Flyingscalemodels 202201
Flyingscalemodels 202201
Flyingscalemodels 202201
SEE PAGE 6
QUICKER ASSEMBLY…
PFALZ D.XII
QUARTER SCALE 89” WINGSPAN FOR 180 -200 FOUR-STROKE POWER
+PFALZ PFACTORY
WW1 FIGHTER CONSTRUCTION
IN PICTURES & TYPE HISTORY
01
PEANUT-SCALE
9 771368 900066
SUBJECTS FOR SCALE
Formation...
FLYING SCALE MODELS - THE FIRST AND FOREMOST MAGAZINE FOR SCALE MODEL FLYERS
6
5 CONTACT 38 SUBJECTS FOR SCALE
Just for starters CURTISS P-40B TOMAHAWK
Never one of the ‘star’ fighter aircraft of
8 CULVER DART WW2, the P-40 series nevertheless served
American mid-1930s light aircraft. 53” Allied air forces long and well, across all
wingspan for electric power designed by theatres of combat. The early variants
Peter Rake, with the prototype model built were, arguably, the prettiest
and described by Marion Crowder. Part 1
44 P-40B FLYING COLOURS
13 SURVIVING Warpaint for the Tomahawk
FREE FLIGHT SCALE
PART 34: Andrew Hewitt looks at covering 46 CURTISS P-40B IN DETAIL
16 and finishing Close-up study of the restored Tomahawk
now with the Collings Foundation
16 PFALZ D.XII
Gary Sunderland’s challenging quarter- 50 CURTISS TOMAHAWK
scale WWI warbird for 180 to 200-size four- SCALE DRAWING
stroke engines. PART 1 1:50 scale three-views
ON THE One of the deciders that prompted Gary Sunderland to model the Pfalz D.XII in quarter-scale was the
knowledge that the Australian War Memorial Museum at Canberra had a preserved full size example.
But when he started the build of the model he discovered that the aircraft had been taken away of
COVER further restoration work. Never detered, the project went ahead to success
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or dedicated scale modellers, double curve. The answer came back
liability for errors and omissions.
of either flying, or static models, “…I didn’t; just followed the panel line
there is as much interest in full size demarcations of the full size, folded over
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FLYING SCALE MODELS only upon Doolittle Media’s
all, it’s the full size that inspires us. Scale three views all showed constant standard terms of acceptance of advertising,
Knowing as much as possible about the curve outlines top and bottom right back copies of which are available from the
full size prior to the start of a new scale to the tailcone, and all photographs also advertising sales department of
model is valuable information. That’s why inferred constant curves back to the tail. FLYING SCALE MODELS.
FSM pursues our regular ‘Type History’ and However, Gary’s answer to my question
‘Subjects for Scale’ features left me wondering if that was all the EDITORIAL ADVERTISEMENT & CIRCULATION:
Our major construction feature this Albatros Werk did to too -single curvature The Granary, Doolittle Lane, Totternhoe,
month is the late Gary Sunderland’s ply panels rolled over the rear fuselage Beds, LU6 1QX. Tel. 01525 222573
quarter-scale Pfalz D.XII late-WW1 era formers Email: [email protected]
fighter type. The Pfalz series of fighters, All an illusion? I’m still wondering…
including their D.III and Dr.1 triplane that CIRCULATION TRADE ENQUIRIES:
featured superbly streamlined, contoured IN THE MODE Seymour Distribution, 2 East Poultry Avenue,
fuselages, as did the Rolands and the Having mentioned my Albatros D.II, I have London, EC1A 9PT. 020 7429 4000.
much more numerous Albatros scouts D.1 to admit, it’s been hanging aloft in the ‘toy
to D.Va. room’ unflown. NEWSTRADE:
This, in stark contrast to the boxes, flat As a relic of the past, dating back Select Publisher Services, 3 East Avenue,
Bournemouth. BH3 7BW. 01202 586848
fuselage sides of British and French types the days of ‘disturbed free flight’ single
Email: [email protected]
so prevalent of the period. channel flying and then non-proportional
The extent of the woodworking multi-channel ‘reeds’, I’m a member of
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craftsmanship that went into the patented that fast disappearing breed, the Mode 1
The Granary, Doolittle Lane, Totternhoe,
LFG-Roland construction technique, as flyer. Beds, LU6 1QX. Tel. 01525 222573.
applied to the Pfalz fighter types including Since I can’t take in-flight photos of the
the D.XII, is revealed in the ‘Pfalz Pfactory’ model while actually flying it, I need a (c) Copyright Flying Scale Models 2021
pictorial that accompanies the D.XII good Mode 1’er I can trust to do the stick Doolittle Media.
model construction feature in this issue. It’s time, while I handle the camera. So is there
well worth a look. anyone out there within striking distance of The paper used on this title is from
Whilst what’s said above includes a WD3 postcode who might be prepared sustainable forestry
the curved and contoured shapes of to do the honours?
the Albatross types, I have, for some
time wondered about the techniques
appliedby Albatros – more explicitly, how
double-corved the skins of their fuselages
really were.
During the build of my Albatros D.II
(another Gary Sunderland design)
I use the book covering the story of
the Smithsonian’s D.Va restoration as
a reference source, which describes
how Albatros used concrete moulds to
pressure-form the fuselage skins, to double
curvature.
That may be so for the fully rounded
D.Va, but the earlier Alabatrii, D.I-D.II, had
flat fuselage sides, with rounded upper
and lower skins.
During the build of my D.II, I asked
Gary how, since he replicated the top
and bottom skins on his prototype model
in 0.4mm plywood, did he achieve the
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CULVER
DART
PART 1: An electric powered scale model designed by Peter Rake, with the prototype model
built and described by Marion Crowder
▼
MARRION CROWDER changed to a coupe type closed cockpit, they formed the Dart Aircraft Co. (not to
Pretty as a picture, Marion Crowder’s prototype test model looks very effective in its’ nice, bright scheme.
1 2
3 4
1: The only difficult part of the tail surfaces is laminating the outlines. 2: The laminated ply centre rib takes the landing loads and the ply plate provides fixing for
the P-clip retainer. 3: Laminated balsa parts provide the nose shape and the motor mount parts set the thrust lines. 4: Laminated balsa again, along with some ply
parts make up the strong, simple to build cowling.
model and because of how Peter Rake the rudder and the ailerons and the turns
▼
Swooping in for a low pass, the Culver Dart shows off her slightly ‘chunky’ lines. Very pretty though.
t
blocks for the undercarriage mounts dowel out until the very last; it makes and carve some shape into things. As I
and install in front and at the rear of the sanding the leading edge much easier. said before, both main panels are shown
spar. I used 30-minute epoxy for all the Add your part R2A and R2 ribs. These on the plans, so you don’t have to trace
plywood glue joints; it was probably should be vertical when you put them in. or oil any thing. Sure makes it nice for
overkill, but I like things to be strong. The root rib on the outside panel will be building.
Now add the blocks in the back for the leaned when you put the wing together. We’ll have to leave things there until
wing bolts. These are important so don’t Pull the sheeting up to the ribs in front next month, so make sure you don’t
forget them. Use fairly hard wood so and glue it. Now you can pick up the miss the second part of the plan and
that you don’t mash the wing when you centre section and sheet the top. Once construction article for this attractive
tighten the wing bolts later. I left the wing all that is done, add your leading edge model. n
5 6
5: Yes Marion, you do have every right to look pleased with yourself
6: There’s plenty of room below the hatch for all the ‘gubbins’ that has to go in there. Makes battery access simple too.
SURVIVING
FREE FLIGHT
SCALE
PART 4: LOOKS AT COVERING AND FINISHING
HIDING ALL THE MISTAKES career, or hold its trim as well as its shrinking dope, in which some talcum
So you have now completed all the better-made brother. powder has been mixed, and sanded
woodwork on your masterpiece. It does down between coats. On sheeted areas,
not matter if you have made a ‘pigs ear’ SURFACE PREPARATION several coats may be required to give a
of the construction, since scale modelling All surfaces that contact the covering smooth, ply or metal-like finish. You must
is all about the external appearance should be sanded smooth, removing all be constantly aware that weight kills
of your creation and its authenticity. bumps, dings and glue blobs (that should performance … and models - so give it
▼
However, a poorly built model may not move the CG forward!). These surfaces one more careful sanding.
stand up to the rigors of a long flying are now given one or two coats of non-
Even small models can be enhanced with the application of a scale finish. Here Even at this scale size, rib tapes and stitching and lacing should be reproduced.
is a rubber-powered Ryan NYP, showing the ‘turned aluminium’ cowling panels -
so distinctive of this type.
COVERING MATERIALS this, you can water shrink using thin make sure the tapes are where you think
t
Today we have a very wide range of wallpaper paste, which will help reduce they should go. When dry, seal with dope
covering materials from which to choose. the porosity. and sand down to give a subtle finish.
Unfortunately, only the traditional To dope the tissue, I use banana oil or Many early aircraft had their covering
methods give us the structural strength none-shrinking dope, to which has been laced to the fuselage, often forming
we require, combined with low weight, to added a teaspoon of castor oil, which a prominent feature to the particular
withstand the inevitable ‘arrivals. Modern prevents the dope becoming brittle and subject (the SE5a is an example). This is
film-type covering materials are very adds some toughness to the finished very simple to simulate using a sewing
strong and puncture proof, but these do surface. It may take four or five coats of machine set on ‘zig-zag’, or was it ‘zag-
not impart much torsional rigidity to thin dope to fill the tissue to make it airproof, zig’? Now it is a simple matter of cutting
undercambered wings at the small scales sanding between coats to remove all the to length and sticking to the covering
to which we build these models. hairy spiders - I sand using wire wool ... using thinned PVA, easy!
One way around this problem is to carefully!
incorporate composite construction SURFACE PANELS
techniques, as used by the free flight DURABLE FINISH Metal or plywood panels can be
duration flyers, but this is hardly suitable If you want a more durable finish, by far simulated on the fuselage prior to
for beginners. On the models I have seen the best is achieved using light silk on painting, using litho plate, card, paper
covered in lightweight iron-on films, I am top of lightweight tissue. The silk gives or plastic card, suitably embossed with
still waiting to be impressed, the majority an excellent representation of doped details from the back or front. You must
suffering from ‘hot day, slack covering, linen and the two-ply skin gives a very keep references to the full-size aircraft
blues’. tough, light finish. The only problem is to prevent large clangers being made!
the added chore of covering twice. Firstly All panels must be stuck down well and
PUTTING THE CLOTHES ON cover with the tissue, shrink with water the edges sealed, to prevent oil and fuel
By far the simplest covering method I and then apply one coat of non-shrinking seeping in, which would make a terrible
have found, being nearly fool proof and dope. mess of all your handiwork.
giving the beginner a satisfactory finish, To cover with silk, first mix up some
is the age-old heavyweight tissue, and wallpaper paste, iron a panel of silk PAINTING
plenty of dope. I use the plain white smooth, lay the silk on the structure and Applying the scale paint finish causes
heavy tissue, which is very cheap and paint through the silk with the paste, more sleepless nights than flying the
easy to apply. trimming the edges with very sharp darn monster! The problem is that this
To attach the covering to the scissors. This is quite easy to master. is what the judges see. There are no
framework, I use slightly thinned PVA Once dry, the silk is drum tight and ready excuses for the wrong colours, since
wood glue or dope. This tissue will for topcoats of dope, sanding off any there are many books, while magazines
cover compound curves easily if slightly stray hairs as you go. I have also applied are full of colour pictures, paint chips and
dampened prior to application and, being nylon this way and saved a heap of references, etc.
thick and hairy, the tissue can cover all weight, since far less dope is required to There are many different paints we can
manner of ills and make a good finish fill the weave. use - my preference is to hand brush
possible. A light spray of warm water will matt enamels, then fuel proof by spraying
shrink the tissue tight. RIB TAPES on a coat of semi-matt fuel proofer.
When covering undercamber wings, To simulate rib tapes, strips of Matt enamels give a light finish, two
pay particular attention to sticking down heavyweight tissue are applied using brushed coats being sufficient. Apply
the tissue to each rib underside. The thinned PVA wood glue. These should be the light colours first; the white areas in
only problem with heavyweight tissue applied over each rib and around each roundels for example, then apply all the
is its great thirst for dope - to reduce surface edge. Use your documentation to others. I use a brush, because I feel the
potential for error is reduced, if I make a registrations. When satisfied (never!) fill
mistake with a spray gun it can be a real in your markings using a good quality
big clanger. brush - if you are wizard with an airbrush
you can mask and spray ... but I am not)
SURFACE MARKINGS For Roundels, I use ink spring bows
All the markings are carefully drawn loaded with paint to mark out the edge,
on to the model using a soft pencil - the centres are then filled in by hand. The
mistakes can easily rubbed out and colour I have not been able to hand paint
a second attempt made this way. is silver, so out comes the airbrush - silver
Registration letters are very difficult cellulose is far superior to enamel silver in
to accurately reproduce, so just keep appearance and gives a light finish.
trying, comparing your efforts with
your photographic references. (Using THE DIRTY WORK!
photocopier facilities, you can trace With the model all pristine and toy-
PFALZ T
he Pfalz D.XII became
operational late in the 1914-18
war and most historians report
that it was an inferior backstop
to the famous Fokker D.VII. A
rather different view of the new German
scouts was reported by the Bristol
F2B ‘Brisfit’ fighter crews at the time.
(Reference: ‘Pi in the Sky’ by W. F. J.
Harvey).
D.XII
During early encounters they described
the Fokker as rather large, sluggish and
PART 1: slow for a single-seat fighter. In fact,
▼
Gary Sunderland’s challenging quarter-scale WWI
warbird for 180 to 200-size four-stroke engines
1: First stage in construction is to pin down the side fuselage planks and add
the lower formers, then continue planking to complete the lower half shell.
Note that spruce or pine planks are installed, where indicated on the former
drawings, to distribute the load from strut and undercarriage fittings. Balsa
planks are tapered to fit. 2: An inside view of the lower half shell shows
the keel stringer at the rear. The inside nose is glassed with epoxy resin in
the engine bays. 3: Ply root fairing ribs are glued via pine corner blocks.
Temporary balsa props at the trailing edge will be replaced by curved, balsa
laminated, trailing edges. The root fairing is skinned with 1.5mm birch ply to
take the substantial loads from the lower wing and undercarriage. 4: At an
early stage, the tailskid and tailplane are added while there is access to this
area. The tailskid bungee cord passes through the tailplane spar, as on the
original! However, the skid itself is easily removed for maintenance, just by
taking out the pivot shaft.
7 8
5: Here the engine mount beams and tank floor are installed and the balsa nose carved and glassed, with controls being fitted. Note that the root fairing fittings are
attached and the fairing itself is being ply covered. The trailing edge is curved (radiused) in both directions. 6: Controls are being installed and the lower wings trial
fitted. Note that the cockpit interior has been covered with 1mm balsa strips at 45 degrees and varnished. Removing the servos at a later stage will require a few extra
holes being cut. 7: Lower centre section fairing complete. The centre part is removable to permit some access to the radio receiver and servos. 8: Another view shows
nylon tubes in each lower wing that will lead the aileron control wires. The rear part of the fuselage hatch is separate, with only two attach screws, to permit easy
removal for rigging the ailerons. 9: The upper shell construction follows the same method, but with substantially more pine reinforcement at the nose and at the wing
centre section locations. 10: Upper shell planking completed, ready for trial fitting the upper centre section. The fin is also installed temporarily.
they at first thought the Fokker was a the Pfalz D.XII number 2600/18 because my dismay. Fortunately I was able to
▼
new two-seater, until close encounters it was located at the Australian War borrow a computer disc from Paul Butler
revealed there was no gunner in the Memorial in Canberra and I could access containing his own researches into
back! On the other hand, the new Pfalz it there when it came to modelling the 2600/18, plus information from Colin
was treated with respect as it was detail - or so I thought! As it happened, Owers and other historians.
‘very fast’ and dangerous. So much for the Pfalz was removed from display The model took three months to
“history”! at exactly this time for a complete research and draw up, and twelve
Initially I decided to build a model of overhaul and refurbishment, much to months to build, so it is a relatively
▼
9 10
11 12
13 14
15 16
11: The upper centre section trial fit under way. Although reasonable care is necessary, this did not prove at all difficult, and a certain amount of adjustment is
available, if necessary with shims and wire tensioning. 12: Assembly of the upper fuselage complete, with basic wire centre section struts and including diagonal
planking inside the cockpit. 13: The moment of truth! Mating the upper and lower halves of the fuselage will disclose any minor errors in construction. Small pine
clips will help guide the two halves together for a series of dry fits, before final gluing. 14: An underside view clearly shows the access to the radio bay and the
aileron servo rigging behind. Balsa areas were doped and tissue-covered (see text). 15: Her. wings are being re-checked after covering, by sighting along the leading
edge for straightness, and by measurement to the sterm post for squareness. Note that the fabric joins are over ribs on the Pfalz. Small tapes mask the holes for
aileron pulleys against dope and varnish. 16: The fuselage masked and primed ready for final painting with Humbrol enamels for colours and markings, with a final
fuel proofing of the two-part urethane varnish. 17: The first stage in rigging the centre section and inner strut bay starts with carefully levelling the engine mounts
and extending outwards. Strut pairs are soldered in plywood jigs before covering in pine fairings.
complex subject; definitely not explain the process. The following notes comes in two parts and is very much
t
recommended for a first scale model, and the photo caption information are a ‘photo essay’ but, as is often said, a
but something to challenge a dedicated just intended to provide background to picture is worth a thousand words – so
builder. For that reason, I took a lot of the photographic record. saves me a lot of writing – all to good
construction photos, rather than try to Consequently, this construction feature effect!
TAIL SURFACES For the model, I adopted the traditional suggested that the fuselage could be
These follow the usual ‘balsa core’ method of planking top and bottom planked with 2mm to start, and a layer
method, but a possible improvement halves, so that the controls and tail of 1mm applied after assembly of the
might be to fit an aluminium tube edge plane could be installed, as shown in halves, at 90 degrees to the INNER
to the rudder. Otherwise, harden it the photographs. My model was built cockpit planking, of course! Pine or
with cyano. The original tailplane was from 1/8” thick spruce and balsa planks spruce will be required in those areas
plywood-covered, as is the model tail, applied lengthwise, filled and tissue- where metal fittings are located.
and ex-factory aeroplanes had a plain covered, then doped. Despite all efforts, As another alternative, 1/2” wide strips
varnished tailplane. For some reason the it is possible to see the longitudinal of silk could be applied at 45 degrees
Canberra Pfalz had this painted purple planks in some lighting conditions, which over the fuselage, which may have the
on top and light blue under. Service is annoying. same effect.
aeroplanes usually had tailplanes painted Inside the cockpit an area has been That’s it as far as the written
in Staffed colours. Take your pick! planked with 1mm balsa at 45 degrees explanation of the construction is
to the grain, and this strengthens concerned – the photographic series has
WINGS the cockpit and looks realistic. It is its own story to tell. n
The section is extremely slim, not much
more than a half inch thick at quarter- 17
scale model size. This was a good
reason to decide on a true scale aileron
cable drive, which turned out to be highly
effective.
FUSELAGE
The original full-size structure was built
in two halves, left and right, joined at the
vertical centreline. You can find out more
about how this was done in tyhe ‘Pfatz
Factory’ feature elesewhere in this issue.
These were built on wooden moulds from
veneer planks crossed at 45 degrees and
glued with Casein and fabric between
and over.
A
viation history is quite
PFALZ
heavily punctuated by the
preferences and prejudices
of those who flew the aircraft,
ranging from types universally
liked, to those that the crews would rather
not have had to get into. In between
are those, which, to varying degrees,
earned attitudes of ‘likes’ and ‘dislikes’ in
competing measure.
D.XII
In order to get a feel for the bonafides
of such viewpoints today, one can rely
only on published anecdotal reports and
in the case of the very early period of
aviation, there have long since ceased
to be available any of those with the
requisite ‘first hand’ experience.
One such aircraft, of the late WW1
period, is the Pfalz D.XII, one of the last
(but not the final) Scout/Fighter type
Overshadowed by the highly acclaimed Fokker D.VII, this late WW1 developed by the Pfalz Flugzueugwerk.
German fighter nevertheless served quite widely over the Western The Pfalz Flugzeugwerke GmbH at
Speyer in Rhineland-Palatinate, had some
Front during the closing months of the war success during the early years of WW1,
Pfalz factory test pilot Otto Augst prepares for flight with this early production Pfalz D.XII fitted with the
original rectangular fin and rudder. The second aircraft, in the background appears to have the same
fin/rudder shape. Groundcrew, at least the two at the rear appear to be uniformed service personnel.
with their monoplane Scouts E.1 – E.IV, techniques of the time and was carried in January 1918, the Idflieg (Inspektion
(based on pre-WW1 licensed production over to the Pfalz D.III - again under der Fleiertruppen) initiated a design
of Morane Saulnier types) a contemporary license. competition for a new fighter type, the
of the much more famous Fokker series This success enabled Pfalz to greatly contract for which, to be awarded on
but thereafter, Pfalz went over to license expand their workforce and production the basis of test evaluation by the Air
production of other manufacturers’ types, facilities, the organisation being held in Service’s top combat pilots.
until 1917, when their sleek, rounded- high regard for the quality of their work. The winner was Fokker’s V.11 which,
fuselage D.III and D.IIIa entered service Pfalz was indeed a hive of industry, initially, did not impress Manfred von
between June and September that year. German aviation authorities recording, in Richthofen one little bit, but which, by
Their D.III used a plywood monocoque November 1917, that Pfalz had no less dint of a swift cut-and-shunt extension of
fuselage, construction of which the Pfalz than eleven new fighter types either in the rear fuselage plus additional fin area,
factory had gained experienced through development, or at the design stage... finally received the Rittmeister’s approval
previous licensed production of the LFG- all from a development team of 15 – and the production contact, as the
Roland D.1 Scout. In this (and subsequent individuals! Fokker D.VII.
LFG designs), two layers of thin plywood
strips were placed over a mould to form LOSING IT A FACTOR OF (DEE) TWELVE
one half of a fuselage shell. The fuselage By late 1917, the Imperial German Air Pfalz had not participated in that first
halves were then glued together, covered Service (Deutsche Luftstreitkräfte) had lost competition, but early in that year, a new
with a layer of fabric, and doped. (See air superiority over the Western Front to prototype Pfalz fighter was built. This
Pfalz Factory elsewhere in this issue). a new breed of British and French fighter quite closely resembled the final D.XII
This Wickelrumpf (wrapped body) types. Captured intact examples of these type, except for the nose, which, at that
method, a patented invention of the LFG had been evaluated, of which the French prototype stage, retained the shape to
firm, gave the fuselage great strength, SPAD XIII in particular impressed for its the D.III. Two ‘ear’ type radiators were
light weight, and smooth contours speed, especially in a dive. mounted either side of the fuselage just
compared to conventional construction Something new was needed so that above the leading edge of the lower wing
▼
A brand new Pfalz D.XII serial 2660/18 being checked at the factory. Note the early Another view of the same aircraft - the item on the upper wing is a metre rule.
rounded windscreen, which was replaced later to allow better access to the guns.
The Australian War Memorial museum’s Pfalz D.XII. This view well illustrates the lozenge camouflage pattern applied on both upper and lower wing surfaces,
▼
SURVIVING AIRCRAFT
• In the 1920s, two D.XIIs were sold as war surplus to the Crawford Aeroplane & Supply Co. of Venice, California. Though badly deteriorated, the
aircraft briefly appeared as props in the 1930 movie Dawn Patrol. Both were subsequently sold to private collectors and one of these aircraft is now
displayed at the Seattle based Museum of Flight, after it was acquired from the defunct Champlin Fighter Museum, of Mesa, Arizona.
• The second of these is exhibited at the National Air and Space Museum, in Washington D.C. although the colour scheme seams very spurious
• A preserved D.XII aircraft is also displayed at the Air and Space Museum, Le Bourget France.
• Serial 2600/18 was one of several Pfalz D.XIIs awarded to Australia in 1919 under the terms of the Armistice, now fully restored and on dispay at
the Austrlian War Museum, Canberra.
Removed to storage in 2001. After an extensive restoration at the Treloar Technology Centre in Canberra, the aircraft is now on display at the Australian
War Memorial’s ANZAC Hall.
There is no doubt that the D.XII would about practicing on them. 2. When banking the aircraft into a turn,
have been considered a very good Later their pilots got on very well with normal altitude cannot be maintained
aeroplane had it not been compared with them. They flew quite decently and could since the sluggishness of the controls
the superlative D.VII. always keep pace with the Fokkers; in in the turn causes the aircraft to lose
Had the Pfalz D.XII not suffered the fact they dived even faster. But they were 150 metres (490 feet). In combat against
delays caused by the cooling problems, heavy for turns and fighting purposes, two French Breguets, the D.XU lost
it might well have been in service on in which respect they were not to be excessive altitude and when attempting
the Western Front by late May 1918, in compared with the Fokkers. The Fokker to regain combat position in a climbing
which case its impact on the sea-saw was a bloodstock animal that answered turn, the aircraft falls off. If the pilot is
air superiority battle might have been to the slightest movement of the hand successful in correcting his flight attitude
considerable. and could almost guess the rider's will from a climbing turn the aircraft then
The D.XII was used by the following in advance. The Pfalz was a clumsy shakes excessively which can only be
Jastas: 23, 72, 34, 35, 64, 65, 77, 78 and 81. carthorse that went heavy in the reins and corrected by falling off in a slight dive.
obeyed nothing but the most brutal force. 3. The take-off roll is extremely long
THE DENIGRATORS Those who flew the Pfalz did so and landings with the D.XII are very
In the same manner that it’s the bad news because there were no other machines difficult and almost always end with the
that sells daily newspapers, it’s negativity for them. But they always gazed enviously destruction of the machine."
in most situations that tends to stick. at the Fokkers and prayed for the quick However, the ultimate ‘knocker’ to
Typical of complainants to quote would chance of an exchange. quote might be Anthony Fokker who
be leutnant Rudolf Stark, commander of General complaints included a reputedly peddled the notion that Pfalz
Jasta 35, wrote: lengthy take-off run; a tendency to D.XII pilots deliberately crash landed
“No one wanted to fly those Pfalzs ‘float’ during land approach; sudden; their aircraft in the hope of getting a
except under compulsion, and those who sharp stall characteristics and lack of Fokker D.VII replacement!
had to made as much fuss as they could manoeurability.” A man ever with an axe to grind. n
SPECIFICATIONS
LENGTH: 20 FT. 10 IN. (6.35 M)
WINGSPAN: 29 FT 6 IN. (9 M)
HEIGHT: 8 FT. 10 IN. (2.7 M)
POWERPLANT: 1 × MERCEDES D.IIIA 6-CYL
WATER-COOLED IN-LINE PISTON ENGINE,
130 KW (180 HP)
Performance:
MAXIMUM SPEED: 110 MPH (170 KM/H)
ENDURANCE: 2½ HOURS
SERVICE CEILING: 18,500 FT. (5,600 M)
RATE OF CLIMB: 4.09 M/S 805 FT/MIN
(4.09 M/S)
TIME TO ALTITUDE:
1,000 M (3,281 FT) IN 3 MINUTES 24
SECONDS
One of the D.XIIs that ended up in the USA. This one is painted in typical Hollywood-style for the 1930 film 5,000 M (16,404 FT) IN 29 MINUTES 54
‘Dawn Patrol’, one of the static machines of the ‘German Circus’. It was later completely restored by Frank SECONDS
Tallman and still survives and now resides at the …………… Fuselage repairs behind the pilot suggest a
second seat was installed at one time. Armament:
2 × 7.92 MM (0.312 IN) LMG 08/15
MACHINE GUNS
26 FLYING SCALE MODELS - JANUARY 2022
A LITTLE BIT OF HISTORY
PFALZ
PFACTORY!
These images of production work
at the Pfalz works illustrate just
how labour intensive WW1 aircraft
construction was
1: As a first stage of
1 2 fuselage construction,
formers are set into a
jig baseboard. 2: After
applying basic internal
fittings, the plywood
outer skin is added to one
fuselage half-shell.
3: Here woodworking
craftsmen put the
finishing touches to a left-
hand fuselage half-shell.
6 7
29
▼
9 10 11
12 13
14
HOW TO BUILD...
the Tamiya Fairey Swordfish - £11.95 +p&p
A full colour, high quality guide describing in great detail
the building, detailing and painting of Tamiya’s stunning
1:48 Fairey Swordfish. Inside you’ll find over fifty pages
of clear, easy to follow photographs of the model being
constructed plus shots of the real thing. TMMI’s Geoff
Coughlin has built two complete models, one in grey with
wings extended and a camouflaged machine with wings
folded back for carrier stowage. He has added his special
touch and you’ll love the results!
WINGS
Cut the ribs from lightweight 1/20" or
1/16' sheet balsa. The leading edge
needs hare 3/32" square balsa and the
1/8"xl/16" trailing edge and 1/16" tip
imparting the little fighter with a pieces are from medium sheet. The top
rapid rate of roll. However, it had an and bottom spars should be fairly firm.
ATA
uncooperative tendency to stall out on Build the wing directly over the plan,
the glide, no doubt due to the drag from incorporating 3/4" dihedral under each
the massive and rather blunt frontal tip. Don't forget the 1/16" sheet spar
area of its nine-cylinder Shvetsov radial webbing between R1 and R2. (Do not
engine. worry abou washout at this stage).
The virtually non-existent nose and
short-coupled wing and tailplane FUSELAGE
configuration make it an unlikely choice Cut out F4-F9 from soft 1/32" sheet
for a rubber-powered model. balsa: and F3 from 1/16". Cut the keels
However, on the basis that “yer never from sot 1/32" sheet. Construct the
know until you try”, I decided to give it a fuselage in the traditional way, over the
go and the proof of it all is contained in plan side view. Note that the two lowest
these few pages, so if this little ‘flying rat’ stringers after the wing have been glued
appeals, then clear the building board. in position. Former F1 ant the two F2s~
Mine had a great performance, being can be fairly firm sheet to give nose
capable of remaining airborne at low weight.
speed and low power, making it All the stringers are 1/20"x 1/16",
possible to use a long length of cut from 1/16" sheet balsa. Due to the
rubber motor. consistent curve of the fuselage, the
Bear in mind that you must stringers can be cut from surprisingly
keep all of the structure light wood and still be sufficiently strong.
behind the point of balance
as light as possible. I did this TAIL SURFACES
and found that no extra nose These are constructed directly over the
weight was needed. plan. The 1/16"x1/32" balsa strips that
form the curved outlines should be cut
CONSTRUCTION over length and soaked in warm water.
This is a very easy model to build with all Make a template from balsa or thick card
aspects of construction being relatively the same shape as the inner edge of
conventional. Anyone who has built the curved portions and curve the damp
a few rubber-powered models before wood around them, gluing together with
should have no problems. If you’ve not PVA wood glue and holding with pins.
A real bruiser of an aircrafty, the Polikarpov I-16 was advanced technology in 1933, with cantilever
wing and retracting undercarriage.
Flying shots of Peanut models are very, very difficult so this one, of the With generous frontal area the real Polikarpov was not blessed with a good
Polikarpov climbing away, is truly remarkable - and extremely realistic. glide, but the model performs well.
Construct the remainder of the tail in the rounding the nose as shown. Glue the from SAMS). Spray the model very lightly
normal manner. wing into position and add the lower rear with matt paints to your chosen colour
stringers from the trailing edge back. scheme. Panel lines were applied with
COVERING AND ASSEMBLY Add the scrap balsa wing fillet outlines a Rotring pen and the pilot was carved
Sand smooth and cover the wings and the three 1/32" sheet sub keels. Now from expanded polystyrene. Ensure the
and tail surfaces with tissue. I prefer to glue into position the bond paper wing model balances where shown on the
use Early Bird tissue on small models. fillets. Tissue cover the fuselage, water plan.
When covered, water shrink the tissue shrink and dope.
and pin down the components on a flat Glue into position the tail surfaces. FLYING
surface to prevent warps as the water Add various details as shown on the Obviously, choose a nice calm day for
dries. When you pin the wing down add plan. Cut the windscreen frame from test flying. As these never occur within
scraps of balsa under the trailing edge 1/32" balsa or ply and fold or mould the two weeks of finishing a model I always
tips to get the correct washout. When screen from thin acetate. Make up the end up launching my model indoors
dry remove from the board and apply nose plug, prop and spinner as shown (I into something nice and soft like a sofa,
thinned dope. Sand the fuselage smooth used a cut down Tern propeller available which then bounces them backwards
straight onto the coffee table. Trim the
model to fly in left hand circles. You may
need to add a tab to the left wing and
bend it down to hold the wing up in flight.
For flying outdoors you will need slightly
thicker rubber and probably some right
thrust. Watch out for thermals, though,
as the performance can be stunning. ■
36
AeroDetail series ONL
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Making a scale model? £
Finding the detail needed to finish
a scale model can be difficult and
12 .99
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getting full size images is not always )*
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lightplane, with boxey shape ideal for photographed in fine detail. (105 images) many air arms worldwide and also became
modellers. Complete close-up detail. (62 Supermarine Spitfire MK Vc CD97 a counter-insurgency ground attack aircraft.
images) Shuttleworth Museum’s airworthy example Polikarpov Po-2 CD88 Examples illustrated are from France, where
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In detail, showing several restored examples.
Waco Ymf-5 CD104 Stinson 105 CD95 Polikarpov I-15 CD87 This is the Fantasy of Flight Museum’s
Beautiful and graceful spatted undercarriage Light, private aircraft of the 1940-50s era, with The ultra agile Russian biplane fighter aircraft overpolished example, but the close-up detail
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TOMAHAWK
Never one of the ‘star’ fighter aircraft of WW2, the P-40 series nevertheless served Allied air forces
long and well, across all theatres of combat. The early variants were, arguably, the prettiest
39
▼
W
hatever happened
to Curtiss? How was
it that an aircraft
manufacturer which,
when USA entered WW2
in December 1941, was THE major U.S.
manufacturer of fighter aircraft, totally
dominating the field. Yet, a decade later,
Curtiss Aviation was gone, bankrupted.
Its assets were acquired by North
American Aviation, a company that,
at the time of USA’s entry into WW2,
was basically a manufacturer of trainer
aircraft, but which had just rolled out the
prototype of a fighter type that was to
become the P-51 Mustang.
SOLID BACKGROUND
The Curtiss P-40 was a logical follow-
ABOBE &BELOW:: Two views of The Fighter Collection’s restored P-40B seen on the ramp during it’s first
on from Curtiss’ radial engined P-36,
public showing at the Flying Legends Air Show, Duxford in 2007, finished as it would have looked on
December 7th 1941.The view, from the rear, of the P-40B provides a good impression of its finished in late
designed to a specification issued in
1941 U.S.A.A.F style markings. Whilst the P-40B has long since been transferred back to USA, the Curtiss 1934, and which received a production
Hawk 75 remains, together with a Curtiss P-36A. order in mid-1937. The lead to the P-40
was the in-line liquid-cooled engine,
then under development by the Allison
Company and during 1937 one of the
earliest P-36s was modified to take that
new powerplant.
This hybrid airframe became the
XP-40, which first flew in October that
same year. The new prototype offered
a maximum speed of 342 mph, a bit
quicker than the early Hawker Hurricane,
but slower than either the Spitfire or early
Messerschmitt Bf 109.
One of the handicaps of U.S. military
aviation of that era was that there was
no independent, autonomous Air Force.
It was all split up between the Army,
Navy and Marines and so fighter aircraft
specifications of the period reflected
the demands of these three individual
The direct lineage from radial engine Curtiss P-36 to Allison inline engine P-40B is well illustrated in this
double line-up in July 2007, when The Fighter Collection, at Duxford had both on charge although the Pratt &
services and in the case of the U.S. Army
Whitney radial engined aircraft is actually one of the Hawk 75 export variants build for, and operated by the Air Corps, the tendency was to think in
French Armee de l’Aire. terms of relatively low altitude combat
– a requirement embodied in the basic
PRODUCTION READY
The difference between the P-40 and the
others just mentioned, was that it was
simpler, was a development follow-on
from an existing type and Curtiss had
the capacity to produced it in numbers.
Thus, while the Air Corps issued
requirements for 13 each of the YP-
38, YP-39 and YP-43 as development In an era when even water-boiling kettles featured ‘streamlining’ styles, the emphasis in aircraft was
aircraft, Curtiss received an immediate distinctly that, as the tightly cowled engine of the prototype XP-40 in its original form clearly shows. Note
order for 524 P-40s. As things turned the belly radiator scoop position, below the wing trailing edge, not unlike the position later adopted for the
out, it’s just as well they did! P-51 Mustang.
Given the close relationship between
the radial engined P-36 and the P-40,
Curtiss were able to get on with
production of the P-40 immediately,
making the first deliveries in May 1940,
with 200 being on Air Corps inventory by
September that year.
However, during a period when eight-
gun Hurricanes and Spitfires were mixing
it with cannon armed Messerschmitt Bf
109Es at altitudes up to 30,000 ft and
even higher, the U.S. Army Air Corps had
a fighter with only four guns, best suited
to air combat at altitudes of 12-15,000 ft.
and without the benefit of armour plating,
bullet-proof windscreens and self-sealing Initially, the speed achieved by the prototype XP-40 proved disappointing. In a drive for an improvement ,
fuel tanks. Curtiss engineers initiated a series of modifications progressively moving the underwing radiator forward,
but without substantial improvement. Finally, wind tunnel tests conducted at NACA resulted in a revision
IN DEMAND that placed the air intake in the lower nose section, immediately behind the spinner. Exhaust stacks and
▼
A LONG LINE OF DEVELOPMENT P-40, an ‘N’, rolled off the production handling. Yet the P-40 was, “…a second
The P-40A, B and C, were just the line in November 1944, some 15,000 of best choice …”, as one official U.S.
beginning of a long line of development all variants had been built – the very last military procurement report during WW2
variants of the basic type, attempting to being the one-off, bubble canopy P-40Q. expressed it. Nonetheless, there is no
keep pace with the fast-moving thrust of Many who flew and fought in the denying the solid job it did in so many
fighter aircraft development during the type were very complimentary about theatres of combat around the world. ■
following years of WW2. When the last the aircraft’s general performance and
An early R.A.F. Tomahawk IIa showing the camouflage pattern of the period. A P-40 of the USAAC 55th Pursuit Squadron, 20th Pursuit Group in pre-
The early P-40 variants were well under-gunned by European combat theatre December 1941 colour scheme, prior to the transformation of the Service into the
standards, the IIa carrying two machine guns mounded above the engine and a U.S. Army Air Force (USAAF) in July that year.
father two, one in each wing.
SCALE 1:50
FLYING COLOURS CURTISS P-40B TOMAHAWK IIA
The Pusher configuration of early WW1 scout (fighter) aircraft of which the FE8 and the DH 2 were cumbersome early
examples of forward firing a machine gun, without destroying the propeller in the process. Quaint though the layout thus
produced may have been, it does make a scale modeling subject with ‘presence’. This …… wingspan indoor scale
example designed by JOHN WATTERS for Co2 power, would also be suitable for electric drive
Curtiss P-40B
TOMAHAWK
Close-up study of the aircraft previously operated by The Figher Collection, Duxford and now
at the Collings Foundation museum, Massachusetts.
1 2 3
4 5
1: The wing-to-fuselage fairing is a prominent feature; note the up-curl at the trailing edge. 2: Wing fairing close-up at trailing edge. Note the blunt, rounded
edge. 3, 4 & 5: The cockpit canopy showing the frames and the sliding-hood guide rail. 6: Detail of the propeller spinner and panel lines. 7: Tailcone,
revealing the trim tabs on rudder and elevator. 8: View under the tailplane, also showing the full-length hinge line to the retracting tailwheel door. 9: Engine
cowl and nose, showing the shark-like air intake, panel line detail, exhaust stack and fairing at wing leading edge. 10: Rear three-quarter view of the nose
section, again showing panel lining. 11: Carburettor air intake atop the engine cowl, flanked by machine gun fairing. 12: Front fuselage underside, showing
the intake and the radiator exit gills that are a prominent feature. 13: View from the rear of the radiator cowling, showing the adjustable air exit gills.
14: Head-on view of that big, distinctive radiator air intake. 15: A further view of those distinctive variable air-exit gills. 16: Further view of the front half of
the fuselage, showing panel lines. 17: Tailcone, showing the rudder/fin hinge line. Also reveals rivet line detail. Note that the rudder is fabric covered.
18: Detail of the top of the fin/rudder. 19: Close-up of the elevator and rudder trim tabs. 20: View under the rear fuselage, showing the rudder hinge line.
6 7 8
11
12 13 16
14 15
18
17
19
20
▼
IN DETAIL
t
21 22
25 23
24
30 31 32
36 37 38
39 40 41
33: Close-up of the elevator trim tab, upper surface. Undersurface similar. 34: Detail of elevator and mass balance. 35: View down the rear fuselage reveals
the tailwheel unit and the angles at which the tailwheel doors are set, when the tailwheel is down. 36: Rear fuselage panel lines and hinged tailwheel fairing
door. 37: Tailwheel unit close-up, showing the lift-links between the leg and the fairing doors. Note the canvass cover screen. 38: Pitot head, left wing tip.
39: Wing underside, showing the flap and aileron hinge lines. 40: Main undercarriage mechanism fairing, showing the door lift links. 41: Wing guns.
42: Main undercarriage wheel well, viewed from rear. 43: Aileron detail, showing fixed trim tab. 44: The wing/fuselage fairing at the leading edge.
45: Wing tip detail. Note Nav. light. 46: Wing guns, left side.
42 43 44
45 46
WING CRADLE
HERE’S A LITTLE IDEA THAT SOME OF YOU WHO ARE HEAVILY INTO EARLY AVIATION AND BIPLANE SCALE
MODELS MIGHT LIKE CONSIDER FOR TRANSPORT AND AS SPORTCUT AID TO ASSEMBLY AT THE FLYING FIELD
finger fumbling!
T
he subject, in my case was my
long running (and seemingly Something that would group the wing
never-ending) project for a panels together in partially assembled
quarter-scale Albatross D.II, state, also suitable for storage and
based on Gary Sunderland’s transport, seemed the answer.
plans in the FSM Plans Service. I tried So here it is in glorious pictorial! The
to make this model as near to true scale idea holds the upper and lower wing
as possible, including the rigging and panels (left and right), as rigged sub
‘struttery’. To do that, I had to reproduce assemblies. The Interplane struts do 2
(as near as I could) the anchor brackets their job as they do when the model is
for the wing interplane struts that also fully assembled and the two-part (front
anchor the bracing wires. and rear) cradle for each of the left and
When one looks at the sketches right wing sub assemblies slots over the
(Fig.1 & Fig 1A) of the brackets for the leading edges and the trailing edges,
full size machine, one realises that it is to be held in place with bolts/butterfly
was cleverly thought out arrangement nuts. Each is a simple band-sawn panel
that would ease and speed up the work braced with hardwood strip, furnished
of the ground-crew riggers who would with foam faced ‘shoes’ that slot over the
have had the job, back in 1916-1918, wing leading and trailing edges.
to keep the aircraft fettled for flight. On my model, the bracing wires are
However, when reduced to quarter- cosmetic rather than functional, the flying
scale, it’s a trickier proposition; loads being taken by the wing panel
the turnbuckles (from Proctor joiners that are ‘flattie’ Graupner blade- 3
Enterprises - pricey but in-box, steel-and-brass components.
very good) as are the 12 or The only bracing wires that need to be
14BA bolts that secure the undone are the two (one each side) that
turnbuckles and the interplane run from the top rear outer strut positions
struts to the anchor brackets. to the fuselage nose. Everything else
As the whole project stays in place and slides outwards as a
ground forward to the point unit, off the wing joiners.
of doing the rigging, it became When removed from the fuselage,
clear that at-the-field assembly here’s a certain amount of ‘sway’ on
of the airframe with four fully each sub assembly, but basically, it all 4
disassembled wing panels would be hangs together. Try it - adapt it to your
a time consuming fag, particularly in own needs. ■
cold weather – always a good receipe for
1: The components of
5 the ply support jigs
band-sawn to shape
and with the strip
wood fore & aft joiners
glued on. 2: One of the 6
support jigs, now with
the support shoes in
place. Note the foam
cushions. 3 & 4: Close-
ups of the support
shoes showing the foam
inserts that protect the
fabric covering when
slotted over the wing
leading and trailing 7
edges.
5: Here the left hand
wing sub-assembly
is being slid off the
Graupner wing joiner
‘blades’. 6: Detail of the
support jibs, slotted
over the wing panel
leading and trailing
edges. 7: One complete
wing ‘half’ supported
by the jig and the
interplane struts. All the
wire rigging remains in
place.
HANRIOT H.D.1
One of the lesser known allied fighters of WW1, but one that has strong appeal for modellers due to
its pleasing appearance and uncomplicated shape
A
lthough one of the lesser- before then, founder Frenchman Rene and by 1912, Hanroit had established a
known pioneer producers Hanriot was a celebrated racer of factory at Reims together with a flying
of aeroplanes, the Hanriot Darracq cars and designed his first school - remember, most customers
organisation can be traced aircraft as early as 1907. Others followed, were well-healed individuals attracted to
back to 1910. But even notable for super-slender fuselages aviation, but who needed to be shown
This is the Hanriot H.D.1 on display in the Graham White Factory annex at the RAF Museum Hendon. It is known to have seen service with the 1e Escrille
de Chasse of the Belgian Aviation Militaire from 1917 during WW1. At one time, just prior to WW2, it was briefly owned by Richard Shuttleworth of the
Shuttleworth Collection, before the wrecked remains were restored in USA. The (then) owner eventually donated it to the Hendon museum. (See full story on
side panel overleaf.
One of the Swiss Hanroit H.D.1s during its military This is the H.D.1 that French ace Charles Nungesser took to USA for a Barnstoring tour in 1924. It was
service days, post 1921. afterwards used in the Hollywood aviation movie ‘Hell’s Angels’ and eventually, post WW2, wound up wirth
Ed Maloney’s Museum of Flight in California.
A PRESERVATION
SAGA
Most really early aircraft survivors have
a fascinating tale to tell - perhaps not at
all surprising in view of their longevity
and FSM is indebted to Kevin Panter of the
Shuttleworth Collection for the following Hanroit H.D.1 at the Italian Air Force Museum, Vigna The Hanroit H.D.1 presently on show in the Air
story, and also to Andy Sephton who made di Valle, Rome. Museum at Dubendorf, Switzerland.
the enquiries.
t
Hanriot H.D-1s of an Italian fighter squadron. The markings on the white stripe of the rudder, on the aircraft
in the foreground may indicate that is is a Hanriot factory built aircraft.
Museum definitely have one on show and Italian Hanriots were uncamouflaged,
illustrated on their excellent web site, while the finish being a creamy shade of clear-
there is also one at the Museo del Volo, in doped linen fabric; metal panels and
One of the 12 Hanriot H.D.1s that entered milItary
Turin, Italy . cowling were usually polished. Green,
service with Switzerland from 1921.
white and red roundels were carried on
COLOUR SCHEMES the wing tips and fuselage sides; the
Belgian aircraft were camouflaged on the rudder was divided (vertically) into equal-
top and vertical surfaces (Including the width red, white and green divisions, with
engine cowl and metal access panels in red foremost.
large ‘shadow shading’ patches of dark U.S.A examples has battleship grey
green and khaki, with cream or very pale fuselages, aluminum wings and tail. Red
blue undersurfaces. (outer)/blue (inner)/white (centre) roundels
Roundels of near to full chord in red, were applied to the wings only, placed
yellow and black were applied to wing upper inboard of the ailerons. Rudder stripes
surfaces, while none were applied to the of equal width were applied with red
fuselage; the rudder was equally divided, foremost, then the white and blue. A Belgian fighter ‘ace’ Willy Coppens, was a leading
vertically, in red, yellow and black portions large serial was carried on the fuselage exponent of the Hanriot H.D.1, seen here seated in
with the red next to the rudder post. sides. ■ one of the examples he flew.
The Hanriot H.D.2 was a late WW1 revision of the H.D.1, some of which were Units of the U.S. Expenditionary Forces that operated in Europe during WW1
modified to operate off water. Some were acquired by U.S. Air Service and U.S. were were entirely equipped with European aircraft types, many of which ware
Navy units in France. This one was operated by the U.S.Navy at Dunkerque in taken back home following hostilities and used in all sorts of experments. This
1918. H.D.2 was used by the U.S. Navy to test floatation gear.
The Pusher configuration of early WW1 scout (fighter) aircraft of which the FE8 and the DH 2 were cumbersome early
examples of forward firing a machine gun, without destroying the propeller in the process. Quaint though the layout thus
produced may have been, it does make a scale modeling subject with ‘presence’. This …… wingspan indoor scale
example designed by JOHN WATTERS for Co2 power, would also be suitable for electric drive
HANRIOT
H.D.1
A close-up study of the Hanriot H.D.1 on display in the R.A.F Museum,
Hendon’s Graham White Hangar annex.
With much thanks for their kind co-operation.
1: View of the lower engine cowl showing the shape of the air intake holes. 2: Detail of the propeller boss. 3: This view reveals the ‘lip’ at the rear edge of the
engine cowl. Opposite side similar. 4: The slightly ‘scimitar’ shape of the propeller. 5: Interplane struts and rigging.
6
7
11
10
6: Wing upper surface, showing the aileron control horn, with brace wire to the trailing edge and
control wire forward. 7: Upper wing underside showing the aileron control wire. 8: Aileron control cable
exits upwards from lower wing access panel. 9 & 10: Two views showing the metal braced cockpit
windshield. 11: Another view of the cockpit area.
▼
14
IN DETAIL
t
12
15
16
13
21
22
19 20
23
26 27
28
21 & 22: Two views showing one of the pressed metal ‘shoes’ that seat and locate the interplane
strut. 23: Lower anchor points for the outer wing interplane struts, also showing the bracing wires
and turnbuckles. 24: Outside face of main undercarriage heel. 25: Bungee cord ‘shock absorber’,
bound around the undercarriage axle. 26: Anchor points for the main undercarriage struts.
27: Inside face of the undercarriage mainwheel, also showing the bungee card shock absorber.
28: Configuration of the complete main undercarriage.
29 30 31
32 33 34
35 36
29: The complete tailcone. Note the space between the fin and tailplane. 30: Bracing wire anchor point on the tailplane upper surface. 31: Rudder, showing
the bracing wire from the control horn to the rudder trailing edge. 32: Rudder control horn close-up. 33: Tailplane underside bracing strut. 34: Tailplane
underside bracing wire. 35: Detail of one of the interplane strut locating ‘shoes’. 36: Same view, showing the access panel in the upper wing lower surface.
37: Detail of the instrument venturi (upper left outer wing) close to the leading edge. 38: Another view of the control wire run to the upper wing aileron.
39: Lower wing/ fuselage. 40: Another view showing the centre-line cap between the upper wing panels
37 40
32 32
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