Abide with me William Henry Monk

...as played by David Kocijan ("TWISI 2 - The Passover", 2011)

q=64 Arr. by David Kocijan

          
strings A el. piano B
       
 

Alto Saxophone

  

16
                       
   
 


                            

22

  



 

                    
C
   
28

 

 

   


              
            
          
32 
 

     
3

                                   

35

       
3


                                 

38

            


D
41
                                 
 



E
          
            
              

51

   
 
 

               
    
     
       
  
54


      

 

   
         

              
56


  
 
3
 
6
              
 
60


  



 
                             
 
  
61

  
 Amazing grace
Traditional
...as played by David Kocijan ("TWISI 3 - feat. Guitar", 2012)
Arr. by David Kocijan
A
 bell    freely 
q = 60 raindrops...

Alto Saxophone

                
3

      
         
7

     

     
 



B in time q = 78
    
            
14

   
3
C
          
22

         
  
 
  
                  
27

        
  

31
                         
                
  




          
    
35

   
   
                    

D
                  
39

         
          
  3

           
42

           
          
3 
      


5


            
45
                   
     

48
               
           

 
       
        



 

2

                             

52

  


  


  
  
    
         
E
55
    
      




3

       
F
65
                 
               
 

 


                            
  
69

  
 



G
               
73

  

  
rit.

    
77
   
 
3
   
    

 Blessed assurance
...as played by David Kocijan and Davor Simunic ("TWISI 3 - feat. Guitar", 2012) Phoebe P. Knapp
Arr. by David Kocijan

 
q = 90 A

Alto Saxophone               

         

       
        
10

                 

 

B C
  
       
17

                       

                    

24

     
           



        
D
 
30
            
       
   
                
4

         
              
      

35

     
        
E
       
           
39

    



           
 
F
                    
45

     
           
 
 
3

                          
        
51



  
 
 
3

G
          
57

               
3
 
   
     

 3 
              
62

            

  



                
H
     3   
66

 
        

2

       
  
  

                                     
70

    


3 3 3

        3            
       
 I
     
   
74

  
     




                                          
 
79

  
  
  
  
  


           
        
 
       
   



83

   
        

                
 J
88       
  
    



3

95
                   
       
      


3
3

                      
           

101
  
  



   
           
105

  
3

      
108 rit.
3 3

            





Alto Sax
It is well with my soul
Horatio Spafford
...as played by David Kocijan ("TWISI 2 - The Passover", 2011) Arr. by David Kocijan
A
  
wind, rain bell bell bell bell

                       
  
 
3

                        

      
8
 
 
  

15
                                      
  
       
3

            

B
           
20

  
  



                      

C

        
27 
  
 
  
3 3

            
                          
32
 
    

                 
             

   
36
  
    

                                               


40
        
 
3 3

      
         

D

44 3

   
 
     


50
            

     
         
   

               
                  
54
 
 

 Nearer my God to Thee
Sarah Flower Adams
...as played by David Kocijan and Davor Simunic ("TWISI 3 - feat. Guitar", 2012)
Arr. by David Kocijan

  
A B C
 
Freely q=60 In time q=120

       
3
  
 
Alto Saxophone

D

29

        
3
               
 

E
    
       
37

   

        

     
F
    
      
45

 

  
      


    
51

                
   

G
      
        
58

    
3 3

    
H
         
  
65

    


    


I
         
          
71

          



76
                                
     

 3

     
J
         
82

 

    
3


  
K
        
90

            
 

  
           

97 rit.

          

   
 Nobody knows the trouble I've seen
...as played by David Kocijan ("The way I see it", 2009) Traditional
Arr. by David Kocijan


A
   
    
      
     
expressive, freely
   3
Alto Saxophone     

3 3

8
   3                       

 
3

  
           
 
6
3 3

      3                     

B
 
12 3

 

         
3 3 3
3

                              

6
16

         
3 3 3

       
18

  
   
    
               
   


3 3 3

                   

C
       
20 3 6 3

         
3 3

  
  
3 3 3
3

 
                                     
23 3 3

  
3 3 3 3

      
                               
26
D

  
3 3 3

            
     
      
30

         
 
      


3 3
3

33
 
                      


    

 
3 3 3 3

     
     
 
  
34

    
   





3 3 3

                       

  
35

   
3 3 3
3
 Silent night
...as played by David Kocijan ("TWISI 3 - feat. Guitar", 2015) F. X. Gruber
Arr. by David Kocijan


q = 130 A
            
           
Alto Saxophone

  

16
                  
   
     

       
B

           
24

     



C
    
    
33

                 

   


           3            
44

 
         
 
3 3

            
50
  
         
                 

3 3

             
D

          

 
57
   
      


 
E
 

64
 

              
            
     

 3

         
      
              
 

70

     

 




    3              
   
76

               


    
3

                            
    
82


  
   
3 3

      3    F  
3
        
88
     
 

   


3 3 3
2
                      
96
    

    

 
  

  3    
G
        
105

            
3
  


  
3

      
 
H
                       
115



 


          I
     
        


122

     



3 3
                 
  
J
      
128

     
3
     

 

3 3

       
   
K
 
  


135

 
 
  


             


 
142

  
  
 
3
 What a friend we have in Jesus
Words by Joseph M. Scriven
...as played by David Kocijan ("The way I see it", 2009)
Music by Charles C. Converse

        
A B
  
q = 64 Arr. by David Kocijan

         

Alto Saxophone
   

   
     
C

                 
17

    
    
    
3

22
             
            


  
         
3 3

       
D
   
      
27 3

           

       
E
     
                 
34

        

38
                     
      
   
 
3

                              

40

       
3

          
F 3
43
       
          
          
 
       


           
                     

47
        
    
 
  


                          

50

   
