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Freshwater (2016) 720p.

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Movie Description: A new take on the classic story of a group of twenty-something kids' weekend of terror at the lake house.
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Reviews.
Stay out of it.
A while ago there was a fake trailer, that set up a movie where a shark was in a swimming pool and everyone panicked because they didn't know
what to do. It played finely and made great fun of many horror clichés, like people jumping into the pool, even though that was where the shark
was and they still went in like lemmings on a suicide mission . well you get the point.
Why do I mention it? Well even though it's a "crocodile" here (well the CGI is so bad, you almost wish Ed Wood made this with some rubber
alligator! Would've been a lot funnier!) and a lake, the people here seem to be as "stupid" as the ones in the fake trailer. Unfortunately it is not
played for laughs, but they try to make it serious and fail on a big scale. Add to that the predictability, the bad writing, directing and "acting" and
you have something that either can make a good party/drink film or you should just stay away from as far as possible. You kinda feel sorry for
Alligators and Zoe Bell.
Worst movie since Open Water.
Sorry Zo?
I'm a sucker for a creature feature, but I just couldn't get through this one. Zo? Bell did her best. Most of the actors did, in fact. I've seen worse.
Much worse. But you can't make a silk purse of a sow's ear. You just end up with a weird lookin' purse and a really angry pig.
Or something like that.
In any case, for me the two big problems were editing and visual effects. Obviously, in a creature feature, visual effects are your bread and butter.
And, sadly, the bread and butter in this movie made for one laughable sandwich. I've seen smartphone apps that could superimpose digital effects
more convincingly. Made me feel bad for the monster. Poor fella.
As for the editing, it was just a bit. wonky. People standing still for just a beat too long at the start of a scene, for example. Just makes things seem
a bit unnatural. And the movie's editing woes gave some scenes a really odd sense of timing. For example, the scene where the lady's playing fetch
with her dog, Fluffy. Oddly cut and oddly timed with weird shots of a dog standing alone in the weeds. If you haven't seen the movie and you're a
kinda confused trying to picture what I just said in your head, that's pretty much what it feels like watching the scene, too.
I was really hoping I'd like this one, but I just couldn't. I'm sorry, Zo?.
Freshwater.
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Freshwater Photos.
Movie Info.
Cast & Crew.
Critic Reviews for Freshwater.
Audience Reviews for Freshwater.
There are no featured reviews for because the movie has not released yet ().
Freshwater.
A new take on the classic story of a group of twenty-something kids' weekend of terror at the lake house. A new take on the classic story of a
group of twenty-something kids' weekend of terror at the lake house. A new take on the classic story of a group of twenty-something kids'
weekend of terror at the lake house.
Director.
Director.
See production, box office & company info.
See production, box office & company info.
Videos 1.
Photos 13.
Top cast.
Director.
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More like this.
Storyline.
Be afraid of what you can't see.
User reviews 24.
Why do these movies persist in filling their craptacular creature features with terrible stereotypes and irritating characters? I swear, the arrogant
"gator expert" was specifically designed to annoy everyone she came in contact with (including the audience!).
Sour-faced tart Melody who flirts with peoples boyfriends . not even sure why she went along to this so-called party, since she was apparently the
small town back-brace wearing outcast and is still bitter about it.
Deputy Doofy. ugh. Just stop talking. Stop.
Richie Rich (Travis) . don't even get me started. These airheads. err, people. are supposed to be in their early 20s, but he looks well into his mid-
40s.
Stilted poorly delivered dialogue. poorly edited .. god-awful sound design and terrible music.
The Program.
Ben Foster's impressive efforts to channel Lance Armstrong are often enough to power The Program past director Stephen Frears' frustrating
unwillingness to delve deeper into its real-life story. Read critic reviews.
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Rate this movie.
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The Program Videos.
The Program Photos.
Movie Info.
Cast & Crew.
News & Interviews for The Program.
Critic Reviews for The Program.
The flashily photographed enterprise too often becomes a blur of sound bites and slick aesthetics akin to a Nike commercial.
For a story about incredibly focused determination - and if nothing else, Lance Armstrong had that - the film remains strangely uninvolved.
"The Program" fails to add anything new, or penetrate the soul of so crafty a cheater.
It never goes deep on what it was that produced the awfulness that is Lance Armstrong.
"The Program," much to its detriment, concentrates almost exclusively on the history of the doping effort . There is no mention of his childhood or
adolescence or any attempt to analyze his character.
Foster nails Armstrong, right down to his final, clenched-jaw TV confession to Oprah Winfrey but The Program's glancing narrative feels less
secure.
The Program could have been an inoffensive and forgettable effort, but is saved by Armstrong and Plemmons providing distinct and competing
portrayals of what it really means to "win at all costs."
The Program is an efficiently told and effectively made work. Frears knows how to direct actors by this time, and there is hardly a false note. The
filmmakers treat the Armstrong saga as a modern crime story.
The biopic of disgraced Tour de France racer Lance Armstrong begins like a fairy tale, although one with doping and cancer, but ends as a
Shakespearean tragedy.
It may not take a groundbreaking approach to biographical drama, but Frears' The Program draws strong performances.
It must be said that Foster excels as Armstrong. Bearing an unnerving physical resemblance to the fallen cycling hero, he is a revelation in a
remarkable tour de force -- not France -- performance.
The Program is never less than interesting, and the cast is high-caliber. However, the movie makes us want to know more, rather than come away
with the sense that we've been through an experience ourselves.
The flashily photographed enterprise too often becomes a blur of sound bites and slick aesthetics akin to a Nike commercial.
For a story about incredibly focused determination - and if nothing else, Lance Armstrong had that - the film remains strangely uninvolved.
"The Program" fails to add anything new, or penetrate the soul of so crafty a cheater.
It never goes deep on what it was that produced the awfulness that is Lance Armstrong.
The Program could have been an inoffensive and forgettable effort, but is saved by Armstrong and Plemmons providing distinct and competing
portrayals of what it really means to "win at all costs."
The Program is an efficiently told and effectively made work. Frears knows how to direct actors by this time, and there is hardly a false note. The
filmmakers treat the Armstrong saga as a modern crime story.
The biopic of disgraced Tour de France racer Lance Armstrong begins like a fairy tale, although one with doping and cancer, but ends as a
Shakespearean tragedy.
It may not take a groundbreaking approach to biographical drama, but Frears' The Program draws strong performances.
It must be said that Foster excels as Armstrong. Bearing an unnerving physical resemblance to the fallen cycling hero, he is a revelation in a
remarkable tour de force -- not France -- performance.
The Program is never less than interesting, and the cast is high-caliber. However, the movie makes us want to know more, rather than come away
with the sense that we've been through an experience ourselves.
Foster, though, delivers a strong and convincing performance, and I could watch films about Armstrong and his evil machinations for ever. This one
may fail to unearth many of his mysteries, but it is a confident, if understated, offering.
The abiding achievement of the film rests throughout with Foster, who can shift on a dime from the charismatic to the repellent and whose
Armstrong is at his most grimly compelling when engaged in an ongoing commentary with himself.