History of Literature
History of Literature
History of Literature
The first author of literature in the world, known by name, was the high-priestess
of Ur, Enheduanna (2285-2250 BCE) who wrote hymns in praise of
the Sumerian goddess Inanna. Much of the early literature from Mesopotamia concerns the
activities of the gods but, in time, humans came to be featured as the main characters in such
poems as Enmerkar and the Lord of Aratta and Lugalbanda and Mount Hurrum (c.2600-2000
BCE). For the purposes of study, Literature is divided into the categories of fiction or non-fiction
today but these are often arbitrary decisions as ancient literature, as understood by those who
wrote the tales down, as well as those who heard them spoken or sung pre-literacy, was not
understood in the same way as it is in the modern-day.
English literature has sometimes been stigmatized as insular. It can be argued that no
single English novel attains the universality of the Russian writer Leo Tolstoy’s War and
Peace or the French writer Gustave Flaubert’s Madame Bovary. Yet in the Middle Ages
the Old English literature of the subjugated Saxons was leavened by
the Latin and Anglo-Norman writings, eminently foreign in origin, in which the
churchmen and the Norman conquerors expressed themselves. From this combination
emerged a flexible and subtle linguistic instrument exploited by Geoffrey Chaucer and
brought to supreme application by William Shakespeare. During the Renaissance the
renewed interest in Classical learning and values had an important effect on English
literature, as on all the arts; and ideas of Augustan literary propriety in the 18th century
and reverence in the 19th century for a less specific, though still selectively viewed,
Classical antiquity continued to shape the literature. All three of these impulses derived
from a foreign source, namely the Mediterranean basin. The Decadents of the late 19th
century and the Modernists of the early 20th looked to continental European
individuals and movements for inspiration. Nor was attraction toward European
intellectualism dead in the late 20th century, for by the mid-1980s the approach known
as structuralism, a phenomenon predominantly French and German in origin, infused
the very study of English literature itself in a host of published critical studies and
university departments. Additional influence was exercised by deconstructionist
analysis, based largely on the work of French philosopher Jacques Derrida.