Eng 122 Modules
Eng 122 Modules
ENG 122
(SURVEY OF AFRO-ASIAN LITERATURE)
Submitted by:
Fatima Faye V. Daguman
Submitted to:
Mr. Rogelio Mora
ACTIVITY 2 CHINESE LITERATURE
1. What are the 3 interesting facts about the Chinese spoken language and
Chinese written language?
The Chinese language doesn’t have an alphabet.
Here’s where the challenge of learning Chinese lies – it doesn’t have a
segmental alphabet. You learn Chinese by studying different characters.
The good thing is, Chinese can be transcribed into characters with the
use of Pinyin. This takes out the burden of memorizing thousands of
Chines characters!
Chinese follows different calligraphy styles.
There are five traditional forms of Chinese calligraphy: Seal Character,
Official Script, Formal Script, Running Script, Formal Script, Running
Script, and Cursive Hand. All these are considered Chinese art styles.
There is no gender in Chinese!
Whether writing or speaking Chinese, there are no masculine, feminine
or neuter words.
2. What are the 5 Chinese classics?
The Book of Changes
The Book of History
The Book of Rites
The Book of Odes
The Spring and Autumn Annals
3. Who are considered as some of the greatest Chinese poets?
Wang Wei
Li-Po
To-Fu
Po-Chu-I
4. How did Chinese communist affect Chinese literature?
Communists affected the Chinese literature by telling the writers to write with
comprehensible words for the peasants, soldiers and workers. During China's
past three decades, literature under communism has stocked the cultural
desert of the Chinese countryside with nourishment of a kind. It has provided
heroes, role models, lessons in practical socialism. A number of established
poets who had spent the war and postwar years in the Kuomintang-controlled
areas of China made attempts, following the establishment of the People's
Republic, to bring their work into accord with the new spirit of the age. By an
irony of history, precisely the years during which literary creation was most
rigidly fettered on the mainland were a time of the most vigorous new activity
in Taiwan. The death of Mao and the overthrow of the Gang of Four opened the
floodgates to literary creation in all genres. One of the themes of post-Mao
writing was the private values of personal life. The proper place of love in
socialist life, the damage done by love's denial.
5. How would you describe Chinese literature at present?
She did not reveal her identity to Genj because she wants to stay
mysterious, she is called "The Lady of the Evening Faces'. She is a
mysterious woman whom Genji begins a romance with in the beginning
of the novel. She's relatively young, very small, and does her best to
obscure her true identity from Genji. However, they conceal their
identities from each other, and she became mistress
3. How does the non-disclosure of her identity contribute to the appeal of the
story?
The mahabharata is a very nice story it is filled with knowledge and moral
lessons. Personally I learned a lot. The story talks about power, integrity,
leadership, as well as selfishness and consequences. If I am going to connect
the story to present time, the story is all about power. How a person changes
because power. How a person uses its power. As we all know power can change
a person’s life. Having a power is not a bad thing, it’s how you use it.
Leaders have this power to lead other people. Most of the leaders of today do
not exercise the leadership very well, they sometimes use the power that they
have in a wrong way. They became so selfish that they think only of
themselves. They need to understand and know their responsibilities. They
need to remember that the power vested in them is not a quirk of fate. It is a
confluence of events and actions which require them to deliver bearing
responsibility as leaders. As a leader you ought to serve and not the other way
around.
Now let’s talk about selfishness, in the story, The great-grandfather and brave
warrior of the Hastinapur royal family had several chances to save his kingdom
and people. He was repeatedly beseeched by his step mother to take over the
kingdom and get married, but he refused to break his vow of celibacy. Had be
not been so self-righteous, the greatwar could have been avoided. See,
selfishness brings problem and war or trouble. Another realization is that, you
cannot have everything you want. Draupadi had done penance in her previous
life and asked Lord Shiva for a perfect husband who was a brave warrior,
morally pure, has the strongest body, is the most learned and also the
handsomest man on earth. She got whatever she wanted but in 5 different
husbands. The moral of the story is that, one man cannot have all these
qualities and you cannot always get whatever you want. You have to accept it.
And the last is that too much love can ruined someone or somebody’s life. The
King of Hastinapur had but one fault; he loved his children too much and he
never reprimanded or disciplined them. This is a parenting lesson for every
father and mother. Correct your children before they go astray because your
blind love won’t help them.
I believe that in everything you do, good or bad will bring consequences. You
will reap whatever you have planted. So if you do good things to others,
definitely it will bring good to you as well, but if you do bad things to other,
then expect things to go wrong as well. There are lots of realizations and good
lessons that I’ve learn in reading the story. I hope i may be able to apply
everything that I’ve learned in this story. I hope that the people who are going
to read this story will be able to apply everything that the book is telling, the
good morals and lessons.
RAMAYANA REFLECTION