Africans in India
Africans in India
Africans in India
Image caption,
This painting shows a reservoir built by an Abyssinian eunuch in the 17th Century
By Vikas Pandey
BBC Monitoring
India and Africa have a shared history in trade, music, religion, arts and architecture,
but the historical link between these two diverse regions is rarely discussed.
Many Africans travelled to India as slaves and traders, but eventually settled down here to
play an important role in India's history of kingdoms, conquests and wars.
Some of them, like Malik Ambar in Ahmadnagar (in western India), went on to become
important rulers and military strategists. Ambar was known for taking on the powerful
Mughal rulers of northern India.
An exhibition, organized by the Schomburg Center for Research in Black Culture of The New
York Public Library, in Delhi recently showcased such "forgotten" stories of Africa's role in
India's history.
Abyssinians, also known as Habshis in India, mostly came from the Horn of Africa to the
subcontinent. Dr Sylviane A Diouf of the Schomburg Center says Africans were successful in
India because of their military prowess and administrative skills.
"African men were employed in very specialized jobs, as soldiers, palace guards, or
bodyguards; they were able to rise through the ranks becoming generals, admirals, and
administrators," she says.
Kenneth Robbins, co-curator of the exhibition, says it is very important for Indians to know
that Africans were an integral part of several Indian sultanates and some of them even
started their own dynasties.
"Early evidence suggests that Africans came to India as early as the 4th Century. But they
really flourished as traders, artists, rulers, architects and reformers between the 14th
Century and 17th Century," he says.
This 17th-Century cloth painting depicts a procession of Deccani sultan Abdullah Qutb Shah.
African guards are seen here as part of the sultan's army.
IMAGE SOURCE,SANSKRIT DARSHAN MUSEUM, BHUJ
Apart from the Deccan sultanates in southern India, Africans also rose to prominence on the
western coast of India. Some of them brought their traditional music and Sufi Islam with
them.
Mr. Robbins says Deccan sultans relied on African soldiers because Mughal rulers of
northern India did not allow them to recruit men from Afghanistan and other central Asian
countries.
This 1887 painting from Kutch portrays the Sidi Damal, a religious, ecstatic dance form of
the Muslim Sidis who were brought to India from East Africa.
IMAGE SOURCE,KLAUS ROTZER
Dr Diouf says Indian rulers trusted Africans and their skills. "It was true, especially in areas
where hereditary authority was weak and there was ongoing instability due to struggles
between factions like in the Deccan," she says.
"Africans sometimes did seize power for their group like they did in Bengal - where they
were known as the Abyssinian Party - in the 1480s; or in Janjira and Sachin (on the western
coast of India) where they established African dynasties. They also took power on an
individual basis, as Sidi Masud did in Adoni (in southern India) or Malik Ambar in
Ahmadnagar (in western India)," she adds.
The funerary complex shown in the photograph above was also designed by eunuch Malik
Sandal after 1597 in Bijapur (in present-day southern Karnataka state).
IMAGE SOURCE,MUSEUM RIETBERG ZURICH
This painting from 1590 shows an Indian prince eating in the land of Ethiopians (Habshi)
or East Africans (Zangis).
IMAGE SOURCE,THE CLEVELAND MUSEUM OF ART
Africans also brought their music to India. This artwork dated 1640-1660 shows a player of
the African lyre.
IMAGE SOURCE,RAJA DEEN DAYAL
In this 1904 photo taken in Hyderabad in the Deccan region, Africans guards are seen
escorting a royal procession.
IMAGE SOURCE,KLAUS ROTZER
The most celebrated of the powerful Ethiopian leaders in India was Malik Ambar (1548-
1626). His mausoleum still exists in Khuldabad, near Aurangabad district in western India.
IMAGE SOURCE,KENNETH AND JOYCE ROBBINS COLLECTION
This painting shows Nawab Sidi Haidar Khan of Sachin. The African-ruled state of Sachin was
established in 1791 in Gujarat. It had its own cavalry and a state band that included Africans,
its own coats of arms, currency, and stamped paper. In 1948, when the princely states were
incorporated into independent India and ceased to exist, Sachin had a population of 26,000
- 85% Hindu and 13% Muslim - explains Dr. Diouf.
The main African figures of the past have not been forgotten but their ethnicity has been
erased, consciously or not, she adds.
"The people who have heard of Malik Ambar, for example, generally do not know he was
Ethiopian. Does it mean that these men's origin was so irrelevant that it was useless to
mention it, or is this historical erasure the product of a conscious denial of the African
contribution?" she asks.
Chief Minister Ikhlas Khan - ca. 1650- San Diego Museum of Art
The Schomburg Center's exhibition Africans in India: A Rediscovery recently opened in New
Delhi, India's capital, against a backdrop of racist attacks against Africans. The contrast
between the African experience of yesterday and that of today could not have been greater
and the exhibition could not have come at a more appropriate time.
September 28, Rajiv Chowk metro station. In a violent, ugly scene that went viral on YouTube,
three African students are beaten with iron bars, sticks, and glass shards by a mob. “We were
travelling in metro, and a few guys started clicking our pictures," the students from Gabon
and Burkina Faso recounted, "on asking them about why they were doing that, they started
misbehaving and that ultimately led the metro staff to take us and those guys to the police
officer’s cabin. Even there, they kept passing racist comments which made us furious too.
From there, the heat kept building upon and ultimately led to a fight. We were beaten up
badly by a majority of people around us at that time.” A few feet away from the large crowd
that can be seen laughing, snapping pictures, and yelling "Bharat Mata ki Jai," "Victory to
Mother India," two policemen are looking on.
Writing in The Times of India, Siddarth Varadarajan noted, "The flash mob that appeared and
disappeared at the metro station that day was summoned to the spot by the triumphalism
and crassness that India's rise on the world stage is generating amongst the urban middle
class. As the middle class prospers, it is becoming more insular, more intolerant, more
anxious. No one ever told them that as we strive for—and insist on—a bigger share of global
power for ourselves, we need to learn how to accommodate the world, to grow less small."
October 8, Indira Gandhi National Center for the Arts, a five minute drive from Rajiv Chowk.
As the sun sets, I light a wick to open the exhibition Africans in India. Just a few weeks earlier,
I was in Paris at the headquarters of the United Nations Educational, Scientific and Cultural
Organization (UNESCO) inaugurating the French/English version of the exhibition.
Government ministers, ambassadors, and celebrities had gathered on the occasion of the
20th anniversary of the Slave Route Project, a worldwide initiative to break the silence about
the slave trade and slavery. The ambience was joyous, hopeful, celebratory.
Opening at IGNCA, Delhi
In Delhi, the ceremony in the immense gardens of the IGNCA reflects a different mood as
everyone is acutely aware of the special significance of the event. The attack has generated
media coverage not only in India, but also in Africa, Europe, the U.S., and the Caribbean; and
as we celebrate the past, there is no escaping the distressing reality of the present.
Ikhlas Khan and Adil Shah, ca. 1670 - San Diego Museum of Art
In 50 abundantly illustrated panels, Africans in India shows African high-ranking officials,
generals, and rulers, who for centuries were an integral part of India's social, political,
cultural, and religious landscape. It was a time when being of a different origin, religion,
color, or ethnicity was no obstacle to reaching the highest positions. A time when slave
dynasties—like the Turkish slaves who founded the sultanate of Delhi—were established;
when Africans who had arrived enslaved could become Chief Ministers, de facto rulers, or
founders of princely states. A time when the word Habshi designated a person from
Abyssinia (Ethiopia) and was proudly worn by African notables. It was not a derogatory term
as it is today.
Journalists seized on the sad irony of the situation, and several articles focusing on
the exhibition referred to the anti-African racism that manifests itself in other parts of the
country, but seems to be more intense in Delhi. As Ms. Dipali Khanna, president of the
IGNCA, noted, "It's a mere coincidence that our exhibition has started off at a time when the
media is abuzz with stories of racial attacks on Africans in Delhi. But we do hope because of
it, people will understand that Indians and Africans have coexisted since time immemorial."
The exhibition, and the subsequent curatorial talk and conference, became important
teaching moments. A large number of schools are visiting Africans in India and young
students may thus grow up with an appreciation for the multicultural, multiracial
meritocracy-outside of the Hindu caste system—that open-minded India was for so long.
What happened there could, indeed, be a lesson to the world.
By bringing this unique page of history to life, the Schomburg Center will hopefully contribute
to helping people—in India (where the exhibition will travel to other cities) and elsewhere—
better negotiate the present and the future.