Feminity
Feminity
Feminity
UNIT 2 FEMININITY
Karen Gabriel
Structure
2.1 Introductions
2.2 Objectives
2.3 Understanding Gender
2.4 Femininities and Patriarchy
2.5 Femininities and the Colonial Nation
2.6 The Indian Case
2.7 Postcolonial Femininities
2.7.1 Mahasweta Devi’s ‘Draupadi’
2.7.2 Dopdi’s Femininity, Masculinity of the State
2.1 INTRODUCTION
By now, you would have gained a fairly clear understanding of the category
of masculinity. You are also familiar with various conceptions and practices
of masculinity which intersect, interact with the discourses of nation,
nationalism and national identity. We have also explored how construction
and deployment of masculinities are related to the formations of patriarchy,
and how masculinity is a fundamental factor in the shaping of identity and
subjectivity.
In this Unit, we will examine the gender dynamic that underlies and intersects
the question of nationalism and national identity, specifically from the
point of view of the productions, deployments, operations and reproductions
of femininities, from within and outside the discourse of nationalism. One
of the main features of any nationalist discourse is the way in which it
seeks to control and regulate its women.
As you have already learnt, all nationalisms invest heavily in their own
reproduction, that is, in the reproduction of the discourse as much as of
the conditions that favour that reproduction. This has two dimensions to it:
one is the regulation of sex and sexuality which you will be engaging with
in Unit 3 of this Block and the other is the regulation of notions of masculinity
and femininity, to ensure that the ‘appropriate’ gender identities are
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disseminated and reproduced in the nation. In this Unit, therefore, we will Femininity
explore the ways and means by which nationalism engages with these
categories. In particular, we will focus on the figuring of femininities in
nationalism.
2.2 OBJECTIVES
After completing this Unit, you will be able to:
this distinction. While the problems with maintaining it have been argued
strongly, one problem in particular with debunking it soon became evident,
viz., that by doing so, the category ‘women’ also came into question. If the
feminist political agenda is to end the oppression of women as a group,then
calling into question the category ‘women’ obviously undermined this agenda.
The debate continues on how this paradox can be resolved: feminist theories
of gender nominalism; a new gender realism; gender uniessentialism; or
understanding gender as positionality, for instance, have sought to re-
articulate the category ‘women’ in ways that permit its political relevance,
without necessarily generating an essentialist understanding (Mikkola, 2012).
a) the categories ‘men’ and ‘women’ are not necessarily either biological
or ideological categories, but denote mutually exclusive – but also
mutually definitive – social groups;
You have examined the concept of masculinities and their significance for
understanding nations and nationalism in the previous Unit. Here, in what
follows, we will briefly explore the ways in which the networks of relations
noted above determine specifically our understanding of femininities.
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Gender, Sexuality Nation constituents and the locations of power vary. For instance, musculature,
sexual control or wealth may become signs of power even when they are
associated or distributed in cross-gendered ways. To trace the relation
between gender and power then is to trace the relations between what
crucially feature in the configurations of power and masculinity and femininity
as they come to be defined, organised and related.
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male privilege is sustained in patriarchal societies – and in fact is definitive Femininity
What are some of the differences you can identify between the terms
“sex” and “gender”? Jot down your thoughts here.
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Gender, Sexuality Nation
2.5 FEMININITIES AND THE COLONIAL NATION
In Unit 1, Block 1, you read about the close relations between the emergence
of the middle class in Europe and the formation of the nation-state. The
emergence of the nation-state too was also therefore deeply coloured by
the gendered distribution of power that we have noted above. That is,
fundamental changes in the organization of heterosexuality were effected
in the course of the emergence of the middle class in Europe, that also
affected the formation of nation-states in this region. George L. Mosse’s
path-breaking study, Nationalism and Sexuality: Respectability and Abnormal
Sexuality in Modern Europe (1985) opened the doors for much scholarly
work along these lines, to trace how transformations in the understandings
and practices of heterosexuality affected the understandings and practices
of masculinity and femininity, and were in turn affected by the demands
of nationalism. As Mosse argued,
It is thus clear from his argument that most forms of nationalism, precisely
because they engaged with changing sexual attitudes and ideas, also
generated and promoted ideals of masculinity and femininity that drew
their legitimacy and value from the discourse of nationalism itself.
as ‘feminine’.
b) the existing gender dynamics within the colonized society, which would
have its own complex intersections with other forms of power distribution
within it ,along lines of caste, region, religion, the gender dynamics of
the patriarchal forms already in place. It also meant, conversely, that
the gender dynamics of both the colonizing and colonized societies
were affected by the unfolding discourses of nationalism and colonialism.
There is much work on how women’s issues were consistently posited
as deferrable, for instance Sangari and Vaid (1989), Cynthia Enloe
(1989) among others. What is important is the implicit domestication of
women’s issues within such moves which continues despite the
considerable involvement of women in militaristic struggles and their
equal protest about those.
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Gender, Sexuality Nation girls, that prescribed and aided the formation of a subservient subjectivity
like Charlotte Mary Yonge’s The Daisy Chain. Rowbotham (1989) also shows
how Victorian girls were represented and indoctrinated into certain forms
of femininity. This literature not only served to promote and strengthen the
colonial project but also constituted a defense of it as a civilizing mission
– what Kipling was to refer to as ‘the white man’s burden’. And as Tickner
has observed, the burden of this fell on the colonial woman:
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Femininity
2.6 THE INDIAN CASE
The response of the colonized societies to such attempts at not just political
but also ideological conquest was often sharp. In the Indian case, one kind
of response was in the various social and religious reform movements of the
nineteenth century. The organizations in these movements included the
Brahmo Samaj, the Arya Samaj, the Sanatan Dharma, and other essentially
upper caste organizations; but there were also several lower caste
organizations such as the Satyashodak Samaj. These movements broadly
sought to address the Orientalist criticism of the ‘Hindu’ social order as
decadent, unjust, oppressive and steeped in ritual and superstitions (Zavos,
2000). Their concerns were twofold: to maintain the sense of a nationally
integrated and unified community, nationalism and simultaneously to bring
about changes in social and cultural practices that were perceived to be
primitive/barbaric/inhuman. For instance, the writings of Gyan Pandey,
Sumit Sarkar, Tanika Sarkar, Urvashi Butalia, Bhagwan Josh, Peter van der
Veer, and the particularly relevant writings of Vasudha Dalmia and Heinrich
von Stietencron have studied the aforementioned societal interlinkages, in
fact, instituting nationalism through the very process of reform. Many of
these centered on the separation of issues of personal law from the civil
laws, and their formulation and regulation by individual communities.
Inevitably, these laws revolved round the deeply gendered questions of how
each community could regulate its protocols and procedures around marriage
and inheritance.
These reform initiatives were closely related to, but distinct from (and in
some ways oppositional to) the other kind of response, which was the
nationalist one. Dominated by the political power of the Indian National
Congress, the nationalist response was critical of the colonizing power
(unlike the self-critical gaze of the socio-religious reform organizations),
and sought to counter it not just politically but ideologically as well. According
to Partha Chatterjee (1993), this involved the invention and deployment of
a counter-ideological dualistic scheme, which may be represented in tabular
form as follows:
Table 2.1
Colonized Colonizer
Spiritual Material
Private Public
Powerless Empowered
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Gender, Sexuality Nation A final dichotomy feminine/masculine was also sought to be mapped onto
this series, with the former in the first column of the table and the latter
in the second but this is where the dichotomies became complicated. The
equating of femininity with the East, and masculinity with the West, was
not a formulation that was acceptable to the colonized, precisely because
of the associations of power with masculinity and powerlessness with
femininity:
Evidently then, these were also strongly gendered responses: the first kind,
that sought to undertake the social and religious transformation of India,
was gendered not just in terms of the centrality of ‘the woman question’
to those reform initiatives, but also often with a strong sense of being ‘less
than’ the colonial masculine-a sense which was deliberately reinforced by
the British themselves in their construction of the ‘manly Englishman’ as
opposed to the ‘effeminate Indian’ (Sinha, 1995). Consequently, one strand
of this response sought to rectify (or reform) the perceived corruptions and
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decadences in Indian society, as an exercise in regaining vitality and potency. Femininity
The second kind of response was also gendered, but in a different way:
under the leadership of Mohandas Gandhi, it aimed to subvert the colonial
association of masculinity with violence, and the concomitant association of
femininity with non-violence, by espousing non-violence as resistance. While
the association of masculinity with violence precedes the colonial regime
and may not be attributed to it alone, this association was arguably intensified
in specific ways under colonialism. Colonialism brought with it an
administrative and technological apparatus that drew on and introduced a
conceptual universe of rationality, instrumentalism and enumeration that
demanded a radical re-construction of the very bases of identity and
community formation, including gender and gendered constructions of
community identity (Vijayan, 2012, p.175ff). The existing associations of
masculinity with power fed into this new organization of power and its
apparatuses. It is for this reason that when Gandhi initiated the idea of
non-violent resistance, he integrated it to a larger rejection of the entire
conceptual universe that underlay the colonial construction of power and
powerlessness, and the apparatus that administered it.
In contrast, Dopdi is not only stripped, she refuses to clothe herself, her
nudity becoming her challenge to the military men who gang-rape her: she
says, “There isn’t a man here that I should be ashamed. I will not let you
put my cloth on me. What more can you do?” (Spivak, 1981, p.402). Here,
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Dopdi transforms the meanings of being a man: the violent, rapacious, Femininity
masculinity associated with state power and embodied in the soldiers who
rape her is scorned and rejected, for a notion of masculinity that will
respect and uphold her dignity as a woman. But by doing so, she also
transforms the meanings of femininity from being the vulnerable subject of
sexual violence – defined, in fact, by subjection to that violent masculinity
– to one that refuses subjection in spite of violation, and through that
refusal, not only undercuts the efficacy of this form of masculinity, but
questions its very essence.
Dopdi is not like Draupadi to begin with: she is married to one man, Dulna
Majhi, and is a Naxal rebel, on the run with her husband from the Indian
government’s Special Forces that are deployed to subjugate the ‘insurgency’
in the tribal areas. In fact, her husband is killed by the armed forces, well
before she too is caught. Spivak states that there is only a cursory reference
to why this couple became Naxals, as if this is mostly self-evident: we are
told that they are resisting the combined oppression of “grain brokers,
landlords, moneylenders, law officers and bureaucrats” (Spivak, 1981, p.393).
Ironically then, she becomes like her polyandrous namesake from the epic
only through the multiple ‘husbands’ who posses her sexually through her
gang-rape. That is, Dopdi becomes Draupadi in and through the very violation
that the latter is rescued from. Both women are rendered vulnerable by the
fact of their sex – i.e., by the fact that men want to sexually assault them.
Draupadi’s vulnerability is alleviated by a miracle that prevents the sexual
assault; Dopdi however, is assaulted and raped so severely that her
vulnerability itself is rendered meaningless. She becomes invulnerable once
the threat to her vulnerability is physically realized on her body: as she says
mockingly to the commander, Senanayak, “What more can you do?”
Senanayak, “the elderly Bengali specialist in combat and extreme-Left
politics” (Spivak, 1981, p.393), is described by Devi as feeling, “for the first
time”, “terribly afraid” at Dopdi’s response. This is also especially because
she then goes on to immediately challenge him to “counter” her (to kill her
in an encounter): she no longer fears not only rape, but death itself.
Senanayak is terrified precisely because her fearlessness challenges the
very foundations of his own world. Devi tells us early on that Senanayak’s
creedo is, “In order to destroy the enemy, become one. Thus he understood
them by (theoretically) becoming one of them” (Spivak, 1981, p.394). Now,
his smug belief that he knows the “enemy” is revealed to be self-deception;
consequently, his sense of his own self – his belief in himself and his
abilities – also stands compromised.
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Gender, Sexuality Nation 2.7.2 Dopdi’s Femininity, Masculinity of the State
When Dopdi rejects such a femininity then, she undoes Senanayak’s universe.
Like his soldiers, he is unable to make sense of this overturning of what to
him is the rational discourse of gender, in which masculinity equals power,
femininity equals powerlessness, and the latter must therefore be subject
and subjugated to the former. But after being raped, when Dopdi is given
water to drink and a cloth to cover herself,
She pours the water on the ground. Tears her piece of cloth with
her teeth. Seeing such strange behavior the guard says, She’s
gone crazy, and runs for orders. He can lead the prisoner out but
doesn’t know what to do if the prisoner behaves incomprehensibly.
(Spivak,1981,p.402).
and his men, less than men. This masculinity is implicitly constructed as
respectful of women and their bodies – a masculinity before whom she can
feel shame when naked because this masculinity would be ashamed to see
her public nakedness, as a violation of her dignity. Such masculinity would
clothe her out of respect for her dignity, which is why she tears up the
cloth provided by the guard. Senanayak’s entire sense of superiority is
undone when he realizes the absence of this more respectful and dignified
masculinity in himself and his men, and by extension, in the entire
governmental apparatus that he embodies. Thus when Dopdi repeatedly
challenges him to “counter” her, the critique of gender becomes also a
critique of the gendered system that legitimizes such encounter killings.
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Gender, Sexuality Nation intersections with other formations of power. You should now be equipped
to engage with questions of femininity and its implications for nationalism.
3) Do you agree with the view that although Dopdi challenges the existing
and deeply gendered dispensation of power, she does not actually bring
about a transformation in it? Justify your response.
2.10 REFERENCES
Armstrong, Nancy (1987). The Rise of the Domestic Woman in The Ideology
of Conduct: Essays in Literature and the History of Sexuality. Nancy Armstrong
and Leonard Tennenhouse (Eds.). London: Methuen.
Engels, Frederick (2004 [1884]). The Origin of the Family, Private Property
and the State. Chippendale: Resistance Books.
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Gabriel, Karen (2010). Melodrama and the Nation: Sexual Economies of Femininity
Michael Rosenthal (1986). The Character Factory: Baden Powell and the
Origins of the Boy Scout Movement. London: Collins.
Rowbotham, Judith (1989). Good Girls Make Good Wives: Guidance for Girls
in Victorian Fiction. London: Basil Blackwell.
Rubin, Gayle (1975). The Traffic in Women: Notes on the ‘Political Economy’
of Sex in Toward an Anthropology of Women, R. Reiter (Ed.), New York:
Monthly Review Press.
Sangari, Kumkum and Sudesh Vaid (1989) (Eds.) Recasting Women: Essays in
Colonial History. New Delhi: Kali for Women.
Williamson, F. (2012). Public and Private Worlds? Social History, Gender and
Space. History Compass. No 10 pp.633–643
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