Entrepreneurship #2 Your Music Career Part II
Entrepreneurship #2 Your Music Career Part II
Entrepreneurship #2 Your Music Career Part II
#2
YOUR MUSIC
CAREER II
By Pieter Schoonderwoerd
CONTENT (03.09.21)
Attendance
Assignment Income Circle
Thoughts on Money & Art
Portfolio Career
Your Ikigai
Creating Creative Assets
Questions
INLEIDING
2 Producer
3 Composer/arranger/songwriter (for contemporary dance/theatre/film/pop
artists)
4 Label (ambition)
As a producer people can hire me. I will probably be charging a fixed amount
for my services, depending on how good I am and how big my clients are.
If I work for a label I will be employed and I’ll be making a fixed amount of
money for my hours.
Your Music Career II
GREAT RESOURCE ON LIFE
AS AN ARTIST
CREATE YOUR
PORTFOLIO
CAREER
A MODERN
MUSIC CAREER:
Is divers
Utilises different passions, strengths, skills &
knowledge
Utilises current technologies (to distribute,
promote, fund, sell, connect, ...)
Diversifies risk
Is a Portfolio Career
CAREER
Charles Handy:
"A work portfolio is a way of describing how the
different bits of work in our life fit together to
form a balanced whole.”
YOUR MISSION
What does the world need? Are
YOUR PROFESSION
3 people willing to part with their 4 What can you be paid for? Can you
(eventually) make a good living
resources (money, time, attention)
to buy what you’re selling, doing this work?
because it leaves them better off?
IKIGAI
EXPLAINED
Each Ikigai circle represents an essential part
CREATE CREATIVE
ASSETS
CREATIVE ASSETS
A strategy to grow your (music) career is to keep
building your creative assets. These are:
Intellectual Property: composer/arranger, recording
artist (your knowledge, skills)
THERE IS NO CAREER LADDER FOR
Performing: studio session-musician & live music
ARTISTS
session-musician
PROPERTY (I)
Work freelance for video-game companies, film producers &
directors, marketing content agencies, orchestras and
conductors etc.
DO YOU KNOW PEOPLE THAT ARE ACTIVE Theme gigs (Christmas, New Year, 70’s, Romanticism)
IN THAT SCENE? Support Act (low fee, potential new audience & network)
Showcase gigs (all about the network and potential new
REACH OUT. fans)
Other: Military, Cruiseships, ...
Online gigs (hard to turn into a profit, more centred around
community building, fanbase growth)
Busking on the streets. Your Music Career II
2.BEING A
How do you actually earn money at all these gigs? Six
options:
PERFORMER
1. A performance fee
2. A salary as a member of an orchestra/ensemble
3. A transport costs refund
GIG OVERVIEW
4. Your merchandise sales
5. Tour support (subsidies, record label)
6. Your Performance Rights royalties (send in your setlist).
Are you aware of these six options? And what can you do
to maximize your income from each of these?
THANK YOU!
QUESTIONS?
Pieter Schoonderwoerd