ET Ft ZZ So Fe p= ADVANCED VECTOR SYNTHESIS * WAVE SEQUENCING Ex by Dan Phillips KORG = a ew AV Synthesis SystemWavestation Version 3 Addendum TABLE OF CONTENTS ABOUT THIS ADDENDUM. EXPANDED EFFECTS. DISTORTION - FILTER - EQ. MOD PITCH SHIFT-DELAY.. STEREO COMPRESSOR-LIMITERIGATI SMALL VOCODER 1/2/3/4 , STEREO VOCODER-DELAY 1/2... Cross-Timbral Modulation Synthesis using the Vocoders .. SYSEX DATA TRANSMIT. GLOBAL... OTHER ENHANCEMENTS.. Muttiset Channel Level now sends out MIDI Volume. Key and Velocity Zones now programmable via MIDI Bank changing streamlined on Performance Select pag Modulation names more consistent. TROUBLESHOOTING... Wavestation makes no sound: Audio Troubleshooting.. \Wavestation makes no sound: MIDI Troubleshooting ‘The Wavestation doesnt respond to some MIDI notes Notes cut off unexpectedly Only one step of a Wave Sequence is being played. ROM Wave Sequences cannot be edited. Wave Sequence does not seem to sync to MIDI, When a Performance is used in a Mutiset, not all Parts are heard. When the Effects Mix of a Performance is changed, not all Parts are heard. Performance Effects seem to have changed. Performance Effects cannot be edited... Multiset Effects cannot be edited... Local footpedals do not function correctly... COMPATIBILITY SYSTEM EXCLUSIVE DATA FORMAT...Wavestation Version 3 Addendum KORG Wavestation Version 3 Addendum Written by Dan Phillips Editing and additional material by: John Bowen Joe Bryan Charile Bright Karl Hirano Stanley Junglelb Ray Keller Alex Limboris Scott PetersonWavestation Version 3 Addendum ABOUT THIS ADDENDUM Version 3 of the Wavestation software enhances the instrument in a number of ways, while maintaining complete compatibility with the sounds and features of the older versions (so that you can still do all of your favorite tricks). Here is a quick list of the major improvernents: * 8 new effects have been added, including: ‘+ Mod Pitch Shift-Delay, a modulatable pitch shifter * Stereo Compressor-Limiter/Gate ‘+ Small Vocoder 1/2/3/4 ‘Stereo Vocoder Delay 1/2 ‘The Overdrive and Distortion effects now offer a modulatable output level. * The Performance Select Map may now be sent as a SysEx Dump. * The local keyboard may now be transposed. ‘* Multiset channels now send and receive the MIDI Volume controller. + Key and Velocity Zones information may now be entered via MIDI. This addendum briefly introduces and documents those enhancements, in addition to providing a new troubleshooting reference. It is intended to be a companion to the Wavestation Player's and Reference Guides, and not a substitute. If you have any questions about the features discussed within, a quick glance at the other manuals should clear things up. For more information - read on!Wavestation Version 3 Addendum EXPANDED EFFECTS ‘The Wavestation now features 8 new effects, numbered 48-55. These include the Mod Pitch Shift-Delay, Stereo Compressor-Limiter/Gate, and 6 Vocoders. Additionally, the Distortion-Filter-EQ and Overdrive-Filter-EQ effects now feature a modulatable output level. DISTORTION - FILTER -EQ The amount of Distortion/ Overdrive is related to the level of the input signal. Using MIDI Volume to change the level of a Performance with these effects will thus also change its timbre. To change the volume of a distorted/overdriven Performance without altering its timbre, use the Level modulation parameter instead. 29 Distortion - Filter - EQ This effect has a “dirty” sound and “wah” effect. It is effective for solos. 30 Overdriv Filter - EQ This is an effect that simulates the overdrive generally used by guitars, and is particularly effective when applied to organs and electric pianos to create guitar-like lines and solos. It also has a "wah" effect. Parameters DryWet Mix Footswitch Edge Hot Spot Hot Spot mod source Hot Spot mod amount Resonance Level Level mod source Level mod amount DRY, 9/1, . . .1/9, WET Output balance of processed and unprocessed sound. DISABLE/ENABLE Enables or disables use of EFFECTS SWITCH to turn effect on or off. 1to mt Amount of drive. Oto 100 Controls the center frequency of the “wah” filter. Try modulating this parameter with a pedal or mod whee! for the classic" wah- wah’ effect. Mod source 15 to 415 0 to 100 Filter "Q” factor. This controls the amount of “wah” effect. 9 t0 100 ‘Output level of the effect. Mod source 15 to +15Low EQ High EQ MOD PITCH SHIFT-DELAY 48 Mod pitch shift-Dly Wavestation Version 3 Addendum +12 to +412 qB Control for cutting or boosting the low frequencies. EQis applied to the wet signal only; the direct signal is unaffected. “12 to +12 0B Control for cutting or boosting the high frequencies. EQis applied to the wet signal only; the direct signal is unaffected. This pitch shifter allows the amount of shift to be modulated. The input may be shifted either up or down, and the shifted signal may also be delayed with respect to the original signal, with an adjustable feedback amount. Some applications of this include “whammy-bar” pitch bending and special effects. Parameters Dry/Wet Mix Dry/Wet Mix mod source Dry/Wet Mix mod amount Delay Left Delay Right Feedback Max Shift Shift Scaler ‘Shift Scaler mod source ‘Shift Scaler mod amount DRY, 9/1, .. .1/9, WET Output balance of processed and unprocessed sound. Mod source -15 0 +15 0 to 490 ms 0 to 490 ms 9 to 100 This is the foodback amount for the delay lines. 312 0 +12 This is the maximum amount of pitch shift, in semitones. 1 to 100% ‘This determines the initial amount of pitch shift without modulation, as a percentage of the Max Shift amount. Mod source +15 to 415 If the Shift Scaler is set to 1, only positive modulation will have an. effect if it is set to 100, only negative modulation will have an effect.Wavestation Version 3 Addendum ‘STEREO COMPRESSOR-LIMITER/GATE 49 Stereo comp-lim/Gate ‘The compressor provides an automatically controlled volume envelope, which can be used to smooth out the level of a signal (often done with guitars), or to give a sound more "punch" (often done with drums). The ability to use a single FX Bus as the control source allows you to create side-chain effects, linking the compression of one signal to the level of another. A gate is also provided. Signals of a certain minimum volume (the Threshold amount) "lift" the gate, and are allowed to pass through; signals under that ‘volume are not. Parameters Control Source Control Source Sensitivity Compression Ratio Compression Threshold Gate Threshold Output Level NORMAL, BUS A+B, BUS C+D, BUS A/B/C/D NORMAL uses the input signal to control the compression amount. To allow you to achieve side-chain effects, BUS A+B and C+D use the sum of the two FX Buses to control the compression amount, and BUS A-D use the levels from a single FX Bus 9-10 ‘This parameter sets the input level for the Control Source. 0 to 100 ‘This parameter sets the amount of compression. 0 to 100 This parameter sets the level at which compression will begin. 9 to 100 ‘This parameter sets the level at which the gate is lifted, letting the signal through. 9 t0 100 ‘This parameter sets the output level of the compressor.Wavestation Version 3 Addendum SMALL VOCODER 1/2/3/4 ‘The Vocoder effects superimpose the timbre of one signal (the Modulator) onto that of a second signal (the Carrier). A standard application of this is the “talking” instrument, in which you talk into a microphone and a guitar or keyboard sound is made to mimic the harmonic content of the speech. Speech effects are the most commonly used application of the Vocoder, and they're what the first vocoders were designed to do; but they are not by far the limit of its capabilities. The Vocoders can modulate one or more Wavestation Patches or Waves to achieve new, dynamic timbres. You can even combine Vector and/or Wave Sequence sounds in this cross-timbral modulation synthesis, and then store them as a new Performance (for more information on this subject, please see the tutorial below). ‘A vocoder is essentially a combination of a frequency analyzer and a dynamic EQ. ‘The Modulator signal is divided up into a number of frequency bands, and the levels of each of these bands are measured in real time. A dynamic EQ is slaved to the analyzer, following the changes in each band of the Modulator with similar changes in the EQ of the Carrier. This causes the Carrier to assume some of the timbre of the Modulator. It is best for the Carrier to contain a wide range of frequencies, because if there is little or no material in some of the bands to begin with, the EQ will have nothing to alter, and the Vocoder's effect will be diminished. ‘The more frequency bands which are used, the greater the definition of the Vocoder effect. To achieve the highest quality Vocoder, the two Stereo Vocoder - Delay algorithms use both effects slots; the four Small Vocoder algorithms use the normal effects configuration, making another effect simultaneously available. ‘The Vocoder may be used with any combination of sounds. Since the designation of Carrier and Modulator is based on the FX Bus, you must make sure that any applicable settings on the Patch FX Bus Assignment page, as well as the Performance Part Detail FX Bus parameter, are configured appropriately. ‘50 Small vocoder 1 This vocoder uses low to mid-high frequency bands, It has a wider band covering the bass range, for enhanced low-end response. 51 Small vocoder 2 ‘This vocoder uses mid-low to high frequency bands. It has a wider band covering the treble range, for enhanced high-end response. 52 Small vocoder 3 ‘This vocoder uses a number of low to mid-high frequency bands of even width. 53 Small vocoder 4 ‘This vocoder uses a number of mid-low to high frequency bands of even width. Parameters Modulator Bus ABCD FX Bus used as source for the Vocoder Modulator. Modulator Bus Sensitivity 0 to 100 This sets the input level for the Modulator. If you hear distortion, ‘try turning this value down. Carrier Bus A,B,C,D FX Bus used as source for the Vocoder Carrier.Wavestation Version 3 Addendum Carrier Bus Sensitivity to 100 This sets the input level for the Carrier. If you hear distortion, try turning this value down, Sibilance Oto 10 Controls the amount of high frequencies from the Modulator (such as vocal consonants, as in “ch” and “ss") included in the mix. Sibilance mod source ‘Mod source ‘The default mod source is KEYDN, which allows you to use the Key Down time to gate the sibilance amount. Sibllance mod amount 15 to +15 STEREO VOCODER-DELAY 1/2 ‘The two Stereo Vocoder - Delays are extremely powerful algorithms, and use both effects slots. When you select one of the Stereo Vocoders for Effect 1 or 2, the other Effect changes to display Stereo Vocoder as well. For more information on the Vocoders, see the discussion of the Small Vocoders, above. 54 Stereo vocoder - Delay 1 ‘This vocoder uses wide frequency bands on the treble and bass ranges, and a 55 Stereo vocoder - Delay 2 This Vocoder uses a number of bands of even width, across the frequency range. Parameters Modulator Bus A.B,C,D FX Bus used as source for the Vocoder Modulator. Modulator Bus Sensitivity 0 to 100 ‘This sets the input level for the Modulator. If you hear distortion, try turning this value down. Carrier Bus ABCD FX Bus used as source for the Vocoder Carrier. Carrier Bus Sensitivity 0 to 100 ‘This sets the input level for the Carrier. If you hear distortion, try turning this value down, Sibllance 01010 Controls the amount of high frequencies from the Modulator (Such as vocal consonants, as in “ch” and “ss") included in the mix. Sibilance mod source Mod source ‘The default mod source is KEYDN, which allows you to use the Key Down time to gate the sibilance amount. Sibilance mod amount “15 to +15 Stereo width 01010 Increasing this value causes the stereo effect to become more prominent, Delay Time 0 to 1000 ms Feedback 010 100 Delay Level 010 100Wavestation Version 3 Addendum Cross-Timbral Modulation Synthesis using the Vocoders In this simple example, we'll use two Patches to createa hybrid sound. You can ‘use two or more Patches as the Carrier and /or Modulator, simply by setting them to the same FX Bus. “© Initialize a Performance. “Go to the Performance Part Detail page. Select two Patch(es) which you would like to use in your cross-timbral modulation, and place them in the first two Parts of the Performance. It's best to use sounds with a wide frequency range, such as sawtooth-like waves. “On the same page, set the FX Bus for the first Part to "A," and the FX Bus for the second to B. "© Go to the EFFECTS page, and select Stereo Vocoder -Delay 1 or 2 as Effect 1 for the Performance. These effects are so powerful that they require both effects slots, so you'll notice that Effect 2 changes to read Stereo Vocoder - Delay also. “© Press the soft key FX 1 EDIT, so that you can set up the Vocoder. ‘On the Vocoder edit page, set the Modulator Bus to "A" (which you assigned Part 1 to, above) and the Carrier Bus to "B" (Part 2). This means that Part 1 is the Modulator, and Part 2 is the Carrier, so that Part 1's sound will be superimposed on Part 2's. © Try playing the sound! More Vocoder Tips ‘The Vocoder's Sibilance parameter determines how much of the original Modulator’s higher frequencies are heard. If you want to hear more of that sound, tum this parameter up. In addition to using two sounds to modulate each other, you can try using a single sound to modulate itself. To do this, you can either place the same sound on two Parts (similar to the example above), or simply assign the FX Bus of a single Part t0 50/50. Another interesting application is to use a rhythmic, percussive Wave Sequence as the modulator, and a bright pad as the carrier. The pad will be “triggered” by the Wave Sequence's percussion. This is especially effective when using a sequencer and synching Wave Sequences to MIDI Clocks, 60 that the Vocoder timbre creates a cool, percolating rhythm track. Stereo Vocoder-Delay 1/2 and the Effects Mix Since the Stereo Vocoder-Delays can use any of the effects buses for both the Carrier and the Modulator, the routings on the Effects Mix page work slightly differently from those of other effects. Buses A and B can only be routed through the Vocoder; if they are not used as Carrier or Modulator, they are not heard. Buses Cand D, however, may be routed both through the Vocoder and as set by the Effects Mix page, which works with the Stereo Vocoders in a couple of special ways. ‘The Effects Mix Parallel routing functions almost as usual, allowing you to pan C and D across the stereo outputs as if FX 2 were set to the NULL EFFECT. The Effects Mix Series routing is somewhat more altered, so that the Wet/Dry Mix controls how much of the original sounds of Buses C and D are heard, withoutWavestation Version 3_Addendum affecting the level of the Vocoder output. Wet means that only the Vocoder output is heard, and Dry means that the original sounds are heard at full volume, along with the Vocoder output. This feature allows you to use buses A and B for the vocoder, and simultaneously route buses C and D directly to the stereo outputs. By using buses C and/or D as the Modulator, you can also use the Effects Mix to blend in some of the Modulator’s original sound. If you wish to pass through only the high frequencies of the Modulator (a typical vocoder application), use the Vocoder's Sibilance parameter instead. For more information on the Effects Mix, please see Section 7.2 of the Player's Guide (Effects Buses and Routing), and Effects Mix in the Reference Guide.Wavestation Version 3 Addendum SYSEX DATA TRANSMIT Path: MIDI- SYSEX Besa er We ALL PATCH | PERFORMANCE | WAVE SEQUENCES: GLOBAL DATA SCALES Sra ‘The SYSEX DATA TRANSMIT page now allows you to send a dump of the Performance Map. To do this, move the cursor until PERFORMANCE MAP is in inverse video, and then press EXECUTE. For more information on the Sysex Data Transmit page, please see the Reference Guide. GLOBAL Xpose Path: GLOBAL (errs Global Pizch Bend Rang Velocity Response Curve ‘The GLOBAL page now features a local Xpose feature. Xpose will transpose within a range of +/-24 semitones. Setting Xpose to +4, for instance, will transpose notes played by the local keyboard up by 4 semitones. This parameter is intended as a performance feature, and transposes Wavestation sounds played by the local keyboard only. It has no effect on MIDI transmitted or received by the Wavestation, and so is not optimally used in a sequencing environment. To transpose MIDI notes, use the Key Offset Amount on the MIDI Page. For more information on the Global page, please see the Reference Guide.Wavestation Version 3_ Addendum OTHER NCEMENTS ‘Multiset Channel Level now sends out MIDI Volume In Multi and Mono modes, each-of the 16 channels has its own volume level. This parameter has always responded to MIDI Volume (Controller #7); now, MIDI ‘Volume may be transmitted as well. Whenever you change the volume of a Performance in a Multiset, a MIDI Volume message is sent out on its channel, so that it can be recorded by a sequencer and played back into the Wavestation for automated mixing. Key and Velocity Zones now programmable via MIDI Key and velocity limits may now be entered over MIDI, just as they are by using the local keyboard. You may find this to be convenient if you are using another instrument asa master controller, so that velocity ranges can be made to match its, particular responsiveness. Bank changing streamlined on Performance Select page To avoid confusion, the BANK soft key is now the only way to change Banks on the Performance Select page. It is no longer possible to cursor to the Bank field. Modulation names more consistent In the effects, MIDI Controllers 1/2 are now known as MIDI 1/2, as opposed to XMIDII/2. They are thus consistent with the names in the Patch Modulation Matrix. Additionally, the Foot Controller (MIDI Controller #4) is now called MOD PEDAL in the Patch Modulation Matrix. It is thus consistent with modulation names in the effects and on the FOOT PEDAL ASSIGN page. 10Wavestation Version 3 Addendum TROUBLESHOOTING il Wavestation makes no sound: Audio Troubleshooting “© Check the MASTER VOLUME slider and volume pedal (if used). The polarity of a Volume Pedal is also important; if this is inverted, the volume will be at zero when the pedal is at maximum. If this seems to be the case, change the polarity of the pedal on the FOOT PEDAL ASSIGN ‘page, under GLOBAL. “© Perhaps someone has edited the current Performance into silence. Try selecting different Performances ~ particularly ones in the ROM bank. “© Ifyou still do not obtain audio output, itis easy to check whether the problem is in the Wavestation or your sound system by plugging headphones directly into the back panel PHONES jack. If you can hear sound through the headphones, check the connections to your sound system. “= Ifyou don't hear any sound through the headphones, do the MIDI check explained below. Wavestation makes no sound: MIDI Troubleshooting If you are using the Wavestation with a sequencer or other MIDI controller, and the Wavestation is not making any sound, itis possible that your MIDI system is not properly connected or configured. To see if this is the case, first go to the MIDI Status page. ‘This page displays an asterisk under the number of each MIDI channel on which the Wavestation is receiving MIDI data. If your controller is sending on channel 3, for instance, you will see an asterisk under the "3" every time you press down a key, ‘= Goto the MIDI STATUS page (path: MIDI-STATUS). As you play on your controller, you should see an asterisk (*) appear under one or more of the channel numbers. If no asterisk appears: “© Check to see that your MIDI cable connections are properly made (MIDI Out from your controller or sequencer to MIDI In on the Wavestation). If you are using a MIDI patch bay, or the "through" function of a sequencer, ‘ry directly connecting the MIDI Out of your controller with the MIDI In of the Wavestation. If an asterisk does appear: “© Noteits channel number. Next, press EXIT to get back to the MIDI page, and check to see which MIDI Mode (OMNI, POLY, MULTI, or MONO) the Wavestation is currently in. “= If itis set to OMNI Mode, the Wavestation will respond to MIDI information on any channel. If the STATUS page showed any activity, then, you should be hearing something. If you aren't, check again to see that the audio connections are OK. 14Wavestation Version 3 Addendum “© Ifit is set to POLY Mode, then the Wavestation will ignore all MIDI data except that which it receives on its Basic Channel. Adjust either the ‘Wavestation’s Basic Channel or your controller's send channel so that they match. “= If'itis set to MULTI Mode, go to the MULTIMODE SETUP page (reachable by pressing the MULTI softkey on the MIDI page). In this mode, the Wavestation can receive on up to 16 channels simultaneously. Check to see that the desired channels are turned ON (the second column), and that their levels are reasonably high (the third column). “© fit is set to MONO Mode, note the (#) MONO CHANNELS parameter to the right of the Basic Channel. This sets the total number of channels to be used. These begin with the current Basic Channel, up to the number of mono channels requested, to the limit of 16. For example, if the Basic Channel is set to 1, and the "i MONO Channels" set to 6, then the Wavestation would receive MIDI on channels 1 through 6. Check that these parameters are set appropriately. This mode, like MULTI, uses Multisets to assign Performances to the different MIDI channels. Go to the MULTIMODE SETUP page by pressing the MULTI softkey on the MIDI page, and check to see that the desired channels are turned ON (the second column), and that their levels are reasonably high (the third column). ‘There are a few MIDI parameters which can cause silence regardless of the. current MIDI mode. “© Ina MIDI network, a controller can send unintended low Volume control messages. If you think this is the case, try raising the same controller, oF reset the Wavestation by cycling power off, then on. “© Check that the Play Mode on the PERFORMANCE PART DETAIL page is set to BOTH or LOCAL for each Part. If any are set to MIDI, they will not sound, but will only transmit MIDI notes, Program changes, and controller data. For more information on the Wavestation and MIDI, see Section 5 (MIDI) of the Player's Guide. ‘The Wavestation doesn't respond to some MIDI notes “© Check that the Note On/Off parameter on the MIDI RECEIVE page is set to ALL, ‘This feature is designed to allow you to link two Wavestations (or a Wavestation and a Wavestation A/D rack module) together. Setting one instrument to EVEN ‘and the other to ODD causes each to ignore half of the MIDI notes (playing a single whole-tone scale), effectively doubling the available polyphony. Unless you have two modules operating in this manner, Note On/Off should be set to ALL. Notes cut off unexpectedly “Check the All Notes Off parameter on the MIDI RECEIVE page, and try setting it to IGNORE. ‘Some controllers send this MIDI message whenever there are no keys held down, and this can occasionally cause notes to cut off; ignoring the message will solve this problem. 12Wavestation Version 3 Addendum Only one step of a Wave Sequence Is being played ‘There are several possible causes for this situation. “© Check the Wave Sequence Syne parameter on the Global page. Unless you are specifically using MIDI clocks to control the playback of the Wave ‘Sequence, this should be set to INTERNAL If you are intending to use MIDI clocks for sync, make sure that your clock source - probably a sequencer or ‘drum machine - is indeed sending MIDI clocks, and that its MIDI Out is connected to the Wavestation's MIDI In, MIDI Time Code is not the same as MIDI Clocks, and will not work for this purpose. ‘© Check that the SOLO soft key on the Wave Sequence page is not marked by brackets, which indicates that SOLO is on. If it is, press the soft key again to turn it off. If SOLO is on, only the currently selected Wave Sequence Step is played. “Check that the Mod Amount parameter on the Wave Sequence Utilities page is set to greater than 0, or that the Mod Source parameter is set to Linear Keyboard, Centered Keyboard, Linear Velocity, or Exponential Velocity. If the source is not one of the four listed above, and the Mod Amountis set toa very small amount (such as 0), then only the start step of the sequence will be played. ROM Wave Sequences cannot be edited Each time you make any change to a Wave Sequence, the change is saved. Since you cannot write to ROM, you cannot directly edit a ROM Wave Sequence. If you first copy the Wave Sequence to a RAM bank, you can then edit itas much as you like. “Goto the UTILITIES page, under GLOBAL, and copy the ROM Wave ‘Sequence into either the RAM1, RAM2, or CARD banks. It may now be edited. Wave Sequence does not seem to sync to MIDI Check that Wave Sequence Sync parameter on the GLOBAL page is set to MIDI. If this is set to INTERNAL, MIDI clocks will not affect Wave Sequences. “© Check that the step durations are in multiples of 6 (12, 24, etc. for all Wave Sequences in the current Performance. A duration of 24 equals one quarter note; 12 equals an eighth note; 6 equals a sixteenth note, and so on. “© Check that rhythm is not partially due to the Wave Sequence being run through a delay effect. If this is the case, you should adjust the delay time to match the tempo of the MIDI clocks. © Forbest results when using a sequencer and syncing Wave Sequences to MIDI clocks, quantize all notes playing Wave Sequences to a few milliseconds ‘before the beat. This will ensure that your sequencer will send out the notes before the clock message, so that the Wave Sequence rhythms will be right on the beat. 73Wavestation Version 3 Addendum When a Performance Is used In a Multiset, not all Parts are heard When the Effects Mix of a Performance Is changed, not all Parts are heard Ifyou have changed the FX Mix of a Performance, or if you are using it in a ‘Multiset and have not explicitly copied the effects from the original Performance, waves assigned to the C and /or D buses may not be heard. "© Check the Mix 3/4 parameters on the EFFECTS MIX page, and make sure that these are not set to OFF. If they are, change them to another setting. If any of your Parts are assigned to the C,D,or C+D FX Buses (or if the Part is assigned to Patch, and the Patch FX Bus Assign has Waves which are routed to ‘only C and/or D), and you are using only the stereo outputs, then itis necessary to use the Mix 3/4 parameters on the FX MIX page to route those Parts to the stereo outs. ROM 0 Wave Song is an example of such a Performance. Performance Effects seem to have changed If Effects have been set to DISABLE on the GLOBAL page, no effects will be heard. "© Goto the GLOBAL page, and make sure that the Effects are set to ENABLE. ‘When you play a Performance in MIDI MULTI or MONO modes, it is processed. through the effects for the current Multiset, as opposed to its own effects. *© Check the MODE parameter on the MIDI page. If this is set to MULTI or MONO, the Performance is using the effects of the current Multiset (which ‘may be accessed through the MULTI button on this page). “© Change the MIDI MODE to OMNI or POLY, which will enable the Performance to use its own effects. ‘© On the EFFECTS COPY page, copy the effects from the desired Performance into the Multiset. Performance Ettects cannot be edited Multiset Effects cannot be edited There are two sets of effects in the Wavestation: those that belong to Performances, and those that belong to Multisets. The MODE parameter on the MIDI page determines, among other things, which set of effects is in use. If the MIDI MODE is set to OMNI or POLY, the Performance effects are heard; if it is set to MULTI or MONO, the Multiset effects are heard, Only the effects currently in use may be edited. Thus, if you are in OMNI or POLY modes, Multiset effects cannot be edited; if you are in MULTI or MONO modes, the Performance effects cannot be edi Also, if Effects have been set to DISABLE on the GLOBAL page, the effects will Rot be heard, and cannot be edited. “Goto the GLOBAL page, and make sure that the Effects are set to ENABLE. 14Wavestation Version 3 Addendum. Local footpedats do not function correctly If you are using a footpedal plugged into the back of the Wavestation, as opposed to over MIDI, and the pedal seems to be functioning oppositely from the way that you would expect (sustaining when it is not depressed, and damping when it is depressed, for example), the polarity of the pedal may be set incorrectly. “© Try changing the Polarity parameter for that footpedal on the FOOT PEDAL ASSIGN page. If you are using the pedal as MOD PEDAL or FX SWITCH, remember that the values may be scaled and inverted at the modulation destination. A positive value from the pedal, then, may produce a decrease in modulation, depending on the settings of the Patches and Effects in the current Performance. 15Wavestation Version 3 Addendum COMPATIBILITY 16 ‘Wavestation software version 3.0 is completely compatible with Program and PCM data created for earlier versions. Several features have been added, including extra effects and the optional EXK-W PCM expansion kit, which require that you be slightly careful when transferring data in the other direction, back to earlier or unexpanded Wavestations. ‘This appendix addresses two of the major improvements made to the Wavestation in software version 3.0, and how these are handled by earlier Wavestations. Wavestations with this software update are referred to as "3.0 or later,” and those without it are referred to as "pre-3.0." Extra effects ‘The Wavestation's Stereo Mod Pitch Shift/Delay, Compressor - Limiter/Gate, and Vocoder effects are not present in pre-3.0 Wavestation keyboards (these extra effects are also featured in the Wavestation A/D). If a Performance which uses these effects is transferred to a pre-3.0 keyboard, they will appear as effect #0, NO EFFECT, and will not be heard. As long as these effects are not edited, they will still be intact if transferred back to a 3.0 or later Wavestation (or Wavestation A/D), but changing the effects will erase the original data. ‘The Distortion/Overdrive effects are slightly enhanced in 3.0 or later Wavestations, with the addition of a modulation source and amount on the output level. These parameters will not appear on pre-3.0 keyboards, but the effects will otherwise function normally. Extra PCM waves ‘The optional EXK-W expansion kit may be used to upgrade the Wavestation to include an extra 2 megabytes of PCM sound ROM, for double the amount of the original keyboard. The Wavestation A/D also comes standard with this expanded PCM. This means that they have a large number of additional PCM waveforms which are not included in the keyboard; any wave numbered over 396 is part of this expanded PCM. When transferring a Patch which uses these waves to a pre-3.0 Wavestation keyboard, the wave numbers will be “clipped” to 396 (Pulse31), and that Patch will therefore not sound the same. On a 3.0 or later ‘Wavestation keyboard without the PCM expansion, the appropriate number will be shown, but the name will be shown as NO EXP and the wave will not sound. If ‘you really want to play a sound which uses the expanded PCM on an unexpanded ‘Wavestation keyboard, you will have to re-create the sound using waves numbered 396 or below. ‘When a Wave Sequence using expanded waves is transferred to an unexpanded 3.0 or later Wavestation, the correct wave numbers will be shown, but steps using expanded PCM will be shown as NO EXP PCM and will not sound. On pre-3.0 keyboards, however, the results are somewhat different. The steps with ‘expanded waves play PCM from the normal, non-expanded ROM (the number of the wave played is equal to the number of the original wave minus 365). These steps are also transposed up 6 octaves, so it’s easy to hear the change. Again, if ‘you want to play such a Wave Sequence from an unexpanded Wavestation keyboard, you'll have to re-program it using waves from the non-expanded PCM.Wavestation Version 3 Addendum SYSTEM EXCLUSIVE FORM, This system exclusive format contains data for both the Wavestation keyboard and Wavestation A/D rack-mount models. Data used by the Wavestation A/D but not referenced by the Wavestation keyboard is printed in bold type. 1.0 Header Format ‘The following is a description of the Wavestation system exclusive header. This format is common for all Wavestation system exclusive messages. ‘These bytes are excluded from the computation of the checksum. 11110000 (FO) 01000010 (42) 001innnn (3n) 00101000 (28) Ommereaia 1.1 Message Type Codes ‘The following hex. 4a. 42 40 49 4c aD 50 51 54 SA 5c 55 5D 23 24 an 1A 21 22 5B System Exclusive status byte Korg 1D Format ID, n = channel number Wavestation device ID Message type table contains a list of the message types in Parameter Change Message Parameter Change Message Expanded Single Patch Dump Single Performance Dump All Patch Dump (within bank) All Performance Dump (within bank) All Data (system, patch, performance, wave sequence) Dump system Setup Dump All Wave Sequence Dump Micro Tune Scales Dump system Setup Dump Expanded Multi Mode Setup Dump Performance Map Dump Data Load Completed Data Load Error Patch Write Command Performance Write Command Write Complete Message Write Error Message Multi Mode Setup Select 7Wavestation Version 3 Addendum 06 Multi Mode Setup Dump Request 07 Performance Map Dump Request 08 Micro Tune Scales Dump Request oc Wave Sequence Data Dump Request OF System Setup Dump Request oF All Data Dump Request 10 Single Patch Dump Request 19 Single Performance Dump Request ic All Patch Dump Request iD All Performance Dump Request 1.2 Binary data format All 8 bit binary data is transmitted as two bytes in the following format: QO0OLLLL Low 4 bits of the data QOOOHHHH High 4 bits of the data So that a byte is reconstructed as follows: HHHHLLLL This is referred to as Nibble data. 2.0 Transmit and Receive Messages The following messages are both transmitted from the Wavestation and received by the Wavestation. 2.1 Data Messages 2.4.1 Single Patch Data The following message contains a dump of a single patch. on reception the patch is placed in the edit buffer. To transfer a patch to a RAM location use the patch write command, FO 42 3n 28 Wavestation sysex header 01000000 (40) Single Patch Dump 000000xx (0x) Bank number (0..3) Orso Patch number. Nibble data Patch structure (section 5.2) Ocececee Checksum 31110111 (F7) End of exclusive. 8Wavestation Version 3 Addendum 2.1.2 Single Performance Data The following message contains a dump of a single performance. On reception the performance is placed in the edit buffer. To place the performance in memory use the performance write command. FO 42 3n 28 Wavestation sysex header 01001001 (49) Single Performance Dump 000000xx (0x) Bank number (0..3) Ox Performance number Nibble data Performance structure (section 5.1) Oceeecee Checksum 32110121 (F7) End of exclusive 2.1.3 All Patch Data ‘This message contains all 35 patches within the bank specified. FO 42 3n 28 Wavestation sysex header 91001100 (4c) All Patch Dump 000000xx (0x) Bank number (0..3) Nibble data 35 patch structures (section 5.2) Occeccee Checksum 11110111 (F7) End of exclusive This message contains all 50 performances within the bank specified. FO 42 3n 28 Wavestation sysex header 01001101 (4D) All Performance Dump 000000xx (0x) Bank number (0. .3) Nibble data 50 performance structures (section 5.1) Ocececee Checksum 31210111 (F7) End of exclusive 2.1.5 System Setup Parameter Data This message is always accompanied by the System Setup Expanded data (as described below) . FO 42 3n 28 Wavestation sysex header 01010001 (51) System Setup Dump Nibble data System structure (section 5.6) Oceceece Checksum 22110121 (e7) End of exclusive 19Wavestation Version 3 Addendum 2.1.6 System Setup Parameter Expanded Data ‘This message always accompanies the System Setup Data (as described above) . FO 42 3n 28 Mavestation sysex header 01011100 (5c) System Setup Expanded Dump Nibble data System Expanded structure (section 5.7) Occeecce Checksum 31110111 (F7) End of exclusive 2.1.7 Wave Sequence Data FO 42 3n 28 Wavestation sysex header 01010100 (54) Wave Sequence Dump 000000xx (0x) Bank number (0. .3) Nibble data Ws_block structure (section 5.4) Oceeecee Checksum aiai0i11 (F7) End of exclusive 2.1.8 Multi Mode Setup Data FO 42 3n 28 Wavestation sysex header 92020101 (55) Multi Mode Setup Dump Nibble data Multiset_block structure (section 5.3) Oceecece Checksum 21110111 (F7) End of exclusive 2.1.9 Performance Map Data FO 42 3n 28 Wavestation sysex header 01011101 (sD) Performance Map Dump Nibble data Performance Map_block structure (section 5.8) Oceccece Checksum 21110111 (F7) End of exclusive 2.1.10 Micro Tune Scale Data FO 42 3n 28 Wavestation sysex header 02011010 (5a) Micro Tune Scale Dump Nibble data Mtune_block structure (section 5.5) Occeccee Checksum 31110111 (F7) End of exclusiveWavestation Version 3 Addendum This message is always accompanied by the System Setup Expanded Data. FO 42 3n 28 Wavestation sysex header 91010000 (50) All Data Dump Nibble data All_data structure (section 5.9) Ocecceee Checksum 12110222 (F7) End Of exclusive 12 Parameter Change Messages ‘The normal parameter change messages include parameters numbered up to 379. FO 42 3n 28 Wavestation sysex header 01000001 (42) Parameter Change Message OLLLLLLL LSB of parameter number (section 5.10) OuHHHAHH MsB of parameter number Oxex22000 Parameter value in 7 bit ASCII : (16 characters max) (7F = space) 00000000 (00) ASCII null termination 12110111 (F7) End of exclusive 2.1.13 Parameter Change Messages Expanded ‘The expanded parameter change messages include parameters numbered 380 and greater. They are otherwise completely the game as the normal parameter change messages. FO 42 3n 28 Wavestation sysex header 01000010 (42) Parameter Change Message Expanded OLLLLLLL LSB of parameter number (section 5.10) OnEHHEHE MSB of parameter number Ore Parameter value in 7 bit ASCII : (16 characters max) (7F = space) 00000000 (00) ASCII null termination 11110111 (F7) End of exclusive Sent whenever the current multi set is changed. On reception it will change the current multi setup. FO 42 3n 28 Wavestation sysex header 91012011 (5B) Multi Mode Setup Select xxx Multi Mode Setup number 24210111 (F7) End of exclusive aWavestation Version 3 Addendum 2.2 Status messages Status messages are transmitted after reception of data messages. They indicate the receive status of the data. When received they will display an appropriate message. 2.2.1 Data Load Error This message is transmitted whenever a message is received and the checksum failed. FO 42 3n 28 Wavestation sysex header 00100100 (24) Data Load Error message type 31110111 (F7) End of exclusive 2.2.2 Data Load Complete ‘This message is transmitted whenever a data message is received successfully FO 42 3n 28 Wavestation sysex header 00100011 (23) Data Load Complete message type 21110111 (F7) End of exclusive 3.0 Transmit Only Messages 3.1 Status messages Status messages are transmitted after reception of data messages. They indicate the receive status of the data. 3.1.1 Write Complete FO 42 3n 28 Wavestation sysex header 00100001 (21) write Complete message type 32110111 (F7) End of exclusive 3.1.2 Write Error FO 42 3n 28 Wavestation sysex header 00200020 (22) Write Error message type 32220111 (F7) End of exclusive 3.2 Device ID Message 12110000 (Fo) system Exclusive 02121110 (78) Non Real Time message 0000xxx (Ox) Channel number 00000110 (06) Inquiry message 00000020 ¢02) ID reply 1000020 (42) KORG ID 00101000 (28) Wavestation family code (LSB) 00000000 (00) (Msp) 2200000000 (00 00000000 (00) Oxecanee (0x) Oxoccxxxx (0x) xxx (Ox) Decne (0x) 31110111 (F7) 4.0 Receive Only Messages 4.1 Request Messages 4.1.1 Single Patch Dump Request FO 42 3n 28 00010000 (20) 000000xx (Ox) Osexsexsest 22110122 (F7) 4.1.2 Single Performance Dump Request FO 42 3n 28 00012001 (29) 000000xx (0x) Osc 21110112 (F7) 4.1.3 All Patch Dump Request FO 42 3n 28 00011100 (1c) 000000xx (Ox) 11110112 (e7) 4.1.4 All Performance Dump Request FO 42 3n 28 00011101 (14) 000000xx (Ox) 12220111 (F7) 4.1.5 All Data Request FO 42 3n 28 00001111 (oF) 22110121 (F7) 4.1.6 System Setup Dump Request FO 42 3n 28 00001110 (0) 22110111 (F7) Wavestation Version 3 Addendum Member code (LSB) (se) Minor software version (LSB) (MsB) Major software version(LSB) (use) End of exclusive Wavestation sysex header Single Patch Dump Request Bank number (0..3) Patch nunber End of exclusive Wavestation sysex header Single Performance Dump Request Bank number (0. .3) Performance number End of exclusive Wavestation sysex header All Patch Dump Request Bank number (0..3) End of exclusive Wavestation sysex header All Performance Dump Request Bank number (0..3) End of exclusive Wavestation sysex header All Data Dump Request End of exclusive Wavestation sysex header system Setup Dump Request End of exclusive4.1.7 Wave Sequence Data Dump Request Wavestation Version 3 Addendum FO 42 3n 28 Wavestation sysex header 00001200 «acy Wave Sequence Dump Request 000000x« (0x) Bank number (0..3) 31110111 (F7) End of exclusive 4.1.8 Performance Map Dump Request FO 42 3n 28 Wavestation sysex header 11110311 (F7) End of exclusive 000111 «07) Performance Map Dump Request | | 4.1.9 Mult! Mode Setup Dump Request FO 42 3n 28 Wavestation sysex header 00000110 (06) Multi Mode Setup Dump Request 12210111 (F7) End of exclusive 4.1.10 Micro Tune Scales Dump Request FO 42 3n 28 wavestation sysex header 90001000 (08) Micro Tune Scales Dump Request a1ii0i11 (F7) End of exclusive 4.2 Commands | 4.2.1 Patch Write Command FO 42 3n 28 Wavestation sysex header 00010002 (11) Patch Write Command 000000x% (0x) Bank number (0..3) OppPppPP (pp) Patch number (0-34) 21110111 (F7) End of exclusive 4.2.2 Performance Write Command FO 42 3n 28 Wavestation sysex header 00011010 (1a) Performance Write Command 000000xx (0x) Bank number (0..3) Opppppp (pp) Performance number (0-49) 31120111 (@7) End of exclusive 4.3 Device Inquiry Message 11110000 (FO) System Exclusive 02111110 (7E) Non Real Time Oxxxxxxe (0x) Channel number 00000110 (06) Inquiry message 00000002 (01) Inquiry request ; 22110121 (F7) End of exclusive 25.0 Data Structure Tables typedef typedef typedef typedef typedef typedef char short unsigned char unsigned short unsigned long unsigned char 5.1 Performance Data Structure typedef struct Wavestation Version 3 Addendum bytes /* @ bits, signed */ word? /* 16 bits, signed */ ubyte /* @ bits, unsigned */ uword; /* 16 bits, unsigned */ ulong; —/* 32 bits, unsigned */ boolean; /* Boolean TRUE or FALSE */ char Perf_Name(NAME_SIZE];/* Performance name - up to 16 byte Fx Perf Block(21]; part Parts(8); } performance; typedef struct ( byte byte ubyte byte ubyte Bank_Num; Patch Num; Level; output: Part_Mode; characters */ /* Leave space for effects parameters */ 7* This is where the PART blocks start, of which 8 can be appended to the performance */ /* Bank number this PART is playing */ /* Patch number this PART is playing */ 7* Volume for this part */ /* OUTPUT CHAN FOR THIS Part (-1 = stereo) */ /* KEYBOARD ASSIGN MODE (Polyphonic, UNI) */ /* bit 6 */ /* 1 = Patch is from Expansion RAM Bank (RaM3) */ /* bit 5-4 4/ /* 00m #8# #/ /* 01= Local play mode*/ /* 10= MIDI play mode*/ 7* 11 = Both */ 7* bit 3-2 */ 7* 00= #888 8/ /* 01= polyphonic*/ 7* 10= unison re-trigger*/ /* 11= unison legato*/ 1-0 */ i low note*/ a* high note*/ in last note*/ YA AL © #Ae 3Wavestation Version 3 Addendum ubyte —-Lo_Key; /* Lower note of keyboard range*/ ubyte —-Hi_Key; /* Upper note of keyboard range*/ ubyte —_Lo_Vel. /* Lower limit of velocity range*/ ubyte —-Hi_Vel. /* Upper limit of velocity range */ byte Trans; /* Transpose value in semitones */ byte Detune, /* Detune value in cents*/ ubyte —‘Tunetab; /* Micro tuning table for this PART */ ubyte Micro_Tune_Key; /* Root key for pure major/minor and USER scales */ byte -Midi_out_Chan; /* MIDI transmit channel for this PART */ byte Midi_Prog_Num; /* MIDI prog# to xmit when PART selected, -1 off) */ byte Sus_Enable; /* Sustain Pedal enable/disable */ uword Delay? 7* Delay value in milliseconds */ ) part; 5.2 Patch Data Structure a Individual Patch Data Structure */ 7/* This is the structure for data that is individual to the */ /* 1, 2, of 4 oscillators that make up a Patch.*/ /* Four of these structures are included in a Patch.*/ typedef struct 1 byte Wave_Coarse; /* Wave detuning in semitones*/ byte 7* Wave detuning in cents */ ubyte 7* wave bank */ uword, 7 7* Wave number*/ byte Wave Scale; 7/* Wave pitch scaling slope */ ubyte ——-Lfol_Rate; /* LEO 1 Rate */ ubyte —-Lfo1_Amt, 7* LEO 1 Amount*/ ubyte ——Lfol_Delay; /* LEO 1 Delay*/ ubyte -Lfol_Fadez 7* LEO 1 Fade in*/ ubyte ——-Lfo1_Shape; /* LEO 1 Shape (bits 0-6)1-1274/ /* FO 1 Sync (bit 7) */ /*1 = syne on */ /*0 = sync off*/ byte S1_Lfol_Ry /* Mod Source to LFO 1 Rate pointer*/ byte S1_Lf01_} 7* Mod Source to LFO 1 Rate amount*/ byte $1_Lfo1_? /* Mod Source to LFO 1 Amt pointer*/ byte S1_L£01_A amt; /* Mod Source to LFO 1 Amt amount*/ ubyte -L£02_Rate; /* LEO 2 Rate*/ ubyte —-L£o2_Amt; 7* LPO 2 Amount*/ ubyte - Lfo2_Delay; —/* LFO 2-Delay*/ ubyte —-Lfo2_Fade; 7* LEO 2-Fade in*/ ubyte Lf02_Shape;/* LFO 2-Shape (bits 0-6)1-127*/ 7* LEO 2 Sync (bit 7) */ /* 1 = Sync on */ /* 0 = Sync off*/ byte $1_Lf02_R; 7 Mod Source to LFO 1 Rate pointer*/ byte S1_Lf02_R Amt; /* Mod Source to LFO 2 Rate amount*/ byte S1_L£02 /* Mod Source to LFO 2 Amt pointer*/byte ubyte ubyte ubyte ubyte ubyte ubyte ubyte ubyte ubyte byte ubyte ubyte ubyte ubyte ubyte ubyte ubyte ubyte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte byte ubyte ubyte byte $1_Lfo2_A Amt; BG_Ratel; BG_Rate2; BG _Rate3; EG_Rate4; BG_Level0; BG_Levell; EG_Level2; EG_Level3; EG_level4; vel_EG_A; AEG_Ratel AEG_Rate?, AEG_Rate3, AEG_Rated, AEG_Level0; AEG_Levell; AEG_Level2; AEG_Level3; Pitch Mac; Fil_Mac; amp_Mac; Pan Mac; Env_Mac; Pw_Range; si_Pitch: S1_Pitch_amt; S2_Pitch; S2_Pitch_amt; Key_Filter; si_Filter; Si_Filter_amt; s2_Filter; S2_Filter_amt; Vel_ABG_} Vel_AEG_R, Key AEG} S1_Amp, S1_Amp_Amt; $2_Amp, S2_Amp_Amt ; Key Pan Amt; Vel_Pan_amt; cutoft; Wavestation Version 3 Addendum /* Mod Source to LFO 1 Amt amount*/ /* Envelope 1 Rate 1 */ /* Envelope 1 Rate 2 */ 7* Envelope 1 Rate 3 */ /* Envelope 1 Rate 4 */ /* Envelope 1 Level 0 */ /* Envelope 1 Level 1 */ /* Envelope 1 Level 2 */ /* Envelope 1 Level 3 */ 7* Envelope 1 Level 4 */ 7* Velocity to Envl Amount amt */ 7* amplitude Envelope Rate 1 */ 7* Amplitude Envelope Rate 2 */ 7* amplitude Envelope Rate 3 */ /* Amplitude Envelope Rate 4 */ 7* Amplitude Envelope Level 0 */ /* amplitude Envelope Level 1 */ /* Amplitude Envelope Level 2 */ /* amplitude Envelope Level 3 */ /* Pitch Macro number*/ /* Filter Macro number*/ /* amplitude Envelope Macro number*/ /* Pan Macro nunber*/ /* Envelope 1 macro nunber*/ /* Pitchwheel Range */ /* Modulation Source 1 to Pitch pointez*/ /* Modulation Source 1 to Pitch Amount */ 7* Modulation Source 2 to Pitch pointez*/ 7* Modulation Source 2 to Pitch Amount*/ /* Keyboard to Filter Cutoff Amount*/ /* Modulation Source 1 to Filter pointer*/ /* Modulation Source 1 to Filter Amount*/ /* Modulation Source 2 to Filter pointer*/ /* Modulation Source 2 to Filter Amount */ /* Velocity to Amp Env Amount Amount */ /* Velocity To Amp Env Attack Rate Amt*/ 7* Keyboard to Amp Env Decay Rate Ant*/ /* Modulation Source 1 to Amp pointer*/ /* Modulation Source 1 to Amp Amount*/ /* Modulation Source 2 to Amp pointer*/ /* Modulation Source 2 to Amp Amount*/ /* Keyboard to Pan Amount*/ 7* Velocity to Pan Amount*/ /* Filter Cutoff value */ Filter _Exciter;/* Filter Exciter value */ vel_EGR /* Velocity to ENV1 rate amount*/ PdWavestation Version 3 Addendum. byte Key_EG_R; byte PEG_Amt; ubyte -PEG_Rate; byte Vel_PEG_A; byte Indiv_tevel; long Lfo1_Inc long Lfo2_Inc; byte Patch_Output, byte Wave_Num Exp; } indiv; /* Patch data structure*/ typedef struct /* Keyboard to ENV1 rate amount*/ 7* pitch Ramp amount */ /* pitch Ramp rate*/ 7* Velocity to pitch ramp amount */ /* Velocity to pitch ramp rate amount*/ /* Ufo fade in amount increment */ /* ufo fade in amount increment*/ /* Individual output routing */ /* Wave number expansion to access Expansion PCM data (Waves numbered 397 and over), if present. This number is added to the value of Wave_Num to determine the actual wave number.*/ char Patch Name(16];/* Patch name up to 16 characters*/ ubyte Mix Ratel;/* Mix envelope rate for segment 1 */ ubyte Mix Rate2; /* Mix envelope rate for segment 2 */ ubyte Mix Rate3; /* Mix envelope rate for segment 3 */ ubyte Mix Rated; /* Mix envelope rate for segment 4 */ uword Mix Count1; _/* Number of update cycles for env seg*/ uword Mix Count2; /* Number of update cycles for env seg*/ uword Mix Count3; —/* Number of update cycles for env seg*/ uword Mix Count3B; /* Number of update cycles for env seg*/ uword Mix Count2B; /* Number of update cycles for env seg*/ uword Mix_Count1B; /* Number of update cycles for env seg*/ uword Mix Count. 7+ Number of update cycles for env seg*/ long Mix_xSlopel; /* Increment size for env seg 1 */ long Mix XSlope2; /* Increment size for env seg 2 */ long Mix XSlope3; /* Increment size for env seg 3 */ long Mix XSlope4; /* Increment size for env seg 4 */ tong Mix_yslopel; /* Increment size for env seg 1 */ long Mix ¥Slope2; /* Increment size for env seg 2 */] long Mix_YSlope3; /* Increment size for env seg 3 ~/ long Mix YSlope4; /* Increment size for env seg 4 */ ubyte —Mix_x0; /* Mix Envelope Point 0 level */ ubyte Mix x1; 7* Mix Envelope Point 1 level */ ubyte = Mix x2; /* Mix Envelope Point 2 level */ ubyte /* Mix Envelope Point 3 level */ ubyte 7* Mix Envelope Point 4 level */ ubyte /* Mix Envelope Point 0 level */ ubyte 7* Mix Envelope Point 1 level */ ubyte /* Mix Envelope Point 2 level */ ubyte Oo /* Mix Envelope Point 3 level */ ubyte Mix y4; /* Mix Envelope Point 4 level */ ubyte Mix Repeats; ubyte Mix _Env_Loop; ubyte $1_MixaC; byte — S1_MixAc_Amt; 7* Number of repeats of mix envelope*/ /* Start segment of Mix Envelope loops*/ /* Modulation Source 1 to MixAC pointer*/ 7* Modulation Source 1 to MixAC Amount */ 3BWavestation Version 3 Addendum ubyte S2_MixAC; /* Modulation Source 2 to MixAC pointer*/ byte $2_MixAC_Amt; _/* Modulation Source 2 to MixAC Amount*/ ubyte S1_MixBD; /* Modulation Source 1 to MixBD pointer*/ byte S1_MixBD_Ant; /* Modulation Source 1 to MixBD Amount */ ubyte $2_MixBD 7* Modulation Source 2 to MixBD pointer*/ byte S2_Mixap_amt; /* Modulation Source 2 to MixBD Amount*/ byte Number OF Waves; /* Number of WAVES/WAVESEQS in Patch*/ ubyte Hard_sync? /* Hard Syne Flagt/ byte Bank_Exp; /* Bit 3 = 1; Wave D uses RAM3 waveseq */ /* Bit 2 = 1; Wave C uses RAM3 waveseq */ /* Bit 1 = 1; Wave B uses RAMS waveseg */ /* Bit 0 = 1; Wave A uses RAM3 waveseq */ byte Dummyl41; /* Extra for future use */ indiv wavea, /* Individual parameters for WAVE A */ indiv waveB; /* Individual parameters for WAVE B */ indiv wavec; /* Individual parameters for WAVE C */ indiv waveD; /* Individual parameters for WAVE D */ } pateh: 5.3 Multi Mode Setup Data Structure This contains the data for the Multimode Setups. i Data structures of the multi-set map which*/ i specifies the initial program on each track.*/ i There are 16 setups. Each one holds bank/prog */ ” numbers for each MIDI channel. */ typedef struct ( ubyte Multimap_Chan_Enable;/* MIDI channel enable/disable */ ubyte Multimap_Bank; /* Bank number of this program */ ubyte Multimap Prog: /* Program number of this program */ ubyte Multimap Level; /* Performance level */ } mult imap; typedef struct a ubyte Multiset_PX_Chan;/* Effects control channel number*/ ubyte Fx Multi Block (21];/* Space for effects parameters*/ multimap Multiset_Map[16];/* Bank and program numbers */ } multiset; typedef struct { multiset multisets [16]; byte spare_multiset_byte; } multiset_block; 25Wavestation Version 3 Addendum 5.4 Wave Sequence Data Structure /* This is repeated for the number of wave sequences in the bank. */ typedef struct ni word WS_Link, uword WS_Slink; ubyte WS_Loop_start; ubyte WS_Loop_End; ubyte WS_Loop_Count; ubyte WS_Start_step, ubyte WS_Mod_sre; byte — WS_Mod_Amt; word — WS_Dyno_Mod; uword WS_Start_Time; uword WS_Time; ) waveseq: /* Pointer to Wave Sequence Start Step */ /+ Pointer to Startmod Start Step */ /* Step number of WAVESEQ Loop Start Point step*/ /* Step nunber of WAVESEQ Loop End Point step*/ /* = Loop repeat count (bits 0-6) 1-1278/ /* O-0FF J+ 127=1NF */ /*boop Direction (bit 7)*/ 7* 0 = FOR */ (#1 = B/E “ /* Startmod starting step number*/ /* Controller number to use for startmod */ /* Startmod sensitivity */ 7* (otal_Time * Mod_Amt)/255 */ 7* Cumulative time up to start step */ 7* Total time of Wave Sequence */ /* Data structure of each STEP in a WAVE SEQUENCE */ typedef struct ( uword WS_Flink; word WS_Blink; uword = WS_LLink; uword WS_Wave_Num; byte — WS_Coarse byte WS_Fine; uword WS_Xfade; uword WS_Duration; ubyte WS_Level; ubyte WS_Mod_Index; } wavestep, /* Step number of step in WAVSEQ after this one */ /* Step number of step in WAVSEQ before this one */ /* Pointer to loop start (OxFFFF except last step) */ /* Wave number of this step in wave sequence */ /* 24 to 24: Coarse tuning of wave */ 25 to 47: illegal values 48 to 96: subtract 72 for actual coarse tuning and use expanded PCM, if present, adding 365 to WS_Wave_Num value for actual PCM wave number. */ /* Fine tuning of wave */ /* Crossfade time of wave */ /* Duration of wave */ /* Level of wave */ /* Modulation Index */typedef struct ( char Wave_Seq_Name(8}; Wavestation Version 3 Addendum (* This is the entire structure which is tranemitted */ typedef struct fi waveseq wavstep ws_name waveseq block [32];/* 32 wavseq locations */ wavstep_block{501]:/* 501 wave seq steps */ ws_name_block(32];/* 32 wave seq names */ ) ws_block: 5.5 Micro Tune Scale Data Structures typedef struct ( byte byte byte byte byte byte byte byte byte byte byte byte } mtune; © key; /* offset /* offset /* offset /* Offset /* offset /* offset fs key: —/* Offset gs key: —/* Offset a key; /* Offset as key; . /* Offset b key; /* offset typedef struct 1 mtune byte mtunes (12); spare_mtune_byte; } mtune_block; 5.6 System Setup Data Structure typedef struct { ubyte ubyte byte byte ubyte ubyte byte ubyte ubyte byte byte current_malti; current_tune; master_tune; effects_enable; pitch_bend_range: velocity response midi_mode; midi_base; num_fiono_chans; key_num offset; param_enabli from equal tempered for ¢ note */ from equal tempered for C# note */ from equal tempered for D note */ from equal tempered for D# note */ from equal tempered for E note */ from equal tempered for F note */ from equal tempered for F# note */ g key /* offset from equal tempered for G note */ from equal tempered for G# note */ from equal tempered for A note */ from equal tempered for A# note */ from equal tempered for B note */ ys * i i i y* yt y+ * ys * CURRENT MULTISET */ CURRENT _MTUNE* / MASTER TUNE */ EFFECTS ENABLE */ PITCH BEND RANGE */ VELOCITY RESPONSE*/ MIDI MODE */ MIDI BASE CHAN */ NUM MONO CHANS */ KEY NUM OFFSET */ MIDI PARAM ENABLE */ ETWavestation Version 3 Addendum byte midi_i; a byte — midi_2; i byte — xmit_mode; a” byte —local_kd; i byte xmit_programeenable; /* byte xmit_pressure_enable; /* byte xmit_pitchenable; /* byte xmit_control_enable; /* byte rec_programenable; /* byte _rec_pressure_enable; /* byte _rec_pitch_enable ys byte rec_control_enable; /* byte note_enable; i byte alloff_enable; Is byte _progmap_enable; * ubyte foot_damper_funct ions ubyte foot_damper polarity; ubyte foot_assign_1_function; ubyte foot _assign_1_polarity; ubyte foot_assign_2_function; ubyte foot _assign_2 polarity; ubyte ws_midi_clock byte —_spare_system byte; ) system; 5.7 System Setup Expanded Data Structure CONTROLLER 1 */ CONTROLLER 2*/ XMIT MODE */ LOCAL_KBD */ xauT PROG CHANGE */ XMIT AFTERTOUCH */ XMLT PITCH BEND */ XM CONTROLLERS*/ REC PROG CHANGE */ REC APTERTOUCH */ REC PITCH BEND */ REC CONTROLLERS*/ REC NOTE ON OFF*/ REC ALL NOTES OFF*/ PROGMAP ENABLE */ ‘This contains the local transpose amount, as well as data used by the Wavestation A/D Rack module. typedef struct { ubyte prog_to_multi_fx; ubyte change_multi with; ubyte remap_to_joy_2 ubyte remap_to_joy_y: ubyte remap_to_fx switch; ubyte local_xpose? ubyte analog_setup_number; byte analog_bus_macro; ubyte analog_lev_t. ubyte analog_lev_2 byte analog_chan_1 byte analog_chan_2; ubyte analog i bus ubyte analog_2_bus. ubyte analog_i filter; ubyte analog _2 filter; ubyte analog_1_exciter: ubyte analog_2_exciter: ubyte analog_input_disable; Jsystem_ext;5.8 Performance Map Structures Wavestation Version 3 Addendum, This contains the data for the Performance Select Map. typedef struct ‘ ubyte —-Perfmap_Bank; ubyte —- Perfmap_Prog? ) perfmap; typedef struct { perfmap perfmaps (128); /* Bank number of this performance */ /* MIDI Program Change number of this performance */ byte spare_perfmap_byte; ) perfmap_block; 5.9 All Data Structure typedef struct f system multiset_block mtune_block perfmap_block Performance performance patch patch ws_block ws_block ) all_data; multiset_all; meune_all; perfmap_all; perf_raml (50); perf_ram2 {50}: pateh_rami (35); patch_ram2 (35); wo_raml; ws_ram2;Wavestation Version 3 Addendum. 5.10 Parameter Number Table enum /* Parameter numbers. */ ( a” B * i” i * ” - » - , i ” * i+ * a i i” , ” i” i * i i i * i * i i” * i» p - - » * - - * i” * * ” ” * ” -* i” » ov 1+/ 2+ 34/ ay s*/ 64 cay ats o4/ 10 rey 2 3 4 1s 16 uv 16 1s 20 a 22 23 24 25, 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 a a a3 aa 45 46 a1 48 49 50 51 52 uv ” ” ” ” ” ” ” “ ” ” ” y ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” ” v 7 ” s uv ” ” ” ” ” ” (CURRENT_BANK, cARD_NAKE, CCURRENT_PROG, PROG_NANE, MIDT_MODE, MIDT_BASE_CHAN, 1Nuw_HoNo_CHANS, KEY_NUW_OFFSET, ‘MIDI_PARAM_ENABLE, ‘CONTROLLER_1, ‘CONTROLLER. 2, XO0T_MODE,, Local, KED, XMET_PROG_CHANGE, XMIT_AFTERTOUCH, XOIT_PITCH_BEND, XMTT_CONTROLLERS, REC_BROG_CHANGE, REC_AFTERTOUCH, ‘REC_PYTCH_BEND, REC_CONTROLLERS, REC_NOTE_ON_OFF, REC_ALL NOTES OFF, PROGMA_ENABLE, PROGMAP_CHANGE, NOM, PROGMAP_PROG BANK, PROGAAP_PROG_NUM, PROGYAP_PROG_NAME, CURRENT_MOLTISET, MULTISET_FX_CONTROL_CHAN, MOLTISBT_CHAN, MULTISET_CHAN ENABLE, MULTISET_LEVEL, MOLTISET_PROG._ BANK, MULTISET_PROG_NUM, MULTTSET_PROG_NAME, SYSEX_PATCH_BANK, SYSEX_PATCH_NUM, SYSEX_ALL_BANK, SYSEX_WAVESEQ_BANK, ‘SYSEX_PROG_BARK, SYSEX_PROG_NUM, VELOCITY_RESPONSE, ‘SAVE_DATA TYPE, ‘SAVE_SOURGE_BANK, ‘SAVE_SOURCE_NUM, ‘SAVE_SOURCE_NAME, SAVE_DEST_BANK, i ” ” * i” ” i» i” - 2 - - ” i” ” * ” i - » - - , i * i i” i - i i - ao 6 - y* i* y* i" i * * i -» - y* * , i i * * * * ” i” i - 53 +/ sat/ 55 4/ 56 +/ ST t/ 58 t/ 59 */ 60 */ ary 62 +7 63 4/ eats 65 4/ 66 +/ ores 68 */ 69 +/ 10 */ ny Rey ay ay 15 */ 16 */ 147 78 +/ 19:*/ 80 */ a1 ty 82 */ 83 */ ea ty 85 +/ a6 */ 87 */ 88 +/ 89 7 90 */ o.*/ 92 7 93 */ oa sy 95 */ 96 */ 97 7 98 */ 99 */ 100 +/ 101 */ 102 +/ 103 */ 104 +/ 105 */ 106 #/ 107 #/ 108 */ 109 ¥/ 110 */ un */ ‘SAVE_DEST_NO™, SAVE_DEST_NAME, SAVE_PIAY, (CORRENT_PART, PART_PATCH BANK, PART_PATCH_NOM, PART_PATCH_NAME, ‘PART_MODE, PART_VOUNE;, PART_OUTPUT, PART_KEY LIMIT_LOW, PART_KEY_LIMIT HIGH, PART_VEL_LINIT_LOW, PART_VEL,_LIMIT_HIGH, 'PART_TRANSPOSE, PART_DETUNE, ‘PART_SUS_ENABLE, ART_DEIAY, PART_UNT_NOTE_PRIORITY, PART_MTUNE_TAB, ‘PART_MTONE_KEY, PART MIDI_XMIT_CHAN, PART_PLAY_MODE, 'PART_PROG_CHANGE_11T, ‘PATCH_STRUCTURE, PATCH_HARD_SYRC, (CURRENT_WAVE, PATCH _PITCH_MACRO, PATCH FILTER MACRO, PATCH_AMP_MACRO, PATGH_PAN MACRO, PATCH_EW_NACHO, PATCH_PTTCH BEND RANGE, PATCH _PITCH_RAMP_AMT, PATCH_PTTCH_RAMP_RATE, PATCH _PITCH_VEL_ AMT, PITCH_SOURCE_1, ITCH SOURCE_1_ AMOUNT, PITCH_SOURCE_2, PITCH_SOURCE_2_AMOUNT, FILTER MoD CUTOFF, FILTER MOD TRACKING, FILTER FXCITER_AMOUNT, FILTER MOD_SOURCE, FILTER_MOD_SOURCE1_ANT, FILTER MOD_SOURCE2, FILTER_MOD_SOURCE2_AMT, @_Ew_WVEL_ 0, EW _IEVEL 1, 3arn , P i” rh - i * ” ” i” i ” i ” ” i” ” ” ” i” i“ ” ” i” ” i” ” i” a” ” ” i” i” ” i” i” ” ” ” ” ” ” in ” i” i * i” , i * a” i” i” P - i - az a3. aa 1s. ue 7 us ais 120 aaa az 123 aa 125 126 127 128 129 330 at 332 133 13a 135 136 137 238 139 140 1a 142 143 14s 145 146 147 148 149, 350 ast 1s2 153 154 155 156 157 ase 159 160 161 162 163 164 165 166 167 168 169 170 ” ” ” ” ” ” “ " ” ” ” ” ” ” " " ” " ” ” " ” " " " “” ” ” ” " " “ " ” ” ” ” " u ” ” ” ” " “ ” ” “ ” ” "7 ” ” ” ” “ v v " wayyy EEEEEEESEEE aa He ri ; 5 é i 5 WAVEA_TUNE_CORRSE, WAVER_TONE FINE, WAVER_TUNE_SLOPE, WAVER_EANK, waven_Now, WAVER, WAVEE_IEVEL, WAVEB_TUNE_COARSE, WAVER_TONE FIRE, WAVEB_TUNE_SICPE, WAVEC_BANK, wavec_Nou, wavec NE, WAVEC_IEVEL, WAVEC_TUNE_COARSE, WAVEC_TUNE FINE, WAVEC_TUNE_SLCPE, WAVED_BANK, WAVED_NUM, WAVED NAME, , ” , ” rp p i” i” i” ” * i” i” i ” ” ” am. a7 173 a4 a5. 6 a7 178 179 180 181 182 163 ea 185 186 187 ” ” ” ” ” ” “ " ” ” ” ” ” ” ” " ” i” i” i” i” * * * * ” ” * * i” * ” * ” i” i” * i” * * * * * ” ” ” i" ” * i” * -” ” ” ” i” ” * 189 190 ast 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 2a a2 213 214 215 216 a7 218 219 220 221 222 223 224 225 226 27 228 229 " ” ” ” " ” " ” ” ” ” " / " " / " " ” ” ” 7 / / " ” ” ” ” " ” " ” ” ” ” ” " ” uv ” Wavestation Version 3 Addendum. WAVED_IEVEL, WAVED_TUNE_COARSE, WAVED_TUNE_FINE, WAVED_TUNE_SLOPE, WaVE_SEQ_NOM, WAVE_SEO_BANK, WAVE_SE_NA, ‘WavE_SEQ_STEP, WAVE_SEQ_WAVE BANK, WAVE_SEQ_WAVE WIM, WAVE_SEQ_WAVE_NAME, WAVE_SBQ_COARSE, WAVE_SE9_FINE, WAVE_SEQ_LEVEL, WAVE_SEQ_DURATION, WAVE_SEQ_XFADE, WAVE_SEQ_LOOP_START, WAVE_8EQ_L00P END, WAVE_SEQ_REPEATS, WAVE_SEQ_START_STEP, WAVE_SEQ_MOD_Sic, WAVE_SEQ_MOD_AMT,, MIx_Euv_POINT, MDX_ENV_RATE, MIX_ENVX, MDXCEN_Y, ‘MIX_PERCENT_A, ‘MIxX_PERCENT_B, ‘MIX_PERCENT_c, MIX_PERCENT_D, MIX_ENV_L0oB, MDX_ENV_REPEXTS, MIX_MOD_X_SOURCEL, MIx_MoD_X_SRCL_AMT, x" MoD_X_SOURCE2, MIX_MOD_X_SRC2_AMT, ‘MIX_MOD_¥_SOURCEL, SRCi_AMr, MIX_Mon_¥_SOURcE2, MOD _¥_SRC2_AME, (COPY_MAGRO_MODULE, (COBY_MACRO_SOURCE_ WAVE, (COPY_MACRO_SOURCE_BANK,, (COPY_MAGRO_SOURCE_NUM, (COPY_MACRO_SOURCE_NAME, (COPY_MACRO_DEST_ MODULE, (cOPY_MACRO_DEST_WAVE, (cOPY_MACRO_DEST_BANK, copy MACRO_DEST_NUM, (copY_MACRO_DEST_NAME, copy_pEst_PART, (copy_DEST_PART_PATCH_BLANK, (coPY_DEST_PART_PATCH_NOM, (copy_pEST_PART_PATCH_NAME, (coPY_WS_SOURCE_FROM STEP, (cOPY_WS_SOURCE_FROM_BANK, (cOPY_WS_SOURCE_FROM,_ NOM, (copy_WS_SOURCE_FROM NAME, (cOpY_WS_SOURCE_T0_STEP,‘Wavestation Version 3 Addendum 6 i i i - i Ih - i * i i * i i” - - i” , * * ” * * ” i” ” * ” -» i’ - - - * ” - ”* a” * ” ” * * * * i” * a” i” i» * -” -» - - ” -» - 230 231 232 233 234 235 236 237 238 239 240 24a 242 243 24¢ 245 246 247 248 249 250 251 252 253 254 255, 256 287 258 259 260 261 262 263 268 265 266 267 268 269 270 an 212 273 274 275 216 277 278 279 280 2e1 202 283 208 285 286 287 288 ” ” ” ” ” v 7 ” ” / ” ” ” ” ” ” v ” ” 7 *t ” ” ” ” ” “” ” ” ” ” " ” ” " ” ” " ” ” ” ” ” ” ” ” ” ” ” “ " ” “ ” ” ” ” v ” (CopY_WS_SOURCE_TO_BANK, (copy_WS_SOURCE_TO_NOM, CopY_WS_SOURCE_TO_NAME, ‘Copy_WS_DEST_BANK, ‘copy_WS_DEST_NOM, ‘Copy_WS_DEST_NAME, copy_WS_DEST AFTER STEP, ‘Copy WS_DEST_AFTER BANK, (copy_WS_DEST_AFTER NUM, copy_WS_DEST AFTER NA, (copY_WS_DEST BEFORE STEP, copy_WS_DEST_BEFORE_BANK, (copY_WS_DEST_BEFORE_NUM, (CopY_WS_DEST_BEFORE_NNE, MIUNE_¢, MONE_cS, MIONE_D, MTONE_DS, MIUNE_E, MIUNE_F, MIONE_FS, MIUNE.G, MIONE_GS, MIUNE_A, MTUNE_AS, MIONE_B, (CURRENT_MTUXE, FX_ PLACEMENT, FX1_PROG, FX2_PROG, FX _MIX_3, FMEA, FX MOD_3, FX WO0_4, FXCMOD_AMT_3, FX_MOD_AMT_4, (CURRENT_FX, FX_PROG, FX FOOTSWITCH_ENABLE1, FX_FOOTSWITCH_ENABLES, FX_LFO_SHAPE, Fx_MooI, FCHOD2, Fx_MoD3, FX_MOD4, FX_MOD5, FX_MoD6, FX_MOD7, FxMO08, FXHOD10, FXLFO_RATEL, FX_LFO_RATE, FXLFORATE4, FX_LFO_RATES, FXLFORATES, FX_LFO_RATET, FX_SPLIT_PorNT?, FX_SPLIT_POINT3, FX_SPLIT_POINT1O, i i” ” i” i” i i * i i* * i” i” * i” i * i” i i i i * i * * ” * i” -* * - - * i” i” ” i * * -* -* * * - * - -» i” * i * * i” * i” i i” i 289 290 291 292 293 234 295, 296 237 298 299 300 301 302 303 304 305 306 307 308 309 310 ain 312 313 314 315 316 317 318 319 320 32 322 223 324 325 326 327 328 329 330 331 332 333, 334 335 336 337 338 339 340 341 342 343 344 345 346 347 " ” ” ” ” ” " ” ” ” ” ” ” / ” v7 "7 v v / " ” */ ” ” " " “ ” ” ” ” v 7 ” ” ” ” " ” " ” " ” ” ” ” ” ” ” ” ” ” " " " " “ ” FX_DELAY_FACTOR7, FX_TOP_DELAY3, FX_NG_JuCT_MIX0, FX_BQ_FREQ_LOWO, PX_BQFREQ MID2, FX_EQ_FREQ_HIGH7, FX_EQ_WIDTHG, FX100_weT_paYO, FX_100_WET_DRY3, FX_100_WET_DRY@, Fx10_WeT_DRYO, FX_10_WeT_DRYS, FX10_WET_DRYA, FX_UPARANO, FX_UPARAML, FX UPARAK2, FXUPARANS, WaVE_MUTE, WAVESEQ_MAVE, WAVE_SE_LOOP_DIR, WAVESEQ_COMPAND_SCALE, FOOT_DAMPER FUNCTION, FOOT_DAMPER POLARITY, FOOT_ASSIGN_1_ FUNCTION, BANK_COPY_TYPE, ENV1_MoD_VEL RATE, 36p , i” B i» , , i” » i » ” i - * i ” * i” * i i - i - - * a i - * i 348 349 350 351 352 353, 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 an. 372 373, 374 375, 376 a7 378 379 “ a ” ” ” ” a ” uv ” ” ” ” ” ” “7 ” ” / ” uv ” ” ” ” ” ” ” “ ” ” ” EAWV1_NOD_KBD_RATE, WS_MIDI_GLOcK, \VIBH_BANK, \VIEW_PERP NUM, \VEEW_PERF_NNIE, (COPY_FX_SOURCE. BANK, (coRY_FX_SOURCE_NUM, ‘CoPY_FX_SOURCE_NAME, Fx_11_WET_pRYo, FX 11_WET_DRYS, PX11_WET_DRY4, PCRABS, ‘SOURCE_CARD_NAME, DEST_CARD_NAME, ‘WAVER_BUS_A, WaVEA_BUS_B, WAVEB_BUS_A, WaVER_BUS_B, WAVE_BUS_< WAVEB_BUS_D, WAVEC_BUS_A, WavVEC_BUS 5 WAVEC_BUS”< WaVEC_BUS_1 ‘WAVED_BUS_A, WAVED_BUS_<¢ WAVED_BUS_D, copy_PART_SOURCE_ANK, (GLOBAL _UTIL_DEST_BANK, Parameter numbers greater than 379 are Wavestation Version 3 Addendum. sent as expanded parameter change messages. Parameters 380-404 are ignored by the Wavestation Keyboard. ” ” vn a va a” ” a” * i” a” a” a” i” a” a” * a” a” a” ” a” i” i” ” ” ” 380 301 382 383 304 386 387 3a 389 390 301, 392 393 396 395 396 397 398 399 400 401 402 403 404 405 406 407 wv ” ” w “ ” v 7 ” ¢ ” ” s / ” ” “7 ” v ” w ” ” ” 7 ” v ” REMAP_T0_JOY_X, REMAD_70_JOY_Y, ‘REMAP_T0_FX SWITCH, PROG TO _MULTI_¥X, cuasee_wourt Wr, ANALOG_LEV_1, ALOG_LEV_2, UL0G_2_ EXCITER, 2UALOG_THPUT_DISABLE, ‘coMP_CONTROLO, LOCAL, XPOSE, before last */ PARAM_END last #/ /* Keep right /* must beNOTICE KORG products are manufactured under strict specifications and voltages required by each country. These products are warranted by the KORG distributor only in each country. Any KORG product not sold with a warranty card or carrying a serial number disqualifies the product sold from the manufacturer’s/distributor’s warranty and liability. This requirement is for your own protection and safety. KORG KORG INC. 18- 12, Shimotakaido 1-chome, Suginami- ku, Tokyo, Japan. es ©KORG INC. Printed in Japan 1991 0308 ETH