Theory Strategic Cuture Klein-1
Theory Strategic Cuture Klein-1
Theory Strategic Cuture Klein-1
Comparative Strategy
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To cite this article: Yitzhak Klein (1991) A theory of strategic culture, Comparative Strategy,
10:1, 3-23, DOI: 10.1080/01495939108402827
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Comparative Strategy, Volume 10, pp. 3-23 0149-5933/91 $3.00 +.00
Printed in the UK. All rights reserved. Copyright © 1991 Taylor & Francis
YITZHAK KLEIN
Department of International Relations
The Hebrew University of Jerusalem
Jerusalem, Israel
of strategic choice. Strategic cultures, the set of beliefs held by strategic decisionma-
kers regarding the political object of war and the most effective means of achieving
it, arise out of strategy-maker's need to act purposively despite this uncertainty.
Strategic cultures can be compared and analyzed by means of a paradigm that repre-
sents them as a hierarchy of concepts on several levels: political, strategic, and
operational. These concepts must be well-formed and, in particular, well-integrated if
the strategy-maker is to produce good (i.e., successful) strategy.
Part of this work was supported by a post-doctoral fellowship provided by the Lady Davis
Trust.
3
Y. Klein
it is not enough to study national policy. One must study strategic culture as well, taking
into account the heterogenous sources of the often conflicting ideas that ultimately guide
the preparation and conduct of war.
ular national strategic cultures, and in any event only one case study has as yet been
carried out that specifically incorporates the theory presented here." However, certain
illustrative aspects of specific strategic cultures are presented in appendices A and B.
face of defeat, determine how long, intense, and costly the struggle for victory will be.
He always retains the ability to do the unexpected and turn the course of events down
paths one has not anticipated.
The enemy's opposition thus ensures that the relationship between policy and the
strategic and operational means required to implement it is indeterminate. Nothing can
guarantee that any particular choice of forces and methods, any particular strategy, will
lead to success. The danger arising from this uncertainty is not that the commander will
be left, bewildered, to wonder what he should do next. The opposite is the case. If the
commander is not certain of his own purposes, the enemy can always be relied upon to
supply him with one. The enemy's forces, his actions, press every minute for a response
of some kind. It is as easy to respond instinctively to the challenge of the enemy as it is
difficult to determine the response that will actually serve one's political purpose.
The strategic planner and the commander are thus confronted by two simultaneous,
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potentially competitive sets of goals: those of policy, which derive from the national
interest, and the demands of the battlefield. The enemy, his forces, strategy, decisions in
the field, are a present threat and challenge. They appear concrete and immediate, as
opposed to the call of policy, tenuous and uncertain. The adversarial, military aspect of
war thus actively distracts those who wage it from the pursuit of the policy objectives
that are its ostensible justification.
The highest task of strategy-making, and the most difficult, is to bridge this gap
between the political aspect of war and its strategic and operational aspect; that is, to
determine that "this particular policy objective can be achieved by attaining this particu-
lar military objective." Clausewitz' claim that war has its own grammar but not its own
logic describes an ideal that must be striven for, not something that happens naturally. In
real life grammar of the battlefield attempts to impose its own logic, and the logic of
politics may seem to be at variance with it. The betrayal of political objectives in
obedience to the perceived dictates of the battlefield is a very common theme in the
history of war.
Simple and obvious instances can deceive one as to the true nature of the difficulty
of finding and using the appropriate strategy and forces to achieve one's political goal.
There could be little doubt of the military results that would satisfy the Republican
party's political objectives with regard to the Confederacy or, to take an even more
extreme case, Rome's with respect to Spartacus. On a less extreme level, the strategic
objectives corresponding to Frederick the Great's political objectives were simple to
comprehend, although their operational execution was exceedingly difficult. But at Leip-
zig Napolean must have rued his too-easy satisfaction with the outcomes obtained in the
campaigns of Jena, Auerstadt, and Wagram. The campaign of 1918 in France demon-
strated not so much the inadequacy of strategy (for by that time both sides had learned to
function tolerably well in the strategic environment that had proved so bloodily frustrat-
ing for the three previous years) as the inadequacy even of successful strategy, as then
understood both by political and military leaders, to attain a political objective worth
having.
their objective and identifying the means they are to use to achieve it. Without such a
framework, no serious planning or preparation for war can take place. This framework
is strategic culture.
By the same token, however, there is no truly objective' method by which this
framework can be derived. It arises as a response, as a way of coping with the uncer-
tainty involved in choosing military means whereby to pursue a political goal. It may, of
course, be well-grounded in common sense and based on highly probable assumptions.
Yet these can only be, at best, assumptions. It must always be borne in mind not only
that war is uncertain, but that its uncertainty subjects the planner to inherently contradic-
tory influences. Devising military strategies, therefore, is an accident-prone business.
Strategic planners, of course, try to overcome the uncertainty inherent in planning for
war. They attempt to arrive at an objective assessment of their own and the enemy's
resources and strengths, as the key to developing the proper strategy that will yield the
desired political objective. Indeed, military professionals may feel that only an academic
could suggest that forming a correct strategy involves an epistemological conundrum.
Military planners are neither conscious of nor feel the need to apply a synthetic analyti-
cal framework to the study of the problems they confront. To the contrary: Their job is
to be as hard-headed and free of preconceptions as possible, to perceive themselves and
the enemy truly and to plan on the basis of facts. What need have they for strategic
culture? Why assume that they fall into one?
events related in military history. The result will, of course, be a limited theory, based
only upon the facts recorded by military historians"15 From whom, no doubt, one can
learn much. But the reason for Clausewitz' characterization of such theory as "limited"
is that military historians observe selectively, and what they write is passed through the
prism of what they consider important and relevant. Their readers, in turn, pass their
writing through prisms of their own devising.
What, then, guides the strategic planner in making his decisions? How, in an envi-
ronment of uncertainty and insufficient information, does he decide what is important,
i.e., relevant to his mission? Some aspects of the problem may yield to careful analysis;
some only to retrospection. Some must of necessity remain imponderable. Genius, per-
haps, is the only way to describe the facility for making such choices correctly, and even
genius can be mistaken. Moreover, genius can be found in a position to make such
choices only rarely. And in any case, what would genius rely upon in choosing? Only
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