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 STUDY TOUR REPORT- MADHYA PRADESH
LOCATION
NH 12, Kohefiza, Bhopal, Madhya Pradesh 462001 ● The minarets are 67 meters high.
Style -Indo-Islamic architecture, ● The main entrances are 74 feet high and are made
Mughal architecture Funded by in red sandstone and marble.
Nawab Shah Jahan Begum, Sultan Jahan Begum
● The prayer hall is 260 feet long and has calligraphy,
construction began once again in 1971 and ended in
1985. floral motifs, and ornate carvings on its interiors.
● There is lattice work on the arches of the masjid.
AREA of the mosque spreads across 23312 sq.feet ● The western side of the masjid has four
semi-circular cups that are in four and five feet.

ARCHITECTURAL ANALYSIS
The Taj-ul-Masajid largely takes inspiration
from Mughal architecture. The mosque has a
pink facade topped by two 18-storey high
octagonal minarets with marble domes, an
impressive main hallway with attractive pillars,
and marble flooring resembling the likes of
Jama Masjid in Delhi

AERIAL VIEW OF TAJ UL MASJID

CONSTRUCTION MATERIAL USED IN TAJ

UL MASJID
Taj-Ul-Masajid is built with red sandstone,
which gives a pink facade to its outer walls.
The beauty of the mosque is enhanced by
three stark white bulbous domes on its
rooftop. Two tall minarets covered with a
white dome each guard the mosque on
both the sides The chamber is beautifully
ELEVATION OF TAJ UL MASJID designed with petal decorations and ornate
pillars
COURTYARD VIEW OF TAJ UL MASJID
 STUDY TOUR REPORT- MADHYA PRADESH
Architects: Charles Correa Introduction
Location: Bhopal, India The Vidhan Bhavan is a huge building, covering an area of more than 32,000 sq.
metres of built space. Seeing the form taken by the normal run of Government
Client: State Government of Madhya architecture, the Vidhan Bhavan could have degenerated into a lump of heavy
Pradesh dough perched on a hill. In point of fact viewed from any point of the compass the
Vidhan Bhavan impresses by its light footedness and effervescence. The whole
Type: Civic Centers
building presents as extremely pleasing vision of powerful curves and straight
Site Area: 85,000 m2 vertical and horizontal lines,
Total Area of Premises : 1024 Hectares
(25.26 Acrs)
Area: 32,000 m2 Four Major Functions Namely:
Total Floor Area . 31699.00 m2. ● Vidhan Sabha ( Lower House)
Project Year: 1983 – 1996 ● Vidhan Parishad ( Upper House)
Total Cost of the Project : 56.00 Crores ● Combined Hall
● Library

Analysis
Vidhan Bhavan is divided into nine compartments or
squares each enclosing in it a pattern of gardens
within gardens. The five central squares Form halls
and courtyards which are not only assemblage
points, but also house the various offices of the
‘Vidhan Bhavan is a public building which
Vidhan Bhavan secretariat and support services
should say something very powerful about
which a legislature needs.
democracy, It is a building which has got to Entry to the building is through three main gates or
down with the idea of governing yourself. It has Concept ‘dwars’, one for people at large through Kund, one
to express the role it has to play and tell people The majestic work combines a modern for member of legislature and ministers and one for
that this is your city, this is your state and you sensibility with themes derived from
the speaker of the house. There is also a smaller
must participate in it, It must not be low-key. It traditional architecture in harmonium
entrance for the chief minister and the minister
should have a presence.’– Charles Correa way. The tradition and mythological
attending cabinet meeting. There are 3 main
beliefs of the country is conceived in the
entrance, experience the complex internal spaces of
design in the form of Navgraha mandal,
the building while moving along verandahs
the Hindu pattern of nine squares within
overlooking courtyards and gardens as in the
a square which describes the universe
and nine planets (some of them mythic). traditional architecture of the India.
Each compartment of square is Because of its siting on the crest of a hill in the
dedicated to one god. The basic concept centre of Bhopal, Vidhan Bhavan commands
lies in the depiction of whole M.P. state magnificent views of the city all around. Truly it is a
within one building which is highest celebration of the state of Madhya Pradesh, of its
political representation of M.P. hence culture and its people – a vendible palace of
represents by Navgraha mandal. democracy.
 STUDY TOUR REPORT- MADHYA PRADESH
CONCEPT
The design of the institute was inspired by the perception of continuity. It attempts
to create a sense of community without contradicting the student’s need to feel
independent.

DESIGN PHILOSOPHY
The design of Indian Institute of
Forest Management (IIFM), Bhopal PLAN
The Indian Institute of Forest Management (IIFM) is inspired by the belief that
The plan of the academic area focuses on the faculty and
at Bhopal has been built on a 65-hectare hilly site. Institutions are self-contained
research offices that form the crucial inner core located
The hilly site is crowned by the academic complex entities, whose growth is nurtured
equidistant from the administrative offices on one side and the
and is marked by cohesive group of buildings. by a process of self-renewal
teaching areas on the other side. In place of a continuous narrow
The area flows along flat contours, providing a through the various stages of their
corridor, individual set back lobbies serve as stop-off meeting
linear form capable of extensions along the side development.
places, opening towards courts.
of a promenade. Water is carried in narrow
channels to the green areas. A water reservoir on
top of one of the hillocks gives a sharp focus to
the landscape.

MATERIALS
The entire campus is constructed of brick masonry for walls. Reinforced concrete
is used for the internal frame structure. Lintels are standardized and are left with
exposed concrete surfaces. The areas around the opening are clad in rough Kota
stone and slate bluish-green to purple hues. The remaining part of exterior
masonry wall surfaces is plastered with stone-washed grit. Coarse stone-masonry
retaining walls are used for creating terraces and steps on various levels in the
courts.
 STUDY TOUR REPORT- MADHYA PRADESH
ARCHITECT : Charles Correa
Location : Bhopal , India ARCHITECTURE
Client : State Government of Madhya Pradesh
Type : Autonomous Multi-Arts Complex and Museum. ❖ Build into a hillside which slopes down
Site Area : 11148.365 square metres towards a lake, a series of terraces and
Project Year : 1980 - 1982 courtyards comprise the complex.
Total Cost of the Project : 2.5 Crore ‘
❖ The inside of the Bharat Bhavan is a medley of
courtyard , split- level exhibition spaces ,
galleries and performance rooms.
Bharat Bhavan can be divided into following

❖ The visitors enter at the highest level and walk ★ Roopankar : This is the museum of fine art
down a pedestrian spine , flanked by a which has a gallery displaying contemporary
pattern of courtyards, to reach the various folk, tribal and modern art. It has a
parts of the complex. particularly notable section dedicated to
tribal arts which is a must visit for anyone
❖ An outdoors museum , libraries of poetry and
who is looking to explore the indigenous art
music and a museum find a place here as well
, and are designed in such a manner that they form of india.
draw natural light from three conical skylights. ★ Rangmandal : Rangmandal is a creative take
on graphics and ceramics art workshop.
INTRODUCTION ★ Vagarth :This is the centre of indian poetry ,
library , archive and translation centre and
● In the late 1970s,the Government of India Launch an has an exhaustive collection of prominent
initiative to build in every state capital an institution to written works.
celebrate the cultural and creative output of the nation ★ Anhad : Anhad is the library of classical and
.One of them is Bharat Bhavan
folk music , audio and video archives and
(India House).
also organizes dance recitals and classical
● Designed by architect CHARLES CORREA music series like Parampara.
★ Saptak chhavi : This is the centre of classical
● Bharat Bhavan was inaugurated by Indira Gandhi in cinema.
the year of 1982. ★ Nirala Srijanpeeth : This is the creative
writing centre.
● The design establish a modern architectural
style specific to India and distinct from European
Modernism .
 STUDY TOUR REPORT- MADHYA PRADESH
LOCATION – SHYMALA HILLS, BHOPAL, ARCHITECTURAL ANALYSIS –
. MADHYA PRADESH • THE BUILDING OF THE MUSEUM IS ENTIRELY
ARCHITECT – KAMATH STUDIO, DONE BY MODERN CONSTRUCTION .
AR. REVATHI KAMATH • THE USE OF TRADITIONAL MATERIALS AS
SITE AREA – 7 ACRES. FABRICATION IS DONE AFTERWARDS .
• THE FORM RESPONDS TO THE LOCATION
OF THE SITE.
• ALSO THE SPACES BEING PROVIDED AT
LEVELS IN CORRESPONDANCE WITH THE
EXISTING TERRAIN .

SITE PLAN OF TRIBAL MUSEUM

THE MUSEUM OF TRIBAL HERITAGE AT
BHOPAL WAS COMISSIONED BY GOVERNMENT
OF MADHYA PRADESH IN 2004.

THE SITE IS DEVELOPED ON THE CONTOURS SITE ENTRANCE GROUND FLOOR PLAN
OF SHYAMALA HILLS , BHOPAL.

CONCEPT –
THE MUSEUM IS DESIGNED TO CREATE A
BUILT FABRIC WHICH THE TRIBAL
COMMUNITIES COULD IDENTIFY WITH, EXTEND
AND EVOLVE, TO REPRESENT THEMSEVES
AND EXPRESS THEIR OWN IDEAS AND WAY FIRST FLOOR PLAN
OF EASE AND SPONTANEITY. MATERIALS-
• THE STRUCTURE IS BUILT OF STEEL
TUBES AND STEEL ROD FABRICATED
MUSEUM ENTRANCE COURTYARD VIEW INTOINTICATE TRUSSES.
• THE WAK\LLS USE BOTH LOCAL STONE
CLIMATE ANALYSIS – LEFT EXPOSED AND BRICK PLASTERED
• MACRO-CLIMATE : HOT AND DRY WITH CRUSHED STONE ON THE
• AVERAGE TEMPERATURE 25.1 OUTSIDE
DEGREE C. AND MUD PLASTER ON THE INSIDE .
• ANNUAL PRECIPITATION- 1132MM. • THE ROOFS ARE MADE OF HALF ROUND
• MAX AND MIN TEMPERATURE - TILES, GALVALUM SHEETS AND
• 40.8 – 10.7 DEGREE C CONCRETE WITH THE TOPPING OF
• PREVAILING WIND DIRECTION- GRASS AND GROUNDCOVER.
• 12KM/H SOUTH-WEST.