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    Praveshika

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    Dhruva Attarde
    The document defines important terms related to Kathak dance such as taal, laya, matra, avartan, taali, khali, toda, tukda, paran, parmelu, tatkaar, baat, and gat. It provides examples of different types of taals including teentaal, jhaptaal, dadra, and keharava. It also briefly outlines the history of Kathak dance and its evolution from natwari nruty to its current status in educational institutions.

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    Praveshika

    Uploaded by

    Dhruva Attarde
    86 views9 pages
    The document defines important terms related to Kathak dance such as taal, laya, matra, avartan, taali, khali, toda, tukda, paran, parmelu, tatkaar, baat, and gat. It provides examples of different types of taals including teentaal, jhaptaal, dadra, and keharava. It also briefly outlines the history of Kathak dance and its evolution from natwari nruty to its current status in educational institutions.

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    praveshika

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    The document defines important terms related to Kathak dance such as taal, laya, matra, avartan, taali, khali, toda, tukda, paran, parmelu, tatkaar, baat, and gat. It provides examples of different types of taals including teentaal, jhaptaal, dadra, and keharava. It also briefly outlines the history of Kathak dance and its evolution from natwari nruty to its current status in educational institutions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    86 views9 pages

    Praveshika

    Uploaded by

    Dhruva Attarde
    The document defines important terms related to Kathak dance such as taal, laya, matra, avartan, taali, khali, toda, tukda, paran, parmelu, tatkaar, baat, and gat. It provides examples of different types of taals including teentaal, jhaptaal, dadra, and keharava. It also briefly outlines the history of Kathak dance and its evolution from natwari nruty to its current status in educational institutions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 9

    Praveshika Poorna

    1. Kathak history in short

    2. Taal parichay
    • Teentaal
    • Jhaptaal
    • Dadara
    • Keharava
    • Rupak
    • Ektaal
    Praveshika Poorna
    Kathak history in short
    1. Defination of dance
    2. Evolution and purpose
    3. Origine of kathak
    4. Historical evidences
    • Before 10th BC
    • Till 1947
     Mandir (natwari nruty)
     Darbaar
     Gurushishya parampara
    • After british Educational evolution
    Definition of dance , Evolution and purpose

    Dance
    All classical and Lord shankar
    folk forms Tandu muni – tandav
    Bharat muni – 100 sons
    Name and state of all classical
    And folk forms Paravati – laasy
    General costumes Banaasur daughter usha
    Festivals usha got married to son of
    Names of famous artists Krishna anirudhh
    Instruments and players
    Vocalist
    Educational evolution
    Literature
    Bharat muni – Natyshashtra
    Aacharya Nadikeshwar – Abhinaydarpan

    Gurushishya parampara

    Kathak Kendra
    Akhil bhartiya gandharv mahavidyalay
    Pt. Vishnu Digambar Paluskar
    Pt. Vishnu Narayan bhatkhande
    Prf . B.R. Deodhar
    Taal parichay

    What is taal
    • 10 Parameters [kaal, maarg, kriya, ang, grah, JAATI, kala,LAY,
    yati,prastaar]
    • 5 Jaati
    • 4- chtustr
    • 3 -tishr
    • 5- khand
    • 7 – Mishra
    • 9 – Sankirna
    • Anormousr tyapes in lay
    • Basic 3……Vilambit, Madhya, Drut
    Definitions of important terms
    • Taal and Lay
    • Lay is integral part of universe
    • Matra is smallest unit of Lay
    • Matra is use to measure taal
    • Taal is designed to bind lay with help of Matra and Vibhaags to enjoy
    its beauty of Rhythm
    • IMPORTANCE OF SAM
    • Starting and end point of Aavartan
    • One Circle of all matras is known as Aavrtan
    • Basic three types of layas
    Definitions of important terms
    • Taali & Khali
    The sound (sashabd) of clap other than sam clap is also known as ‘bhari’’
    No sound (nishabad), directing hand as swing known as ‘khali”
    Exception taal RUPAK
    • Toda & Tukda
    Differ by no. of aavartans, bols are similar, soft bols , mostly tatkaar and tigda digdig
    • Paran & Parmelu
     Paran bol of pakhavaj, hard bols, dha , ga ,tit
     Parmelu bol of nature, complex sounds , ta draga, thun thun , jhijhikat
    • Tatkaar & Baat
    T – tan (body), TH – thala(prithvi), ei – ishwar
    Imp bol – ta thai thai tat
    Baat is prastaar of tatkaar
    Definitions of important terms
    • Gatpalta
    Rotation of hands and body to show change

    • Gat – avastha or bandish or gati


    Gatnikas
    • Nikas – nikalakar aana
    • Mudya , that, sthanak,
    • Lucknow gharana is famous
    • Nawab wajid ali shah

    Gatbhav
    • Mono play or Mime
    • Lay taal importanat
    • Storytelling
    • One actor

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