page, 67
q stippling technique, uses, 17 envelopes, 65
stitching on paper, about, 77 flower, 72

quilling, about, 102–105
stitching on paper projects fuzzy wuzzy border, 69
quilling projects
acorn tag, 82, 83 jagged border, 66
appliqués, 105
baby sleeping sign, 86 office scrap coaster, 74–75
carnival mask, 111
bird note card, 85 rope border scrapbook page, 73
frame, 112
bird tag, 82, 83 two halves vase, 68
frosted cupcakes, 106–108
cherries tag, 82, 83 wave scrapbook page, 70
gift bow, 110
cross-stitch card, 88, 89 yarn heart, 71
little sprout, 109
edgy edged cards, 88–89 wet-on-wet splatter technique, 12
napkin ring, 113
hand stitching, 77–78 wet-on-wet watercolor technique, 10
The ulTimATe step-by-step reference
for crafting with paper—great for
beginners and longtime crafters, too.
Paper, in its many forms, is one of the most widely used craft materials. There are
countless ways to use paper—scrapbooking, making greeting cards, decorating your
home, accessorizing your wardrobe—and lots of easy techniques to add detail and
imagination to your crafts.
Step-by-step instructions and more than 700 color photographs lead you through
a wide range of paper-crafting techniques, with lots of mini projects to inspire you.
× Make clever designs with paper punches

× Fold flat paperrepeating
Cut intricate, patterns
× Use papier mâché to make
into 3-D shapes
× Piece layered designs, or collage
sturdy, lightweight items
× Make your own journals in freeform
× Stitch on paper by hand or machine
× Blend pulp for handmade paper or molded figures
×
Fun and easy, these techniques and projects are great for kids, teens, and grown-
ups, too. Discover all the creative things you can do with simple sheets of paper.
×××××××××××××××××××××××××××××××××××××××××××××××××××××××
Also Available:
The Complete Photo Guide to The Art of Paper Quilling Contemporary Papier Mâché
Framing & Displaying Artwork 978-1-59253-386-2 978-1-58923-354-6
978-1-58923-422-2
IS B N – 13: 978-1-58923-468-0
CATEGORY: Craft IS B N – 10: 1-58923-468-5
$24.99 US
UPC
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£16.99 UK
$31.99 CAN
www.creativepub.com

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Library of Congress Cataloging-in-Publication Data

President/CEO: Ken Fund

cutting s folding s weaving s quilling s punching s collage s casting s journals s more

BLENDED AND MOLDED PAPER 162

by artists and crafters worldwide is paper.

It is familiar, user-friendly, and inexpensive.

Paper can be cut, coiled, punched, glued,

blended, molded, layered, folded,

sculpted, and stitched.

Mulberry paper is made from the bark of mulberry trees.

Vellum, also available in craft and art supply stores, is a brittle,

Cardstock, sometimes referred to as cover stock, is the same

ADHESIVES FOR PAPER CRAFTS

spray adhesive for large shapes of lightweight paper

double-sided adhesive for medium- to heavyweight papers

glue dots for irregular shapes and accents

Try these ideas or experiment with other decorative techniques.

MIRROR IMAGE BAS RELIEF

POINTILLISM MELTED WAX

GLITTER WET-ON-WET WATERCOLOR

DIP DYE SPONGE PAINT DRY SPLATTER

DISTRESSED INK ANTIQUE STAMPING

CHALK STENCIL CHALK PULLED PAINT

and punches provide an easy way to make multiple images.

YOU WILL NEED

t QBQFSQVODI MBSHFIPMF

1 Punch holes in a random pattern

TODAY YOU ARE TWO

1 On the wrong side of the paper,

3 Carefully roll the edge to

4 Repeat by punching near the oppo-

5 Unroll the paper and flatten.

1 Draw an oval on the wrong side of

YOU WILL NEED the paper.

t QBQFSPGUIFEFTJSFE 2 Cut the center from the oval to within

5 Cut along the marked line.

6 Working from the center out, punch

1 Punch two rows of images in the 3

YOU WILL NEED scrap paper.

tDPMMFDUJPOPGDPPSEJOBUJOH 2 Cut squares from the coordinating

tOPUFDBSE 3 Arrange them on the note card to

1 Cut out the swan shapes from

tOPUFDBSE and flower shapes to the note card.

YOU WILL NEED

1 Punch images from the papers.

1 Punch images in the paper scrap.

1 Punch holes at each scallop.

2 Pierce holes around each

PAPER LACE BORDER

YOU WILL NEED

1 Cut an irregular starburst shape

2 Punch lines along the rays.

art, it consists of arranging individual shapes to make an image or design. It

cause they require cutting separate paper shapes.

YOU WILL NEED

AIR MAIL APRIL SHOWERS

UFNQMBUF QBHF UFNQMBUF QBHF

UFNQMBUF QBHF UFNQMBUFT BOE QBHFTBOE

t Y YDN

4 Score along the dotted lines and fold • scoringtool

t UFNQMBUFT QBHF 4

• scissors 6 repeat steps 3 and 4.

• 31/4"x51/4"(8.3x13.3 doorfromthepaperscraps,usingthe