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    Stacey Asis
    This document provides an overview of Philippine folk dances, including their origins, classifications, and characteristics. It discusses the five major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. It also covers social dances and dance mixers. One folk dance highlighted is the Pantomina dance from Bicol. The document outlines important features of dances and different kinds of dances, including dances for participation and presentation. It briefly discusses the history of Philippine folk dances and mentions Francica Reyes Acquino as the "mother of Philippine folk dances."

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    PE

    Uploaded by

    Stacey Asis
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    This document provides an overview of Philippine folk dances, including their origins, classifications, and characteristics. It discusses the five major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. It also covers social dances and dance mixers. One folk dance highlighted is the Pantomina dance from Bicol. The document outlines important features of dances and different kinds of dances, including dances for participation and presentation. It briefly discusses the history of Philippine folk dances and mentions Francica Reyes Acquino as the "mother of Philippine folk dances."

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    This document provides an overview of Philippine folk dances, including their origins, classifications, and characteristics. It discusses the five major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. It also covers social dances and dance mixers. One folk dance highlighted is the Pantomina dance from Bicol. The document outlines important features of dances and different kinds of dances, including dances for participation and presentation. It briefly discusses the history of Philippine folk dances and mentions Francica Reyes Acquino as the "mother of Philippine folk dances."

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    25 views3 pages

    PE

    Uploaded by

    Stacey Asis
    This document provides an overview of Philippine folk dances, including their origins, classifications, and characteristics. It discusses the five major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. It also covers social dances and dance mixers. One folk dance highlighted is the Pantomina dance from Bicol. The document outlines important features of dances and different kinds of dances, including dances for participation and presentation. It briefly discusses the history of Philippine folk dances and mentions Francica Reyes Acquino as the "mother of Philippine folk dances."

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    ● DANCE

    - a form of expression of oneself through rhythmic movement

    ● FOLKDANCE
    - the oldest form of dance and the earliest form of communication
    e.g. occupations, customs, festivals,
    - it handed down from generation to generation

    5 MAJOR CLASSIFICATIONS OF PHILIPPINE FOLK DANCES


    * Cordillera dances - dances reflects rituals which celebrate their daily lives - a good harvest, health,
    peace, war, and other symbols of living.
    - bontoc - pattong , kalinga - banga
    - gongs and ganza
    * Spanish Influenced Dances - dances reflect Christianity, and European art and culture
    - jotas, fandanggos, mazurkas,waltzes
    - stringed music of the rondalla
    * Muslim dances - influenced by Malay, Javanese, and middle eastern traders (Islam)
    - the finger express feelings and emotion
    -Marano - singkil
    * Tribal Dances - also known as ethnic dances; ethnic minorities found in different parts of the philippine
    - animal sounds, human singing, indigenous materials
    * Rural dances - reflects the simple life of the people in the barrio
    - performed in fiesta to honor patron saints
    - indigenous materials, clapping, rondalla, percussion instruments

    SOCIAL DANCES AND DANCE MIXERS


    Dance - is a rhythmic and expressive body movements, usually coordinated into a pattern and adopted
    to musical accompaniment.

    KIND OF DANCE
    A. Dance for participation - recreational dances

    Social or ballroom dances are different from dancesport because the latter is freer in nature
    and are primarily intended to widen one’s social horizon, for recreation; and fitness.
    The former is performed in competition and are referred to as competitive ballroom dancing.

    Pantomina A Bicolano Folk Dance


    - Pantomina was originally a wedding dance from the provinces
    - It is also very popular in the northern part of Samar especially in the towns of Allen and capul -
    both directly facing bicolandia.
    - In fact no social gathering in the bicol region is complete without the pantomina
    The dance is still very popular in the bicol region even up to this time.
    - In fact, the dances is synonymous with the Bicol express, Mayon volcano and the bicolandia
    - The pantomina was featured in Francisca Reyes Acquino first ever folk dance book, philpiine
    folk dances and games, published in february 1926
    - The dance, according to aquino, was also called salampati during the spanish period
    The version described here is from the province albay
    Dance culture - lowland christian
    Place of origin - albay
    Ethnolinguistic group - bikol
    Classification - social/ nuptial

    MOOD - JOVIAL
    STANCE - ERECT
    PERFORMERS - B AND G PAIR; OE SEVERAL PAIRS

    MUSIC - provided by the rondalla


    TIME SIGBATURE - 2/4 and ¾

    Couple in traje de boda ( wedding costume ) if portraying a wedding feast

    IMPORTANT FEATURES OF THE DANCES


    A. Rhythm
    B. Design
    C. Technique
    D. Dynamics
    E. Gestures

    Kin of dance
    A. Dance for participation
    B. Dance for presentation

    Social dance - it gives the opportunity to develop the individual's ability to communicate, mingle and
    socialize with other people.
    Ballroom dancing - has sustained its popularity through ballroom clubs opened for the enjoyment of the
    public.

    On other hand, the philippine has a “the pearl of the orient” boast of a variety of Filipino folk dances.

    Brief history of the philippine folk dances


    - Kumintang , oldest recorded activity among the Christianized Filipino.

    FRANCICA REYES ACQUINO - mother of philippine folk dances


    - In 1973, president Marcos gave Dr. Reyes Aquino the national artist for dance award.
    1. Geographical location
    A. National dances
    B. Local or regional dances
    2. Nature of the dance
    A. Occupational dances - rice festival
    B. Regional or ceremonial dances
    C. Courtship dances
    D. Wedding dances
    E. Festival dances
    F. War dances
    G. Comic dances
    H. Social dances -

    MAGLALATIK - was originally in binan, laguna as amock war dance that demonstrates a fight between
    the Moros and Christian over the prizes of latik or coconut meat during the Spanish rule
    - San isidro de labrador
    - The 2 parts of maglalatik dance are the palipasan and the baligtaran;

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