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Arta Final Exam

The document discusses various art movements and styles from different parts of Asia. It provides examples of specific artworks, techniques, and influences across Indian, Cambodian, Japanese, Balinese, Laotian, Vietnamese, Philippine, Tibetan, Bhutanese, Korean, Chinese, and Earth art. Key information discussed includes sculptural developments in India, mandalas in Cambodian art, woodcut prints in Buddhist art, everyday objects in Japanese art, ceramics and haniwa figures in Japanese art, Chinese influences on Tibetan painting, and minimalism.

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0% found this document useful (0 votes)
650 views5 pages

Arta Final Exam

The document discusses various art movements and styles from different parts of Asia. It provides examples of specific artworks, techniques, and influences across Indian, Cambodian, Japanese, Balinese, Laotian, Vietnamese, Philippine, Tibetan, Bhutanese, Korean, Chinese, and Earth art. Key information discussed includes sculptural developments in India, mandalas in Cambodian art, woodcut prints in Buddhist art, everyday objects in Japanese art, ceramics and haniwa figures in Japanese art, Chinese influences on Tibetan painting, and minimalism.

Uploaded by

xuxi dul
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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The content of an artwork includes the not “The optical art favored the cool over the

only its form but also its subject matter and `dramatic`.   Their artworks were frequently
underlying meanings or themes.    The fabricated from industrial materials and
perceiver of the artwork must take into emphasized anonymity over the expressive
consideration the totality of elements, excess of impressionism. Both false
underlying themes and motifs, and
Historians note that Japanese painting had a
composition. Both true
profound influence on Tibetan painting in
Most sculpture were done in monumental general.   Tibetan painting had incorporated
styles wherein rocks and mountains many elements from the Japanese traditions.
served as a barrier that made the viewer Both false
distracted initially from the main subject
The practice of appropriation is often thought
of the work.   Rounded forms rise in a way
to support the point of view that authorship
that it flows from the background into the
in art is an outmoded or misguided concept. 
foreground. False and true
With appropriated works, the viewer is less
The most pertinent movement that likely to consider the role of the author or
solidified the move to contemporary art artist in constructing interpretations and
was expressionism. Postmodernism opinions. Both true
encroaches on other smaller movements
When an artist makes his work, he has already
that included conceptual art, neo-
an idea of the elements that will be included
expressionism. False and true
in his work. As he begins to craft his work, he
Infusing spontaneity and improvisation will not deviate from his original plan. True
adds up to the totality of the work of art.  and false
The unexpectedness of the changes
Appropriation of art has been a common
brought about by improvisation makes
practice throughout history. In the past, if an
the artwork to have a distinctive quality
expertise painter needs to hone his skills in his
that creates its individuality and identity.
craft, he would be allowed to use his other’s
Both true
work to copy. True and false
In the northern islands of the Philippines
Images and elements of culture that have
archipelago, the Moros of Mindanao had
been appropriated commonly involve famous
distinct architecture of their own. It was
and recognizable works of art.  The concepts
brought by the Spaniards with them along
of originality and of authorship are central to
with the Christian religion. Both false
the debate of appropriation in contemporary
Traditional Vietnamese paintings showed art. Both true
subjects in two dimensions without
The term ‘workmanship’ refers to one who
perspective. The size of each element in
originates or gives existence to a piece of
the picture reflected its degree of non-
work.   Authorship determines a responsibility
importance. Both false
for what is created by that author. False and
Art has been an instrument to reflect the true
things and events that transpired in the past
Earth Art movements is related to graffiti art.
so that the future generations can have a
Artworks created are not traditional in format
glimpse of that past. With the advent of
but are informed by the illustrative, painterly
technological advancements, societies have
and print techniques and even a variety of
improved the ways and means through which
media. False and true
art can be communicative tool. Both true
 The art carving was transformed into
sculpture of the saints.
 Art examples are the petroglyphs such
as those found in two ancient Philippine Art
quartzite caves.
 One of the most popular forms of art,
Indian Art the silk painting typically depicted the
countryside, pagodas, landscapes,
 Sculpture soon goes beyond religious
scenes of everyday life and historical
representation, which becomes
events.
almost a pretext in order to portray
court figures in the guise of gods and Vietnamese Art
goddesses.
 This painting is one of the oldest and
Cambodian Art most highly refined of the Japanese
arts.
 A common visual device in this art is
the mandala.

Buddhist Art

 Developed a kind of painting called


the “Pictures of the Floating
World," which was crafted through
woodcut prints.

Japanese Art

 Art is actually carved, painted, woven,


and prepared into objects intended
for everyday use rather than as object Kaiga
d 'art.
 Artists here are Robert Smithson,
Balinese Art Christo, Richard Long, Andy
Goldsworthy, and Jeanne-Claude.
 The two most famous sculptures
carved in semi-precious stone are the Earth Art
Phra Keo (The Emerald Buddha) and
the Phra Phuttha Butsavarat.  Artworks under this movement
showed certain kind of dynamism.
Laotian Art
Optical Art
 One of the ceramic products created
is called haniwa. These are ceramic  Designed for a mass audience
figures that are made up of clay. Pop Art
Japanese Art  A painstaking attention to detail is
 Historians note that Chinese painting aimed, without asserting an artist’s
had a profound influence on their personal style. Photorealism
art/painting in general.

Tibetan Art?
 Who is the artist associated with this
painting?

Carlos Francisco

 Each divine being is assigned special


shapes, colors, and/or identifying
objects, such as lotus, conch-shell,
thunderbolt, and begging bowl.

Bhutanese Art
Fernando Amorsolo  A thing is presented as itself, without
pretensions or embellishments.
 Modern artists began to utilize French
techniques with many traditional Minimalism
mediums such as silk, lacquer, etc.,
thus creating a unique blend of  Sometimes considered as a kind or a
eastern and western elements. spin-off of installation art.

Vietnamese Art Earth Art?

 Is an exotic Philippine art form based  An art given birth to and developed
on early century techniques—graffito, by a nation is in its own art.
exaustic and layering. Korean Art
Kutkut Art  Paintings of more subtle expression of
 It is defined as doing something landscapes appeared, with blurred
without prior preparation. outlines and mountain contours
which conveyed distance through an
Improvisation impressionistic treatment of natural
phenomena.
 Which means the “thirteen arts and
crafts of Bhutan”. Chinese Art
Art of Zorig Chosum

 A highly developed although informal


Baroque folk art that combines the
peasant liveliness with the refinement
of classicism of Hinduism.

Indonesian Art/Balinese art


 Art traveled with believers as the e Emerald Buddha, as a religious art. 
dharma spread, adapted, and evolved
in each new host country.

Bhutanese Art/ Buddhist art

 One of the most popular art forms


is this artwork.

Rangoli

 Art in essence became an expression


Phra keo
of worship
 Artists tried to follow the canonical
Japanese Art
defining marks of a Buddha, as they
 The visual arts (sculpture, painting are set out in ancient Pali texts.
and architecture) are tightly
Thailand Art
interrelated with the non-visual arts
 An uninterrupted and exceptional
Indian Art
meeting of the Hindu and Buddhist
 Artworks created are not traditional ethos practiced by its highly religious
in format but are informed by the people
illustrative, painterly and print
Nepalese Art
techniques and even a variety of
media  The caves are noted for their
impressive Buddhist and style
Street Art
sculptures carved into the cave walls.

Nepalese Art????

 Art is first and foremost a form of


sacred art, reflecting the over-riding
influence of Buddhism on these
cultures

Tibetan Art
 A Philippine cubist painter who did  The heart of the artwork is its idea or
this painting. message.

Performance Art

 Fought against the idea that art is a


commodity.

Conceptualism

 These works operate under


interesting circumstances since they
are unsanctioned and do not enjoy
the invigilated environments of
museums and galleries.
Vicente Manansala Street Art?
 Identify what Art movement is this  Makes use of a host of objects,
picture?  materials, conditions, and even light
and aural components.

Installation Art

Street Art

 Art may be planned or spontaneous


and done live or recorded.

Performance Art

 Identify what Art movement is this


picture?  

Installation Art

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