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    Kol Simcha Quatuor

    Uploaded by

    adm
    The document is a musical score containing multiple parts for different instruments including saxophone alto, saxophone tenor, and saxophone baryton. The score contains musical notation including notes, rhythms, dynamics, and other markings across the different parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Kol Simcha Quatuor

    Uploaded by

    adm
    59 views3 pages
    The document is a musical score containing multiple parts for different instruments including saxophone alto, saxophone tenor, and saxophone baryton. The score contains musical notation including notes, rhythms, dynamics, and other markings across the different parts.

    Original Description:

    Kol Simcha sax Quatuor

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a musical score containing multiple parts for different instruments including saxophone alto, saxophone tenor, and saxophone baryton. The score contains musical notation including notes, rhythms, dynamics, and other markings across the different parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    59 views3 pages

    Kol Simcha Quatuor

    Uploaded by

    adm
    The document is a musical score containing multiple parts for different instruments including saxophone alto, saxophone tenor, and saxophone baryton. The score contains musical notation including notes, rhythms, dynamics, and other markings across the different parts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3
    At a glance
    Powered by AI
    The passage provides musical notation and text for a klezmer piece, featuring various saxophones and their parts.

    The instruments featured include baritone saxophone, tenor saxophone, alto saxophone, and soprano saxophone.

    The tempo markings mentioned are 'Kalup - Tempo Diabolo', 'Zpomalo', and 'Rychle'.

    KOL SIMCHA / HLAS RADOSTI

    KLEZMER

      = 65      

                        
              
    APOMALU


    SOLO 1

    Saxophone Alto

               
                                   
                
    3
     

      
    Saxophone Alto

         
                                          

    Saxophone Ténor
               
                 
                      
    
       
        

           
    Saxophone Baryton



      
                        
         
    B

      
    9 1. 2.  = 70

     
    Sax. A.

                     
                                
    3

       
    SOLO 1.

       
    Sax. A.

              
                        
                     
     

      
    Sax. T.

                         
       
                
      

         


        
    Sax. Bar.

        
           
              
                  
    1. 2.


    16 SOLO 1.

       
    Sax. A.

                            
    Sax. A.                 
      
                            
              
      

    Sax. T.
               
        
                
                    
    
                 
           
          
    Sax. Bar.

    
    
                            
    C

                       
    24

     
    SOLO 2.

      
        1.         
    Sax. A.

           SOLO 
            
                      
     
    Sax. A.

                                            
                             
      
    SOLO 1.


       
    Sax. T.

       
                  
    
       
    
       

          
     
         
                
    Sax. Bar.

       
                
            
    D KALUP
         
    = 135


    31

      
     = 70 - TEMPO DIABOLLO


     
    Sax. A.


                  1.                           
           

         
    SOLO SOLO ZPOMAL


    Sax. A.

         
                                         
                   
    Sax. T.

                                  
                   
               
    Sax. Bar.
              
                                        
    37

     
      
     
      
                                  
    Sax. A.

        

     
          

    Sax. A.

         
                                       
       
        
                   
    Sax. T.


                                 
     

                             
       
    Sax. Bar.

              
    E

                                   
    SOLO 2.
    44 3 3 3

    Sax. A.

                       
                 
    3 3 3 3
     

       
    SOLO1

    Sax. A.

                    
                                                      
    3 3 3 3 3 3 3

    Sax. T.
              
       
                                                     
                         
    Sax. Bar.

                                   
    F

                    
        
    SOLO 2.


    SOLO 1.
    50

       

         SOLO
    Sax. A.

                      1.       
     
                                      
    3

      
    3 3

    Sax. A.


    3 3

                                                  

    SOLO 2. 3 3 3

     
    Sax. T.

                             
                                   
    3

                     
             
    Sax. Bar.


       

                   
    G  SOLO 2.

                        
    57
    Sax. A.

     1.
           
                 
     SOLO
                

       
    Sax. A.         
       

                                                      
    3

    Sax. T.
                     

                                        

                           
       
    Sax. Bar.

        
    A2

        
                                   
     = 66

      
    POMALEJI
    63


    SOLO 1.

        
                         
    Sax. A.

                       
              

    Sax. A.
       

    

                                   

    Sax. T.
                 

                                
     

                      

    Sax. Bar.

    2

                                 
    
    71
    Sax. A.

               
     
       
                     
     
              
    3

    Sax. A.       
      

                    
                  
                  
    Sax. T.

                  
             
            
            
     
         
    Sax. Bar.


                     
               
    78 B2 1.

           
    Sax. A.

                  
    
    
      
      
    3

    Sax. A.
        
      

                                                 
     

    Sax. T.
          
       
                                               
    Sax. Bar.
                  

     RYCHLE   
                 
     = 85

                    
    86

     
              
    Sax. A.

          
    Sax. A.               


                              
     

             
    Sax. T.

                          
               
     
           
    Sax. Bar.

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