Week 07 - Rococo Architecture Lecture
Week 07 - Rococo Architecture Lecture
Week 07 - Rococo Architecture Lecture
ARCHITECTURE
ARC 1424 – History of Architecture 3
• Period also referred to as “Late
Baroque”
• It is an 18th century style which
developed as Baroque artists gave
up their symmetry and became
increasingly ornate, florid, and
playful.
• Derived from the French word,
‘rocaille’ which refers to rocks, shells,
and the shell-shaped ornaments used
on fountains.
• During the 1700s, it is a highly
ornamental style of art, furniture, and
interior design that became popular in
France
• Called Rococo, the lavish style
combined the delicacy of French
‘rocaille’ with Italian ’barocco’, or
Baroque, details.
• Most often found in Germany,
Austria, Eastern Europe, and
Russia.
• While there are many similarities
between the Baroque and the
Rococo styles, Rococo buildings
tend to be softer and more graceful.
Colors are pale and curving shapes
dominate.
Map of Europe
Characteristics of
Rococo Architecture:
• Elaborate curves and scrolls
• Ornaments shaped like shells and
plants
• Intricate patterns
• Delicate details
• Complex, asymmetrical shapes
• Light, pastel colors
ROCOCO IN FRANCE
• Rococo developed first in the
decorative arts and interior design.
• Louis XIV’s succession brought a
change in the court artists and general
artistic fashion. By the end of the
king's long reign, rich Baroque designs
were giving way to lighter elements
with more curves and natural patterns.
These elements are obvious in the
architectural designs of Nicolas
Pineau.
Louis XIV
ruled as King of
France and
of Navarre from 1
September 1715
until his death.
Nicolas Pineau
• French wood-carver and interior
designer, a leader in the decorating
in the light, assymetric, light ,
lavishly decorated Rococo style.
• It was Pineau who was primarily
responsible for the creation and the
adoption of the genre pittoresque in
French interiors.
Francois Mansart
• a French architect credited
for the introduction of
classicism into Baroque
architecture of France.
• The Encyclopædia
Britannica cites him as the
most accomplished of 17th-
century French architects
whose works "are renowned
for their high degree of
refinement, subtlety, and
elegance".
Mansard Roof
Mansart, as he is generally known,
made extensive use of a four-sided,
double-slope gambrel roof punctuated
with windows on the steeper lower
slope, creating additional habitable
space in the garrets that ultimately
became named after him -
the mansard roof.
Chateau de Maisons
Chateau de Maisons
• Best preserved work of Mansart.
• Uniquely retains the original interior
decoration, including a magnificent
staircase. The structure is strictly
symmetrical, with much attention
given to relief. It is thought to have
heralded and inspired the 18th-
century Neoclassicism.
Chateau de Balleroy
Is a form of Rococo,
which developed in
Prussia during the
reign of Frederick
the Great and
combined influences
from both France and
the Netherlands.
Sanssouci
• Former summer palace of Frederick
the Great
• It is often counted among the
German rivals of Versailles
Potsdam City Palace
The second official
residence (the winter
residence) of
the margraves and
electors of
Brandenburg,
later kings in
Prussia, kings of
Prussia and German
emperors.
Charlottenburg Palace
The largest palace in Berlin and the only
royal residency in the city dating back to
the time of the Hohenzollern family
Wies Church
• An oval Rococo
church, designed in
the late 1740’s
by Dominikus
Zimmermann
• Interior was
decorated with
frescoes and with
stuccowork in the
tradition of the
Wessobruner school.
Wessobrunner School
• Is the name for a group of Baroque
stucco-workers that, beginning at the
end of the 17th century, developed in
the Benedictine Wessobrunn
Abbey in Bavaria, Germany.
• The Wessobrunner stucco-workers
exerted a decisive influence on, and at
times even dominated, the art of
stucco in south Germany in the 18th
century.
ROCOCO IN POLAND