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Choro Suite

This document is the score for "Choro Suite" composed by Paulo Porto Alegre for flute and guitar. It contains the musical notation and instructions for five movements of a chorinho suite. The score provides the melodic lines and accompaniment parts for flute and guitar along with performance directions such as tempo, dynamics, and techniques.

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Bruno Miranda
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© © All Rights Reserved
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100% found this document useful (1 vote)
144 views15 pages

Choro Suite

This document is the score for "Choro Suite" composed by Paulo Porto Alegre for flute and guitar. It contains the musical notation and instructions for five movements of a chorinho suite. The score provides the melodic lines and accompaniment parts for flute and guitar along with performance directions such as tempo, dynamics, and techniques.

Uploaded by

Bruno Miranda
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Choro Suite

Para Flauta e Violão

Paulo Porto Alegre


Choro Suite 1

a José Ananias e Edelton Gloeden

Introdução
Paulo Porto Alegre

        
7
     

Flauta    

    
p accel. cresc.
livre

  

  
     
       
 
 
 3
   
  
mf cresc.


frull.

        
     
frull.


6



  

 
rall. accel. ff f mf
cresc. molto rit


Lento
9
   
          
p decresc. pp a tempo

      
   
11

Flauta       
poco a poco accel. rall

Violão      
             
    
 
 
    
Lento

                  
 
14

  

   


        


 




  
2


18

      
       

  
       
    
 rall. accel.
cadência livre

 
 
        
19 6 6 Poco meno

    
 
 
Violão
  mf
cresc.
cresc. molto ff


       
         
21

          
 
 
                    

rall. accel.
rall

3 3
accel. 3
6


6

  
Poco più


6 6
   
23 6

 
6

 3
6
    
   agitado 
 poco 
ff
rall.

Meno mosso
  
25
      H12  
  H7

       Ataca
    4 Xaxado
Xaxado - Choro
3
(Flauta) Paulo Porto Alegre

 
             
       
            
      
 
 

                  
          
6

     
 
                   


11
                  
       


 
                   solo
    
16 1. 2.

    

ppp

     
             
 
       
22

    
28
    
                        

ppp

 
  
33 1. 2.

                 
    
41
    
                               
   
   

         

46
              

     
            

                                   
51
         
  

               
     
   
56

  
frull.
Valsa - Choro
4
(Flauta) Paulo Porto Alegre

     
                    
     
      
                
6

    

                
             
12


     
             
18

        

               1.     
25

        

 2.          


33
     
    

                 
 
41

 

      

50

     
 
       
      
59

         
         
65

    

                   
     
86

   

 
92
       
       
Tocata - Choro
5
(Flauta) Paulo Porto Alegre

                       


        


                         
5

    

                      


      
9

 

                         


13

   
      

17
                        
       

               
21 

               

 1.            
              
25 2.

      

      
                 
29

    
  
                     
33

 

    
37
               
     Da Capo a
e segue
  
       
          
         
40


Choro Suite 1

a José Ananias e Edelton Gloeden

Introdução
Paulo Porto Alegre

        
7
     

Flauta    

    
p accel. cresc.
livre

  

  
     
       
 
 
 3
   
  
mf cresc.


frull.

        
     
frull.


6



  

 
rall. accel. ff f mf
cresc. molto rit


Lento
9
   
          
p decresc. pp a tempo

      
   
11

Flauta       
poco a poco accel. rall

Violão      
             
    
 
 
    
Lento

                  
 
14

  

   


        


 




  
2


18

      
       

  
       
    
 rall. accel.
cadência livre

 
 
        
19 6 6 Poco meno

    
 
 
Violão
  mf
cresc.
cresc. molto ff


       
         
21

          
 
 
                    

rall. accel.
rall

3 3
accel. 3
6


6

  
Poco più


6 6
   
23 6

 
6

 3
6
    
   agitado 
 poco 
ff
rall.

Meno mosso
  
25
      H12  
  H7

       Ataca
    4 Xaxado
Xaxado - Choro 3
(Violão) Paulo Porto Alegre

    
        
               
            
      

 
      
5

                


      
   


9

                          
         


    
12
    
    
 
          
   
    

        0
1. 2. 0

     
16 2 1 2 4 solo

       
   
      
  


 


  
19

                
3 0

 
4

           
         
 
22
 3 4 1    

                      
 
   

2

  
          1 2 2 3
3 0 1
25

   
1 2

    0     
 
 1


4 4 2

    
1 3 4 1 4

  
28 2
solo
      
3

           
4 4

         
1 1 2
   
31
 
1.
      
4

     
    
 
  
 solo
         
34 2.

         


       

 
38

       
                 

solo
     
42

        
4

             
    

         H 12  0             
46


       
       4 2    

  

       
50

      


   

            
  

 
    
54

            


           

     

58
           
      
        
     
Valsa - Choro 5
(Violão) Paulo Porto Alegre

     
                
      
   
    
             
5

     
         

9
        
                
     
    

     
solo
      
        
13 3


0 3

      
 
6
H12 H7 
6
H12 4
H7 2 4 H7 2

  
        
17

             
 
       

             
21

 
           
     
   

 

    
25

        
   
     
 
             
29
 

         
    
  
           
32 1. H12 2. H12

     
              
 
  
37 solo
                   
6


     
 



41

      
  

         

5 6 4 0 3 0

       
45 solo

                  


    

      
49

     
  
          

        

  
                   
53 solo

      

      
57

         
       
   

      
    
61
    
          


 solo
65
                 
            
  

 com intensidade
      

      
      
69

 
  
       
      
   
   

                     
73

     
 
      
  
  
                  
     
    
77 7

 

      
    H12 H7
6

   
H7 4

     
     
81
      
       
 H 12 H7 
    
H7

     
         
85

     
    
    

     
89

            
          
    
pp cresc.

 
      
       
93

           
    


   
96

      
       
 

 

        
Tocata - Choro 8


(Violão) Paulo Porto Alegre


       
           
Allegro
  
      
  
4 0

         
4 1 3 0

        
             
      
 2

     
7 4 0

 
1 3

    
        
2

          
 3
2 1
 


4

  
10 3 0

 
3 2 4 3

     
2 2

     
4

     
1

      

2 1 
     
13

                   
  
 

        
16

     
   
                
      
 4
2

 
4 3 3 3 2

                   
19 0 3
0 1 2 0 0

        
  1  
2 
 4 
    1 
     
1 3 0 1.

22
  2  
2

     
4 0 4 3

 
3 2

        31  
1 4

 
 
3

     
 
 2. 4  43  
26
 
    32  1         
 2   
3

  
3 3

  
29 4 9

      
4 0

    
2 2

   
1 2 0

   
   3 

       
32 1 2

 
5 1 3


4

     
2

     
  
 3

4 
    
0 1


35
  
3

   
          Da Capo a 
   
 
e segue
2

     
38
         
    
      
  

  
  
3 2

   
2 4
41
 
0

   
   
 

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