THOSE EYES –

NEW WEST

PLANNING
BOOKLET
 CONTENTS
Page 1 – Title Page
Page 2 – Contents
Page 3-5 – Proposal
Page 6 -7 – Shooting script
Page 8 - 11– Storyboards
Page 12 – Equipment list
Page 13 – Crew List
Page 14 – Props list
Page 15 - 17– Location Recces
End
 PROPOSAL
CONCEPT

Those Eyes by New West is about the beginning of a new relationship between 2
people in the middle of what is called the ‘honeymoon’ phase.

For my own music video, I will take this idea but adapt it to a long relationship where
2 people have been together for a long time but eventually fall out of love. I will
show the parallel sides of both people and how this affects them.

The guy in this situation will be missing his other half as the girl would have moved
on with someone else. There will be different emotions throughout this production.

It will include old memories of when the couple were together and the main object to
connect their relationship is a picture frame of them. Once it smashes, the
relationship does too. When it was put up on the wall brand new, their relationship
was just starting.

WHY ARE YOU PRODUCING THIS PRODUCTION?

I am producing this production for entertainment purposes and relatable

heartbreak/ young love. It will be showing how both people in the relationship
deal with the struggles and how they both feel using the parallel sides. I want
to entertain people and also educate them on how other people feel in a
relationship. There are always 2 sides to a story.
As the music video goes on, I will include clips out of sync so it fits within the
non-linear narrative. This will make the audience focus more on the storyline
rather than the song behind it.

DEADLINES

Planning deadline – 25th November 2022

Final deadline – 16th December 2022
TARGET AUDIENCE

My target audience is 18+ Niche because the song I am using isn’t heard of a
lot and my storyline will only be relatable for young adults and people who
have experienced these types of relationships. The suited audience will fit
within a young teenage/adult love and the problems/situations that happen
between them. I will make my production appeal to my target audience by
using actors aged 18 so the intended audience can relate to the situations that
will occur in the production. Hopefully they will relate or see themselves as
the characters they are portraying.

WHAT MY AUDIENCE WANTS TO SEE IN MY PRODUCTION

I did surveys and focus groups to gather information on what my target audience
wants to see in my production. In the focus group, I asked 4 people who are 18 to
help me develop my idea.
They want to see more realistic aspects and scenes that will fit within the 18+
niche well.
They want to see a simple narrative so it is easier to understand and they won’t
have to focus into the storyline that much.

Using creative editing will keep the audience interested and the way it is
produced in a way that is easy to relate to. I should match the shots to the beat
of the music to make the production look cool and in detail.

WHAT ARE YOU CREATING BASED ON THE RESEARCH

Based on my target audience research, I will be creating a non-linear narrative because I

will be able to tell a longer and more complex story. My survey response said that it
would be cool to see the difference between the couple being broken up versus when
they were together and in love.
Using a non-linear narrative will
make my music video seem more
interesting and more thought out.
WHERE THE PRODUCTION WILL BE AIRED?

I will air my production onto YouTube because this is the best way to reach my target
audience. On my survey, I asked my target audience what platforms they will normally
watch music videos on. 75% of them said they would watch music videos on YouTube
which backs up my plan more as the suited audience would have access to YouTube. A
few people said Instagram and TikTok so I can use these platforms as a backup option if
my production gets taken down due to copyright. I can use other social platforms to
promote my music video by using a small clip of the music video as a teaser for more of
my target audience to see it.
 SHOOTING SCRIPT
DESCRIPTION OF VISUALS LYRICS

Starts with the couple putting up a photo of When we're out in a crowd
themselves on their home wall. Laughing loud and nobody knows why
Showing close ups of them looking at each
other.

The couple is inside a pub laughing at the When we're lost at a club, getting drunk
bar together.
She smiles at him And you give me that smile

Close up of them holding hands and walking Going home in the back of a car
along the road
She lays on his shoulder in the back of a car And you hand touches mine

Showing the journey home and the couple When we're done making love
falling asleep on each other And you look up and give me those eyes

Fades to old memories filmed on a Cause all of the small things that you do
camcorder of the couple in a field or house. Are what remind me why I fell for you
Showing clips of the couple on film when And when we're apart, and I'm missing you
they go out together and have dinner dates. I close my eyes and all I see is you
All memory-based visuals. And the small things you do

Emotions switch.

Couple walk into the house and are arguing. When you call me at night
Stood in the kitchen arguing While you're out getting high with your
The guy gets mad and shows the girl to the friends
door. The girl slams the door and the photo
frame they put up smashes into pieces on Every "hi", every "bye", every "I love you"
the floor. The guy storms off and sits on the you've ever said
kitchen island with head in hands.

Shows the memories again to when the

couple were happy and content. Cause all of the small things that you do
Are what remind me why I fell for you
And when we're apart, and I'm missing you

The guy is still upset, showing a close up of

his eyes as they blink, it will switch to the I close my eyes and all I see is you
girl’s eyes of her being out with her friends
(Parallel sides) And the small things you do
 Shots of the guy cleaning up the smashed
photo frame and it switches to the brand When we're done making love
new one they put up at the start of their And you look up and give me those eyes
relationship.

Long shot of the guy leaving his house and

going out. Cause all of the small things that you do
Same shot going on with the girl already out Are what remind me why I fell for you
of her house And when we're apart, and I'm missing you
I close my eyes and all I see is you
And all I see is you

They see each other outside the pub

Close ups of their eyes and smile to each And the small things you do
other.
Showing faded memories of the couple
when they were happy together. All the small things you do
STORYBOARDS
 EQUIPMENT LIST

EQUIPMENT QUANTITY
CAMERA X1

TRIPOD X1

SD CARD X1

CREW LIST

PERSON ROLE
IZZY CARVALHO BELLA
FRED PARR MAX

CIARA RIDGE BELLA (BACKUP)

RILEY MAUGHAN MAX (BACKUP)

GABRIELE PALIULYTE 2ND CAMERA WOMAN

ALICE CARVALHO EXTRA

 ITEM DESCRIPTION WHO USES WHEN IS IT
IT? USED?
IPHONE Both of the Bella and Max Middle of
characters will be production when
using phones to Bella calls Max
call each other. when she’s out
PHOTO FRAME The couple Bella and Max Put on the wall in
putting up a the beginning,
photo of falls off the wall
themselves and it and smashes
smashes towards during the
the end breakup
GLASSES The couple sit in Bella and Max Beginning of
a pub with drinks production while
sitting down for
drinks

PROP LIST
Insert photo of location (do not draw) Type of room/area:
Inside a pub
Location Address:
120 Oxford Rd, High
Location Recce Wycombe
Please produce a location recce for EVERY location used Sat Nav details (Post code):
HP11 2DN
Nearest Train Station:
High Wycombe train station
Nearest Bus stop:
High Wycombe bus station

Site contact name and contact Availability

Chiltern Taps - 01494 917080 Available at
Friday 10am–2am
Saturday 10am–2am
Sunday 10am–11pm
Monday 10am–11pm
Tuesday 10am–11pm
Wednesday 10am–12am
Thursday 10am–11pm
Permissions

Need to get permission from pub owner / workers

Suitability / shots for production (scene numbers)

Filming the happy scenes of the relationship and the ‘vintage’ shots
Playing Pool, sat at a bar
Lighting Information: Solutions:
If lighting is bad, I can bring lighting
Big windows upstairs so lots of natural equipment
lighting

Sound Information: Solutions:

Use microphone equipment / sound
Sounds of the bar and other people but
won’t be needing dialogue

Power Information Solutions:

N/A
Electricity available

Hazards Solutions:

Stairs, chairs and tables, other people Be careful when filming and changing the
shots
Insert photo of location

Type of room/area: Outside Bar

Location Address:
19 Dedmere Road, Marlow Sat Nav details (Post code): SL7 1PE

Nearest Train Station: Marlow Train Station

Nearest Bus stop: Foxes Piece bus stop

Site contact name and contact Freddie Parr – 07802 556382

Availability
Available on Monday and Wednesday

Permissions
Need permission from Freddie and parents

Suitability / shots for production (scene numbers)

I will be filming the bar scenes in his outside bar.

I will be filming the kitchen arguments scenes in his house. I will be filming some single shots of the
guy in his office.
Lighting Information: Solutions:
Should be pretty bright but depends on the weather that day Use lighting equipment if needed
Sound Information: Solutions:
Sounds from cars outside or wind Use microphone equipment or sound
Power Information
Electricity available and power sockets to charge camera if Solutions: N/A
needed
Hazards: Solutions:
Furniture and rainy weather. Filming outside it may be wet Use umbrella or check the weather
and effect the camera abilities before going out.