Art Apreciation Lesson 1-4
Art Apreciation Lesson 1-4
1. Representational Art –these type of art have subjects WHY WAS THE ARTWORK CREATED IN THE FIRST PLACE?
that refers to objects or events occurring in the real When this question is asked, we are after the meaning
world. Often it is also called figurative art, because the or message that is expressed or communicated by the artwork.
figures depicted are easy to make out and decipher To take on the challenge of understanding the content of art
2. Non Representational Art does not make a reference to there are various levels of meaning to be considered
the real world , whether it is a person, place, thing or
even a particular event. It is stripped down to visual Content in art
elements such as shapes, lines, and colors that are Levels of meaning in content of Arts
employed to translate a particular feeling, emotion
and even concept. 1. Factual Meaning the most rudimentary level of
meaning for it may be extracted from the identifiable
NON – REPRESENTATIONAL ART AND ABSTRACT ART. or recognizable forms in the artwork and
Cut metal that is hinged on a metal base, there is a palpable understanding how these elements relate to one
distortion of the image- whether it is- seems to be melting. An another.
artwork, depending on the degree of distortion or abstraction, 2. Conventional meaning pertains to the acknowledged
may be judged as learning more toward one over the other. interpretation of the artwork using motifs, signs,
Abstract art is in itself a departure from reality but the extent symbols and other cyphers as bases of its meaning.
of that departure determines whether it has reached the end of These conventions are established through time,
the spectrum, which is non-representationality- a complete strengthened by recurrent use and wide acceptance by
severance from the world. its viewers or audience and scholars who study them.
3. SUBJECTIVE MEANING- a variety of meaning may
SOURCES AND KINDS OF SUBJECT arise when a particular work of art is read. It depends
1. Nature- artist throughout the history have explored on what the viewers know, what they learned, what
diverse ways of representing nature; from plants to they experienced and the value they stand for. It is
animals; the qualities of bodies of water and the therefore expected that the meaning may not be
terrain of landmasses; and even the perceivable cycles singular, rather may communicate multiple meanings
and changing seasons. to the viewers.
ART APPRECIATION B. ORGANIC - organic shapes are those readily
occurring in nature, often irregular and
LESSON 5: ELEMENTS AND PRINCIPLES asymmetrical.
OF ART
ELEMENTS OF ART: VISUAL
1. LINE . A line refers to a point moving at an
identifiable path - it has length and direction. It has
width. It is one –dimensional, however, it has the
capacity to either define the parameters of the
artwork ( edges and / or become a substantial
component of the composition.
a. HORIZONTAL AND VERTICAL LINES – refers to
the orientation of the line. Horizontal lines are
normally associated with rest calm.
Landscapes often contain these elements as
works like these often connotes a visual sense
of being parallel to the ground. It also alludes
to position of the reclined body at rest.
Vertical lines , on the other hand , connote
elevation or height, which is usually taken to
mean exaltation or aspiration for action,
Together , these lines communicate stability
and firmness.
b. DIAGONAL AND CROOKED LINES- diagonal
lines convey movement and instability,
although the progression can be seen. Crooked
or jagged lines, on the other hand, are
reminiscent of violence, conflict or struggle.
c. CURVED LINES - these are lines that bend or
coil. They allude to softness, grace, flexibility
or even sensuality.
2-3 SHAPE AND FORM
These two are related to each other in the sense that
they define the space occupied by the object of art.
SHAPE refers to two dimensions; height and width,
while form refers to three dimensions, height, width,
and depth. Even if shapes are part of a bigger
picture, each can be identified by breaking the
visual components apart and making distinctions
based on what we know and we have seen.
TWO CATEGORIES
A. GEOMETRIC these shapes find origin in
mathematical propositions. Its translation and use
are often man-made. These include shapes such as
squares, triangles, cubes, circles, spheres, and cones,
among others.