Forbidden

Fruit
Bella Coppola & Ian Flores

   
   


99
Voice

                              

F7 F7/E♭ F7/D F7/B♭

                 
           
Piano

   


   
       


               


5

  
       


F7/B♭ F7

 
   
    
 


   
 

  
                   


  
7

        
F7/E♭
F7/D

   
    
   
   
    
2

                     


9

   
    
F7/B♭ F7

 
 
    
 
   
 
  
                    


11

        
F7/E♭ 
F7/D


   
    
   
   
   


              
 
13 3

 
           
B♭m7 B♭m/D♭ F♭maj9/G♭ B♭5 A♭5

    
           

     
 
     


          
            

          



          
16


        


       
F7

         
     
      
 


   
  
    
3

         


18

       
 
      
 
  
           
     
        
 

              

      


20

      


       
F7

         

    
  
     
    
    



          


22

     
 

     
 

          
   
           
   
  
4

 



24


Fmaj7 Fm7/E♭


   
  
 
 


  

 
         


26



Dm9 B♭m9

   
  
        
 
  

 



   
28


Fmaj7 Fm7/E♭

   
  
 
 


  
   
5

                    



30

 

  
Dm9 B♭m9 Gø7

    

   
      


  
     
 

 


  
             
32 3 3 3

       
D♭7 C+ B♭5 A♭5

         

3


3

 
            
       
           
3 3

   
      

             

       



35

      
      
F7

         
    

 
 
 
   


     
  
    
6

         


37

B♭m11
 
                
         
B♭/D

     
          
 
       
        
      

           
        


39

   


          
F7

     
        

 
 
 
   
        
         

 

      

    


41

     
 

     
 

         

    


   
        

 
            
  



  
43


D♭maj7 Cmaj9

  
  
 


       
  
7

      


45


B♭m(add4) Fmaj7

 
    
  
 
  
 
                        
   


47



A♭6 D♭maj7 Dm7

  
      
 

              


 
         
               
 
  


50

   
D♭maj7 C9 C7

    
         

  
          
     
            
      
8

    


 
53 3

                
 


F7

       
 
         
   


     

   


         


55

     
 
 
      

        
          
            

             

     
3


57

        


      
     
 
        
         

  
   
  


         
59

            
          
   
 
   
     
           
      
      
9

      
 


61


  


 
F7 Fm7/E♭

         
       
 
   


   
         

  
        


63




 
Dm9 B♭m9

               

            
 
            
            
     

        


65

  
F7 Fm7/E♭

          
   
            
 
        
            

     
      



67


          
Dm9 F7

          

             
   
        
       
