Visual Perception Intro Tom Cornsweet
Visual Perception Intro Tom Cornsweet
TOM N. CORNSWEET
Stanford Research Institute
T E
Preface
XI
I. INTRODUCTION
Information 2
A Definition of "Seeing" 27
Light Sources 29
Lenses and Refraction 31
The Intensity of an Image 42
Depth of Focus 45
The Stimulus in the Hecht Experiment 46
Collimated Light 53
Sources of imperfection of the Retinal Image 56
Measurements of the Real Retinal Image 60
Problems 67
Phase 387
The Temporal Modulation Transfer Function 387
Physiological Correlates of Temporal Events 410
REFERENCES 455
Author Index
465
Subject Index
469
Preface
This book grew out of courses that I have taught at Yale University
and the University of California, Berkeley. It is aimed at bright under
graduate and graduate students, regardless of their academic back
grounds. Although the text leans heavily upon physical and phys
iological concepts, I have tried to include explanations of the relevant
physics and physiology, so that readers with limited backgrounds in
these areas will not be handicapped.
I have covered what I believe are the fundamental topics under
lying the entire, broad field of visual perception. This material can
serve both as a factual background for further topics in perception,
and also, I hope, as a set of paradigms for approaches to additional
topics in vision and other sensory modalities. The areas discussed
most extensively are those related to the perception of brightness and
color. These topics are considered in depth, and I have tried to discuss
xii Preface
both aspects of perception that are well understood and problems that
have not yet been solved.
I consider that a perceptual phenomenon has a scientific explana
tion if it can be shown to be a particular instance of a more general
perceptual property or law, or if its physiological correlates are
understood. In this light, I have restricted the coverage to only two
kinds of topics, those for which there is a widely accepted explanation
at the present time, and those for which I can imagine one or more
plausible explanations that may not yet have been adequately tested.
Thus, I have excluded many topics (for example, the influence of
motivation upon perception) because my own capacity for inventing
coherent and complete explanations is simply not sufficient to handle
them, and others because I do not know enough about them to explain
them plausibly (for example, the perception of movement).
Because each section of this book is built upon the material that
has preceded it, the text should be read in the order presented. I
would also urge the reader not to skip any of the material; if he is
already familiar with a given topic (for example, the physics of light,
Chapter III), he should skim those pages, not skip them, since there
may well be material there that is new to him (for example, the ma
terial on the optics of the eye in Chapter III).
This is not a reference work; rather, it is aimed at developing an
understanding of visual perception. For this reason, the number of
references is limited. I have tried to select those references on each
topic that seemed most likely to lead the interested reader to a more
complete listing of the relevant literature. (Many of the references
that are included are given in the figure captions.) There is a listing
of some secondary sources at the end of the book that provide more
complete documentation.
There are brief problem sets following some chapters. These prob
lems are an integral part of the text, in that many of them require
the reader to consider aspects of the topics that are not directly
covered in the text itself. I have furnished answers to only a small
proportion of the problems, because I have found that easy access to
answers often short-circuits even the most earnest student's thinking.
I OOO INTRODUCTION
tion is performed are properties of the organism itself. They are the
ways in which the organism interacts with the physical properties
of its environment.
In this book, the nature of our perceptual system will be discussed in
terms of the kinds of information that we are able to assimilate from the
world. This selection of information is governed by the structure of our
receptors and the neural circuits that are connected to them. The topic
defined by these considerations consists of the relationships between
the physical variables in the environment and the physiological prop
erties of the sensory systems of an organism. Our knowledge of these
relationships is based in part on physiological studies, but it is also
based in large part on a certain class of perceptual studies in which a
subject is presented with stimuli, and in certain carefully prescribed
ways, is asked what he sees. This book will discuss data gathered both
in physiological and perceptual experiments.
The study of the relationship between information assimilation and
the physiology of the visual system is only a part of the topic called
visual perception. We use language and other symbols to refer to our
experiences. We say that a light is bright or red. The relationships be
tween these symbols and their corresponding physical and physiologi
cal variables are also in the domain of perception, but, while they are
closely related to information processing, they must be treated sepa
rately, and will be so treated here.
is off), but it is useful to distinguish between the energy and the infor
mation itself. For example, you might acquire the information that the
bulb is on even if you are blind. Someone else might tell you. In that
case, the information was carried to you by sound energy, but it is ex
actly the same information. A more relevant example is this: When the
light from the bulb is absorbed by your visual receptors, the energy
that carries the bit of information that the bulb is on (instead of off) is
changed from light to chemical energy, but the bit of information itself
is unchanged.
If the red light is on but the subject's eyes are closed, we may say
that the information is present in the environment, but it is not assimi
lated by his system. Now suppose his eyes are open. How can we find
out whether or not his system loses the information that the bulb is on?
We must have some means of measuring the transmission of informa
tion through the subject's system.
We have been assuming that we know whether or not the bulb is on.
Say that we know it is on because we can see it. (You may wish to call
this the definition of the fact that the bulb is on.) If we want to know
whether or not the subject's system is capable of retaining or acting
upon that information (i.e., whether or not he sees this particular kind
of light), we must engage in a somewhat complicated procedure. Sup
pose we just ask him if he sees the light, and he says "yes." That re
sponse tells us nothing positive about his response to the light. It only
tells us about his response to the question. He might be lying, or he
might not really understand the question. (For instance, if he had been
blind from birth, he might well use the word "see" to refer to some
thing when he is able to imagine it.) To determine whether or not his
system really retains the information about the light, we must give him
a series of trials such that, in some of them the bulb is on and in the
remainder the bulb is off, recording his response to each trial. We then
look at the correlation between the presence or absence of the light
and his responses, and if that correlation is great enough, we can con
clude that his system does not lose the information carried by the rays
from the bulb. (There are obviously several restrictions we must im
pose on the procedure, making sure that no information other than the
light itself is available to the subject. For instance, the bulb should
not make a noise audible to the subject.)
The measurement just described tells us whether or not the subject's
system in its entirety, including his eyes, brain, vocal cords, toes, etc.,
is capable of retaining and acting upon information about the presence
or absence of the light. If we want to be more specific about which
parts of his system are involved in the process, we must do additional
4 Introduction