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Whats The Use - Mac Miller

This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

Uploaded by

Pol M A
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
426 views16 pages

Whats The Use - Mac Miller

This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

Uploaded by

Pol M A
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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What’s the use

Mac Miller
Arr. Miquel Tià i Pol

          
 = 105

 
0. Intro


Bass Guitar

     
         

      
Piano

   

             
Upright Bass
  

                 
9


0.1. Intro tutti


B. Gtr

  
  

   
Pno

       
       
      

Bass
  
2 What’s the use

                
12




B. Gtr

  


 

   
Pno

     
 
Bass
              
     

                 
15


1. You can love it


B. Gtr

 
  

  
Pno

 

    
    

    

Bass
           

                 
18




B. Gtr

   

    
Pno

           
        

Bass
            
What’s the use 3

                 
21




B. Gtr

   

    
Pno

       
       
      

Bass
  

                
24


2. I just wanna


B. Gtr

   

    
Pno

     
 
Bass
              
     

                 
27




B. Gtr

   

    
Pno

    
   

     

           
Bass
4 What’s the use

                 
30




B. Gtr

   

    
Pno

           
        

Bass
            

                 
33


3. Okey we callin’ in a bridge


B. Gtr

   

    
Pno

       
       
      

Bass
  

                
36




B. Gtr

   

    
Pno

     
 
Bass
              
     
What’s the use 5

                 
39


4. I’m so a-bove and beyond


B. Gtr

   

    
Pno

    
    

    

Bass
           

                 
42




B. Gtr

   

    
Pno

           
        

Bass
            

                 
45




B. Gtr

   

    
Pno

       
       
      

Bass
  
6 What’s the use

                
48


5. Yeah, the time is ticking


B. Gtr

   

    
Pno

     
 
Bass
              
     

                 
51




B. Gtr

   

    
Pno

    
    

    

Bass
           

                
54




B. Gtr

   

    
Pno

  
      
  
                
Bass
   3
What’s the use 7

                 
57


6. You can love it Tornada


B. Gtr

   

    
Pno

       
       
      

Bass
  

                
60




B. Gtr

   

    
Pno

     
 
Bass
              
     

                 
63




B. Gtr

   

    
Pno

    
   

     

           
Bass
8 What’s the use

                 
66




B. Gtr

   

    
Pno

           
        

Bass
            

                 
69




B. Gtr

   

    
Pno

       
       
      

Bass
  

                
72


7. Well I’ma give you


B. Gtr

   

    
Pno

     
 
Bass
              
     
What’s the use 9

                 
75




B. Gtr

   

    
Pno

    
    

    

Bass
           

                 
78




B. Gtr

   

    
Pno

           
        

Bass
            

                 
81


8. Look how far we came


B. Gtr

   

    
Pno

       
       
      

Bass
  
10 What’s the use

                
84




B. Gtr

        
  
 
    
Pno

     
 
     
     
        
Bass

                
87
 = 60




B. Gtr


             
  
       
Pno

      
      

Bass
            

                 
93
 = 105




B. Gtr

   

    
Pno

       
       
      

Bass
  
What’s the use 11

                
96




B. Gtr

   

    
Pno

     
 
Bass
              
     

                 
99




B. Gtr

  

   
Pno

       

  
Bass
           
Piano
What’s the use
Mac Miller


Arr. Miquel Tià i Pol

       


       
 = 105

   
        
     


     
          
 = 60


13

     
 
        
 
17 - 83 85 - 88


  
        
91


      
TACET AL FINE
Upright Bass
What’s the use
Mac Miller
Arr. Miquel Tià i Pol

    
     
        
 
          
 = 105

        
1-7

              
12

        
     
  
        
              
16

        
     
  
        
              
20

     
    
     
  
        
              
24

 
       
      

        
              
28

        
     
  
        
              
32

        
     
  
        
              
36

        
     
  
        
              
40

     
    
     
  
        
              
44

 
       
      

        
              
48

        
     
  
 
      

             
    
52

    
 
  
    
   
  
           

     

56

        
        
3

              
60

        
     
  
2 What’s the use
Upright Bass

        

       
             
64

  
    

        

       
             
68

  
    

        

       
             
72

  
    

        

       
             
76

  
    

        

       
             
80

  
    

        

       
             
84

  
    

  
                      
 = 60


      
88
 = 105

          
 
                   
94

 
     

            
     

     
98

   
Bass Guitar
What’s the use
Mac Miller
Arr. Miquel Tià i Pol


 = 105

 
                      
0. Intro 0.1. Intro tutti


                        
1-8
13


1. You can love it


                        
18


                        
23


2. I just wanna


                        
28


                        
33


3. Okey we callin’ in a bridge


                        
38


4. I’m so a-bove and beyond


                        
43


                        
48


5. Yeah, the time is ticking


                        
53


6. You can love it Tornada


                        
58


                        
63


                        
68


                        
73


7. Well I’ma give you
2 What’s the use
Bass Guitar


                        
78


8. Look how far we came


                        
83

 
                     
88
 = 60  = 105


89 - 92


                        
96

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