FC6+12 Owners Manual

Manual Version 2.
0 — January 2020
Declaration of Conformity
Manufacturer’s Name: Fractal Audio Systems, LLC
Manufacturer’s Address: 4 Wilder Drive, Plaistow, NH 03865 USA
Declares that the product:
Product name: FC Controller
Product option: FC-6, FC-12
Conforms to the following Product Specifications:
Safety: EN60065:2014
EMC: EN55013:2013
EN55020:2007+A11:2011
EN55024:2010
EN61000-3-2:2014
EN61000-3-3:2013
Supplementary Information:
The product herewith complies with the requirements of
the Low Voltage Directive 2006/95/EC
and the EMC Directive 2004/108/EC.
Clifford Chase, President / CEO

December 21, 2018
EMC/EMI
This equipment has been tested and found to comply with the limits for a Class B Digital device,
pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection
against harmful interference in residential installations. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in accordance with the instructions,
may cause harmful interference to radio communications. There is no guarantee that interference
will not occur in a particular installation. If this equipment does cause harmful interference to
radio or television reception, which can be determined by turning the equipment off and on, the
user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
i
Legal Notices
Fractal Audio Systems FC-6 & FC-12 Owner’s Manual. Contents Copyright © 2018. All Rights Reserved.
With the exception of one hard copy for personal use, no part of this publication may be reproduced in any form without the express
written permission of Fractal Audio Systems.
Fractal Audio, the Fractal Audio Systems logo, Axe-Fx, Humbuster, UltraRes, FASLINK are trademarks of Fractal Audio Systems.
Manufacturer names and product names mentioned herein are trademarks or registered trademarks of their respective owners,
which are in no way associated with or affiliated with Fractal Audio Systems, LLC. The names are used only to illustrate sonic and
performance characteristics.
Important Safety Instructions

WARNING: To reduce the risk of fire or electric shock, do not expose this
appliance to rain or moisture.
CAUTION: To reduce the risk of fire or electric shock, do not remove screws.
There are no user serviceable parts inside. Refer servicing to qualified service
personnel.
1. Obey any warnings on the FC chassis and in this User Guide.

2. Keep away from sources of heat such as ducts, registers or appliances that produce heat.
3. Connect only to FASLINK II connector or to an AC Adapter rated at 9V DC 1000ma.
4. Keep all cables in good condition. Do not kink, bend, or pinch.
5. If not using your FC for extended periods of time, disconnect from power.
6. Protect the unit from rain and excessive moisture.
7. Refer servicing to qualified personnel only.
8. Stop operation of the unit and obtain service if:
- Liquids or excessive moisture enter the unit.
- The unit operates incorrectly or performance is inconsistent or erratic.
- The unit has been dropped and/or the enclosure damaged.
9. Prolonged exposure to high volume levels can cause hearing damage and/or loss. The use of
hearing protection in high volume situations is recommended.
A Manual for Online and Print Use

This manual is intended for use in desktop, tablet, and smart phone readers. It includes clickable links and
bookmarks to make navigation and cross-reference easy. We recommend against printing, because firmware
updates tend to make older manual versions fall out of date. That said, considerations have been taken for those
who prefer paper. You are granted permission to print this PDF for personal use only. A copy center or online printer
can print and bind a book for you from the PDF file. Those using screen readers must forgive the changes made
herein to accommodate the print version: all links also include a page or section numbers, page spreads have extra
margins towards the binding edge, and blank pages have been included to preserve page and chapter flow.
ii
TABLE OF CONTENTS
1 INTRODUCTION . . . . . . . . . . . . . . 1 5 FOOTSWITCH FUNCTIONS . . . . . 25

Welcome to the FC . . . . . . . . . . . . . . . . . . . . 1
6 TRANSMITTING MIDI. . . . . . . . . 26
Feature Summary . . . . . . . . . . . . . . . . . . . . . 2
The Scene MIDI Block. . . . . . . . . . . . . . . . . 26
2 HARDWARE OVERVIEW . . . . . . . . 3 Control Switch MIDI . . . . . . . . . . . . . . . . . . 26
The Top Panel. . . . . . . . . . . . . . . . . . . . . . . . 3
7 THE CONFIG MENU . . . . . . . . . . 27
The Rear Panel . . . . . . . . . . . . . . . . . . . . . . . 4
3 SETTING UP. . . . . . . . . . . . . . . . . 5 8 ADDITIONAL TOPICS . . . . . . . . . 29
Firmware. . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Backups . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Daisy Chaining . . . . . . . . . . . . . . . . . . . . . . . 6
Axe-Edit/FM3-Edit. . . . . . . . . . . . . . . . . . . . 29
Mirroring. . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
FC-6: Short Tutorial. . . . . . . . . . . . . . . . . . . 30
Expression Pedals. . . . . . . . . . . . . . . . . . . . . 8
FC-12: Short Tutorial . . . . . . . . . . . . . . . . . 32
External Switches. . . . . . . . . . . . . . . . . . . . . 9
Stand-in Switches. . . . . . . . . . . . . . . . . . . . 34
Assigning Fc Pedals And Switches. . . . . . . 10
Getting Help . . . . . . . . . . . . . . . . . . . . . . . . 35
External Switches & Global Functions. . . . . 11
Specifications. . . . . . . . . . . . . . . . . . . . . . . 36
MIDI Connections. . . . . . . . . . . . . . . . . . . . 12
Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
4 LAYOUTS & SWITCHES. . . . . . . . 13 EULA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
The Master Layout Menu. . . . . . . . . . . . . . 13
Tap & Hold Functions . . . . . . . . . . . . . . . . . 14
Example Layouts. . . . . . . . . . . . . . . . . . . . . 15
Factory Default Layouts . . . . . . . . . . . . . . . 16
Easy (“EZ”) Edits. . . . . . . . . . . . . . . . . . . . . 19
The Layouts List. . . . . . . . . . . . . . . . . . . . . 21
Edit A Layout. . . . . . . . . . . . . . . . . . . . . . . . 22
Edit A Switch. . . . . . . . . . . . . . . . . . . . . . . . 23
Naming Layouts . . . . . . . . . . . . . . . . . . . . . 24
Startup Layouts. . . . . . . . . . . . . . . . . . . . . . 24
iii
1 Introduction
1 INTRODUCTION
WELCOME TO THE FC
The new FC-6 and FC-12 Foot Controllers for the Axe‑Fx III are the perfect way to control your performances with
the world’s most powerful guitar processor. Our latest-generation controllers offer an impressive suite of features
and capabilities, incorporating years of innovation and customer feedback. They look great too, making an
attractive addition to your home, studio or stage.
The FC-12 and FC-6 are easy to use while still granting extreme flexibility. For those who want simplicity, the
units are virtually plug-and-play. Use the “Master Layout Menu” to select from “Layouts.” Layouts are like pages
of footswitches arranged in familiar and intuitive ways, and they make the FC seem like multiple foot controllers
in one. In each layout, every footswitch can have separate “Tap” and “Hold” functions. LED rings change color to
show switch category and status (on/off/dim). At the same time, “smart” mini-LCDs eliminate guesswork (and the
need for tape or magnets) with an automatic label for each switch.
For simple changes, use “EZ Mode” to set up or modify footswitches in seconds. Just tap the switch and set
a few simple Axe‑Fx III parameters to select from the many different ways to control presets, banks, scenes,
effects, channels, tuner, tap tempo, looper controls, control switches, and more. Such simplicity does not come
at the cost of flexibility. Creative users can set up custom control with ease. You can modify layouts with any
arrangement of Tap and Hold functions, change colors, customize mini-display text, and more. You can even
override the functions of individual footswitches on a per-preset basis!
For the pro player with a “tech” supporting them off stage, “Mirroring” capability allows on-stage and off-stage
FC units to follow each other completely without dual programming. This is better than vintage “master-slave”
technology in that both units are effectively the master: any change on either unit is reflected on both.
One standard XLR cable provides two-way communication between the FC and Axe‑Fx III over our new FASLINK™II
standard. More efficient than MIDI and more rugged than Ethernet, this format is worthy of the most challenging
conditions. A FASLINK II thru port on every FC allows you to daisy-chain up to four FC units for bigger rigs.
FASLINK II even powers your first FC, while an AC adapter is required for any daisy-chained units.
Each FC controller has four 1/4" jacks for connecting expression pedals such as the Fractal Audio EV, and another
two 1/4" jacks for connecting up to four external switches. Pedals and switches can be used in the Axe‑Fx III for a
range of global and modifier options.
Enjoy the FC Controller and thank you for choosing Fractal Audio Systems.
1
1 Introduction
FEATURE SUMMARY
The FC comes in two different versions: FC-12 with 12 switches and FC-6 with 6 switches.
Aside from the number of switches, the two models are identical in capabilities.
A FASLINK™ II port on the Axe‑Fx III or FM3 provides 2-way communication, and will also provide
phantom power to the first FC unit in a daisy chain. (Axe-Fx II not supported).
FASLINK™ II “thru” port for connecting up to four FC units total in a single daisy chained rig. (Two max for the FM3)
In a daisy chain, units can “Mirror” each other, so a tech off-stage can share switching responsibilities with an artist on-stage.
“EZ Mode” makes it simple to assign the function of any switch with one tap and a few adjustments.
Built-in footswitch categories include banks, presets, scenes, effects, looper, control switches, and more.
Override the function of up to 24 switches on a per-preset basis.
The Tap Tempo function flashes the tempo on the footswitch LED ring.
The Tuner function shows the Axe‑Fx III tuner in the main display of the FC Controller.
The FC is plug-and-play with simple settings, or you can create your own Layouts for the ultimate custom controller.
Layouts are “Pages” of footswitches that you can switch between on the fly, granting far greater control with fewer switches.
You can change layouts on the fly using the “Master Layout Menu”, accessible by an easy
footswitch combination — or with special dedicated “Layout Select” footswitches.
Every footswitch can be assigned up to two functions: one for TAP and one for HOLD.
With “Layout Link,” any Tap or Hold footswitch can also change the layout on one or more connected FC controllers.
Every footswitch has its own variable-color, variable brightness LED ring which also shows the
status of on, off, or dim depending on the state of whatever the switch is connected to.
Every footswitch also has its own customizable, 128×32 graphical Mini LCD display.
Mini-Displays can automatically and dynamically display preset names, scene
names, effect names, channels, and more, including custom text.
The 2×20 Transflective Main Display shows the current preset, scene and information about switches when you activate them.
SSS™ switches are extremely quiet and durable, with no mechanical switch contacts to fail.
The FC can trigger the Axe‑Fx III to generate and transmit MIDI messages from its own MIDI out port to connected devices.
Add up to Four External Pedals and Four external switches per FC unit, integrated natively with the Axe‑Fx III modifier system.
External Switches can be used directly with the “Modifier” system, or set up as “Stand
In Switches” with almost all of the capabilites of onboard switches.
The FC is built tough for stages and touring with a powder-coated 16-gauge steel chassis and tough protective end-caps.
Most FC features are built in to the Axe‑Fx III, so you won’t need to update or backup your FC controller separately.
As with all Fractal Audio products, this means that the FC will enjoy a future of updates and innovations for years to come.
FC-12 Dimensions: 20.2″ x 9.2″ x 3.5″ (512mm x 233mm x 88mm). Weight: 11 lbs (5 kg).
FC-6 Dimensions: 11.2″ x 9.2″ x 3.5″ (283mm x 233mm x 88mm). Weight: 6.7 lbs (3 kg).
A full suite of FC editing tools is built in to the editor of each supported product (Axe-Edit, FM3-Edit).
2
2 Hardware Overview
2 HARDWARE OVERVIEW
THE TOP PANEL
The FC-12 is shown here. The FC-6 is identical except for the number of switches and the width/weight of the unit.
 Chassis — The FC is housed in a rugged steel chassis. A pair of protective end caps also serve as feet and
provide a convenient gap to lift the unit from the floor.
FC-12 Dimensions: 20.2″ x 9.2″ x 3.5″ (512mm x 233mm x 88mm). Weight: 11 lbs (5 kg)
FC-6 Dimensions:11.2″ x 9.2″ x 3.5″ (283mm x 233mm x 88mm). Weight: 6.7 lbs (3 kg)
 Main Display — The main display is a 2×20 transflective character display that remains highly legible under
a variety of adverse lighting environments. The main display shows the name of the current preset (and
optionally its number) and the name of the current scene (and optionally its number) as well as various other
useful pieces of information when you activate a switch, select a layout, and so on.
 Footswitches — Footswitches are the main attractions of any foot controller. The switches on the FC
Controller use our proprietary Solid State Switching (SSS™) technology. They feature extremely smooth,
quiet, action, and have no mechanical contacts to fail. Each footswitch can be assigned your choice of one
Tap and/or one press-and-hold (“Hold”) function, and these can be different on every “layout”. A layout is like
a “page” of switches, and there are 8 different layouts you can switch freely between, plus one special layout
called the “Master Layout Menu”. Learn more in Section 4: Layouts & Switches, on p. 13.
 LED Ring — An LED ring around each switch changes color and brightness to help you navigate and operate the
FC. By default, the color shows the category of the switch’s Tap function. Presets, for example, are green, banks
are yellow, effects are blue, and so on. You can change the color for any category or any individual switch. The
LED ring also changes its brightness to show the state of a switch, and each function has its own built-in rules
for how this works. For example, a scene switch is dimmed unless that scene is selected. An effect switch is
dim when the effect is bypassed and bright when the effect is engaged (or off altogether if that effect is not
found in the current preset.) You can change ring brightness in Setup: Foot Controllers: Config (see p. 27).
3
2 Hardware Overview
 LCD Mini-Display — An LCD mini-display above each footswitch provides a useful label or indicator for
the switch. For example, a preset switch will default to showing the name of the preset that will load if
you activate that switch. Scene switches show scene names. For greater flexibility, each of the different
functions has its own list of mini-display “Label” options you can choose from, and you can even enter
custom text (though why anyone would want to label a footswitch “kebab” is beyond us.)
THE REAR PANEL

 PEDAL Jacks — Four PEDAL jacks allow connecting up to four expression pedals or switches. The Fractal
Audio EV series pedals are perfect for this purpose, with linear action and long smooth travel. Pedals
connected to the FC are natively integrated with the Axe‑Fx III modifier system, without the need to configure
any parameters other than the modifier source. Connect pedals using TRS-to-TRS cables, and be sure to
calibrate before use. See “Expression Pedals” on p. 8.
 SWITCH Jacks — Two SWITCH jacks allow connecting one or two switches each (1+2 and 3+4). You can use
switches directly as the source of a MODIFIER in a connected processor (see your Owner’s Manual) or as
“Stand Ins” to remotely trigger any of the switches in any FC layout. See “External Switches” on p. 9.
 USB Port — The USB port on the FC controller is reserved for future use. It is not required for firmware
updates, which are performed via the Axe‑Fx III over FASLINK II. In fact, most features of the FC controller
are part of the Axe‑Fx III itself, meaning that new Axe-Fx or FM3 firmware can also add features to the FC.
 FASLINK II port — (XLR-Male connector) The primary FASLINK II port (right XLR jack, looking at the
rear panel) allows connecting an Axe‑Fx III. The FASLINK II connector provides power and two-way
communications over a single standard male-to-female XLR cable (such as a typical Mic cable).
a FASLINK II (Daisy Chain Connector) — (XLR-Female connector) The secondary FASLINK II port (left
jack, looking at the rear panel) allows connecting up to three additional daisy-chained FC units. Connect
additional units using a standard XLR cable, but remember that only the first unit in a daisy chain is powered
by the Axe‑Fx III; additional units require 9–12V DC at their power inlets (see below). Daisy-chaining
allows you to extend footswitch “real estate” or to mirror different FC units to each other. (In comparison
to “master/slave” controllers of the past, mirroring keeps the switches and displays of multiple units
completely in sync—in effect offering a “dual master” scenario.) See “Daisy Chaining” on p. 6 for more
information.
s Power Inlet — The first FC unit connected to an Axe‑Fx III requires no AC power; the XLR cable powers the
unit and handles all communications. Any additional FC units connected in a daisy chain (p. 6) require
power from an AC adapter. Adapters ar available from https://shop.fractalaudio.com or you can use a third-
party adapter rated at 9–12V DC, 1000 ma, negative center, 2.5mm barrel. FASLINK II will not power the FC
Controller if the AC Adapter is connected—whether or not the adapter is plugged in.
4
3 Setting Up
3 SETTING UP
BASICS
This Guide assumes that you are using a single FC-6 or FC-12. For larger setups, see “Daisy Chaining” on p. 6.
These diagrams show the Axe-Fx III, but an FM3 can be used instead, with one exceptions:
the Axe-Fx III supports daisy chaining up to four FC Units and the FM3 supports two.
CONNECT USING FASLINK II

Setting up a single FC unit is simple. Use a generic Male-to-Female XLR cable to connect the FASLINK™
II port of the Axe‑Fx III to the FASLINK™ II port of the FC as shown in the diagram below. This connection
provides both power and 2-way communications—sending footswitch and pedal commands to the Axe‑Fx III,
and sending the FC all required programming instructions, status updates, mini-display messages, and
more. The FC is even “hot swappable” meaning there is no need to power down the Axe‑Fx III.
LOAD THE DEFAULT LAYOUTS

No configuration is needed for the FC to function fully. However, we recommend loading the factory default
layouts and FC Configuration before first use. To do so, please perform the following simple steps:
Page to SETUP | FC Controllers | Reset
Select the relevant entry for FC-6 or FC-12 and press ENTER.
Performing “Reset System Parameters” on the Axe‑Fx III will erase ALL of the stored settings for
the FC Controller, setting them to blank. If this happens, you will need to re-load the Factory Default
Layouts & Settings as described above, or restore a backup of your Axe‑Fx III System settings.
Axe-Fx III FASLINK II Jack
XLR Cable
Connect Axe-Fx III INs and OUTs FASLINK II
as you normally would (Audio, USB, etc .) Port (XLR Male)
FC-12 or FC-6
5
3 Setting Up
DAISY CHAINING
FC Controllers can be connected in series or “daisy-chained” to form a mega-controller of
up to four units operating as one. (The FM3 allows a maximum of two.) This allows access
to more switches at once (reducing the need to switch layouts). You can chain units of
any type in any order, and any unit can load any of the eight layouts at any time.
Each FC supports up to four expression pedals and four external switches. See “Expression Pedals” on p. 8.
CONNECT THE FIRST FC WITH FASLINK II

Setup begins just like when you use a single FC unit. Use a generic Male-to-Female XLR cable
to connect the FASLINK™ II port of the Axe‑Fx III to the FASLINK™ II port of the first FC. This
connection powers the unit and carries communication to and from the entire chain.
CONNECT ADDITIONAL FC UNITS WITH FASLINK II AND AC POWER

IMPORTANT: Only the first unit connected directly to the Axe‑Fx III will be powered by FASLINK II.
Each unit in a daisy chain after the first requires local power via an AC Adapter rated 9–12V 1000 ma.
Compatible AC Adapters are available at https://shop.fractalaudio.com
FASLINK II
Axe-Fx III Port
Each daisy-chained FC
beyond the ﬁrst requires
its own 9–12V DC Power supply.
Connect all INs and OUTs XLR Cable XLR Cable
as you normally would . Etc .
FASLINK II FASLINK II Power FASLINK II Up to
Port (Male) Port (Female) Receptacle Port (Male)
four units
in total .
FC-12 or FC-6 FC-12 or FC-6

CONFIGURATION
Daisy-chained FC units require no special configuration, though you will probably wish to design custom
layouts for use in this type of setup. In fact, you can specify which layout should be loaded upon startup for
each connected FC unit by using the options on the Devices page of the FC Controllers menu under SETUP.
6
3 Setting Up
MIRRORING
Mirroring is a special setting that forces two or more daisy-chained FC units to remain perfectly
in sync. They show the same layouts, with all the same switches and switch states. Any change
to any mirrored unit is reflected instantly on the other mirrored unit(s). The usual scenario for
mirroring involves an artist on stage with a tech offstage who helps with switching.
To mirror one FC to another:
Change to the Devices page of the FC Controllers menu under SETUP.
Select the row for the FC unit that you want to mirror, then select the desired unit to mirror using the D knob.
A note on pedals and switches: Connected expression pedals and switches are NOT mirrored,
since pedal jacks are named explicitly in modifiers or controller assignments. For example,
“External 1” on your Axe-Fx/FM3 might be set to “FC#1 PEDAL #1”. A preset using External
1 then will ONLY respond to that specific pedal and not the pedal 1 jack on a mirrored FC.
Fortunately, different presets, effects, or parameters can be assigned as desired to individual
pedal or switch jacks, so in one song, you might operate a wah, while during a different
song, your tech could do it for you offstage while you fly through the air on wires.
Any unit(s) can mirror any other unit(s), so be careful not to create a circular mirror
(1 mirrors 2, 2 mirrors 1). This will cause one or both FC units to
behave unpredictably until the problem is corrected.
7
3 Setting Up
EXPRESSION PEDALS
CONNECT AND CALIBRATE EXPRESSION PEDALS
Each FC Controller supports up to four expression pedals connected at the rear panel PEDAL jacks using
TRS-to-TRS cables. The Fractal Audio Systems EV pedal is perfect for this application, with true linear
response, smooth action and a long throw. Third party pedals rated 10—100KΩ may also work.
To set up an expression pedal:
Open SETUP | FC Controllers | Remote.
If you have more than one FC controllers connected, select the desired Target FC unit using the A knob.
Find the desired pedal (1-4) and ensure that Pedal Type is set to “CONTINUOUS”.
Navigate to the Pedal Calibration function for the desired pedal and press the ENTER button.
Follow the on-screen instructions to perform calibration. Watch the on-screen slider, which
shows the reading of the pedal as you move it. The slider should move over a large portion of
the range. Many brands of pedal will not reach the top, but all should reach the bottom.
Press ENTER when finished.
CONNECT A SWITCH AT A PEDAL JACK...

Instead of a pedal, you can connect a single switch at any Pedal jack. Follow the instructions above
and simply set Type to “MOMENTARY” or “LATCHING” based on what you’re connecting and how you
want it to work. (If you’re not sure, check with the switch manufacturer or try both settings to see which
works better.) Calibration is not required. You can use a normal guitar cable (TS) for switches.
The Fractal Audio Systems EV-1 features both

EXPRESSION out and analog volume in/out.
In comparison, many other expression pedals
do not have a true linear response, making it
harder to control sound functions predictably.
It is perfect for use with the FC Controllers
and other Fractal Audio products.
Tip Sleeve
WHAT IS TRS? “TRS” stands for TIP-RING-SLEEVE and describes an endplug TRS
or jack with three insulated contacts. Normal guitar cables are Ring
TS (Tip-Sleeve) since they lack the ring which serves as a third
TS
contact. The illustration at right shows both types.
Tip Sleeve
8
3 Setting Up
EXTERNAL SWITCHES
CONNECT AND SET UP EXPRESSION PEDALS
Each FC Controller supports up to four external switches connected at the two rear panel SWITCH jacks.
You can use one switch or two switches at each jack. Any “make/break” switch can be
used. Both latching/toggle and momentary switches are supported, and there is even a
feature to allow momentary switches to behave more like latching/toggle switches.
For a single switch, use a normal guitar cable.
For two switches, use a ¼” TRS-to-dual ¼” TS “Y-cable” (aka an “insert cable”) where the tip
side is used for the first switch and the ring side or the second, as illustrated below:
Tip Sleeve
One Switch
FC EXT
SWITCH TIP FIRST
JACK SWITCH
—OR—
Two Switches
TIP FIRST
Tip Sleeve SWITCH
FC EXT
SWITCH
JACK
Ring SECOND
RING SWITCH
SWITCH SETUP
This section needs to be written after several bugs are fixed. XX
Two settings govern the behavior of each switch. Find these options under SETUP | FC Controllers | Remote.
Ext. Switch # Behavior – Choose from the two options here based on what
type of switch you have connected and how you want it to work.
FOLLOW HARDWARE: Xx This is the default setting. The actual switch hardware determines how a
connected parameter or modifier will work. A momentary switch will behave with a momentary action
(Hold = On, Release = Off). A toggle switch will behave with toggle action (Tap = On, Tap Again = Off).
IMPORTANT: Certain features of your Fractal Audio product are already smart enough
to operate as a toggle even when a momentary switch is connected. Xx
VIRTUAL TOGGLE: Xx Use this setting only when a momentary switch is connected but
you want it to work as a toggle switch instead (Tap = On, Tap Again = Off).’
Ext. Switch # Polarity – Normally, a switch is off when the connection is broken and ON when the connection is
made. This otion reverses these and can be used if a connected switch does not behave as you would expect.
9
3 Setting Up
ASSIGNING FC PEDALS AND SWITCHES

Fractal Audio Systems processors feature a powerful system of automation and remote
control called “Modifiers”. A modifier, for example, allows an expression pedal to operate
a wah or whammy. Your processor’s Owner’s Manual covers modifiers in detail.
The FC Controller is “plug-and-play” with the modifier system, meaning that when you browse
through the list of modifier Sources, you will discover multiple FC Pedal and FC External Switch
options, depending on how many connected controllers are supported by your device.
Most factory presets — and many other presets you might create, download, or purchase—will not use
these FC sources directly. Instead, they will be set up to use an “External Controller” — a go-between
which sits between the modifier and the FC. External Controllers are more universal and user-friendly
because they can be configured globally. There are 16 numbered External Controllers. By default, they
are all set to “NONE” but we can easily map them to the pedals and switches of the FC Controller.
Many factory presets are already set to use External 1 for operating various wah and whammy
effects (and more). As an example, let’s set External 1 to use FC#1 Pedal 1:
Open SETUP | MIDI Remote | External
Locate the External Controller of your choice (External Control 1 for this example).
Turn the VALUE wheel to set External 1 to “FC#1 PEDAL 1”.
Now, a pedal connected to External 1 should operate the wah in, for example, factory preset #001.
Continue setting other external controllers as desired and press EXIT when you’re finished.
EXTERNAL CONTROLLERS: A REFRESHER

External Controllers are modifier sources that are in turn controlled themselves via something else (external MIDI
or a connected pedal or switch). For example, if a modifier source on a Wah is set to “External 1” and External 1 is
set to “FC#1 PEDAL 1”, then that pedal will operate the Wah.
MIDI/Remote Channel External Looper
A External Control 1 FC 1 PEDAL 1

B External Control 2 NONE
Wah C External Control 3 NONE
Control D
E
External Control 4
External Control 5
NONE
NONE
Fig 1. External Control 6
External Control 7
NONE
NONE
External Control 8 NONE
Fig 2. Fig 3.
Fig. 1) The target parameter: Wah Control in this case. The yellow
dot lets us know that a modifier can be used here.
Fig. 2) When you select the parameter and press ENTER, the modifier menu is shown. The
SOURCE page lists all of the various options that can be used to control this parameter.
Here, we have selected EXTERNAL 1, as is used on many Factory presets.
Fig. 3) But what IS “External 1”? In fact, it can be anything you choose: a MIDI message,
an expression Pedal, or an external switch. This selection is made under SETUP |
MIDI/Remote | External. Here, we have chosen FC#1 Pedal 1. Voila!
10
3 Setting Up
EXTERNAL SWITCHES & GLOBAL FUNCTIONS

Aside from External Controllers (detailed above) the Axe‑Fx III is equipped with dozens of other global functions
that can be controlled using FC Pedals and Switches. For example, the “Other” page of the MIDI/Remote menu
under SETUP contains global volume options for all inputs and outputs. Almost all of these global options can be
set to the FC pedal of your choice.
Be sure to use switches of the appropriate type for the function you have selected. For example, a Latching type
switch would be best for a channel or bypass control. Please refer to the Axe‑Fx III manual for more about global
Remote functions.
The following example shows how to set the global Output 1 Volume to be controlled by FC#1 Pedal 2.
On the Axe‑Fx III, page to the Other page of the MIDI/Remote menu under SETUP.
Locate the remote function of your choice (Output 1 Volume for this example).
Turn the VALUE wheel to select the desired FC pedal or switch (“FC#1 PEDAL 2” for this example).
You may wish to make other assignments on this or other menu pages.
Press HOME when finished.
If for some reason you find yourself without one or more of the pedals you normally use
with the FC, it may assume they are in the TOE DOWN position. It is sometimes best in
this case set the corresponding External or Global Controller(s) on the Axe‑Fx or FM3
temporarily back to “NONE”, which is equivalent to the HEEL DOWN position.1
1 Once an external controller is set to “NONE” you can “park” the missing controller at 0% or 100%.
See your owner’s manual for more information about the External Controller Initial Value feature.
The Axe‑Fx III has two onboard pedal jacks, referred to in the MIDI/Remote menu
simply as “PEDAL 1” and “PEDAL 2”.
The FM3 has “PEDAL 1 (EXPR OR TIP)” and “PEDAL 2 (EXPR OR TIP)”
DO NOT confuse the above with the entries for a connected FC pedal,
which will appear as “FC#1 PEDAL 1”, “FC#1 PEDAL 2” etc.
11
3 Setting Up
MIDI CONNECTIONS
You may have noticed that the FC is not a MIDI controller. It does not have MIDI ports. Combined with the Axe‑Fx III,
however, it becomes part of a MIDI control system. Even without an FC, the Axe-Fx/FM3 can serve as the centerpiece
of a MIDI rig, transmitting various messages from its MIDI OUT port. The FC controls the Axe-Fx/FM3 which in turn
sends MIDI messages. Don’t be mistaken and expect MIDI messages at the MIDI THRU port of the III; all MIDI
messages are generated by the Axe‑Fx III at its MIDI OUT port.
Here’s a simple rig diagram showing how the FC and Axe‑Fx III might be used to send MIDI to a connected amp,
which also passes messages on to a processor.
Axe-Fx III FASLINK II Port
XLR Cable MIDI OUT MIDI IN MIDI THRU

FASLINK II
MIDI IN
Audio and power connections not shown .

Connect all other INs and OUTs as you
normally would in your rig (Audio, USB, etc .)
FC-12 or FC-6
Here, a basic MIDI setup is extended beyond the amp to one connected MIDI device.
The FC controls the Axe‑Fx III, which generates and transmits messages at its MIDI OUT port.
WHY NO MIDI PORTS ON THE FC? Early during the design of the new
foot controllers for our new flagship processor, we decided that the FC should be “lean
and mean.” Instead of crouching on the floor to delve through menus, FC owners would set up and operate the
unit using the color screen and interface of the mothership. Similarly, all of the “heavy lifting” would be done
by the Axe‑Fx III, keeping the FC’s price down and extending the “client-server” concept of total integration. The
benefits of this are great. Have you noticed, for instance, that as things change on your Axe‑Fx III or in Axe-Edit,
the FC is updated automatically? With our new highly efficient FASLINK II protocol, the decision was complete.
MIDI had no place on the floor, and the Axe‑Fx III would become the MIDI master!
12
4 Layouts & Switches
4 LAYOUTS & SWITCHES

The FC is organized around Layouts. A layout is a set of up to 12 footswitch definitions, each of which
includes one Tap and one Hold function. You can change layouts on the fly to access different “pages”
of switches1. For example, one layout might be used to select Presets or Scenes, while a different
layout operates the Looper. Any layout can be completely customized to serve your own needs. Layouts
even have their own names to make navigating easier. The Axe‑Fx III provides eight layouts.
1 FC Layouts are not called “pages” to avoid confusion with menu pages in the Axe‑Fx III.
THE MASTER LAYOUT MENU

Switching from one layout to another is the key to the versatility of the FC. There are many ways to
do this, but the built-in Master Layout Menu (“MLM” for short) will probably be the most popular.
The Master Layout Menu grants instant access to other layouts, one per footswitch.
To show the Master Layout Menu, rock your foot from heel to toe over both of the two right-most
footswitches on your FC, as shown in the following illustration of the “MLM Switch Combo”.
The Master Layout menu automatically assigns different layouts to different footswitches in order.
Footswitch 1 loads layout 1, Footswitch 2 loads layout 2, and so on. If your layouts have names, these will
be shown in the Mini-Displays. When you activate any switch to select a layout, it is loaded immediately.
The currently selected layout will be shown with a bright LED ring, while other options are dimmed. To exit
the MLM without changing the current layout, just select the bright switch for the current layout again.
If the lower right switch has a Tap function, it will not be activated by the MLM Switch Combo.
If the lower right switch has a Hold function, you can still easily execute the MLM Switch
Combo quickly, before the Hold function fires. If the Hold function should fire, the Master Layout
Menu will still be displayed. Learn more in “The Rules of Switch Timing” on p. 14.
When you design your own layouts, consider that the best Hold function for the lower right switch is
probably one that doesn’t change your sound if you accidentally fire it while activating the MLM.
A good example would be “Reveal Hold Functions”, present in some of the default layouts.
A layout can also include Tap or Hold switches that change to other layouts without the MLM.
See Section 5: Footswitch Functions for more information on this and other switch functions.
MLM PAGING
Since there are eight layouts and the FC-6 has only 6 footswitches, the Master Layout
Menu is split into two views. Just perform the “MLM Switch Combo” again and the
FC-6 will toggle between the two pages of the Master Layout Menu.
13
TAP & HOLD FUNCTIONS

Every switch in every layout can be programmed with individual TAP and/or HOLD functions.
Tap functions — used throughout history for guitar effects and beyond — are best for changes that require tight
timing. For example, a tap switch set to SELECT SCENE is ideal to change the sound precisely as a solo begins.
Hold functions on the other hand, require a “long press” and are fired after a brief
delay, so their timing is less precise. Hold switches are perfect for functions like
opening the Tuner, or accessing an alternate layout such as Looper Control.
THE RULES OF SWITCH TIMING

Like every guitar product in history with “hold” footswitches, the FC must follow rules for timing so it “knows”
whether you are trying to activate the Tap or the Hold. A switch with a Hold function must briefly delay the Tap
function until it can determine which one you are trying to activate. When this is the case, the tap is activated
when the switch is released instead of when it is depressed—unless you continue holding the switch past
the “Press and Hold Timeout” window. The following illustrations help explain switch firing and timing:
TIMING FOR A TAP FUNCTION TIMING FOR A TAP FUNCTION TIMING FOR ANY
WITH NO HOLD FUNCTION WITH A HOLD FUNCTION HOLD FUNCTION
Press and Hold Timeout Press and Hold Timeout

(0.50 seconds by default) (0.50 seconds by default)
time time time
The Tap function fires The Tap function fires when When you hold a switch, its HOLD
at the moment the you release the switch, as function activates at the moment
footswitch is depressed. long as this happens before the Press and Hold Timeout runs
the Press and Hold Timeout. out—whether or not the switch
has a Tap function. This does not
If not, the Hold function
cause the Tap function to fire.
eventually fires...
If you need tight timing from a Tap switch that has a Hold function, tap and release very quickly—
even a fraction of a second early, knowing that the change will occur as your foot comes up.
You can change the duration of the Press and Hold Timeout on the Config page of the FC Controllers
menu under Setup. The default is 0.5 seconds. Make it longer if you find that you are activating Hold
functions when you mean to activate Tap functions. Make it shorter to fire Hold functions sooner.
PRESS & HOLD LABELS

The Mini-Display for each switch normally shows the label for the Tap function. While any switch is depressed
— even for a normal “tap” — it changes to show the label of the Hold function, even if you don’t keep holidng the
switch down until its Hold function fires! Meanwhile, a special “Reveal Hold” function can also be utilized to cause
all mini-displays to show the Hold functions for their switches. See “The Footswitch Functions Guide” for more.
14
EXAMPLE LAYOUTS
Two sample FC-12 layouts are shown below, each created by a different member of the FC beta testing team.
These are just two examples of the types of layouts that can be created using this flexible and powerful system.
TAP: Tap: Tap: Tap: Tap: Tap:

Comp 1 Drive 1 Phaser 1 Delay 1 Reverb 1 Preset +1
Hold: Hold: Hold: Hold: Hold: Hold:
Comp 1 A/B DRV 1 Ch A/B Rotary 1 DLY 1 Ch A/B “Shimmer” (Plex1) “Looper” Layout
Tap: Tap: Tap: Tap: Tap: Tap:

Tempo Scene 1 Scene 2 Scene 3 Scene 4 Preset -1
Tuner -- -- -- -- Reveal
TAP: Tap: Tap: Tap: Tap: Tap:

“Preset” Layout Per-Preset 1 Per-Preset 2 Drive 1 Drive 2 “Effects” Layout
-- Per-Preset 1 Per-Preset 2 -- -- “Looper” Layout
Tap: Tap: Tap: Tap: Tap: Tap:

S1 “Clean” S2 “Rhythm” S3 “Lead” Amp 1 A/B “Boost” (PEQ 1) Tap Tempo
-- -- -- -- -- Tuner
15
FACTORY DEFAULT LAYOUTS

Factory default settings for the FC include various pre-defined layouts: one for
selecting presets, one for changing scenes, one for the looper, and so on.
The following pages detail the factory default layouts for the FC-6 and FC-12.
Our products have so many capabilities, and there are so many different categories of player (bedroom, small
stage, touring professional, session player, etc) that there really is no such thing as an ideal layout—no “one-size-
fits-all” solution. We have therefore provided a set of layouts to demonstrate the very basic capabilities of the FC.
This gives beginners an easy way to select presets, change scenes, toggle effects, operate the looper and
more. Those who desire to make changes will find it is very easy to create the perfect custom controller.
Here are a few things to know about the default layouts:
FC-6 and FC-12 have different default layouts for the Axe‑Fx III. Please
follow the instructions under “Basics” on p. 5.
If you are using an FC with an FM3, you will need to create your own layouts for
now. We plan to release downloadable layouts for these combinations.
The Factory default layouts are designed to be very simple.
The idea was that they should require almost no explanation, so someone using
the FC for the first time could easily understand its broad capabilities.
Changing between the default layouts relies almost entirely on the Master Layout Menu (see p. 13).
Except as noted, the default layouts do not have Hold functions.
Remember, you can change any switch on any layout to do anything you want. See
Section 5: Footswitch Functions for a complete guide to all functions.
Before either of the “Per-Preset” layouts will work, you’ll need to add custom switch
definitions to your presets. See or your Owner’s Manual for more on this subject.
FC-6/FC-12 Factory Layouts 7 and 8 are supported with simple tutorials on p. 30 and p. 32.
16
FC-6 DEFAULT LAYOUTS

The default layouts for the FC-6 allow you to take the Axe‑Fx III for a spin.
1 PRESETS Layout 1: Presets is designed for switching/auditioning

P3 P4 Bank +1
presets. It shows four presets at once, with BANK UP and
P1 P2 Bank -1
DOWN switches to get to the next or previous four.
Bank Size is set to 4 when you load FC-6 defaults.
See the “The Footswitch Functions Guide” for more on Banks.
2 SCENES Layout 2: Scenes is designed for selecting scenes 1–6.
S4 S5 S6
S1 S2 S3
3 EFFECTS 1 (effect bypass)

Layout 3: Effects is the first of two Effect layouts
Delay 1 Reverb 1 MORE >>
(Loads Layout 4) to “Bypass/Engage” effects. The MORE>>
footswitch loads Layout 4 (below).
Comp 1 Drive 1 Chorus 1
4 EFFECTS 2 (effect bypass)

Layout 4: Effects is the second of two Effect layouts.
Rotary 1 Plex 1 << MORE The <<MORE footswitch loads Layout 3 (above).
(Loads Layout 3)
PanTrem1 Phaser 1 Flanger 1
5 LOOPER Layout 5: Looper offers essential Looper controls.

Reverse Undo Half Speed
Record Play Once
6 PER-PRESET Layout 6: Per-Preset demonstrates per-preset “placeholder”

switches (as compared to per-preset “overrides”).
PP#4 PP#5 PP#6 You will need to create switch definitions in
your presets for this layout to work. See “The
PP#1 PP#2 PP#3
Footswitch Functions Guide” for more on this.
7 PERFORM 1 Layouts 7 & 8 are examples to accompany “FC-6: Short

Tutorial” on p. 30. They represent one possible idea for
Preset -1 <EFFECTS> Preset +1
(Loads Layout 8) a simple FC-6 performance layout. Here’s an overview: the
S1 S2 S3 “EFFECTS” and “MAIN” switches toggle between layouts
HOLD:Reveal
7 and 8. If you hold the lower right switch, it will show you
all other Hold functions. Effect “Instant Access” switches
8 PERFORM 2 TAP:Tempo
toggle between channels A and B when you press and hold.
Chorus 1 <MAIN>
(Loads Layout 7) HOLD:Tuner
Drive 1 Delay 1 Reverb 1

HOLD:Reveal
17
FC-12 DEFAULT LAYOUTS

The default layouts for the FC-12 illustrate some of the many ways it can control the Axe‑Fx III.
The default Bank Size of 10 is recommended for use with these layouts.
1 PRESETS Layout 1: Presets is designed for switching or

P6 P7 P8 P9 P10 Bank +1
auditioning presets, with BANK UP and DOWN
P1 P2 P3 P4 P5 Bank -1
switches. Bank Size is set to “10” when you
load FC-12 defaults. See “The Footswitch
Functions Guide” for more on Bank Size.
2 SCENES Layout 2: Scenes is designed for selecting
S5 S6 S7 S8 Preset +1 Tap
scenes 1–8, with bonus switches for
S1 S2 S3 S4 Preset -1 Tune changing presets, Tap Tempo, and Tuner.
3 EFFECTS (effect bypass)

Layout 3: Effects allows you to bypass
Chorus 1 Pitch 1 Delay 1 MultiDly 1 Plex 1 Reverb 1
or engage twelve different effects!
Comp 1 TremPan 1 Drive 1 Phaser 1 Flanger 1 Rotary 1
4 CHANNELS Layout 4: Channels is a simple demo of

Drive 1 A Drive 1 B Drive 1 C Drive 1 D Phaser 1A/B Reverb 1 A/B
Amp, Drive, and other channel switching.
Amp 1 A Amp 1 B Amp 1 C Amp 1 D Delay 1A/B Drive 2 A/B (Note that some Axe‑Fx III presets
will not have channels dialed in.)
5 LOOPER Looper
Layout 5: Looper offers every control on
-- -- Undo/Erase Reverse Half Speed
Bypass the Looper block, plus Looper Bypass/
Engage, Tap Tempo, and Tune.
Record Play -- Once Tempo Tune
Layout 6: Per-Preset demonstrates per-preset

6 PER-PRESET “placeholder” switches (as compared to per-
preset “overrides”).
PP#7 PP#8 PP#9 PP#10 PP#11 PP#12
You will need to create switch definitions in
PP#1 PP#2 PP#3 PP#4 PP#5 PP#6 your presets for this layout to work.
See “The Footswitch Functions
Guide” for more.
7 PERFORM 1
<EFFECTS> P1 P2 P3 P4 Bank Up Layouts 7 & 8 are examples covered by the
(Loads Layout 8)
tutorial on p. 32.They show one idea for
TAP:Tempo Bank Down
S1 S2 S3 S4 a simple FC-12 performance layout. Here’s
HOLD:Tuner HOLD:Reveal
an overview: the “EFFECTS” and “MAIN”
switches toggle between layouts 7 and 8. If
8 PERFORM 2 you hold the lower right switch, it will show
<MAIN> Flange 1 Delay 1 Plex 1 Rotary 1 Reverb 1 you all other Hold functions. All effect
(Loads Layout 7)
switches toggle between channels A and
Comp 1 PanTrem 1 Phaser 1 Drive 1 Chorus 1 Amp 1 A/B B when you press and hold. Please see the
HOLD:Reveal
NOTE on on p.xx about layout 7.
Tap FX switches for Bypass. Press and hold to toggle between Channels A and B
18
EASY (“EZ”) EDITS

The FC makes it simple to change any footswitch in any layout to perform any function.
The easiest way to do this is with the “EZ” Switch edit page as described below.
IMPORTANT: To avoid annoying screen jumps and sonic mishaps, all footswitches are DISABLED
while you are on the EZ page. To test switch edits, change to a different menu page or press EXIT.
TO USE THE EZ EDIT PAGE:

On the Axe‑Fx III, open Setup | FC Controllers and page to the “EZ” tab if it isn’t already selected.
Press the footswitch you want to edit. It can be on FC controller.
An onscreen graphic shows which footswitch you have selected.
FC Controllers EZ Devices Layouts Ring Colors

Tap any footswitch to see its settings below.
(FC#1 of 1) FC-6
Layout 1: PRESETS
Switch Ring Color Default
TAP FUNCTION
Category Preset
Function Select by #
Preset 1
Mini-Display Label Name
HOLD FUNCTION
Category Unassigned
Function --
Nav Value
RESET SWITCH COPY SWITCH PASTE SWITCH -- --
You can edit both TAP and HOLD functions for any switch.
Use the A knob or NAV buttons to navigate the list and C or VALUE knobs to make changes.
Set the desired Category and the Function.
Set any parameters for the selected Function as desired. For example, when you select Category: Preset
and Function: Select by #, a “Preset” parameter appears to let you dial in the desired preset number.
A separate reference, “The Footswitch Functions Guide” covers every function and all parameters.
You can also customize the ring color for an individual switch, overriding the defaults which are assigned
to the switch Category. See “The Footswitch Functions Guide” for more on ring colors.
You can also select from different automatic “labels” for the Mini-Display, or even enter custom text.
Details on the automatic labels are found throughout Section 5.
The EZ page also provides buttons to RESET (Clear with confirmation), and COPY/PASTE switches.
Press another footswitch to move on, or press EXIT when you are finished.
 Reminder: All changes in the FC Controllers menu take effect immediately with no need to store.
19
SWITCH “FLOW” ON THE FC-12 AND FC-6

Every layout includes 12 switch definitions, even though the FC-6 has only 6 switches.
The 12 switches of every layout “flow” differently on the FC-6 and an FC-12, as illustrated below.
Switch definitions beyond the first 6 are only for use on the FC-12.
Switch definitions that don’t fit on one FC don’t “spill over” to another daisy-chained unit, and it is not possible to
“shift” to the other half of a layout on a single FC-6.
The 12 switches in any layout “flow” differently when loaded on an FC-12 or FC-6
ALTERNATE ARRANGEMENT FOR CROSS COMPTIBILITY

If you plan to share the same layouts on both an FC-12 and an FC-6, you may also like the
option called “FC6/FC 12 Compatability Mode”, which arranges the switches on an FC-12 as
shown below. Find it on the Config page of the FC Controllers Menu under Setup.
20
THE LAYOUTS LIST

EZ editing is (you guessed it…) easy, but the FC also provides a deeper way to manually edit layouts and
switches. The Edit Layout page of the Foot Controllers menu provides an overview of 12 switches, and
also allows deep editing of individual footswitches, with all of the settings from EZ page and more.
On the Axe‑Fx III, open the Setup | Foot Controllers and page to the “Layouts” tab.
Use the A knob or NAV buttons to select the desired layout.
FC Controllers Layouts Ring Colors Remote CS

LAYOUT NAME
Layout 1 PRESETS
Layout 2 SCENES
Layout 3 EFFECTS
Layout 4 CHANNELS
Layout 5 LOOPER
Layout 6 PER-PRESET
Layout 7 PERFORM 1
Layout 8 PERFORM 2
Layout 9 MasterLayout
Nav
RESET ALL EDIT LAYOUT EDIT NAME COPY LAYOUT PASTE LAYOUT
The push-knobs offer additional functions:

RESET ALL sets all functions for all switches in all layouts to “Unassigned” and clears all customization.
(A confirmation screen requires you to press ENTER first.)
EDIT NAME allows you to rename the layout (see “Naming Layouts” on p. 24).
COPY LAYOUT and PASTE LAYOUT provide a means to replicate a layout to a new location.
Select any layout and press ENTER or the EDIT LAYOUT button (push-
knob B) to open that layout for deeper editing.
Number 9... As you review or edit layouts, you may notice “Layout 9” in the list.
Layout 9 is in fact the Master Layout Menu used to access other layouts (see p. 13).
Do not edit this layout unless you understand what it is, what you’re changing, and how it works.
If you modify the Master Layout Menu — intentionally or otherwise — you can easily reset it to factory default
settings without resetting anything else. Just use the “RESET LAYOUT” button on the Edit Layout page
(see p. 22). Unlike all other layouts, #9 reverts to factory settings instead of being completely cleared.
As you get deeper in to the FC, you may find the ability to modify the MLM quite
useful, with options like “Layout Link” or the ability to add functions to empty
switches. See “The Footswitch Functions Guide” for more on layout link.
21
EDIT A LAYOUT
Select any layout on the Layouts page (see p. 22) and press EDIT LAYOUT
or ENTER to open the selected layout for deeper editing.
The Edit Layout view has two pages: one for the Tap function and one for the Hold function. Each shows the
Category and the Function for all 12 switches, plus values for the first two parameters of the current function.
Use the A, B, C, D, and E knobs, or the NAV buttons and VALUE knob to make changes.
Notice the Tap and Hold pages
Edit Layout 1: PRESETS Tap Hold

CATEGORY FUNCTION VALUE 1 VALUE 2
1 Tap Preset Select in Bank 1 --
4 Tap Unassigned -- -- --
Nav Category Function Value 1 Value 1

RESET LAYOUT EDIT SWITCH RESET SWITCH COPY SWITCH PASTE SWITCH
The push-knobs offer additional functions:

RESET LAYOUT sets all switches in the current layout to “Unassigned” and clears all customization.
EDIT SWITCH opens a single switch for deeper editing.
COPY LAYOUT and PASTE LAYOUT provide a means to replicate a layout to a new location.
Select any switch and press ENTER or the EDIT SWITCH button (push-
knob B) to open that switch for deeper editing.
See Section 5: Footswitch Functions for information on all categories, functions, and parameters.
22
EDIT A SWITCH
Select any switch on the Edit Layout page (see p. 22) and press
EDIT SWITCH or ENTER to open the selected switch for deeper editing.
The Edit Switch view has two pages: one for its Tap function and one for its Hold function.
Each page shows the current Category and the Function for the switch,
plus any and all parameters for the current function.
Use the A, B, C, D, and E knobs or the NAV buttons and VALUE wheel to make changes.
On the Tap page, you can also change the Switch Ring Color for an
individual switch, overriding the usual default Category color.
You can also select from different automatic “labels” for the Mini-Display, or even enter custom text.
Details on the various label options are provided throughout Section 5: Footswitch Functions.
Notice the Tap and Hold pages
Edit Layout 5: PRESETS / Switch 5 Tap Hold

TAP FUNCTION
Category Preset
Function Select in Bank
Preset 5
Mini-Display Label Name
Switch Ring Color Default
LAYOUT LINK
FC#1 --
FC#2 --
FC#3 --
FC#4 --
RESET TAP
The LAYOUT LINK section allows the Tap or Hold function of the switch to ALSO change the
Layout on up to four connected FC units. See “The Footswitch Functions Guide” for more.
The RESET button (Push-knob A) clears the function and all customization from the current page.
See Section 5: Footswitch Functions for information on all categories, functions, and parameters.
23
NAMING LAYOUTS
Layout Names appear in the Master Layout Menu and can also appear on dedicated Layout footswitches.
Changing the name of any layout is simple with the same interface used to name presets and scenes.
NAME A LAYOUT:
On the Axe‑Fx III, open the “Layouts” page of the FC Controllers menu under SETUP.
Use the A knob or NAV buttons to select the desired layout.
Push the EDIT NAME button (push-knob C).
Enter the desired name, up to ten characters:
Turn the B knob or use NAV buttons to move the cursor.
The C knob selects upper case letters.
The D knob selects lower case letters.
The E knob selects numbers.
The VALUE knob selects ALL characters, including symbols.
Press D or E for INSERT and DELETE functions.
Press ENTER to commit the name or EXIT to cancel.
STARTUP LAYOUTS
Each connected FC Controller has its own default layout which loads automatically
when you power on. You can change the default layout as follows.
SET DEFAULT LAYOUTS:

On the Axe‑Fx III, open the “Devices” page of the FC Controllers menu under SETUP.
Use the C knob or NAV buttons and VALUE wheel to set the desired default layout.
You can also manually change the current layout on any unit using this page.
The Devices page also allows you to set up Mirroring (see p. 7).
24
5 Footswitch Functions
5 FOOTSWITCH FUNCTIONS
THE FRACTAL AUDIO FOOTSWITCH FUNCTIONS GUIDE
The FC-6, FC-12, and FM3 all use a shared system of Layouts and Footswitches.
Footswitch Functions are now detailed in a separate manual, the Fractal Audio Footswitch Functions Guide.
Find this guide at https://www.fractalaudio.com/fas-ffg
The Footswitch Functions Guide
25
6 Transmitting MIDI
6 TRANSMITTING MIDI
The Axe‑Fx III can transmit MIDI in several different ways, detailed below.
For an overview of connecting to other MIDI equipment, see “MIDI Connections” on p. 12.
SEND MIDI PC
The simplest MIDI capability of the Axe‑Fx III is transmitting a single MIDI program change
message (“PC”) each time a new Preset is loaded—whether via the front panel, using an
FC Footswitch, or in any other way. To enable this, open the SETUP | MIDI/Remote menu
and page to the “General” tab. Set Send MIDI PC to the desired MIDI channel.
THE SCENE MIDI BLOCK

A more sophisticated MIDI tool is the Scene MIDI Block. Once you place this block on the grid, it transmits
MIDI messages automatically whenever a new scene is loaded—whether via the front panel, with an
FC footswitch, or by any other means. The Scene MIDI block can transmit up to eight total custom PC
or CC messages. Remember that a “default scene” loads automatically when you select a new preset,
so any FC footswitch that selects a new Preset or a new Scene can also cause the Axe‑Fx III to send
a burst of MIDI messages. See the Axe‑Fx III Owner’s Manual for more on the Scene MIDI Block.
CONTROL SWITCH MIDI

See “The Footswitch Functions Guide” for details on the Control Switch function
and how it can be used to send MIDI from the Axe‑Fx III or FM3.
26
7 The Config Menu
7 THE CONFIG MENU

NOTE: This section covers the Config page of the FC Controllers menu for the Axe-Fx III.
Please see the FM3 Owner’s Manual for details on configuring that product.
FC CONTROLLERS: CONFIG PAGE
PARAMETER Description
Press & Hold Timeout This sets the time limit before a Hold function is fired, beginning
from the moment the switch is depressed. When a Hold function
0.25–2.00 seconds
is assigned, a Tap function fires if the switch is released before
the press and hold timeout elapses. See illustration, p. 13.
Master Layout Menu In its default state, the Master Layout Menu (aka “MLM”, aka “Layout 9”)
“Switch Combo” provides access to the other eight layouts (see p. 13). The standard
ENABLED/DISABLED way to load the MLM is to perform a special “switch combo” step where
you press the lower right switch with your heel, then, while still holding
it, press the upper right switch with your toe. This combination can be
disabled, leaving you to navigate the FC without the MLM, or perhaps
to use a dedicated footswitch to display it. See the Layout: Master
Layout Menu function in “The Footswitch Functions Guide” for more.
Per-Preset Switch Overrides The FC allows any Axe‑Fx III preset to override the function of any FC
footswitch in any layout. This offers extreme flexibility, making it possible to
ENABLED/DISABLED
handle exceptions easily in an otherwise global system. This option allows you
to DISABLE Per-Preset overrides so only the global switch functions appear.
See “The Footswitch Functions Guide” for more on Per-Preset Overrides.
Bank Size The Preset: ...Bank footswitch functions automatically map presets across
special footswitches in your layouts. This makes presets available in dynamic
1–12
groups as you step through “Banks”. The FC-6 defaults to 4 presets per bank.
The FC-12 defaults to 10 and the FM3 defaults to 3. The Bank Size should
correspond directly to the number of “Preset: ...Bank” switches used.
See “The Footswitch Functions Guide” for more on this subject.
Preset Number/ The main display of the FC shows both Preset number and name, and
Scene Number in Scene number and name. This option allows you to individually hide these
Main Display numbers, so a greater number of characters can be dedicated to the names.
ON/OFF
Ring Intensity (Bright, Dim) Each FC footswitch has its own segmented LED ring. The rings change
color to show switch function, and change between two brightness
25–100%, 1–50%,
levels (and “off”) to show switch states. These parameters allow
you to adjust the intensity of both dim and bright ring states.
Main LCD Notification Hold The FC normally displays Preset and Scene names. It sometimes changes,
however, to show other status messages (such as when you toggle an
effect on or off). This parameter sets how long these alternate messages
remain on the screen before the preset/scene display returns.
27
7 The Config Menu
PARAMETER Description
Hold Function Execute Mode Every footswitch on the FC can have both a tap and a hold function (as detailed
in “Tap & Hold Functions” on p. 14). Changing this setting from its default
value of “TIMEOUT” to “SWITCH UP” allows you to modify the normal switch
behavior so that the Hold function only fires when the switch is released. In
this mode, as long as you continue holding the switch, nothing happens. Then,
at the precise moment you release the switch, the hold function is executed.
FC6/FC12 Compatibility Mode This remaps the default switch flow. See page “Switch
“Flow” on the FC-12 and FC-6” on p. 20 for details.
Control Switch Link These six parameters can be used to link two or more Control Switches
in a mutually exclusive group. The single exclusive group is global and
affects all instances of the designated Control Switches across all layouts.
To join any Control Switch to the group, set its value here to “Exclusive”.
See “The Footswitch Functions Guide” for more on Control Switches.
28
8 Additional Topics
8 ADDITIONAL TOPICS
FIRMWARE
Features and fixes for the FC controller are built right in to firmware updates for the Axe‑Fx/FM3. Such updates
might come at any time, extending the tradition of continual improvement which has become a hallmark of Fractal
Audio Systems.
The FC does also have its own internal firmware, but this type of update will be uncommon. The current internal
firmware version for each connected FC Controller is shown under Setup | FC Controllers on the “Devices” page.
BACKUPS
Backup and restore operations for the FC are handled via the Axe‑Fx III or FM3 and Fractal-Bot.
When you backup or restore the Axe‑Fx III or FM3 “System” using Fractal-Bot, all settings, layouts, and
customizations for the FC are included. See your Owner’s Manual for details, or let Fractal-Bot guide you with its
built-in instructions. Download and install Fractal-Bot from https://www.fractalaudio.com/fractal-bot/
IMPORTANT! Performing “Reset System Parameters” on the Axe‑Fx III or FM3 will erase ALL stored
settings for any FC Controllers or onboard switches. If this happens, you will need to re-load the Factory
Default Layouts & Settings or restore a backup of your System file.
AXE-EDIT/FM3-EDIT
Axe-Edit and FM3 edit include a full set of tools for editing an FC Controller or onboard footswitches. Find these
programs for download at:
https://www.fractalaudio.com/axe-edit/
https://www.fractalaudio.com/fm3-edit/
29
6 PER-PRESET
8 Additional Topics PP#4 PP#5 PP#6
PP#1 PP#2 PP#3
FC-6: SHORT TUTORIAL

For the FC-12 Tutorial see p. 32.
7 PERFORM 1
Preset -1 <EFFECTS> Preset +1
(Loads Layout 8)
A CLOSER LOOK AT LAYOUTS 7 & 8 S1 S2 S3

HOLD:Reveal
The following tutorial will be easier to follow if you have reviewed the
previous sections of this manual. At a minimum, see p. 13 and p. 16.
8 PERFORM 2
Factory default Layouts 7 and 8 were created as examples of how Layouts Chorus 1 <MAIN> TAP:Tempo
HOLD:Tuner
and Functions can work to control the Axe‑Fx III during a live performance. (Loads Layout 7)
Drive 1 Delay 1 Reverb 1

Layout 7 (“PERFORM 1”) is intended as an easy way to select presets and HOLD:Reveal
scenes on the FC-6. Two switches (green rings) allow you to step one-by-
one—up or down—through the list of presets. Three switches (Red rings) load scenes 1 through 3 for the current
preset. Scene footswitches are set to show the “Destination”, which is to say, the name of the Scene which will be
loaded if you activate that switch.
The top center switch loads Layout 8 and has the custom label “<EFFECTS>”.
Layout 7 has no “Hold” functions, but should you add your own, the Hold function of the lower right switch is set
to “Reveal Hold”, which shows the Hold functions of other switches in the Mini-Displays.
Layout 8 (“PERFORM 2”) contains 4 classic “Instant Access” switches set up as Drive 1, Delay 1, Reverb 1, and
Chorus 1. All of these except the Reverb 1 switch have their Hold function set to toggle between Channels A and
B. (This emulates the classic “Press and Hold for XY” found on some of our other products.) The Hold function on
the Reverb switch (lower right) is set to “Reveal Hold”, as on layout 7.
The upper right switch is Tap Tempo, with a Hold function to access the Tuner.
The top center switch returns to Layout 7 and has the custom label “<MAIN>”.
TRY THE LAYOUTS

To begin, let’s load Layout 7 on your FC Controller and try it out:
Perform the “Master Layout Menu Switch Combination” as illustrated on p. 13. This loads the
Master Layout Menu, with footswitches for layouts 1 through 6 (Presets, Scenes, et al.).
Without leaving the Master Layout menu, perform the special MLM Switch Combo AGAIN to change to the
second page of the Master Layout Menu—with switches to access the Perform 1 and Perform 2 layouts.
Step on the lower left switch for PERFORM 1 to load this layout on the FC.
Play with the demo layouts a bit before continuing (next page).
30
8 Additional Topics
FC-6 Performance Layout Tutorial (Continued)
TRY EZ EDIT
Let’s use EZ edit to modify one of the switches on Layout 8 (“PERFORM 2”).
1. On the Axe‑Fx III, press HOME and enter the Setup menu (push knob E).
2. Use the NAV knob (A) or buttons to select the FC Controllers menu and press ENTER.
3. If it isn’t already shown, use the PAGE buttons to select the “EZ” tab.
4. Tap any switch on the FC. At the top of the screen, a small image of the FC-6 shows which switch you tapped.
A text message to the left of the image indicates that we are using “FC#1 of 1”. The message also shows the
unit type (FC-6 in this case).
5. You should be on Layout 8: PERFORM 2. If not, use the Layout parameter at the top of EZ page to load it now.
6. Let’s change the Chorus switch to control the Phaser instead. Tap the switch now on the FC-6.
7. Notice the current settings under TAP FUNCTION:
Category: Effect
Function: Bypass
Effect: Chorus 1
8. Navigate to the “Effect” parameter and use the C or VALUE knob to change “Chorus 1” to “Phaser 1”.
You never need to save changes in the FC Controllers menu; they take effect immediately.
9. We’re not finished yet! The Hold function of this switch changes the effect Channel. Let’s also make sure that
it targets “Phaser 1”. Nav down and notice the current settings under HOLD FUNCTION:
Category: Effect
Function: Chan Toggle
Effect: Chorus 1
Primary Channel: A
Secondary Channel: B
10. Navigate to the “Effect” parameter and use the C or VALUE knob to change “Chorus 1” to “Phaser 1”.
11. Now let’s test the modified switch. Remember: to prevent mishaps and accidental navigation, the switches on
the FC don’t work while the EZ page is on screen. Press EXIT to leave the FC Controllers menu.
12. Select factory Preset 023 “Friedman BE-100” which contains a Phaser block dialed in for channels A and B.
Tap the new Phase 1 footswitch and the effect will be engaged or bypassed. Hold the switch and Phaser 1
will toggle from Channel A to B or vice versa.
This concludes the short tutorial. You can use what you’ve learned here to
modify any switch in any layout to perform any function.
31
Amp 1 A Amp 1 B Amp 1 C Amp 1 D Delay 1A/B Drive 2 A/B
5
8 Additional Topics LOOPER
Looper
FC-12: SHORT TUTORIAL

-- -- Undo/Erase Reverse Half Speed
Bypass
Record Play -- Once Tempo Tune

For the FC-6 Tutorial see p. 30.
6
The following tutorial will be easier to follow if you have reviewed the previous sections of this manual. At a
PER-PRESET
minimum, see “The Master Layout Menu” on p. 13 and “Factory Default Layouts” on p. 16.
PP#7 PP#8 PP#9 PP#10 PP#11 PP#12
NOTE: FC-12 layout 7 (PERFORM 1) requires the the global FC “Bank Size” parameter to be set to “4”.
Find this parameter under SETUP:
PP#1 PP#2 FC Controllers
PP#3 onPP#4
the Config PP#5
Page. PP#6
FC-12 layout 1 (PRESETS) requires a bank size of “10” — so you’ll need to decide which setting you prefer.
7 PERFORM 1
<EFFECTS> P1 P2 P3 P4 Bank Up
(Loads Layout 8)
TAP:Tempo Bank Down

S1 S2 S3 S4
HOLD:Tuner HOLD:Reveal
8 PERFORM 2
<MAIN> Flange 1 Delay 1 Plex 1 Rotary 1 Reverb 1
(Loads Layout 7)
Comp 1 PanTrem 1 Phaser 1 Drive 1 Chorus 1 Amp 1 A/B

HOLD:Reveal
Tap FX switches for Bypass. Press and hold to toggle between Channels A and B
A CLOSER LOOK
Factory default Layouts 7 and 8 were created as examples of how Layouts and Functions can work to control the
Axe‑Fx III during a live performance.
Layout 7 (“PERFORM 1”) is intended to provide an easy way to select presets and scenes on the FC-12. Four
switches in the upper row (green rings) allow you to select presets. Four switches in the lower (red rings) load
scenes 1 through 4 for the current preset. Both Preset and Scene footswitches are set to show the “Destination”,
which is to say, the name of the Preset or Scene which will be loaded when the switch is activated.
The two right-most switches step to the next or previous group of four presets.
(We didn’t use Bank Switches because “LAYOUT 1: PRESETS” requires a bank size of 10, but we DID set the LED
ring colors to look like a Bank select switches.)
The top left switch switches to Layout 8 and has the custom label “<EFFECTS>”.
The lower left switch is Tap Tempo, with a Hold function to access the Tuner.
The Hold function of the lower right switch is set to “Reveal Hold”, which shows the Hold functions of other
switches in this layout.
Layout 8 (“PERFORM 2”) contains 10 classic “Instant Access” switches set up as Compressor 1, Pan/Tremolo 1,
Phaser 1, Drive 1, Chorus 1, Flanger 1, Delay 1, Plex Delay 1, Rotary 1, and Reverb 1. All of these have their Hold
function set to toggle between Channels A and B. (This emulates the classic “Press and Hold for XY” found on
some of our other products.)
The lower right switch toggles Amp 1 between Channels A and B. The press and Hold function of this switch is
set to “Reveal Hold”, as on layout 7.
The upper left switch returns to Layout 7 and has the custom label “<MAIN>”.
Tutorial continues on next page.

32
8 Additional Topics
TRY THE LAYOUTS

To begin, let’s load Layout 7: Perform 1 and try it out:
Perform the “Master Layout Menu Switch Combination” as illustrated on p. 13. This shows
the Master Layout Menu, with switches for layouts 1 through 8 (Presets, Scenes, et al).
Step on the switch for PERFORM 1 to load this layout on the FC.
Play with the layouts a bit before continuing. Factory preset 012: USA Mk IV works well because it has four
Scenes and contains almost all of the effects shown on the FC.
TRY EZ EDIT
Let’s use EZ edit to modify one of the switches on Layout 8 (“PERFORM 2”). Admittedly, the FC-12 has so many
switches that it is a bit of a stretch to “improve” this layout, so we’ll do something merely instructional instead:
let’s change the “Plex Delay” switch to control the “Multitap Delay” instead.
1. On the Axe‑Fx III, press HOME and enter the Setup menu (push knob E).
2. Use the NAV knob (A) or buttons to select the FC Controllers menu and press ENTER.
3. If it isn’t already shown, use the PAGE buttons to select the “EZ” tab.
4. Tap any switch on the FC. At the top of the screen, a small image of the FC-12 will confirm which switch you
tapped. A text message to the left of the image indicates that we are using “FC#1 of 1”.
The message also shows the unit type (FC-12 in this case).
5. You should be on Layout 8: PERFORM 2. If not, use the Layout parameter at the top of EZ page to load it now.
6. Tap the Plex switch on the FC-12.
7. Notice the current settings under TAP FUNCTION:
Category: Effect
Function: Bypass
Effect: Plex 1
8. Navigate to the “Effect” parameter and use the C or VALUE knob to change “Plex 1” to “MultDly 1”.
Remember, there is no need to save changes in the FC Controllers menu; they take effect immediately.
9. We’re not finished yet! The Hold function of this switch changes the effect Channel. Let’s also make sure that
it targets “Multitap Delay 1”. Nav down and notice the current settings under HOLD FUNCTION:
Category: Effect
Function: Chan Toggle
Effect: Plex 1
Primary Channel: A
Secondary Channel: B
10. Navigate to the “Effect” parameter and use the C or VALUE knob to change “Plex 1” to “MultDly 1”.
11. Now let’s test the modified switch. Remember: to prevent mishaps and accidental navigation, the switches on
the FC don’t work while the EZ page is on screen. Press EXIT to leave the FC Controllers menu.
12. Select factory Preset 023 “Friedman BE-100” which has a Multitap Delay block you can engage and bypass.
(You may wish to edit the preset so that channel A is different from Channel B)
This concludes the short tutorial. You can use what you’ve learned here to
modify any switch in any layout to perform any function.
33
8 Additional Topics
STAND-IN SWITCHES
This subject is also covered in the FM3 Owner’s Manual.
As detailed elsewhere in this manual, there are several easy ways to use external switches.
You can assign them directly as a modifier source.
You can assign them to an External Controller for use indirectly as a modifier source
You can assign them in the MIDI/Remote menu to global functions like “Tap Tempo” or “Looper Record”
Despite these nice options, however, the capabilities of external switches begin to seem very limited when you
compare them to all that FC or FM3 switches can do. For instance, an external switch can’t have separate tap and
hold functions, or, for instance, change a Layout, or select a Bank.
To make external switches more powerful, we created a system called Stand-In Switches. A Stand-In is an
external switch set up to operate as a remote control for a switch in a normal layout. For example, you might have
an external switch stand in for “Layout 8: Switch 4” which is set up to bypass/engage Drive 1 block on Tap, and
Toggle Drive 1 Channels A/B on Hold.
Be aware that the stand-in is just a pointer. If you change the switch it is remote controlling, its function will
change too. The hidden power of Stand-In switches lies in the fact that a layout does not need to be loaded for its
switches to be triggered by a Stand-In.
TO CREATE A STAND-IN SWITCH

These instructions assume that you have an external switch connected and configured correctly. For an FC
Controller, see “External Switches” on p. 9. For an FM3, see your Owner’s Manual.
To set up a Stand-In Switch:
1. From the HOME page, open SETUP: FC Controllers
2. Page to the Stand-In Switches tab.
3. Nav up or down to the switch you want to set up. For example, “FM3 SW1 Tip” or “FC1 SW 1”
4. Use B and C or Nav and Value knobs to assign the desired Layout and Switch you want the selected switch to
serve as a Stand In for.
5. Set up any other Stand-In Switches and press HOME when finished.
6. Test your switch.
The unused switches of the Master Layout Menu provide a great

place to “hide” the functions for several Stand-In Switches.
34
8 Additional Topics
GETTING HELP
Our forum is a source of great help ranging from product Q&A to tutorials and more.
Fractal Audio staff participate in the conversations, and response times can be very fast. Find it at:
https://forum.fractalaudio.com
The wiki maintained by members of the Fractal Audio community is also an excellent resource:
https://wiki.fractalaudio.com
You can get support directly from Fractal Audio Systems at: https://support.fractalaudio.com
or internationally via our dealers listed at https://www.fractalaudio.com/international-ordering.
35
8 Additional Topics
SPECIFICATIONS
FASLINK™ II INPUT PORT
Connector: XLR Male type
Compatibility: Axe‑Fx III only
FASLINK™ II THRU PORT

Connector: XLR Female type
Compatibility: Additional FC-6 or FC-12 only
EXTERNAL SWITCH INTERFACE

External Switch Inputs: 2
Connectors: 2 x ¼” TRS phone jacks (2 switches per connector)
Format: Compatible with Toggle or Momentary switches
EXPRESSION PEDAL INTERFACE

Expression Pedal Inputs: 4
Connectors: ¼” TRS phone jacks (1 expression pedal per connector)
Compatibility: Expression type (not Volume pedals), 10K–100K recommended max resistance
MECHANICAL/ELECTRICAL
Chassis: Powder-coated 16-gauge steel
Main LCD: 2×20 dot matrix transflective
Mini LCDs: 128×32 graphical
FC-12 Dimensions: 20.2″ x 9.2″ x 3.5″ (512mm x 233mm x 88mm). Weight: 11 lbs (5 kg)
FC-6 Dimensions: 11.2″ x 9.2″ x 3.5″ (283mm x 233mm x 88mm). Weight: 6.7 lbs (3 kg)
AC Adapter Barrel: 2.5 mm, negative center
Input Voltage: 9–12V DC, 1000ma (Use AC adapter specific to region where the unit was purchased)
Power Consumption: ≤12 W
ENVIRONMENTAL
Operating Temperature: 32 to 122°F (0 to 50°C)
Storage Temperature: -22 to 167°F (-30 to 70°C)
Humidity Max.: 0% non-condensing
(Specifications subject to change without notice)
36

WARRANTY
Fractal Audio Systems warrants that your new Fractal Audio Systems product shall be free of defects in materials
and workmanship for a period of one (1) year from the original date of purchase.
During the warranty period, Fractal Audio Systems shall, at its sole option, either repair or replace any product that
proves to be defective upon inspection by Fractal Audio Systems.
Fractal Audio Systems reserves the right to update any unit returned for repair and to change or improve the
design of the product at any time without notice. Fractal Audio Systems reserves the right to use reconditioned
parts and assemblies as warranty replacements for authorized repairs. This warranty is extended to the original
retail purchaser for units purchased directly from Fractal Audio Systems or one of its authorized distributors or
resellers.
This is your sole warranty. Fractal Audio Systems does not authorize any third party, including any dealer or sales
representative, to assume any liability on behalf of Fractal Audio Systems or to make any warranty for Fractal
Audio Systems. Fractal Audio Systems may, at its option, require proof of original purchase date in the form of a
dated copy of original authorized dealer’s invoice or sales receipt. Service and repairs of Fractal Audio Systems
products are to be performed only at the Fractal Audio Systems factory or a Fractal Audio Systems authorized
service center. Fractal Audio Systems may require advanced authorization of repairs to authorized service
centers. Unauthorized service, repair or modification will void this warranty.
DISCLAIMER AND LIMITATION OF WARRANTY
THE FOREGOING WARRANTY IS THE ONLY WARRANTY GIVEN BY FRACTAL AUDIO SYSTEMS AND IS IN LIEU OF
ALL OTHER WARRANTIES. ALL IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND
FITNESS FOR ANY PARTICULAR PURPOSE, EXCEEDING THE SPECIFIC PROVISIONS OF THIS WARRANTY ARE
HEREBY DISCLAIMED AND EXCLUDED FROM THIS WARRANTY. UPON EXPIRATION OF THE APPLICABLE EXPRESS
WARRANTY PERIOD (1 YEAR), FRACTAL AUDIO SYSTEMS SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF
ANY KIND, EXPRESS OR IMPLIED. FRACTAL AUDIO SYSTEMS SHALL IN NO EVENT BE LIABLE FOR ANY SPECIAL,
INCIDENTAL OR CONSEQUENTIAL DAMAGES SUFFERED BY THE PURCHASER OR ANY THIRD PARTY, INCLUDING
WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS OR BUSINESS, OR DAMAGES RESULTING FROM USE OR
PERFORMANCE OF THE PRODUCT, WHETHER IN CONTRACT OR IN TORT. FRACTAL AUDIO SYSTEMS SHALL NOT
BE LIABLE FOR ANY EXPENSES, CLAIMS, OR SUITS ARISING OUT OF OR RELATING TO ANY OF THE FOREGOING.
Some states do not allow the exclusion or limitation of implied warranties so some of the above limitations and
exclusions may not apply to you. This warranty gives you specific legal rights, and you may also have other rights,
which vary, from state to state. This warranty only applies to products sold and used in the USA and Canada.
Fractal Audio Systems shall not be liable for damages or loss resulting from the negligent or intentional acts of
the shipper or its contracted affiliates. You should contact the shipper for proper claims procedures in the event
of damage or loss resulting from shipment.
37

EULA
BY ACCEPTING, INSTALLING OR USING ANY PART OF THIS PRODUCT YOU ARE CONSENTING TO ALL OF THE TERMS AND CONDITIONS OF THIS ENTIRE END USER LICENSE AGREEMENT (“EULA”). IF YOU
DO NOT AGREE TO ALL THE TERMS AND CONDITIONS OF THIS ENTIRE AGREEMENT, ARE UNABLE OR UNWILLING COMPLY WITH THESE TERMS AND CONDITIONS, YOU MUST DISCONTINUE USE OF THE
PRODUCT IMMEDIATELY AS YOU HAVE NO AUTHORITY OR LICENSE TO USE THE PRODUCT.
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Subject to the terms and conditions set forth herein, Fractal Audio Systems, (“FAS”) grants you an individual, personal, non-sub licensable, nonexclusive license to use this product in accordance with the
applicable end user documentation, if any (the “License”). The user will not, directly or indirectly, reverse engineer, decompile, disassemble or otherwise attempt to discover the source code or underlying
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that FAS and its licensors retain their respective ownership of the Software, any portions or copies thereof, and all rights therein throughout the world. Upon termination of this Agreement for any reason, the
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acknowledge that you have no rights in or to, and may not transfer or otherwise authorize the use of, any “beta” or “preview” software of FAS and its licensors. THIS LIMITED LICENSE TO USE AND TRANSFER
THE SOFTWARE IS PROVIDED AS-IS AND IS SUBJECT TO THE RESTRICTIONS, INDEMNITY AND WARRANTY DISCLAIMERS AND LIMITATIONS OF LIABILITY SET FORTH BELOW.
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requires a commercial use license. Recording studios, consultants, and other commercial entities may use these features in conjunction with work performed for their commercial customers, but the resulting
data files created may not be offered for sale or gifted to their commercial customers or other third parties without a commercial license from FAS and its licensors where applicable. Contact sales@
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The software is provided as is without warranty of any kind. FAS disclaim all warranties, expressed or implied, including but not limited to implied warranties, fitness for a particular purpose, and non-
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complete and exclusive statement of the mutual understanding of the parties and supersedes and cancels all previous written and oral agreements, communications and other understandings relating to the
subject matter of this Agreement, and that all modifications to this EULA, or any commercial license that you may have obtained from FAS and or its licensors must be in a writing signed by you, FAS and or its
licensors, where applicable, except as otherwise provided herein. No agency, partnership, joint venture, or employment is created as a result of this Agreement and you do not have any authority of any kind to
bind FAS and or its licensors in any respect whatsoever. In any action or proceeding to enforce rights under this Agreement, the prevailing party will be entitled to recover costs and attorneys’ fees. All notices
under this Agreement will be in writing and will be deemed to have been duly given when received, if personally delivered; when receipt is electronically confirmed, if transmitted by facsimile or e-mail; the day
after it is sent, if sent for next day delivery by recognized overnight delivery service; and upon receipt, if sent by certified or registered mail, return receipt requested.
38

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FC6+12 Owners Manual

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Manual Version 2.

Clifford Chase, President / CEO

Important Safety Instructions

1. Obey any warnings on the FC chassis and in this User Guide.

A Manual for Online and Print Use

1 INTRODUCTION . . . . . . . . . . . . . . 1 5 FOOTSWITCH FUNCTIONS . . . . . 25

THE REAR PANEL

CONNECT USING FASLINK II

LOAD THE DEFAULT LAYOUTS

Axe-Fx III FASLINK II Jack

CONNECT THE FIRST FC WITH FASLINK II

CONNECT ADDITIONAL FC UNITS WITH FASLINK II AND AC POWER

FC-12 or FC-6 FC-12 or FC-6

CONNECT A SWITCH AT A PEDAL JACK...

The Fractal Audio Systems EV-1 features both

ASSIGNING FC PEDALS AND SWITCHES

EXTERNAL CONTROLLERS: A REFRESHER

A External Control 1 FC 1 PEDAL 1

EXTERNAL SWITCHES & GLOBAL FUNCTIONS

Axe-Fx III FASLINK II Port

XLR Cable MIDI OUT MIDI IN MIDI THRU

Audio and power connections not shown .

4 LAYOUTS & SWITCHES

THE MASTER LAYOUT MENU

TAP & HOLD FUNCTIONS

THE RULES OF SWITCH TIMING

Press and Hold Timeout Press and Hold Timeout

time time time

PRESS & HOLD LABELS

TAP: Tap: Tap: Tap: Tap: Tap:

Tap: Tap: Tap: Tap: Tap: Tap:

TAP: Tap: Tap: Tap: Tap: Tap:

Tap: Tap: Tap: Tap: Tap: Tap:

FACTORY DEFAULT LAYOUTS

FC-6 DEFAULT LAYOUTS

1 PRESETS Layout 1: Presets is designed for switching/auditioning

3 EFFECTS 1 (effect bypass)

4 EFFECTS 2 (effect bypass)

PanTrem1 Phaser 1 Flanger 1

5 LOOPER Layout 5: Looper offers essential Looper controls.

Record Play Once

6 PER-PRESET Layout 6: Per-Preset demonstrates per-preset “placeholder”

7 PERFORM 1 Layouts 7 & 8 are examples to accompany “FC-6: Short

Drive 1 Delay 1 Reverb 1

FC-12 DEFAULT LAYOUTS

1 PRESETS Layout 1: Presets is designed for switching or

3 EFFECTS (effect bypass)

4 CHANNELS Layout 4: Channels is a simple demo of

Layout 6: Per-Preset demonstrates per-preset

EASY (“EZ”) EDITS

TO USE THE EZ EDIT PAGE:

FC Controllers EZ Devices Layouts Ring Colors

SWITCH “FLOW” ON THE FC-12 AND FC-6

ALTERNATE ARRANGEMENT FOR CROSS COMPTIBILITY

THE LAYOUTS LIST

FC Controllers Layouts Ring Colors Remote CS

 The push-knobs offer additional functions:

Notice the Tap and Hold pages

Edit Layout 1: PRESETS Tap Hold

The push-knobs offer additional functions:

The push-knobs offer additional functions: