10/18/22, 9:44 AM Ultimate Guide To Audio Bitrate & Audio Formats - Home DJ Studio

Ultimate Guide To Audio Bitrate &

Audio Formats
 Last Update: August 3, 2022

From the very first time that humans have been able to record sounds, we have wanted
to share those recordings with the world. Using platforms like Spotify, Soundcloud and

the best DJ pools, artists can share their creations with ease.

With the explosion of modern technology, we are now constantly surrounded by sound.

From our mobile phones to TVs to the music we play.

But how much do you really know about the sound you are hearing? In this guide, we
cover how sound works in the modern age and give you a definitive outlook on how

you can enjoy sound more.

What Is Audio Bitrate

Audio bitrate defines the amount of data that is stored in the sound file you are
listening to. Every audio file has a “bitrate” associated with it. Every second of an audio

recording contains a certain amount of data or bits. When it comes to sound files this is

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calculated by the number of kilobits of data per second. For example, a 128 kbps

(kilobits per second) file will have 128 kilobits stored for every second of audio.

The more kilobytes that are stored per second the higher the sound quality of the file.

For the average listener, the quality will be defined by the strength and depth of low
frequencies. It will also be defined by the crispness and clarity of high frequencies. More

kilobits equals more data stored across the full frequency range.

Now let’s look at some common files you’ll likely have encountered and dive into the
details of their respective audio bitrates.

CD Audio Bitrate

CDs have a bitrate of 1,411 kbps at 16 bit. This was first established by Philips and Sony all

the way back in 1980. After a few discussions on details, it was adopted as a standard in
1987. From there CDs rapidly replaced compact cassettes as the standard for the sale

and distribution of audio recordings. But, the dominance of CDs has declined. The
general trend has moved towards internet-based music distribution methods.

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Once the dominant force in music distribution CD’s are now on the decline.

WAV Audio Bitrate

WAV files were developed by Microsoft and IBM. Apple also developed their own

version, AIFF files, using the same technology. Both file formats offer uncompressed

high-quality audio files.

High-quality WAV files have an audio bitrate exactly the same as CDs at 1,411 kbps at 16

bit. But that isn’t the end of the story for WAV files. There are variations. The actual

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bitrate is determined by a specific formula which multiplies the sampling rate with the

bit depth and the number of channels.

MP3 Audio Bitrate

The highest quality MP3 bitrate is 320 kbps at 16 bit. You can encode MP3s as low as 96

kbps. MP3s use a compression codec that removes frequencies while trying to preserve
as much of the original recording as possible. This does result in a reduction in sound

quality but also a big reduction in file size.

MP3s became extremely popular in the early days of the internet due to their low file
size. It made them easier to share across slow internet connections. They are still used

heavily by streaming services and digital music platforms making them one of the

largest formats for DJ music.

24 Bit VS 16 Bit

You may have noticed a pattern above when covering bitrates. All the sources

mentioned are at 16 bit. But there are audio files that are at 24 Bit. There has been much
debate about whether the difference between the two is really that important.

To understand the battle between 24 Bit and 16 Bit we need to cover how sound

functions and more importantly how we hear that sound. Audio bitrate is usually the
primary way to determine the sound quality of files but there is more to it than meets

the eye…..or should I say ear.

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Bitrate is determined by the sampling rate and the bit depth. The sampling rate is the

number of samples taken in a second. For example, CDs have a sampling rate of 44.1kHz.
This all stems from the groundwork laid out in the Nyquist–Shannon theorem. This

theorem determined that if you double the maximum frequency of the source you can

accurately capture the sample.

The human hearing range tops out at about 20kHz. By doubling that you can assume

that nothing relevant is lost when recording/reproducing the original sound. Nothing
that you would realistically hear. 

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This hasn’t stopped people from recording at a higher sampling rate. Hi-resolution audio

can be recorded at double the standard CD rate or even as high as 192kHz. The question
often comes up if this is needed. There are instances where a higher sampling rate does

help to improve the listening experience.

Analog to digital converters have an in-built low pass filter. This filter processes out

frequencies that are not within the sampling limit. For example, if the sampling rate is

44.1kHz anything below half that will be accurately rendered. Anything above that will
introduce fake samples which is where the low-pass filter kicks in to process them out.

By increasing the sampling rate you move the low-pass filter higher into the frequency

range. This moves it further from our hearing range resulting in cleaner sounding audio.

The second component is bit depth. Bit depth is the number of bits available to capture

sound. For each extra bit beyond the first the accuracy and number of bits doubles. Each
bit is a slice of the sound you are hearing. The more bits available the greater options in

the information that can be stored.

The end result is greater accuracy in hearing subtle details which might be lost at lower
bit depth. With 16-bit audio, there are 65,536 possible levels that can be captured. 24-bit

audio has the capacity of 16,777,216 possible levels.

To help visualize the difference imagine if you were watching a movie and you only got
to see every 10th second of the image. You would still be able to get an idea of what

was going on but you would miss out on the subtle changes in the movement of the
actors on screen.

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If you then got to watch every 3rd second you would have a greater sense of their

movement. Bit depth works the same way allowing more refined detail to be captured. 

What Is The Best Audio Bitrate?

When it comes to audio bitrate size does matter. The more kilobits per second the

greater the quality of the sound. For most general listening 320kbps is ideal. Of course,
CD-quality audio that stretches to 1,411kbps will sound better.

To determine the best audio bitrate you need to also assess your needs. If storage space

is a concern high bitrate files will rapidly eat into your available space. For example, an
MP3 file at 128kbps will take up approximately 1mb of space per minute of audio. A

320kbps MP3 file will take up about 2.4mb of space per minute. Meanwhile

uncompressed CD audio will take about 10.6mb per minute.

If you have space go for the highest quality bitrate possible. You can always convert

down to smaller files sizes but there is no way to convert back up to higher quality.

There are situations where higher bitrates are not ideal. Streaming services like Spotify

need to be able to deliver data efficiently without lag or delay. As a result, many

streaming services have lower bitrate audio quality. YouTube audio streams AAC files at
126kbps. While perfect for fast delivery it isn’t great for audio quality.

So while there is no definitive answer with today’s large hard drives you should aim to

get files at the highest bitrate possible. 

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Audio Bitrate Comparison

Lower audio bitrates achieve smaller file sizes by compressing the source file. Below

you’ll find a table that covers the difference in file sizes across various bitrates.

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Higher quality audio bitrates result in much higher file sizes.

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Unfortunately, this compression also results in a loss of quality. The images below

highlights the audio frequency cut off point for a 320kbps MP3 compared to a 128kps
file.

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The lower the bitrate of an MP3 the more data is removed from the source.

Audio Bitrate Test

All these graphs and waveforms images do not compare to the real thing. At the end of
the day, the true judge of quality is our own ears. Quality is also affected by what you

are listening to the sound on.

Below you’ll find 3 examples of an audio file at different bitrates. Have a listen for

yourself and see if you can hear the differences.

0:05 / 0:35

CD Quality WAV File – 1,411 kbps

0:03 / 0:35

High Quality MP3 File – 320 kbps

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0:01 / 0:35

Low Quality MP3 File – 128 kbps

0:05 / 0:35

Very Low Quality MP3 File – 32 kbps

What Is Hi-Resolution Audio?

As technology continues to improve, so does the potential to deliver better quality

audio. Even streaming services like Spotify that have relied on smaller bitrates are now

offering higher quality audio. The term hi-resolution or HD audio gets thrown around a

lot but what does it actually offer?

HD audio is usually associated with any audio that is of greater quality than CD. It’s as

close to the original source file or what the musicians in the studio were recording as it

gets.

These files are not as new as you may think. In fact, HD audio has been around as far

back as 1995 but couldn’t find a foothold in the market at the time. With the growth of

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4K and 8K TVs, it was only a matter of time before we wanted the quality of the audio

to match the quality of the video. Higher internet speeds have also made it easier to be
able to stream these large files.

These lossless audio files have a higher sampling rate and greater bit depth. The higher
sampling rate results in less fake samples making their way into an average person’s

hearing range. The bit depth allows for greater nuances to be captured. The end result is

a cleaner sound.

The question remains whether we can actually hear the difference. Blind test studies

have shown that for most people they cannot tell the difference when compared to CD

quality audio.

There is no need to be rushing out to get HD audio files as you’ll likely not notice the

difference. But knowing that the audio you are listening to is as close to the original
recording as possible does offer a sense of security.

Audio Formats

There is a large range of audio formats that are commonly used today. But all audio

formats fall into two major categories. Uncompressed audio formats and compressed

audio formats.

Uncompressed Audio Formats

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Uncompressed audio formats capture the original recording without any further

modifications. They take the soundwaves and convert them into digital format.

These formats do offer maximum quality but it does result in much larger file sizes. This

can make some of them unsuitable for streaming on slower internet connections. Below
are some of the most commonly used uncompressed audio formats.

PCM

PCM or Pulse-Code Modulation is the overarching format for uncompressed audio. All

recordings begin their life as soundwaves in an analog setting. PCM converts this
information into digital format by sampling that recording.

Sampling rate and bit depth are used to sample the recording. The sampling rate defines

how many samples are taken per second. Bit depth refers to the number of bits that are
allocated to each sample.

You can learn more about sampling rates and bit depth in our 24-bit VS 16-bit section

above. This file format is the main format for audio files that are located on CDs and
DVDs.

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WAV and AIFF files are a container for PCM data.

WAV

Many of you will likely be familiar with this popular uncompressed format. Developed

by IBM and Microsoft it is essentially just a way for PCs to read PCM data. While WAV is

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primarily used for high-quality audio by definition a WAV file can still contain lower

quality audio bitrates. It all depends on the original source.

AIFF

Much like WAV files AIFF files are another way for electronic devices to read PCM data.

In this case, it was developed by Apple to use on their systems. Likewise, they can also

contain lower quality audio bitrates.

Compressed Audio Formats

There are two main subcategories of compressed audio formats. Lossless audio formats

and lossy audio formats. Each offers some benefits depending on their intended
application.

Lossless Audio Formats

Lossless audio formats keep all the original recording data and compress that data to

reduce file sizes. Below are some of the most common lossless audio formats.

FLAC

They say the best things in life are free. FLAC or Free Lossless Audio Codec is an open

source compression method for audio files. The original recording is left untouched yet
the file size is reduced by up to 60% compared to the original raw file.

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Without licensing restrictions, it has grown in popularity as the main way to offer

compressed lossless audio. FLAC also offers extra metadata to be stored like Album art
which WAV files do not support.

ALAC

Apple also threw its hat into the compressed audio format space with its own file
format ALAC. Offering compression similar but not as great as FLAC it is still widely used

today. This is due to iOS and Apple systems not supporting FLAC files. While this may
sound restrictive you can convert between the two formats with free tools available

online.

WMA Lossless

Microsoft also has its own lossless format but it isn’t open source. WMA (Windows

Media Audio) lossless used a different compression method. This method allows for the

file to be uncompressed back to its original state without any degradation of quality or
loss of data.

It can also support hi-resolution 24-bit audio. While this lossless format was designed
for archival applications it is supported by a range of consumer devices.

Lossy Audio Formats

Lossy formats aim to reduce the file sizes of audio files as much as possible. To achieve

this the data is consolidated and some data discarded. Depending on the level of

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compression this can result is a noticeable decline in quality. Below are some of the

most common lossy audio formats.

MP3

The most well known of lossy formats is MP3. A format that revolutionized the music

industry and the way we listen to music.

MP3 (MPEG-1 Audio Layer 3) aggressively reduces file sizes by cutting data that is

deemed unnecessary. Anything outside of the normal human hearing range is discarded.

On top of that, it degrades the quality of difficult to hear frequencies and then

consolidates as much of the remaining data as possible. 

Offering flexibility to compress at various bitrates made it a good choice at the start of
the internet boom. The smaller file sizes also allowed the files to be quickly transferred

across the internet. This led to a massive spike in music piracy with people acquiring

huge music collections. Knowing how to organize your music library then became
necessity.

MP3 is still one of the most widely supported audio file formats. But with the increase in
internet speeds and hard drive capacities, its popularity is on the decline. Streaming and

downloading higher quality files is now a viable alternative.

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Portable MP3 players helped drive the popularity of the MP3 file format.

Ogg Vorbis

Ogg Vorbis is an open source compression format. Unlike FLAC and ALAC it is not as

widely used. This format is actually made up of two components. The Vorbis side is
actually the compression component while the Ogg side is a container to hold that data.

While an effective compression method it has not been adopted or supported by as

many devices as its competitors. But, if you’re looking for something that is open-source
it is your best bet.

AAC

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AAC (Advanced Audio Coding) may not be as well known as MP3 but it plays a massive

role in our modern lives. Designed as a better alternative to MP3 it achieves better
sound quality compared to MP3 at the same bitrates. It achieves this by offering greater

sampling rates (8 to 96 kHz) compared to MP3 (16 to 48 kHz). It can also handle up to 48

channels compared to 2 for MP3. As a result, it is widely used by Youtube, Nintendo and
Apple to name a few.

How Does Audio Compression Work?

With the vast adoption of compressed audio formats, it’s worth looking into what these
compression methods actually do.

Audio compression has one primary goal, to reduce the file size of the source material.

This is like how image files are compressed into .gif and .jpeg files to reduce the file size.
This makes the files quicker to download.

This was especially important in the early days of the internet. Speeds were as low as
56K meaning CD-quality audio files would take hours to download.

All compressed audio formats take advantage of the limitations of human hearing to

help determine how to compress the file. This type of compression algorithm is called
perceptual noise shaping.

It uses the discoveries in Psychoacoustics (the study of human hearing) to make

changes to the source material. It also aims to minimize the impact on what is perceived

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by the listener. The end result is near CD quality sounding audio without the bulky file

size.

Like image compression, audio compression aims to retain as much data as possible in a smaller
file size.

There are a few major elements that form the fundamentals of audio compression
algorithms. The first one applies to the minimum audition threshold of the human ear.

Our ears are most sensitive to frequencies in the 1-5 kHz range. The further you stray
beyond this range the less sensitive we are to the sound.

While most people can hear up to about 20 kHz it is only remotely perceptible. The

rough cut off is about 16 kHz. Audio compression uses this information to eliminate any
content deemed outside of the human hearing range.

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The second step involves Temporal Masking. This takes advantage of another trait of

human hearing to remove even more data from the source material. There can be many
sounds playing at the same time, or very close to each other.

In this situation, we will naturally hear the louder sound and often disregard the softer
sound. The greater the difference between volume levels the more this takes place.

Audio compression uses this to find sections of softer sound data located near louder

sounds. It then removes the softer sounds as it is likely the human ear will not perceive
them.

The next step is another form of masking known as Simultaneous Masking. How we hear

sound is split into distinct critical bands. Each band is made up of a certain frequency
range. If there happens to be a loud sound within one of those ranges it can spill over

into other frequencies. This will make soft sounds in those frequencies far less distinct.
Once again audio compression algorithms aim to identify these sections and eliminate

that data.

These steps allow the file size to be reduced by up to 10 times but there are drawbacks.
The lower the bitrate of the file the more aggressive the algorithm is in trying to find

components to remove. This can result in loss of audio quality, especially among lower

bitrates like 128kbps and below. Unfortunately, many streaming services deliver audio at
these levels which is equal to what you would hear on the radio.

The end result can lead to some common issues and changes that were not intended by
the artists creating the music. Most notable is the lack of definition and oomph in the

lower frequencies where bass tends to live. Clarity and definition can also be lost at
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other frequencies. For example, a hi-hat that is meant to play a prominent role may

sound flat and fall behind other components of the song like vocals.

There is no denying that audio compression is a testament to human ingenuity. It helped

pave the way for the internet to handle audio in a reliable and efficient way. But
likewise, there is no denying that there are issues with the end result, especially at

lower bitrate levels.

What Is The Best Audio Format?

While there are benefits for all audio formats FLAC is one of the best audio formats
currently available. It offers high-quality audio without the burden of large file sizes.

Coupled with its popularity as an open source format cements it as the current best

choice.

Having said that there is an argument for lossy formats like MP3 and AAC. In an

environment where data transfer rates are important, they do outshine lossless audio
formats.

For audiophiles, you can’t go past Hi-Resolution audio formats like WAV and AIFF, even

if it’s debatable if you can even hear the difference.

As you can see it all boils down to application and feel. Need reasonable quality

streaming with small file sizes…stick to MP3 and AAC. Want the purest closest

representation of the original material…..stick to WAV or AIFF. But, if you want that nice
in-between marriage of quality and size go with FLAC.

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Audio Formats Comparison

With so many file formats available it can be difficult to compare. Below is a quick

summary of the most popular audio file formats and the features they offer.

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There is plenty of variation and choice between audio file formats.

MP3 Is Dead

MP3s have gone hand in hand with our perception of audio file formats. It’s difficult to

imagine them going the way of compact cassettes. But that future is closer than you

may think.

Internet speeds continue to increase by leaps and bounds. The US alone saw a 37%

improvement in internet speeds from November 2017 to December 2018. The increased
access to faster speeds reduces the need for compressed audio formats compared to

the ’90s where MP3 dominated.

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Additionally, consumers are becoming more conscious of quality improvements with

the adoption of HD video and now 4 and 8K video. That desire for quality is transferring
to audio quality as well.

Lossy formats still have a role to play in developing countries with slower internet.
These formats are also very effective at delivering audio where quality is not the

greatest concern.

As a result, they are still a popular choice for streaming services looking to deliver
content quickly. They are also a popular choice for speech-based podcasts where the

frequency demands are not as pronounced.

But it is only a matter of time before the MP3 audio format will become a relic of a time
gone by. Let’s check out how MP3’s stack up to other popular formats to see if this

format still has something to offer.

CD VS MP3

CD quality audio is the most widely accepted standard for high-quality audio. WAV and

AIFF files offer excellent sound quality. While 320kbps MP3s provide good quality audio

it will always be outdone by CD quality audio. Where MP3s shine is in file size. MP3s can
reduce file sizes of CD audio files by up to 10 times if using 128kbps compression.

FLAC VS MP3

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FLAC offers compression without the quality loss of MP3s. With FLAC files you preserve

quality but reduce CD audio file sizes by up to 50%. Leaving the original audio intact
leaves MP3 as a poor option if hard drive space or streaming speed is not a concern.

AAC VS MP3

If you want high-quality audio but still want to reduce file sizes AAC is a better choice
than MP3. The more advanced successor to MP3 encodes frequencies beyond the MP3

cutoff of 20 kHz. While a better compression format, it wasn’t as widely adopted as MP3.

As a result, not as many media devices support AAC. If compatibility is a primary

concern MP3 may still be a better choice.

It’s Just The Beginning

So much has changed over the last two decades when it comes to audio formats. While

the rate of change has slowed manufacturers are continuing to push the boundaries to

convince us that we need the next best thing.

There is a natural barrier to human hearing so future developments will have to lean on

other angles to entice consumers. I’d like to think that we have reached the pinnacle of
audio formats but it would be naive to not imagine further change. As the way we

consume media evolves so will audio formats.

Got Questions or Comments?

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Robert Calabrese
I've loved electronic music since the age of 12. From listening to tapes on
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so has my experience and I'm passionate about sharing my journey with

you.

Home DJ Studio focuses on teaching aspiring home DJ’s how to choose the right
equipment and develop their DJing skills. We have over 20 years’ experience in the
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