Advanced User Guide: CT2-D181-A © CANON INC. 2022

Advanced User Guide
CT2-D181-A © CANON INC. 2022

Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Package Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Supplemental Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Compatible Accessories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Instruction Manuals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Quick Start Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
About This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Compatible Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Safety Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Handling Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Part Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Preparation and Basic Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Charging the Battery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Inserting/Removing Batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Inserting/Removing Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Using the Screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Turning on the Power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Attaching and Detaching RF/RF-S Lenses. . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Attaching and Detaching EF/EF-S Lenses. . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Multi-Function Shoe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Using the Viewfinder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Basic Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Menu Operations and Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Quick Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Touch-Screen Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Basic Zone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
A+: Fully Automatic Shooting (Scene Intelligent Auto). . . . . . . . . . . . . . . . 95
Special Scene Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Portrait Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Group Photo Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Landscape Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Panoramic Shot Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Sports Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Kids Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Panning Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Close-up Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Food Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Night Portrait Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Handheld Night Scene Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
HDR Backlight Control Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Silent Shutter Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Creative Filters Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Creative Zone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Fv: Flexible-Priority AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
P: Program AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Tv: Shutter-Priority AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Av: Aperture-Priority AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
M: Manual Exposure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
B: Long (Bulb) Exposures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Shooting and Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Still Photo Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Tab Menus: Still Photo Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Image Quality. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Dual Pixel RAW. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Still Image Aspect Ratio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Auto Exposure Bracketing (AEB). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Manual Exposure Compensation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Exposure Lock (AE Lock). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
ISO Speed Settings for Still Photos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
HDR Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
HDR Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Auto Lighting Optimizer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Highlight Tone Priority. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Anti-Flicker Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Shooting with Speedlites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Flash Function Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Metering Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
White Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
White Balance Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Color Space. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Picture Style Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Picture Style Customization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Picture Style Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Clarity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Shooting Creative Filters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Lens Aberration Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Long Exposure Noise Reduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
High ISO Speed Noise Reduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Dust Delete Data Acquisition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Multiple Exposures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
RAW Burst Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Focus Bracketing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Interval Timer Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Silent Shutter Function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Shutter Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Releasing Shutter without Card. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Image Stabilizer (IS Mode). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Auto Level. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Customizing Quick Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Shooting with the Touch Shutter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Image Review. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
High-Speed Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
Metering Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Display Simulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Optical Viewfinder Simulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Shooting Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Reverse Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Viewfinder Display Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
Display Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
General Still Photo Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Tab Menus: Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Movie Recording Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
High Frame Rate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Digital Zoom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Sound Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Canon Log Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Time-Lapse Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Movie Self-Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395
Image Stabilizer (IS Mode). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396
Shutter Button Function for Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 399
Zebra Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
Time Code. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 404
Other Menu Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 411
General Movie Recording Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
AF/Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Tab Menus: AF (Still Photos). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426
Tab Menus: AF (Movie Recording). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 432
AF Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 437
Movie Servo AF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443
Selecting the AF Area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Preview AF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 471
Touch & Drag AF Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 472
Manual Focus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 475
Servo AF Characteristics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 483
Customizing AF Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 494
Selecting the Drive Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506
Using the Self-Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509
Remote Control Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 511
Customizing Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516
Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522
Tab Menus: Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 524
Image Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 529
Magnified Image Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 534
Index Display (Multiple-Image Display). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 542
Movie Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545
Editing a Movie's First and Last Scenes. . . . . . . . . . . . . . . . . . . . . . . . . . . . 549
Frame Extraction from 4K Movies or 4K Time-Lapse Movies. . . . . . . . . . . . 552
Playback on a TV Set. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 555
Protecting Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 557
Erasing Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 561
Rotating Still Photos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568
Changing Movie Orientation Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . 570
Rating Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 572
Copying Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 578
Print Ordering (DPOF). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 586
Photobook Set-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 591
RAW Image Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 596
Creative Assist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 605
Quick Control RAW Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 608
Cloud RAW Image Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 610
Playback Creative Filters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 620
Resizing JPEG/HEIF Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 624
Cropping JPEG/HEIF Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 626
Converting HEIF to JPEG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 629
Slide Show. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 631
Setting Image Search Conditions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 634
Resuming from Previous Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 638
Browsing Images with the Main Dial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 639
Customizing Playback Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . 641
Displaying the Highlight Alert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 645
AF Point Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 646
Playback Grid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 647
Movie Play Count. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 648
Still Photo Extraction from RAW Burst Images. . . . . . . . . . . . . . . . . . . . . . . 650
HDMI HDR Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 653
Wireless Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 654
Tab Menus: Wireless Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 656
Wi-Fi/Bluetooth Connection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 657
Connecting to a Smartphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 659
Connecting to a Computer via Wi-Fi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 699
Connecting to a Printer via Wi-Fi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 706
Sending Images to a Web Service. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 720
Streaming Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 726
Wi-Fi Connection via Access Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 734
Connecting to a Wireless Remote Control. . . . . . . . . . . . . . . . . . . . . . . . . . . 742
Reconnecting via Wi-Fi/Bluetooth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 747
Registering Multiple Connection Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . 749
Airplane Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 750
Wi-Fi Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 751
Bluetooth Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 752
Nickname. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 753
GPS Device Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 754
Changing or Deleting Connection Settings. . . . . . . . . . . . . . . . . . . . . . . . . . 759
Resetting Communication Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 762
View Info Screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 763
Virtual Keyboard Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 764
Responding to Error Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 765
Wireless Communication Function Precautions. . . . . . . . . . . . . . . . . . . . . . . 772
Security. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 774
Checking Network Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 775
Wireless Communication Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 776
Set-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 778
Tab Menus: Set-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780
Selecting Cards for Recording/Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . 783
Folder Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 790
File Numbering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 794
File Naming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 799
Card Formatting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 802
Auto Rotate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 805
Adding Orientation Information to Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . 807
Date/Time/Zone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 808
Language. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 811
Video System. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 812
Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 813
Shooting Mode Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 816
Beeps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 818
Volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 819
Headphones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 820
Power Saving. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 823
Screen and Viewfinder Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 825
Screen Brightness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 827
Viewfinder Brightness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 828
Screen and Viewfinder Color Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 829
Fine-Tuning Viewfinder Color Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 830
UI Magnification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 831
HDMI Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 832
Touch Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 833
Multi-Function Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 834
Focus Mode Switch (AF/MF). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 835
Shutter at Shutdown. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 836
Sensor Cleaning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 837
App Selection for USB Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 842
Resetting the Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 843
Custom Shooting Mode (C1–C3). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 845
Battery Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 848
Copyright Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 855
Other Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 858
Custom Functions/My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 859
Tab Menus: Custom Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 860
Custom Function Setting Items. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 863
Tab Menus: My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 889
Registering My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 890
Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 897
Importing Images to a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 898
Importing Images to a Smartphone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 901
Using a USB Power Adapter to Charge/Power the Camera. . . . . . . . . . . . . 904
Troubleshooting Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 907
Error Codes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 927
ISO Speed in Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 928
Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 929
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 940
Trademarks and Licensing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 961
Introduction
Before starting to shoot, be sure to read the following
To avoid shooting problems and accidents, first read the Safety Instructions and Handling
Precautions. Also read this Advanced User Guide carefully to ensure that you use the
camera correctly.
Take some test shots, and understand about product liability
After shooting, play images back and check whether they have been properly recorded. If
the camera or memory card is faulty and images cannot be recorded or transferred to a
computer, Canon cannot be held liable for any loss or inconvenience caused.
Copyrights
Copyright laws in some countries prohibit the unauthorized use of images recorded with the
camera (or music/images with music transferred to the memory card) for purposes other
than personal enjoyment. Also be aware that certain public performances, exhibitions, etc.
may prohibit photography even for private enjoyment.
• Package Contents
• Supplemental Information
• Compatible Accessories
• Instruction Manuals
• Quick Start Guide
• About This Guide
• Compatible Cards
• Safety Instructions
• Handling Precautions
• Part Names
• Software
10
Package Contents
Before use, make sure the following items are included in the package. If anything is
missing, contact your dealer.
Camera
(with body cap (Camera Cover R-F-5) and shoe cover)
Battery Pack LP-E6NH

(with protective cover)
Battery Charger LC-E6/LC-E6E*
Strap
* Battery Charger LC-E6 or LC-E6E is provided. (The LC-E6E comes with a power cord.)
The camera does not come with a memory card ( ), interface cable, or HDMI cable.
If you purchased a Lens Kit, check that the lenses are included.
Be careful not to lose any of these items.
No software CD-ROM is included. Software ( ) can be downloaded from the Canon
website.
11
Caution
When you need Lens Instruction Manuals, download them from the Canon website
( ).
Lens Instruction Manuals (PDF files) are for lenses sold separately, and when a
lens kit is purchased, some accessories included with the lens may not match
those listed in the Lens Instruction Manual.
12
Supplemental Information
Refer to the following website for information on lenses compatible with camera features,
and for supplemental information about the camera.
https://cam.start.canon/H001/
13
Compatible Accessories
Check the following website for details on compatible accessories.
14
Instruction Manuals
The included Instruction Manual provides basic camera instructions.
Advanced User Guide

Complete instructions are provided in this Advanced User Guide.
For the latest Advanced User Guide, refer to the following website.
https://cam.start.canon/C005/
Lens/Software Instruction Manual

Download from the following website and refer to the supplemental information.
https://cam.start.canon/
Note
Select [ : Manual/software URL] to display the QR code on the camera screen.
15
Quick Start Guide
1. Insert the battery ( ).
Upon purchase, charge the battery to start using ( ).
2. Insert the card ( ).
You can insert two cards.
3. Attach the lens ( ).
Align the red mount index on the lens with the red mount index on the
camera to attach the lens.
16
4. Set the focus mode to < >( ).
5. Set the power switch to < >( ).
6. Flip out the screen ( ).
When the date/time/zone setting screen is displayed, see Date/Time/

Zone.
17
7. Set the Mode dial to < >( ).
All the necessary camera settings is set automatically.
8. Focus on the subject ( ).
A tracking frame [ ] for AF appears over any face detected.

Press the shutter button halfway, and the camera will focus on the
subject.
9. Take the picture ( ).
Press the shutter button completely to take the picture.
18
10. Review the picture.
The image just captured will be displayed for approx. 2 sec. on the
screen.
To display the image again, press the < > button ( ).
19
About This Guide
Icons in This Guide
Basic Assumptions for Operational Instructions and Sample Photos
Icons in This Guide
< > Indicates the Main dial.
< > Indicates the Quick control dial.
< > Indicates the Multi-controller.

< >< >< >
Indicates the direction to press the cross keys (< >).
< >
< > Indicates the lens control ring.
< > Indicates the Quick Control/Set button.

Indicates the duration (in * seconds) of the operation for the button you pressed, as
* timed after you release the button.
In addition to the above, the icons and symbols used on the camera's buttons and
displayed on the screen are also used in this guide when discussing relevant operations
and functionality.
to the right of titles indicates functions only available in < >, < >, < >, < >,
< >, or < > mode or for manual exposure movie recording.
Links to pages with related topics.
Warning to prevent shooting problems.
Supplemental information.
Tips or advice for better shooting.
Troubleshooting advice.
20
Basic Assumptions for Operational Instructions and
Sample Photos
Before following any instructions, make sure the power switch is set to < >( )
and the Multi-function lock feature is off ( ).
It is assumed that all the menu settings and Custom Functions are set to their defaults.
Illustrations in this guide show the camera with the RF-S18-150mm F3.5-6.3 IS STM
lens attached as an example.
The sample photos displayed on the camera and used in this guide are for instructional
purposes only.
In instructions, it is assumed that you will select setting items with the < > dial or
< >. Some items can also be selected by tapping the screen or using the < > dial
or < >< >< >< > keys.
In references to using EF or EF-S lenses, it is assumed that a mount adapter is used.
21
Compatible Cards
The following cards can be used with the camera regardless of capacity. If the card is new
or was previously formatted (initialized) by another camera or computer, format the
card with this camera ( ).
SD/SDHC/SDXC memory cards

UHS-II and UHS-I cards compatible
Cards That Can Record Movies
When recording movies, use a card with ample performance (fast enough writing and
reading speeds) for the movie recording size ( ).
In this guide, “card” refers to SD memory cards, SDHC memory cards,

and SDXC memory cards.
*A card is not included. Please purchase it separately.
22
Safety Instructions
Be sure to read these instructions in order to operate the product safely.

Follow these instructions to prevent injury or harm to the operator of the product or others.
WARNING: Denotes the risk of serious injury or death.
Keep the product out of the reach of young children.

A strap wrapped around a person's neck may result in strangulation.
The parts or provided items of cameras or accessories are dangerous if swallowed. If
swallowed, seek immediate medical assistance.
The battery is dangerous if swallowed. If swallowed, seek immediate medical assistance.
Use only power sources specified in this instruction manual for use with the product.
Do not disassemble or modify the product.
Do not expose the product to strong shocks or vibration.
Do not touch any exposed internal parts.
Stop using the product in any case of unusual circumstances such as the presence of
smoke or a strange smell.
Do not use organic solvents such as alcohol, benzine or paint thinner to clean the
product.
Do not get the product wet. Do not insert foreign objects or liquids into the product.
Do not use the product where flammable gases may be present.
This may cause electric shock, explosion or fire.
Do not leave a lens or a camera/camcorder with a lens attached, exposed without the
lens cap attached.
The lens may concentrate the light and cause fire.
Do not touch the product connected to a power outlet during lightning storms.
This may cause electric shock.
Observe the following instructions when using commercially available batteries or
provided battery packs.
• Use batteries/battery packs only with their specified product.
• Do not heat batteries/battery packs or expose them to fire.
• Do not charge batteries/battery packs using non-authorized battery chargers.
• Do not expose the terminals to dirt or let them come into contact with metallic pins
or other metal objects.
• Do not use leaking batteries/battery packs.
• When disposing of batteries/battery packs, insulate the terminals with tape or other
means.
If a battery/battery pack leaks and the material contacts your skin or clothing, flush the
exposed area thoroughly with running water. In case of eye contact, flush thoroughly with
copious amounts of clean running water and seek immediate medical assistance.
23
Observe the following instructions when using a battery charger or AC adapter.
• Periodically remove any dust buildup from the power plug and power outlet using a
dry cloth.
• Do not plug in or unplug the product with wet hands.
• Do not use the product if the power plug is not fully inserted into the power outlet.
• Do not expose the power plug and terminals to dirt or let them come into contact
with metallic pins or other metal objects.
• Do not touch the battery charger or AC adapter connected to a power outlet during
lightning storms.
Do not place heavy objects on the power cord. Do not damage, break or modify the
power cord.
Do not wrap the product in cloth or other materials when in use or shortly after use when
the product is still warm in temperature.
Do not unplug the product by pulling the power cord.
Do not leave the product connected to a power source for long periods of time.
Do not charge batteries/battery packs at temperatures outside the range of 5 - 40 °C (41
- 104 °F).
Do not allow the product to maintain contact with the same area of skin for extended
periods of time during use.
This may result in low-temperature contact burns, including skin redness and blistering,
even if the product does not feel hot. The use of a tripod or similar equipment is
recommended when using the product in hot places and for people with circulation problems
or less sensitive skin.
Follow any indications to turn off the product in places where its use is forbidden.
Not doing so may cause other equipment to malfunction due to the effect of electromagnetic
waves and even result in accidents.
24
CAUTION: Follow the cautions below. Otherwise physical
injury or property damage may result.
Do not fire the flash near the eyes.

It may hurt the eyes.
Do not look at the screen or through the viewfinder for prolonged periods of time.
This may induce symptoms similar to motion sickness. In such a case, stop using the
product immediately and rest for a while before resuming use.
Flash emits high temperatures when fired. Keep fingers, any other part of your body,
and objects away from the flash unit while taking pictures.
This may cause burns or malfunction of the flash.
Do not leave the product in places exposed to extremely high or low temperatures.
The product may become extremely hot/cold and cause burns or injury when touched.
Strap is intended for use on the body only. Hanging the strap with any product attached
on a hook or other object may damage the product. Also, do not shake the product or
expose the product to strong impacts.
Do not apply strong pressure on the lens or allow an object to hit it.
This may cause injury or damage to the product.
Only mount the product on a tripod that is sufficiently sturdy.
Do not carry the product when it is mounted on a tripod.
This may cause injury or may result in an accident.
Do not touch any parts inside the product.
This may cause injury.
If any abnormal skin reaction or irritation occurs during or following the use of this
product, refrain from further use and get medical advice/attention.
Do not touch the screen storage compartment (A), because its

temperature can increase by repeated continuous shooting for extended time
or movie recording. This may cause burns.
25
Handling Precautions
Camera care
This camera is a precision instrument. Do not drop it or subject it to physical shock.

The camera is not waterproof and cannot be used underwater.
To maximize the camera's dust- and drip- resistance, keep the terminal cover, battery
compartment cover, card slot cover, and all other covers firmly closed. Also attach the
shoe cover to the multi-function shoe.
This camera is designed to be dust- and drip- resistant, in order to help prevent sand,
dust, dirt, or water that falls on it unexpectedly from getting inside, but it is impossible to
prevent dirt, dust, water, or salt from getting inside at all. As far as possible, do not allow
dirt, dust, water, or salt to get on the camera.
If water gets on the camera, wipe it off with a dry and clean cloth. If dirt, dust, or salt gets
on the camera, wipe it off with a clean, well-wrung wet cloth.
Using the camera in dusty or dirty locations may lead to damage.
Cleaning the camera after use is recommended. Allowing dirt, dust, water, or salt to
remain on the camera may cause a malfunction.
If you accidentally drop the camera into water or are concerned that moisture (water),
dirt, dust, or salt may have gotten inside it, promptly consult the nearest Canon Service
Center.
Never leave the camera near anything having a strong magnetic field such as a magnet
or electric motor. Also, avoid using or leaving the camera near anything emitting strong
radio waves, such as a large antenna. Strong magnetic fields can cause camera
malfunction or destroy image data.
Do not leave the camera in excessive heat, such as in a car in direct sunlight. High
temperatures can cause the camera to malfunction.
The camera contains precision electronic circuitry. Never attempt to disassemble the
camera yourself.
Do not block shutter curtain operation with your finger or other objects. Doing so may
cause a malfunction.
Only use a commercially available blower to blow away dust on the lens, viewfinder, or
other parts. Do not use cleaners that contain organic solvents to clean the camera body
or lens. For stubborn dirt, take the camera to the nearest Canon Service Center.
Do not touch the camera's electrical contacts with your fingers. This is to prevent the
contacts from corroding. Corroded contacts can cause camera malfunction.
If the camera is suddenly brought in from the cold into a warm room, condensation may
form on the camera and internal parts. To prevent condensation, first put the camera in
a sealed plastic bag and let it adjust to the warmer temperature before taking it out of
the bag.
If condensation forms on the camera, to avoid damage, do not use the camera or
remove the lens, card, or battery. Turn the camera off and wait until the moisture has
fully evaporated before resuming use. Even after the camera is completely dry, if it is still
internally cold, do not remove the lens, card, or battery until the camera has adjusted to
the ambient temperature.
If the camera will not be used for an extended period, remove the battery and store the
camera in a cool, dry, well-ventilated location. Even while the camera is in storage,
press the shutter button a few times once in a while to check that the camera is still
working.
26
Avoid storing the camera where there are chemicals that result in rust and corrosion
such as in a chemical lab.
If the camera has not been used for an extended period, test all its functions before
using it. If you have not used the camera for some time or if there is an important shoot
such as a foreign trip coming up, have the camera checked by your nearest Canon
Service Center or check the camera yourself and make sure it is working properly.
The camera may become hot after repeated continuous shooting or still photo/movie
shooting over an extended period. This is not a malfunction.
If there is a bright light source inside or outside the image area, ghosting may occur.
When shooting with backlighting, keep the sun sufficiently away from the angle of view.
Always keep intense light sources such as the sun, lasers, and other intense artificial
light sources out of the image area and not near it. Concentrated intense light may
cause smoke or damage the image sensor or other internal components.
Attach the lens cap to prevent direct sunlight and other light from entering the lens when
you are not shooting.
Screen and viewfinder
The following does not affect images captured by the camera.
Although the screen and viewfinder are manufactured with very high precision
technology with over 99.99% effective pixels, 0.01% or fewer of the pixels may be dead,
and there may also be spots of black, red, or other colors. This is not a malfunction.
If the screen is left on for a prolonged period, screen burn-in may occur where you see
remnants of what was displayed. However, this is only temporary and will disappear
when the camera is left unused for a few days.
The screen display may seem slightly slow in low temperatures or may look black in
high temperatures. It will return to normal at room temperature.
Cards
To protect the card and its recorded data, note the following:
Do not drop, bend, or wet the card. Do not subject it to excessive force, physical shock,
or vibration.
Do not touch the card's electronic contacts with your fingers or anything metallic.
Do not affix any stickers, etc. on the card.
Do not store or use the card near anything that has a strong magnetic field, such as a
television, speakers, or magnets. Also avoid places prone to having static electricity.
Do not leave the card in direct sunlight or near a heat source.
Store the card in a case.
Do not store the card in hot, dusty, or humid locations.
Cards may become hot after long sessions of repeated continuous shooting or still photo
shooting/movie recording. This is not a malfunction.
27
Lens
After detaching the lens from the camera, put down the lens with the rear end up and
attach the rear lens cap to avoid scratching the lens surface and electrical contacts
(1).
Smudges on the image sensor
Besides dust entering the camera from outside, in rare cases, lubricant from the camera's
internal parts may adhere to the front of the sensor. If smudges are visible on images, have
the sensor cleaned by a nearest Canon Service Center.
Battery
Tips for using the battery and charger
Store in a cool, dry, well-ventilated location.

When charging the battery, aim to charge it to approx. 50% instead of fully charging it
( ).
At room temperature (23°C/73°F), it takes approx. 60 min. to charge a depleted battery
to about approx. 50%. Battery charging time varies greatly depending on ambient
temperature.
Long-term battery storage
Charge about once a year.

If the battery is not used for an extended period, the trace amount of current that
continues to flow inside the battery when it is removed from the camera may eventually
lead to over-discharge and prevent further use, even after charging.
28
Part Names
Attaching the Strap
(1) (17)
(2) (18)
(3)
(19)
(4)
(5) (20)
(6) (21)
(7) (22)
(8)
(23)
(9) (24)
(10)
(25)
(11)
(12) (26)
(13)
(14)
(15)
(16)
29
(1) Mode dial
(2) < > Multi-function lock button
(3) < > ISO speed setting button
(4) < > Main dial
(5) < > Multi-function button
(6) Shutter button
(7) Movie shooting button
(8) Self-timer lamp/AF-assist beam
(9) Remote control sensor
(10) Grip (battery compartment)
(11) DC cord hole
(12) Depth-of-field preview button
(13) Focus mode switch
(14) Contacts
(15) Lens mount
(16) Shoe cover
(17) Flash sync contacts
(18) Multi-function shoe
(19) Microphone
(20) RF lens mount index
(21) Strap mount
(22) < > Focal plane mark
(23) Image sensor
(24) Lens release button
(25) Lens lock pin
(26) Body cap
30
(1) (5)
(2) (6)
(3)
(7)
(4)
(8)
(16) (9)
(10)
(11)
(17) (12)
(18) (13)
(19) (14)
(15)
(20)
(1) Viewfinder eyepiece

(2) Dioptric adjustment knob
(3) < > Menu button
(4) Terminal cover
(5) < > Quick control dial
(6) < / / > Power switch
(7) < > AF start button
(8) < > Multi-controller (can also be pressed straight in)
(9) < > Info button
(10) Access lamp
(11) < > Quick Control/Set button
(12) < > Cross keys
(13) < > Erase button
(14) < > Playback button
(15) Viewfinder sensor
(16) < > External microphone IN terminal
(17) < > HDMI micro OUT terminal
(18) < > Remote control terminal
(19) < > Digital terminal
(20) < > Headphone terminal
31
(4)
(5)
(6)
(7)
(9)
(8) (10)
(1)
(2) (11)
(3) (12)
(1) Serial number (body number)

(2) Tripod socket
(3) Screen
(4) Speaker
(5) < > AE lock button
(6) Strap mount
(7) < / > AF point selection/magnify/reduce button
(8) Card slot cover
(9) Card slot 1
(10) Card slot 2
(11) Battery compartment cover lock
(12) Battery compartment cover
32
Mode dial
The Mode dial is divided into Basic Zone and Creative Zone modes.
(1) Basic Zone
All you do is press the shutter button. The camera sets everything to suit the subject or
scene for shooting.
: Scene Intelligent Auto ( )
: Special scene ( )
Portrait Close-up
Group Photo Food
Landscape Night Portrait
Panoramic shot Handheld Night Scene
Sports HDR Backlight Control

Kids Silent shutter
Panning
: Creative filters ( )
Grainy B/W Miniature effect
Soft focus HDR art standard

Fish-eye effect HDR art vivid
Water painting effect HDR art bold
Toy camera effect HDR art embossed
33
(2) Creative Zone
These modes give you more control for shooting various subjects as desired.
Flexible-priority AE
Program AE
Shutter-priority AE
Aperture-priority AE
Manual exposure
Long (bulb) exposures
(3) Custom shooting modes
You can assign < >, < >, < >, < >, < >, < >, AF operation, menu
functions, and more to < >, < >, or < > ( ).
34
Battery Charger LC-E6
Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( ).
(3)
(1)
(2)
(1) Battery slots

(2) Charge lamp
(3) Power plug
Battery Charger LC-E6E
Charger for Battery Pack LP-E6NH/LP-E6N/LP-E6 ( ).
(1) Charge lamp

(2) Battery pack slot
(3) Power cord
(4) Power cord socket
35
Attaching the Strap
Pass the end of the strap through the strap mount from the bottom, then pass it through the
strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not
loosen from the buckle.
36
Software
Software Overview
Downloading and Installing EOS Software or Other Dedicated Software
Software Instruction Manuals
Software Overview
This section summarizes software used with EOS cameras. Note that downloading and
installing the software requires an internet connection. The software cannot be downloaded
or installed in environments without an internet connection.
EOS Utility
Enables you to transfer your captured still photos and movies from the camera to a
connected computer, set various camera settings from the computer, and shoot remotely
from the computer.
Digital Photo Professional
Software recommended for users who shoot RAW images. Enables image viewing, editing,
printing, and more.
Picture Style Editor
Enables you to edit existing Picture Styles or create and save original Picture Style files.
This software is for users who are familiar with image processing.
37
Downloading and Installing EOS Software or Other
Dedicated Software
Always install the latest version of the software.

Update any previous versions that are installed by overwriting them with the latest version.
Caution
Do not connect the camera to a computer before you install the software. The
software will not be installed correctly.
The software cannot be installed unless the computer is connected to the internet.
Previous versions cannot display images from this camera correctly. Also,
processing RAW images from this camera is not possible.
38
1. Download the software.
Connect to the internet from a computer and access the following

Canon website.
Select your country or region of residence and download the software.
Depending on the software, you may need to enter the camera's serial
number. The serial number is on the bottom of the camera.
Decompress it on the computer.
For Windows
Click the displayed installer file to start the installer.
For macOS
A dmg file will be created and displayed. Follow the steps below to
startup the installer.
1.Double-click the dmg file.
• A drive icon and installer file will appear on the desktop.

If the installer file does not appear, double-click the drive
icon to display it.
2.Double-click the installer file.
• The installer starts.
2. Follow the on-screen instructions to install the software.
39
Software Instruction Manuals
Check the following website for software instruction manuals.
40
Preparation and Basic Operations
This chapter describes preparatory steps before you start shooting and the basic camera
operations.
• Charging the Battery

• Inserting/Removing Batteries
• Inserting/Removing Cards
• Using the Screen
• Turning on the Power
• Attaching and Detaching RF/RF-S Lenses
• Attaching and Detaching EF/EF-S Lenses
• Multi-Function Shoe
• Using the Viewfinder
• Basic Operations
• Menu Operations and Settings
• Quick Control
• Touch-Screen Operation
41
Charging the Battery
1. Detach the protective cover provided with the battery.
2. Fully insert the battery into the charger.
Do the opposite to remove the battery.
42
3. Recharge the battery.
For LC-E6
As shown by the arrow, flip out the battery charger's prongs and insert
the prongs into a power outlet.
For LC-E6E
Connect the power cord to the charger and insert the plug into a power
outlet.
Recharging starts automatically and the charge lamp blinks in orange.
Charge Lamp
Charge Level
Color Display
0–49% Blinks once per second
50–74% Orange Blinks twice per second
75% or higher Blinks three times per second
Fully charged Green Turned on
Charging a depleted battery takes approx. 2 hr. and 30 min. at room temperature
(23°C/73°F). The time required to charge the battery will vary greatly depending on the
ambient temperature and the battery's remaining capacity.
For safety, charging in low temperatures (5–10°C/41–50°F) takes longer (up to approx.
4 hr.).
43
Upon purchase, the battery is not fully charged.
Charge the battery before use.
Charge the battery on the day before or on the day it is to be used.

Charged batteries gradually lose their charge, even when they are not used.
After charging the battery, remove it and disconnect the charger from the power
outlet.
You can attach the protective cover in a different orientation to indicate whether
the battery is charged or not.
If the battery is charged, attach the provided protective cover so that the battery-shaped
hole < > is aligned over the blue sticker on the battery. If the battery is exhausted,
attach the protective cover in the opposite orientation.
When not using the camera, remove the battery.

If the battery is left in the camera for a prolonged period, a small amount of power
current will keep being released, resulting in excess discharge and shorter battery life.
Store the battery with the protective cover attached. Storing the battery when it is fully
charged may lower the battery performance.
The battery charger can also be used in foreign countries.

The battery charger is compatible with a 100 V AC to 240 V AC 50/60 Hz power source.
If necessary, attach a commercially available plug adapter for the respective country or
region. To avoid damage, do not connect to portable voltage transformers.
If the battery becomes exhausted quickly even after having been fully charged,
the battery has reached the end of its service life.
Check the battery's recharge performance ( ) and purchase a new battery.
Caution
After disconnecting the charger's power plug, do not touch the prongs for approx.
10 sec.
If the battery's remaining capacity ( ) is 94% or higher, the battery will not be
charged.
The provided charger cannot charge any battery other than Battery Pack LP-E6NH/
LP-E6N/LP-E6.
44
Inserting/Removing Batteries
Insertion
Removal
Insert a fully charged Battery Pack LP-E6NH (or LP-E6N/LP-E6) in the camera.
Insertion
1. Slide the battery compartment cover lock and open the cover.
2. Insert the battery.
Insert the end with the electrical contacts.

Insert the battery until it locks in place.
45
3. Close the cover.
Press the cover until it snaps shut.
Caution
You cannot use batteries other than Battery Pack LP-E6NH/LP-E6N/LP-E6.
46
Removal
1. Open the cover and remove the battery.
Press the battery lock lever as shown by the arrow and remove the
battery.
To prevent short-circuits, always attach the included protective cover
( ) to the battery.
47
Inserting/Removing Cards
Insertion
Formatting the Card
Removal
This camera accepts two cards. Recording is possible as long as there is at least one
card in the camera.
With two cards inserted, you can select one card to record to, or you can record the same
image to both cards at once ( ).
Caution
Make sure the card's write-protect switch (1) is set upward to enable writing
and erasing.
Insertion
1. Slide the cover to open it.
48
2. Insert the card.
Card 1
Card 2
The card in the rear card slot is [ ], and the one in front of it is [ ].
As shown by the illustration, face the card's label side toward you and
insert it until it clicks in place.
3. Close the cover.
Close the cover and slide it in the direction shown by the arrows until it
snaps shut.
49
4. Set the power switch to < >( ).
(2) Card selection icon

(3) Card 1
(4) Card 2
Icons representing loaded cards are shown on the shooting screen

( ) accessed by pressing the < > button and on the Quick
Control screen ( ). Cards labeled with [ ] are selected for
recording.
50
Formatting the Card
If the card is new or was previously formatted (initialized) by another camera or computer,
format the card with this camera ( ).
51
Removal
1. Open the cover.
Set the power switch to < >.

Check that the access lamp (1) is off, then open the cover.
If [Saving...] is displayed on the screen, close the cover.
2. Remove the card.
Gently push in the card, then let it go to eject.

Pull the card straight out, then close the cover.
Caution
Do not remove cards immediately after a red [ ] icon is displayed as you
are shooting. Cards may be hot, due to high internal camera temperature. Set the
power switch to < > and stop shooting for a while before removing cards.
Removing hot cards immediately after shooting may cause you to drop and damage
them. Be careful when removing cards.
52
Note
The number of shots available varies depending on remaining card capacity and
settings such as image quality and ISO speed.
Setting [ : Release shutter without card] to [Disable] will prevent you from
forgetting to insert a card ( ).
Caution
When the access lamp is lit or blinking, it indicates that images are being
written to, read from, or erased from the card, or data is being transferred. Do
not open the card slot cover during this time. To avoid corrupting image data
or damaging cards or the camera, never do any of the following while the
access lamp is lit or blinking.
• Removing the card.
• Removing the battery.
• Shaking or striking the camera.
• Unplugging or plugging in a power cord
(when using optional household power outlet accessories).
If the card already contains recorded images, the image number may not start from
0001 ( ).
If a card-related error message is displayed on the screen, remove and reinsert the
card. If the error persists, use a different card.
If you can transfer images on the card to a computer, transfer all the images and
then format the card with the camera ( ). The card may then return to normal.
Do not touch the card's contacts with your fingers or metal objects. Do not expose
the contacts to dust or water. If smudges adhere to the contacts, contact failure
may result.
Multimedia cards (MMC) cannot be used. (Card error will be displayed.)
Use of UHS-II microSDHC/SDXC cards with a microSD to SD adapter is not
recommended.
When using UHS-II cards, use SDHC/SDXC cards.
53
Using the Screen
You can change the direction and angle of the screen.
1. Flip out the screen.
2. Rotate the screen.
When the screen is out, you can tilt it up or down or rotate it to face the
subject.
Indicated angles are only approximate.
3. Face it toward you.
Normally, use the camera with the screen facing you.
54
Caution
Avoid forcing the screen into position as you rotate it, which puts undue pressure
on the hinge.
When a cable is connected to a camera terminal, the rotation angle range of the
flipped-out screen will be limited.
Note
Keep the screen closed and facing the camera body when the camera is not in use.
You can protect the screen.
A mirror image (right/left reversed) of subjects is displayed when the screen faces
subjects in front of the camera.
55
Turning on the Power
Setting the Date, Time, and Time Zone
Changing the Interface Language
Automatic Sensor Cleaning
Battery Level Indicator
< >
The camera turns on. This mode is for movie recording.
< >
The camera turns on. This mode is for still photo shooting.
< >
The camera is turned off and does not function. Set the power switch to this position
when not using the camera.
Note
If you set the power switch to < > while an image is being recorded to the
card, [Saving...] will be displayed and the power will turn off after the recording
finishes.
Setting the Date, Time, and Time Zone
If you turn on the camera and the date/time/zone setting screen appears, see Date/Time/
Zone to set the date/time/zone.
56
Changing the Interface Language
To change the interface language, see Language.
57
Automatic Sensor Cleaning
Whenever the power switch is set to < >, the sensor is cleaned automatically
(which may make a faint sound). During the sensor cleaning, the screen will display
[ ]. To enable automatic sensor cleaning when the power switch is set to < > as
well, you can set this in [ : Sensor cleaning] ( ).
If you repeatedly turn the power switch to < > or < > within a short time
period, the [ ] icon may not be displayed, but this does not indicate the camera is
malfunctioning.
58
Battery Level Indicator
The battery indicator shows the remaining capacity when the camera is on.
Display
Level (%) 100–70 69–50 49–20 19–10 9–1 0
Note
Doing any of the following will exhaust the battery faster:

• Pressing the shutter button halfway for a prolonged period.
• Activating the AF frequently without taking a picture.
• Using Image Stabilizer.
• Using the Wi-Fi function or Bluetooth function.
• Using the screen frequently.
The number of available shots may decrease depending on the actual shooting
conditions.
Lens operations are powered by the camera's battery. Certain lenses may exhaust
the battery faster than others.
See [ : Battery info.] to check the battery status ( ).
In low ambient temperatures, shooting may not be possible even with a sufficient
battery level.
59
Attaching and Detaching RF/RF-S Lenses
Attaching a Lens
Detaching a Lens
Caution
Do not look at the sun directly through any lens. Doing so may cause loss of vision.
When attaching or detaching a lens, set the camera's power switch to < >.
If the front part (focusing ring) of the lens rotates during autofocusing, do not touch
the rotating part.
Tips for avoiding smudges and dust
When changing lenses, do it quickly in a place with minimal dust.

When storing the camera without a lens attached, be sure to attach the body cap to
the camera.
Remove smudges and dust on the body cap before attaching it.
60
Attaching a Lens
1. Remove the caps.
Remove the rear lens cap (1) and body cap (2) by turning them as
shown by the arrows.
2. Attach the lens.
Align the red mount index on the lens with the red mount index on the
camera and turn the lens as shown by the arrow until it clicks in place.
61
3. Set the focus mode to (< > ).
< > stands for autofocus.
< > stands for manual focus. Autofocus is disabled.
For RF lenses without a focus mode switch
• With [ : switch (AF/MF)] set to [Enable] ( ), set the focus

mode switch on the front of the camera to < >.
• With [ : switch (AF/MF)] set to [Disable] ( ), set [ :

Focus mode] to [AF].
62
For RF lenses with a focus mode switch
Set the lens's focus mode switch to < >. The setting on the lens
takes precedence, and the camera's focus mode switch and [ :
switch (AF/MF)] setting have no effect.
4. Remove the front lens cap.
63
Detaching a Lens
While pressing the lens release button, turn the lens as shown by the arrow.
Turn the lens until it stops, then detach it.

Attach the rear lens cap to the lens you removed.
64
Attaching and Detaching EF/EF-S Lenses
Attaching a Lens
Detaching a Lens
All EF and EF-S lenses can be used by attaching an optional Mount Adapter EF-EOS R.
The camera cannot be used with EF-M lenses.
Attaching a Lens
1. Remove the caps.
Remove the rear lens cap (1) and body cap (2) by turning them as
shown by the arrows.
65
2. Attach the lens to the adapter.
Align the red or white mount index on the lens with the corresponding
mount index on the adapter and turn the lens as shown by the arrow
until it clicks into place.
(3) Red index
(4) White index
3. Attach the adapter to the camera.
Align the red mount indexes (5) on the adapter and camera and turn
the lens as shown by the arrow until it clicks into place.
66
4. Set the lens's focus mode switch to < >.
< > stands for autofocus.

< > stands for manual focus. Autofocus will not operate.
5. Remove the front lens cap.
67
Detaching a Lens
1. While pressing the lens release button, turn the adapter as shown by
the arrow.
2. Detach the lens from the adapter.
Hold down the lens release lever on the adapter and turn the lens
counterclockwise.
Attach the rear lens cap to the lens you removed.
Caution
For lens precautions, see Attaching and Detaching RF/RF-S Lenses.
68
Multi-Function Shoe
Using the Multi-Function Shoe
The multi-function shoe is a hot shoe that supplies power to accessories and offers
advanced communication functionality.
Using the Multi-Function Shoe
Removing the shoe cover
Remove the shoe cover (1) by pressing the part labeled (A) in the figure as shown with
your finger. After removal, keep the shoe cover in a convenient place to avoid losing it.
Attaching accessories
When attaching accessories that communicate through contacts of the multi-function
shoe, insert the accessory's mounting foot until it clicks into place, then slide the
mounting foot locking lever to secure it. For details, refer to the accessory's Instruction
Manual.
The following accessories cannot be attached directly to the multi-function shoe.
• Speedlite EL-1/600EXII-RT/600EX-RT/580EX II
• Speedlite Transmitter ST-E3-RT (Ver. 2)/ST-E3-RT
• Off-Camera Shoe Cord OC-E3
To use the accessories listed above with the camera, you will need Multi-Function Shoe
Adapter AD-E1, sold separately. For details, refer to the AD-E1 Instruction Manual.
When attaching accessories other than these that are designed for regular hot shoes,
insert the accessory's mounting foot all the way in, then slide the mounting foot locking
lever to secure it. For details, refer to the accessory's Instruction Manual.
Electronic Viewfinder EVF-DC2/EVF-DC1 cannot be attached to the multi-function shoe.
Attempting to attach the accessories by force may damage them or the multi-function
shoe.
69
Attaching the shoe cover
After removing accessories from the multi-function shoe, reattach the shoe cover to
protect the contacts from dust and water.
Slide the shoe cover all the way in by pressing the part labeled (B) in the figure, as
shown.
Caution
Attach accessories correctly as described in Attaching accessories. Incorrect

attachment may cause the camera or accessories to malfunction, and accessories
may fall off.
Blow off any foreign material on the multi-function shoe with a commercially
available blower or similar tool.
If the multi-function shoe becomes wet, turn off the camera and allow it to dry
before use.
Use the shoe cover included with the camera.
70
Using the Viewfinder
Dioptric Adjustment
Look through the viewfinder to activate it. You can also restrict display to either the screen or
viewfinder ( ).
Dioptric Adjustment
1. Turn the dioptric adjustment knob.
Turn the knob left or right to make the viewfinder display look sharp.
Caution
The viewfinder and screen cannot be activated at the same time.

Viewfinder display is disabled when the screen is flipped out, even if you look
through the viewfinder.
At some aspect ratios, black bars are displayed on the top and bottom or left and
right edges of the screen. These areas are not recorded.
71
Basic Operations
Holding the Camera
Shutter Button
< > Main Dial
< > Quick Control Dial
< > Multi-Controller
< > Multi-Function Button
< > AF Start Button
< > Multi-Function Lock Button
< > Control Ring
< > Info Button
72
Holding the Camera
Viewing the screen as you shoot
As you shoot, you can tilt the screen to adjust it. For details, see Using the Screen.
(1) Normal angle

(2) Low angle
(3) High angle
Shooting through the viewfinder
To obtain sharp images, hold the camera still to minimize camera shake.
(1) Horizontal shooting

(2) Vertical shooting
1.With your right hand, hold the camera firmly by the camera grip.
2.With your left hand, support the lens from below.
3.Rest your right index finger lightly on the shutter button.
4.Rest your arms and elbows lightly against the front of your body.
5.To maintain a stable stance, place one foot slightly ahead of the other.
6.Hold the camera near your face and look through the viewfinder.
73
Shutter Button
The shutter button has two steps. You can press the shutter button halfway. Then you can
further press the shutter button completely.
Pressing halfway
This activates autofocusing and the automatic exposure system that sets the shutter speed
and aperture value.
The exposure value (shutter speed and aperture value) is displayed on the screen or in the
viewfinder for 8 sec. (metering timer/ ).
Pressing completely
This releases the shutter and takes the picture.
Preventing camera shake
Hand-held camera movement during the moment of exposure is called camera shake. It
can cause blurred pictures. To prevent camera shake, note the following:
• Hold the camera still, as shown in Holding the Camera.
• Press the shutter button halfway to autofocus, then slowly press the shutter button
completely.
74
Note
The camera will still pause before taking a picture if you press the shutter button
completely without pressing it halfway first, or if you press the shutter button
halfway and immediately press it completely.
Even during menu display or image playback, you can return to shooting standby
by pressing the shutter button halfway.
75
< > Main Dial
(1) After pressing a button, turn the < > dial.
Press a button such as < > or < >, then turn the < > dial.
If you press the shutter button halfway, the camera will go back to shooting standby.
Used for operations such as setting the ISO speed, drive mode, AF operation, white
balance, and flash exposure compensation.
(2) Turn only the < > dial.
While looking at the screen or viewfinder, turn the < > dial.
Use this dial to set the shutter speed, aperture value, etc.
Note
The operations in (1) can be performed even when controls are locked with the
Multi-function lock ( ).
76
< > Quick Control Dial
(1) After pressing a button, turn the < > dial.
Press a button such as < > or < >, then turn the < > dial.
If you press the shutter button halfway, the camera will go back to shooting standby.
Used for operations such as selecting the ISO speed, drive mode, AF operation, white
balance, and flash exposure compensation.
(2) Turn only the < > dial.
While looking at the screen or viewfinder, turn the < > dial.
Used for operations such as setting the exposure compensation amount and the
aperture value setting for manual exposures.
Note
The operations in (1) can be performed even when controls are locked with the
Multi-function lock ( ).
77
< > Multi-Controller
< > is an eight-direction key with center button. To use it, press lightly with the tip of your
thumb.
Examples of using the Multi-controller

• AF point/magnified frame movement in still photo shooting or movie recording
• White balance correction
• Magnified area position movement during playback
• Quick Control
• Selecting or setting menu items
78
< > Multi-Function Button
By pressing the < > button and turning the < > dial, you can set the ISO speed
( ), drive mode ( ), AF operation ( ), white balance ( ), and flash exposure
compensation ( ).
To select the AF area, press the < > button, then press the < > button ( ).
79
< > AF Start Button
Equivalent to pressing the shutter button halfway (in Creative Zone modes).
80
< > Multi-Function Lock Button
Configuring [ : Multi function lock] ( ) and pressing the < > button prevents
settings from being changed by accidentally touching the Main dial, Quick control dial, Multi-
controller, control ring, or touch-screen panel. Press the < > button again to unlock
the controls.
81
< > Control Ring
By default, exposure compensation can be set by turning the control ring of RF lenses or
mount adapters while pressing the shutter button halfway in < >, < >, < >,
< >, or < > mode. Otherwise, you can assign a different function to the control ring
by customizing operations in [ : Customize dials] ( ).
82
< > Info Button
Each press of the < > button changes the information shown.
The following sample screens are for still photos.
* In Basic Zone modes, the screen by (1) is not displayed.
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Menu Operations and Settings
Basic Zone Menu Screen
Creative Zone Menu Screen
Menu Setting Procedure
Dimmed Menu Items
(1) < > Quick control dial

(2) < > Multi-controller
(3) < > button
(4) < > button
(5) Screen
(6) < > button
(7) < > Main dial
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Basic Zone Menu Screen
* In Basic Zone modes, some tabs and menu items are not displayed.
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Creative Zone Menu Screen
(1) Main tabs

(2) Secondary tabs
(3) Menu items
(4) : Shooting
(5) : Autofocus
(6) : Playback
(7) : Wireless features
(8) : Set-up
(9) : Custom Functions
(10) : My Menu
(11) Menu settings
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Menu Setting Procedure
1. Display the menu screen.
Press the < > button to display the menu screen.
2. Select a tab.
Press the < > button to switch between main tabs (groups of
functions).
Turn the < > dial to select a secondary tab.
3. Select an item.
Turn the < > dial to select an item, then press the < > button.
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4. Select an option.
Turn the < > dial to select an option.

The current setting is indicated in blue.
5. Set an option.
Press the < > button to set it.
6. Exit the setting.
Press the < > button to return to shooting standby.
Note
The description of menu functions hereafter assumes that you have pressed the
< > button to display the menu screen.
Menu operations are also possible by tapping the menu screen or using < > or
< >.
To cancel the operation, press the < > button.
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Dimmed Menu Items
Example: When set to single shooting drive mode
Dimmed menu items cannot be set. The menu item is dimmed if another function setting is
overriding it.
You can see the overriding function by selecting the dimmed menu item and pressing the
< > button.
If you cancel the overriding function's setting, the dimmed menu item will become settable.
Caution
You may not be able to see the overriding function for certain dimmed menu items.
Note
You can reset menu functions to the default settings by selecting [Basic settings]
in [ : Reset camera] ( ).
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Quick Control
You can directly and intuitively select and set the settings displayed.
1. Press the < > button ( ).
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2. Select a setting item and set your preferred option.
Select an item by using the < >< > keys or pressing < > up or
down.
Adjust the setting by turning the < > dial, using the < >< >
keys, or pressing < > left or right. Some items are set by pressing a
button after this.
Press < > or < > up, down, left, or right to select an item on the
screen shown above.
Turn the < > or < > dial to adjust the setting. Some items are
set by pressing a button after this.
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Touch-Screen Operation
Tapping
Dragging
Tapping
Sample screen (Quick Control)
Use your finger to tap (touch briefly and then remove your finger from) the screen.
For example, when you tap [ ], the Quick Control screen appears. By tapping [ ],
you can return to the preceding screen.
Note
To have the camera beep for touch operations, set [ : Beep] to [Enable] ( ).
Responsiveness to touch operations can be adjusted in [ : Touch control] ( ).
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Dragging
Sample screen (Menu screen)
Slide your finger while touching the screen.
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Basic Zone
This chapter describes how to use the Basic Zone modes on the Mode dial for best results.
With Basic Zone modes, all you do is point and shoot, and the camera sets everything
automatically.
• A+: Fully Automatic Shooting (Scene Intelligent Auto)

• Special Scene Mode
◦ Portrait Mode
◦ Group Photo Mode
◦ Landscape Mode
◦ Panoramic Shot Mode
◦ Sports Mode
◦ Kids Mode
◦ Panning Mode
◦ Close-up Mode
◦ Food Mode
◦ Night Portrait Mode
◦ Handheld Night Scene Mode
◦ HDR Backlight Control Mode
◦ Silent Shutter Mode
• Creative Filters Mode
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A+: Fully Automatic Shooting (Scene Intelligent Auto)
Shooting Moving Subjects
Scene Icons
Adjusting Settings
Shooting with Effects Applied (Creative Assist)
< > is a fully automatic mode. The camera analyzes the scene and sets the
optimum settings automatically. It can also adjust focus automatically on either the still or
moving subject by detecting the motion of the subject ( ).
1. Set the Mode dial to < >.
2. Press the < > button.
Read the message and select [OK].
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3. Aim the camera at what you will shoot (the subject).
An AF point (1) may be displayed on the subject, under some shooting

conditions.
When an AF point is displayed on the screen, aim it over the subject.
4. Focus on the subject.
Press the shutter button halfway to focus.

You can also focus by tapping a person's face or other subject on the
screen (Touch AF).
Under low light, the AF-assist beam ( ) is automatically activated if
needed.
Once the subject is in focus, that AF point turns green and the camera
beeps (One-Shot AF).
An AF point in focus on a moving subject turns blue and tracks subject
movement (Servo AF).
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5. Take the picture.
Press the shutter button completely to take the picture.

The image just captured will be displayed for approx. 2 sec. on the
screen.
Caution
Subject movement (whether subjects are still or moving) may not be detected
correctly for some subject or shooting conditions.
Note
AF operation (One-Shot AF or Servo AF) is set automatically when you press the
shutter button halfway. Even when automatically set to One-Shot AF, the camera
will switch to Servo AF if subject motion is detected while you are pressing the
shutter button halfway.
The < > mode makes the colors look more impressive in nature, outdoor, and
sunset scenes. If you do not obtain the desired color tones, change the mode to a
Creative Zone mode ( ) and select a Picture Style other than [ ], then shoot
again ( ).
Minimizing blurred photos
Be careful about camera shake in handheld shots. To avoid camera shake, consider
using a tripod. Use a sturdy tripod that can bear the weight of the shooting equipment.
Attach the camera securely to the tripod.
Consider using a remote switch (sold separately, ) or wireless remote control (sold
separately, ).
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FAQ
Focusing is not possible (indicated by an orange AF point).

Aim the AF point over an area with good contrast, then press the shutter button halfway
( ). If you are too close to the subject, move away and shoot again.
Multiple AF points are displayed simultaneously.

Focus has been achieved at all those points.
The shutter speed display is blinking.

Since it is too dark, taking the picture may result in a blurred subject due to camera
shake. Using a tripod or a Canon EL/EX series Speedlite (sold separately, ) is
recommended.
The bottom of pictures taken with flash is unnaturally dark.

If a hood is attached to the lens, it may obstruct light from the flash. If the subject is
close, detach the hood before taking the picture with flash.
Note
Note the following if you are not using flash.

• Under low light, when camera shake tends to occur, hold the camera steady or
use a tripod. When using a zoom lens, you can reduce the blur caused by
camera shake by setting the lens to the wide-angle end.
• When shooting portraits under low light, tell subjects to stay still until you have
finished shooting. Any movement as you shoot will make the person look blurry
in the picture.
Shooting Moving Subjects
Pressing the shutter button halfway tracks moving subjects to keep them in focus.
Keep the subject on the screen as you hold down the shutter button halfway, and at the
decisive moment, press the shutter button completely.
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Scene Icons
The camera detects the scene type and sets everything automatically to suit the scene. In
still photo shooting, an icon representing the detected scene appears in the upper left of the
screen ( ).
Adjusting Settings
By touching icons on the screen, you can adjust settings for drive mode, image quality,
Touch Shutter, and Creative Assist.
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Shooting with Effects Applied (Creative Assist)
2. Select an effect.
Use the < > dial to select an effect, then press the < > button.
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3. Select the effect level and other details.
Set with the < > dial, then press the < > button.
To reset the setting, press the < > button, then select [OK].
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Creative Assist effects
[ ] Preset
Select one of the preset effects.
Note that [Saturation], [Color tone 1], and [Color tone 2] are not available with [B&W].
[ ] Background blur
Adjust background blur. Choose higher values to make backgrounds sharper. To blur
the background, choose lower values. [Auto] adjusts background blurring to match the
brightness. Depending on lens brightness (f/number), some positions may not be
available.
[ ] Brightness
Adjust image brightness.
[ ] Contrast
Adjust contrast.
[ ] Saturation
Adjust the vividness of colors.
[ ] Color tone 1
Adjust amber/blue color tone.
[ ] Color tone 2
Adjust green/magenta color tone.
[ ] Monochrome
Set the toning effect for monochrome shooting.
Note
[Background blur] is not available in flash photography.

These settings are reset when you switch shooting modes or set the power switch
to < >. To save the settings, set [ : Retain Creative Assist data] to
[Enable].
Saving effects
To save the current setting to the camera, tap [ Register] on the [Creative Assist]
setting screen, then select [OK]. Up to three presets can be saved as [USER*]. After three
have been saved, an existing [USER*] preset must be overwritten to save a new one.
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Special Scene Mode
The camera will automatically choose the appropriate settings when you select a shooting
mode for your subject or scene.
*< > stands for Special Scene.
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3. Select a shooting mode.
Use the < > dial to select a shooting mode, then press the < >
button.
4. Review the settings.
Press the < > button to display the Quick Control screen.
Note
You can also set the shooting mode in [ : Shooting mode].

When [ : Mode guide] is set to [Disable], after step 1, press the < > button to
access the Quick Control screen, use the < > dial to select a shooting mode,
then press the < > button.
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Available Shooting Modes in <SCN> Mode
Shooting Mode
Portrait Close-up
Group Photo Food
Landscape Night Portrait
Panoramic shot Handheld Night Scene
Sports HDR Backlight Control

Kids Silent shutter
Panning
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Portrait Mode
Use [ ] (Portrait) mode to blur the background and make the person you shoot stand out. It
also makes skin tones and hair look softer.
Shooting tips
Select the location where the distance between the subject and the background is
the farthest.
The further the distance between the subject and background, the more blurred the
background will look. The subject will also stand out better against an uncluttered dark
background.
Use a telephoto lens.

If you have a zoom lens, use the telephoto end to fill the frame with the subject from the
waist up.
Focus on the face.

As you focus before shooting, make sure the AF point on the subject's face is green.
When shooting close-ups of faces, you can set [ : Eye detection] to [Enable] to
shoot with the subject's eyes in focus.
Shoot continuously.
The default setting is [ ] (Low speed continuous). If you keep holding down the shutter
button, you can shoot continuously to capture changes in the subject's facial expression
and pose.
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Group Photo Mode
Use [ ] (Group Photo) mode to take group photos. You can shoot with people from the
front to the back all in focus.
Shooting tips
Use a wide-angle lens.

With zoom lenses, zooming out near the wide-angle end makes it easier to focus on
everyone in front and back at once. You can also increase the depth of field by standing
a little farther away from subjects, so that they fit completely in the frame.
Take a few shots of the group.

It is a good idea to take a few shots, because people sometimes blink.
Note
Hold the camera steady or use a tripod when shooting indoors or under low light.
Caution
The angle of view changes slightly, due to distortion correction.

Not all people may be in focus, depending on shooting conditions.
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Landscape Mode
Use [ ] (Landscape) mode for expansive scenery, to keep everything in focus from near to
far. For vivid blues and greens, and sharp and crisp images.
Shooting tips
With a zoom lens, use the wide-angle end.

When using a zoom lens, set the lens to the wide-angle end to make the objects near
and far in focus. It also adds breadth to landscapes.
Keep the camera steady when shooting night scenes.

Using a tripod is recommended.
Caution
Flash photography is not available.
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Panoramic Shot Mode
Use [ ] (Panoramic Shot) mode to shoot panoramas. The panorama is created by

combining shots captured in continuous shooting as you move the camera in one direction
while pressing the shutter button completely.
1. Choose a shooting direction.
Press the < > button or tap [ ] in the lower right to choose the
direction you will shoot.
An arrow is displayed showing the direction to move the camera.
2. Press the shutter button halfway.
Keeping the shutter button pressed halfway, focus on the subject.
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3. Shoot.
Press the shutter button completely and move the camera at a constant
speed in the direction of the arrow.
The area displayed clearly (1) is captured.
A shooting progress indicator (2) is displayed.
Shooting stops when you release the shutter button, or when all of the
progress indicator is white.
Caution
In some scenes, images you intended to capture may not be saved as expected,
and the panorama may not look as expected.
Shooting may stop midway if you move the camera too slowly or quickly. However,
the panorama created up to that point will still be saved.
In consideration of the large sizes of < > mode images, use a computer or other
device to resize panorama images if you will print them from a memory card
inserted in a Canon printer.
If panoramas cannot be managed correctly by software or Web services, try
resizing them on a computer.
Shots of the following subjects and scenes may not be combined correctly.
• Subjects in motion
• Subjects at close range
• Scenes where the contrast varies greatly
• Scenes with long stretches of the same color or pattern, such as the sea or sky
Shooting is not affected by any correction applied to counteract blur from swinging
the camera.
Move the camera slowly when using a lens with a long focal length, or when
shooting night scenes or under low light.
Lens image stabilization is not applied.
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Sports Mode
Use [ ] (Sports) mode to shoot subjects in motion, such as runners or moving vehicles.
Shooting tips
Use a telephoto lens.

Use of a telephoto lens is recommended to enable shooting from a distance.
Track the subject with the Area AF frame.

An Area AF frame appears after you press the shutter button halfway. Once the subject
is in focus, the AF point turns blue.
Shoot continuously.
The default setting is [ ] (High speed continuous). At the decisive moment, press the
shutter button completely to take the picture. To track the subject and capture changes
as it moves, keep holding down the shutter button to shoot continuously.
Caution
Under low light where camera shake tends to occur, the shutter speed value in the
lower left will blink. Hold the camera steady and shoot.
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Kids Mode
Use [ ] (Kids) mode to capture active children who are moving around. Skin tones will look
vibrant.
Shooting tips
Track the subject with the Area AF frame.

By default, [ : AF area] is set to [Whole area AF]. Area AF frames (1) appear when
you press the shutter button halfway. Once the subject is in focus, the AF point turns
blue.
Shoot continuously.
The default setting is [ ] (High speed continuous). At the decisive moment, press the
shutter button completely to take the picture. To track the subject and capture changes
in facial expression and movement, keep holding down the shutter button to shoot
continuously.
Caution
Using an external flash unit will reduce the continuous shooting speed.
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Panning Mode
By panning, you can blur the background to convey a sense of speed.

Attach a lens compatible with [ ] (Panning) mode to reduce subject blurring and keep
subjects clear and sharp.
Shooting tips
Turn the camera to follow the moving subject.

As you shoot, turn the camera smoothly while tracking the moving subject. With the AF
point over the part of the moving subject to focus on, press the shutter button halfway,
start turning the camera to keep up with the subject, then press the shutter button
completely to shoot. Continue tracking the subject with the camera after this.
Set the level of background motion blur.

In [Effect], you can set the level of background motion blur. Set to [Effect: max] for a
slower shutter speed and more background motion blur around subjects. If subject blur
is excessive, reduce it by setting [Effect] to [Effect: med] or [Effect: min].
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Caution
For details on lenses compatible with [ ] mode, visit the Canon website ( ).
Shutter speeds are slower. For this reason, Panning mode is not suitable unless
you pan as you shoot.
AF area options are limited to [1-point AF], [Flexible Zone AF 1], [Flexible Zone
AF 2], and [Flexible Zone AF 3].
The default setting is [ ]. Note that [ ] is not available.
Although lens IS is applied to images captured with lenses supporting [ ] mode,
the effect is not shown on the screen as you shoot. (IS and subject blur correction
are activated when you shoot, regardless of the lens IS setting.)
With lenses that do not support [ ] mode, subject blur is not reduced, but shutter
speed is automatically adjusted to match the [Effect] setting.
Your specified panning effect level may not be applied when shooting under bright
light (such as on sunny summer days), or when shooting slow subjects.
The following subjects or shooting conditions may prevent suitable subject blur
correction with lenses supporting [ ] mode.
• Subjects with very low contrast.
• Subjects in low light.
• Strongly backlit or reflective subjects.
• Subjects with repetitive patterns.
• Subjects with few patterns, or with monotone patterns.
• Subjects with reflections (such as images reflected in glass).
• Subjects smaller than the Zone AF frame.
• Multiple subjects moving within a Zone AF frame.
• Subjects moving in irregular directions or at irregular speeds.
• Subjects that sometimes move erratically (such as runners who move up and
down as they run).
• Subjects with significant changes in speed (such as immediately after initial
movement, or when moving along a curve).
• When the camera moves too quickly or slowly.
• When camera movement does not match subject movement.
• With long lens focal lengths.
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Close-up Mode
Use [ ] (Close-up) mode for close-ups of small subjects such as flowers. To make small
things appear much larger, use a macro lens (sold separately).
Shooting tips
Use a simple background.

A simple background makes small objects such as flowers stand out better.
Move in as close as possible to the subject.

Check the lens for its minimum focusing distance. The lens minimum focusing distance
is measured from the < > (focal plane) mark on the top of the camera to the subject.
Focusing is not possible if you are too close.
With a zoom lens, use the telephoto end.

If you have a zoom lens, using the telephoto end will make the subject look larger.
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Food Mode
Use [ ] (Food) mode for culinary photography. The photo will look bright and appetizing.
Also, the reddish tinge due to the light source will be suppressed in the pictures taken under
tungsten lights, etc.
Shooting tips
Change the color tone.

[Color tone] can be adjusted. To increase the reddish tinge of food, set toward [Warm
tone] (red), or set toward [Cool tone] (blue) if it looks too red.
Caution
The warm color cast of subjects may fade.

When multiple light sources are included in the scene, the warm color cast of the
picture may not be reduced.
In flash photography, [Color tone] switches to the standard setting.
If there are people in the picture, the skin tone may not be reproduced properly.
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Night Portrait Mode
Use [ ] (Night Portrait) mode for bright, beautiful shots of people with night scenes in the
background. Note that shooting in this mode requires an external flash unit. Using a tripod
is recommended.
Shooting tips
Use a wide-angle lens and a tripod.

When using a zoom lens, use the wide-angle end to obtain a wide night view. Because
camera shake occurs in handheld shooting, using a tripod is also recommended.
Check the image brightness.

It is recommended to play back the captured image on location to check the image
brightness. If the subject looks dark, move nearer and shoot again.
Also shoot in other shooting modes.

Consider also shooting in < > and [ ] mode, because shots are more likely to be
blurry.
Caution
Tell subjects to remain still for a moment after the flash fires.
Focusing may be difficult if subject faces look dark when you shoot. In this case,
set the focus mode to MF ( ) and focus manually.
Autofocusing at night or in dark scenes may be difficult when points of light lie
within the AF point. In this case, set the focus mode to MF ( ) and focus
manually.
Shots will look slightly different from the preview image shown on the screen.
Note
The self-timer lamp fires briefly after shots in this mode if the self-timer is used.
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Handheld Night Scene Mode
[ ] (Handheld Night Scene) mode enables handheld shooting for night scenes. In this
shooting mode, four shots are taken consecutively for each picture, and the resulting image
with reduced camera shake is recorded.
Shooting tips
Hold the camera steady.

Keep your elbows close to your body to hold the camera steady ( ). In this mode, four
shots are aligned and merged into a single image, but if there is significant misalignment
in any of the four shots due to camera shake, they may not align properly in the final
image.
Caution
Compared to other shooting modes, the image area will be smaller.

RAW image quality cannot be set.
Autofocusing at night or in dark scenes may be difficult when points of light lie
within the AF point. In this case, set the focus mode to MF ( ) and focus
manually.
Shooting moving subjects may result in afterimages from the movement, or
darkness around the subject.
The image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.), flat or single-tone images, or images significantly misaligned due to
camera shake.
It takes some time to record images to the card since they are merged after
shooting. “BUSY” appears on the screen as images are processed, and shooting is
not possible until processing is finished.
Shots will look slightly different from the preview image shown on the screen.
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HDR Backlight Control Mode
Use [ ] ( HDR Backlight Control) mode for backlit scenes with both bright and dark
areas. Shooting once in this mode captures three consecutive images at different
exposures, which are combined to create a single HDR image that retains detail in shadows
that might otherwise be lost from backlighting.
* HDR stands for High Dynamic Range.
Shooting tips
Hold the camera steady.

Keep your elbows close to your body to hold the camera steady ( ). In this mode, three
shots are aligned and merged into a single image. However, if there is significant
misalignment in any of the three shots due to camera shake, they may not align properly
in the final image.
Caution

RAW image quality cannot be set.
Note that the image may not be rendered with a smooth gradation and may look
irregular or have significant noise.
HDR Backlight Control may not be effective for excessively backlit scenes or
extremely high-contrast scenes.
When shooting subjects that are sufficiently bright as they are, for example for
normally lit scenes, the image may look unnatural due to the HDR effect.
camera shake.
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Silent Shutter Mode
Where silence is needed, you can shoot without beeps or shutter release sounds.
Shooting tips
Take some test shots.

Consider taking some test shots in advance, because lens aperture and focusing
adjustment may be audible under some shooting conditions.
Caution
Be responsible when using silent shooting, and respect subject privacy and portrait
rights.
Images of fast-moving subjects may look distorted.
Continuous shooting and flash photography are not available.
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Creative Filters Mode
Creative Filter Characteristics
Adjusting the Miniature Effect
You can shoot with filter effects applied. Filter effects can be previewed before you shoot.
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3. Select a filter effect.
Turn the < > dial to select a filter effect ( ), then press the < >
button.
The image is shown with the filter effect applied.
4. Adjust the effect and shoot.
Press the < > button and select an icon below [Creative filters]
(except / , , , or ).
Turn the < > dial to adjust the effect, then press the < > button.
Caution
These operations are also possible by using < > or < >.
RAW and RAW+JPEG are not available. When RAW image quality is set, images
are captured with image quality. When RAW+JPEG image quality is set,
images are captured with the specified JPEG image quality.
Continuous shooting is not available when [ ], [ ], [ ], [ ], [ ], or [ ] is set.
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Note
With [Grainy B/W], the grainy preview will differ somewhat from the appearance of
your shots.
With [Soft focus] or [Miniature effect] options, the blurred effect preview may
differ somewhat from the appearance of your shots.
No histogram is displayed.
A magnified view is not available.
In Creative Zone modes, some Creative filter settings are available from the Quick
Control screen ( ).
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Grainy B/W
Makes the image grainy and black and white. By adjusting the contrast, you can change
the black-and-white effect.
Soft focus
Gives the image a soft look. By adjusting the blur, you can change the degree of
softness.
Fish-eye effect
Gives the effect of a fish-eye lens. The image will have barrel distortion.
Depending on the level of this filter effect, the area trimmed along the periphery of the
image changes. Also, because this filter effect magnifies the center of the image, the
apparent resolution at the center may degrade depending on the number of recorded
pixels, so set the filter effect while checking the resulting image. One AF point is used,
fixed at the center.
Water painting effect

Makes the photo look like a watercolor painting with soft colors. By adjusting the effect,
you can change the color density. Note that night scenes or dark scenes may not be
rendered with a smooth gradation and may look irregular or have significant noise.
Toy camera effect

Shifts colors to those typical of toy cameras and darkens the four corners of the image.
Color tone options can be used to change the color cast.
Miniature effect
Creates a diorama effect.
Shooting under the default setting will keep the center looking sharp.
To move the area that looks sharp (the scene frame), see Adjusting the Miniature Effect.
[1-point AF] is used as the AF area. Shooting with the AF point and scene frame
aligned is recommended.
HDR art standard

Photos retain more detail in highlights and shadows. With reduced contrast and flatter
gradation, the finish resembles a painting. The subject outlines will have bright (or dark)
edges.
HDR art vivid

Colors are more saturated than with [ HDR art standard], and the low contrast and
flat gradation resemble graphic art.
HDR art bold

The colors are the most saturated, making the subject pop out, and the picture looks like
an oil painting.
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HDR art embossed
The color saturation, brightness, contrast and gradation are decreased to make the
picture look flat, so that the picture looks faded and old. The subject outlines will have
intensely bright (or dark) edges.
Caution
Precautions for [ ], [ ], [ ], and [ ]

Shots will look slightly different from the filter effect previews shown on the screen.
camera shake.
Be careful about camera shake in handheld shots.
Subjects such as the sky or white walls may not be rendered with smooth gradation
and may have noise or irregular exposure or colors.
Shooting under fluorescent or LED lighting may result in unnatural color
reproduction of the illuminated areas.
Note
With [ ], [ ], [ ], and [ ], you can shoot high dynamic range photos that
retain detail in highlights and shadows of high-contrast scenes. Three consecutive
images are captured at different brightnesses each time you shoot and used to
create a single image. See the precautions for [ ], [ ], [ ], and [ ].
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Adjusting the Miniature Effect
1. Move the scene frame.
Use the scene frame to set an area that will look sharp.
To make the scene frame movable (displayed in orange), press the
< > button or tap [ ] in the lower right of the screen. By tapping
[ ], you can also switch between vertical and horizontal scene frame
orientation. Switching scene frame orientation is also possible with the
< >< > keys when in horizontal orientation and < >< >
keys when in vertical orientation.
To move the scene frame, use the < > dial or < >< >< >
< > keys. To center the scene frame again, press the < >
button.
To return to positioning the AF point, press the < > button again.
To confirm the position of the scene frame, press the < > button.
126
2. Move the AF point as needed and shoot.
The AF point turns orange and can be moved.

Press the < >< >< >< > keys to move the AF point to the
position to focus on.
Aligning the AF point and scene frame is recommended.
To return the AF point to the center of the screen, tap [ ].
To confirm the position of the AF point, press the < > button.
127
Creative Zone
Creative Zone modes give you the freedom to shoot in a variety of ways by setting your
preferred shutter speed, aperture value, exposure, and more.
To clear the shooting mode description displayed when you turn the Mode dial, press
the < > button ( ).
• Fv: Flexible-Priority AE
• P: Program AE
• Tv: Shutter-Priority AE
• Av: Aperture-Priority AE
• M: Manual Exposure
• B: Long (Bulb) Exposures
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Fv: Flexible-Priority AE
In this mode, you can set shutter speed, aperture value, and ISO speed manually or
automatically and combine these settings with your choice of exposure compensation.
Shooting in < > mode, with control over each of these parameters, is equivalent to
shooting in < >, < >, < >, or < > mode.
*< > stands for Flexible value.
2. Set the shutter speed, aperture value, and ISO speed.
Turn the < > dial to select an item to set. [ ] appears to the left of
the selected item.
Turn the < > dial to set the option.
To reset the setting to [AUTO], press the < > button.
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3. Set the amount of exposure compensation.
Turn the < > dial and select the exposure level indicator. [ ]
appears to the left of the exposure level indicator.
To reset the setting to [±0], press the < > button.
Combinations of functions in < > mode

Exposure
Shutter Speed Aperture Value ISO Speed Shooting Mode
Compensation
[AUTO]
[AUTO] [AUTO] Available Similar to < >
Manual selection
[AUTO]
Manual selection [AUTO] Available Similar to < >
Manual selection
[AUTO]
[AUTO] Manual selection Available Similar to < >
Manual selection
[AUTO] Available
Manual selection Manual selection Similar to < >
Manual selection –
Caution
Blinking of the values indicates a risk of underexposure or overexposure. Adjust the

exposure until the value stops blinking.
Slow synchro is not used under low light when you have set up < > mode to
resemble < > or < > mode, even when [Slow synchro] in [ : External
Speedlite control] is set to [1/320-30 sec. auto] (or [1/250-30sec. auto]).
130
Note
Values for shutter speed, aperture value, and ISO speed that are set to [AUTO] are
underlined.
You can set shutter speed, aperture value, and ISO speed to [AUTO] and exposure
compensation amount to [±0] in step 2 or 3 by holding down the < > button.
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P: Program AE
The camera automatically sets the shutter speed and aperture value to suit the subject's
brightness.
* < > stands for Program.
* AE stands for Auto Exposure.
Aim the AF point over the subject and press the shutter button halfway.
Once the subject is in focus, the AF point turns green (with One-Shot
AF).
The shutter speed and aperture value are set automatically.
3. Check the display.
As long as the exposure value is not blinking, standard exposure will be

obtained.
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Compose the shot and press the shutter button completely.
Caution
If the “30"” shutter speed and the lowest aperture value blink, it indicates
underexposure.
Increase the ISO speed or use flash.
If the “1/8000” shutter speed and the highest aperture value blink, it indicates
overexposure.
Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of
light entering the lens.
Note
Differences between < > and < > modes

< > mode limits available functions and sets the AF area, metering mode, and
many other functions automatically to prevent bad shots. In contrast, < > mode
only sets the shutter speed and aperture value automatically, and you can freely
set the AF area, metering mode, and other functions.
Program shift
In < > mode, you can freely change the combination (program) of shutter speed
and aperture value set automatically by the camera while maintaining the same
exposure. This is called Program shift.
With Program shift, you can press the shutter button halfway, then turn the < >
dial until the desired shutter speed or aperture value is displayed.
Program shift will be canceled automatically when the metering timer ends
(exposure setting display turns off).
Program shift cannot be used with flash.
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Tv: Shutter-Priority AE
In this mode, you set the shutter speed and the camera automatically sets the aperture
value to obtain the standard exposure matching the brightness of the subject. A faster
shutter speed can freeze the action of a moving subject. A slower shutter speed can create
a blurred effect, giving the impression of motion.
*< > stands for Time value.
Blurred motion
(Slow speed: 1/30 sec.)
Frozen motion
(Fast speed: 1/2000 sec.)
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2. Set the desired shutter speed.
Turn the < > dial to set it.
Press the shutter button halfway.

The aperture value is set automatically.
4. Check the display and shoot.
As long as the aperture value is not blinking, the standard exposure will
be obtained.
Caution
If the lowest aperture value blinks, it indicates underexposure.

Turn the < > dial to set a slower shutter speed until the aperture value stops
blinking or set a higher ISO speed.
If the highest aperture value blinks, it indicates overexposure.

Turn the < > dial to set a faster shutter speed until the aperture value stops
blinking, or set a lower ISO speed.
135
Note
Shutter speed display

For example, “0"5” indicates 0.5 sec. and “15"”, 15 sec.
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Av: Aperture-Priority AE
Depth-of-Field Preview
In this mode, you set the desired aperture value and the camera sets the shutter speed
automatically to obtain the standard exposure matching the subject brightness. A higher f/
number (smaller aperture hole) will make more of the foreground and background fall within
acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less
of the foreground and background fall within acceptable focus.
*< > stands for Aperture value (aperture opening).
Blurred background
(With a low aperture value: f/5.6)
Sharp foreground and background

(With a high aperture value: f/32)
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2. Set the desired aperture value.

The shutter speed is set automatically.
4. Check the display and shoot.
As long as the shutter speed is not blinking, the standard exposure will
be obtained.
Caution
If the “30"” shutter speed blinks, it indicates underexposure.

Turn the < > dial to decrease the aperture value (open the aperture) until the
shutter speed blinking stops or set a higher ISO speed.
If the “1/8000” shutter speed blinks, it indicates overexposure.

Turn the < > dial to increase aperture value (close the aperture) until the
shutter speed blinking stops or set a lower ISO speed.
138
Note
Aperture value display

The higher the value, the smaller the aperture opening will be. The aperture value
displayed varies depending on the lens. If no lens is attached to the camera, “F00”
will be displayed for the aperture.
139
Depth-of-Field Preview
Press the depth-of-field preview button to stop down the lens to the current aperture value
setting and check the area in focus (depth of field).
Note
The larger the aperture value, the wider the area in focus, from the foreground to
the background.
The depth-of-field effect is readily apparent on images as you change the aperture
value and press the depth-of-field preview button.
Exposure is locked (AE lock) as you hold down the depth-of-field preview button.
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M: Manual Exposure
Exposure Compensation with ISO Auto
In this mode, you set both the shutter speed and aperture value as desired. To determine
the exposure, refer to the exposure level indicator or use a commercially available exposure
meter.
*< > stands for Manual.
2. Set the ISO speed ( ).
With ISO Auto, you can set exposure compensation ( ).
3. Set the shutter speed and aperture value.
To set the shutter speed, turn the < > dial, and to set the aperture
value, turn the < > dial.
141

Check the exposure level mark [ ] to see how far the current exposure
level is from the standard exposure level.
(1) Standard exposure index

(2) Exposure level mark
5. Set the exposure and take the picture.
Check the exposure level indicator and set the desired shutter speed
and aperture value.
Exposure Compensation with ISO Auto
If the ISO speed is set to [AUTO] for manual exposure shooting, you can set exposure
compensation ( ) as follows:
Tap the exposure level indicator

[ : Expo.comp./AEB]
Turn the control ring while pressing the shutter button halfway
Caution
Exposure may not be as expected when ISO Auto is set, because the ISO speed is
adjusted to ensure standard exposure for your specified shutter speed and
aperture value. In this case, set the exposure compensation.
Exposure compensation is not applied in flash photography with ISO Auto, even if
you have set an exposure compensation amount.
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Note
ISO speed is locked when you hold down the shutter button halfway after subjects
are in focus with One-Shot AF in < > mode with ISO Auto, < > (Evaluative
metering), and [ : AE lock meter. mode after focus] set to the default setting
( ).
When ISO Auto is set, you can press the < > button to lock the ISO speed.
If you press the < > button and recompose the shot, you can see the exposure
level difference on the exposure level indicator compared to when the < >
button was pressed.
Any existing exposure compensation amount is maintained if you switch to < >
mode with ISO Auto after using exposure compensation in < >, < >, or
< > mode ( ).
To coordinate exposure compensation in ½-stop increments with ISO speed set in
⅓-stop increments when [ : Exposure level increments] is set to [1/2-stop] and
used with ISO Auto, exposure compensation is further adjusted by adjusting shutter
speed. However, the shutter speed displayed will not change.
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B: Long (Bulb) Exposures
Bulb Timer
In this mode, the shutter stays open as long as you hold down the shutter button completely,
and closes when you let go of the shutter button. Use bulb exposures for night scenes,
fireworks, astrophotography, and other subjects requiring long exposures.
2. Set the desired aperture value.
The exposure will continue for as long as you keep the shutter button
pressed completely.
Elapsed exposure time is displayed on the screen.
144
Caution
Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera's internal components.
Long bulb exposures produce more noise in the image than usual.
ISO 400 is used when the camera is set to ISO Auto.
When shooting bulb exposures with the self-timer instead of the bulb timer, keep
pressing the shutter button completely (for the self-timer time and bulb exposure
time).
Note
You can reduce the noise generated during long exposures by using [ : Long
exp. noise reduction] ( ).
Using a tripod and the bulb timer is recommended for bulb exposures.
You can also shoot bulb exposures with Remote Switch RS-60E3 (sold
separately, ).
You can also use Remote Controller RC-6 or Wireless Remote Control BR-E1
(both sold separately) for bulb exposures. When you press the remote controller's
release (transmit) button, the bulb exposure will start immediately or 2 sec. later.
Press the button again to stop the bulb exposure.
Bulb Timer
You can set the exposure time for bulb exposures in advance. This feature eliminates the
need to keep holding down the shutter button during bulb exposures, which can reduce
camera shake.
Note that the bulb timer can only be set and will only take effect in < > (bulb exposure)
mode.
1. Select [ : Bulb timer].
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2. Select [Enable].
Select [Enable], then press the < > button.
3. Set the exposure time.
Select an option (hours : minutes : seconds).

Press the < > button to display [ ].
Set a value, then press the < > button. (Returns to [ ].)
4. Select [OK].
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After you press the shutter button completely, the bulb exposure
continues for your specified time.
[ ] and the exposure time are displayed on the screen during

bulb timer shooting.
To clear the timer setting, select [Disable] in step 2.
Caution
Bulb exposure stops if you press the shutter button completely and release it during
the timer. Note that setting the power switch to < > ends bulb timer shooting
when the camera is set to [Shooting creative filters].
Bulb exposure continues even after your specified exposure time if you keep
pressing the shutter button completely (which overrides automatic stopping when
your specified exposure time elapses).
The bulb timer is cleared (and reverts to [Disable]) when you switch shooting
modes.
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Shooting and Recording
This chapter describes shooting and recording and introduces menu settings on the
shooting [ ] tab.
• Still Photo Shooting

• Movie Recording
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Still Photo Shooting
to the right of titles indicates functions only available in Creative Zone modes.
• Tab Menus: Still Photo Shooting

• Image Quality
• Dual Pixel RAW
• Still Image Aspect Ratio
• Auto Exposure Bracketing (AEB)
• Manual Exposure Compensation
• Exposure Lock (AE Lock)
• ISO Speed Settings for Still Photos
• HDR Shooting
• HDR Mode
• Auto Lighting Optimizer
• Highlight Tone Priority
• Anti-Flicker Shooting
• Shooting with Speedlites
• Flash Function Settings
• Metering Mode
• White Balance
• White Balance Correction
• Color Space
• Picture Style Selection
• Picture Style Customization
• Picture Style Registration
• Clarity
• Shooting Creative Filters
• Lens Aberration Correction
• Long Exposure Noise Reduction
• High ISO Speed Noise Reduction
• Dust Delete Data Acquisition
• Multiple Exposures
• RAW Burst Mode
• Focus Bracketing
• Interval Timer Shooting
• Silent Shutter Function
• Shutter Mode
• Releasing Shutter without Card
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• Image Stabilizer (IS Mode)
• Auto Level
• Customizing Quick Controls
• Shooting with the Touch Shutter
• Image Review
• High-Speed Display
• Metering Timer
• Display Simulation
• Optical Viewfinder Simulation
• Shooting Information Display
• Reverse Display
• Viewfinder Display Format
• Display Performance
• General Still Photo Shooting
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Tab Menus: Still Photo Shooting
Shooting 1
(1) Image quality

(2) Dual Pixel RAW
(3) Still img aspect ratio
Shooting 2
(1) Expo.comp./AEB
(2) ISO speed settings
(3) HDR shooting
(4) HDR Mode
(5) Auto Lighting Optimizer
(6) Highlight tone priority
(7) Anti-flicker shoot.
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Shooting 3
(1) External Speedlite control

(2) Metering mode
Shooting 4
(1) White balance

(2) Custom White Balance
(3) WB Shift/Bkt.
(4) Color space
(5) Picture Style
(6) Clarity
(7) Shooting creative filters
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Shooting 5
(1) Lens aberration correction

(2) Long exp. noise reduction
(3) High ISO speed NR
(4) Dust Delete Data
Shooting 6
(1) Multiple exposure

(2) RAW burst mode
(3) Focus bracketing
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Shooting 7
(1) Drive mode

(2) Interval timer
(3) Bulb timer
(4) Silent shutter function
(5) Shutter mode
(6) Release shutter without card
Shooting 8
(1) IS (Image Stabilizer) mode

(2) Auto level
(3) Customize Quick Controls
(4) Touch Shutter
(5) Image review
(6) High speed display
(7) Metering timer
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Shooting 9
(1) Display simulation

(2) OVF sim. view assist
(3) Shooting info. disp.
(4) Reverse display
(5) VF display format
(6) Disp. performance
Shooting 10
(1) Movie rec. size

(2) Sound recording
(4) Auto slow shutter
(5) Auto level
(6) Shutter btn function for movies
155
In Basic Zone modes, the following screens are displayed.
Shooting 1
(1) Shooting mode

(2) Image quality
(3) Dual Pixel RAW
(4) Still img aspect ratio
Shooting 2
(1) Drive mode

(2) Interval timer
(3) Release shutter without card
156
Shooting 3

(2) Auto level
(3) Touch Shutter
(4) Image review
(6) Reverse display
Shooting 4

(2) Disp. performance
157
Shooting 5
(1) Retain Creative Assist data
Shooting 6
(1) Movie rec. size

(2) Sound recording
(3) Auto level
158
Image Quality
RAW Images
Guide to Image Quality Settings
Maximum Burst for Continuous Shooting
You can select the pixel count and the image quality. JPEG/HEIF image quality options are
as follows: / / / / / / . For RAW images, you can specify
or as the image quality.
1. Select [ : Image quality].
The screen displayed varies depending on [ Rec options] settings

in [ : Record func+card/folder sel.].
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2. Set the image quality.
Standard/Auto switch card/Record to multiple
For RAW images, turn the < > dial to select the size, and for
JPEG/HEIF images, turn the < > dial.
Record separately
When [ Rec options] in [ : Record func+card/folder sel.] is set to

[Rec. separately], turn the < > dial to select [ ] or [ ], then press
the < > button. Note that recording separately to and is
not available for RAW images.
Select an image quality on the screen displayed, then press the < >
button.
160
Note
HEIF can be specified when [ : HDR shooting ] is set to [Enable]. You

can convert these images to JPEG images after shooting ( ).
is set if you set both RAW and JPEG/HEIF to [ ].
Two versions of each shot are recorded at your specified image quality when you
have selected both RAW and JPEG/HEIF. Both images have the same file number
but each has a different file extension, with .JPG for JPEG, .HIF for HEIF and .CR3
for RAW.
is in (Fine) quality.
Meaning of image quality icons: RAW, Compact RAW, JPEG, HEIF,
Large, Medium, Small.
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RAW Images
RAW images are raw data from the image sensor that are recorded to the card digitally as
or , based on your selection. produces RAW images with smaller file
sizes than .
RAW images can be processed using [ : RAW image processing] ( ) to save them as
JPEG or HEIF images. As the RAW image itself does not change, you can process the
RAW image to create any number of JPEG or HEIF images with various processing
conditions.
You can use Digital Photo Professional (EOS software) to process RAW images. You can
make various adjustments to images depending upon how they will be used and can
generate JPEG, HEIF, or other types of images reflecting the effects of those adjustments.
Note
To display RAW images on a computer, using Digital Photo Professional (EOS

software, hereafter DPP) is recommended.
Older versions of DPP Ver. 4.x do not support display, processing, editing, or other
operations with RAW images captured by this camera. If a previous version of DPP
Ver. 4.x is installed on your computer, obtain and install the latest version of DPP
from the Canon website to update it ( ), which will overwrite the previous version.
Similarly, DPP Ver. 3.x or earlier does not support display, processing, editing, or
other operations with RAW images captured by this camera.
Commercially available software may not be able to display RAW images captured
by this camera. For compatibility information, contact the software manufacturer.
162
Guide to Image Quality Settings
For details on file size, number of shots available, maximum burst, and other estimated
values, see Still photo file size / Number of shots available and Maximum burst for
continuous shooting [Approx.].
163
Maximum Burst for Continuous Shooting
The approximate maximum burst is displayed at the upper left of the shooting screen and
lower right of the viewfinder.
Note
If the maximum burst is displayed as “99”, it indicates that you can shoot 99 or
more shots continuously. Fewer shots are available for a value of 98 or lower, and
when [BUSY] is displayed on the screen, internal memory is full and shooting will
stop temporarily. If you stop continuous shooting, the maximum burst will increase.
After all captured images have been written to a card, you can once again shoot at
the maximum burst listed in Maximum burst for continuous shooting [Approx.].
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Dual Pixel RAW
Shooting or images with this feature enabled produces special Dual Pixel RAW
images containing dual pixel information from the image sensor. This is called Dual Pixel
RAW shooting.
When processing these images in Digital Photo Professional software for EOS cameras, you
can take advantage of the dual pixel data to fine-tune apparent resolution (using depth
information), shift the camera viewpoint slightly, and reduce ghosting.
Results will vary depending on shooting conditions, so before using this feature,
refer to the Digital Photo Professional instruction manual for details on Dual Pixel
RAW characteristics and image processing.
1. Select [ : Dual Pixel RAW].
2. Select [Enable].
3. Set the image quality to or .
Set the image quality to , ＋JPEG, +HEIF, ,

+JPEG, or +HEIF.
A RAW image containing dual pixel data (Dual Pixel RAW image) is
captured.
165
Caution
Startup takes longer when the power switch is set to < > or the camera
resumes operation from auto power off.
Continuous shooting speed is slower when you shoot with Dual Pixel RAW ( ).
Maximum burst is also lower.
[ ] and [ ] drive modes are not available. Setting the mode to [ ] or [ ]
has the effect of setting it to [ ].
Noise may be slightly more noticeable in RAW, RAW+JPEG, or RAW+HEIF
images.
These features are not available: multiple exposures, HDR shooting, RAW burst
mode, focus bracketing, electronic shutter, and one-touch image quality setting.
Note
Amount and effect of Dual Pixel RAW correction

Larger lens apertures increase the amount and effect of correction.
The amount and effect of correction may not be sufficient with some lenses and in
some shooting scenes.
The amount and effect of correction varies depending on the camera orientation
(vertical or horizontal).
The amount and effect of correction may not be sufficient under some shooting
conditions.
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Still Image Aspect Ratio
You can change the image's aspect ratio.
1. Select [ : Still img aspect ratio].
2. Set the aspect ratio.
Select an aspect ratio.

To proceed without changing shooting area display, press the < >
button.
JPEG images
The images will be recorded with the set aspect ratio.
RAW Images
The images will always be recorded in the [3:2] aspect ratio. The selected aspect ratio
information is added to the RAW image file, which enables Digital Photo Professional
(EOS software) to generate an image with the same aspect ratio as set at the time of
shooting when you process RAW images with this software.
167
3. Select how the shooting area is displayed.
On the screen in step 2, press the < > button.

Select the type of display, then press the < > button.
Note
RAW images shot at an aspect ratio of [4:3], [16:9], or [1:1] are displayed during
playback with lines indicating the shooting area, but these lines are not recorded in
the image. Note that only the shooting image area is shown in slideshows ( ).
168
Auto Exposure Bracketing (AEB)
In exposure bracketing, three consecutive images are captured at different exposures within
your specified range of up to ±3 stops (in 1/3-stop increments) by automatically adjusting the
shutter speed, aperture value, or ISO speed.
* AEB stands for Auto Exposure Bracketing.
1. Select [ : Expo.comp./AEB].
2. Set the AEB range.
Turn the < > dial to set the AEB range (1). By turning the < >
dial, you can set the exposure compensation amount.
When you close the menu, the AEB range will be displayed on the
screen.
169
Standard exposure
Decreased exposure
Increased exposure
Three bracketed shots are taken, according to the specified drive

mode, in this sequence: Standard exposure, decreased exposure, and
increased exposure.
AEB will not be automatically canceled. To cancel AEB, follow step 2 to
turn off the AEB range display.
Caution
Exposure compensation in AEB may be less effective with [ : Auto Lighting

Optimizer] ( ) set to an option other than [Disable].
Note
[ ] blinks in the lower left of the screen during AEB.

If the drive mode is set to [ ], press the shutter button three times for each shot.
In [ ], [ ], or [ ] mode, holding down the shutter button completely captures
three images, one after another, before the camera automatically stops shooting.
When [ ] or [ ] is set, three consecutive shots are captured after a delay of 10
or 2 sec. When set to [ ], three times the specified number of shots are taken in
continuous shooting.
You can set AEB in combination with exposure compensation.
AEB is not available in flash photography or bulb exposures, with Multi Shot Noise
Reduction, focus bracketing, or shooting creative filters, or in HDR or RAW burst
mode.
AEB will be canceled automatically if you do any of the following: Setting the power
switch to < > or when the flash is fully charged.
170
Manual Exposure Compensation
Exposure compensation can brighten (increased exposure) or darken (decreased exposure)

the standard exposure set by the camera.
Exposure compensation is available in < >, < >, < >, < >, and < > modes.
For details on exposure compensation when < > mode and ISO Auto are both set, see
M: Manual Exposure, and see Fv: Flexible-Priority AE for < > mode.
1. Check the exposure.
Press the shutter button halfway and check the exposure level
indicator.
2. Set the compensation amount.

Increased exposure, to brighten images
Decreased exposure, to darken images
Set it by looking at the screen as you turn the < > dial.
A[ ] icon is displayed to indicate exposure compensation.
To cancel exposure compensation, set the exposure level [ ] to the

standard exposure index ([ ]).
Caution
If [ : Auto Lighting Optimizer] ( ) is set to any setting other than [Disable], the
image may still look bright even if decreased exposure compensation is set to
darken images.
171
Note
The exposure compensation amount will remain in effect even after you set the
power switch to < >.
172
Exposure Lock (AE Lock)
Effect of AE Lock
You can lock the exposure when you want to set the focus and exposure separately or when
you will take multiple shots at the same exposure setting. Press the < > button to lock the
exposure, then recompose and take the picture. This is called AE lock. It is effective for
shooting backlit subjects, etc.
The exposure value will be displayed.
A [ ] icon is displayed in the lower left of the screen to indicate that

exposure is locked (AE lock).
Each time you press the < > button, the current exposure setting is
locked.
173
3. Recompose and take the picture.
When you are to take more pictures while maintaining the AE lock,
keep holding down the < > button and press the shutter button to
take another picture.
Note
AE lock is not possible with bulb exposures.
Effect of AE Lock
Metering Mode AF Point Selection

Selection Automatic Selection Manual Selection
Exposure centered on the AF point in focus Exposure centered on the selected AF point
is locked. is locked.
Center-weighted exposure is locked.
* Center-weighted exposure is locked when [ ] is set with the camera configured for manual
focusing ( ).
174
ISO Speed Settings for Still Photos
ISO Speed Range When Set Manually
ISO Speed Range Used with ISO Auto
Minimum Shutter Speed for ISO Auto
Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level. In Basic
Zone modes, ISO speed is set automatically.
For details on ISO speed in movie recording, see ISO Speed in Movie Recording.
175
2. Set the ISO speed.

ISO speed can be set within ISO 100–32000 in 1/3-stop increments.
With [AUTO] selected, ISO speed is set automatically.
When [AUTO] is selected, pressing the shutter button halfway will
display the ISO speed actually set.
To specify [AUTO] when setting [ISO speed] in [ : ISO speed
settings], press the < > button.
ISO speed guide

Low ISO speeds reduce image noise but may increase the risk of camera/subject shake
or reduce the area in focus (shallower depth of field), in some shooting conditions.
High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of field),
and longer flash range but may increase image noise.
Note
ISO speed can also be set in the ISO speed item by pressing the < > button
with an image displayed on the screen.
To expand the manual ISO speed setting range to H (equivalent to ISO 51200),
adjust [ISO speed range] in [ : ISO speed settings] ( ).
176
Caution
Image noise (dots of light or banding) and irregular colors may increase and
apparent resolution may decrease at H (equivalent to ISO 51200), because this is
an expanded ISO speed.
Setting [ : Highlight tone priority] to [Enable] or [Enhanced] ( ) will prevent
you from selecting ISO 100/125/160 or H (equivalent to ISO 51200).
When shooting with a high ISO speed, high temperature, long exposure, or multiple
exposure, image noise (graininess, dots of light, banding, etc.), irregular colors, or
color shift may become noticeable.
When shooting in conditions that produce an extreme amount of noise, such as a
combination of high ISO speed, high temperature, and long exposure, images may
not be recorded properly.
If you use a high ISO speed and flash to shoot a close subject, overexposure may
result.
177
ISO Speed Range When Set Manually
You can set the manual ISO speed setting range (minimum and maximum limits). You can
set the minimum limit within ISO 100 to ISO 32000 and the maximum limit within ISO 200 to
H (equivalent to ISO 51200).
1. Select [ : ISO speed settings].
2. Select [ISO speed range].
3. Set [Minimum].
Select the [Minimum] box, then press the < > button.
Select an ISO speed, then press the < > button.
178
4. Set [Maximum].
Select the [Maximum] box, then press the < > button.
5. Select [OK].
179
ISO Speed Range Used with ISO Auto
You can set the automatic ISO speed range for ISO Auto within ISO 100–32000. The
minimum can be set within ISO 100–25600 and the maximum within ISO 200–32000, in 1-
stop increments.
1. Select [Auto range].
2. Set [Minimum].
Select the [Minimum] box, then press the < > button.
180
3. Set [Maximum].
Select the [Maximum] box, then press the < > button.
4. Select [OK].
Note
The [Minimum] and [Maximum] settings will also function as the minimum and
maximum speeds for ISO speed safety shift ( ).
181
Minimum Shutter Speed for ISO Auto
To prevent shutter speeds from being set too low automatically, you can set the minimum
shutter speed for ISO Auto.
This is effective in < > or < > mode when shooting subjects in motion with a wide-
angle lens, or when using a telephoto lens. It can also reduce camera shake and blurred
subjects.
1. Select [Min. shutter spd.].
182
2. Set the desired minimum shutter speed.
Auto
If you select [Auto], turn the < > dial to set the difference relative
to standard speed (toward Slower or Faster), then press the < >
button.
Manual
If you select [Manual], turn the < > dial to select the shutter speed,
then press the < > button.
Caution
If a correct exposure cannot be obtained with the maximum ISO speed limit set
with [Auto range], a shutter speed slower than the [Min. shutter spd.] will be set
to obtain the standard exposure.
This function will not be applied to flash photography.
Note
When [Auto(Standard)] is set, the minimum shutter speed will be the reciprocal of
the lens focal length. A single step from [Slower] to [Faster] is equivalent to a
single stop of the shutter speed.
183
HDR Shooting
PQ in HDR PQ refers to the gamma curve of the input signal for displaying HDR images.
HDR PQ settings enable the camera to produce HDR images conforming to the PQ
specification defined in ITU-R BT.2100 and SMPTE ST.2084. (Actual display depends on
monitor performance.)
Shots are captured as HEIF or RAW images.
* PQ stands for Perceptual Quantization.
1. Select [ : HDR shooting ].
2. Select [Enable].
On the screen during shooting and playback, converted images are

displayed that resemble how the images would look on an HDR display
device.
184
Caution
Expanded ISO speeds (H) are not available in HDR shooting.

Some scenes may look different from how they appear on an HDR display device.
Unused signal values are roughly indicated by image areas in gray in the histogram
when [ : HDR shooting ] is set to [Enable].
[ : Disp. performance] is not available when [ : HDR shooting ] is
set to [Enable]. It is set to [Smooth].
For images captured with [ : HDR shooting ] set to [Enable], before
playback on an HDR display device, set [ : HDMI HDR output] to [On] ( ).
Note that regardless of the [ : HDMI HDR output] setting, HDR images are used
for display on HDR display devices.
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HDR Mode
You can shoot still photos with clipped highlights and shadows reduced for a high dynamic
range of tones even in high-contrast scenes. HDR shooting is effective for landscape and
still-life shots.
HDR shooting enhances gradation in dark image areas by merging three images
deliberately captured at different exposures (standard, underexposed, and
overexposed) to produce an HDR image that compensates for loss of detail in dark
image areas. HDR images are captured as HEIFs or JPEGs.
1. Select [ : HDR Mode].
2. Set [Adjust dyn range].
Selecting [Auto] will have the dynamic range set automatically

depending on the image's overall tonal range.
The higher the number, the wider the dynamic range will be.
To exit HDR shooting, select [Disable HDR].
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3. Set [Limit max brightness] (only with [ : HDR shooting ] set
to [Enable]).
With [Disable], maximum brightness is not limited. Recommended

when you will review images on a monitor supporting display at
brightnesses exceeding 1000 nits.
With [1000 nits], maximum brightness is limited to approx. 1000 nits.
4. Set [Continuous HDR].
With [1 shot only], HDR shooting is canceled automatically after you

finish shooting.
With [Every shot], HDR shooting continues until the setting in step 2 is
set to [Disable HDR].
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5. Set [Auto Image Align].
For handheld shooting, select [Enable]. When using a tripod, select

[Disable].
6. Specify the images to save.
To save the three images captured and the resulting HDR image,
select [All images].
To save only the HDR image, select [HDR img only].
When you press the shutter button completely, three consecutive

images will be captured, and the HDR image will be recorded to the
card.
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Caution
Expanded ISO speeds (H) are not available in HDR shooting.

The flash will not fire during HDR shooting.
AEB is not available.
In HDR shooting, three images are captured with settings such as shutter speed
automatically adjusted. For this reason, even in < >, < >, and < >
modes, the shutter speed and ISO speed will change, relative to your specified
speed.
To prevent camera shake, a high ISO speed may be set.
When shooting HDR images with [Auto Image Align] set to [Enable], AF point
display information ( ) and Dust Delete Data ( ) will not be appended to the
image.
If you perform handheld HDR shooting with [Auto Image Align] set to [Enable],
image periphery will be slightly trimmed and resolution will be slightly lowered.
Also, if the images cannot be aligned properly due to camera shake, etc., auto
image alignment may not take effect. Note that when shooting with excessively
bright (or dark) exposure settings, auto image alignment may not work properly.
If you perform handheld HDR shooting with [Auto Image Align] set to [Disable],
the three images may not be properly aligned and the HDR effect may be reduced.
Auto image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.) or flat, single-tone images.
HDR shooting under fluorescent or LED lighting may cause issues such as
irregular exposure or colors in HDR images, due to the flickering light source.
Effects of flickering may be reduced by setting [Anti-flicker shoot.] to [Enable].
With HDR shooting, the images will be merged, then saved to the card, so it may
take some time. [BUSY] appears on the screen as images are processed, and
shooting is not possible until processing is finished.
Maximum shutter speed in HDR shooting with an electronic shutter is 1/8000 sec.
Note
Image quality of RAW HDR images is as follows.

• [ : HDR shooting ] set to [Disable]: JPEG quality
• [ : HDR shooting ] set to [Enable]: HEIF quality
HDR image quality in RAW+JPEG or RAW+HEIF shooting corresponds to your
specified JPEG or HEIF image quality.
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Auto Lighting Optimizer
Brightness and contrast can be corrected automatically if shots look dark or contrast is too
low or high.
1. Select [ : Auto Lighting Optimizer].
2. Set a correction option.
Caution
Noise may increase and apparent resolution may change, under some shooting
conditions.
If the effect of Auto Lighting Optimizer is too strong and results are not at your
preferred brightness, set to [Low] or [Disable].
If a setting other than [Disable] is set and you use exposure compensation or flash
exposure compensation to darken the exposure, the image may still come out
bright. If you want a darker exposure, set this function to [Disable].
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Note
For and images, face lighting can be adjusted in [ : RAW image

processing] ( ).
To enable [ : Auto Lighting Optimizer] to be set even in < > and < >
modes, press the < > button in step 2 to clear the checkmark [ ] for
[Disabled in M or B modes].
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Highlight Tone Priority
You can reduce overexposed, clipped highlights.
1. Select [ : Highlight tone priority].
2. Set an option.
[Enable]: Improves gradation in highlights. The gradation between the

grays and highlights becomes smoother.
[Enhanced]: Reduces overexposed highlights even more than
[Enable], under some shooting conditions.
Caution
Noise may increase slightly.

The available ISO range starts at ISO 200. Expanded ISO speeds cannot be set.
With [Enhanced], results in some scenes may not look as expected.
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Note
[ : Highlight tone priority] is set to [Enable] and cannot be changed after you
set [ : HDR shooting ] to [Enable] by pressing the < > button to add
a checkmark to this setting.
[ : Highlight tone priority] will be set to [Disable] even if you set [ : HDR
shooting ] to [Enable], with [Adjust dyn range] in [ : HDR Mode]
set to an option other than [Disable HDR].
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Anti-Flicker Shooting
Uneven exposure and color may appear in continuous shooting at fast shutter speeds under
flickering light sources such as fluorescent lights, due to uneven vertical exposure. Anti-
flicker shooting enables you to take pictures when exposure and colors are less affected by
flickering.
1. Select [ : Anti-flicker shoot.].
2. Select [Enable].
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Caution
When [Enable] is set and you shoot under a flickering light source, the shutter-
release time lag may become longer. Also, the continuous shooting speed may
become slower, and the shooting interval may become irregular.
Flicker at a frequency other than 100Hz or 120Hz cannot be detected. Also, if the
flickering frequency of the light source changes during continuous shooting, effects
of the flicker cannot be reduced.
In < >, < >, or < > mode, color tone of captured images may vary if the
shutter speed changes during continuous shooting or if you take multiple shots of
the same scene at different shutter speeds. To avoid inconsistent color tone, shoot
in < >, < >, or < > mode at a fixed shutter speed.
Color tone of captured images may vary between [Enable] and [Disable].
Shutter speed, aperture value, and ISO speed may change when you start
shooting with AE lock.
If the subject is against a dark background or if there is a bright light in the image,
flicker may not be properly detected.
Flicker reduction may not be possible under special lighting.
Depending on the light source, flicker may not be detected properly.
Depending on the light sources or shooting conditions, the expected result may not
be obtained even if you use this function.
Note
Taking test shots in advance is recommended.

Detect flicker manually if the screen flickers (as when the light source changes) by
pressing the < > button, selecting [Anti-flicker shoot.], then pressing the
< > button.
Flicker is not reduced in Basic Zone modes.
Flicker reduction also works with flash photography. However, the expected result
may not be obtained for wireless flash photography.
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Shooting with Speedlites
EL/EX Series Speedlites for EOS Cameras
Canon Speedlites Other Than the EL/EX Series
Non-Canon Flash Units
EL/EX Series Speedlites for EOS Cameras
Features of EL/EX series Speedlites (sold separately) can be used in flash photography with
the camera.
For instructions, refer to the EL/EX series Speedlite's Instruction Manual.
Sync speed
Varies depending on the shutter mode.
[ : Shutter mode] Setting Sync Speed
Mechanical 1/250 sec. or slower
Elec. 1st-curtain 1/320 sec. or slower
Flash exposure compensation
You can adjust flash output (flash exposure compensation). With an image displayed on
the screen, press the < > button, turn the < > dial to select the flash exposure
compensation item, then turn the < > dial to set the flash exposure compensation
amount.
FE Lock
This enables you to obtain appropriate flash exposure for a specific part of the subject.
Aim the viewfinder center over the subject, press the camera's < > button, then
compose the shot and take the picture.
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Caution
Some Speedlites cannot be attached directly to this camera. For details, see Multi-
Function Shoe.
Setting [ : Auto Lighting Optimizer] ( ) to an option other than [Disable] may
still cause images to look bright even if you set lower flash exposure compensation
for darker images.
In flash photography, set [ : Shutter mode] to an option other than [Electronic]
( ).
Note
The Speedlite will fire an intermittent AF-assist beam as needed, if autofocusing is

difficult under low light.
You can also set flash exposure compensation in [Flash function settings] in [ :
External Speedlite control] ( ).
The camera can turn on certain Speedlites automatically when the camera is
turned on. For details, refer to the instruction manual of Speedlites that support this
feature.
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Canon Speedlites Other Than the EL/EX Series
With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash
can be fired at full output only.
Set the camera's shooting mode to < > or < > and adjust the aperture value
before shooting.
When using a Speedlite that has manual flash mode, shoot in the manual flash mode.
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Non-Canon Flash Units
Sync speed
Sync speed for non-Canon compact flash units varies by shutter mode.
[ : Shutter mode] Setting Sync Speed
Mechanical 1/250 sec. or slower
Elec. 1st-curtain 1/320 sec. or slower
With large studio flash units, the flash duration is longer than that of a compact flash unit
and varies depending on the model. Before shooting, confirm that flash sync is
performed correctly by taking some test shots at a sync speed of approx. 1/60 sec. to
1/30 sec.
Caution
Using the camera with a dedicated flash unit or flash accessory for cameras of
other manufacturers poses a risk of malfunction and even damage.
Do not attach a high-voltage flash unit to the camera's multi-function shoe. It may
not fire.
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Flash Function Settings
Flash Firing
E-TTL Balance
E-TTL II Flash Metering
Continuous Flash Control
Slow Synchro
Flash Custom Function Settings
Clearing Flash Function Settings/Clearing All Speedlite Custom Functions
Functions of EL/EX Series Speedlites compatible with flash function settings can be set via
a camera menu screen. Attach the Speedlite to the camera and turn on the Speedlite before
setting the flash functions.
For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual.
1. Select [ : External Speedlite control].
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Flash Firing
To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the
Speedlite, set to [Disable].
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E-TTL Balance
You can set your preferred appearance (balance) for flash shots. This setting enables you to
adjust the ratio of ambient light to Speedlite light output.
Set the balance to [Ambience priority] to lower the proportion of flash output and uses
ambient light to produce lifelike shots with a natural mood. Especially useful when
shooting dark scenes (indoors, for example). After switching to < > or < > mode,
consider setting [Slow synchro] in [ : External Speedlite control] to [1/320-30 sec.
auto] (or [1/250-30sec. auto]) and using slow-sync shooting.
Set the balance to [Flash priority] to make the flash the main source of light. Useful for
reducing shadows on subjects and in the background from ambient light.
Caution
For some scenes, [Ambience priority] may yield the same results as [Standard].
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E-TTL II Flash Metering
Set to [Eval (FacePrty)] for flash metering suitable for shots of people.
Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting.
If [Average] is set, the flash exposure will be averaged for the entire metered scene.
Note
Depending on the scene, flash exposure compensation may be necessary.
Caution
Even when [Eval (FacePrty)] is set, some subjects and shooting conditions may
prevent you from obtaining the expected result.
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Continuous Flash Control
Set to [E-TTL each shot] to perform flash metering for each shot.
Set to [E-TTL 1st shot] to perform flash metering for only the first shot before
continuous shooting. The flash output level for the first shot is applied to all subsequent
shots. Useful when prioritizing continuous shooting speed without recomposing shots.
Caution
Any subject movement in continuous shooting may cause exposure problems.

[E-TTL 1st shot] is set automatically in [ ] drive mode.
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Slow Synchro
You can set the flash-sync speed for flash photography in < > or < > mode. Note that
the maximum flash synchronization speed varies depending on the [ : Shutter mode]
setting. It is 1/320 sec. when set to [Elec. 1st-curtain] and 1/250 sec. when set to
[Mechanical].
1/320-30 sec. auto ( )*1
Shutter speed is automatically set in the following range to suit brightness. High-speed
sync is also possible.
[ : Shutter mode] Setting Shutter Speed
Mechanical 1/250–30 sec.
Elec. 1st-curtain 1/320–30 sec.
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1/320-1/60 sec. auto ( )*1
Prevents a slow shutter speed from being set automatically in low-light conditions.
Effective for preventing subject blur and camera shake. Light from the flash provides
standard exposure for subjects, but note that backgrounds may be dark.
Mechanical 1/250–1/60 sec.
Elec. 1st-curtain 1/320–1/60 sec.
1/320 sec. (fixed) ( )*1
Shutter speed is fixed as follows, which is more effective in preventing subject blur and
camera shake than with [1/320-1/60 sec. auto].
Mechanical 1/250 sec.
Elec. 1st-curtain 1/320 sec.
Note that under low light, backgrounds will be darker than with [1/320-1/60 sec. auto].
* 1: When set to [Elec. 1st-curtain].
Caution
High-speed sync is not available in < > or < > mode when set to [1/320 sec.
(fixed)].
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The information displayed on the screen, position of display, and available options vary
depending on the Speedlite model, its Custom Function settings, the flash mode, and other
factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual.
Sample display
(1) Flash mode

(2) Wireless functions/
Firing ratio control (RATIO)
(3) Flash zoom (flash coverage)
(4) Shutter synchronization
(5) Flash exposure compensation
(6) Flash exposure bracketing
Caution
Functions are limited when using EX series Speedlites that are not compatible with
flash function settings.
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Flash mode
You can select the flash mode to suit your desired flash photography.
[E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic
flash photography.
[Manual flash] is for setting the Speedlite's [Flash output level] yourself.
[CSP] (Continuous shooting priority mode) is available when using a compatible
Speedlite. This mode automatically reduces flash output by one stop and increases ISO
speed by one stop. Useful in continuous shooting, and helps conserve flash battery
power.
Regarding other flash modes, refer to the Instruction Manual of a Speedlite compatible
with the respective flash mode.
Caution
Adjust exposure compensation ( ) as needed in case of overexposure from flash

photography with [CSP] in < >, < >, or < > mode.
Note
With [CSP], ISO speed is automatically set to [Auto].
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Wireless functions
You can use radio or optical wireless transmission to shoot with wireless multiple-flash
lighting.
For details on wireless flash, refer to the Instruction Manual of a Speedlite compatible with
wireless flash photography.
Firing ratio control (RATIO)
With a macro flash, you can set the firing ratio control.
For details on firing ratio control, refer to the Instruction Manual of the macro flash.
Flash zoom (flash coverage)
With Speedlites having a zooming flash head, you can set the flash coverage.
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Shutter synchronization
Normally, set this to [First-curtain synchronization] so that the flash fires immediately after
the shooting starts.
Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking
shots of subject motion trails, such as car headlights.
Set to [High-speed synchronization] for flash photography at higher shutter speeds than
the maximum flash sync shutter speed. This is effective when shooting with an open
aperture in < > mode to blur the background behind subjects outdoors in daylight, for
example.
Caution
When using second-curtain synchronization, set the shutter speed to 1/30 sec. or
slower. If the shutter speed is 1/40 sec. or faster, first-curtain synchronization will
be applied automatically even if [Second-curtain synchronization] is set.
Flash exposure compensation
Just as exposure compensation is adjustable, you can also adjust flash output.
Note
If flash exposure compensation is set with the Speedlite, you cannot set the flash
exposure compensation with the camera. If it is set with both the camera and
Speedlite, the Speedlite's setting overrides the camera's.
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Flash exposure bracketing
Speedlites equipped with flash exposure bracketing (FEB) can change the external flash
output automatically as three shots are taken at once.
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Flash Custom Function Settings
For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the
Speedlite.
1. Select [Flash C.Fn settings].
2. Set the desired functions.
Select the number.

Select an option.
Caution
With an EL/EX series Speedlite, the Speedlite will always fire at full output if the
[Flash metering mode] Custom Function is set to [1:TTL] (autoflash).
The Speedlite's Personal Function (P.Fn) cannot be set or canceled from the
camera's [ : External Speedlite control] screen. Set it directly on the Speedlite.
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Clearing Flash Function Settings/Clearing All Speedlite
Custom Functions
1. Select [Clear settings].
2. Select the settings to be cleared.
Select [Clear flash settings] or [Clear all Speedlite C.Fn's].

Select [OK] on the confirmation screen to clear all flash settings or
Custom Function settings.
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Metering Mode
Four methods (metering modes) to measure the subject's brightness are provided. Normally,
evaluative metering is recommended. Evaluative metering is set automatically in Basic Zone
modes (except in < : > mode, which uses center-weighted average metering).
1. Select [ : Metering mode].
: Evaluative metering
General-purpose metering mode suited even for backlit subjects. The camera adjusts
the exposure automatically to suit the scene.
: Partial metering
Effective where there are much brighter lights around the subject due to backlight, etc.
The partial metering area is indicated on the screen.
: Spot metering
Effective when metering a specific part of the subject. The spot metering area is
indicated on the screen.
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: Center-weighted average
The metering across the screen is averaged, with the center of the screen weighted
more heavily.
Caution
With (evaluative metering), holding down the shutter button halfway when
shooting with [One-Shot AF] locks the exposure value (AE lock). With (partial
metering), (spot metering), or (center-weighted average metering),
exposure is set at the moment the picture is taken (without locking the exposure
value when the shutter button is pressed halfway).
With [ : AE lock meter. mode after focus] ( ), you can set whether or not to
lock the exposure (AE lock) once subjects are in focus with One-Shot AF.
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White Balance
White Balance
[ ] Auto White Balance
[ ] Custom White Balance
[ ] Color Temperature
White balance (WB) is for making the white areas look white. Normally, the Auto [ ]
(Ambience priority) or [ ] (White priority) setting will obtain the correct white balance. If
natural-looking colors cannot be obtained with Auto, you can select the white balance to
match the light source or set it manually by shooting a white object.
In Basic Zone modes, [ ] (Ambience priority) is set automatically. ([ ] (White priority)
is set in < > mode.)
With an image displayed on the screen, press the < > button.
2. Select the white balance item.
Turn the < > dial to select the white balance setting item.
216
3. Select a white balance setting.
Turn the < > dial to make a selection.
Note
For [ ] and [ ] setting instructions, see [ ] Auto White Balance.

To set your preferred color temperature, select [ ] in [ : White balance], then
turn the < > dial.
(Approx.)
Display Mode Color Temperature (K: Kelvin)
Auto (Ambience priority)

3000–7000
Auto (White priority)
Daylight 5200
Shade 7000
Cloudy, twilight, sunset 6000
Tungsten light 3200
White fluorescent light 4000
When using Flash Automatically set*
Custom 2000–10000
Color temperature 2500–10000
* Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be
fixed to approx. 6000K.
217
White Balance
The human eye adapts to changes in lighting so that white objects look white under all kinds
of lighting. Cameras determine white from the color temperature of lighting and, based on
this, apply image processing to make color tones look natural in your shots.
218
[ ] Auto White Balance
With [ ] (Ambience priority), you can slightly increase the intensity of the image's warm
color cast when shooting a tungsten-light scene.
If you select [ ] (White priority), you can reduce the intensity of the image's warm color
cast.
1. Select [ : White balance].
2. Select [ ].
With [ ] selected, press the < > button.
219
Caution
Precautions when set to [ ] (White priority)

The warm color cast of subjects may fade.
When multiple light sources are included in the scene, the warm color cast of the
picture may not be reduced.
When using flash, the color tone will be the same as with [ ] (Ambience priority).
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[ ] Custom White Balance
With custom white balance, you can manually set the white balance for the specific light
source of the shooting location. Make sure to perform this procedure under the light source
at the actual location of the shoot.
Registration from an image on a card
1. Shoot a white object.
Aim the camera at a plain white object, so that white fills the screen.
Set the camera to manual focus ( ) and shoot so that the white object
has standard exposure.
You can use any of the white balance settings.
Caution
Correct white balance may not be obtained if the exposure of your image differs
greatly from standard exposure.
These images cannot be selected: images captured with the Picture Style set to
[Monochrome], images from multiple-exposure or RAW burst shooting, images
that are cropped or have a Creative filter applied, or images from another camera.
221
2. Select [ : Custom White Balance].
3. Import the white balance data.
Turn the < > dial to select the image captured in step 1, then press
the < > button.
Select [OK] to import the data.
5. Select the custom white balance.
Select [ ].
222
Shooting and registering white balances
2. Select the white balance item.
Press < > up or down for selection.
3. Select [Record and register WB].
Turn the < > dial or press < > left or right to select [ ], then
press the < > button.
223
4. Shoot a white object.
Aim the camera at a plain white object, so that white fills the screen.
Set the camera to manual focus ( ) and shoot so that the white object
has standard exposure.
The custom white balance is registered to the camera.
Caution
Correct white balance may not be obtained if the exposure of your image differs
greatly from standard exposure.
Note
Instead of shooting a white object, you can also shoot a gray card or standard 18%
gray reflector (commercially available).
224
[ ] Color Temperature
A value can be set representing the white balance color temperature.
2. Set the color temperature.
Select [ ].
Turn the < > dial to set a color temperature, then press the < >
button.
The color temperature can be set from approx. 2500K to 10000K in
100K increments.
Note
When setting the color temperature for an artificial light source, set the white
balance correction (magenta or green bias) as necessary.
When setting [ ] to a value measured with a commercially available color
temperature meter, take some test shots in advance and adjust the setting as
needed to compensate for any difference between the color temperature meter and
the camera.
225
White Balance Correction
White Balance Auto Bracketing
You can correct the white balance that is set. This adjustment will have the same effect as
using a commercially available color temperature conversion filter or color compensating
filter.
1. Select [ : WB Shift/Bkt.].
226
2. Set the white balance correction.
Sample setting: A2, G1
Use < > to move the “■” mark on the screen to your preferred
position.
B is for blue, A for amber, M for magenta, and G for green. White
balance is corrected in the direction you move the mark.
The direction and amount of correction are indicated in the upper right
of the screen.
Pressing the < > button will cancel all the [WB Shift/Bkt.] settings.
Press the < > button to exit setup.
Note
One level of the blue/amber correction is equivalent to approx. 5 mireds of a color

temperature conversion filter. (Mired: Unit of measure for color temperature used to
indicate values such as the density of a color temperature conversion filter.)
227
White Balance Auto Bracketing
White balance bracketing enables you to capture three images at once with different color
tones.
Setting the white balance bracketing amount
In step 2 for White Balance Correction, when you turn the < > dial, the “■” mark on
the screen will change to “■ ■ ■” (3 points).
Turning the dial clockwise sets the B/A bracketing, and turning it counterclockwise sets
the M/G bracketing.
B/A bias ±3 levels
The direction and amount of bracketing are indicated in the upper right of the screen.
Pressing the < > button will cancel all the [WB Shift/Bkt.] settings.
Caution
During white balance bracketing, the maximum burst for continuous shooting will
be lower.
Since three images are recorded for one shot, it takes longer to record the image to
the card.
228
Note
The images will be bracketed in the following sequence: 1. Standard white balance,
2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard white balance, 2. Magenta
(M) bias, and 3. Green (G) bias.
You can also set white balance correction and AEB together with white balance
bracketing. If you set AEB in combination with white balance bracketing, a total of
nine images will be recorded for a single shot.
The white balance icon blinks to indicate that white balance bracketing has been
set.
You can change the bracketing sequence ( ) and number of shots ( ) for the
white balance bracketing.
Bracket stands for bracketing.
229
Color Space
The range of reproducible colors is called the “color space.” For normal shooting, sRGB is
recommended.
In Basic Zone, [sRGB] is set automatically.
1. Select [ : Color space].
2. Set a color space option.
Select [sRGB] or [Adobe RGB], then press the < > button.
Adobe RGB
This color space is mainly used for commercial printing and other professional applications.
Recommended when using equipment such as Adobe RGB-compatible monitors or DCF 2.0
(Exif 2.21 or later) compatible printers.
Note
File names of still photos shot in the Adobe RGB color space begin with “_”.
The ICC profile is not appended. For the descriptions about the ICC profile, refer to
the Digital Photo Professional Instruction Manual (EOS software).
230
Picture Style Selection
Picture Style Characteristics
Symbols
Just by selecting a preset Picture Style, you can obtain image characteristics effectively
matching your photographic expression or the subject.
1. Select [ : Picture Style].
2. Select a Picture Style.
231
Picture Style Characteristics
Auto
The color tone will be adjusted automatically to suit the scene. The colors will look vivid
for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes.
Note
If the desired color tone is not obtained with [Auto], use another Picture Style.
Standard
The image looks vivid, sharp, and crisp. Suitable for most scenes.
Portrait
For smooth skin tones, with slightly less sharpness. Suited for close-up portraits.
Skin tone can be adjusted by changing [Color tone] as described in Settings and
Effects.
Landscape
For vivid blues and greens, and very sharp and crisp images. Effective for impressive
landscapes.
Fine Detail
For detailed rendering of fine subject contours and subtle textures. The colors will be
slightly vivid.
Neutral
For retouching later on a computer. Makes images subdued, with lower contrast and
natural color tones.
Faithful
For retouching later on a computer. Faithfully reproduces the actual colors of subjects as
measured in daylight with a color temperature of 5200K. Makes images subdued, with
lower contrast.
Monochrome
Creates black-and-white images.
Caution
Color images cannot be recovered from JPEG/HEIF images shot with the
[Monochrome] Picture Style.
232
User Def. 1–3
You can add a new style based on presets such as [Portrait] or [Landscape] or a
Picture Style file, then adjust it as needed ( ). Shots taken with a style you have not
customized yet will have the same characteristics as the default [Auto] setting.
233
Symbols
Icons on the Picture Style selection screen represent [Strength], [Fineness], and
[Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers
indicate the values for these settings specified for the respective Picture Style.
Sharpness
Strength
Fineness
Threshold
Contrast
Saturation
Color tone
Filter effect (Monochrome)
Toning effect (Monochrome)
Caution
For movie recording, “*, *” is indicated for the [Fineness] and [Threshold]
parameters of [Sharpness]. [Fineness] and [Threshold] cannot be set for movie
recording.
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Picture Style Customization
Settings and Effects
Monochrome Adjustment
You can customize any Picture Style by changing it from the default settings. For details on
customizing [Monochrome], see Monochrome Adjustment.
2. Select a Picture Style.
Select the Picture Style to adjust, then press the < > button.
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Select an option, then press the < > button.

For details on settings and effects, see Settings and Effects.
4. Set the effect level.
Adjust the effect level, then press the < > button.
Press the < > button to save the adjusted setting and return to
the Picture Style selection screen.
Any settings you change from default values are displayed in blue.
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Note
For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set
(not displayed).
By selecting [Default set.] in step 3, you can restore the parameter settings of the
respective Picture Style to the defaults.
To shoot with the Picture Style you adjusted, first select the adjusted Picture Style,
then shoot.
Settings and Effects
Sharpness
0: Weak outline 7: Strong outline

Strength
emphasis emphasis
Fineness*1 1: Fine 5: Grainy
Threshold*2 1: Low 5: High
Contrast –4: Low contrast +4: High contrast
Saturation –4: Low saturation +4: High saturation
Color tone –4: Reddish skin tone +4: Yellowish skin tone
* 1: Indicates the edge thinness that enhancement applies to. The smaller the number, the finer the
outlines that can be emphasized.
* 2: Contrast threshold between edges and surrounding image areas, which determines edge
enhancement. The smaller the number, the more the outline will be emphasized when the contrast
difference is low. However, noise tends to be more noticeable when the number is smaller.
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Monochrome Adjustment
Filter effect
With a filter effect applied to a monochrome image, you can make white clouds or green
trees stand out more.
Filter Sample Effects
N:None Normal black-and-white image with no filter effects.
Ye:Yellow Blue sky will look more natural, and white clouds will look crisper.
Or:Orange The blue sky will look slightly darker. The sunset will look more brilliant.
R:Red The blue sky will look quite dark. Fall leaves will look crisper and brighter.
G:Green Skin tones and lips will appear muted. Green tree leaves will look crisper and brighter.
Note
Increasing [Contrast] will make the filter effect more pronounced.
Toning effect
By applying a toning effect, you can create a monochrome image in the selected color.
Effective when you want to create memorable images.
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Picture Style Registration
You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired,
and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture
Styles with different settings.
Picture Styles that you have registered on the camera using EOS Utility (EOS software, )
can also be modified here.
2. Select [User Def.].
Select [User Def. *], then press the < > button.
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With [Picture Style] selected, press the < > button.
4. Select a base Picture Style.
Select the base Picture Style, then press the < > button.
Also select styles this way when adjusting styles registered to the
camera with EOS Utility (EOS software).
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Adjust the effect level, then press the < > button.
For details, see Picture Style Customization.
Press the < > button to save the adjusted setting and return to
the Picture Style selection screen.
The base Picture Style will be indicated on the right of [User Def. *].
Blue style names in [User Def. *] have been changed from default
values.
Caution
If a Picture Style is already registered under [User Def. *], changing the base
Picture Style will clear the parameter settings of the previously registered User
Defined Picture Style.
You can restore the default [User Def. *] style and settings by selecting [Basic
settings] in [ : Reset camera].
Note
To shoot with a registered Picture Style, select the registered [User Def. *], then
shoot.
For instructions on registering a Picture Style file to the camera, refer to the EOS
Utility Instruction Manual.
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Clarity
You can adjust image clarity, as determined by the contrast of image edges.
Set toward the negative end to make images look softer or toward the positive end for a
sharper appearance.
1. Select [ : Clarity].
Caution
Setting clarity may darken or lighten the areas around boundaries in high-contrast
images.
The effect of this setting is not shown in images on the screen in still photo
shooting.
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Shooting Creative Filters
Configuring Shooting Creative Filters
Characteristics of Shooting Creative Filters
You can shoot with filter effects applied. Note that only images with the filter effects applied
are saved.
Configuring Shooting Creative Filters
1. Select [ : Shooting creative filters].
Caution
The camera shoots in single shooting mode when a Creative filter
is set, regardless of the drive mode setting (< >, < >, or
< >).
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Turn the < > dial to select a filter effect ( ).

Images are shown with the filter effect applied.
Caution
Some items on the AF tab are not available with [Fish-eye effect]
or [Miniature effect] selected.
3. Adjust the filter effect.
Press the < > button.

Turn the < > dial to adjust the filter effect ( ).
The images captured have the filter effect applied.
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Note
Different creative filter effects are available in movie recording ( ).
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Characteristics of Shooting Creative Filters
Grainy B/W
Soft focus
softness.
Fish-eye effect
pixels, so set the filter effect while checking the resulting image.
[AF area] is set to [1-point AF].
Art bold effect

Makes the photo look like an oil painting and the subject look more three-dimensional.
By adjusting the effect, you can change the contrast and saturation. Note that subjects
such as the sky or white walls may not be rendered with a smooth gradation and may
look irregular or have significant noise.

Toy camera effect

Miniature effect
Creates a diorama effect.
Shooting under the default setting will keep the center looking sharp.
To move the area that looks sharp (the scene frame), see “Adjusting the Miniature
Effect” ( ).
[AF area] is set to [1-point AF]. Shooting with the AF point and scene frame aligned is
recommended.
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Caution
With [Grainy B/W], the grainy preview will differ somewhat from the appearance of
your shots.
With [Soft focus] or [Miniature effect] options, the blurred effect preview may
differ somewhat from the appearance of your shots.
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Lens Aberration Correction
Peripheral Illumination Correction
Distortion Correction
Digital Lens Optimizer
Chromatic Aberration Correction
Diffraction Correction
Vignetting, image distortion, and other issues may be caused by lens optical characteristics.
The camera can compensate for these phenomena by using [Lens aberration correction].
1. Select [ : Lens aberration correction].
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3. Select a setting.
Confirm that the name of the attached lens and [Correction data
available] are displayed.
If [Correction data not available] or [ ] is displayed, see Digital Lens
Optimizer.
Peripheral Illumination Correction
Vignetting (dark image corners) can be corrected.
Caution
Depending on shooting conditions, noise may appear on the image periphery.

The higher the ISO speed, the lower the amount of correction will be.
Note
The amount of correction applied will be lower than the maximum correction
amount applied with Digital Photo Professional (EOS software).
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Distortion Correction
Distortion (image warping) can be corrected.
Caution
Specifying distortion correction may subtly change the angle of view, resulting in
images that are cropped a little and seem slightly less sharp.
The amount of image cropped may vary between still photos and movies.
Note
With RF lenses, distortion correction during movie recording is supported.
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Digital Lens Optimizer
Various aberrations from lens optical characteristics can be corrected, along with diffraction
and low-pass filter-induced loss of resolution.
If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can
use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS
Utility Instruction Manual.
Caution
Image processing after you shoot takes longer when set to [High] (which causes
the access lamp to be illuminated longer).
Maximum burst is lower with [High]. Image recording to the card also takes longer.
Depending on shooting conditions, noise may be intensified together with the
effects of correction. Image edges may also be emphasized. Adjust Picture Style
sharpness or set [Digital Lens Optimizer] to [Disable] as needed before shooting.
For movie recording, [Digital Lens Optimizer] will not appear. (Correction is not
possible.)
The effect of Digital Lens Optimizer cannot be checked on the screen at the time of
shooting.
Note
With [Digital Lens Optimizer] set to [Standard] or [High], [Chromatic aberr corr]
and [Diffraction correction] are not displayed, but they are both set to [Enable] for
shooting.
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Chromatic Aberration Correction
Chromatic aberration (color fringing around subjects) can be corrected.
Note
[Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to
[Standard] or [High].
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Diffraction Correction
Diffraction (loss of sharpness caused by the aperture) can be corrected.
Caution
Depending on shooting conditions, noise may be intensified together with the

effects of correction.
For movie recording, [Diffraction correction] will not appear. (Correction is not
possible.)
The effect of diffraction correction cannot be checked on the screen at the time of
shooting.
Note
“Diffraction correction” corrects degraded resolution not only from diffraction but
also from the low-pass filter and other factors. Thus, correction is also effective for
exposures with the aperture wide open.
[Diffraction correction] is not displayed when [Digital Lens Optimizer] is set to
[Standard] or [High].
Caution
General precautions for lens aberration correction

Lens aberration correction cannot be applied to existing JPEG/HEIF images.
When using a non-Canon lens, setting the corrections to [Disable] is
recommended even if [Correction data available] is displayed.
Magnifying the periphery of the image may display parts of the image that will not
be recorded.
The amount of correction (except diffraction correction) is less for lenses that do
not provide distance information.
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Note
General notes for lens aberration correction

Effects of lens aberration correction vary by lens and shooting conditions. Also, the
effect may be difficult to discern depending on the lens used, shooting conditions,
etc.
If the correction is difficult to discern, magnifying and checking the image after
shooting is recommended.
Corrections are applied even when an extender or life-size converter is attached.
If the correction data for the attached lens is not registered to the camera, the result
will be the same as when the correction is set to [Disable] (except for diffraction
correction).
If necessary, refer to the EOS Utility Instruction Manual as well.
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Long Exposure Noise Reduction
Noise such as dots of light or banding that tends to occur in long exposures at shutter
speeds of one sec. or slower can be reduced.
1. Select [ : Long exp. noise reduction].
2. Set a reduction option.
Auto
For images exposed for 1 sec. or longer, noise reduction is performed
automatically if noise typical of long exposures is detected. This setting
is effective enough in most cases.
Enable
Noise reduction is performed for all images exposed for 1 sec. or
longer. The [Enable] setting may reduce noise that cannot be detected
with the [Auto] setting.
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Caution
With [Auto] or [Enable] set, noise reduction after you shoot may take as long as
exposure for the shot.
Images may look grainier with the [Enable] setting than with the [Disable] or [Auto]
setting.
[BUSY] is displayed as noise is reduced, and the shooting screen is not displayed
until processing is finished, when you can shoot again.
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High ISO Speed Noise Reduction
You can reduce the image noise generated. This function is especially effective when
shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker
parts of the image (shadow areas) can further be reduced.
1. Select [ : High ISO speed NR].
2. Set the level.
Low, Standard, High

The camera applies an amount of noise reduction corresponding to
your specified level.
Multi Shot Noise Reduction

Applies noise reduction with higher image quality than [High]. For a
single photo, four shots are taken continuously and aligned and
merged automatically into a single JPEG image.
Note that [Multi Shot Noise Reduction] is not available with image
quality set to RAW or RAW+JPEG.
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Caution
Precautions on Multi Shot Noise Reduction

If there is significant misalignment in the image due to camera shake, the noise
reduction effect may become smaller.
Be careful about camera shake in handheld shots. Using a tripod is recommended.
If you shoot a moving subject, the moving subject may leave afterimages.
Auto image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.) or flat, single-tone images.
If the subject's brightness changes as the four consecutive shots are taken,
irregular exposure in the image may result.
After shooting, it may take some time to record an image to the card after
performing noise reduction and merging the images. “BUSY” is displayed as
images are processed, and shooting is not possible until processing is finished.
[Multi Shot Noise Reduction] is not available with any of these features: bulb
exposures, AEB or WB bracketing, RAW or RAW+JPEG, long exposure noise
reduction, multiple exposures, HDR mode or HDR PQ settings, focus bracketing,
Creative filter shooting, or RAW burst mode.
Flash photography is not available. Note that the AF-assist beam of Speedlites may
be fired, depending on the [ : AF-assist beam firing] setting.
[Multi Shot Noise Reduction] is not available (not displayed) when recording
movies.
The camera automatically switches to [Standard] when RAW or RAW+JPEG
image quality is set.
The camera automatically switches to [Standard] if you set the power switch to
< >, replace the battery or card, or switch to < > mode or movie recording.
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Dust Delete Data Acquisition
Preparation
Dust Delete Data Appending
Dust Delete Data used to erase dust spots can be appended to images in case sensor
cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo
Professional (EOS software) to erase the dust spots automatically.
Preparation
Use an RF or EF lens.
Prepare a solid white object such as a sheet of paper.
Set the lens focal length to 50 mm or longer.
Set the focus mode to MF ( ) and focus manually at infinity (∞). If the lens has no
distance scale, rotate the camera to face toward you and turn the focusing ring
clockwise all the way.
1. Select [ : Dust Delete Data].
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2. Select [OK].
After the automatic self-cleaning of the sensor is performed, a message

will appear. Although there will be a mechanical sound of the shutter
during the cleaning, no picture is taken.
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3. Shoot a plain white object.
Shoot with a plain white object (such as a new sheet of white paper)
filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.).
Since the image will not be saved, the data can still be obtained even if
there is no card in the camera.
When the picture is taken, the camera will start collecting the Dust
Delete Data. When the Dust Delete Data is obtained, a message will
appear.
If the data is not obtained successfully, an error message will appear.
Check the information in Preparation, select [OK], and shoot again.
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Dust Delete Data Appending
The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring
Dust Delete Data immediately before shooting is recommended.
For details about using Digital Photo Professional (EOS software) to erase dust spots
automatically, refer to the Digital Photo Professional Instruction Manual.
File size is essentially unaffected by Dust Delete Data appended to images.
Caution
Dust Delete Data is not obtained when EF-S lenses are used.
Dust Delete Data is not added to images when [Distortion correction] is set to
[Enable].
If the object has any pattern or design, it may be recognized as dust data and affect
the accuracy of the dust deletion with the Digital Photo Professional (EOS
software).
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Multiple Exposures
Merging Multiple Exposures with a JPEG Image Recorded on the Card
Checking and Deleting Multiple Exposures During Shooting
As you shoot multiple exposures (2–9), you can see how the images will be merged into a
single image.
1. Select [ : Multiple exposure].
2. Set [Multiple exposure].
Select [Enable].
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3. Set [Multi-expos ctrl].
Select a merging option, then press the < > button.
Additive
The exposure of each single image captured is added cumulatively.
Based on [No. of exposures], set negative exposure compensation.
Follow these basic guidelines to set the exposure compensation
amount.
Exposure compensation setting guidelines, by number of

exposures
Two exposures: –1 stop, three exposures: –1.5 stops, four exposures:
–2 stops
Average
Based on the [No. of exposures], negative exposure compensation is
set automatically as you shoot multiple exposures. If you shoot multiple
exposures of the same scene, the exposure of the subject's
background will be automatically controlled to obtain the standard
exposure.
Bright/Dark
Brightness (or darkness) of the base image and added images is
compared at the same position, and bright (or dark) portions are
retained. Some overlapping colors may be mixed, depending on the
relative brightness (or darkness) of the images.
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4. Set [No. of exposures].
Select the number of exposures, then press the < > button.
5. Set [Continue Mult-exp].

With [1 shot only], multiple-exposure shooting will be canceled
automatically after the shooting ends.
With [Continuously], multiple-exposure shooting continues until the
setting in step 2 is set to [Disable].
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6. Shoot the first exposure.
The captured image is displayed.

The [ ] icon blinks.
The number of remaining exposures is indicated on the screen (1) for
reference.
Pressing the < > button enables you to view the captured image
( ).
7. Shoot the next exposures.
Images captured so far are displayed merged. For only image display,
press the < > button repeatedly.
Multiple-exposure shooting will end when the set number of exposures

are taken.
Note
As shooting information, the multiple-exposure image has information captured for

the last shot.
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Caution
Image noise, color shift, or banding may be noticeable in multiple exposures,

depending on subjects and shooting conditions.
With multiple exposures, the more exposures there are, the more noticeable the
noise, irregular colors, and banding will be.
Multiple-exposure shooting is canceled if you set the power switch to < > or
switch batteries or cards.
Multiple-exposure shooting ends if you switch to a Basic Zone mode or to < >,
< >, < >, or < > mode.
If you connect the camera to a computer, multiple-exposure shooting will not be
possible. If you connect the camera to a computer during shooting, multiple-
exposure shooting will end.
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Merging Multiple Exposures with a JPEG Image
Recorded on the Card
You can select a JPEG image recorded on the card as the first single exposure. The
selected JPEG image will remain intact.
1. Select [Select image for multi. expo.].
2. Select the first image.
Turn the < > dial to select the first image, then press the < >
button.
Select [OK].
The file number of the selected image will be displayed at the bottom of
the screen.
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When you select the first image, the number of remaining exposures as
set with [No. of exposures] will decrease by 1.
Caution
The following images cannot be selected.

• RAW or HEIF images
• JPEG images in / / sizes
• Images from other cameras
Images that cannot be merged may be displayed.
Note
You can also select a JPEG image used in multiple-exposure shooting.

Select [Deselect img] to cancel image selection.
The color space set for the first image also applies to subsequent images.
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Checking and Deleting Multiple Exposures During
Shooting
Before you finish shooting your specified number of exposures, you can press the < >
button to view the multiple-exposure image so far, check exposure, and see how the images
will be merged.
Pressing the < > button will display the operations possible during multiple-exposure
shooting.
Option Description
Return to previous screen The screen before you pressed the < > button will reappear.
Deletes the last image you shot (enabling you to replace it by shooting again). The
Undo last image number of remaining exposures will increase by 1.
Saves shots up to that point as a multiple-exposure image and exits multiple-
Save and exit exposure shooting.
Exit without saving Exits the multiple-exposure shooting without saving the image.
Caution
During multiple-exposure shooting, you can only play back multiple-exposure

images.
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FAQ
Are there any restrictions on the image quality?

Multiple exposures are captured as JPEG [ ] images. Even with [ : Image quality]
set to RAW only, they are captured as JPEG [ ] images.
Can I merge images recorded on the card?

With [Select image for multi. expo.], you can select the first single exposure from the
images recorded on the card ( ). Note that you cannot merge multiple images already
recorded on the card.
Will auto power off take effect during multiple-exposure shooting?

During multiple-exposure shooting, auto power off will not take effect. Note that before
you start multiple-exposure shooting, auto power off automatically takes effect at the
time set in the [Auto power off] option of [ : Power saving], which will cancel multiple-
exposure shooting.
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RAW Burst Mode
Enables fast continuous shooting of RAW images. Useful for choosing the best shot, taken
at exactly the right moment, from your captured images. Shots are captured as a single file
(roll) with multiple images.
You can extract any image from the roll to save it separately ( ).
1. Select [ : RAW burst mode].
2. Set [RAW burst mode].
3. Select [Enable].
After you select [Enable], [ ] is displayed when you shoot.
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4. Select [Pre-shooting].
5. Set an option.
[Enable]: Shooting begins slightly before (up to approx. 0.5 sec.

before) you press the shutter button completely, after you momentarily
press it halfway. [ ] is displayed when you shoot.
[Disable]: Shooting begins when you press the shutter button
completely. [ ] is displayed when you shoot.
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6. Shoot.
An on-screen indicator shows buffer status. The color varies by status.

The indicator is green during shooting, red if recording is not possible
because the buffer is full, and white otherwise.
Pressing the shutter button completely shoots continuously until the
buffer is full or you release the button.
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Caution
Use cards with 4 GB or more of free space.

Images may not be captured correctly if the battery runs out during image
processing while you are shooting in RAW burst mode with a slow-writing card and
low battery.
Display pauses when you press the shutter button halfway.
Camera shake or subject motion may cause image distortion.
ISO Auto is used when shooting in < >, < >, or < > mode.
Shutter speeds slower than 1/30 sec. are not available in < >, < >, or
< > mode.
Approx. 32 megapixels (6960×4640) are used in shooting.
Images are captured using the electronic shutter. Before shooting, consider
checking the [Electronic] precautions ( ).
To view images in rolls on a computer, either extract them or use the EOS
application Digital Photo Professional.
Set [ : RAW burst mode] to [Disable] if you will connect the camera to a
computer and use the EOS application EOS Utility. Setting it to [Enable] will
prevent the camera from communicating with the computer.
Maximum burst may be lower under low light.
In RAW burst mode, the aperture value will change if you zoom while pressing the
shutter button halfway or completely with zoom lenses that have variable maximum
aperture. To maintain the same exposure in < > mode, consider shooting with
ISO Auto.
In RAW burst mode, even with zoom lenses that do not have variable maximum
aperture, exposure may change if you zoom while pressing the shutter button
halfway or completely. For details, refer to the Canon website ( ).
There may be a delay before subsequent shooting in RAW burst mode is possible,
depending on shooting conditions, the type of memory card, and the number of
shots taken continuously. Writing will finish faster on cards with a fast write speed.
Note
RAW images captured are saved in a single file (roll). These files have a .CR3 file
extension.
Picture Style, white balance, and Auto Lighting Optimizer settings configured for
the first shot also apply to the next shots.
The camera does not beep as you are shooting.
[ : RAW burst mode] reverts to [Disable] when the power switch is set to
< >.
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Focus Bracketing
Focus bracketing enables continuous shooting with the focal distance changed automatically
after each shot. These images enable you to create a single image in focus over a deep
depth of field. Compositing is also possible using an application that supports depth
compositing, such as Digital Photo Professional (EOS software).
1. Select [ : Focus bracketing].
2. Set [Focus bracketing].
Select [Enable].
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3. Set [Number of shots].
Specify the number of images captured per shot.

Can be set in a range of [2]–[999].
4. Set [Focus increment].
Specify how much to shift the focus. This amount is automatically

adjusted to suit the aperture value at the time of shooting.
Larger aperture values increase the focus shift and make focus
bracketing cover a wider range under the same focus increment and
number of shots.
After completing the settings, press the < > button.
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5. Set [Exposure smoothing].
You can compensate for changes in image brightness during focus

bracketing by selecting [Enable], so that the camera makes
adjustments based on differences between the displayed and actual
aperture value (effective f/number), which varies by focal position.
Select [Disable] if you prefer not to compensate for changes in image
brightness during focus bracketing. Use this option for purposes other
than depth compositing of the captured images in applications such as
DPP.
6. Set [Depth composite].
Select [Enable] for in-camera depth compositing. Both the depth-

composited image and the source images are saved.
Select [Disable] if you prefer not to perform in-camera depth
compositing. Only captured images are saved.
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7. Set [Crop depth comp.].
Select [Enable] for cropping before compositing, to prepare any

images without a sufficient angle of view for compositing alignment by
cropping them to correct the angle of view.
Select [Disable] if you prefer not to crop these images. In this case,
areas without a sufficient angle of view are covered by a black border
in the saved images. You can crop the images manually or edit them
as needed.
8. Shoot.
To save your shots in a new folder, tap [ ] and select [OK].
Focus at the nearer end of your preferred focal range, then press the
shutter button completely.
Once shooting begins, release the shutter button.
The camera shoots continuously, shifting the focal position toward

infinity.
Shooting ends after your specified number of images, or at the far end
of the focal range.
To cancel shooting, press the shutter button completely again.
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Caution
Focus bracketing is intended for still photo shooting on a tripod.

Shooting with a wider angle of view is recommended. After depth compositing, you
can crop the image if necessary.
For details on lenses compatible with this feature, visit the Canon website ( ).
Suitable [Focus increment] settings vary by subject. An unsuitable [Focus
increment] setting may cause unevenness in composite images, or shooting may
take more time because more shots are taken. Take some test shots to decide a
suitable [Focus increment] setting.
Shooting under flickering light may cause uneven images. In this case, lowering the
shutter speed may give better results.
Focus bracketing is not available when the camera is set to manual focus ( ).
Canceling shooting in progress may cause exposure problems in the last image.
Avoid using the last image when combining the images in Digital Photo
Professional.
Maximum shutter speed with focus bracketing is 1/8000 sec.
Depth compositing is canceled if you open the battery compartment or card slot
cover, or if the remaining battery capacity becomes too low. After cancellation,
composited images are not saved.
Depth compositing may fail for patterned images (with a lattice or stripes, for
example) or images that are generally flat and uniform.
When taking several shots, start by focusing closer, then gradually focus farther
away.
Too great a distance when moving the focal position between multiple shots may
cause unevenness in depth-composited images, or it may cause compositing to
fail.
Depth compositing is intended for subjects that are not moving. For this reason,
shooting subjects in motion may prevent effective compositing.
Depth compositing of images with multiple subjects may fail if your shots are
composed with the subjects far apart from each other, for example.
To cancel depth compositing in progress, press the < > button. Cancellation
discards the composited image but keeps all source images.
In depth compositing, optimal images from the shots are selected and combined by
the camera. Not all of the shots are combined to create the composite image.
Note
Using a tripod, remote switch (sold separately, ), or wireless remote control (sold
separately, ) is recommended.
For best results, set the aperture value in a range of f/5.6–11 before shooting.
Details such as shutter speed, aperture value, and ISO speed are determined by
conditions for the first shot.
[ : Focus bracketing] reverts to [Disable] when the power switch is set to
< >.
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Depth compositing image quality setting and images saved
With [ Rec options] in [ : Record func+card/folder sel.] set to an option other than
[Rec. separately]
Source Images*1 Composited Image
Only ( ) RAW JPEG/HEIF*2
Image Quality Only JPEG/HEIF*3 JPEG/HEIF JPEG/HEIF
( ) + JPEG/ ( ) + JPEG/ JPEG/HEIF

HEIF*3 HEIF
With [ Rec options] in [ : Record func+card/folder sel.] set to [Rec. separately]
Source Images*1 Composited Image

Slot 1 Slot 2
Slot 1 Slot 2 Slot 1 Slot 2
( ) ( ) JPEG/HEIF*2
Image Quality Only JPEG/

JPEG/HEIF JPEG/HEIF*2 JPEG/HEIF
( ) HEIF*3 ( )
Only JPEG/
JPEG/HEIF JPEG/HEIF JPEG/HEIF*2
HEIF*3 ( ) ( )
Only JPEG/HEIF*3 JPEG/HEIF JPEG/HEIF
* 1 Multiple captured images

* 2 Image quality of composited images is when set to ( ).
*3 / / / / image quality is not available. Settings are adjusted so that the resulting
image is for / / or for / .
Note
Composited images are saved as JPEG or HEIF images. RAW composited images
are not produced.
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Interval Timer Shooting
With the interval timer, you can set the shooting interval and number of shots, so that the
camera takes individual shots repeatedly according to your interval until your specified
number of shots are taken.
1. Select [ : Interval timer].
2. Select [Enable].
Select [Enable], then press the < > button.
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3. Set the shooting interval and number of shots.
Select an option to set (hours : minutes : seconds / number of shots).

Interval
Can be set in a range of [00:00:01]–[99:59:59].
No. of shots
Can be set in a range of [01]–[99]. To keep the interval timer on
indefinitely until you stop it, set [00].
4. Select [OK].
The interval timer settings will be displayed on the menu screen.

(1) Interval
(2) Number of shots
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First shot is taken and shooting continues according to the interval

timer settings.
During interval timer shooting, [ ] will blink.
After the set number of shots are taken, the interval timer shooting will
stop and be automatically canceled.
Note

Taking test shots in advance is recommended.
Even during interval timer shooting, you can still shoot as usual by pressing the
shutter button completely. Note that the camera will prepare for the next interval
timer shot approx. 5 sec. in advance, which will temporarily prevent operations
such as adjusting shooting settings, accessing menus, and playing back images.
If the next scheduled interval timer shot is not possible because the camera is
shooting or processing images, it will be skipped. For this reason, fewer shots than
specified will be taken.
Even during interval timer operation, auto power off is triggered after approx. 8 sec.
of inactivity, as long as [Auto power off] under [ : Power saving] is not set to
[Disable].
Can also be combined with AEB, white balance bracketing, multiple exposures,
and HDR mode.
To stop interval timer shooting, select [Disable] or set the power switch to
< >.
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Caution
In < > focus mode, the camera will not shoot unless subjects are in focus.
Consider setting the mode to manual focus and focusing manually before shooting.
If the shooting time is long, using the household power outlet accessories (sold
separately) is recommended.
Shooting long exposures or using shutter speeds longer than the shooting interval
will prevent shooting at the specified interval. For this reason, fewer shots than
specified will be taken. Using shutter speeds nearly the same as the shooting
interval may also reduce the number of shots.
If the time it takes to record to the card exceeds the shooting interval due to the
shooting functions set or card performance, some of the shots may not be taken
with the set intervals.
When using flash with interval timer shooting, set an interval longer than the flash
charge time. Intervals that are too short may prevent the flash from firing.
Intervals that are too short may prevent shooting or autofocusing.
Interval timer shooting is canceled and reset to [Disable] if you set the power
switch to < >, switch the shooting mode to < >, < >, < >, or < >,
switch to movie recording, or use EOS Utility (EOS software).
During interval timer shooting, you cannot use Remote Control Shooting or remote-
release shooting with a Speedlite.
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Silent Shutter Function
Disables shutter release sounds, operating sounds, and firing and illumination of the flash
and other light sources.
The following settings are used and cannot be changed.
Shutter mode: [Electronic]

Shutter release sound, focused beep: only headphone output
Touch sounds, self-timer sounds: silent
Shutter at shutdown: open
Long exposure noise reduction: [Disable]
Flash firing: [Disable]
AF-assist beam firing: [Disable]
Self-timer lamp: not illuminated
When using lenses equipped with focus preset, consider turning off the focus preset beep.
1. Select [ : Silent shutter function].
2. Select [On].
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Shutter Mode
You can choose the method of shutter release.
1. Select [ : Shutter mode].
Mechanical
Shooting activates the mechanical shutter. Recommended when shooting with the
aperture of a bright lens wide open.
Elec. 1st-curtain
Camera vibration blur may be reduced more than with the mechanical shutter, under
some shooting conditions.
Flash sync shutter speed can be set higher than with the mechanical shutter.
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Electronic
Enables reduced sound and vibration from shutter operations, compared to mechanical
shutter or electronic first-curtain.
Recommended when shooting with the aperture of a bright lens wide open.
Maximum shutter speed can be set higher than for mechanical shutter or electronic first-
curtain.
• A white frame is displayed around the screen when [ : Drive mode] is set to
[ ] or [ ].
• Shutter operations are accompanied by beeps. You can disable beeping in [ :
Beep].
Caution
Defocused image areas may be incomplete when shooting near maximum aperture
at high shutter speeds, depending on shooting conditions. If you dislike the
appearance of defocused image areas, shooting as follows may give better results.
• Shoot with an option other than [Elec. 1st-curtain].
• Lower the shutter speed.
• Increase the aperture value.
Setting [ : Silent shutter function] to [On] sets the shutter mode to [Electronic].
Zooming during continuous shooting may cause changes in exposure even at the
same f/number. For details, refer to the Canon website ( ).
Depending on the lens used, consider shooting with [Elec. 1st-curtain] or
[Electronic] to ensure effective image stabilization. For details, refer to the lens
instruction manual.
Precautions when set to [Elec. 1st-curtain]

Camera vibration blur is more likely to occur with [ ] than with [ ] or [ ].
Precautions when set to [Electronic]

The continuous shooting speed may become slower depending on the shooting
conditions.
Images of fast-moving subjects may look distorted.
Images may lack suitable exposure if the aperture value changes in < >
(Program AE), < > (Shutter-priority AE), or < > (Flexible-priority AE)
shooting.
With some lenses and under some shooting conditions, lens focusing and aperture
adjustment may be audible.
Bands of light may be displayed and captured images may be affected by light and
dark banding if you shoot with electronic shutter during flash firing by other
cameras or under fluorescent lighting or other flickering light sources.
Banding may appear in the viewfinder or on the screen if you shoot under flickering
light sources.
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Releasing Shutter without Card
You can set the camera not to shoot unless there is a card in the camera. The default
setting is [Enable].
1. Select [ : Release shutter without card].
2. Select [Disable].
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Image Stabilizer (IS Mode)
Focal Length
Image stabilization by the camera reduces camera shake in still photo shooting. Set [IS
mode] to [On] as follows when using non-IS lenses. With IS-equipped lenses, camera shake
is reduced using stabilization by both the camera and lens. When using IS lenses that do not
have an IS switch, set [IS mode] to [On]. Note that the [IS mode] setting is not displayed
when you are using IS lenses that have an IS switch. In that case, setting the lens IS switch
to < > combines stabilization by the camera and lens.
1. Select [ : IS (Image Stabilizer) mode].
2. Select [IS mode].
Select [On].
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3. Select [Still photo IS].
[Always]: Provides constant image stabilization.

[Only for shot]: Image stabilization is active only at the moment of
shooting.
Caution
In some cases, this may not provide sufficient stabilization for certain lenses.
Note
For details on image stabilization for movie recording, see Movie Digital IS.
Focal Length
Image stabilization based on your specified lens focal length is possible by setting the focal
length when using lenses that do not support lens communication.
1. Select [Focal length].
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2. Set the focal length.
Turn the < > dial to select the digit of the focal length.
3. Select [OK].
Caution
Set [ : Release shutter w/o lens] to [Enable]. [Disable] prevents image

stabilization.
[Focal length] is not displayed when lenses are attached that support lens
communication.
Note
Focal length can be set in a range of 1–1000 mm (in 1 mm increments).
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Auto Level
Auto leveling helps keep images straight. This feature is also applied in vertical shooting.
1. Select [ : Auto level].
2. Select [Enable].
Caution
Setting [ Auto level] to [Enable] disables the following menu items. Check
before shooting, because if they are currently set, they will be changed to another
option.
• [Shutter mode]: [Elec. 1st-curtain]
• [Drive mode]: [ ] (High speed continuous +) and [ ] (High-speed
continuous) (when [Shutter mode] set to [Mechanical])
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Customizing Quick Controls
Resetting the Custom Quick Control Screen or Clearing All Items
Quick Control items and the layout are customizable.
1. Select [ : Customize Quick Controls].
2. Select [Edit layout].
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3. Select items to remove.
Turn the < > dial or use < > to select an item to remove, then
Items shown on the Quick Control screen are labeled with a
checkmark. Items without a checkmark will be removed.
4. Select items to add.
Turn the < > dial or use < > to select an item to add, then press
the < > button.
To change the layout, press the < > button.
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5. Change the layout.
Use the < > dial to select an item to move, then press the < >
button.
Use the < > dial to move the item, then press the < > button.
6. Select [Save and exit].
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7. Review the screen.
Press the < > button to check the screen with your settings applied.
Resetting the Custom Quick Control Screen or Clearing

All Items
Select [Reset settings] to restore the default Quick Control screen items and layout.
Select [Clear all items] to remove all items from the layout, so that no Quick Control
screen is displayed when the < > button is pressed.
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Shooting with the Touch Shutter
Just by tapping the screen, you can focus and take the picture automatically.
1. Enable the Touch Shutter.
Tap [ ] on the screen.

Each time you tap the icon, it will toggle between [ ] and [ ].
[ ] (Touch Shutter: Enable)
The camera will focus on the spot you tap, then the picture will be
taken.
[ ] (Touch Shutter: Disable)
You can tap a spot to perform focusing on the spot. Press the shutter
button completely to take the picture.
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2. Tap the screen to shoot.
Tap the face or subject on the screen.

On the point you tap, the camera focuses (Touch AF) using your
specified AF Area.
When [ ] is set, the AF point turns green when focus is achieved,
then the picture is taken automatically.
If focus is not achieved, the AF point turns orange and the picture
cannot be taken. Tap the face or subject on the screen again.
Caution
The camera shoots in single shooting mode regardless of the drive mode setting
([ ], [ ], or [ ]).
Tapping the screen focuses with [One-Shot AF], even if [ : AF operation] is set
to [Servo AF].
Tapping the screen in magnified view will not focus or take the picture.
When shooting by tapping with [Review duration] in [ : Image review] set to
[Hold], you can take the next shot by pressing the shutter button halfway or tapping
[ ].
Note
To shoot with bulb exposure, tap the screen twice. Tap once to start exposure and
again to stop it. Be careful not to shake the camera when tapping the screen.
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Image Review
Review Duration
Viewfinder Display
Review Duration
To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not
to have the image displayed, set to [Off].
1. Select [ : Image review].
2. Select [Review duration].
3. Set a time option.
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Note
When [Hold] is set, images are displayed as long as the time set in the [Screen
off] option of [ : Power saving].
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Viewfinder Display
Set to [Enable] for viewfinder display of your shots immediately after you shoot.
1. Select [ : Image review].
2. Select [Viewfinder display].
Note
[Viewfinder display] settings take effect when [Review duration] is set to an

option other than [Off].
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High-Speed Display
High-speed display that switches between each shot and the live image is available when
shooting in [ ] (high-speed continuous shooting) drive mode and in a shutter mode other
than electronic shutter.
1. Select [ : High speed display].
Select [Enable] for display that switches between each shot and the
live image.
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Caution
Images may waver or flicker during high-speed display. This occurs more often at
high shutter speeds. However, this does not affect shooting results.
High-speed display is not performed for shutter speeds slower than 1/30 sec.,
aperture values higher than f/11, conditions that make autofocusing difficult, flash
photography, or high ISO expansion. It may also stop as you are shooting.
High-speed display is not available in the following cases.
• With [ : OVF sim. view assist] set to [On]
• With [ : Display simulation] set to [Disable] or [Exposure only during
DOF]
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Metering Timer
You can set how long the metering timer runs (which determines the duration of exposure
value display/AE lock) after it is triggered by an action such as pressing the shutter button
halfway.
1. Select [ : Metering timer].
2. Set a time option.
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Display Simulation
With display simulation, display of image brightness and depth of field more closely matches
the actual brightness (exposure) of your shots.
1. Select [ : Display simulation].
Exposure+DOF ( )
Image brightness and depth of field as displayed closely matches the actual brightness
(exposure) of your shots. If you set exposure compensation, the image brightness will
change accordingly. Similarly, changes to the aperture value will alter the depth of field.
Exposure ( )
Image brightness as displayed closely matches the actual brightness (exposure) of your
shots. If you set exposure compensation, the image brightness will change accordingly.
Exposure only during DOF ( )

Normally, the image is displayed at standard brightness, so it is easy to see. Only when
you press and hold the depth-of-field preview button will image brightness resemble
actual brightness (exposure) of your shot, and you can check depth of field.
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Disable ( )
The image is displayed at standard brightness, so it is easy to see. Even if you set
exposure compensation, the image is displayed at the standard brightness.
Caution
Notes on [Exposure+DOF]
Display may flicker at some shutter speeds.
With EF lenses, this setting may increase the shutter-release time lag.
The depth of field shown is only a guideline. For more precise indication of the
depth of field, press the depth-of-field preview button.
[Exposure+DOF] is not available with some lenses.
[ ] blinks if either exposure or depth of field cannot be simulated, or if neither
can be simulated.
[ ] is dimmed if either exposure or depth of field simulation stops, or if both
simulations stop.
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Optical Viewfinder Simulation
Natural-looking viewfinder and screen display, resembling the view from an optical
viewfinder, is available in still photo shooting. Note that images displayed with this feature
set to [On] may differ from actual shooting results.
1. Select [ : OVF sim. view assist].
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Caution
Setting this feature to [On] sets [ : Display simulation] to [Disable].

Optical viewfinder simulation is used for display when this feature is set to [On] in
HDR shooting.
Creative filter display is used when shooting with Creative filters, even if this feature
set to [On].
Image brightness before and after One-Shot AF is more likely to change when set
to [On] than when set to [Off].
Optical viewfinder simulation is not used during display to external monitors,
including in display to both an external monitor and the camera screen.
Depending on setting screens, optical viewfinder simulation may not be used for
display.
Display may not resemble an optical viewfinder in some cases.
The display appearance may change during continuous shooting, with some
combinations of drive and shutter modes.
Note
Not available for multiple exposures or in RAW burst mode.
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Shooting Information Display
Customizing Information on the Screen
Customizing Information in the Viewfinder
Viewfinder Vertical Display
Grid
Histogram
Lens Information Display
Clearing Settings
You can customize the details and screens of information shown on the screen or in the
viewfinder when you shoot.
Customizing Information on the Screen
1. Select [ : Shooting info. disp.].
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2. Select [Screen info. settings].
3. Select screens.
Turn the < > dial to select screens of information to show on the
camera.
For information you prefer not to display, press the < > button to
clear the checkmark [ ].
To edit the screen, press the < > button.
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4. Edit the screen.
Turn the < > dial to select options to show on the screen of
information.
For items you prefer not to display, press the < > button to clear the
checkmark [ ].
Select [OK] to register the setting.
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Customizing Information in the Viewfinder
2. Select [VF info/toggle settings].
3. Select screens.
Turn the < > dial to select screens of information to show on the
camera.
For information you prefer not to display, press the < > button to
clear the checkmark [ ].
To edit the screen, press the < > button.
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4. Edit the screen.
Turn the < > dial to select options to show on the screen of
information.
For items you prefer not to display, press the < > button to clear the
checkmark [ ].
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Viewfinder Vertical Display
You can select how viewfinder information is displayed when you are shooting still photos
vertically.
2. Select [VF vertical display].
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On
Information is automatically rotated, making it easier to read.
Off
Information is not automatically rotated.
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Grid
A grid can be displayed on the screen and viewfinder.
2. Select [Grid display].
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Histogram
You can select the content and display size of the histogram.
2. Select [Histogram disp].
Select the content ([Brightness] or [RGB]) and display size ([Large] or

[Small]).
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Lens Information Display
You can display information about the lens in use.
2. Select [Lens info display].
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Focus distance disp

You can display focus distance when using RF lenses. In focus
distance display, you can select the timing and unit of measurement.
Focal length disp

You can display the focal length of the lens in use.
SA variable amount
You can display the amount of correction set when using lenses
featuring spherical aberration control.
* SA: spherical aberration
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Clearing Settings
2. Select [Reset].
3. Select [OK].
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Reverse Display
A mirror image can be displayed when you shoot with the screen rotated toward the subject
(toward the front of the camera).
1. Select [ : Reverse display].
2. Select [On].
Select [Off] if you prefer not to reverse display when the screen is
facing the subject.
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Viewfinder Display Format
You can select how information is presented in the viewfinder.
1. Select [ : VF display format].
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Display Performance
You can select the performance parameter to prioritize in shooting screen display for still
photos.
1. Select [ : Disp. performance].
When set to [Smooth]
By pressing the < > button to add a checkmark, you can include
low-light locations in the scenarios for suppressing lower display frame
rates.
The high frame rate (119.88 fps) display of the [Smooth] option is used
for shooting standby in viewfinder shooting.
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Caution
Some shooting conditions and camera operations may prevent smooth, high frame
rate display, even when set to [Smooth].
Shooting under low light with [Suppress lower frame rate] set for shooting screen
display may affect performance as follows.
• Faster battery consumption
• Fewer shots available
• Lower image display brightness
• Difficulty in autofocusing
• Lower metering precision
• Lower flicker detection precision
• Lower subject detection precision
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General Still Photo Shooting
Information Display
General Still Photo Shooting Precautions
Information Display
For details on the icons displayed for still photo shooting, see Information Display.
Note
White display of the [ ] icon indicates that your shots will be about as bright
as the image displayed.
If the [ ] icon is blinking, it indicates that the image is displayed at a
brightness that differs from the actual shooting result because of low- or bright-light
conditions. However, the actual image recorded will reflect the exposure setting.
Note that the noise may be more noticeable than the actual image recorded.
Display simulation may not be performed under some shooting settings. The
[ ] icon and histogram will be displayed in gray. The image will be displayed
on the screen at the standard brightness. The histogram may not be properly
displayed in low- or bright-light conditions.
Histogram display is available when [ : Display simulation] is set to an option
other than [Disable] ( ).
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General Still Photo Shooting Precautions
Caution
Image quality
When you shoot at high ISO speeds, noise (such as dots of light and banding) may
become noticeable.
Shooting in high temperatures may cause noise and irregular colors in the image.
Frequent shooting over an extended period may cause high internal temperatures
and affect image quality. When you are not shooting, always turn off the camera.
If you shoot a long exposure while the camera's internal temperature is high, image
quality may decline. Stop shooting and wait a few minutes before shooting again.
White [ ] internal temperature warning icon

A white [ ] icon indicates high internal camera temperature. The white [ ] icon
indicates that the image quality of still photos will decline. Stop shooting for a while
and allow the camera to cool down.
If the camera's internal temperature is high, the quality of images shot with a high
ISO speed or long exposure may decline even before the white [ ] icon is
displayed.
Shooting results
In magnified view, the shutter speed and aperture value will be displayed in orange.
If you take the picture in magnified view, the exposure may not come out as
desired. Return to the normal view before taking the picture.
Even if you take the picture in magnified view, the image will be captured with the
image area of the normal view.
Images and display

Under low- or bright-light conditions, the displayed image may not reflect the
brightness of the captured image.
Although noise may be noticeable in images under low light (even at low ISO
speeds), there will be less noise in your shots, due to differences in image quality
between displayed and captured images.
The screen may flicker if the light source (lighting) changes. In this case, stop
shooting temporarily and resume under the light source you will use.
Pointing the camera at different direction may momentarily prevent correct display
of brightness. Wait until the brightness level stabilizes before shooting.
If there is a very bright light source in the image, the bright area may appear black
on the screen. However, the actual captured image will correctly show the bright
area.
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Under low light, bright [ : Screen brightness] settings may cause noise or
irregular colors in images. However, the noise or irregular colors will not be
recorded in the captured image.
When you magnify the image, the image sharpness may look more pronounced
than in the actual image.
Lens
If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch
to < >, the Image Stabilizer will operate at all times even if you do not press
the shutter button halfway. The Image Stabilizer consumes battery power and may
decrease the number of available shots depending on the shooting conditions.
When the Image Stabilizer is not necessary, such as when using a tripod, it is
recommended that you set the Image Stabilizer switch to < >.
With EF lenses, focus preset during shooting is only available when using (super)
telephoto lenses equipped with this function released in and after the second half of
2011.
Note
The field of view is approx. 100% (with image quality set to JPEG ).
If the camera is idle over an extended period, the screen will turn off automatically
after the time set in [Auto power off] or [Viewfinder off] under [ : Power saving].
The camera then turns off automatically after the time set in [Auto power off] ( ).
Using a commercially available HDMI cable, you can display images on a television
( ). Note that no sound will be output.
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Movie Recording
Movie recording is enabled by setting the power switch to < >.

to the right of titles indicates functions only available in [ ], [ ], [ ], or [ ] mode.
Caution
When switching from still photo shooting to movie recording, check the camera
settings again before recording movies.
Note
You can record movies by pressing the movie shooting button during still photo
shooting.
• Tab Menus: Movie Recording

• Movie Recording
• Movie Recording Size
• High Frame Rate
• Digital Zoom
• Sound Recording
• Canon Log Settings
• Time-Lapse Movies
• Movie Self-Timer
• Image Stabilizer (IS Mode)
• Shutter Button Function for Movies
• Zebra Settings
• Time Code
• Other Menu Functions
• General Movie Recording Precautions
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Tab Menus: Movie Recording
Shooting 1
(1) Movie rec. size

(2) High Frame Rate
(3) Digital zoom
(4) Sound recording
Shooting 2
(1) Exposure comp.

(3) HDR shooting
(6) Av 1/8-stop incr.
(7) Auto slow shutter
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Shooting 3
(1) White balance

(2) Custom White Balance
(3) WB correction
(4) Picture Style
(5) Canon Log settings
(6) Clarity
(7) Shooting creative filters
Shooting 4
(1) Lens aberration correction

(2) High ISO speed NR
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Shooting 5
(1) Time-lapse movie

(2) Movie self-timer
(3) Remote control
Shooting 6

(2) Auto level
(3) Customize Quick Controls
(5) Metering timer
(6) Zebra settings
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Shooting 7
(1) Reverse display

(3) Standby: Low res.
(4) HDMI display
(5) Time code
In Creative Zone modes, the following screens are displayed.
Shooting 1
(1) Shooting mode

(2) Movie rec. size
(3) High Frame Rate
(4) Digital zoom
(5) Sound recording
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Shooting 2
(1) Time-lapse movie

(3) Remote control
Shooting 3

(2) Auto level
(5) Reverse display
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Shooting 4
(1) Standby: Low res.

(2) HDMI display
(3) Time code
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Movie Recording
Select a Recording Mode
/ Autoexposure Recording
Shutter-Priority AE
Aperture-Priority AE
Scene Icons
ISO Speed in [ ]/[ ]/[ ]/[ ] Mode
Manual Exposure Recording
ISO Speed in [ ] Mode
Shutter Speed
Creative Filters
HDR Movie Recording
Information Display (Movie Recording)
Select a Recording Mode
Set the power switch to < >, then use the Mode dial to select a recording mode.
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Mode Dial Mode Operation
The camera detects the type of scene and sets all settings
accordingly.
Exposure is controlled automatically to suit the brightness.
You can manually set the shutter speed for movie recording.
You can manually set the aperture value for movie recording.
You can manually set the shutter speed, aperture value, and
ISO speed for movie recording.
Customized Operation follows your customized settings in [ : Custom

, ,
shooting mode (C1-C3)]. (Default: P)
Movie recording with filter effects applied.
You can record high dynamic range movies that retain detail
in highlights of high-contrast scenes.
Note
You can also record movies with the power switch set to < >.
In this case, operation corresponds to < > when the Mode dial is set to < >.
When the Mode dial is set to an option other than < >, operation corresponds to
< >.
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/ Autoexposure Recording
1. Set the recording mode to [ ] or [ ].
Turn the Mode dial to < >, < >, < >, or < >.
Before recording a movie, focus with AF ( ) or manual focus ( ).

By default, [ : Movie Servo AF] is set to [Enable] so that the
camera always keeps focusing ( ).
When you press the shutter button halfway, the camera focuses using
your specified AF area.
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3. Record the movie.
Press the movie shooting button to start recording a movie. You can
also start recording a movie by tapping [ ] on the screen.
While the movie is being recorded, the [ REC] icon (1) will be
displayed in the upper right of the screen.
Sound is recorded with the movie microphone (2).

To stop recording the movie, press the movie shooting button again.
You can also stop recording a movie by tapping [ ] on the screen.
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Shutter-Priority AE
[ ] recording mode enables you to set your preferred shutter speed for movies. ISO
speed and aperture values are set automatically to suit the brightness and obtain standard
exposure.
1. Set the recording mode to [ ].
Turn the Mode dial to < >.
2. Set the shutter speed (1).
The available shutter speeds vary depending on the frame rate.
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3. Focus and record the movie.
Same as steps 2 and 3 for Autoexposure Recording.
Caution
Avoid adjusting shutter speed while recording movies, which will record changes in
exposure.
When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec.
to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the
subject's movement will look.
If you change the shutter speed while recording under fluorescent or LED lighting,
image flicker may be recorded.
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Aperture-Priority AE
[ ] recording mode enables you to set your preferred aperture value for movies. ISO
speed and shutter speed are set automatically to suit the brightness and obtain standard
exposure.
2. Set the aperture value (1).
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Caution
Avoid adjusting the aperture value while recording movies, which will record
changes in exposure caused by aperture adjustment.
Note
Notes for [ ], [ ], [ ], and [ ] modes

You can lock the exposure (AE lock) by pressing the < > button (except in [ ]
mode). After locking, AE lock can be canceled by pressing the < > button again.
Exposure compensation can be set in a range of up to ±3 stops by turning the
< > dial (except in [ ] mode).
In [ ] and [ ] mode, the ISO speed, shutter speed, and aperture value are not
recorded in movie Exif information.
The camera is compatible with Speedlite functionality to activate the LED light
automatically under low light when recording movies in [ ], [ ], [ ], and [ ]
modes. For details, refer to the Instruction Manual of the EX series Speedlite
equipped with an LED light.
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Scene Icons
In [ ] recording mode, the camera detects the type of scene and sets all settings
accordingly. The detected scene type is indicated in the upper left of the screen. For icon
details, see Scene Icons.
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ISO Speed in [ ]/[ ]/[ ]/[ ] Mode
ISO speed is set automatically. See ISO Speed in Movie Recording.
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Manual Exposure Recording
You can manually set the shutter speed, aperture value, and ISO speed for movie recording.
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2. Set the shutter speed, aperture value, and ISO speed.
Press the shutter button halfway and check the exposure level
indicator.
Turn the < > dial to set the shutter speed (1) and the < > dial to
set the aperture value (2), and press the < > button to set the ISO
speed (3).
Available shutter speeds vary by frame rate ( ).
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Caution
During movie recording, avoid changing the shutter speed, aperture value, or ISO
speed, which may record changes in the exposure or create more noise at high
ISO speeds.
When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec.
to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the
subject's movement will look.
If you change the shutter speed while recording under fluorescent or LED lighting,
image flicker may be recorded.
Note
Exposure compensation with ISO Auto can be set in a range of ±3 stops as follows.
• Tap the exposure level indicator
• Set [ : Exposure comp.]
• Turn the control ring while pressing the shutter button halfway
When ISO Auto is set, you can press the < > button to lock the ISO speed. After
locking during movie recording, ISO speed lock can be canceled by pressing the
< > button again.
If you press the < > button and recompose the shot, you can see the exposure
level difference on the exposure level indicator ( ) compared to when the < >
button was pressed.
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ISO Speed in [ ] Mode
You can set the ISO speed manually or select [ ] to set it automatically. For details on
ISO speed, see ISO Speed in Movie Recording.
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Shutter Speed
Available shutter speeds in [ ] and [ ] mode vary depending on the frame rate you
have set for your specified movie recording size.
Shutter Speed (Sec.)

Frame Rate
Normal Movie Recording High Frame Rate Movie Recording
1/4000–1/125
–
1/4000–1/100
1/4000–1/8 –
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Creative Filters
In < > (creative filters) mode, you can record movies with one of five filter effects applied:
Dream, Old movies, Memory, Dramatic B&W, or Miniature effect movies.
Recording size can be set to / (NTSC) or (PAL).
3. Select [ ].
Press the < >< > keys to select the setting item, then press the
< > button.
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Turn the < > dial to select a filter effect ( ), then press the < >
button.
For Miniature effect movies, move the AF point to the position to focus
on. Move the scene frame if the AF point is outside of it, so that the AF
point is aligned with it.
5. Adjust the filter effect level.
Press the < > button and select < >.

Turn the < > dial to select a filter effect level, then press the < >
button.
When setting up miniature effect movies, select the playback speed.
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Caution

Note
Can also be configured from [ : Shooting creative filters] in Creative Zone

modes ( ).
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Dream
Applies a soft, dreamy, otherworldly appearance. Gives the movie a soft look overall,
blurring the periphery of the screen. You can adjust the blurry areas along the screen
edges.
Old movies
Creates an atmosphere like an old film by adding wavering, scratches, and flickering
effects to the image. The top and bottom of the screen are masked in black. You can
modify the wavering and scratch effects by adjusting the filter effect.
Memory
Creates the atmosphere of a distant memory. Gives the movie a soft look overall,
reducing brightness of the periphery of the screen. You can modify the overall saturation
and the dark areas along the screen edges by adjusting the filter effect.
Dramatic B&W
Creates an atmosphere of dramatic realism with high-contrast black and white. You can
adjust the graininess and black-and-white effect.
Miniature effect movies

You can record movies with a miniature (diorama) effect. Select the playback speed and
record.
Recording under the default setting will keep the center in sharp focus.
To move the area that looks sharp (the scene frame), see “Adjusting the Miniature
Effect” ( ). 1-point AF is used as the AF area. Recording with the AF point and scene
frame aligned is recommended. The AF point and scene frame are hidden during
recording.
In step 5, set the playback speed to [5x], [10x], or [20x] before recording.
Speed and playback time (for a 1-minute movie)

Speed Playback Time
5x Approx. 12 sec.
10x Approx. 6 sec.
20x Approx. 3 sec.
Caution
[ ] (Miniature effect movies)

Sound is not recorded.
Movie Servo AF is disabled.
Editing is not available for miniature effect movies with a playback time less than 1
sec. ( ).
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HDR Movie Recording
You can record high dynamic range movies that retain detail in highlights of high-contrast
scenes.
Note
Movies are recorded at (NTSC) or (PAL).
2. Record an HDR movie.
Record the movie in the same way as normal movie recording.
For details on file sizes and the recording time available, see Movie
recording.
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Caution
Since multiple frames are merged to create an HDR movie, certain parts of the
movie may look distorted. This is more noticeable in handheld recording affected
by camera shake, so consider using a tripod. Note that even if a tripod is used for
recording, afterimages or noise may become more noticeable, compared to normal
playback, when the HDR movie is played back frame-by-frame or in slow motion.
Image color and brightness may change significantly for a moment if you change
settings for HDR movie recording. Also, the movie will not be updated for a
moment, and the frame stops momentarily. Be aware of this when recording
movies to external devices via HDMI.
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Still photo shooting is not supported in movie recording mode. To shoot still photos,
stop recording and change the [Shooting mode] setting to still photos first.
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Information Display (Movie Recording)
For details on the icons on the movie recording screen, see Information Display.
Caution
The remaining time displayed for movie recording is only a guideline.

Movie recording may stop before the initially displayed recording time elapses if the
red [ ] icon appears due to high internal camera temperature during
recording ( ).
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Movie Recording Size
4K Movie Recording
Image Area
Movie Files Exceeding 4 GB
Total Movie Recording Time and File Size Per Minute
Movie Recording Time Limit
You can set the recording size, frame rate, and compression method in [ : Movie rec.
size].
Note that the frame rate is updated automatically to match the [ : Video system] setting
( ).
Image Size Aspect Ratio
3840×2160 16:9
3840×2160 16:9
3840×2160 16:9
1920×1080 16:9
Caution
If you change the [ : Video system] setting, also set [ : Movie rec. size] again.
Other devices may not play movies such as 4K, / , and High Frame
Rate movies normally, because playback is processing-intensive.
Sharpness and noise vary slightly depending on the movie recording size setting
and lens used.
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Note
To obtain better performance with the card, formatting the card with the camera
before recording movies is recommended ( ).
Movies cannot be recorded in HD or VGA quality.
4K Movie Recording
Recording 4K movies requires a stable card with a fast writing speed. For details, see
Cards That Can Record Movies.
4K movie recording greatly increases the processing load, which may increase the
internal camera temperature faster or higher than for regular movies. If a white
[ ] or red [ ] icon appears during movie recording, the card may be
hot, so stop recording the movie and let the camera cool down before removing
the card. (Do not remove the card immediately.)
From a 4K movie, you can select any frame to save to the card as a JPEG still image
( ).
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Image Area
The movie image area varies depending on the movie recording size setting.
(1) (3840×2160) / (time-lapse) / (1920×1080) / (time-lapse)

(2) (3840×2160)
Caution
Recording with Movie digital IS ( ) further crops the image around the center of
the screen.
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Frame rate (fps: frames per second)
[ ] 119.9 fps/[ ] 59.94 fps/[ ] 29.97 fps
For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico,
etc.). For [ ], see High Frame Rate.
[ ] 100.00 fps/[ ] 50.00 fps/[ ] 25.00 fps

For areas where the TV system is PAL (Europe, Russia, China, Australia, etc.). For
[ ], see High Frame Rate.
[ ] 23.98 fps
Mainly for cinematic purposes. (23.98 fps) is available when [ : Video system] is
set to [For NTSC].
Compression method
[ ] IPB (Standard)
Compresses multiple frames at a time efficiently for recording.
[ ] IPB (Light)
Since the movie is recorded at a bit rate lower than with IPB (Standard), the file size will
be smaller than with IPB (Standard) and the playback compatibility will be higher. This
will make the available recording time longer than with IPB (Standard) (with a card of the
same capacity).
Movie recording format

[ ] MP4
All movies you record with the camera are recorded as movie files in MP4 format (file
extension “.MP4”).
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See Card performance requirements for details on cards supporting all movie recording
sizes.
Test cards by recording a few movies to make sure they can record correctly at your
specified size ( ).
Caution
Before recording 4K movies, format cards by selecting [Low level format] in [ :

Format card] ( ).
If you use a slow-writing card when recording movies, the movie may not be
recorded properly. Also, if you play back a movie on a card with a slow reading
speed, the movie may not be played back properly.
When recording movies, use high-performance cards with a writing speed
sufficiently higher than the bit rate.
When movies cannot be recorded properly, format the card and try again. If
formatting the card does not resolve the problem, refer to the card manufacturer's
website, etc.
Note
To obtain better performance with the card, formatting the card with the camera
before recording movies is recommended ( ).
To check the card's writing/reading speed, refer to the card manufacturer's website,
etc.
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Movie Files Exceeding 4 GB
Using SDHC cards formatted with the camera

If you use the camera to format an SDHC card, the camera will format it in FAT32.
With a FAT32-formatted card, if you record a movie and the file size exceeds 4 GB, a
new movie file will be created automatically.
When you play back the movie, you will have to play back each movie file individually.
Movie files cannot be played back automatically in consecutive order. After the movie
playback ends, select the next movie and play it back.
Using SDXC cards formatted with the camera

If you use the camera to format an SDXC card, the camera will format it in exFAT.
When using an exFAT-formatted card, even if the file size exceeds 4 GB during movie
recording, the movie will be saved as a single file (rather than being split into multiple
files).
Caution
When importing movie files exceeding 4 GB to a computer, use either EOS Utility
or a card reader ( ). It may not be possible to save movie files exceeding 4 GB if
you attempt this using standard features of the computer's operating system.
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Total Movie Recording Time and File Size Per Minute
For details, see Movie recording.
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Movie Recording Time Limit
When recording non-High Frame Rate movies
The maximum recording time per movie is 6 hr. Once 6 hr. is reached, recording stops
automatically. You can start recording a movie again by pressing the movie shooting
button (which records the movie as a new file).
When recording High Frame Rate movies
The maximum recording time per movie is 1 hr. 30 min. Once 1 hr. 30 min. is reached,
recording automatically stops. You can start recording a High Frame Rate movie again
by pressing the movie shooting button (which records the movie as a new file).
Caution
The camera's internal temperature may rise and less recording time may be
available after extended movie playback/Live View display.
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High Frame Rate
You can record movies at a high frame rate of 119.9 fps or 100.0 fps. This is ideal for
recording movies that will be played back in slow motion. The maximum recording time per
movie is 1 hr. 30 min.
Movies are recorded in ( ) or ( ) quality.

Sound is not recorded in High Frame Rate movies.
Time code display during movie recording advances 4 sec. per second.
Because High Frame Rate movies are recorded as 29.97 fps/25.00 fps movie files, they
are played in slow motion at 1/4 speed.
Caution
Precautions when set to [High Frame Rate: On]

Time codes are not recorded when [Count up] is set to [Free run] in [ : Time
code] ( ).
Check the [ : Movie rec. size] setting if you return this setting to [Disable].
The screen may flicker if you record High Frame Rate movies under fluorescent or
LED lighting.
For a moment when you start or stop recording High Frame Rate movies, the
movie is not updated, and the frame stops momentarily. Be aware of this when
recording movies to external devices via HDMI.
Movie frame rates shown on the screen as you record High Frame Rate movies do
not correspond to the frame rate of the movie recorded.
Headphones cannot be used (no sound is audible).
ISO speed can be set within ISO 100–12800. By changing the maximum for the
ISO speed range in [ : ISO speed settings] to H (25600), you can also set
up to H (25600) in [ ] mode.
The frame rate of HDMI video output is 59.94 fps or 50.00 fps.
The camera's internal temperature may rise and less recording time may be
available after extended movie playback or image display.
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Digital Zoom
With the recording size set to [ ]/[ ] (NTSC) or [ ] (PAL), you can
shoot with approx. 1–10× digital zoom.
1. Select [ : Digital zoom].
Select the amount to zoom, then press the < > button.
Press the < > button to close the menu.
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3. Use digital zoom.
To zoom, either tap [ ] in the lower right or, if you have assigned
the < >< > keys to [Digital zoom] in [ : Customize buttons],
press the < >< > keys.
The digital zoom bar will appear.
Tap [▲T] or press the < > key to zoom in, and tap [▼W] or press
the < > key to zoom out.
Pressing the shutter button halfway focuses with [1-point AF] (fixed at
center).
To cancel digital zoom, select [Disable] in step 2.
Caution
Using a tripod to prevent camera shake is recommended.

Time-lapse movies, Creative filters and Movie digital IS are not available.
Maximum ISO speed is ISO 12800.
Since Movie digital zoom processes the image digitally, the image will look grainier
at higher magnifications. Noise, dots of light, etc. may also become noticeable.
The scene icon will not be displayed.
Also see Shooting Conditions That Make Focusing Difficult.
The camera's internal temperature may rise and reduce the available recording
time.
Overheat control is set to [Off] and cannot be changed ( ).
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Sound Recording
Sound Recording/Sound-Recording Level
Wind Filter
Audio Noise Reduction
You can record movies while recording sound with the built-in stereo microphone or an
external stereo microphone. You can also freely adjust the sound-recording level.
Use [ : Sound recording] to set sound recording functions.
Caution
Sounds from Wi-Fi operations may be captured with built-in or external

microphones. During sound recording, using the wireless communication function
is not recommended.
When connecting an external microphone or headphones to the camera, be sure to
insert the plug all the way in.
The camera's built-in microphone may also record mechanical sounds of the lens
or sounds of camera/lens operations if AF operations are performed or the camera
or lens is operated during movie recording. If so, it may help reduce these sounds if
you use an external microphone equipped with an output plug and position it away
from the camera and lens.
Do not connect anything other than an external microphone to the camera's
external microphone IN terminal.
Do not change the [ : Sound recording] settings when listening with
headphones. This may cause sudden loud output that may hurt your ears.
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Note
In Basic Zone modes, the settings available for [ : Sound recording] are [On]
and [Disable]. Set to [On] for automatic adjustment of the recording level.
Audio is also output when the camera is connected to televisions via HDMI, unless
[Sound recording] is set to [Off]. In case of feedback from television audio output,
move the camera away from the television or turn down the volume.
The volume balance between L/R (left/right) cannot be adjusted.
Sound is recorded at a 48 kHz/16-bit sampling rate.
Sound Recording/Sound-Recording Level
Auto
The sound-recording level is adjusted automatically. Auto level control will take effect
automatically in response to the sound level.
Manual
You can adjust the sound-recording level as needed. Select [Rec. level] and turn the
< > dial while looking at the level meter to adjust the sound-recording level. Look at
the peak hold indicator, and adjust so that the level meter sometimes lights up on the
right of the “12” (–12 dB) mark for the loudest sounds. If it exceeds “0”, the sound will be
distorted.
Disable
Sound will not be recorded.
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Wind Filter
Set to [Auto] to reduce audio distortion in windy outdoor scenes. Disabled when external
microphones are connected to the external microphone IN terminal. When the wind filter
function takes effect, part of the low bass sounds will also be reduced.
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Audio Noise Reduction
When recording with the built-in microphone, this feature reduces mechanical lens sounds
caused by autofocusing, as well as white noise.
Disable
Disables audio noise reduction.
Enable
Enables audio noise reduction.
High
Reduces audio noise more than with [Enable].
Caution
Audio quality may be different when set to [Enable] than when set to [Disable].
Although [High] reduces audio noise more than with [Enable], this option may also
have a greater impact on audio quality.
Effectiveness of audio noise reduction varies by lens.
Reducing white noise may make some noise more noticeable.
Test recording in advance, because audio noise reduction effectiveness and
resulting changes in audio quality vary by shooting conditions.
To reduce audio noise in headphone output, configure [Audio monitoring] ( ).
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Canon Log Settings
Shooting Settings
Canon Log Image Quality
Canon Log gamma curve takes full advantage of image sensor characteristics to ensure
wide dynamic range for movies that will be processed in postproduction. With minimal loss
of detail in shadows and highlights, movies retain more visual information across the
dynamic range.
To work with Canon Log movies in postproduction, you can apply look-up tables (LUTs).
LUT data can be downloaded from the Canon website.
1. Select [ : Canon Log settings].
2. Select [Canon Log].
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3. Select [On ( )] ( ).
4. Set the options as desired.
Set [View Assist.], [Characteristics], and [Color space].
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Canon Log
On ( )
Enables 10-bit recording of Canon Log movies to the card. Movies can also be recorded
to an external device that supports 10-bit recording.
Note
YCbCr 4:2:2 (10-bit) color sampling and the BT.709/BT.2020/Cinema Gamut color
space are used in Canon Log recording.
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View Assist.
When played on the camera, these movies may look darker and have lower contrast than
movies recorded with a Picture Style applied, due to Canon Log image characteristics,
which are intended to ensure a wide dynamic range. For clearer display that makes it easier
to check details, set [View Assist.] to [On].
Setting this feature to [On] does not affect movies recorded to the card, which are
recorded using Canon Log characteristics. Similarly, HDMI video output has Canon Log
characteristics, and View Assist is not used for it.
Note
[ ] is shown on the information display screen during movie recording with View
Assist.
When set to [On], View Assist is also used with magnified display.
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Characteristics
Adjust as needed. Select an option ([Sharpness: Strength], [Saturation], or [Hue]), adjust

the effect level, then press the < > button.
Sharpness: Strength 0: Weak outline emphasis 7: Strong outline emphasis
Saturation −4: Low +4: High
Reds −4: Toward magenta +4: Toward yellow
Hue* Greens −4: Toward yellow +4: Toward cyan
Blues −4: Toward cyan +4: Toward magenta
* Reds, greens, and blues cannot be adjusted separately.
Color space
Choose [BT.709], [BT.2020], or [Cinema Gamut] as the color space for HDMI output or
recording to cards.
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Shooting Settings
Manually setting the ISO speed to 100–640 will make the dynamic range narrower.
Canon Log offers a dynamic range of approx. 1600% at ISO 800 or higher.
The following are expanded ISO speeds: ISO 100, 125, 160, 200, 250, 320, 400, 500
and 640. [ ] is displayed when an ISO speed is set.
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Canon Log Image Quality
With Canon Log, movies may be affected by horizontal banding, depending on the
subject or shooting conditions. Record a few test movies and check the results in
advance. In particular, noise may become more noticeable if you enhance the contrast
when color-grading your movies.
With Canon Log, skies, white walls, and similar subjects may be affected by noise or
uneven gradation, exposure, or colors.
Horizontal banding is more likely to occur when recording somewhat dark, flat subjects.
This image noise may even occur at relatively low ISO speeds around ISO 800.
If noise is noticeable, try recording under brighter conditions and adjusting brightness in
color grading. Although dynamic range is narrower at ISO speeds lower than ISO 800,
noise can also be reduced by recording this way.
Caution
General Canon Log shooting precautions

Canon Log and Canon Log 2 are not supported.
With Canon Log, autofocusing may be more difficult for subjects under low light, or
for low-contrast subjects. Difficulty in autofocusing can be reduced by shooting
near maximum aperture or using a bright lens.
Noise may appear at image edges if [Peripheral illum corr] in [ : Lens
aberration correction] is set to [Enable] when Canon Log is set.
Histograms with [Canon Log] in [ : Canon Log settings] set to [On ( )] are
not based on conversion for View Assist display. Image areas shown in gray in the
histogram roughly indicate signal values that are not used.
Note
Playing back movies recorded with Canon Log

View Assist is not used during movie playback.
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Time-Lapse Movies
Approx. Time Available for Recording Time-Lapse Movies
Still photos shot at a set interval can be stitched together automatically to create a 4K or Full
HD time-lapse movie. A time-lapse movie shows how a subject changes in a much shorter
period of time than the actual time it took. It is effective for a fixed-point observation of
changing scenery, growing plants, celestial motion, etc.
Time-lapse movies are recorded in MP4 format at the following quality:
(NTSC)/ (PAL) in 4K recording, and (NTSC)/
(PAL) in Full HD recording.
Note that the frame rate is updated automatically to match the [ : Video system] setting
( ).
1. Select [ : Time-lapse movie].
2. Select [Time-lapse].
Select [Enable].
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3. Set [Interval].
Select [Interval].
As you set the number, refer to the [ ] time required (1) and [ ]
playback time (2).
Select an option (hours : minutes : seconds).
Can be set in a range of [00:00:02]–[99:59:59]. (An interval of once per
second is not available.)
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4. Set [No. of shots].
Select [No. of shots].

As you set the number, refer to the time required ([ ]) and playback
time ([ ]).
Select the digit.
Can be set in a range of [0002]–[3600].
Make sure the playback time ([ ]) is not displayed in red.
The playback time ([ ]) is displayed in red if the card does not have
enough free space to record the specified number of shots. Although
the camera can continue recording, the recording will stop when the
card becomes full.
Playback time ([ ]) is displayed in red if the [No. of shots] setting
results in a file size exceeding 4 GB for a card not formatted in exFAT
( ). If you keep recording in this condition and the movie file size
reaches 4 GB, the time-lapse movie recording will stop.
Note
For details on cards that can record time-lapse movies (card

performance requirements), see Card performance requirements.
If the number of shots is set to 3600, the time-lapse movie will be

approx. 2 min. in NTSC and approx. 2 min. 24 sec. in PAL.
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5. Select [Movie rec. size].
(3840×2160)
The movie is recorded in 4K quality. The aspect ratio is 16:9.
Additionally, the frame rate is 29.97 fps ( ) for NTSC and 25.00 fps
( ) for PAL, and movies are recorded in MP4 ( ) format with
ALL-I ( ) compression.
(1920×1080)
The movie will be recorded in Full High-Definition (Full HD) quality. The
aspect ratio is 16:9. Additionally, the frame rate is 29.97 fps ( ) for
NTSC and 25.00 fps ( ) for PAL, and movies are recorded in MP4
( ) format with ALL-I ( ) compression.
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6. Set [Auto exposure].
Fixed 1st frame

When taking the first shot, metering is performed to set the exposure
automatically to match the brightness. The exposure setting for the first
shot will be applied to subsequent shots. Other shooting-related
settings for the first shot will also be applied for subsequent shots.
Each frame
Metering is also performed for each subsequent shot to set the
exposure automatically to match the brightness. Note that any
functions such as Picture Style and white balance that are set to [Auto]
will be set automatically for each subsequent shot.
Caution
Significant changes in brightness between shots may prevent the

camera from shooting at the specified interval when [Interval] is
set to less than 3 sec. and [Auto exposure] is set to [Each
frame].
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7. Set [Screen auto off].
Disable
Even during time-lapse movie recording, the image will be displayed.
(The screen turns off only at the time of shooting.) Note that the screen
will turn off when approx. 30 min. elapse after the shooting started.
Enable
Note that the screen will turn off when approx. 10 sec. elapse after the
shooting started.
Caution
Even if [Screen auto off] is set to [Disable], the screen turns off
during exposure. Also note that images may not be displayed if
the interval between shots is too brief.
Note
During time-lapse movie recording, you can press the < >
button to turn on/off the screen.
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8. Set [Beep per taken].
Set to [0] to prevent the camera from beeping for each shot.
9. Check the settings.
Time required (1)

Indicates the time required to shoot the set number of shots with the
set interval. If it exceeds 24 hours, “*** days” will be displayed.
Playback time (2)

Indicates the movie recording time (time required to play back the
movie) when creating the time-lapse movie in 4K movie or Full HD
movie from the still photos taken with the set intervals.
10. Close the menu.
Press the < > button to turn off the menu screen.
387
11. Read the message.
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12. Take a test shot.
Press the < > button and double-check the Time required (1) and
Interval (2) shown on the screen.
As in still photo shooting, set the exposure and shooting functions, then
press the shutter button halfway to focus.
Press the shutter button completely to take a test shot, which is
recorded to the card as a still photo.
If there are no problems with the test shot, go to the next step.
To take more test shots, repeat this step.
Note
Test shots are captured in JPEG quality.
In [ ] mode, you can set the shutter speed in a range of 1/4000

to 30 sec.
You can set the maximum limit for Auto ISO in [ ] mode or in
[ ] mode with ISO Auto, in the [ Max for Auto] option of
[ : ISO speed settings] ( ).
If you have set [Half-press] in [ : Shutter btn function for

movies] to [Meter.+ Servo AF], it is automatically changed to
[Meter.+One-Shot AF] when you set up time-lapse movie
recording.
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13. Press the movie shooting button.
The camera is now ready to start recording a time-lapse movie.

To return to step 12, press the movie shooting button again.
14. Record the time-lapse movie.
Press the shutter button completely to start recording the time-

lapse movie.
AF will not work during time-lapse movie recording.
A recording icon “●” is displayed on the screen as the time-lapse movie
is recorded.
When the set number of shots are taken, the time-lapse movie
recording ends.
To cancel recording time-lapse movies, set [Time-lapse] to
[Disable].
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Note

Taking test shots as in step 12 or even recording test time-lapse movies
beforehand is recommended.
The movie's field of view coverage for both the 4K and Full HD time-lapse movie
recording is approx. 100%.
To cancel time-lapse movie recording in progress, either press the shutter button
completely or press the movie shooting button. The time-lapse movie shot so far
will be recorded on the card.
If the time required for recording is more than 24 hours but not more than 48 hours,
“2 days” will be indicated. If three or more days are required, the number of days
will be indicated in 24-hour increments.
Even if the time-lapse movie's playback time is less than 1 sec., a movie file will still
be created. In this case, “00'00"” is indicated in [Playback time].
If the shooting time is long, using the household power outlet accessories (sold
separately) is recommended.
YCbCr 4:2:0 (8-bit) color sampling and the BT.709 color space are used for 4K/Full
HD time-lapse movies.
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Caution
Time-lapse movies cannot be recorded when the camera is connected to a
computer with the interface cable, or when an HDMI cable is connected.
Movie Servo AF will not function.
If the shutter speed is 1/30 sec. or slower, the exposure of the movie may not be
displayed properly (may differ from that of the resulting movie).
Do not zoom the lens during time-lapse movie recording. Zooming the lens may
cause the image to be out of focus, the exposure to change, or the lens aberration
correction not to function properly.
Recording time-lapse movies under flickering light may cause noticeable screen
flickering, and images may be captured with horizontal stripes (noise) or irregular
exposure.
Images displayed as time-lapse movies are recorded may look different from the
resulting movie (in details such as inconsistent brightness from flickering light
sources, or noise from a high ISO speed).
When recording a time-lapse movie under low light, the image displayed during
shooting may look different from what is actually recorded in the movie. In such
cases, the [ ] icon will blink.
If you move the camera from left to right (panning) or shoot a moving subject during
time-lapse movie recording, the image may look extremely distorted.
During time-lapse movie recording, auto power off will not take effect. Also, you
cannot adjust the shooting function and menu function settings, play back images,
etc.
Sound is not recorded for time-lapse movies.
To start or stop time-lapse movie recording, you can press the shutter button
completely, regardless of the [ : Shutter btn function for movies] setting.
Significant changes in brightness between shots may prevent the camera from
shooting at the specified interval when [Interval] is set to less than 3 sec. and
[Auto exposure] is set to [Each frame].
If the shutter speed exceeds the shooting interval (such as for long exposures), or if
a slow shutter speed is set automatically, the camera may not be able to shoot at
the set interval. Shooting may also be prevented by shooting intervals nearly the
same as the shutter speed.
If the next scheduled shot is not possible, it will be skipped. This may shorten the
recording time of the created time-lapse movie.
If the time it takes to record to the card exceeds the shooting interval due to the
shooting functions set or card performance, some of the shots may not be taken
with the set intervals.
The captured images are not recorded as still photos. Even if you cancel the time-
lapse movie recording after only one shot is taken, it will be recorded as a movie
file.
Set [ : Time-lapse movie] to [Disable] if you will connect the camera to a
computer with the interface cable and use EOS Utility (EOS software). Options
other than [Disable] will prevent the camera from communicating with the
computer.
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Image stabilization is not applied in time-lapse movie recording.
Time-lapse movie shooting ends if the power switch is set to < >, for
example, and the setting is changed to [Disable].
Even if a flash is used, it will not fire.
The following operations cancel standby for time-lapse movie recording and switch
the setting to [Disable].
• Selecting either [Clean now ] in [ : Sensor cleaning] or [Basic settings]
in [Reset camera]
Image quality may be lower if you start time-lapse movie recording while a white
[ ] or red [ ] icon ( ) is displayed. For best results, before
recording, wait until the white [ ] or red [ ] icon is no longer
displayed, which indicates that the camera has cooled down.
With [Auto exposure] set to [Each frame], the ISO speed, shutter speed, and
aperture value may not be recorded in the time-lapse movie Exif information in
some shooting modes.
Note
You can use Wireless Remote Control BR-E1 (sold separately) to start and stop
time-lapse movie recording.
With Wireless Remote Control BR-E1

First, pair Wireless Remote Control BR-E1 with the camera ( ).
Set [ : Remote control] to [Enable].
After you take some test shots and the camera is ready to shoot (as in step
13, ), set the release timing/movie shooting switch on the BR-E1 to <●>
(immediate release) or <2> (2-sec. delay).
If the remote control's switch has been set to < >, the time-lapse movie
recording cannot start.
Camera Status/Remote <●> Immediate Release
Control Setting <2> 2-sec. Delay < > Movie Recording
Test-recording screen Test recording To recording standby
Recording standby Starts recording To test-recording screen

During time-lapse movie
Ends recording Ends recording
recording
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Approx. Time Available for Recording Time-Lapse Movies
For guidelines on how long you can record time-lapse movies (until the battery runs out),
see Movie recording.
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Movie Self-Timer
Movie recording can be started by the self-timer.
1. Select [ : Movie self-timer].
After you press the movie shooting button or tap [ ], the camera
displays the number of seconds left before recording and beeps.
Note
To cancel the self-timer, either tap the screen or press the < > button.
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Image Stabilizer (IS Mode)
IS Mode
Movie Digital IS
The camera's IS mode and movie digital IS features reduce camera shake as movies are
recorded. They can provide effective stabilization even when non-IS lenses are used. The
[IS mode] menu item is not shown when IS-equipped lenses are used. In that case, setting
the lens Image Stabilizer switch to < > combines stabilization by the lens and camera.
IS Mode
2. Select [IS mode].
Select [On] to use IS mode on the camera.
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Movie Digital IS
2. Select a [ Digital IS] option.
Off ( )
Image stabilization with Movie digital IS is disabled.
On ( )
Camera shake will be corrected. The image will be slightly magnified.
Enhanced ( )
Compared to when [On] is set, stronger camera shake can be corrected. The image will
be more magnified.
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Caution
Movie digital IS will not function when the lens's optical Image Stabilizer switch is
set to < >.
With non-IS lenses, setting [ Digital IS] to [On] or [Enhanced] also sets [IS
mode] to [On].
Stabilization by Movie digital IS may be less effective at some movie recording
sizes.
The wider the angle of view (wide angle), the more effective the image stabilization
will be. The narrower the angle of view (telephoto), the less effective the image
stabilization will be.
When using a tripod, setting Movie digital IS to [Off] is recommended.
Depending on the subject and shooting conditions, the subject may blur noticeably
(the subject momentarily looks out of focus) due to the effects of the Movie digital
IS.
Consider setting to [Off] when using a TS-E lens or fish-eye lens.
Since Movie digital IS magnifies the image, the image looks more grainy. Noise,
dots of light, etc. may also become noticeable.
Note
For details on configuring image stabilization for still photo shooting, see Image
Stabilizer (IS Mode).
With some lenses, even more effective stabilization (indicated by “+” next to the IS
icon) is possible when the lens's IS is used in conjunction with IS on the camera.
For details on lenses compatible with this feature, visit the Canon website ( ).
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Shutter Button Function for Movies
You can set the functions performed by pressing the shutter button halfway or completely
during movie recording.
1. Select [ : Shutter btn function for movies].
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Half-press
Specify the function performed by pressing the shutter button halfway.
Fully-press
Specify the function performed by pressing the shutter button
completely.
With [Fully-press] set to [Start/stop mov rec], you can start/stop movie
recording not only with the movie shooting button but also by pressing the
shutter button completely, or by using Remote Switch RS-60E3 (sold
separately).
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Zebra Settings
To help you adjust exposure before or during movie recording, you can display a striped
pattern over or around image areas of a specified brightness.
1. Select [ : Zebra settings].
2. Select [Zebra].
Select [On].
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3. Select [Zebra pattern].
[Zebra 1]: Displays left-slanting stripes around areas of the specified

brightness.
[Zebra 2]: Displays right-slanting stripes over areas that exceed the
specified brightness.
[Zebra 1+2]: Displays both [Zebra 1] and [Zebra 2].
[Zebra 1] display takes precedence where [Zebra 1] and [Zebra 2]
display areas overlap.
4. Set the level.
Zebra 1 level
Zebra 2 level
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Note
The maximum brightness value does not reach 100% when HDR-PQ is set. Note
that the maximum brightness value varies depending on [ : Highlight tone
priority] and [ : Picture Style] settings.
The maximum brightness value does not reach 100% when Canon Log is set.
Checking the zebra display level in advance is recommended when you will set
[Zebra pattern].
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Time Code
Count Up
Start Time Setting
Movie Recording Count
Movie Play Count
HDMI
Drop Frame
Time codes record the time automatically as movies are recorded. Time codes always
record elapsed hours, minutes, seconds, and frames. They are mainly used when movies
are edited.
To set up the time code, use [ : Time code].
Caution
Time codes may not be displayed correctly if your movies are played back on
devices other than the camera.
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Count Up
Rec run
The time code advances only during movie recording. Time codes in each movie file
recorded continue from the last time code in the previous file.
Free run
The time code keeps advancing, even when you are not recording.
Caution
When set to [Free run], time codes are not added to movies recorded with the
camera configured for High Frame Rate, time-lapse, or Creative filter recording.
When set to [Free run], time codes will be affected by any changes to settings for
time, zone, or daylight saving time ( ).
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Start Time Setting
You can set the initial time of the time code.
Manual input setting

Enables you to set any starting hour, minute, second, and frame.
Reset
Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.”
or “00:00:00:” ( ).
Set to camera time

Matches the hour, minute, and second set as the time on the camera. Sets the frame
value to “00.”
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Movie Recording Count
You can select how time is displayed on the movie recording screen.
Rec time
During recording standby, displays the available recording time. During recording,
displays the time that has elapsed since movie recording began (1).
Time code
Displays the time code during movie recording (2).
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Movie Play Count
You can select how time is displayed on the movie playback screen.
Rec time
Displays the recording or playback time during movie playback.
Time code
Displays the time code during movie playback.
Note
Time codes are always recorded to movie files (except when High Frame Rate
movies are set to [Free run]), regardless of the [Movie rec count] setting.
The [Movie play count] setting in [ : Time code] is linked to the [ : Movie
play count], so that these settings always match.
The “frame” count is not displayed during movie recording or playback.
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HDMI
Time code
Time codes can be added to movies as you record them to an external device via HDMI.
• Off
No time code is added to HDMI video output.
• On
Time codes are added to HDMI video output. When [On] is set, [Rec Command] is
displayed.
Rec Command
For HDMI video output recorded by an external device, you can synchronize recording
to when you start and stop recording movies on the camera.
• Off
Recording is started and stopped by the external device.
• On
Recording by an external device is synchronized to starting/stopping recording on
the camera.
Caution
Time codes are not added to HDMI video output when you record High Frame Rate
movies with [Count up] in [Time code] set to [Free run].
To determine compatibility of external recording devices with [Time code] and [Rec
Command] functions, check with the device manufacturer.
Even with [Time code] set to [Off], external recording devices may add time codes
to movies, depending on their specifications. For details on device specifications
relevant to adding time code to HDMI input, check with the device manufacturer.
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Drop Frame
The time code's frame count will cause a discrepancy between the actual time and the time
code if the frame rate is set to (119.9 fps), (59.94 fps), or (29.97 fps). The
discrepancy is corrected automatically when [Enable] is set.
Enable
Corrects the discrepancy automatically by skipping time code numbers (DF: drop
frame).
Disable
The discrepancy is not corrected (NDF: non-drop frame).
Time codes are displayed as follows.
• Enable (DF)
00:00:00. (Playback: 00:00:00.00)
• Disable (NDF)
00:00:00: (Playback: 00:00:00:00)
Note
The [Drop frame] setting item is not displayed when the frame rate is set to
(23.98 fps), or when [ : Video system] is set to [For PAL].
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Other Menu Functions
[ 2]
[ 3]
[ 4]
[ 5]
[ 6]
[ 7]
[ 2]
Exposure comp.
Exposure compensation can be adjusted in a range of ±3 stops, in 1/3-stop increments.

For details on exposure compensation, see Manual Exposure Compensation.
ISO speed settings
• ISO speed
In [ ] mode, you can set the ISO speed manually. You can also select ISO Auto.
• ISO speed range

You can set the manual ISO speed setting range (minimum and maximum). ISO
expansion can also be configured.
• Max for Auto

You can set the maximum limit for ISO Auto in movie recording in [ ], [ ], or
[ ] mode or in [ ] mode with ISO Auto.
• Max for Auto

You can set the maximum limit for ISO Auto in 4K time-lapse/Full HD time-lapse
movie recording in [ ], [ ], or [ ] mode or in [ ] mode with ISO Auto. By
default, the maximum limit is set to ISO 12800. The maximum limit can be set in a
range of ISO 400–25600.
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HDR shooting
For details on HDR shooting , see HDR Shooting.
Auto Lighting Optimizer
Brightness and contrast can be corrected automatically. For details on Auto Lighting
Optimizer, see Auto Lighting Optimizer.
Highlight tone priority
You can reduce overexposed, clipped highlights as you record movies. For details on
Highlight tone priority, see Highlight Tone Priority.
Av 1/8-stop incr.
• You can set aperture values on a finer scale when recording movies with an RF
lens.
This feature is available when the camera is set to [ ] or [ ].
Select [Enable] to change the aperture increment from 1/3 stop (or 1/2 stop) to 1/8
stop.
Caution
[ Av 1/8-stop incr.] is not available (not displayed) when EF or EF-S lenses are
used.
When set to [Enable], setting options in [ : Exposure level increments] are
disabled and have no effect.
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Auto slow shutter
You can choose whether to record movies that are brighter and less affected by image
noise than when set to [Disable] by automatically slowing the shutter speed under low
light.
Available in [ ] or [ ] recording mode. Applies when the frame rate of the movie
recording size is or .
• Disable
Enables you to record movies with smoother, more natural movement, less affected
by subject shake than when set to [Enable]. Note that under low light, movies may
be darker than when set to [Enable].
• Enable
Enables you to record brighter movies than when set to [Disable] by automatically
reducing the shutter speed to 1/30 sec. (NTSC) or 1/25 sec. (PAL) under low light.
Note
Setting to [Disable] is recommended when recording moving subjects under low

light, or when afterimages such as trails may occur.
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[ 3]
White balance
For details on white balance, see White Balance.
Custom White Balance
For details on custom white balance, see Custom White Balance.
WB correction
For details on white balance correction, see White Balance Correction.
Picture Style
For details on Picture Styles, see Picture Style Selection.
Clarity
For details on clarity, see Clarity.
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[ 4]
Lens aberration correction
Peripheral illumination correction, distortion correction, and chromatic aberration

correction can be corrected as you record movies. For details on lens aberration
correction, see Lens Aberration Correction.
High ISO speed NR
For details on High ISO speed noise reduction, see High ISO Speed Noise Reduction.
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[ 5]
Remote control
By setting to [Enable], you can start or stop movie recording using Wireless Remote
Control BR-E1 (sold separately).
416
[ 6]
Auto level
For details on Auto level, see Auto Level.
Customize Quick Controls
For details on customizing Quick Controls, see Customizing Quick Controls.
Metering timer
For details on the metering timer, see Metering Timer.
Shooting info. disp.
For details on configuring shooting information display, see Shooting Information

Display.
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[ 7]
Reverse display
For details on reverse display, see Reverse Display.
VF display format
For details on the viewfinder display format, see Viewfinder Display Format.
Standby: Low res.
Set to [On] to conserve battery power and control the rise of camera temperature during
standby.
As a result, it may enable you to record movies over a longer period.
Caution
Image quality on the standby screen may differ from image quality on the screen
during movie recording.
Briefly when you start recording movies, image display may remain on the current
frame instead of being updated.
With digital zoom set to an option other than [Disable], overheat control is set to
[Off] and cannot be changed ( ).
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HDMI display
You can specify how movies are displayed as they are recorded via HDMI to an external
device. Movie output itself corresponds to the [Movie rec. size] setting.
The default setting is [ ].
• +
Enables movie display both on the camera screen and on the other device, via
HDMI output.
Camera operations such as image playback or menu display are shown on the other
device via HDMI, not on the camera screen.
•
Deactivates the camera screen during output via HDMI, so that the screen is blank.
Shooting information, AF points, and other information is shown on the external
device via HDMI, but you can stop output of this information by pressing the
< > button.
Before recording movies externally, confirm that no information is being sent by the
camera by making sure no shooting information, AF points, and so on is displayed
on external monitors or other devices.
Caution
Card recording is not performed with [HDMI display] set to [ + ]. Camera

menus and image playback are only displayed on the screen connected via HDMI.
The HDMI output resolution and frame rate are automatically adjusted to suit the
movie recording size.
For longer HDMI output
To continue HDMI output for longer than 30 min., select [ + ], then set [Auto power
off] in [ : Power saving] to [Disable] ( ). HDMI output will continue after the camera
screen turns off when the time set in [Screen off] elapses.
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Caution
HDMI output without information prevents display of warnings about the card
space, battery level, or high internal temperature ( ) via HDMI.
During HDMI output, display of the next image may take some time if you switch
between movies of different recording sizes or frame rates.
Avoid operating the camera when recording movies to external devices, which may
cause information to be displayed in the HDMI video output.
Brightness and color of movies recorded with the camera may look different from
that of HDMI video output recorded by external devices, depending on the viewing
environment.
Note
By pressing the < > button, you can change the information displayed.
Time codes can be added to HDMI video output ( ).
Audio is also output via HDMI, except when [Sound rec.] is set to [Disable].
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General Movie Recording Precautions
Warning Indicator Display in Movie Recording
Warning Indicator Display in Movie Recording
A 10-level indicator (1) is displayed during movie recording in case of excessive internal
camera temperature.
As the internal temperature rises, the level on the indicator extends to the right. How fast the
level increases will depend on shooting conditions. Levels 1–7 are marked in white, but once
the temperature reaches level 8, the color changes.
[ ] flashes in red if you continue recording after the indicator reaches level 9, marked in
orange. A flashing icon indicates that the camera will soon turn off automatically.
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A message is displayed if you continue to record while the icon is flashing, and the camera
automatically turns off.
Subsequent recording
To keep recording under the same settings, leave the camera off and let it cool down a
while. Note that the camera may overheat again after you resume recording.
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Caution
Precautions for movie recording

If you record something that has fine detail, moire or false colors may result.
If [ ] or [ ] is set and the ISO speed or aperture value changes during
movie recording, the white balance may also change.
If you record a movie under fluorescent or LED lighting, the movie image may
flicker.
If you perform AF with a USM lens during movie recording in low light, horizontal
banding noise may be recorded in the movie. The same type of noise may occur if
you focus manually with certain lenses equipped with an electronic focusing ring.
Recording a few test movies is recommended if you intend to perform zooming
during movie recording. Zooming as you record movies may cause exposure
changes or lens sounds to be recorded, an uneven audio level, inaccurate lens
aberration correction, or loss of focus.
Large aperture values may delay or prevent accurate focusing.
Performing AF during movie recording may cause the following kinds of issues:
significant temporary loss of focus, recording of changes in movie brightness,
temporary stopping of movie recording, or recording of mechanical lens sounds.
Avoid covering the built-in microphones with your fingers or other objects.
Connecting or disconnecting an HDMI cable during movie recording will end
recording.
If necessary, also see General Still Photo Shooting Precautions.
The camera may become hot in movie recording while connected via Wi-Fi. Use a
tripod or take other measures to avoid handheld recording.
Recording and image quality

If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch
to < >, the Image Stabilizer will operate at all times even if you do not press the
shutter button halfway. This will consume battery power, and it may reduce the total
movie recording time. When the Image Stabilizer is not necessary, such as when
using a tripod, it is recommended that you set the Image Stabilizer switch to
< >.
If the brightness changes as you record a movie with auto exposure, the movie
may appear to stop momentarily. In this case, record movies with manual
exposure.
If there is a very bright light source in the image, the bright area may appear black
on the screen. Movies are recorded almost exactly as they appear on the screen.
Image noise or irregular colors may occur when shooting at high ISO speeds, high
temperatures, slow shutter speeds, or under low light. Movies are recorded almost
exactly as they appear on the screen (except with [ : Canon Log settings] set to
[View Assist.]).
Video and audio quality of recorded movies may be worse on other devices, and
playback may not be possible, even if the devices support MP4 formats.
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If you use a card with a slow writing speed, an indicator may appear on the right
of the screen during movie recording. The indicator shows how much data has
not yet been written to the card (remaining capacity of the internal buffer
memory), and it increases more quickly the slower the card is. If the indicator (1)
becomes full, movie recording will stop automatically.
If the card has a fast writing speed, the indicator will not appear or the level (if
displayed) will not increase much. First, record a few test movies to see if the card
can write fast enough.
If the indicator shows that the card is full, and movie recording stops automatically,
the sound near the end of the movie may not be recorded properly.
If the card's writing speed is slow (due to fragmentation) and the indicator appears,
formatting the card may make the writing speed faster.
Note
Notes for movie recording

Each time you record a movie, a new movie file is created on the card.
Field of view (coverage) is approx. 100%.
Focusing is also possible by pressing the < > button.
To enable starting/stopping movie recording by pressing the shutter button
completely, set [Fully-press] for [ : Shutter btn function for movies] to [Start/
stop mov rec] ( ).
Most external microphones equipped with a 3.5 mm mini-plug can be used.
Any connected external microphone is used instead of the built-in microphone.
Focus preset during movie recording is available when using (super) telephoto
lenses equipped with this function released in and after the second half of 2011.
YCbCr 4:2:0 (8-bit) color sampling and the BT.709 color space are used for 4K and
Full HD movies.
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AF/Drive
This chapter describes autofocus operation and drive modes and introduces menu settings
on the AF [ ] tab.
< >, or < > mode.
Note
< > stands for autofocus. < > stands for manual focus.
• Tab Menus: AF (Still Photos)

• Tab Menus: AF (Movie Recording)
• AF Operation
• Movie Servo AF
• Selecting the AF Area
• Preview AF
• Touch & Drag AF Settings
• Manual Focus
• Servo AF Characteristics
• Customizing AF Functions
• Selecting the Drive Mode
• Using the Self-Timer
• Remote Control Shooting
• Customizing Operation
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Tab Menus: AF (Still Photos)
AF1
(1) AF operation
(2) AF area
(3) Subject tracking
(4) Subject to detect
(5) Eye detection
(6) Switching tracked subjects
Note
When lenses without a focus mode switch are used, [Focus mode] is
displayed on the [ 1] tab if you have set [ : switch (AF/MF)] to
[Disable] ( ).
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AF2
(1) Case 1
(2) Case 2
(3) Case 3
(4) Case 4
(5) Case A
(6) Tracking sensitivity
(7) Accel./decel. tracking
AF3
(1) One-Shot AF release prior.

(2) Preview AF
(3) Lens drive when AF impossible
(4) AF-assist beam firing
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AF4
(1) Touch & drag AF settings

(2) Limit AF areas
(3) sensitivity- AF pt select
(4) Orientation linked AF point
AF5
(1) MF peaking settings

(2) Focus guide
(3) Movie Servo AF
428
AF6
(1) Electronic full-time MF

(2) Lens electronic MF
(3) Focus/control ring
(4) Focus ring rotation
(5) RF lens MF focus ring sensitivity
429
Note that available menus vary by shooting mode.
AF1
(1) AF area
(4) Eye detection
AF2
(1) Preview AF
(2) AF-assist beam firing
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AF3

AF4

(2) Focus guide
(3) Movie Servo AF
AF5

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Tab Menus: AF (Movie Recording)
AF1
(1) Movie Servo AF

(2) AF area
(5) Eye detection
(6) Switching tracked subjects
Note
When lenses without a focus mode switch are used, [Focus mode] is
displayed on the [ 1] tab if you have set [ : switch (AF/MF)] to
[Disable] ( ).
AF2
(1) Movie Servo AF speed

(2) Movie Servo AF track sens.
432
AF3
(1) Lens drive when AF impossible
AF4

(2) Limit AF areas
AF5

(2) Focus guide
433
AF6
(1) Electronic full-time MF

(2) Lens electronic MF
(3) Focus/control ring
434
Available menus vary by shooting mode.
AF1
(1) Movie Servo AF

(2) AF area
(5) Eye detection
AF2

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AF3

(2) Focus guide
AF4

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AF Operation
One-Shot AF for Still Subjects
Servo AF for Moving Subjects
You can select the AF operation characteristics to suit the shooting conditions or subject.
437
1. Set the focus mode to (< >).


Focus mode] to [AF].

Set the lens's focus mode switch to < >. The camera's focus mode
switch is now disabled.
438
2. Select [ : AF operation].
Note
If focus is not achieved, the AF point will turn orange. When using One-Shot AF,
either recompose the shot and try to focus again or see Shooting Conditions That
Make Focusing Difficult.
With Servo AF, the camera shoots even when subjects are not in focus.
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One-Shot AF for Still Subjects
This AF operation is suited for still subjects. When you press the shutter button halfway, the
camera will focus only once.
When focus is achieved, the AF point will turn green and the beeper will sound.
The focus remains locked while you hold down the shutter button halfway, allowing you
to recompose the image before taking the picture.
For details on the continuous shooting speed for continuous shooting, see Selecting the
Drive Mode.
Note
If [ : Beep] is set to [Disable], the beeper will not sound when focus is achieved.
See Lens electronic MF when using a lens that supports electronic manual
focusing.
Shooting with the focus locked

In focus lock shooting, you will use One-Shot AF with a fixed AF point, then recompose the
shot before shooting. The steps are as follows when you will press the shutter button
halfway to focus.
1. Aim the fixed AF point over the subject to focus on, then press the
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2. After the AF point in focus turns green, keep the shutter button
pressed halfway and recompose the shot.
3. Press the shutter button completely to take the picture.
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Servo AF for Moving Subjects
This AF operation is suited for moving subjects. While you hold down the shutter button
halfway, the camera will keep focusing on the subject continuously.
When focus is achieved, the AF point will turn blue. The beeper will not sound even
when focus is achieved.
The exposure is set at the moment the picture is taken.
For details on the continuous shooting speed for continuous shooting, see Selecting the
Drive Mode.
Caution
Accurate focusing may not be possible at high aperture values or depending on the
lens, the distance to the subject, and how fast the subject is moving.
Zooming during continuous shooting may throw off the focus. Zoom first, then
recompose and shoot.
Consider shooting with One-Shot AF if Servo AF operation is unsteady for still
subjects.
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Movie Servo AF
With this function enabled, the camera focuses on the subject continuously during movie
recording.
1. Set the power switch to < >.
2. Select [ : Movie Servo AF].
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3. Select [Enable].
Enable
• The camera focuses on the subject continuously even when you

are not pressing the shutter button halfway.
• To keep the focus at a specific position, or if you prefer not to

record mechanical sounds from the lens, you can temporarily stop
Movie Servo AF by tapping [ ] in the lower left of the screen.
• Movie Servo AF will resume after pausing if you return to movie

recording after operations such as pressing the < > or
< > button or changing the AF area.
Disable
While you hold down the shutter button halfway, the camera will keep
focusing on the subject continuously. Pressing the < > button
focuses only once.
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Caution
Precautions when set to [Movie Servo AF: Enable]
Shooting conditions that make focusing difficult

• A fast-moving subject approaching or moving away from the camera.
• A subject moving at a close distance to the camera.
• When shooting with a higher aperture value.
• Also see Shooting Conditions That Make Focusing Difficult.
Since the lens is driven continuously and the battery power is consumed, the
possible movie recording time ( ) will be shortened.
The camera's built-in microphone may also record mechanical sounds of the lens
or sounds of camera/lens operations if AF operations are performed or the camera
or lens is operated during movie recording. In this case, using an external
microphone may reduce these sounds. If the sounds are still distracting with an
external microphone, it may be more effective to remove the external microphone
from the camera and position it away from the camera and lens.
Movie Servo AF pauses during zooming or magnified view.
During movie recording, if a subject approaches or moves away or if the camera is
moved vertically or horizontally (panning), the recorded image may momentarily
expand or contract (change in image magnification).
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Selecting the AF Area
AF Area
Subject Tracking
Subject to Detect
Eye Detection
Switching Tracked Subjects
Tracking with the Button
Focus Mode
Manually Setting AF Points (or Zone AF Frames)
Magnified View
AF Shooting Tips
Shooting Conditions That Make Focusing Difficult
AF Range
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AF Area
This section describes AF area operation with [ : Subject tracking] set to [Off].
: Spot AF
The camera focuses in a narrower area than 1-point AF.
: 1-point AF
The camera focuses using a single AF point [ ].
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: Expand AF area:
Focuses using one AF point [ ] and the AF area outlined here in blue. Effective for moving
subjects, which are difficult to track with 1-point AF.
Focusing on your preferred subject is easier than with Flexible Zone AF.
When Servo AF is used, first you will focus using an AF point [ ].
: Expand AF area: Around
Focuses using one AF point [ ] and the surrounding AF area outlined here in blue, which
makes it easier to focus on moving subjects than with Expand AF area: .
When Servo AF is used, first you will focus using an AF point [ ].
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: Flexible Zone AF 1
By default, a square Zone AF frame is set.
By default, a vertical rectangular Zone AF frame is set.
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By default, a horizontal rectangular Zone AF frame is set.
With Flexible Zone AF 1–3, you can freely set the size of the Zone AF frame ( ).
Uses auto selection AF in Zone AF frames to cover a larger area than Expand AF area,
which makes focusing easier than with 1-point AF/Expand AF area and effective for moving
subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces (of people or animals), vehicles, subject motion,
and subject distance.
Pressing the shutter button halfway displays [ ] over AF points in focus.
: Whole area AF
Uses auto selection AF in a whole-area AF frame to cover a larger area than Flexible Zone
AF, which makes focusing easier than with 1-point AF/Expand AF area/Flexible Zone AF
and effective for moving subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces (of people or animals), vehicles, subject motion,
and subject distance.
Pressing the shutter button halfway displays [ ] over AF points in focus.
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You can select the AF area to suit the shooting conditions or subject.
If you prefer to focus manually, see Manual Focus.
1. Select [ : AF area].
2. Select the AF area.
The screen above is displayed when [ : Orientation linked AF

point] ( ) is set to [Separate AF pts: Area+pt]. Set separate AF
areas after choosing vertical and horizontal orientations.
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Note
To set the AF area, you can also press the < > button and then the < >
button.
The following descriptions apply to the camera with AF operation set to [One-Shot
AF] ( ). With [Servo AF] ( ) set, the AF point will turn blue when focus is
achieved.
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Subject Tracking
Among the subjects detected, a tracking frame [ ] is displayed over the main subject.
If the subject moves, the tracking frame [ ] also moves to track it.
You can set [ : Eye detection] to [Enable] to shoot with the subject's eyes in focus ( ).
1. Select [ : Subject tracking].
Caution
No tracking frame is displayed when [ : Subject tracking] is set to [Off],

regardless of the [ : Subject to detect] setting.
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Manually selecting a subject for focus
1. Check the tracking frame.
A tracking frame [ ] appears over any subjects detected.

Tracking frames [ ] away from AF points are displayed in gray.
Once the tracked subject is near an AF point, even if it is outside the
AF point, the tracking frame turns white (distinguishing it as an active
frame), which enables selection as the main subject. The AF point
turns gray.
Gray display of tracking frames [ ] does not apply in movie recording.
2. Focus and shoot/record.
Once you press the shutter button halfway and the subject is in focus,
the AF point turns green and the camera beeps.
An orange AF point indicates that the camera could not focus on
subjects.
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Note
Selecting a subject by touch with [ : AF area] set to [Whole area AF] changes
the tracking frame to [ ] and locks on to that subject for tracking across the entire
screen.
To release locked tracking, tap [ ].
Pressing the shutter button halfway when the AF point does not overlap the
tracking frame [ ] will focus using the active, white AF frame.
When AF operation is set to Servo AF, pressing the shutter button halfway focuses
using Whole area AF.
For human subjects, the active [ ] may cover only a part of the face, not the whole
face.
The size of tracking frames varies depending on the subject.
Caution
Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF
operation setting.
If the subject's face is significantly out of focus, face detection will not be possible.
Adjust the focus manually ( ) so that the face can be detected, then perform AF.
AF may not detect subjects or people's faces at the edges of the screen.
Recompose the shot to center the subject or bring the subject closer to the center.
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Subject to Detect
You can specify conditions for automatic selection of the main subject to track.
People
Prioritizes the faces or heads of people as the main subjects to track.
When a person's face or head cannot be detected, the camera attempts to detect and
track their torso. If their torso cannot be detected, the camera may track other parts of
their body.
Animals
Detects animals (dogs, cats, or birds) and people and prioritizes detection results for
animals as the main subjects to track.
For animals, the camera attempts to detect faces or bodies, and a tracking frame is
shown over any face detected.
When an animal's face or entire body cannot be detected, the camera may track part of
their body.
Vehicles
Detects two- or four-wheeled motorsports vehicles and people and prioritizes detection
results for vehicles as the main subjects to track.
For vehicles, the camera attempts to detect key details or the entire vehicle, and a
tracking frame is shown over any of these details detected.
If key details or the entire vehicle cannot be detected, the camera may track other parts
of the vehicle.
Press the < > button to enable or disable Spot detection for key details of vehicles.
None
The camera determines the main subject automatically from how you compose shots,
without detecting subjects.
Tracking frames are not displayed.
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Caution
The camera may detect areas other than faces or bodies of people or animals or
key details or bodies of vehicles as subjects.
Faces that are very small or large in the picture, too bright or dark, or partly hidden
cannot be detected.
Animal face detection is not possible unless the subject is close enough and facing
the camera steadily. A tracking frame is displayed for the entire body.
Detection may not be possible for birds camouflaged in a forest, or similar
situations.
Detection may not be possible for ordinary passenger cars or bicycles, or for
motorcyclists performing stunts or kicking up dirt and dust.
Note
When pressing the shutter button halfway for subject selection, you can choose the
following subjects. In scenes without relevant subjects, the camera tracks other
objects.
• People
People, animals, vehicles
• Animals
People, animals
• Vehicles
People, vehicles
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Eye Detection
You can shoot with the eyes of people or animals in focus.
1. Select [ : Eye detection].
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3. Aim the camera at the subject.
A tracking frame is displayed around their eye.

To choose an eye to focus on when [ : AF area] is set to [Whole
area AF], either tap the screen or use < >. As you use < >, the
tracking frame changes again to [ ].
You can also tap the screen to choose an eye, when [ : AF area] is
set to [Whole area AF] or during tracking in progress.
If your selected eye is not detected, an eye to focus on is selected
automatically.
Caution
Subject eyes may not be detected correctly, depending on the subject and shooting
conditions.
No tracking frame is displayed when [ : Subject tracking] is set to [Off], even if
[ : Subject to detect] is set to an option other than [None].
Eyes are not detected when [ : Subject to detect] is set to [None].
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Switching Tracked Subjects
You can specify how easily the camera switches AF points to track subjects.
Initial priority
Tracks the subject initially determined for AF, to the extent possible.
On subject
Tracks the subject initially determined for AF, to the extent possible. Switches to other
subjects if the camera can no longer determine if the tracked subject is the main subject.
Switch subject
Switches to track other subjects in response to shooting conditions.
Caution
Precautions when set to [Initial priority]

The camera may not be able to continue tracking subjects under some subject
conditions.
• If subjects move vigorously
• If subjects face a different direction or change their posture
• If the tracking frame strays from subjects, or if subjects are hidden behind
obstructions and you can no longer see them
Subjects selected by touch operations are tracked to the extent possible,
regardless of the [Subject to detect] setting.
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Tracking with the Button
You can press a button assigned to [Start/stop tracking] in [ : Customize buttons] to

track subjects with a tracking frame [ ]. This example is based on assigning the
< > button ( ).
1. Check the AF point.
The AF point (1) will appear.

With Expand AF area: or Expand AF area: Around, adjacent AF
points are also displayed.
With Flexible Zone AF, the specified Zone AF frame is displayed.
The AF point changes to a tracking frame [ ], which locks on to that

subject for tracking and follows the subject within the screen if it moves.
To cancel tracking, press the < > button again.
The tracking frame changes to [ ] when multiple subjects can be
detected, and you can use < > to choose a subject to focus on.
Once tracking begins, the subject is tracked across the entire screen,
regardless of the specified AF area.
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Note
AF areas and points return to the position before tracking when tracking stops after
you press the shutter button halfway or completely, or in shooting standby (when
[Servo AF] is used).
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Focus Mode
You can set how the camera focuses.
1. Select [ : Focus mode].
AF
The camera operates in autofocus mode.
MF
The camera operates in manual focus mode.
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Caution
[ : Focus mode] is not displayed under these conditions.

• With [ switch (AF/MF)] set to [Enable]
• When lenses with a focus mode switch are attached
• When lenses designed exclusively for manual focusing are attached
• When no lens is attached
• When set to [MF], AF points are hidden during basic information display, and
an MF icon is displayed.
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Manually Setting AF Points (or Zone AF Frames)
You can manually set the AF point (or Zone AF frame). Screens such as these are shown
when set to Flexible Zone AF 1.
1. Check the AF point or Zone AF frame.
An AF point or Zone AF frame (1) appears.
2. Move the AF point or Zone AF frame.
Use < > to move the AF point or Zone AF frame into position for
focusing (but note that with some lenses, it may not move to the edge
of the screen).
To center the AF point or Zone AF frame, press < > straight in.
You can also focus by tapping a position on the screen.
To center the AF point or Zone AF frame, tap [ ].
You can resize Zone AF frames used for Flexible Zone AF by pressing
the < > button, followed by the < > button, then the < >
button again. Adjust the width with the < > dial and height with the
< > dial, then press the < > button. To restore the default Zone
AF frame size, press the < > button.
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3. Focus and shoot/record.
Aim the AF point or Zone AF frame over the subject and press the
When focus is achieved, the AF point or Zone AF frame will turn green
and the beeper will sound.
If focus is not achieved, the AF point or Zone AF frame will turn orange.
Caution
The camera will keep moving the AF point [ ] to track subjects when set to
Flexible Zone AF and Servo AF, but under some shooting conditions (such as
when subjects are small), it may not be possible to track the subject.
Focusing may be difficult when using a peripheral AF point. In this case, select an
AF point in the center.
Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF
operation setting.
Note
You can set AF areas and AF points when [ : Orientation linked AF point] is
set to [Separate AF pts: Area+pt] ( ).
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Magnified View
To check the focus, you can magnify display by approx. 5× or 10× by tapping [ ].
Magnification is centered on the AF point for [Spot AF], [1-point AF], [Expand AF area:
], and [Expand AF area: Around], or on the Zone AF frame for Flexible Zone AF.
Autofocusing is performed in magnified view if you press the shutter button halfway.
When set to Servo AF, pressing the shutter button halfway in magnified view reverts to
the normal view for focusing.
Magnification is centered on the tracking frame when [ : Subject tracking] is set to
[Enable] and the tracking frame [ ] is white (as an active frame).
Caution
If focusing is difficult in the magnified view, return to the normal view and perform
AF.
If you perform AF in the normal view and then use the magnified view, accurate
focus may not be achieved.
AF speed differs between the normal view and magnified view.
Preview AF and Movie Servo AF are not available in magnified view.
With the magnified view, achieving focus becomes more difficult due to camera
shake. Using a tripod is recommended.
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AF Shooting Tips
Even when focus is achieved, pressing the shutter button halfway will focus again.
Image brightness may change before and after autofocusing.
Depending on the subject and shooting conditions, it may take longer to focus, or the
continuous shooting speed may decrease.
If the light source changes as you shoot, the screen may flicker, and focusing may be
difficult. In this case, restart the camera and resume shooting with AF under the light
source you will use.
If focusing is not possible with AF, focus manually ( ).
For subjects at the edge of the screen that are slightly out of focus, try centering the
subject (or AF point, or Zone AF frame) to bring them into focus, then recompose the
shot before shooting.
With certain lenses, it may take more time to achieve focus with autofocus, or accurate
focusing may not be achieved.
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Shooting Conditions That Make Focusing Difficult
Subject with low-contrast such as the blue sky, solid-color flat surfaces or when highlight
or shadow details are clipped.
Subjects in low light.
Stripes and other patterns where there is contrast only in the horizontal direction.
Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards,
etc.).
Fine lines and subject outlines.
Under light sources with constantly changing brightness, colors, or patterns.
Night scenes or points of light.
The image flickers under fluorescent or LED lighting.
Extremely small subjects.
Subjects at the edge of the screen.
Strongly backlit or reflective subjects (Example: Car with a highly reflective surfaces,
etc.).
Near and distant subjects covered by an AF point (Example: Animal in a cage, etc.).
Subjects that keep moving within the AF point and will not stay still due to camera shake
or subject blur.
Performing AF when the subject is very far out of focus.
Soft focus effect is applied with a soft focus lens.
A special effect filter is used.
Noise (dots of light, banding, etc.) appears on the screen during AF.
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AF Range
The available autofocus range varies depending on the lens used and settings that control
the aspect ratio, image quality, 4K movie recording, and Movie digital IS.
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Preview AF
This function keeps subjects generally in focus. The camera is ready to focus immediately
when you press the shutter button halfway.
1. Select [ : Preview AF].
2. Select [Enable].
Caution
Fewer shots are available when set to [Enable], because the lens is driven
continuously and battery power is consumed.
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Touch & Drag AF Settings
Touch & Drag AF
Positioning Method
Active Touch Area
You can move the AF point or Zone AF frame by tapping or dragging on the screen as you
look through the viewfinder.
Touch & Drag AF
1. Select [ : Touch & drag AF settings].
2. Select [Touch & drag AF].
Select [Enable].
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Positioning Method
You can set how positions are specified by tapping or dragging.
1. Set [Positioning method].
Absolute
The AF point moves to the tapped or dragged position on the screen.
Relative
The AF point moves in the direction you drag, by an amount
corresponding to the amount you drag, no matter where you tap the
screen.
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Active Touch Area
You can specify the area of the screen used for tap and drag operations.
1. Select [Active touch area].
2. Set the area that will respond to touch.
Note
A round orange frame [ ] is displayed when you tap the screen with [ : AF
area] set to [Whole area AF]. After you lift your finger at the position to move the
AF point to, [ ] is displayed and that subject is tracked. To cancel subject
selection, tap [ ].
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Manual Focus
Setting MF peaking (Outline Emphasis)
Focus Guide
If focusing is not possible with autofocus, you can magnify the image and focus manually.
1. Set the focus mode to < >.


Focus mode] to [MF].
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Set the lens's focus mode switch to < >. The camera's focus mode
switch is now disabled.
2. Magnify the image.
Each tap of [ ] changes the magnification ratio, as follows.
3. Move the magnified area.
Use < > to move the magnified area into position for focusing.
To center the magnified area, press < > straight in.
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4. Focus manually.
While looking at the magnified image, turn the lens focusing ring to
focus.
After focusing, tap [ ] to return to the normal view.
Note
In magnified view, the exposure is locked.

Even when focusing manually, you can use Touch Shutter to shoot.
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Setting MF peaking (Outline Emphasis)
Edges of subjects in focus can be displayed in color to make focusing easier. You can set
the outline color and adjust the sensitivity (level) of edge detection.
1. Select [ : MF peaking settings].
2. Select [Peaking].
Select [On].
3. Set [Level] and [Color].
Set as necessary.
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Caution
In magnified view, peaking display is not shown.

During HDMI output, peaking display is not shown on equipment connected via
HDMI. Note that peaking display is shown on the camera screen when [ : HDMI
display] is set to [ + ].
MF peaking may be hard to discern at high ISO speeds, especially when ISO
expansion is set. If necessary, lower the ISO speed or set [Peaking] to [Off].
Note
Peaking display shown on the screen is not recorded in images.

MF peaking may be hard to discern when Canon Log is set. If necessary, set [View
Assist.] to [On].
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Focus Guide
Setting [ : Focus guide] to [On] provides a guide frame that shows which direction to
adjust focus and the extent of adjustment needed.
1. Select [ : Focus guide].
2. Select [On].
The guide frame is displayed on the face of any person detected as the
main subject.
To display the guide frame near the eyes of any person detected as the
main subject, set [ : Subject tracking] to [Enable] and [ : Eye
detection] to [Enable].
After pressing the < > button, you can use < > to move the guide
frame in the direction you press.
To set the guide frame after moving it with < >, press the < >
button.
You can also move and set the guide frame by tapping the screen.
To center the guide frame, tap [ ] or press < > straight in.
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The guide frame indicates the current position in focus and adjustment amount as follows.
Much adjustment needed toward infinity
Slight adjustment needed toward infinity
In focus
Slight adjustment needed toward close range
Much adjustment needed toward close range
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Adjustment information not detected
Caution
Under difficult shooting conditions for AF ( ), the guide frame may not be
displayed correctly.
Higher aperture values are more likely to prevent correct guide frame display.
No AF points are displayed while the guide frame is displayed.
The guide frame is not displayed in these situations.
• When the focus mode is set to < > on the camera or lens
• When display is magnified
• When digital zoom is set
The guide frame is not displayed correctly during shifting or tilting of TS-E lenses.
Note
The camera's auto power off counter does not count time spent adjusting the focus
with a lens's electronic focusing ring.
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Servo AF Characteristics
Case Details
Case 1: Versatile Multi-Purpose Setting
Case 2: Continue to Track Subjects, Ignoring Possible Obstacles
Case 3: Instantly Focus on Subjects Suddenly Entering AF Points
Case 4: For Subjects That Accelerate or Decelerate Quickly
Case A: Tracking Automatically Adapts to Subject Movement
Parameters
Adjusting Case Parameters
Shooting with AI Servo AF/Servo AF can be easily tailored to your subjects or shooting
situations by selecting a Case option. This feature is called the “AF Configuration Tool.”
1. Select the [ 2] tab.
2. Select a case.
Turn the < > dial to select a case icon, then press the < > button.
Your selected case is now set. Selected cases are displayed in blue.
To check help information, tap [Help].
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Case Details
Case 1 to Case A are five combinations of settings for “Tracking sensitivity” and
“Acceleration/deceleration tracking.” Referring to the following table, select the case for your
subject and shooting situation.
Case Icon Description Examples of Shooting Situations
Case 1 / Versatile multi purpose setting Moving subjects in general
Continue to track subjects, ignoring

Case 2 Tennis, freestyle skiing
possible obstacles
Instantly focus on subjects suddenly
Case 3 Start of a cycling race, downhill skiing
entering AF points
For subjects that accelerate or Soccer, rhythmic gymnastics,
Case 4 / decelerate quickly motorsports, basketball
Tracking automatically adapts to Moving subjects in general, especially in
Case A
subject movement dynamic shooting situations
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Case 1: Versatile Multi-Purpose Setting
Default
• Tracking sensitivity: 0
• Accel./decel. tracking: 0
Standard setting suited to moving subjects in general. Suitable for many kinds of subjects
and scenes.
In the following situations, select [Case 2] to [Case 4] instead: non-subjects moving across
AF points, elusive subjects, or subjects that suddenly appear or change speed.
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Case 2: Continue to Track Subjects, Ignoring Possible
Obstacles
Default
• Tracking sensitivity: Locked on: –1
• Accel./decel. tracking: 0
Setting to continue focusing on the subject even if non-subjects move across AF points, or if
the subject strays from AF points. Effective if you prefer the focus not to switch to non-
subjects or the background.
Note
Try setting [Tracking sensitivity] to [–2] if non-subjects tend to steal the focus or
AF points tend to stray from the subject much of the time, preventing the camera
from tracking the target subject under default settings ( ).
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Case 3: Instantly Focus on Subjects Suddenly Entering
AF Points
Default
• Tracking sensitivity: Responsive: +1
• Accel./decel. tracking: +1
Setting to focus on a series of subjects at different distances in the AF points, one after
another. Focus switches to any new subject that appears in front of the target subject. Also
effective when you want to always focus on the closest subject.
Note
Try setting [Tracking sensitivity] to [+2] if you prefer focusing that immediately
switches to new subjects that appear suddenly ( ).
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Case 4: For Subjects That Accelerate or Decelerate
Quickly
Default
• Tracking sensitivity: Responsive: 0
• Accel./decel. tracking: +1
Setting to keep tracking and focusing on subjects even if they suddenly change speed.
Effective for subjects having sudden movements, sudden acceleration/deceleration, or
sudden stops.
Note
Try setting [Accel./decel. tracking] to [+2] to keep up with subjects that change
speed significantly from moment to moment ( ).
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Case A: Tracking Automatically Adapts to Subject
Movement
Useful when you prefer to shoot with parameters set automatically, based on how subjects
change.
Tracking sensitivity and acceleration/deceleration tracking are set automatically.
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Parameters
Tracking sensitivity
Setting for Servo AF subject-tracking sensitivity in response to non-subjects moving across

AF points or subjects straying from AF points.
0
Standard setting. Suitable for moving subjects in general.
Locked on: –2 / Locked on: –1

The camera will try to continue focusing on the subject even if non-subjects move
across AF points or if the subject strays from the AF points. The –2 setting makes the
camera keep tracking the target subject longer than the –1 setting.
However, if the camera focuses on a wrong subject, it may take slightly longer to switch
and focus on the target subject.
Responsive: +2 / Responsive: +1
The camera can focus consecutively on subjects at different distances that are covered
by the AF points. Also effective when you want to always focus on the closest subject.
The +2 setting is more responsive than the +1 setting when focusing on the next
subject.
However, the camera will be more prone to focus on an unintended subject.
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Acceleration/deceleration tracking
Setting for subject-tracking sensitivity in response to sudden, significant changes in speed,

as when subjects suddenly start or stop moving.
0
Suited for subjects that move at a steady speed (minor changes in moving speed).
–2 / –1
Suited for subjects that move at a steady speed (minor changes in moving speed).
Effective when a setting of 0 makes focus unstable, due to slight subject movement or
an obstruction in front of the subject.
+2 / +1
Effective for subjects having sudden movements, sudden acceleration/deceleration, or
sudden stops. Even if the moving subject's speed suddenly changes significantly, the
camera continues to focus on the target subject. For example, the camera is less likely
to focus behind a subject that suddenly starts approaching you, or in front of an
approaching subject that suddenly stops moving. Setting +2 can track dramatic changes
in the moving subject's speed better than with +1.
However, since the camera will be sensitive to even slight movements of the subject,
focusing may become unstable for short periods.
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Adjusting Case Parameters
You can manually adjust the parameters ((1) Tracking sensitivity and (2) Acceleration/
deceleration tracking) for Case 1 to Case 4.
1. Select a case.
Turn the < > dial to select the number of a case to adjust.
The selected parameter is outlined in purple.
3. Select a parameter to adjust.
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4. Make the adjustment.
Default settings are indicated by a light gray [ ] icon.

To confirm the adjustment, press the < > button.
To return to the screen in step 1, press the < > button.
Note
To restore default parameter settings for (1) and (2) to each case, press the < >
button in step 2, then press the < > button.
You can also register (1) and (2) parameter settings to My Menu ( ). This enables
you to adjust settings for the selected case.
To shoot with a case you have adjusted, first select the adjusted case, then shoot.
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Customizing AF Functions
[ 3]
[ 4]
[ 6]
[ 2] (In Movie Recording)
You can configure AF functions in detail to suit your shooting style or subject.
[ 3]
One-Shot AF release priority

You can specify whether to prioritize focus or release timing for One-Shot AF (except when
shooting with Touch Shutter).
[ ] Focus
The picture will not be taken until focus is achieved. Useful when you want to achieve
focus before capturing the image.
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[ ] Release
Prioritizes shutter release over focus. Useful when capturing the decisive moment is
most important.
Note that the camera shoots whether or not the subject is in focus.
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Lens operation when AF is not available
You can specify lens operation that applies when autofocusing on a subject is not possible.
[ ] Continue focus search

If focus cannot be achieved with autofocus, the lens is driven to search for the precise
focus.
[ ] Stop focus search

If autofocus starts and the focus is far off or if focus cannot be achieved, the lens drive
will not be performed. This prevents the lens from becoming grossly out of focus due to
the focus search drive.
Caution
[Stop focus search] is recommended for super telephoto lenses or other lenses
that are driven over a large focus area, to avoid significant delay from focus search
drive if the lens becomes greatly out of focus.
AF-assist beam firing

You can enable or disable AF-assist beam firing of the camera or a Speedlite for EOS
cameras.
1. Select [ : AF-assist beam firing].
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[ON] Enable
Enables firing of the AF-assist beam, when needed.
[OFF] Disable
Disables firing of the AF-assist beam. Set if you prefer not to fire the
AF-assist beam.
[LED] LED AF assist beam only

Enables LED AF-assist beam firing by Speedlites equipped with this
feature, when these flash units are attached. If your Speedlite is not
LED-equipped, the camera's AF-assist beam is fired instead.
Caution
Speedlite AF-assist beam firing is disabled when the Speedlite's [ : AF-assist

beam firing] Custom Function is set to [Disable].
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[ 4]
Limit AF areas
You can limit the AF areas available to the areas that you normally use. Select available AF
areas and press the < > button to add a checkmark [ ]. Select [OK] to register the
setting. For details on AF areas, see AF Area.
Caution
The [ ] mark cannot be cleared from all items at the same time.
Note
An asterisk to the right of [ : Limit AF areas] indicates that the default setting
has been modified.
Multi-controller sensitivity in AF point selection

You can adjust Multi-controller sensitivity, which applies to AF point positioning.
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Orientation-linked AF points
You can set separate AF areas/points or separate AF point positions for vertical and
horizontal shooting.
[ ] Same for both vert/horiz

The same AF points or Zone AF frames in the same AF areas are used in both vertical
and horizontal shooting.
[ ] Separate AF pts: Area+pt

Separate types of AF areas or separate positions of AF points or Zone AF frames can
be set for each camera orientation ((1) Horizontal, (2) Vertical with the camera grip up,
(3) Vertical with the camera grip down ( )).
Useful when switching to other types of AF areas or positions of AF points or Zone AF
frames automatically based on camera orientation.
AF areas and positions of AF points or Zone AF frames you assign to each of the three
camera orientations are retained.
[ ] Separate AF pts: Pt only

Separate positions of AF points or Zone AF frames can be set for each camera
orientation ((1) Horizontal, (2) Vertical with the camera grip up, (3) Vertical with the
camera grip down). Useful when switching to other positions of AF points or Zone AF
frames automatically based on camera orientation.
Positions of AF points or Zone AF frames you assign to each of the three camera
orientations are retained.
Caution
The default setting of [Same for both vert/horiz] is restored if you select [Basic
settings] in [ : Reset camera] ( ). Settings for orientations (1)–(3) are cleared,
and the selected AF area option becomes [Whole area AF].
The setting may be cleared if you switch lenses.
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[ 6]
Electronic full-time MF
Operation of manual focus adjustment using the electronic focusing ring when certain lenses
are attached is customizable. Check the Canon website for compatible lenses ( ).
Disable
Operation of manual focus adjustment corresponds to the [Lens electronic MF] setting.
Enable
Manual focus adjustment is available whenever camera operations are possible.
Lens electronic MF
For lenses equipped with electronic manual focusing, you can specify how manual focus
adjustment is used with One-Shot AF.
[ ] Disable after One-Shot

After the AF operation, manual focusing adjustment is disabled.
[ ] One-Shot→enabled
You can manually adjust the focus after the AF operation if you keep holding down the
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[ ] One-Shot→enabled (magnify)
You can manually adjust the focus after the AF operation if you keep holding down the
shutter button halfway. You can magnify the area in focus and adjust the focus manually
by turning the lens focusing ring.
[ ] Disable in AF mode
Manual focus adjustment is disabled when the focus mode switch of the camera or lens
is set to < >.
Caution
With [One-Shot→enabled (magnify)], display may not be magnified even if you

turn the lens focusing ring while pressing the shutter button halfway immediately
after shooting. If so, you can magnify display by releasing the shutter button,
waiting for [ ] display, then pressing the shutter button halfway as you turn the
lens focusing ring.
Note
For details on your lens's manual focus specifications, refer to the Lens Instruction
Manual.
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Focusing ring rotation
You can reverse the direction that the focusing ring of RF lens is rotated to adjust settings.
[ ] Normal
[ ] Reverse direction
Focusing ring sensitivity of RF lenses

You can set the sensitivity of the RF lens focusing ring.
[ ] Varies with rotation speed

Focusing ring sensitivity varies depending on rotation speed.
[ ] Linked to rotation degree

The focal position is adjusted based on the amount of rotation, regardless of the rotation
speed.
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Use as a focusing or control ring
Menu-based switching of lens focus/control ring functionality.
Caution
Available when using lenses that have a combination focusing ring/control ring but
have no switch to switch between these features.
Use as focus ring

The ring works as a focusing ring.
Use as control ring

The ring works as a control ring.
Note
Switching is also possible from the Quick Control screen, when customized with
[ : Customize Quick Controls] ( ).
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[ 2] (In Movie Recording)
Movie Servo AF speed

You can set the AF speed and operating conditions for Movie Servo AF. The function is
enabled when using a lens supporting slow focus transition during movie recording*.
When active
You can set [Always on] to have the AF speed take effect at all times for movie
recording (before and during movie recording) or set [During shooting] to have the AF
speed take effect only during movie recording.
AF speed
You can adjust the AF speed (focus transition speed) from the standard speed (0) to
slow (one of seven levels) or fast (one of two levels) to obtain the desired effect for the
movie creation.
* Lenses supporting slow focus transition during movie recording

USM and STM lenses released in and after 2009 are compatible. For details, refer to the
Canon website ( ).
Caution
With certain lenses, even if you adjust the AF speed, the speed may not change.
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Note
Operation when inactive is equivalent to when [AF speed] is set to [Standard (0)].
An asterisk “*” to the right of [ : Movie Servo AF speed] indicates that the
default setting has been modified.
Movie Servo AF tracking sensitivity

You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness
if the subject strays from the AF point during Movie Servo AF, as when interfering objects
move across AF points or when you pan.
This function is available when [ : Movie Servo AF] is set to [Enable].
Locked on: –3/–2/–1

With this setting, the camera is less likely to track a different subject if the subject strays
from the AF point. The closer the setting is to the minus (–) symbol, the less the camera
is inclined to track a different subject. It is effective when you want to prevent the AF
points from rapidly tracking something that is not the intended subject during panning or
when an obstacle cuts across the AF points.
Responsive: +1/+2/+3
This makes the camera more responsive when tracking a subject that covers the AF
point. The closer the setting is to the plus (+) symbol, the more responsive the camera
is. It is effective when you want to keep tracking a moving subject as its distance from
the camera changes or to rapidly focus on another subject.
Note
Operation when inactive is equivalent to when set to [0].
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Selecting the Drive Mode
Single and continuous drive modes are provided. You can select the drive mode suiting the
scene or subject.
2. Select the drive mode item.
Turn the < > dial to select the drive mode item.
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3. Select the drive mode.
[ ] Single shooting
When you hold down the shutter button completely, only one shot will be taken.
[ ] High-speed continuous shooting +

When you hold down the shutter button completely, you can shoot continuously as
described below while you keep holding it down, based on the [ : Shutter mode]
setting.
• [Mechanical]: max. approx. 15 shots/sec.
• [Elec. 1st-curtain]: max. approx. 15 shots/sec.
• [Electronic]: max. approx. 30 shots/sec.
[ ] High-speed continuous shooting

When you hold down the shutter button completely, you can shoot continuously as
described below while you keep holding it down, based on the [ : Shutter mode]
setting.
• [Mechanical]: max. approx. 6.5 shots/sec.
• [Elec. 1st-curtain]: max. approx. 8.0 shots/sec.
• [Electronic]: max. approx. 15 shots/sec.
[ ] Low-speed continuous shooting

When you hold down the shutter button completely, you can shoot continuously at max.
approx. 3.0 shots/sec. while you keep holding it down.
[ ] Self-timer: 10 sec./remote control
[ ] Self-timer: 2 sec./remote control
[ ] Self-timer: Continuous
For self-timer shooting, see Using the Self-Timer. For remote control shooting, see
Remote Control Shooting.
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Caution
[ ] enables approx. 15 shots/sec. continuous shooting speed when set to [Elec.

1st-curtain] or [Mechanical] under these conditions.
• Room temperature (23°C/73°F)
• Using any of the following power sources
◦ Fully charged LP-E6NH (note that continuous shooting speed may become
slower when using batteries with weak recharge performance)
◦ Household power outlet accessories (sold separately)
◦ USB power adapters (sold separately)
• Shutter speed: 1/1000 sec. or faster
• Flicker reduction: None
[ ] enables approx. 30 shots/sec. continuous shooting speed when set to
[Electronic] under these conditions.
• Shutter speed: 1/30 sec. or faster
Note that the continuous shooting speed may be less than 30 shots/sec. if any of
the following occurs during continuous shooting.
• Switching to < > or < > shooting mode, or applying settings that cause
the aperture value to change in < > mode
• Zooming is performed
• Manual focusing is performed
• Servo AF changes the position in focus
Continuous shooting speed with Servo AF may be slower depending on subject
conditions or the lens used.
Visit the Canon website for details on lenses supporting the maximum continuous
shooting speed ( ).
Continuous shooting speed may be lower when shooting under flickering light with
[ : Anti-flicker shoot.] set to [Enable] ( ). Also, the continuous shooting
interval may become irregular and the release time lag may become longer.
When internal memory becomes full during continuous shooting, the continuous
shooting speed may drop off because shooting will be temporarily disabled ( ).
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Using the Self-Timer
Use the self-timer when you want to be in the picture such as a commemorative photograph.
2. Select the drive mode item.
Turn the < > dial to select the drive mode item.
3. Select the self-timer.
Turn the < > dial to select the self-timer.

: Shoot in 10 sec.
: Shoot in 2 sec.
: Shoot continuously in 10 sec. for the specified number of
shots*
* Set the number of shots taken continuously (2–10), either in [ : Drive
mode] or on the Quick Control screen.
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Focus on the subject, then press the shutter button completely.

To check operation, look at the self-timer lamp, listen for beeps, or
watch the countdown in seconds on the screen.
Self-timer lamp blinking accelerates and the camera beeps quickly
approx. 2 sec. before the picture is taken.
Caution
With [ ], some conditions in continuous shooting may lengthen the shooting

interval, such as image quality and use of flash.
Note
[ ] is used to start shooting without touching the camera (to avoid camera shake)
when it is mounted on a tripod for shots such as still lifes or long exposures, for
example.
After taking self-timer shots, playing back the image ( ) to check focus and
exposure is recommended.
When using the self-timer to shoot yourself, use focus lock ( ) on an object at the
same distance as where you will stand.
To cancel the self-timer after it starts, either tap the screen or press the < >
button.
Auto power off time may be extended when the camera is set for remote control
shooting.
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Remote Control Shooting
Remote Controller RC-6
Wireless Remote Control BR-E1
Remote Switch RS-60E3
For remote control shooting, you can use Remote Controller RC-6, Wireless Remote Control
BR-E1, or Remote Switch RS-60E3 (infrared, Bluetooth, and wired connections,
respectively; sold separately).
Remote Controller RC-6
You can shoot remotely up to approx. 5 meters/16.4 feet away from the front of the camera.
You can either shoot immediately or with a 2-sec. delay.
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2. Select the self-timer/remote control.
Turn the < > dial to select the drive mode item, then turn the
< > dial to select [ ] or [ ].
3. Press the release (transmit) button on the remote controller.
Point the remote controller toward the camera's remote control sensor
(1), then press the release (transmit) button.
Autofocusing is performed when the focus mode switch is set to
< >.
The self-timer lamp lights up, and the camera shoots.
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Caution
Infrared remote controllers such as the RC-6 cannot be used for remote control
shooting when the camera is paired via Bluetooth with a smartphone or wireless
remote control.
Fluorescent or LED lighting may trigger accidental shutter release. Try to keep the
camera away from these light sources.
Operating a TV remote control or similar device aimed at the camera may trigger
accidental shutter release.
Firing flash units of other cameras near the camera may trigger accidental shutter
release. Do not expose the remote control sensor to flash fired by other cameras.
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Wireless Remote Control BR-E1
You can shoot remotely up to approx. 5 meters/16.4 feet from the camera.
After pairing the camera and BR-E1 ( ), set the drive mode to [ ] or [ ] for still photo
shooting ( ). For movie recording, set [ : Remote control] to [Enable].
For operating instructions, refer to the BR-E1 instruction manual.
Note
RC-6 and BR-E1

Auto power off time may be extended when the camera is set for remote control
shooting.
RC-6 and BR-E1 can also be used for movie recording ( ).
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Remote Switch RS-60E3
Once connected to the camera, the switch enables you to shoot remotely over a wired
connection.
For operating instructions, refer to the RS-60E3 instruction manual.
1. Open the terminal cover.
2. Connect the plug to the remote control terminal.
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Customizing Operation
Switching AF Areas with the Quick Control Dial
Choosing One Subject from Several People with the Multi-Controller
Adjusting the Zone AF Frame Size
This section describes ways to customize AF operation. You can also use a combination of
customized settings.
Switching AF Areas with the Quick Control Dial
You can switch AF areas with the Quick control dial as you look through the viewfinder.
1. In [ : Customize dials], select [ ].
2. Select [Select AF area].
You can now switch AF areas with the < > dial.
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Note
Before switching among Flexible Zone AF 1–3, it is convenient to change the Zone
AF frame to your preferred size ( ).
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Choosing One Subject from Several People with the
Multi-Controller
You can choose one subject from several people to lock the tracking frame on that person.
Note
Before this customization, some other settings must be set as follows.

• [AF area]: [Whole area AF]
• [Subject tracking]: [On]
• [Subject to detect]: [People]
• [Eye detection]: [Enable]
1. In [ : Customize buttons], set [ ] to [Direct AF point selection].
2. Select [ Detail set.], and in [Direct sel. on press], select

[Start/stop tracking].
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3. Press the shutter button halfway, then release it.
A tracking frame ( ) is displayed if multiple subjects are detected.
4. Use the Multi-controller to set your preferred subject.
Either press the Multi-controller straight in or press it left or right.

The tracking frame changes to [ ] and locks on to that subject for
tracking.
To release locked tracking, press the Multi-controller.
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Adjusting the Zone AF Frame Size
You can resize the Zone AF frame displayed for Flexible Zone AF 1–3.
1. Press the < > button during shooting screen display.
3. Press the < > button and select Flexible Zone AF 1, 2, or 3.
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5. Adjust the Zone AF frame size.
Use the < > or < > dial to adjust the Zone AF frame, then press
the < > button.
To restore the default setting, press the < > button.
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Playback
This chapter covers topics related to playback—playing back captured still photos and
movies—and introduces menu settings on the playback [ ] tab.
Caution
Normal display or selection on this camera may not be possible for images
captured on other cameras, or images from this camera that have been edited or
renamed on a computer.
• Tab Menus: Playback

• Image Playback
• Magnified Image Display
• Index Display (Multiple-Image Display)
• Movie Playback
• Editing a Movie's First and Last Scenes
• Frame Extraction from 4K Movies or 4K Time-Lapse Movies
• Playback on a TV Set
• Protecting Images
• Erasing Images
• Rotating Still Photos
• Changing Movie Orientation Information
• Rating Images
• Copying Images
• Print Ordering (DPOF)
• Photobook Set-up
• RAW Image Processing
• Creative Assist
• Quick Control RAW Processing
• Cloud RAW Image Processing
• Playback Creative Filters
• Resizing JPEG/HEIF Images
• Cropping JPEG/HEIF Images
• Converting HEIF to JPEG
• Slide Show
• Setting Image Search Conditions
• Resuming from Previous Playback
• Browsing Images with the Main Dial
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• Customizing Playback Information Display
• Displaying the Highlight Alert
• AF Point Display
• Playback Grid
• Movie Play Count
• Still Photo Extraction from RAW Burst Images
• HDMI HDR Output
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Tab Menus: Playback
Playback 1
(1) Protect images

(2) Erase images
(3) Rotate stills
(4) Change mov rotate info
(5) Rating
(6) Image copy
Playback 2
(1) Print order

(2) Photobook Set-up
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Playback 3
(1) RAW image processing

(2) Creative Assist
(3) Quick Control RAW processing
(4) Cloud RAW image processing
(5) Playback creative filters
(6) Resize
Playback 4
(1) Cropping
(2) HEIF→JPEG conversion
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Playback 5
(1) Slide show

(2) Set image search conditions
(3) View from last seen
(4) Magnification
(5) Image jump w/
Playback 6
(1) Playback information display

(2) Highlight alert
(3) AF point disp.
(4) Playback grid
(5) Movie play count
(6) HDMI HDR output
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In Basic Zone modes, the following screens are displayed for [ 3], [ 4], and [ 5].
Playback 3
(1) Creative Assist

(2) Playback creative filters
(3) Resize
(4) Cropping
Playback 4
(1) Slide show

(2) Set image search conditions
(3) View from last seen
(4) Magnification
(5) Image jump w/
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Playback 5
(1) Playback information display

(2) Highlight alert
(3) AF point disp.
(4) Playback grid
(5) Movie play count
(6) HDMI HDR output
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Image Playback
Single-Image Display
Touch Playback
Single-Image Display
1. Switch to playback.

The last image captured or played back is displayed.
2. Browse images.
To play back images starting with your most recent shot, turn the
< > dial counterclockwise. To play back images starting with the first
captured image, turn the dial clockwise.
Each time you press the < > button, the display will change.
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No information Basic information display
Shooting information display
3. Exit image playback.
Press the < > button to exit image playback and return to shooting
standby.
Note
Lines indicating the image area are shown on RAW images captured with [ : Still
img aspect ratio] set to [1:1], [4:3], or [16:9] ( ).
If the search conditions are set with [ : Set image search conditions] ( ), only
the filtered images will be displayed.
When played back, images captured with [ : Add cropping information] set to
an option other than [Disable] ( ) are displayed with lines indicating the image
area.
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With the shooting information screen displayed ( ), you can press < > up or down to
view other information. You can also customize the information displayed, in [ : Playback
information display] ( ).
531
Touch Playback
The camera features a touch-screen panel that you can touch to control playback.
Supported touch operations are like those used with smartphones and similar devices. First,
press the < > button to prepare for touch playback.
Browse images
Jump display
Index display
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Magnified view
Note
You can also magnify display by double-tapping with one finger.
533
Magnified Image Display
Setting the Initial Magnification Ratio
Setting the Initial Magnification Position
Magnification for Subsequent Images
You can magnify display of your captured images.
1. Magnify the image.
The magnified view will appear. The position of the magnified area (1)
is displayed in the lower right of the screen, along with [ ].
To magnify images, turn the < > dial clockwise.
To reduce magnification, turn the < > dial counterclockwise. For
index display ( ), keep turning the dial.
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2. Scroll the image.
Use < > to scroll around the magnified image.

Press the < > or < > button to exit magnified view.
Note
To switch to other images while maintaining magnified view, turn the < > dial.
Magnification is not available for movies.
535
Setting the Initial Magnification Ratio
You can set the initial magnification ratio.
1. Select [ : Magnification].
2. Select [Magnificatn (apx)].
536
1×, 2×, 4×, 8×, 10×
Magnified view starts at the selected magnification ratio.
Actual size
The recorded image's pixels will be displayed at approx. 100%.
Same as last
Magnified view resumes from the same ratio as the last time you exited
magnified view by pressing < > or < >.
537
Setting the Initial Magnification Position
You can set the initial magnification position.
2. Select [Magnified position].
538
From center
Magnified view starts from the center of the screen.
From focus pt
Magnified view starts from the AF point in focus. If the photo is taken
with manual focus, the magnified view starts from the center of the
screen.
539
Magnification for Subsequent Images
You can specify whether to maintain the same position for magnified view or to use the
position set in [Magnified position] when displaying subsequent images.
2. Select [Maintain position].
540
Enable
The current magnified position is maintained when displaying

subsequent images in magnified view.
Disable
The position set in [Magnified position] is used when displaying

subsequent images in magnified view.
541
Index Display (Multiple-Image Display)
During image playback, press the < > button.

[ ] will be displayed in the lower right of the screen.
2. Switch to the index display.
Turn the < > dial counterclockwise.

The 4-image index display will appear. The selected image is
highlighted with an orange frame.
Turning the < > dial further counterclockwise will switch the display
from 9 to 36 to 100 images. Turning the dial clockwise cycles through
100, 36, 9, 4, and single-image display.
542
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3. Browse images.
Use < > or the < > dial to move the orange frame for image
selection.
Press the < > button in the index display to show the selected image
in single-image display.
544
Movie Playback
2. Select a movie.
Turn the < > dial to select a movie to play.

In single-image display, the [ ] icon displayed in the upper left of
the screen indicates a movie.
In index display, perforations at the left edge of a thumbnail indicate a

movie. Movies cannot be played from index display, so press the
< > button to switch to single-image display.
545
3. In single-image display, press the < > button.
4. Select [ ].
The movie will start playing back. Sound is played through the speaker
(1).
You can pause playback and access the movie playback panel by
pressing the < > button ( ). Press it again to resume the playback.
Press the < >< > keys to adjust the volume (even during
playback).
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Movie playback panel
Item Playback Operations
Pressing the < > button toggles between playing movies and
Playback
stopping playback.
Skips backward approx. 1 sec. each time you press < >. Holding
Skip backward
< > down will rewind the movie.
Previous frame Displays the previous frame each time you turn the < > dial left.
Plays the movie frame-by-frame each time you turn the < > dial
Next frame
right.
Skips forward approx. 1 sec. each time you press < >. Holding
Skip forward
< > down will fast forward the movie.
Playback position
Playback time (hours:minutes:seconds, when [Movie play count] is
hh:mm:ss
set to [Rec time])
hh:mm:ss.ff (DF) Time code (hours:minutes:seconds:frames, when [Movie play count]
hh:mm:ss:ff (NDF) is set to [Time code])
Volume Press the < >< > keys to adjust the speaker volume ( ).
Press the < > button to go to the next screen ( ).
Press the < > button to return to single-image display.
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Controls not on the previous screen are as follows.
Item Playback Operations
Edit Displays the editing screen ( ).
Adjust the slow motion speed by turning the < > dial. The slow
Slow motion
motion speed is indicated in the upper right of the screen.
Available when you play 4K movies. Enables you to extract the current
Frame Grab frame and save it as a JPEG or HEIF still image ( ).
Press the < > button to return to the previous screen.
Caution
Adjust the volume using television controls when the camera is connected to a
television for movie playback ( ), because volume cannot be adjusted by pressing
the < >< > keys.
Movie playback may stop if the card's read speed is too slow or movie files have
corrupted frames.
548
Editing a Movie's First and Last Scenes
You can edit out the first and last scenes of a movie in approx. 1-sec. increments.
1. Pause movie playback.
The movie playback panel will appear.
2. Press the < > button, then select [ ].
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3. Specify the part to be edited out.
Select either [ ] (Cut beginning) or [ ] (Cut end).
Press < > left or right to go back or forward one frame. Keep
pressing the Multi-controller to fast rewind or fast forward frames. Each
turn of the < > dial goes back or forward one frame.
After deciding which part to edit out, press the < > button. The
portion indicated by a line at the bottom of the screen will remain.
4. Check the edited movie.
Select [ ] to play back the edited movie.

To change the edited part, go back to step 3.
To cancel the editing, press the < > button.
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5. Save.
Select [ ] (1).
The save screen will appear.
To save it as a new file, select [New file], or to save it and overwrite the
original movie file, select [Overwrite].
Select [ ] (2) to save a compressed version of the file. 4K movies are
converted to Full HD movies before compression.
On the confirmation screen, select [OK] to save the edited movie and
return to the movie playback screen.
Caution
Because editing is performed in approx. 1 sec. increments (at the position indicated
by [ ] at the bottom of the screen), the actual position where movies are trimmed
may differ from your specified position.
Movies shot with another camera cannot be edited with this camera.
You cannot edit a movie when the camera is connected to a computer.
Compress and save is not available for the following movies.
• Movies recorded with [ : HDR shooting ] set to [Enable]
• Movies recorded with [ : Canon Log settings] set to [On ( )]
• Movies recorded in (NTSC), (PAL), or
(NTSC) sizes
Movies may not be compressed when the remaining battery capacity is low. Use of
a fully charged battery or a household power outlet accessory (sold separately) is
recommended.
For extensive movie editing, consider using an optional household power outlet
accessory.
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Frame Extraction from 4K Movies or 4K Time-Lapse
Movies
From 4K or 4K time-lapse movies, you can select individual frames to save as JPEG or
HEIF still images. This function is called “Frame Grab.”
1. Select a 4K movie or 4K time-lapse movie.

On the shooting information screen ( ), 4K movies and 4K time-lapse
movies are indicated by [ ], [ ], and [ ] icons.
In index display, press the < > button to switch to single-image
display.
3. Select [ ].
The movie will start playing back.
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4. Press the < > button to pause the movie.
The movie playback panel will appear.
5. Select a frame to grab.
Use the movie playback panel to select the frame to grab as a still
image.
For movie playback panel instructions, see Movie playback panel.
6. Press the < > button, then select [ ].
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7. Save.
Select [OK] to save the current frame as a JPEG still image.

HEIF images are saved if you grab frames from movies recorded with
[ : HDR shooting ] set to [Enable].
Check the destination folder and image file number.
8. Select the image to display.
Select [View original movie] or [View extracted still image].
Caution
Frame grabbing is not possible from the following 4K movies.

• Movies recorded with [ : Canon Log settings] set to [On ( )]
• Movies recorded with other cameras
Frame grabbing is not possible while the camera is connected to a computer.
554
Playback on a TV Set
By connecting the camera to a television with a commercially available HDMI cable, you can
play back the captured still photos and movies on the television.
If the image does not appear on the TV screen, confirm that [ : Video system] is
correctly set to [For NTSC] or [For PAL] (depending on the video system of your
television).
1. Connect the HDMI cable to the camera.
Insert the HDMI cable in the camera's < > terminal.
2. Connect the HDMI cable to the television.
Connect the HDMI cable to the television's HDMI IN port.
3. Turn on the television and switch the television's video input to select
the connected port.
4. Set the camera's power switch to < >.
555
Images are now displayed on the television, with nothing displayed on

the camera screen.
The images will automatically be displayed at the optimum resolution
matching the connected television.
Caution
Adjust movie sound volume with the television. The sound volume cannot be
adjusted with the camera.
Before connecting or disconnecting the cable between the camera and television,
turn off the camera and television.
Depending on the television, part of the image displayed may be cut off.
Do not connect any other device's output to the camera's < >
terminal. Doing so may cause a malfunction.
Certain televisions may not display the images due to incompatibility.
It may take some time before images are displayed. To avoid delay, set [ : HDMI
resolution] to [1080p] ( ).
Touch-screen operations are not supported while the camera is connected to a
television.
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Protecting Images
Protecting Individual Images
Specifying the Range of Images to Protect
Protecting All Images in a Folder or on a Card
You can protect important images from being accidentally erased.
Caution
If you format the card ( ), the protected images will also be erased.
Note
Once an image is protected, it cannot be erased by the camera's erase function. To

erase a protected image, you must first cancel the protection.
If you erase all the images ( ), only the protected images will remain. This is
convenient when you want to erase all unneeded images at once.
Protecting Individual Images
1. Select [ : Protect images].
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2. Select [Select images].
3. Select the image to protect.
Turn the < > dial to select an image to protect.
4. Protect the image.
Press the < > button to protect the selected image, after which it will
be labeled with a [ ] icon (1) at the top of the screen.
To cancel protection and clear the [ ] icon, press the < > button
again.
To protect another image, repeat steps 3 and 4.
Note
During playback, you can press the < > button and protect images from the
Quick Control screen.
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Specifying the Range of Images to Protect
While looking at the images in the index display, you can specify the first and last images for
a range to protect all the specified images at once.
1. Select [Select range].
Select [Select range] in [ : Protect images].
2. Specify the range of images.
Select the first image (start point).

Next, select the last image (end point). The images in the specified
range will be protected and the [ ] icon will appear.
To select another image to protect, repeat step 2.
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Protecting All Images in a Folder or on a Card
You can protect all the images in a folder or on a card at once.
When you select [All images in folder] or [All images on card] in [ : Protect
images], all the images in the folder or on the card will be protected.
To cancel protection, select [Unprotect all images in folder] or [Unprotect all images
on card].
If the search conditions are set with [ : Set image search conditions] ( ), the
display will change to [All found images] and [Unprotect all found].
• If you select [All found images], all the images filtered by the search conditions will be
protected.
• If you select [Unprotect all found], the protection of all the filtered images will be
canceled.
Note
Protecting or unprotecting images by selecting [All images on card] or [Unprotect

all images on card] applies to the card selected in [ : Record func+card/folder
sel.] (in either [ Record/play]/[ Record/play] or [ Play]/[ Play]).
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Erasing Images
Erasing Images Individually
Selecting ([ ]) Multiple Images to Erase Together
Specifying the Range of Images to Erase
Erasing All Images in a Folder or on a Card
You can either select and erase unnecessary images individually or erase them in one
batch. Protected images ( ) will not be erased.
Caution
Once an image is erased, it cannot be recovered. Make sure you no longer

need the image before erasing it. To prevent important images from being
erased accidentally, protect them.
Erasing Images Individually
2. Select the image to be erased.
Turn the < > dial to select the image to erase.
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4. Erase the images.
JPEG/HEIF/RAW images or movies
Select [Erase].
RAW+JPEG/RAW+HEIF images
Select an option.
Series of images captured in [ ], [ ], or [ ] drive mode are
erased when you select [Erase scene including image] during
playback.
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Selecting ([ ]) Multiple Images to Erase Together
By adding checkmarks to the images to be erased, you can erase all those images at once.
1. Select [ : Erase images].
2. Select [Select and erase images].
3. Select an image.
Turn the < > dial to select an image to erase, then press the < >
button.
To select another image to be erased, repeat step 3.
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Select [OK].
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Specifying the Range of Images to Erase
a range to erase all the specified images at once.
Select [Select range] in [ : Erase images].

Next, select the last image (end point). A checkmark [ ] will be
appended to all the images within the range between first and last
images.
To select another image to be erased, repeat step 2.
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Select [OK].
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Erasing All Images in a Folder or on a Card
You can erase all the images in a folder or on a card at once.
When you select [All images in folder] or [All images on card] in [ : Erase images],
all the images in the folder or on the card will be erased.
display will change to [All found images].
• If you select [All found images], all the images filtered by the search conditions will be
erased.
Note
To erase all the images including protected images, format the card ( ).
Erasing images by selecting [All images on card] applies to the card selected in
[ : Record func+card/folder sel.] (in either [ Record/play]/[ Record/play]
or [ Play]/[ Play]).
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Rotating Still Photos
You can use this feature to rotate the displayed image to the desired orientation.
1. Select [ : Rotate stills].
2. Select an image to rotate.
Turn the < > dial to select the image.
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3. Rotate the image.
Each time you press the < > button, the image is rotated clockwise
as follows: 90° → 270° → 0°.
To rotate another image, repeat steps 2 and 3.
Note
If you set [ : Auto rotate] to [On ] ( ) before taking pictures, you need not
rotate the image with this function.
If the rotated image is not displayed in the rotated orientation during image
playback, set [ : Auto rotate] to [On ].
Movies cannot be rotated.
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Changing Movie Orientation Information
You can manually edit movie playback orientation information (which determines which side
is up).
1. Select [ : Change mov rotate info].
2. Select a movie.
Turn the < > dial to select a movie with orientation information to
change.
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3. Change the orientation information.
As you watch the camera and icon in the upper left of the screen,
press the < > button to specify which side is up. Each press of the
< > button edits the movie rotation information as follows: [ ] →
[ ] → [ ].
Caution
Movies are played horizontally on the camera and via HDMI video output,
regardless of the [ : Add rotate info] setting ( ).
Movie orientation information of movies recorded with other cameras cannot be
edited with this camera.
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Rating Images
Rating Individual Images
Rating by Specifying the Range
Rating All Images in a Folder or on a Card
You can rate images on a scale of 1–5 ( / / / / ). This function is called rating.
* Rating images can help you organize them.
Rating Individual Images
1. Select [ : Rating].
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3. Select the image to be rated.
Turn the < > dial to select the image to be rated.
4. Rate the image.
Press the < > button so that the current rating is outlined in blue, as
shown.
Turn the < > dial to select a rating mark, then press the < >
button.
When you append a rating mark to the image, the number beside the
set rating will increase by one.
To rate another image, repeat steps 3 and 4.
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Rating by Specifying the Range
a range to rate all the specified images at once.
Select [Select range] in [ : Rating].

images.
To select other images, repeat step 2.
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4. Rate the image.
Turn the < > dial to select a rating mark, then select [OK].
All the images in the specified range will be rated (same rating) at
once.
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Rating All Images in a Folder or on a Card
You can rate all the images in a folder or on a card at once.
Under [ : Rating], when you select [All images in folder] or [All images on card], all
the images in the folder or on the card will be rated.
Turn the < > dial to select a rating, then select [OK].
When you are not rating images or canceling the rating, select [ ].
display will change to [All found images].
If you select [All found images], all the images filtered by the search conditions will be
rated as specified.
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Note
Values next to ratings are displayed as [###] if more than 1,000 images have that
rating.
With [ : Set image search conditions] and [ : Image jump w/ ], you can
display only the images given a specific rating.
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Copying Images
Copying Individual Images
Copying a Range of Images
Copying All Images in a Folder or on a Card
You can copy the images on one card to the other card to save duplicates.
All images in a folder or on a card can also be copied at the same time.
Caution
For extensive copying, consider using a household power outlet accessory (sold
separately).
If the target folder or card already has an image with the same file number, [Skip
image and continue], [Replace existing image], and [Cancel copy] are
displayed. Select a copying method, then press the < > button.
• [Skip image and continue]: Any images with the same file number are
skipped and not copied.
• [Replace existing image]: Any images with the same file number (including
protected images) are overwritten.
Overwriting images that had print order information ( ) will require you to set the
print order information again.
Print order and image transfer information is not included in copies of images.
Shooting is not possible during the copying process. Select [Cancel] before
shooting.
Note
Images are copied from the card selected in [ : Record func+card/folder sel.] (in
either [ Record/play]/[ Record/play] or [ Play]/[ Play]).
Copies of images have the same file name as the original image.
With [Sel.Image], images in multiple folders cannot be copied at the same time.
Select images to copy from one folder at a time.
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Copying Individual Images
1. Select [ : Image copy].
2. Select [Sel.Image].
Check the source and target card numbers and the free space on the
target card.
Select [Sel.Image], then press the < > button.
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3. Select the folder.
(1) Number of images in folder

(2) Lowest file number
(3) Folder name
(4) Highest file number
Select the source folder, then press the < > button.
When selecting the folder, refer to the images displayed at right of the
screen.
4. Select an image to copy.
(1) Total images selected
Turn the < > dial to select an image to copy, then press the < >
button.
To select another image to copy, repeat step 4.
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6. Select [OK].
Check the target card, then select [OK].
7. Select the target folder.
Select the folder to copy the image to, then press the < > button.
To create a new folder, select [Create folder].
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8. Select [OK].
Check the information about the source and target card, then select
[OK].
Results are displayed after copying is finished. Select [OK] to return to

the screen in step 2.
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Copying a Range of Images
You can copy all specified images at once by selecting the first and last images in a range
as you look at images in the index display.
1. Select [Range].
2. Select the folder.
Select the source folder, then press the < > button.
When selecting the folder, refer to the images displayed at right of the
screen.
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images.
To select another image to copy, repeat step 3.
Images in the specified range are now copied.
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Copying All Images in a Folder or on a Card
You can copy all the images in a folder or on a card at once.

Selecting [Sel. ] or [All images] in [ : Image copy] copies all the images it contains.
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Print Ordering (DPOF)
Print Options
Selecting Images for Printing
DPOF (Digital Print Order Format) enables you to print images recorded on the card
according to your printing instructions such as the image selection, quantity to print, etc. You
can print multiple images in one batch or create a print order for a photofinisher.
You can set the print settings such as print type, date imprinting, file number imprinting, etc.
The print settings will be applied to all the images specified for printing. (They cannot be set
individually for each image.)
Print Options
1. Select [ : Print order].
2. Select [Set up].
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3. Set the options as desired.
Set [Print type], [Date], and [File No.] options.
Prints one image on one

Standard
sheet.
Multiple thumbnail images
Print type Index
are printed on one sheet.
Prints both the standard

Both
and index prints.
On
Date [On] imprints the recorded date of the captured image.
Off
On
File No. [On] imprints the file number.
Off

Next, select [Sel.Image] or [Multiple] to specify the images to be
printed.
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Caution
If you print an image with a large image size using the [Index] or [Both] setting
( ), the index print may not be printed with certain printers. In this case, resize the
image ( ), then print the index print.
Even if [Date] and [File No.] are set to [On], the date or file number may not be
imprinted, depending on the print type setting and printer.
With [Index] prints, the [Date] and [File No.] cannot both be set to [On] at the same
time.
When printing with DPOF, use the card for which print order specifications are set.
You cannot print in the specified print order if you extract just the images from the
card for printing.
Certain DPOF-compliant printers and photofinishers may not be able to print the
images as you specified. When using a printer, refer to the printer's instruction
manual. When requesting service from a photofinisher, ask in advance.
Do not use this camera to configure print settings for images with DPOF settings
set up on another camera. All the print orders may be overwritten inadvertently.
Also, the print order may not be possible, depending on the image type.
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Selecting Images for Printing
Selecting images
Select and specify the images individually.

Press the < > button to save the print order to the card.
Standard/Both
(1) Quantity
(2) Total images selected
Press the < > button to set the print quantity for the current image to 1. By turning the
< > dial, you can set a print quantity of up to 99 copies.
Index
(3) Checkmark
(4) Index icon
Images that you add a checkmark [ ] to by pressing the < > button are included in
index printing.
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Selecting multiple images
Select range
Select [Select range] in [Multiple]. Selecting the first and last images of the range
marks all the images in the range with a checkmark [ ], and one copy of each image
will be specified for printing.
All images in a folder
Select [Mark all in folder] and select the folder. A print order for one copy of all the
images in the folder will be specified.
If you select [Clear all in folder] and select the folder, the print order for all the images
in the folder will be canceled.
All images on a card
If you select [Mark all on card], one copy of all the images on the card will be specified
for printing.
If you select [Clear all on card], the print order will be cleared for all the images on the
card.
If the search conditions are set with [ : Set image search conditions] ( ) and you
select [Multiple], the display will change to [Mark all found images] and [Clear all found
images].
All found images
If you select [Mark all found images], one copy of all the images filtered by the search
conditions will be specified for printing.
If you select [Clear all found images], all the print order of the filtered images will be
cleared.
Caution
RAW/HEIF images and movies cannot be specified for printing. Note that RAW/
HEIF images and movies will not be specified for printing even if you specify all
images with [Multiple].
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Photobook Set-up
Specifying Individual Images
Specifying the Image Range for a Photobook
Specifying All Images in a Folder or on a Card
You can specify up to 998 images to be printed in a photobook. When you use EOS Utility
(EOS software) to import images to a computer, the specified images for a photobook will be
copied to a dedicated folder. This function is useful for ordering photobooks online.
Specifying Individual Images
1. Select [ : Photobook Set-up].
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3. Select an image for the photobook.
Use the < > dial to select an image for the photobook, then press
the < > button.
To select other images to be specified for a photobook, repeat step 3.
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Specifying the Image Range for a Photobook
While looking at the images in the index display, you can specify the range (start point to
end point) of images to be specified for a photobook at once.
1. Select [Multiple].
Select [Multiple] in [ : Photobook Set-up].
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Next, select the last image (end point).
A checkmark [ ] will be appended to all the images within the range
between first and last images.
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Specifying All Images in a Folder or on a Card
You can specify all the images in a folder or on a card at once for a photobook.
All images in the folder or on the card are specified for the photobook when you select [All
images in folder] or [All images on card] in the [Multiple] option for [ : Photobook Set-
up].
To cancel the selection, select [Clear all in folder] or [Clear all on card].
If the search conditions are set with [ : Set image search conditions] ( ) and you
select [Multiple], the display will change to [All found images] and [Clear all found
images].
[All found images]: All images filtered by the search conditions are specified for the
photobook.
[Clear all found images]: Clears photobook designation of all filtered images.
Caution
RAW/HEIF images and movies cannot be specified for photobooks. Note that
RAW/HEIF images and movies will not be specified for photobooks even if you
specify all images with [Multiple].
Do not use this camera to configure photobook settings for images with photobook
settings set up on another camera. All the photobook settings may be overwritten
inadvertently.
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RAW Image Processing
Magnified View
Processing Images with Specified Aspect Ratios
RAW Image Processing Options
You can process or images with the camera to create JPEG or HEIF images.
The RAW images remain the same as when captured, so you can adjust the processing
conditions to create as many JPEGs as needed.
You can also use Digital Photo Professional (EOS software) to process RAW images.
Caution
Processing into HEIF is not available for or images captured at an

expanded ISO speed (H).
1. Select [ : RAW image processing].
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2. Select an option, then select images.
You can select multiple images to process at once.
Select images
Turn the < > dial to select an image to process, then press the
< > button.
Select range

images.
To process other images, repeat this step.
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3. Set the desired processing conditions.
Use shot settings
Images are processed using image settings at the time of capture.
Images captured with [ : HDR shooting ] set to [Enable] are

processed to create HEIFs, and images captured with this function set
to [Disable] are processed to create JPEGs.
Set up processing→JPEG/Set up processing→HEIF
Use < > to select an item.

Turn the < > or < > dial to switch the setting.
Press the < > button to access the function setting screen.
To reset the settings, press the < > button and select [OK] after a
confirmation message is displayed.
Comparison screen
You can switch between the [After change] and [Shot settings]
screens by pressing the < > button and turning the < > dial.
Items in orange on the [After change] screen have been modified

since the time of capture.
Press the < > button to return to the processing conditions

screen.
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4. Save.
When using [Set up processing→JPEG] or [Set up

processing→HEIF], select [ ] (Save).
To process other images, select [Yes] and repeat steps 2–4.
5. Select the image to display.
Select [Original image] or [Processed img.].

Your selected image is displayed.
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Magnified View
You can magnify images displayed for [Set up processing→JPEG] or [Set up

processing→HEIF] by pressing the < > button. The magnification ratio varies depending
on the [Image quality] setting. With < >, you can scroll around the magnified image.
To cancel the magnified view, press the < > button again.
Caution
Results of processing with [Digital Lens Optimizer] set to [High] are only applied
in magnified view. Results are not applied in normal display.
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Processing Images with Specified Aspect Ratios
JPEG or HEIF images at the specified aspect ratio are created when you process RAW
images captured with [ : Still img aspect ratio] ( ) set to [1:1], [4:3], or [16:9].
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RAW Image Processing Options
: Brightness adjustment
You can adjust the image brightness up to ±1 stop in 1/3-stop increments.
: White balance ( )
You can select the white balance. Selecting [ ] enables you to select [Auto:
Ambience priority] or [Auto: White priority]. If you select [ ], you can set the color
temperature.
: Picture Style ( )
You can select the Picture Style. You can adjust the sharpness, contrast, and other
parameters.
*[ ], [ ], [ ], and [ ] are not available when [Set up processing→HEIF] is set.
: Clarity ( )
You can adjust clarity in a range of –4 to +4.

* Not available when [Set up processing→HEIF] is set.
: Auto Lighting Optimizer ( )+ : Adj face lighting
You can set the Auto Lighting Optimizer. With automatic, optimal adjustment of lighting
on faces, you can effectively correct images captured with oblique lighting or illuminated
by flash.
* Adjustment of face lighting is not available when [Set up processing→HEIF] is set.
Caution
When adjustment of face lighting is set

Suitable adjustment may not be possible in some shooting situations unless faces
can be detected in detail and are not too dark.
Noise may increase.
Adjustment may be less effective at high ISO speeds.
: High ISO speed NR ( )
You can set the noise reduction processing for high ISO speeds. If the effect is difficult
to discern, magnify the image ( ).
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: Image quality ( )
You can set the image quality when creating a JPEG or HEIF image.
: Color space ( )
You can select either sRGB or Adobe RGB. Since the camera screen is not compatible
with Adobe RGB, the difference in the image will hardly be perceptible when either color
space is set.
*[ ] is displayed when [Set up processing→HEIF] is set but is not an option for
selection.
: Lens aberr correction
• : Peripheral illum corr ( )
A phenomenon that makes the image corners look darker due to the lens
characteristics can be corrected. If [Enable] is set, the corrected image will be
displayed. If the effect is difficult to discern, magnify the image ( ) and check the
four corners. Less correction is applied than for maximum correction with Digital
Photo Professional (EOS software, ). If the effects of correction are not apparent,
use Digital Photo Professional to apply the peripheral illumination correction.
• : Distortion correction ( )
Image distortion due to lens characteristics can be corrected. If [Enable] is set, the
corrected image will be displayed. The image periphery will be trimmed in the
corrected image.
Since the image resolution may look slightly lower, adjust the sharpness with the
Picture Style's sharpness parameter setting as necessary.
• : Digital Lens Optimizer ( )
Correct lens aberration, diffraction, and low-pass filter-induced loss of resolution by

applying optical design values. To check the effect of setting this option to [High] or
[Standard], use magnified view ( ). Without magnification, the effect when Digital
Lens Optimizer is set to [High] is not applied. Selecting [High] or [Standard]
corrects both chromatic aberration and diffraction, although these options are not
displayed.
• : Chromatic aberr corr ( )
Chromatic aberrations (color fringing along the subject's outline) due to the lens
characteristics can be corrected. If [Enable] is set, the corrected image will be
displayed. If the effect is difficult to discern, magnify the image ( ).
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• : Diffraction correction ( )
The diffraction by the lens aperture degrading the image sharpness can be
corrected. If [Enable] is set, the corrected image will be displayed. If the effect is
difficult to discern, magnify the image ( ).
Caution
Processing RAW images in the camera will not produce exactly the same results
as processing RAW images with Digital Photo Professional (EOS software).
If you perform [Brightness adjustment], noise, banding, etc. may be intensified
with the effects of adjustment.
When [Digital Lens Optimizer] is set, noise may be intensified together with the
effects of correction.
When [Digital Lens Optimizer] is set, image edges may be emphasized, under
some shooting conditions. Adjust sharpness of the Picture Style as needed.
Processing with [Digital Lens Optimizer] set to [High] may take some time.
Note
Effects of lens aberration correction vary by lens and by shooting conditions. Also,
the effect may be difficult to discern depending on the lens used, shooting
conditions, etc.
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Creative Assist
You can process RAW images by applying your preferred effects and saving as JPEGs.
1. Select [ : Creative Assist].
2. Select an image.
< > button.
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3. Select an effect.
Use the < >< > keys to select the effect.
By selecting [Preset] and pressing the < > button, you can choose
[VIVID], [SOFT], or other preset effects. [AUTO1], [AUTO2], and
[AUTO3] are effects recommended by the camera based on image
conditions.
You can select effects such as [Brightness] or [Contrast] by pressing

the < > button and then using the < >< > keys.
Press the < > button when adjustment is finished.
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To reset the settings, press the < > button and select [OK] after a
confirmation message is displayed.
To confirm the effect, press the < > button.
4. Select [OK] to save the image.
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Quick Control RAW Processing
You can select the type of RAW image processing performed from the Quick Control screen.
1. Select [ : Quick Control RAW processing].
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Creative Assist
RAW processing that applies your preferred effect ( ).
RAW image processing
RAW processing according to conditions you specify ( ).
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Cloud RAW Image Processing
Checking Processing Capacity
Adding Images to Process
Checking/Removing Selected Images
Uploading Images
You can upload or images to image.canon for processing into JPEG or HEIF
images. The RAW images remain the same as when captured, so you can adjust the
processing conditions to create as many JPEGs or HEIFs as needed.
Caution
Complimentary enrollment at image.canon must be completed in advance.

Note that cloud RAW image processing requires a paid subscription. For
subscription details, visit the image.canon website.
Images generated by this image processing are saved on image.canon servers.
The processed images are not saved to the camera.
Note
Before proceeding, connect the camera to image.canon ( ).
Checking Processing Capacity
You can check how many images you can process at image.canon.
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1. Select [ : Cloud RAW image processing].
2. Select [Check proc. capacity (refresh)].
The camera accesses image.canon.
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3. Check the quantity in [Proc. capacity].
Information in [Proc. capacity] is updated.
Caution
[Proc. capacity] is [0] unless you have a paid subscription for

cloud RAW image processing. You will receive subscription
information at the email address on record at image.canon if you
check the processing capacity without a subscription.
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Adding Images to Process
1. Select [Add images to process].
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2. Select an option, then select images.
You can select multiple images to process at once.
Select images
< > button.
Select range

images.
To process other images, repeat this step.
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3. Set the desired processing conditions.
Use shot settings
Images are processed using image settings at the time of capture.
Images captured with [ : HDR shooting ] set to [Enable] are

processed to create HEIFs, and images captured with this function set
to [Disable] are processed to create JPEGs.
Set up processing→JPEG/Set up processing→HEIF
Use < > to select an item.

Turn the < > or < > dial to switch the setting.
Press the < > button to access the function setting screen.
To return to the image settings at the time of shooting, press the < >
button and select [OK] when “Revert to shot settings” is displayed.
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Comparison screen
You can switch between the [After change] and [Shot settings]
screens by pressing the < > button and turning the < > or
< > dial.
Items in orange on the [After change] screen have been modified

since the time of capture.
Press the < > button to return to the processing conditions

screen.
4. Select [Save].
When using [Set up processing→JPEG] or [Set up

processing→HEIF], select [ ] (Save).
5. Add to the upload list.
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Checking/Removing Selected Images
1. Select [Check/remove selected images].
2. Browse your images.
Turn the < > dial to check images.

To remove from the upload list, press the < > button.
[ ] is displayed.
To check image processing conditions, press the < > button.
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3. Remove the current image from the upload list as needed.

Select [OK] when a message is displayed about removing images from
the upload list.
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Uploading Images
1. Select [Send].
2. Read the message.
Read the message, then tap [Send].
Caution
The number of images and processing capacity may not be updated correctly if an
[Err 138] transmission error occurs during uploading. Note that even if the number
of images and processing capacity are not updated correctly, images may be
processed on the server. To check the processing status, use the image.canon
app.
The camera continues to upload images even if [Stop] is selected on the [Send
images] screen. To cancel uploading, select [OK] on the [Cancel transmission]
screen while the access lamp is blinking.
Depending on when you select [OK] on the [Cancel transmission] screen,
uploading may continue, and the images may be processed on the server.
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Playback Creative Filters
You can apply the following filter processing to an image and save it as a separate image:
Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera
effect, and Miniature effect.
1. Select [ : Playback creative filters].
2. Select an image.
Turn the < > dial to select an image, then press the < > button.
Images can be selected by touch from index display ( ).
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3. Select a filter effect ( ).
4. Adjust the filter effect.
Adjust the filter effect, then press the < > button.
For [Miniature effect], turn the < > dial to move the white frame
enclosing the area to keep in sharper focus, then press the < >
button.
5. Save.
Select [OK].
Check the destination folder and image file number, then select [OK].
To apply filter processing to other images, repeat steps 2–5.
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Note
RAW images cannot be selected. Note that for images captured in RAW+JPEG
shooting, filter processing is applied to the JPEG image before saving the results.
Images processed using the fish-eye effect filter will not have Dust Delete Data
( ) appended.
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Grainy B/W
Soft focus
softness.
Fish-eye effect
pixels, so set the filter effect in step 4 while checking the resulting image.
Art bold effect
Makes the photo look like an oil painting and the subject look more three-dimensional.
By adjusting the effect, you can change the contrast and saturation. Note that subjects
such as the sky or white walls may not be rendered with a smooth gradation and may
look irregular or have significant noise.
Toy camera effect
Miniature effect
Creates a diorama effect. You can change where the image looks sharp. To switch
between vertical and horizontal orientation of the sharp area (white frame), press < >
left or right in step 4 ( ), or tap [ ].
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Resizing JPEG/HEIF Images
You can resize a JPEG or HEIF image to reduce the pixel count and save it as a new image.
Resizing is available for , , or JPEGs or HEIFs (in sizes except ), including those
captured in RAW+JPEG and RAW+HEIF shooting. images and RAW images or movies
cannot be resized.
1. Select [ : Resize].
2. Select an image.
Turn the < > dial to select the image to resize.

Press the < > button to display the image size.
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3. Select the desired image size.
Select the desired image size (1).
4. Save.
Select [OK] to save the resized image.

To resize another image, repeat steps 2 to 4.
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Cropping JPEG/HEIF Images
You can crop a captured JPEG image and save it as another image. Cropping is available
for JPEG or HEIF images. RAW images and frame-grab images from 4K movies cannot be
cropped.
1. Select [ : Cropping].
2. Select an image.
Turn the < > dial to select the image to crop.

Press the < > button to display the cropping frame.
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3. Set the cropping frame.
The image area within the cropping frame will be cropped.
Resizing the cropping frame size

Turn the < > dial to resize the cropping frame size. The smaller the
cropping frame, the more magnified the cropped image will look.
Correcting tilt
You can correct image tilt by ±10°. Turn the < > dial to select [ ],
then press the < > button. While checking tilt relative to the grid, turn
the < > dial (in 0.1° increments) or tap the left or right arrow (in 0.5°
increments) in the upper left of the screen to correct tilt. After correction
is finished, press the < > button.
Changing the cropping frame aspect ratio and orientation

Turn the < > dial and select [ ]. Each press of the < > button
changes the cropping frame aspect ratio.
Moving the cropping frame

Use < > to move the cropping frame vertically or horizontally.
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4. Check the image area to be cropped.
Turn the < > dial to select [ ], then press the < > button. The
image area to crop is displayed.
5. Save.
Turn the < > dial to select [ ], then press the < > button.
Select [OK] to save the cropped image.
To crop another image, repeat steps 2 to 5.
Caution
The position and size of the cropping frame may change depending on the angle
set for tilt correction.
Once a cropped image is saved, it cannot be cropped again or resized.
AF point display information ( ) and Dust Delete Data ( ) will not be appended
to the cropped images.
Available aspect ratios vary depending on whether you use [ : Cropping] or
[ : Add cropping information].
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Converting HEIF to JPEG
You can convert HEIF images captured in HDR shooting and save them as JPEG images.
1. Select [ : HEIF→JPEG conversion].
2. Select an image.
Turn the < > dial to select an HEIF image to convert to JPEG.
Press the < > button to convert to JPEG.
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3. Save.
Select [OK] to save the JPEG image.
• Check the destination folder and image file number, then select
[OK].
• To convert another image, repeat steps 2 and 3.
Note
Some scenes may look different after conversion if the original and converted
images are compared.
Conversion is not available for cropped images, or for frame-grab images from 4K
movies.
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Slide Show
You can play back the images on the card as an automatic slide show.
1. Specify the images to be played back.
To play back all the images on the card, go to step 2.
If you want to specify the images to be played back in the slide show,
filter the images with [ : Set image search conditions] ( ).
2. Select [ : Slide show].
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3. Set the playback as desired.
Select [Set up].

Set the [Display time] and [Repeat] (repeated playback) settings for
the still photos.
After completing the settings, press the < > button.
Display time
Repeat
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4. Start the slide show.
Select [Start].
After [Loading image...] is displayed, the slide show will start.
5. Exit the slide show.
To exit the slide show and return to the setting screen, press the
< > button.
Note
To pause the slide show, press the < > button. During pause, [ ] will be
displayed in the upper left of the screen. Press the < > button again to resume
the slide show.
During the automatic playback of still photos, you can press the < > button to
switch the display format ( ).
Volume during movie playback can be adjusted by pressing the < >< > keys.
During auto playback or when playback is paused, you can turn the < > dial to
view another image.
During auto playback, auto power off will not take effect.
The display time may differ depending on the image.
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Setting Image Search Conditions
Clearing the Search Conditions
You can filter image display according to your search conditions. After setting the image
search conditions, you can play back and display only the found images. You can also
protect, rate, play a slide show, erase, and apply other operations to filtered images.
1. Select [ : Set image search conditions].
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2. Set the search conditions.
Turn the < > dial to select an option.

A checkmark [ ] (1) is appended to the left of the option. (Specified as
the search condition.)
If you select the option and press the < > button, the checkmark
[ ] will be removed (which cancels the search condition).
Option Description
Displays images with the selected (rating)
Rating condition.
Displays images taken on the selected
Date shooting date.
Folder Displays images in the selected folder.
Displays images with the selected (protect)

Protect condition.
Type of file (1)

Displays images of the selected file type.
Type of file (2)
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3. Apply the search conditions.
Press the < > button and read the message displayed.
Select [OK].
The search condition is applied.
4. Display the found images.

Only the images that match the set conditions (filtered) will be played
back.
When the images are filtered for display, the screen will have an outer
yellow frame (2).
Caution
If no images match the search conditions, pressing the < > button in step 3 has
no effect.
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Note
Search conditions may be cleared after operations involving camera power or card
changes and editing, adding, or erasing images.
Auto power off time may be extended while the [ : Set image search
conditions] screen is displayed.
Clearing the Search Conditions
Access the screen in step 2, then press the < > button to clear all the search conditions.
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Resuming from Previous Playback
1. Select [ : View from last seen].
[Enable]: Playback resumes from the last image displayed (unless you
have just finished shooting).
[Disable]: Playback resumes from your most recent shot whenever the
camera is restarted.
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Browsing Images with the Main Dial
In single-image display, you can turn the < > dial to jump through the images forward or
backward according to the jump method set.
1. Select [ : Image jump w/ ].
2. Select the jump method.
Note
With [Jump images by the specified number], you can turn the
< > dial to select the number of images to jump by.
With [Display by image rating], turn the < > dial to select the
rating ( ). Selecting will show all rated images as you
browse.
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3. Browse by jumping.
(1) Jump method

(2) Playback position
In single-image display, turn the < > dial.

You can browse by the jump method set.
Note
You can also change the jump method by pressing < > left or right during
playback.
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Customizing Playback Information Display
Histogram
You can specify screens and accompanying information displayed during image playback.
1. Select [ : Playback information display].
2. Add a checkmark [ ] next to the number of screens to display.
Select numbers with the < > dial.

Press the < > button to clear a checkmark [ ]. Press it again to add
a checkmark [ ].
Repeat these steps to add a checkmark [ ] to the number of each
screen to display, then select [OK].
Your selected information can be accessed by pressing the < >
button during playback, or by using < > when shooting information is
displayed.
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Histogram
The histograms show signal levels across the tonal range. Brightness display (for checking
the general exposure level and overall gradation) and RGB display (for checking saturation
and gradation of red, green, and blue) are available. You can switch the histogram displayed
by pressing the < > button when [ ] is displayed in the lower left of the [ :
Playback information display] screen.
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[Brightness] display
This histogram is a graph showing the distribution of the image's brightness level, with
the horizontal axis indicating the brightness level (darker on the left and brighter on the
right) and the vertical axis indicating the pixel count at each brightness level. The more
pixels there are toward the left, the darker the image, and the more pixels there are
toward the right, the brighter the image. If there are too many pixels on the left, detail in
shadows will be lost, and if there are too many pixels on the right, detail in highlights will
be lost. The gradation in-between will be reproduced. By checking the image and its
brightness histogram, you can see the exposure level inclination and the overall
gradation.
Sample histograms
Dark image
Normal brightness
Bright image
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[RGB] display
This histogram is a graph showing the distribution of each primary color's brightness
level in the image (RGB or red, green, and blue), with the horizontal axis indicating the
color's brightness level (darker on the left and brighter on the right) and the vertical axis
indicating the pixel count at each color brightness level. The more pixels there are
toward the left, the darker and less prominent the color, and the more pixels there are
toward the right, the brighter and denser the color. If there are too many pixels on the
left, the corresponding color information will be lacking, and if there are too many pixels
on the right, the color will be too saturated, without gradation. By checking the image's
RGB histogram, you can see the color's saturation and gradation conditions, as well as
the white balance bias.
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Displaying the Highlight Alert
You can specify blinking display of overexposed highlights on the playback screen. To
obtain more detailed gradation in the blinking areas where you want the gradation to be
faithfully reproduced, set the exposure compensation to a negative amount and shoot again
for a better result.
1. Select [ : Highlight alert].
2. Select [Enable].
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AF Point Display
You can display the AF points that were used to focus, which will be outlined in red on the
playback screen.
1. Select [ : AF point disp.].
2. Select [Enable].
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Playback Grid
You can display a grid over still photos shown in single-image display on the playback
screen. This function is convenient for checking the image's vertical or horizontal tilt as well
as composition.
1. Select [ : Playback grid].
Note
When panoramic images are displayed, a single vertical and horizontal line are
shown if [Playback grid] is set to an option other than [Off].
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Movie Play Count
You can select how time is displayed on the movie playback screen.
1. Select [ : Movie play count].
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Rec time
Displays the recording or playback time during movie playback.
Time code
Displays the time code during movie playback.
Note
Time codes are always recorded to movie files (except when High Frame Rate
movies are set to [Free run]), regardless of the [Movie rec count] setting.
The [Movie play count] setting in [ : Time code] is linked to the [ : Movie
play count], so that these settings always match.
The “frame” count is not displayed during movie recording or playback.
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Still Photo Extraction from RAW Burst Images
You can extract any image from the sets (“rolls,” ) that are captured in RAW burst mode
as a JPEG, HEIF, or RAW image.
1. Display the image.
2. Select a roll.
Turn the < > dial to select a roll.

In single-image display, rolls are identified by a [ ] icon in the
upper left.
In index display, press the < > button to switch to single-image
display.
Note
Various settings may have a different effect on rolls than on

extracted JPEG/HEIF images or on JPEG/HEIF images
processed from extracted RAW images.
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4. Select [ ].
The roll is played.
5. Select an image.
Turn the < > dial to select the image to extract.

To delete unneeded portions at the beginning and end of the roll, press
the < > button.
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7. Select an image format and save the extracted image.
With [Extract as ] or [Extract as ], you can choose [Edit

and save] and apply RAW image processing ( ) before saving.
Note
Images are saved in [ ] quality when you select [Extract as ] or [Extract

as ].
Creative filters, cropping, and resizing are not available for JPEG/HEIF images
extracted from RAW burst images or processed from extracted RAW images.
HEIF images extracted from RAW burst images cannot be converted to JPEGs.
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HDMI HDR Output
You can view RAW or HEIF images in HDR by connecting the camera to an HDR TV.
1. Select [ : HDMI HDR output].
2. Select [On].
Note
Make sure the HDR TV is set up for HDR input. For details on how to switch inputs
on the TV, refer to the TV manual.
Depending on the TV used, images may not look as expected.
On HDR TVs, some information may not be displayed.
Quick Control RAW processing of displayed images is recommended if you will
process RAW images while viewing HDMI HDR output.
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Wireless Features
This chapter describes how to connect the camera to a smartphone wirelessly via
Bluetooth® or Wi-Fi® and send images to devices or Web services, how to control the
camera from a computer or wireless remote control, and other operations.
Caution
Important
Note that Canon cannot be held liable for any loss or damage caused by erroneous
wireless communication settings when using the camera. In addition, Canon cannot
be held liable for any other loss or damage caused by use of the camera.
When using wireless communication functions, establish appropriate security at
your own risk and discretion. Canon cannot be held liable for any loss or damage
caused by unauthorized access or other security breaches.
• Tab Menus: Wireless Features

• Wi-Fi/Bluetooth Connection
• Connecting to a Smartphone
• Connecting to a Computer via Wi-Fi
• Connecting to a Printer via Wi-Fi
• Sending Images to a Web Service
• Streaming Images
• Wi-Fi Connection via Access Points
• Connecting to a Wireless Remote Control
• Reconnecting via Wi-Fi/Bluetooth
• Registering Multiple Connection Settings
• Airplane Mode
• Wi-Fi Settings
• Bluetooth Settings
• Nickname
• GPS Device Settings
• Changing or Deleting Connection Settings
• Resetting Communication Settings
• View Info Screen
• Virtual Keyboard Operations
• Responding to Error Messages
• Wireless Communication Function Precautions
• Security
• Checking Network Settings
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• Wireless Communication Status
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Tab Menus: Wireless Features
Wireless features 1
(1) Wi-Fi/Bluetooth connection

(2) Airplane mode
(3) Wi-Fi settings
(4) Bluetooth settings
(5) Nickname
(6) GPS device settings
(7) Reset communication settings
Caution
Wireless communication is not available while the camera is connected via an

interface cable to a computer or other device.
Other devices, such as computers, cannot be used with the camera by connecting
them with an interface cable while the camera is connected to devices via Wi-Fi.
The camera cannot be connected via Wi-Fi if there is no card in the camera (except
for [ ]). Also, for [ ] and Web services, the camera cannot be connected via
Wi-Fi if there are no images saved on the card.
The Wi-Fi connection will be terminated if you set the camera's power to < >,
or open the card slot cover or battery compartment cover.
With a Wi-Fi connection established, the camera's auto power off does not function.
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Wi-Fi/Bluetooth Connection
1. Select [ : Wi-Fi/Bluetooth connection].
2. Select an option for the camera to connect to.
Connect to smartphone ( )
Control the camera remotely and browse images on the camera over a Wi-Fi connection by
using the dedicated Camera Connect app on smartphones or tablets (collectively referred to
as “smartphones” in this manual).
After pairing the camera with a smartphone supporting Bluetooth low energy technology
(hereafter, “Bluetooth”), you only need to use the smartphone to connect via Wi-Fi.
Remote control (EOS Utility) ( )
Connect the camera to a computer via Wi-Fi and operate the camera remotely using EOS
Utility (EOS software). Images on the camera can also be sent to the computer.
Print from Wi-Fi printer ( )
Connect the camera to a printer supporting PictBridge (Wireless LAN) via Wi-Fi to print
images.
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Upload to Web service ( )
Images can be sent directly from the camera to the image.canon cloud service for Canon
customers after you complete member registration (free of charge). Original files of images
sent to image.canon are retained for 30 days, without storage limitations, and can be
downloaded to computers or transferred to other Web services.
Connect to Wireless Remote ( )
This camera can also be connected to Wireless Remote Control BR-E1 (sold separately) via
Bluetooth for remote control shooting.
658
Connecting to a Smartphone
Turning on Bluetooth and Wi-Fi on a Smartphone
Installing Camera Connect on a Smartphone
Connecting to a Bluetooth-compatible Smartphone via Wi-Fi
Camera Connect Functions
Maintaining a Wi-Fi Connection When the Camera Is Off
Canceling the Pairing
Wi-Fi Connection without Using Bluetooth
Automatic Image Transfer as You Shoot
Sending Images to a Smartphone from the Camera
Terminating Wi-Fi Connections
Settings to Make Images Viewable from Smartphones
You can do the following after pairing the camera with a Bluetooth-compatible smartphone.
Establish a Wi-Fi connection using only the smartphone ( ).

Establish a Wi-Fi connection with the camera even when it is off ( ).
Geotag images with GPS information acquired by the smartphone ( ).
Control the camera remotely from a smartphone ( ).
You can also do the following after connecting the camera to a smartphone via Wi-Fi.
Browse and save images on the camera from a smartphone ( ).

Control the camera remotely from a smartphone ( ).
Send images to a smartphone from the camera ( ).
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Turning on Bluetooth and Wi-Fi on a Smartphone
Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the
camera is not possible from the smartphone's Bluetooth settings screen.
Note
To establish a Wi-Fi connection via an access point, see Wi-Fi Connection via
Access Points.
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Installing Camera Connect on a Smartphone
The dedicated app Camera Connect (free of charge) must be installed on the smartphone
on which Android or iOS is installed.
Use the latest version of the smartphone OS.

Camera Connect can be installed from Google Play or App Store. Google Play or App
Store can also be accessed using the QR codes that appear when the camera is paired
or connected via Wi-Fi to a smartphone.
Note
For the operating system versions supported by Camera Connect, refer to the
download site of Camera Connect.
Sample screens and other details in this guide may not match the actual user
interface elements after camera firmware updates or updates to Camera Connect,
Android, or iOS.
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Connecting to a Bluetooth-compatible Smartphone via
Wi-Fi
Steps on the camera (1)
2. Select [ Connect to smartphone].
3. Select [Add a device to connect to].
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If Camera Connect is already installed, select [Do not display].

If Camera Connect is not installed, select [Android] or [iOS], scan the
displayed QR code with the smartphone to access Google Play or App
Store and install Camera Connect.
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5. Select [Pair via Bluetooth].
Press the < > button to start pairing.
To pair with a different smartphone after pairing with one initially, select
[OK] on the screen shown above.
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Steps on the smartphone (1)
6. Start Camera Connect.
7. Tap the camera for pairing.
In Android, go to Steps on the camera (2).
8. Tap [Pair] (iOS only).
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9. Select [OK].
Pairing is now complete, and the camera is connected to the

smartphone via Bluetooth.
A Bluetooth icon appears on the main Camera Connect screen.
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Caution
The camera cannot be connected to two or more devices at the same time via
Bluetooth. To switch to a different smartphone for the Bluetooth connection, see
Reconnecting via Wi-Fi/Bluetooth.
Bluetooth connection consumes battery power even after the camera's auto power
off is activated. Therefore, the battery level may be low when you use the camera.
Troubleshooting pairing
Keeping pairing records for previously paired cameras on your smartphone will
prevent it from pairing with this camera. Before you try pairing again, remove
pairing records for previously paired cameras from your smartphone's Bluetooth
settings screen.
Note
With a Bluetooth connection established, you can operate the camera to send
images to the smartphone ( ).
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Steps on the smartphone (2)
11. Tap a Camera Connect function.
In iOS, tap [Join] when a message is displayed to confirm camera

connection.
An error message may be displayed on the smartphone even if
Camera Connect is connected. If so, close the error message and
continue using the app.
For the Camera Connect functions, see Camera Connect Functions.
When a Wi-Fi connection is established, the screen for the selected
function will appear.
[ Wi-Fi on] is displayed on the camera screen.
The Bluetooth and Wi-Fi icons are lit on the main Camera Connect
screen.
The Wi-Fi connection to a Bluetooth-compatible smartphone is now complete.
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For how to terminate the Wi-Fi connection, see Terminating Wi-Fi Connections.
Terminating the Wi-Fi connection will switch the camera to the Bluetooth connection.
To reconnect via Wi-Fi, start Camera Connect and tap the function you will use.
[ Wi-Fi on] screen
Disconnect,exit
Terminates the Wi-Fi connection.
Confirm set.
You can check the settings.
Error details
When a Wi-Fi connection error occurs, you can check the details of the error.
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Camera Connect Functions
Images on camera
Images can be browsed, deleted, or rated.

Images can be saved on a smartphone.
Effects can be applied to RAW images and saved to a smartphone (Creative Assist).
Remote live view shooting
Enables remote shooting as you view a live image on the smartphone.
Auto transfer
Enables camera and app setting adjustment for automatic transfer of your shots ( ).
Bluetooth remote controller
Enables remote control of the camera from a smartphone paired via Bluetooth. (Not
available when connected via Wi-Fi.)
Auto power off is disabled while you are using the Bluetooth remote controller feature.
Location information
Not supported on this camera.
Camera settings
Camera settings can be changed.
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Maintaining a Wi-Fi Connection When the Camera Is Off
Even when the camera power switch is set to < >, as long as it is paired to a
smartphone via Bluetooth, you can use the smartphone to connect via Wi-Fi and browse
images on the camera or perform other operations.
If you prefer not to connect via Wi-Fi to the camera when it is off, either set [Airplane mode]
to [On] or set [Bluetooth settings] to [Disable].
Caution
This function can no longer be used if the wireless settings are reset or the
smartphone connection information is erased.
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Cancel pairing with a smartphone as follows.
If past connections ( ) are listed, turn the < > dial to switch
screens.
3. Select [Edit/delete device].
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4. Select the smartphone to cancel pairing with.
Smartphones currently paired with the camera are labeled [ ].
5. Select [Delete connection information].
6. Select [OK].
7. Clear the camera information on the smartphone.
In the smartphone's Bluetooth setting menu, clear the camera

information registered on the smartphone.
673
Wi-Fi Connection without Using Bluetooth
screens.
674
If Camera Connect is already installed, select [Do not display].
5. Select [Connect via Wi-Fi].
6. Establish a Wi-Fi connection.
Connect to an access point via Wi-Fi. Go to step 6 in Wi-Fi Connection

via Access Points.
675
Steps on the smartphone
7. Operate the smartphone to establish a Wi-Fi connection.
Smartphone's screen (sample)
Activate the smartphone's Wi-Fi function, then tap the SSID (network
name) checked in step 6 in Steps on the camera (1).
For the password, enter the password checked in step 6 in Steps on
the camera (1).
8. Start Camera Connect and tap the camera to connect to via Wi-Fi.
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9. Select [OK].
To specify viewable images, press the < > button. Configure as

described in Settings to Make Images Viewable from Smartphones,
starting in step 5.
The main window of Camera Connect will be displayed on the

smartphone.
The Wi-Fi connection to a smartphone is now complete.
Operate the camera using Camera Connect ( ).

For how to terminate the Wi-Fi connection, see Terminating Wi-Fi Connections.
To reconnect via Wi-Fi, see Reconnecting via Wi-Fi/Bluetooth.
Note
When connected via Wi-Fi, you can send images to a smartphone from the Quick
Control screen during playback ( ).
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Automatic Image Transfer as You Shoot
Your shots can be automatically sent to a smartphone. Before following these steps, make
sure the camera and smartphone are connected via Wi-Fi.
1. Select [ : Wi-Fi settings].
2. Select [Send to smartphone after shot].
3. Set [Auto send] to [Enable].
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4. Set [Size to send].
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Sending Images to a Smartphone from the Camera
You can use the camera to send images to a smartphone paired via Bluetooth (Android
devices only) or connected via Wi-Fi.
3. Select [ Send images to smartphone].
If you perform this step while connected via Bluetooth, a message is

displayed, and the connection switches to a Wi-Fi connection.
4. Select sending options and send the images.
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(1) Sending images individually
1. Select an image to send.
Turn the < > dial to select an image to send, then press the < >
button.
2. Select [Send img shown].
In [Size to send], you can select the image sending size.

When sending movies, you can select the image quality of movies to
send in [Quality to send].
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(2) Sending multiple selected images
2. Select [Send selected].
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3. Select images to send.
Turn the < > dial to select an image to send, then press the < >
button.
Images can be selected by touch from three-image display ( ).

After selecting the images to send, press the < > button.
683
4. Select [Size to send].
On the displayed screen, select an image size.
When sending movies, select the image quality in [Quality to send].
5. Select [Send].
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(3) Sending a specified range of images
2. Select [Send range].

Select the last image (end point).
To cancel the selection, repeat this step.
You can change the number of images shown in index display for
selection by touch ( ).
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4. Confirm the range.
6. Select [Send].
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(4) Sending all images on the card
2. Select [Send all card].
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4. Select [Send].
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(5) Sending images that match the search conditions
Send all the images that match the search conditions set in [Set image search conditions]
at once. For details on [Set image search conditions], see Setting Image Search
Conditions.
2. Select [Send all found].
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4. Select [Send].
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Ending image transfer
Sending images from the camera when paired via Bluetooth (Android devices only)
Press the < > button on the image transfer screen.
Select [OK] to end image transfer and the Wi-Fi connection.
Sending images from the camera over a Wi-Fi connection
Press the < > button on the image transfer screen.

To terminate the Wi-Fi connection, see Terminating Wi-Fi Connections.
Caution
During the image transfer operation, a picture cannot be taken even if the camera's
shutter button is pressed.
691
Note
You can cancel the image transfer by selecting [Cancel] during the transfer.
You can select up to 999 files at a time.
With a Wi-Fi connection established, disabling the smartphone's power saving
function is recommended.
Selecting the reduced size for still photos applies to all still photos sent at that time.
Note that size still photos are not reduced.
Selecting compression for movies applies to all movies sent at that time. Note that
and movies are not reduced.
When you use a battery to power the camera, make sure it is fully charged.
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Terminating Wi-Fi Connections
Perform either of the following operations.
On the Camera Connect screen, tap [ ].
On the [ Wi-Fi on] screen, select [Disconnect,exit].
If the [ Wi-Fi on] screen is not displayed, select [ : Wi-Fi/Bluetooth connection].

Select [Disconnect,exit], then select [OK] on the confirmation screen.
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Settings to Make Images Viewable from Smartphones
Images can be specified after the Wi-Fi connection is terminated.
screens.
694
4. Select a smartphone.
Select the name of the smartphone on which you want to make the
images viewable.
5. Select [Viewable imgs].
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Select [OK] to access the setting screen.
[All images]
All images stored on the card become viewable.
[Images from past days]
Specify viewable images on the shooting-date basis. Images shot up to

nine days ago can be specified.
When [Images shot in past days] is selected, images shot up to the
specified number of days before the current date become viewable.
Turn the < > dial to specify the number of days, then press the
< > button to confirm the selection.
Once you select [OK], the viewable images are set.
Caution
If [Viewable imgs] is set to any setting other than [All images],

remote shooting is not possible.
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[Select by rating]
Specify viewable images depending on whether a rating is appended

(or not appended) or by the type of rating.
Once you select the type of rating, the viewable images are set.
[File number range] (Select range)
Select the first and last images from images arranged by the file
number to specify the viewable images.
1.Press the < > button to display the image selection screen. Turn
the < > dial to select the image.
2.Select an image as the starting point (1).
3.Turn the < > dial and select an image as the ending point (2).
4.Select [OK].
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Caution
If the Wi-Fi connection is terminated while recording a movie with remote shooting,
the following will occur.
• Any movie recording in progress in movie recording mode will continue.
• Any movie recording in progress in still photo shooting mode will end.
With a Wi-Fi connection to a smartphone established, certain functions are
unavailable.
In remote shooting, the AF speed may become slower.
Depending on the communication status, image display or shutter release timing
may be delayed.
When saving images to a smartphone, you cannot take a picture even if you press
the camera's shutter button. Also, the camera screen may turn off.
Note
With a Wi-Fi connection established, disabling the smartphone's power saving

function is recommended.
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Connecting to a Computer via Wi-Fi
Operating the Camera Using EOS Utility
This section describes how to connect the camera to a computer via Wi-Fi and perform
camera operations using EOS software or other dedicated software. Install the latest version
of software on the computer before setting up a Wi-Fi connection.
For computer operating instructions, refer to the computer user manual.
Operating the Camera Using EOS Utility
Using EOS Utility (EOS software), you can import images from the camera, control the
camera, and perform other operations.
2. Select [ Remote control (EOS Utility)].
screens.
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4. Check the SSID (network name) and password.
Check the SSID (1) and Password (2) displayed on the camera screen.
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Steps on the computer (1)
5. Select the SSID, then enter the password.
Computer's screen (sample)
On the computer's network setting screen, select the SSID checked in

step 4 in Steps on the camera (1).
For the password, enter the password checked in step 4 in Steps on
the camera (1).
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6. Select [OK].
The following message is displayed. “******” represents the last six

digits of the MAC address of the camera to be connected.
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Steps on the computer (2)
7. Start EOS Utility.
8. In EOS Utility, click [Pairing over Wi-Fi/LAN].
If a firewall-related message is displayed, select [Yes].
9. Click [Connect].
Select the camera to connect to, then click [Connect].
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Select [OK].
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[ Wi-Fi on] screen
Disconnect,exit
Terminates the Wi-Fi connection.
Confirm set.
You can check the settings.
Error details
When a Wi-Fi connection error occurs, you can check the details of the error.
The Wi-Fi connection to a computer is now complete.
Operate the camera using EOS Utility on the computer.

To reconnect via Wi-Fi, see Reconnecting via Wi-Fi/Bluetooth.
Caution
If the Wi-Fi connection is terminated while recording a movie with remote shooting,
the following will occur.
• Any movie recording in progress in movie recording mode will continue.
• Any movie recording in progress in still photo shooting mode will end.
You cannot use the camera to shoot in still photo shooting mode when it is set to
movie recording mode in EOS Utility.
With a Wi-Fi connection to EOS Utility established, certain functions are
unavailable.
In remote shooting, the AF speed may become slower.
Depending on the communication status, image display or shutter release timing
may be delayed.
In Remote Live View shooting, the rate of image transmission is slower compared
to a connection via an interface cable. Therefore, moving subjects cannot be
displayed smoothly.
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Connecting to a Printer via Wi-Fi
Image Printing
Print Settings
This section describes how to print images by directly connecting the camera to a printer
supporting PictBridge (Wireless LAN) via Wi-Fi. For printer operating instructions, refer to
the printer user manual.
2. Select [ Print from Wi-Fi printer].
screens.
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4. Check the SSID (network name) and password.
Check the SSID (1) and Password (2) displayed on the camera screen.
5. Set up the printer.
In the Wi-Fi settings menu of the printer to be used, select the SSID
you have checked.
For the password, enter the password checked in step 4.
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6. Select the printer.
In the list of detected printers, select the printer to connect to via Wi-Fi.
If your preferred printer is not listed, selecting [Search again] may
enable the camera to find and display it.
Note
To establish a Wi-Fi connection via an access point, see Wi-Fi Connection via
Access Points.
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Image Printing
Printing images individually
1. Select the image to be printed.
Turn the < > dial to select an image to print, then press the < >
button.
2. Select [Print image].
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3. Print the image.
For the print setting procedures, see Print Settings.

Select [Print], then [OK] to start printing.
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Printing according to specified image options
2. Select [Print order].
3. Set the printing options.
For the print setting procedures, see Print Ordering (DPOF).

If the print order is complete before establishing a Wi-Fi connection, go
to step 4.
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4. Select [Print].
[Print] can be selected only when an image is selected and the printer
is ready to print.
5. Configure [Paper settings] ( ).
6. Print the image.
When [OK] is selected, printing starts.
Caution
Shooting is not possible while connected to a printer via Wi-Fi.

RAW images, HEIF images, and movies cannot be printed.
Before printing, be sure to set the paper size.
File number printing may not be supported by certain printers.
Dates may be printed on the border by certain printers when [Bordered] is set.
Depending on the printer, the date may appear faint if it is printed on a bright
background or on the border.
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Note
When you use a battery to power the camera, make sure it is fully charged.
It may take some time until printing starts after you select [Print], depending on file
size and image quality.
To stop printing, press the < > button while [Cancel] is displayed, then select
[OK].
When printing with [Print order], you can select [Resume] to continue printing the
remaining images if you have stopped printing in progress. Note that printing will
not resume if any of the following occurs.
• You change the print order or delete any of the specified images before
resuming printing.
• When index is set and you change the paper setting before resuming printing.
If a problem occurs during printing, see Notes.
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Print Settings
The screen display and setting options vary depending on the printer. Also, certain
settings may not be available. For details, refer to the printer's instruction manual.
Print settings screen
(1) Sets date or file number printing ( ).

(2) Sets the printing effects ( ).
(3) Sets the number of copies to print ( ).
(4) Sets the print area ( ).
(5) Sets the paper size, type, and layout ( , , ).
(6) Returns to the image selection screen.
(7) Starts the printing.
(8) The paper size, type, and layout you have set are displayed.
* Depending on the printer, certain settings may not be selectable.
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Paper settings
Select [Paper settings].
[ ] Setting the paper size
Select the size of the paper in the printer.
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[ ] Setting the paper type
Select the type of the paper in the printer.
[ ] Setting the page layout
Select the page layout.
Caution
If the image's aspect ratio is different from the printing paper's aspect ratio, the
image may be cropped significantly when you print it as a borderless print. Images
may also be printed at lower resolution.
[ ] Setting printing of the date/file number
Select [ ].
Select what to print.
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[ ] Setting printing effects (image optimization)
Select [ ].
Select printing effects.
Caution
ISO speeds may be misidentified in shooting information printed for images shot at
an expanded ISO speed (H).
[Default] in printing effects and other options refers to default settings determined
by the printer manufacturer. For [Default] details, refer to the printer instruction
manual.
[ ] Setting the number of copies
Select [ ].
Select the number of copies to print.
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Cropping the image
Set cropping immediately before printing. Changing other print settings after you crop
images may require you to crop the images again.
1. Select [Cropping] on the print setting screen.
2. Set the cropping frame size, position, and orientation.
The image area within the cropping frame will be printed. The shape of
the frame (aspect ratio) can be changed in [Paper settings].
Resizing the cropping frame size

Turn the < > dial to resize the cropping frame size.
Moving the cropping frame

Press < > to move the frame vertically or horizontally.
Switching the orientation of the cropping frame

Pressing the < > button will toggle the cropping frame between the
vertical and horizontal orientations.
3. Press the < > button to exit cropping.
You can check the cropped image area in the upper left of the print
setting screen.
Caution
Depending on the printer, the cropped image area may not be printed as you
specified.
The smaller the cropping frame, the lower the resolution at which images are
printed.
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Note
Handling printer errors

If printing does not resume after you resolve a printer error (such as no ink or
paper) and select [Continue], use buttons on the printer. For details on resuming
printing, refer to the printer's instruction manual.
Error messages
If a problem occurs during printing, an error message will appear on the camera
screen. After fixing the problem, resume printing. For details on how to fix a printing
problem, refer to the printer's instruction manual.
Paper error
Confirm that paper is loaded correctly.
Ink error
Check the printer's ink level and the waste ink tank.
Hardware error
Check for any printer problems other than paper and ink problems.
File error
The selected image cannot be printed. Images taken with a different camera or
images edited with a computer may not be printable.
719
Sending Images to a Web Service
Connecting to image.canon
Automatic Image Transfer
This section describes how to send images to image.canon.
Connecting to image.canon
Link the camera to image.canon to send images directly from the camera.
A computer or smartphone with a browser and internet connection is required.

You will need to enter an email address used on your computer or smartphone.
For instructions on how to use image.canon services and details on countries and
regions where it is available, visit the image.canon site (https://image.canon/).
Separate ISP connection and access point fees may apply.
2. Select [ Upload to image.canon].
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3. Select [Connect].
4. Select [OK].
5. Scan the QR code with the dedicated app.
Select [OK].
721
Connect to an access point via Wi-Fi. Go to step 6 in Wi-Fi Connection

via Access Points.
7. Confirm that the number is displayed in the dedicated app.
Select [OK].
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8. Select [OK].
The [ ] icon changes to [ ].
Steps on the computer or smartphone
9. Set up camera web link.
Follow the instructions to complete the settings on the camera web link
settings page.
723
Automatic Image Transfer
Images are automatically uploaded to image.canon after the camera starts up (or recovers
from auto power off). Original files of images sent to image.canon are retained for 30 days,
without storage limitations, and can be downloaded to computers or transferred to other
Web services.
Uploading is not possible during interval timer shooting.
2. Select [ Upload to image.canon].
screens.
3. Set [Auto send] to [Enable].
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4. Set [Type to send].
In [Type to send], you can select the type of images that uploading
applies to.
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Streaming Images
Preparing to Stream
Live Streaming
You can live-stream images from the camera.

Only when streaming, you can use Wireless Remote Control BR-E1 (sold separately). Note
that before streaming, you will need to pair the camera with Wireless Remote Control BR-E1
( ).
Caution
Check the YouTube streaming requirements in advance on the YouTube site.
Preparing to Stream
Set up “Live streaming” on the camera to enable streaming from the camera.
Register the camera for image.canon and complete camera link settings as described in
Connecting to image.canon.
Complete the required streaming settings on the YouTube site.
For instructions, visit the YouTube site.
Steps on the computer or smartphone
1. Enable YouTube streaming.
Display the settings screen for connected Web services used with
image.canon.
Next to [YouTube], click or tap [Connect].
Sign in to YouTube and allow image.canon access.
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Steps on the camera
2. Connect to image.canon.
For instructions on connecting to image.canon, see Connecting to

image.canon.
A [Live streaming] icon is added once the camera is connected to
image.canon.
If the [Live streaming] icon does not work, see Steps on the computer
or smartphone and check the YouTube settings. After setup, selecting
[Live streaming] activates the icon.
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Caution
Streaming
YouTube is the only streaming service supported by this camera.
Before you can use streaming services, you must complete image.canon
registration.
YouTube streaming is subject to change, suspension, or termination without prior
notice.
Canon is in no way responsible for third-party services such as YouTube
streaming.
No image is recorded to the card during streaming (but a card must be in the
camera).
Images are streamed at approx. 6 Mbps for either (NTSC) or
(PAL).
Images are streamed horizontally, regardless of the [ : Add rotate info]
setting.
Audio may be noisy during streaming. Check for noisy audio in advance by using
[PRVW] ( ), for example. If noise from the external microphone is distracting, try
placing it on the left side of the camera (on the < > external microphone IN
terminal side) as far from the camera as possible.
It is not possible to pair the camera with Wireless Remote Control BR-E1 (sold
separately, ) after you have set up streaming.
Wireless Remote Control BR-E1 cannot be used while connected to the camera via
Wi-Fi unless you are streaming.
Remote control from a smartphone is not possible during streaming.
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Live Streaming
You can also stream by using the camera to select an event that you have set up in advance
on the YouTube site (by entering the streaming time and title).
1. Complete event settings on the YouTube site.
For instructions, visit the YouTube site.
2. Setting the power switch to < >.
You can select a movie recording mode ( ).
3. Start streaming.
On the [ : Wi-Fi/Bluetooth connection] screen, select [Live

streaming].
screens.
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4. Check the terms of service.
Read the agreement displayed and choose [I Agree].
5. Select an event.
Select an event that you have added from the YouTube site in
advance.
Up to 20 events are listed.
Note
In case of messages indicating that streaming cannot be started,

the event has not been registered yet. Add the event from the
YouTube site.
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6. Check the streaming details.
Select [OK].
7. Select [OK].
8. Select [PRVW] or [LIVE].
Selecting [PRVW] (Preview) enables you to test streaming without

releasing images publicly. Useful for checking images before
streaming.
Selecting [LIVE] (Live) enables you to start streaming immediately.
731
9. Start previewing or streaming.
Configure recording features, just as in normal movie recording.

When ready, press the movie shooting button.
Previewing or streaming starts automatically after [Preparing preview]
or [Preparing to stream] is displayed.
[ PRVW] or [ LIVE] is displayed in the upper right during previewing

or streaming, respectively.
The time that has elapsed since you pressed the movie shooting button
is shown on the previewing/streaming screen (1). For streaming, the
number of viewers is also indicated (2).
Check the YouTube site to see how the streamed image looks.
10. Stop previewing or streaming.
Press the movie shooting button again to stop previewing or streaming.
After previewing the image, return to step 8 and select [LIVE] to start
streaming.
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11. Exit streaming mode.
Press the < > button, then select [OK].
Caution
It will take a moment before streaming begins in step 9. Do not operate the camera
while the message is displayed.
In case of display problems (character corruption) on the camera for text you
entered on the YouTube site, enter the text again from the YouTube site in ASCII
format (single-byte letters or numbers).
733
Wi-Fi Connection via Access Points
Camera Access Point Mode
Manual IP Address Setup
This section describes how to join a Wi-Fi network via an access point compatible with WPS
(PBC mode).
First, check the position of the WPS button and how long to press it. It may take approx. 1
min. to establish a Wi-Fi connection.
screens.
734
The following message is displayed if you have selected [ Connect

to smartphone]. If Camera Connect is already installed, select [Do not
display].
On the [Connect to smartphone] screen displayed next, select

[Connect via Wi-Fi].
4. Select [Switch network].
Displayed when [ ], [ ], or [ ] is selected.
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5. Select [Connect with WPS].
Note
For [Camera access point mode] displayed in step 5, see

Camera Access Point Mode.
6. Select [WPS (PBC mode)].
Select [OK].
736
7. Connect to the access point via Wi-Fi.
Press the access point's WPS button.

Select [OK].
8. Select [Auto setting].
Select [OK] to access the setting screen for the Wi-Fi function.
If an error occurs with [Auto setting], see Manual IP Address Setup.
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9. Specify the settings for the Wi-Fi function.
[ Connect to smartphone]
On the smartphone's Wi-Fi setting screen, tap the SSID (network

name) shown on the camera screen, then enter the password of the
access point for the connection.
Go to step 7 in Wi-Fi Connection without Using Bluetooth.
[ Remote control (EOS Utility)]
Go to step 7 or 8 in Steps on the computer (2).
[ Print from Wi-Fi printer]
Go to step 6 in Connecting to a Printer via Wi-Fi.
Register image.canon.
Go to step 5 in Connecting to image.canon.
738
Camera Access Point Mode
Camera access point mode is a connection mode for connecting the camera directly to each
device via Wi-Fi. Displayed when [ ], [ ], or [ ] is selected after [ : Wi-Fi/Bluetooth
connection].
Easy connection
Use the other device to establish a Wi-Fi connection with the SSID shown on the
camera screen.
Manual connection
Enter the SSID of the other device to establish a connection. Follow the instructions on
the camera screen to complete the connection settings.
Caution
Some printers may not be able to connect when the camera is used as an access
point.
If connection in camera access point mode is not possible, you may be able to
establish a connection as follows.
• Establish a Wi-Fi connection via an access point
• Start access point mode on the printer
739
Manual IP Address Setup
The options displayed vary depending on the Wi-Fi function.
1. Select [Manual setting].
Select [OK].
Select an option to access the screen for numerical input.

To use a gateway, select [Enable], then select [Address].
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3. Enter the number.
Turn the < > dial to move the input position in the upper area, and
use the < >< > keys to select numbers to enter. Press the < >
button to enter the selected number.
To delete the number just entered, press the < > button.
Select [OK] after the numbers have been entered. Display returns to
the screen in step 2.
4. Select [OK].
When you have completed setting the necessary items, select [OK].
If you are not sure what to enter, see Checking Network Settings, or
ask the network administrator or another person knowledgeable about
the network.
741
Connecting to a Wireless Remote Control
This camera can also be connected to Wireless Remote Control BR-E1 (sold separately, )
via Bluetooth for remote control shooting.
2. Select [ Connect to Wireless Remote].
742
5. Pair the devices.
When the [Pairing] screen appears, press and hold the <W> and <T>
buttons on the BR-E1 simultaneously for at least 3 sec.
After a message confirms that the camera is paired with the BR-E1,
6. Set up the camera for remote shooting.
When shooting still photos, select [ ] or [ ] as the drive mode ( ).
For movie recording, set [ : Remote control] to [Enable].
For instructions after the pairing is complete, refer to the BR-E1's

Instruction Manual.
Caution
Bluetooth connections consume battery power even after the camera's auto power
off is activated.
743
Note
When you will not use Bluetooth, setting [Bluetooth settings] to [Disable] is
recommended ( ).
744
Before pairing with a different BR-E1, clear the information about the connected remote
control.
2. Select [ Connect to Wireless Remote].
3. Select [Delete connection information].
745
4. Select [OK].
746
Reconnecting via Wi-Fi/Bluetooth
Follow these steps to reconnect to devices or Web services with registered connection
settings.
Select an option to connect to via Wi-Fi or Bluetooth from the past

connections listed. If the option is not listed, turn the < > dial to
switch screens.
The history is not displayed when [Connection history] is set to [Hide]
( ).
747
3. Operate the connected device.
[ ] Smartphone
Start Camera Connect.
If the smartphone's connection destination has been changed, restore

the setting to connect via Wi-Fi to the camera or the same access point
as the camera.
When directly connecting the camera to a smartphone via Wi-Fi,
“_Canon0A” is displayed at the end of the SSID.
[ ] Computer
On the computer, start the EOS software.
If the computer's connection destination has been changed, restore the

setting to connect via Wi-Fi to the camera or the same access point as
the camera.
When directly connecting the camera to a computer via Wi-Fi,
[ ] Printer
If the printer's connection destination has been changed, restore the

setting to connect via Wi-Fi to the camera or the same access point as
the camera.
When directly connecting the camera to a printer via Wi-Fi,
748
Registering Multiple Connection Settings
You can register up to 10 connection settings for the wireless communication functions.
screens.
For details on [ Connect to smartphone], see Connecting to a
Smartphone.
For details on [ Remote control (EOS Utility)], see Connecting to a
Computer via Wi-Fi.
For details on [ Print from Wi-Fi printer], see Connecting to a
Printer via Wi-Fi.
When sending images to a Web service, see Sending Images to a Web
Service.
Note
To delete connection settings, see Changing or Deleting Connection Settings.
749
Airplane Mode
You can temporarily disable Wi-Fi and Bluetooth functions.
1. Select [ : Airplane mode].
2. Set to [On].
[ ] is displayed on the screen.
Note
[ ] may not be displayed in still photo shooting, movie recording, or playback,

depending on display settings. If it is not displayed, press the < > button
repeatedly to access detailed information display.
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Wi-Fi Settings
1. Select [ : Wi-Fi settings].
Wi-Fi
When the use of electronic devices and wireless devices is prohibited, such as on board
airplanes or in hospitals, set it to [Disable].
Connection history
You can set the connection history for devices connected via Wi-Fi to [Show] or [Do not
display].
Send to smartphone after shot

Images can be transferred to a smartphone automatically ( ).
MAC address
You can check the MAC address of the camera.
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Bluetooth Settings
1. Select [ : Bluetooth settings].
Bluetooth
If you will not use the Bluetooth function, select [Disable].
Check connection information

You can check the name and communication status of the paired device.
Bluetooth address
You can check the camera's Bluetooth address.
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Nickname
You can change the camera nickname (displayed on smartphones and other cameras) as
needed.
1. Select [ : Nickname].
2. Enter text using the Virtual Keyboard Operations.
When you finish entering characters, press the < > button.
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GPS Device Settings
GP-E2
Smartphone
GPS Connection Display
You can geotag images with GPS Receiver GP-E2 (sold separately) or a Bluetooth-
compatible smartphone.
GP-E2
1. Attach GP-E2 to the camera.
Attach GP-E2 to the camera's hot shoe and turn it on. For details, refer
to the GP-E2 Instruction Manual.
2. Select [ : GPS device settings].
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3. In [Select GPS device], select [GPS receiver].
For details on [Set up], refer to the GP-E2 Instruction Manual.
Caution
Precautions when using GP-E2

Before use, check the countries and regions where use of GPS is allowed, and
follow local regulations.
Update the GP-E2 firmware to Ver. 2.0.0 or later.
Firmware updating requires an interface cable. For updating instructions, visit the
Canon website.
GP-E2 cannot be connected to the camera with a cable.
The camera does not record the shooting direction.
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Smartphone
Complete these settings after installing the dedicated Camera Connect app ( ) on the
smartphone.
1. On the smartphone, activate location services.
2. Establish a Bluetooth connection.
Start Camera Connect and pair the camera and smartphone via
Bluetooth.
3. Select [ : GPS device settings].
4. In [Select GPS device], select [Smartphone].
Images are geotagged with the information from the smartphone.
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GPS Connection Display
You can check the status of smartphone location information acquisition in the GPS
connection icon on the screens for still photo shooting or movie recording ( and ,
respectively).
Gray: Location services are off

Blinking: Location information cannot be acquired
On: Location information acquired
For details on how GPS connection status is indicated when GP-E2 is used, refer to the
GP-E2 Instruction Manual.
Geotagging images as you shoot
Images you shoot while the GPS icon is on are geotagged.
Geotagging information
You can check the location information added to your shots on the shooting information
screen ( ).
(1) Latitude
(2) Longitude
(3) Elevation
(4) UTC (Coordinated Universal Time)
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Caution
The smartphone can acquire location information only while it is paired with the
camera via Bluetooth.
Direction information is not acquired.
Acquired location information may not be accurate, depending on traveling
conditions or smartphone status.
It may take some time to acquire location information from the smartphone after
you turn the camera on.
Location information is no longer acquired after any of the following operations.
• Pairing with a wireless remote control via Bluetooth
• Turning the camera off
• Quitting Camera Connect
• Deactivating location services on the smartphone
Location information is no longer acquired in any of the following situations.
• The camera power turns off
• The Bluetooth connection is ended
• The smartphone's remaining battery level is low
Note
Coordinated Universal Time, abbreviated as UTC, is essentially the same as

Greenwich Mean Time.
For movies, the GPS information initially acquired is added.
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Changing or Deleting Connection Settings
To change or delete the connection settings, terminate the Wi-Fi connection first.
screens.
759
You can change the Bluetooth connection by selecting a smartphone

labeled with [ ] in gray. After the [Connect to smartphone] screen is
displayed, select [Pair via Bluetooth], then press the < > button on
the next screen.
4. Select the device for which to change or delete the connection

settings.
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Change or delete the connection settings on the displayed screen.
Change device nickname

You can change the nickname using the virtual keyboard ( ).
Viewable imgs ( )
Displayed when [ Connect to smartphone] is selected. Settings will
appear at the bottom of the screen.
Delete connection information

When deleting connection information for a paired smartphone, also
delete the camera information registered on the smartphone ( ).
Note
To delete image.canon connection settings, visit the image.canon website.
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Resetting Communication Settings
All wireless communication settings can be deleted. By deleting the wireless communication
settings, you can prevent their information from being exposed when you lend or give your
camera to other people.
1. Select [ : Reset communication settings].
2. Select [OK].
Caution
If you have paired the camera with a smartphone, on the smartphone's Bluetooth
settings screen, delete the connection information of the camera for which you
restored default wireless communication settings.
Note
All wireless communication settings can be cleared by selecting the

[Communication settings] option for [Other settings] in [ : Reset camera].
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View Info Screen
You can check error details and the camera's MAC address.
The [View info] screen appears.
If an error has occurred, press the < > button to display error details.
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Virtual Keyboard Operations
(1) Input area, for entering text

(2) Cursor keys, for moving in the input area
(3) Current no. of characters/no. available
(4) Keyboard
(5) Switch input modes
(6) Space
(7) Delete a character in the input area
(8) Exit input
Use the < > dial to move within (1).

Use < >, the < > dial, or < > to move within (2) and (4)–(7).
Press the < > button to confirm input or when switching input modes.
764
Responding to Error Messages
When an error occurs, display the details of the error by following one of the procedures
below. Then, eliminate the cause of the error by referring to the examples shown in this
chapter.
On the [View info] screen, press the < > button.

Select [Error details] on the [Wi-Fi on] screen.
Click the following error numbers to jump to the corresponding section.
11 12
21 22 23
61 64 65
91
121 125 127
130 131 133 134 135 136 137 138
141 142
Note
When an error occurs, [Err**] is displayed in the upper right of the [Wi-Fi/
Bluetooth connection] screen. It disappears when the camera's power is set to
< >.
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11: Connection target not found
In the case of [ ], is Camera Connect running?

• Establish a connection using Camera Connect ( ).
In the case of [ ], is EOS Utility running?

• Start EOS Utility and try to connect again ( ).
Are the camera and the access point set to use the same encryption key for
authentication?
• This error occurs if the encryption keys do not match when the authentication
method for encryption is [Open system].
Check upper- and lower-case letters, and make sure the correct encryption key for
authentication is set on the camera ( ).
12: Connection target not found
Are the target device and access point turned on?

• Turn on the target device and access point, then wait a while. If a connection still
cannot be established, perform the procedures to establish the connection again.
21: No address assigned by DHCP server
What to check on the camera
On the camera, the IP address is set to [Auto setting]. Is this the correct setting?
• If no DHCP server is used, configure the setting after setting the IP address to
[Manual setting] on the camera ( ).
What to check on the DHCP server
Is the power of the DHCP server on?

• Turn on the DHCP server.
Are there enough addresses for assignment by the DHCP server?

• Increase the number of addresses assigned by the DHCP server.
• Remove devices assigned addresses by the DHCP server from the network to
reduce the number of addresses in use.
Is the DHCP server working correctly?

• Check the DHCP server settings to make sure it is working correctly as a DHCP
server.
• If applicable, ask your network administrator to ensure the DHCP server is available.
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22: No response from DNS server
On the camera, the DNS address is set to [Manual setting]. Is this the correct
setting?
• If no DNS server is used, set the camera's DNS address setting to [Disable] ( ).
On the camera, does the DNS server's IP address setting match the server's
actual address?
• Configure the IP address on the camera to match the actual DNS server address
( , ).
What to check on the DNS server
Is the power of the DNS server on?

• Turn the DNS server on.
Are the DNS server settings for IP addresses and the corresponding names
correct?
• On the DNS server, make sure IP addresses and the corresponding names are
entered correctly.
Is the DNS server working correctly?

• Check the DNS server settings to make sure the server is working correctly as a
DNS server.
• If applicable, ask your network administrator to ensure the DNS server is available.
What to check on the network as a whole
Does your network include a router or similar device that serves as a gateway?
• If applicable, ask your network administrator for the network gateway address and
set it on the camera ( , ).
• Make sure that the gateway address setting is correctly entered on all network
devices including the camera.
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23: Device with same IP address exists on selected network
Is another device on the camera network using the same IP address as the
camera?
• Change the camera's IP address to avoid using the same address as another
device on the network. Otherwise, change the IP address of the device that has a
duplicate address.
• If the camera's IP address is set to [Manual setting] in network environments using
a DHCP server, change the setting to [Auto setting] ( ).
Note
Responding to error messages 21–23

Also check the following points when responding to errors numbered 21–23.
Are the camera and the access point set to use the same password for
authentication?
• This error occurs if the passwords do not match when the authentication
method for encryption is set to [Open system]. Check upper- and lower-case
letters, and make sure the correct password for authentication is set on the
camera ( ).
61: Selected SSID wireless LAN network not found
Are any obstacles blocking the line of sight between the camera and the antenna
of the access point?
• Move the antenna of the access point to a position clearly visible from the point of
view of the camera.
Does the SSID set on the camera match that of the access point?
• Check the SSID at the access point, then set the same SSID on the camera ( ).
What to check at the access point
Is the access point turned on?

• Turn on the power of the access point.
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera used to the access point ( ).
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64: Cannot connect to wireless LAN terminal
Are the camera and the access point set to use the same encryption method?
• The camera supports the following encryption methods: WEP, TKIP, and AES ( ).
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera used to the access point. The MAC
address can be checked on the [MAC address] screen ( ).
65: Wireless LAN connection lost
Are any obstacles blocking the line of sight between the camera and the antenna
of the access point?
• Move the antenna of the access point to a position clearly visible from the point of
view of the camera.
The wireless LAN connection was lost, for some reason, and the connection
cannot be restored.
• The following are possible reasons: excessive access to the access point from
another device, a microwave oven or similar appliance in use nearby (interfering
with IEEE 802.11b/g/n (2.4 GHz band)), or influence of rain or high humidity.
91: Other error
A problem other than error code number 11 to 83 occurred.

• Turn the camera's power switch off and on.
121: Not enough free space on server
The target Web server does not have enough free space.
• Delete unnecessary images on the Web server, check the free space on the Web
server, then try sending the data again.
125: Check the network settings
Is the network connected?

• Check the connection status of the network.
127: An error has occurred
A problem other than error code number 121 to 126 occurred while the camera is
connected to the Web service.
• Try again to establish the Wi-Fi connection to image.canon.
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130: The server is currently busy
Please wait a moment and try again
The image.canon site is busy at the moment.

• Try accessing image.canon over Wi-Fi again later.
131: Try again
An error occurred when connecting to image.canon over Wi-Fi.

• Try again to establish the Wi-Fi connection to image.canon.
133: Cannot log in to Web service
An error occurred when signing in to image.canon.

• Check the image.canon settings.
• Try accessing image.canon over Wi-Fi again later.
134: Set the correct date and time
The date, time, and time zone settings are incorrect.

• Check the [ : Date/Time/Zone] settings.
135: Web service settings have been changed
The settings for image.canon were changed.

• Check the image.canon settings.
136: The QR code shown on the camera was not scanned correctly
by the dedicated app. Try camera web link setup again.
The QR code was not scanned correctly by the smartphone.

• Reconfigure camera web link settings and scan the QR code displayed again on the
camera.
137: The QR code shown on the camera has expired. Try camera web
link setup again.
The QR code displayed has expired.

• Reconfigure camera web link settings and scan the QR code displayed again on the
camera.
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138: Communication error with server. Please send again.
Could not connect to the server for some reason.

• Check the status of cloud RAW image processing online at image.canon and try
uploading the images again.
141: Printer is busy. Try connecting again.
Is the printer performing a printing process?

• Try again to establish the Wi-Fi connection to the printer after the printing process is
finished.
Is another camera connected to the printer via Wi-Fi?

• Try again to establish the Wi-Fi connection to the printer after the Wi-Fi connection
to the other camera has been terminated.
142: Could not acquire printer information. Reconnect to try again.
Is the power of the printer on?

• Try again to establish the Wi-Fi connection after turning on the printer.
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Wireless Communication Function Precautions
Distance between the camera and the smartphone
Installation location of access point antenna
Nearby electronic devices
Precautions for using multiple cameras
If the transmission rate drops, the connection is lost, or other problems occur when using the
wireless communication functions, try the following corrective actions.
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Distance between the camera and the smartphone
If the camera is too far from the smartphone, a Wi-Fi connection may not be established
even when Bluetooth connection is possible. In this case, bring the camera and the
smartphone closer together, then establish a Wi-Fi connection.
Installation location of access point antenna
When using indoors, install the device in the room where you are using the camera.
Install the device where people or objects do not come between the device and the
camera.
Nearby electronic devices
If the Wi-Fi transmission rate drops because of the influence of the following electronic
devices, stop using them or move further away from the devices to transmit communication.
The camera communicates over Wi-Fi via IEEE 802.11b/g/n using radio waves in the
2.4 GHz band. For this reason, the Wi-Fi transmission rate will drop if there are
Bluetooth devices, microwave ovens, cordless telephones, microphones, smartphones,
other cameras, or similar devices operating on the same frequency band nearby.
Precautions for using multiple cameras
When connecting multiple cameras to one access point via Wi-Fi, make sure the
cameras' IP addresses are different.
When multiple cameras are connected to one access point via Wi-Fi, the transmission
rate drops.
When there are multiple IEEE 802.11b/g/n (2.4 GHz band) access points, leave a gap of
five channels between each Wi-Fi channel to reduce radio wave interference. For
example, use channels 1, 6, and 11, channels 2 and 7, or channels 3 and 8.
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Security
If security settings have not been properly set, the following problems may occur.
Transmission monitoring
Third parties with malicious intent may monitor wireless LAN transmissions and attempt
to acquire the data you are sending.
Unauthorized network access
Third parties with malicious intent may gain unauthorized access to the network you are
using to steal, modify, or destroy information. Additionally, you could fall victim to other
types of unauthorized access such as impersonation (where someone assumes an
identity to gain access to unauthorized information) or springboard attacks (where
someone gains unauthorized access to your network as a springboard to cover their
tracks when infiltrating other systems).
It is recommended to make use of the systems and functions to thoroughly secure your
network, preventing these types of problems from occurring.
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Checking Network Settings
Windows
Open the Windows [Command Prompt], then enter ipconfig/all and press the <Enter> key.
In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS
server information are also displayed.
macOS
In macOS, open the [Terminal] application, enter ifconfig -a, and press the <Return> key.
The IP address assigned to the computer is indicated in the [enX] item (X: number) next to
[inet], in the format “***.***.***.***”.
For information about the [Terminal] application, refer to the macOS help.
To avoid using the same IP address for the computer and other devices on the network,
change the rightmost number when configuring the IP address assigned to the camera in
the processes described in Manual IP Address Setup.
Example: 192.168.1.10
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Wireless Communication Status
Wireless communication status can be checked on the screen.
Quick Control screen
Information display screen during playback
(1) Wi-Fi function

(2) Bluetooth function
(3) Wireless signal strength
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Screen
Communication Status
Wi-Fi Function Wireless Signal Strength
Wi-Fi: Disable
Not connected Off
Wi-Fi: Enable
Connecting (Blinking)
Connected
Sending data
Connection error (Blinking)
Bluetooth Function Indicator
Bluetooth Function Connection Status Screen
Bluetooth connected
Other than [Disable]
Bluetooth not connected
[Disable] Bluetooth not connected Not displayed
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Set-up
This chapter describes menu settings on the set-up [ ] tab.

< >, or < > mode.
• Tab Menus: Set-up

• Selecting Cards for Recording/Playback
• Folder Settings
• File Numbering
• File Naming
• Card Formatting
• Auto Rotate
• Adding Orientation Information to Movies
• Date/Time/Zone
• Language
• Video System
• Help
• Shooting Mode Guide
• Beeps
• Volume
• Headphones
• Power Saving
• Screen and Viewfinder Display
• Screen Brightness
• Viewfinder Brightness
• Screen and Viewfinder Color Tone
• Fine-Tuning Viewfinder Color Tone
• UI Magnification
• HDMI Resolution
• Touch Control
• Multi-Function Lock
• Focus Mode Switch (AF/MF)
• Shutter at Shutdown
• Sensor Cleaning
• App Selection for USB Connections
• Resetting the Camera
• Custom Shooting Mode (C1–C3)
• Battery Information
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• Copyright Information
• Other Information
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Tab Menus: Set-up
Set-up 1
(1) Record func+card/folder sel.

• Selecting Cards for Recording/Playback
• Creating a Folder
(2) File numbering
(3) File name
(4) Format card
(5) Auto rotate
(6) Add rotate info
(7) Date/Time/Zone
Set-up 2
(1) Language
(2) Video system
(3) Help text size
(4) Mode guide
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Set-up 3
(1) Beep
(2) Volume
(3) Headphones
(4) Power saving
Set-up 4
(1) Screen/viewfinder display

(2) Screen brightness
(3) Viewfinder brightness
(4) Screen/viewfinder color tone
(5) Fine-tune VF color tone
(6) UI magnification
(7) HDMI resolution
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Set-up 5
(1) Touch control

(2) Multi function lock
(3) switch (AF/MF)
(4) Shutter at shutdown
(5) Sensor cleaning
(6) Choose USB connection app
Set-up 6
(1) Reset camera

(2) Custom shooting mode (C1-C3)
(3) Battery info.
(4) Copyright information
(5) Manual/software URL
(6) Certification Logo Display
(7) Firmware
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Selecting Cards for Recording/Playback
Recording Method with Two Cards Inserted
Recording/Playback Selection with Two Cards Inserted
Recording is possible when card [ ] or [ ] is in the camera (except under some

conditions). With only one card inserted, there is no need to follow these steps.
With two cards inserted, you can select the recording method and card to use for recording
and playback as follows.
Recording Method with Two Cards Inserted
1. Select [ : Record func+card/folder sel.].
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2. Set the recording method.
/ separate
• Select [Enable] for automatic configuration of the recording method

for still photos and movies. Still photos are recorded to card [ ]
and movies to card [ ].
• Without card [ ] inserted, still photos can be captured but not

saved. Still photo shooting is not possible if the card is full.
• Movie recording is not possible if card [ ] is full or not inserted.
Caution
Specifying [Enable] will make [ Rec options], [ Rec

options], [ Record/play], and [ Record/play]
unavailable.
Note
When set to [Enable], card [ ] is used for playback if the

< > button is pressed in movie recording mode. Card [ ]
is used for playback if the < > button is pressed in still
photo shooting mode.
When [Enable] is set, consider setting [ : Release shutter

without card] to [Disable].
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Rec options
Set the recording method for still photos.
• Standard
Records still photos to the card selected in [ Record/play].
• Auto switch card

Same as [Standard], but additionally, the camera switches to the
other card when one card becomes full. At this time, a new folder is
created.
• Rec. separately
Enables you to set a specific image size for each card ( ). For
each shot, a still photo is recorded to card and in your
specified image quality.
Note that recording separately to and is not available
for RAW images.
• Rec. to multiple
For each shot, a still photo is recorded to card and in the
same image quality.
Caution
Maximum burst for [Rec. separately] is lower if you specify

different image sizes for cards and ( ).
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Note
Rec. separately/Rec. to multiple
Images are recorded with the same file number to card and
.
The number of shots available as shown in the viewfinder and

on the Quick Control screen is for the card with less free
space.
[Card* full] is displayed when one of the cards becomes full,

and shooting is no longer possible. To continue shooting,
either replace the card or set [ Rec options] to [Standard]
and select the card with free space.
See Folder Settings for details on [Folder] in [ : Record func

+card/folder sel.].
Rec options
Set the recording method for movies.
• Standard
Records movies to the card selected in [ Record/play].
• Auto switch card

Same as [Standard], but recording ends when the card becomes
full. When you resume recording, the camera switches to the other
card for recording. A new folder is created after switching cards.
• Rec. to multiple
For each recording, the same movie is recorded to card and .
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Note
Rec. to multiple
Images are recorded with the same file number to card and
.
The available recording time shown in the viewfinder and on

the Quick Control screen is for the card with less free space.
[Card* full] is displayed when one of the cards becomes full,

and shooting is no longer possible. To continue shooting,
either replace the card or set [ Rec options] to [Standard]
and select the card with free space.
See Folder Settings for details on [Folder] in [ : Record func

+card/folder sel.].
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Recording/Playback Selection with Two Cards Inserted
With [ Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select
the card for recording and playback.
With [ Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ Rec
options] set to [Rec. to multiple], select the card for playback.
Setting via the menu
Standard/Auto switch card
Select [Record/play].
• Select [ Record/play] for still photos or [ Record/play] for movies.
: Use card 1 for recording and playback
: Use card 2 for recording and playback
Rec. separately/Rec. to multiple
Select [Play].
• Select [ Play] for still photos or [ Play] for movies.
• Pressing the < > button in still photo shooting mode plays images from the card
selected in [ Play].
• Pressing the < > button in movie recording mode plays images from the card
selected in [ Play].
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Note
With [Priority: ] set, the camera switches to the priority card when cards are
inserted or removed.
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Folder Settings
Creating a Folder
Renaming Folders
Selecting a Folder
You can freely create and select the folder where the captured images are to be saved. You
can also rename folders.
Creating a Folder
1. Select [ : Record func+card/folder sel.].
2. Select [Folder].
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3. Select [Create folder].
4. Select [OK].
To rename the folder, select [Change folder name].
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Renaming Folders
1. Enter letters and numbers of your choice.
You can enter five characters.

By selecting [ ], you can change the input mode.
To delete single characters, select [ ] or press the < > button.
Use the < > dial or < > to select a character, then press the
< > button to enter it.
Press the < > button, then press [OK].
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Selecting a Folder
(1) Number of images in folder

(2) Lowest file number
(3) Folder name
(4) Highest file number
Select a folder on the folder selection screen.

Captured images are stored in your selected folder.
Note
Folders
Folders are named as in “100CANON,” with a three-digit folder number followed by
five letters or numbers. A folder can contain up to 9999 images (file number 0001–
9999). When a folder becomes full, a new folder with the folder number increased
by one is created automatically. Also, if manual reset ( ) is executed, a new folder
will be created automatically. Folders numbered from 100 to 999 can be created.
Creating folders with a computer

With the card open on the screen, create a new folder with “DCIM” as the name.
Open the DCIM folder and create as many folders as necessary to save and
organize your images. “100ABC_D” is the required format for folder names, and
the first three digits must be a folder number in the range 100–999. The last five
characters can be any combination of upper- and lower-case letters from A to Z,
numerals, and the underscore “_”. The space cannot be used. Also note that two
folder names cannot share the same three-digit folder number (for example,
“100ABC_D” and “100W_XYZ”) even if the remaining five characters in each name
are different.
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File Numbering
Continuous
Auto Reset
Manual Reset
The captured images saved in a folder are assigned a file number from 0001 to 9999. You
can change how the image files are numbered.
(Example)
(1) File number
1. Select [ : File numbering].
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2. Set the item.
Select [Numbering].
Select [Continuous] or [Auto reset].
If you want to reset the file numbering, select [Manual reset] ( ).
Select [OK] to create a new folder, and the file number will start with
0001.
Caution
If the file number in folder 999 reaches 9999, shooting will not be possible even if
the card still has free space. After a message requesting you to replace the card is
displayed, switch to a new card.
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Continuous
For continuous file numbering regardless of switching cards or

creating folders
File numbering is continuous up to 9999, even if you replace a card, create a folder, or
switch the target card (as in → ). This is useful when you want to save images
numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one
folder on a computer.
Note that file numbering may continue from any existing images in cards or folders that you
switch to. If you want to use continuous file numbering, it is recommended that you use a
newly formatted card each time.
File numbering after replacing cards or switching target cards

Card A ( )
Card B ( )
(1) Next sequential file number
File numbering after creating a folder

Card A
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Auto Reset
For restarting file numbering from 0001 after switching cards or

creating folders
File numbering is reset to 0001 if you replace a card, create a folder, or switch the target
card (as in → ). This is useful if you want to organize images by cards or folders.
Note that file numbering may continue from any existing images in cards or folders that you
switch to. If you want to save images with the file numbering starting from 0001, use a newly
formatted card each time.
File numbering after replacing cards or switching target cards

Card A ( )
Card B ( )
(1) File numbering is reset
File numbering after creating a folder

Card A
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Manual Reset
For resetting file numbering to 0001 or starting from 0001 in new

folders
When you reset the file numbering manually, a new folder is created automatically and the
file numbering of images saved to that folder starts from 0001.
This is useful, for example, if you want to use different folders for the images taken
yesterday and the ones taken today.
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File Naming
Registering/Changing File Names
File names consist of four alphanumeric characters followed by a four-digit file number ( )
and file extension. You can change the first four alphanumeric characters, which by default
are unique for each camera and set when the camera is shipped.
User setting 1 enables you to register four characters of your choice. User setting 2 adds
three initial, registered characters of your choice to a fourth character representing the
image size that is added automatically after you shoot.
(Example)
Registering/Changing File Names
1. Select [ : File name].
2. Select [Change User setting*].
799
3. Enter letters and numbers of your choice.
Enter four characters for User setting 1 or three for User setting 2.
800
5. Select a registered file name.
Select [File name], then choose a registered file name.
Caution
An underscore (“_”) cannot be used as the first character.
Note
User setting 2
Shooting after you have selected “*** + image size” (as registered to User setting 2)
will add a character representing the current image size to your file name as the
fourth character. Meanings of added characters are as follows.
“***L”: , , , or
“***M”: or
“***S”: or
“***T”:
“***C”:
The automatically added fourth character enables you to determine image sizes
without opening the files after transferring them to a computer. Based on file
extensions, you can also distinguish RAW, JPEG, and HEIF images.
Movies recorded with User setting 2 are named with the fourth character as an
underscore.
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Card Formatting
If the card is new or was previously formatted (initialized) by another camera or computer,
format the card with this camera.
Caution
When the card is formatted, all images and data on the card will be erased.
Even protected images will be erased, so make sure there is nothing you
need to keep. If necessary, transfer the images and data to a computer, etc.
before formatting the card.
1. Select [ : Format card].
2. Select a card.
[ ] represents card 1, and [ ], card 2.

Select the card.
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3. Format the card.
Select [OK].
For low-level formatting, press the < > button to add a checkmark
[ ] to [Low level format], then select [OK].
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Conditions requiring card formatting
The card is new.

The card was formatted by a different camera or a computer.
The card is full of images or data.
A card-related error is displayed ( ).
Low-level formatting
Perform low-level formatting if the card's writing or reading speed seems slow or if you
want to totally erase the data on the card.
Since low-level formatting will format all recordable sectors on the card, the formatting
will take longer than normal formatting.
During low-level formatting, you can cancel formatting by selecting [Cancel]. Even in
this case, normal formatting will already be complete and you can use the card as usual.
Card file formats
SD/SDHC cards will be formatted in FAT. SDXC cards will be formatted in exFAT.
Individual movies recorded to exFAT-formatted cards are recorded as a single file
(without splitting them into multiple files) even if they exceed 4 GB, so the resulting
movie file will exceed 4 GB.
Caution
It may not be possible to use SDXC cards formatted with this camera in other
cameras. Also note that exFAT-formatted cards may not be recognized by some
computer operating systems or card readers.
Formatting or erasing data on a card does not completely erase the data. Be aware
of this when selling or discarding the card. When disposing of cards, take steps to
protect personal information if necessary, as by physically destroying cards.
Note
The card capacity displayed on the card format screen may be smaller than the
capacity indicated on the card.
This device incorporates exFAT technology licensed from Microsoft.
804
Auto Rotate
You can change the auto rotation setting that straightens images shot in vertical orientation
when they are displayed.
1. Select [ : Auto rotate].
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On
Automatically rotates images for display on both the camera and
computers.
On
Automatically rotates images only for display on computers.
Off
Images are not automatically rotated.
Caution
Images captured with auto rotation set to [Off] will not rotate during playback even
if you later set auto rotation to [On].
Note
If a picture is taken while the camera is aimed up or down, automatic rotation to the
proper orientation for viewing may not be performed correctly.
If images are not rotated automatically on a computer, try using EOS software.
806
Adding Orientation Information to Movies
For movies recorded with the camera held vertically, orientation information indicating which
side is up can be added automatically to enable playback in the same orientation on
smartphones or other devices.
1. Select [ : Add rotate info].
Enable
Play movies on smartphones or other devices in the orientation in
which they were recorded.
Disable
Play movies horizontally on smartphones or other devices, regardless
of the recording orientation.
Caution
Movies are played horizontally on the camera and via HDMI video output,
regardless of this setting.
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Date/Time/Zone
When you turn on the power for the first time or if the date/time/zone have been reset, follow
these steps to set the time zone first.
By setting the time zone first, you can simply adjust this setting as needed in the future and
the date/time will be updated to match it.
Since the captured images will be appended with the shooting date and time information, be
sure to set your date/time.
1. Select [ : Date/Time/Zone].
2. Set the time zone.
Turn the < > dial to select [Time zone].
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Select the time zone.
If your time zone is not listed, press the < > button, then set the
difference from UTC in [Time difference].
Select a [Time difference] option (+–/hour/minute), then press the

< > button.
After setting the item, press the < > button.
After entering the time zone or time difference, select [OK].
3. Set the date and time.
Select an item, then press the < > button.

After setting the item, press the < > button.
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4. Set daylight saving time.
Set it as necessary.
Select [ ] or [ ], then press the < > button.
When the daylight saving time is set to [ ], the time set in step 3 will
advance by 1 hour. If [ ] is set, the daylight saving time will be
canceled and the time will go back by 1 hour.
Select [OK].
Caution
The date, time, and time zone settings may be reset when the camera is stored
without the battery, when the battery is exhausted, or when it is exposed to freezing
temperatures for an extended period. If this happens, set them once again.
After changing [Zone/Time difference], check that the correct date/time are set.
Note
Auto power off time may be extended while the [ : Date/Time/Zone] screen is
displayed.
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Language
1. Select [ : Language ].
2. Set the desired language.
811
Video System
Set the video system of any television used for display. This setting determines the frame
rates available when you record movies.
1. Select [ : Video system].
For NTSC
For areas where the TV system is NTSC (North America, Japan, South
Korea, Mexico, etc.).
For PAL
For areas where the TV system is PAL (Europe, Russia, China,
Australia, etc.).
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Help
Changing the Help Text Size
When [ Help] is displayed, you can display a description of the feature by pressing the
< > button. Press it again to exit Help display. To scroll the screen when a scrollbar (1)
appears on the right, turn the < > dial.
Example: [ : Bracketing auto cancel]
< >
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Example: [ : Multi function lock]
< >
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Changing the Help Text Size
1. Select [ : Help text size].
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Shooting Mode Guide
A brief description of the shooting mode can be displayed when you switch shooting modes.
The default setting is [Enable].
1. Select [ : Mode guide].
2. Select [Enable].
3. Turn the Mode dial.
A description of the selected shooting mode will appear.
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4. Press the < > key.
The rest of the description will appear.

To clear the mode guide, press the < > button.
In < >/< > mode, you can display the shooting mode
selection screen.
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Beeps
1. Select [ : Beep].
Enable
The camera beeps after focusing and in response to touch operations.
Disable
Disables beeping for focusing, self-timer, shutter, and touch operations.
Note
By default, beeping volume for touch operations is set to [0] ( ).
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Volume
The volume of camera sounds is adjustable.
1. Select [ : Volume].
2. Set the option.
Select an option, then turn the < > dial to adjust the volume.
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Headphones
Volume
Audio Monitoring
Volume
1. Select [ : Headphones].
2. Select [Volume].
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3. Adjust the volume.
Turn the < > dial to adjust the volume, then press the < > button.
Note
You can check sound from the built-in microphone or an external microphone on
headphones when [ : Sound recording] is set to an option other than [Disable]
and [High Frame Rate] is set to [Off].
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Audio Monitoring
You can choose the audio during movie recording that is used for headphone output. To
reduce noise in audio recording, configure [Audio noise reduc.] ( ).
1. Select [Audio monitoring].
Real-time audio (without NR)

Audio output without noise reduction.
Recorded audio (NR applied)

Audio output with noise reduction.
Caution
Selecting [Recorded audio (NR applied)] results in audio output that is slightly out
of sync with video. Audio in recorded movies is not delayed.
822
Power Saving
You can adjust the timing of when the screen dims and then turns off, when the camera
turns off, and when the viewfinder turns off after the camera is left idle (Screen dimmer,
Screen off, Auto power off, and Viewfinder off).
1. Select [ : Power saving].
823
Note
[Screen dimmer] and [Screen off] apply while the shooting screen is displayed.
These settings do not apply during menu display or image playback.
The camera turns off during menu display or image playback after the time set in
[Screen dimmer], [Screen off], and [Auto power off] elapses.
To protect the screen, the screen turns off 30 min. after it is dimmed (although the
camera itself remains on), even if [Screen off] and [Auto power off] are set to
[Disable].
[Viewfinder off] also applies while the screen is still on. After this time elapses, the
viewfinder sensor is deactivated.
Only [Viewfinder off] applies during viewfinder display. After this time elapses, the
viewfinder sensor is deactivated and the viewfinder turns off.
Images on the screen are displayed at a lower frame rate after the screen dims
during still photo shooting standby.
824
Screen and Viewfinder Display
You can specify to use the screen or viewfinder for display, to avoid accidentally activating
the viewfinder sensor when the screen is open.
1. Select [ : Screen/viewfinder display].
AUTO1: Auto 1 ( : only screen)

Always use the screen for display when it is open.
Use the screen for display when it is closed and facing you, and switch
to the viewfinder when you look through it.
AUTO2: Auto 2 ( : auto switching)
Use the screen for display when it is closed and facing you, and switch
to viewfinder display when you look through the viewfinder.
: Viewfinder
Always use the viewfinder for display.
: Screen
Always use the screen for display when it is open.
825
Note
You can also switch between viewfinder and screen display by pressing a button
you have customized by assigning to switching. With this setting set to [AUTO1] or
[AUTO2], the camera responds to the viewfinder sensor accordingly.
With [AUTO1] set, the camera does not respond to the viewfinder sensor when the
screen is open.
826
Screen Brightness
1. Select [ : Screen brightness].
Referring to the gray image, turn the < > dial to adjust brightness,
then press the < > button. Check the effect on the screen.
Note
To check the image's exposure, referring to the histogram is recommended ( ).
827
Viewfinder Brightness
1. Select [ : Viewfinder brightness].
2. Turn the < > dial and select either [Auto] or [Manual].
Auto
Press the < > button. Check the effect in the viewfinder while
shooting.
Manual
Turn the < > dial to adjust viewfinder brightness, then press the
< > button. Check the effect in the viewfinder.
828
Screen and Viewfinder Color Tone
1. Select [ : Screen/viewfinder color tone].
Turn the < > dial to select an item, then press the < > button.
829
Fine-Tuning Viewfinder Color Tone
1. Select [ : Fine-tune VF color tone].
Referring to the gray image, use < > for adjustment, then press the
< > button. Check the effect in the viewfinder.
830
UI Magnification
You can magnify menu screens by double-tapping with two fingers. Double-tap again to
restore the original display size.
1. Select [ : UI magnification].
2. Select [Enable].
Caution
Use camera controls when configuring menu functions with the display magnified.
Touch-screen operations are not supported.
831
HDMI Resolution
Set the image output resolution used when the camera is connected to a television or
external recording device with an HDMI cable.
1. Select [ : HDMI resolution].
Auto
The images will automatically be displayed at the optimum resolution
matching the connected television.
1080p
Output at 1080p resolution. Select if you prefer to avoid display or
delay issues when the camera switches resolution.
832
Touch Control
1. Select [ : Touch control].
[Sensitive] makes the touch-screen panel more responsive than

[Standard].
To disable touch operations, select [Disable].
Caution
Precautions for touch-screen panel operations

Do not use sharp objects such as fingernails or ballpoint pens for touch operations.
Do not use wet fingers for touch operations. If the screen has any moisture or if
your fingers are wet, the touch-screen panel may not respond or malfunction may
occur. In this case, turn off the power and wipe off the moisture with a cloth.
Attaching a commercially available protective sheet or a sticker on the screen may
impair responsiveness to touch operations.
The camera may not respond as well if you quickly perform touch operation when
[Sensitive] is set.
833
Multi-Function Lock
Specify camera controls to lock when the Multi-function lock is enabled. This can help
prevent accidentally changing settings.
1. Select [ : Multi function lock].
2. Select camera controls to lock.
Press the < > button to add a checkmark [ ].

Select [OK].
Pressing the < > button locks the selected [ ] camera
controls.
Note
An asterisk “*” to the right of [ : Multi function lock] indicates that the default
setting has been modified.
834
Focus Mode Switch (AF/MF)
When an RF lens without a focus mode switch is attached, you can configure operation of
the camera's focus mode switch.
1. Select [ : switch (AF/MF)].
Enable
Enables the camera's focus mode switch.
Disable
Disables the camera's focus mode switch. In this case, set [AF] or [MF]
in [ : Focus mode] ( ). This can help prevent accidentally
changing settings.
835
Shutter at Shutdown
You can set whether to leave the shutter open or close it when the camera's power switch is
set to < >.
1. Select [ : Shutter at shutdown].
: Closed
Closes the shutter. Normally set to closed, to prevent dust from
adhering to the sensor when you switch lenses.
: Open
Leaves the shutter open. This keeps camera quieter when the power
switch is set to < > or < >. Useful when you want to shoot
quietly.
Note
Regardless of the setting, the shutter remains as it is when auto power off is
activated.
836
Sensor Cleaning
Cleaning Now
Cleaning Automatically
Cleaning Manually
The camera's sensor cleaning feature cleans the front of the image sensor.
Note
For best results, clean with the camera in a stable position on a desk or other flat
surface.
Cleaning Now
1. Select [ : Sensor cleaning].
837
2. Select [Clean now ].
Select [OK] on the confirmation screen.
Note
Even if you repeat the sensor cleaning, the result will not improve much. Note that
[Clean now ] may not be available immediately after cleaning.
838
Cleaning Automatically
1. Select [Auto cleaning ].
Turn the < > dial to select an option, then press the < > button.
Note
When set to [At pwr off] or [Enable], the sensor is cleaned when the screen goes
off, including when it has been turned off automatically.
839
Cleaning Manually
Dust that could not be removed by automatic cleaning can be removed manually with a
commercially available blower or similar tool.
Always use a fully charged battery.
The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it
done by a Canon Service Center is recommended.
1. Select [Clean manually].
2. Select [OK].
3. Remove the lens and clean the sensor.
840
4. End the cleaning.
Note
Using the household power outlet accessories (sold separately) is recommended.
Caution
While cleaning the sensor, never do any of the following. If the power is cut
off, the shutter will close. These may result in damaging the image sensor
and shutter curtains.
• Setting the power switch to < >.
• Removing or inserting the battery.
The surface of the image sensor is extremely delicate. Clean the sensor with care.
Use a plain blower without any brush attached. A brush can scratch the sensor.
Do not insert the blower tip inside the camera beyond the lens mount. If the power
is turned off, the shutter will close and the shutter curtains may get damaged.
Never use pressurized air or gas to clean the sensor. Pressurized air may damage
the sensor, and sprayed gas may freeze on the sensor and scratch it.
If the battery level becomes low while cleaning the sensor, the beeper will sound as
a warning. Stop cleaning the sensor.
If a smudge that cannot be removed with a blower remains, having the sensor
cleaned by a Canon Service Center is recommended.
841
App Selection for USB Connections
By connecting the camera to a smartphone or computer with the interface cable, you can
transfer images or import images to the smartphone or computer.
1. Select [ : Choose USB connection app].
Photo Import/Remote Control

Select if you will use EOS Utility after connecting to a computer, or if
you will use dedicated Android apps or the iOS version of Photos.
Canon app(s) for iPhone

Select if you will use an iOS app.
Connecting the camera to a smartphone requires a cable for this
purpose.
842
Resetting the Camera
The camera's settings for shooting functions and menu functions can be restored to their
defaults.
1. Select [ : Reset camera].
Basic settings
Restores default settings for camera shooting functions and menu
settings.
Other settings
Settings for individual selected options can be reset.
3. Clear the settings.
843
Note
Still photo Custom shooting modes are reset when [Custom shooting mode (C1-
C3)] in [Other settings] is selected in still photo shooting mode, and movie Custom
shooting modes are reset when this option is selected in movie recording mode.
844
Custom Shooting Mode (C1–C3)
Automatic Update of Registered Settings
Canceling Registered Custom Shooting Modes
You can register current camera settings such as shooting, menu, and Custom Function
settings as Custom shooting modes assigned to < > to < > modes. You can register
different functions to use when shooting still photos or movies.
1. Select [ : Custom shooting mode (C1-C3)].
2. Select [Register settings].
845
3. Register the desired items.
Select the Custom shooting mode to register, then select [OK] on the
[Register settings] screen.
The current camera settings are registered to Custom shooting mode
C*.
Custom shooting mode icons change to [ ], [ ], and [ ] for
movie recording.
Automatic Update of Registered Settings
If you change a setting while shooting in Custom shooting mode, the mode can be
automatically updated with the new setting (Auto update). To enable this automatic update,
set [Auto update set.] to [Enable] in step 2.
846
Canceling Registered Custom Shooting Modes
If you select [Clear settings] in step 2, the settings of each mode can be restored to default
settings, as they were before registration.
Note
You can also change shooting and menu settings in Custom shooting modes.
847
Battery Information
Registering Batteries to the Camera
Labeling Batteries with Serial Numbers
Checking the Remaining Capacity of a Registered Battery Not in Use
Deleting the Registered Battery Information
You can check the conditions of the battery you are using. By registering multiple batteries
to the camera, you can check their approximate remaining capacity and usage history.
1. Select [ : Battery info.].
(1) Battery position

(2) Model of battery or household power source used.
(3) Battery level indicator ( ) with the remaining battery level, in 1%
increments.
(4) The number of shots taken with the current battery. The number is reset
when the battery is charged.
(5) State of battery recharge performance, in three levels.
(Green): Battery recharge performance is good.
(Green): Battery recharge performance is slightly degraded.
(Red): Purchasing a new battery is recommended.
848
Caution
Using a genuine Canon Battery Pack LP-E6NH/LP-E6N is recommended. If you

use batteries that are not genuine Canon products, the camera's full performance
may not be attained or malfunction may result.
Note
The shutter count is the number of still photos taken (not including movie
recording).
If a battery communication error message is displayed, follow the instructions in the
message.
849
Registering Batteries to the Camera
You can register up to six LP-E6NH/LP-E6N/LP-E6 battery packs to the camera. To register
multiple batteries to the camera, follow the procedure below for each battery.
With the battery info. screen displayed, press the < > button.
If the battery is not registered, it will be grayed out.
2. Select [Register].
850
3. Select [OK].
The battery is now displayed in white.
851
Labeling Batteries with Serial Numbers
It is convenient to label registered LP-E6NH/LP-E6N/LP-E6 battery packs with their serial

numbers, using commercially available labels.
1. On a label approx. 25×15 mm, write the serial number (1).
2. Apply the label.
Remove the battery from the camera.
Apply the label as shown in the illustration (on the side with no
electrical contacts).
Caution
Do not apply the label on any part other than as shown in the illustration in step 2.
Otherwise, the misplaced label may make it difficult to insert the battery or
impossible to turn on the power.
852
Checking the Remaining Capacity of a Registered Battery
Not in Use
You can check the remaining capacity of batteries not currently in use, as well as their last
date of use.
1. Find the matching serial number.
On the battery history screen, find the battery serial number (1)
matching the serial number that the battery is labeled with.
You can check the respective battery's approximate remaining capacity

(2) and the date when it was last used (3).
853
Deleting the Registered Battery Information
1. Select [Delete info.].
In Registering Batteries to the Camera, select [Delete info.] in step 2.
2. Select the battery information to delete.
[ ] is displayed.
854
Copyright Information
Checking the Copyright Information
Deleting the Copyright Information
When you set the copyright information, it will be recorded to the image as Exif information.
Caution
If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when
you select [Display copyright info.].
Note
You can also set or check copyright information with EOS Utility (EOS
software, ).
1. Select [ : Copyright information].
855
3. Enter text.
Checking the Copyright Information
When you select [Display copyright info.] in step 2, you can check the [Author] and
[Copyright] information that you entered.
856
Deleting the Copyright Information
When you select [Delete copyright information] in step 2, you can delete the [Author] and
[Copyright] information.
857
Other Information
Manual/software URL
To download instruction manuals, select [ : Manual/software URL] and scan the

displayed QR code with a smartphone. You can also use a computer to access the
website at the URL displayed and download software.
Certification Logo Display
Select [ : Certification Logo Display] to display some of the logos of the camera's
certifications. Other certification logos can be found on the camera body and packaging.
Firmware
Select [ : Firmware] to update the firmware of the camera, lens, or other compatible
accessories in use.
858
Custom Functions/My Menu
You can fine-tune camera functions and change the functionality of buttons and dials to suit
your shooting preferences. You can also add menu items and Custom Functions that you
adjust frequently to My Menu tabs.
• Tab Menus: Custom Functions

• Custom Function Setting Items
• Tab Menus: My Menu
• Registering My Menu
859
Tab Menus: Custom Functions
Custom Functions 1
(1) Exposure level increments

(2) ISO speed setting increments
(3) Speed from metering/ISO Auto
(4) Bracketing auto cancel
(5) Bracketing sequence
(6) Number of bracketed shots
(7) Safety shift
Custom Functions 2
(1) Same expo. for new aperture

(2) AE lock meter. mode after focus
(3) Set shutter speed range
(4) Set aperture range
860
Custom Functions 3
(1) direction to set Tv/Av

(2) direction to set Tv/Av
(3) Switch / when shooting
(4) Customize buttons
(5) Customize dials
(6) Clear customized settings
Custom Functions 4
(1) Add cropping information

(2) Audio compression
(3) Default Erase option
(4) Release shutter w/o lens
(5) Retract lens on power off
861
Custom Functions 5
(1) Clear all Custom Func. (C.Fn)

Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings.
862
Custom Function Setting Items
C.Fn1
C.Fn2
C.Fn3
C.Fn4
C.Fn5
You can customize camera features on the [ ] tab to suit your shooting preferences. Any
settings you change from default values are displayed in blue.
863
C.Fn1
Exposure level increments
Sets 1/2-stop increments for the shutter speed, aperture value, exposure compensation,
AEB, flash exposure compensation, etc.
1/3: 1/3-stop
1/2: 1/2-stop
Note
Display when set to [1/2-stop] is as follows.
ISO speed setting increments
You can change the manual ISO speed setting increment to a whole stop.
1/3: 1/3-stop
1/1: 1-stop
Note
Even if [1-stop] is set, ISO speed will be automatically set in 1/3-stop increments
when ISO Auto is set.
864
Speed from metering/ISO Auto
You can set the ISO speed status after the metering timer ends in cases where, for ISO
Auto operation in < >/< >/< >/< >/< > mode, the camera has adjusted the
ISO speed during metering or during the metering timer.
: Restore Auto after metering
: Retain speed after metering
Bracketing auto cancel
You can specify to cancel AEB and white balance bracketing when the power switch is set
to < >.
ON: Enable
OFF: Disable
Bracketing sequence
The AEB shooting sequence and white balance bracketing sequence can be changed.
0−+: 0, -, +
−0+: -, 0, +
+0−: +, 0, -
White Balance Bracketing

AEB
B/A Direction M/G Direction
0: Standard exposure 0: Standard white balance 0: Standard white balance
−: Underexposure −: Blue bias −: Magenta bias
+: Overexposure +: Amber bias +: Green bias
865
Number of bracketed shots
The number of shots taken with AEB and white balance bracketing can be changed.
When [Bracketing sequence] is set to [0, -, +], the bracketed shots will be taken as shown
in the following table.
3: 3 shots
2: 2 shots
5: 5 shots
7: 7 shots
(1-stop/step increments)
1st Shot 2nd Shot 3rd Shot 4th Shot 5th Shot 6th Shot 7th Shot
3: 3 shots Standard (0) –1 +1
2: 2 shots Standard (0) ±1
5: 5 shots Standard (0) –2 –1 +1 +2
7: 7 shots Standard (0) –3 –2 –1 +1 +2 +3
Note
If [2 shots] is set, you can select the + or − side when setting the AEB range. With
white balance bracketing, the second shot is adjusted toward the negative side for
the B/A or M/G direction.
866
Safety shift
If the subject brightness changes and the standard exposure cannot be obtained within the
autoexposure range, the camera will automatically change the manually selected setting to
obtain the standard exposure. [Shutter speed/Aperture] applies to < > or < >
mode. [ISO speed] applies to < >, < >, or < > mode.
OFF: Disable
Tv/Av: Shutter speed/Aperture
ISO: ISO speed
Note
Safety shift overrides any changes to [ISO speed range] or [Min. shutter spd.]
from default settings in [ : ISO speed settings] if standard exposure cannot
be obtained.
The minimum and maximum limits for the safety shift with the ISO speed are
determined by [Auto range] ( ). However, if the manually set ISO speed exceeds
the [Auto range], the safety shift will take effect up or down to the manually set
ISO speed.
Safety shift will take effect as necessary even when flash is used.
867
C.Fn2
Same expo. for new aperture
The maximum aperture value may decrease (the lowest f/number may increase) in < >
mode (manual exposure shooting) with ISO speed set manually (except when set to ISO
Auto) if you (1) Change lenses, (2) Attach an extender, or (3) Use a zoom lens with a
variable maximum aperture value. This function prevents the corresponding underexposure
by adjusting ISO speed or shutter speed (Tv value) automatically to maintain the same
exposure as before (1), (2), or (3).
With [ISO speed/Shutter speed], the ISO speed is automatically adjusted within the ISO
speed range. If exposure cannot be maintained by adjusting ISO speed, shutter speed (Tv
value) is automatically adjusted.
OFF: Disable
ISO: ISO speed
ISO/Tv: ISO speed/Shutter speed
Tv: Shutter speed
Caution
Does not respond to changes in effective aperture value from changes in

magnification when macro lenses are used.
Cannot provide the same exposure as before (1), (2), or (3) if [ISO speed] is set
and the exposure cannot be maintained at speeds set in [ISO speed range].
Cannot provide the same exposure as before (1), (2), or (3) if [Shutter speed] is
set and the exposure cannot be maintained at speeds set in [ : Set shutter
speed range].
Shutter speed is limited to 1/8000 when [ : Shutter mode] is [Electronic] and
[Same expo. for new aperture] is set to [Shutter speed] or [ISO speed/Shutter
speed].
Note
Also responds to changes in the highest f/number (minimum aperture).

The original exposure setting is restored if you perform (1), (2), or (3) with [ISO
speed], [ISO speed/Shutter speed], or [Shutter speed] set and do not adjust ISO
speed, shutter speed, or aperture value before returning the camera to the original
state, before (1), (2), or (3).
Shutter speed may change to maintain exposure if the ISO speed increases to an
expanded ISO speed when [ISO speed] is set.
868
AE lock meter. mode after focus
For each metering mode, you can specify whether to lock the exposure (AE lock) once
subjects are in focus with One-Shot AF. The exposure will be locked while you keep
pressing the shutter button halfway. Select metering modes for AE lock and add a
checkmark [ ]. Select [OK] to register the setting.
Set shutter speed range
You can set the shutter speed range for each [ : Shutter mode] option. In < >,
< >, or < > mode, you can set the shutter speed manually within your specified
range. In < > and < > mode, or in < > mode with shutter speed set to [AUTO], the
shutter speed is set automatically within your specified range (except for movie recording).
Mech shutter/elec 1st-curtain

• Lowest speed: Can be set in a range of 30 sec.–1/4000 sec.
• Highest speed: Can be set in a range of 1/8000 sec.–15 sec.
Electronic
• Lowest speed: Can be set in a range of 30 sec.–1/8000 sec.
• Highest speed: Can be set in a range of 1/16000 sec.–15 sec.
869
Set aperture range
You can set the aperture value range. In < >, < >, < >, or < > mode, you can
set the aperture value manually within your specified range. In < > and < > mode, or
in < > mode with the aperture value set to [AUTO], the aperture value is set
automatically within your specified range. Select [OK] to register the setting.
Max. aperture
Can be set in a range of f/1.0–f/64.
Min. aperture
Can be set in a range of f/91–f/1.4.
Note
The available aperture value range varies depending on the lens's minimum and
maximum aperture value.
870
C.Fn3
direction to set Tv/Av
Dial turning direction when setting the shutter speed and aperture value can be reversed.
Reverses the turning direction of the < > and < > dials in < > shooting mode and
only the < > dial in other shooting modes. The direction of the < > dial in < >
mode matches the direction to set exposure compensation in < >, < >, and < >
modes.
: Normal
: Reverse direction
direction to set Tv/Av
RF lens and mount adapter control ring turning direction when setting the shutter speed and
aperture value can be reversed.
: Normal
: Reverse direction
Switch / when shooting
Functions assigned to the Main dial and Quick control dial can be reversed.
OFF: Disable
ON: Enable
871
Customize buttons
You can assign frequently used functions to camera buttons that are easy for you to use.
Different functions, for use when shooting still photos or movies, can be assigned to the
same button.
1. Select [ : Customize buttons].
2. Select a camera control.
3. Select a function to assign.

You can configure advanced settings for functions labeled with [
Detail set.] in the lower left of the screen by pressing the < >
button.
872
Note
[ : Customize buttons] settings are not cleared even if you select [ : Clear all
Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized
settings].
873
Functions available for customization
AF
●: Default ○: Available for customization
: Metering and AF start
● - ● ○ - ○ ○ - - - - - - - -
: AF stop
- ○ ○ ○ - ○ ● ○ ○ - - - - - -
: AF point selection
- ○ ○ ○ ● ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Direct AF point selection
- - - - - - - - - - ○ ○ ○ ○ ●
: Set AF point to center
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Start/stop tracking
- ○ ○ ○ ○ ●*4 ○ ○ ○ ○ ○ ○ ○ ○ -
: Switch to registered AF func.*1
- - ○ ○ - ○ ○ - - - - - - - -
: Direct AF area selection*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: One-Shot AF Servo AF*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Eye Detection AF*1
- - ○ ○ - ○ ○ - - - - - - - -
: Eye detection
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Peaking
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
874
: Focus guide
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Drive mode*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
* 1: Cannot be assigned as a function available in movie recording.

* 4: Default in movie recording.
875
Exposure
: Metering start
○ - - - - - - - - - - - - - -
: AE lock
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -
: AE lock (hold)
- ○ ○ ●*4 - ○ ○ ○ ○ - - - - - -
: AE lock, AF stop
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -
: AE lock (while button pressed)*1
○ - - - - - - - - - - - - - -
: AE lock/FE lock*1
- ○ ○ ●*3 - ○ ○ ○ ○ - - - - - -
: Release AE Lock
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -
: Expo comp (hold btn, turn )
- - ○ ○ - ○ ○ - - ○ - - - - -
: ISO speed
- ○ ○ ○ ○ ○ ○ ● ○ ○ ○ ○ ○ ○ -
: Set ISO speed(hold btn,turn )
- - ○ ○ - ○ ○ - - ○ - - - - -
: Flash firing*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: FE lock*1
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -

* 3: Default in still photo shooting.
876
Image
: Image quality*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: One-touch image quality setting*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: One-touch image quality (hold)*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Still img aspect ratio*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Auto Lighting Optimizer
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: White balance
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Picture Style
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Auto level*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: RAW burst mode*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Protect
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -
: Rating
- ○ ○ ○ - ○ ○ ○ ○ - - - - - -
: Record func+card/folder sel.
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
877
Movies
: Zebra*2
- - ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Movie recording
- ● ○ ○ ○ ○ ○ ○ ○ - - - - - -
: Pause Movie Servo AF
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Digital zoom*2
- - ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Auto level
- - ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
* 2: Cannot be assigned as a function available in still photo shooting.
878
Operation
: Flash function settings*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Dial function settings
- ○ ○ ○ ○ ○ ○ ○ ● ○ ○ ○ ○ ○ -
: Depth-of-field preview*1
- ○ ○ ○ - ●*3 ○ ○ ○ - - - - - -
: Reset selected item in Fv mode*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ●*3 ○ ●*3 ○ -
: Reset Tv/Av/ /ISO in Fv mode*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ●*3 ○ ●*3 -
: Quick Control screen*1
- ○ ○ ○ ○ ○ ○ ○ ○ ● ○ ○ ○ ○ -
: Magnify/Reduce
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Image replay
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Magnify images during playback
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Register/recall shooting func*1
- - ○ ○ - ○ ○ - - - - - - - -
: Menu display
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Touch Shutter*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Create folder*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
879
: OVF sim. view assist*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Maximize screen brightness (temp)
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Power off
- ○ ○ ○ ○ ○ ○ ○ ○ - - - - - -
: Screen off
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Silent shutter function*1
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Switch focus/control ring
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Switch between VF/screen
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: Wi-Fi/Bluetooth connection
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ -
: No function (disabled)
- ○ ○ ○ ○ ○ ○ ○ ○ ○ ●*4 ●*4 ●*4 ●*4 ○

* 3: Default in still photo shooting.
Note
[ ]: “AF Stop” or “Lens Function” button on super telephoto lenses with Image
Stabilizer.
880
Customize dials
Frequently used functions can be assigned to the < >, < >, and < > dials.
1. Select [ : Customize dials].
2. Select a camera control.
3. Select a function to assign.
881
Note
[ : Customize dials] settings are not cleared even if you select [ : Clear all
Custom Func. (C.Fn)]. To clear the settings, select [ : Clear customized
settings].
Setting [ : Switch / when shooting] to [Enable] also changes the
functions you can assign.
882
Functions available for dials
Function
Select AF area ○ ○
AF area (hold metering button) ○
Change shutter speed ○
Change aperture value ○
Exposure compensation ○ ○
Set ISO speed ○ ○
Change shutter spd. (hold meter. btn) ○
Change aperture (hold meter. btn) ○
Exposure comp. (hold meter. btn) ●
Set ISO speed (hold meter. btn) ○
Flash exp comp (hold meter.btn) ○
Shutter speed setting in M mode ● ○
Aperture setting in M mode ○ ●
White balance selection ○ ○
Select color temperature ○ ○
Picture Style ○ ○
Select WB (hold meter. btn) ○
Color temp. (hold meter. btn) ○
Select (hold meter. btn) ○
No function (disabled) ○ ○ ○
Note
< >: Control ring on RF lenses and mount adapters.
883
Clear customized settings
1. Select [ : Clear customized settings].
2. Select [OK].
[Customize buttons] and [Customize dials] are restored to defaults.
884
C.Fn4
Add cropping information
Adding cropping information displays vertical lines for the aspect ratio specified in shooting,
so that you can compose shots as if shooting with a medium- or large-format camera (6×6
cm, 4×5 inch, and so on).
When you shoot, instead of cropping images recorded to the card, the camera adds aspect
ratio information to images for cropping in the Digital Photo Professional (EOS software).
You can import images to Digital Photo Professional on a computer and easily crop images
to the aspect ratio set at the time of shooting.
OFF: Disable
6:6: Aspect ratio 6:6
Caution
Cropping information can only be added when [ : Still img aspect ratio] is set to
[3:2].
JPEG or HEIF images are not saved at the cropped size if you use the camera to
process RAW images with cropping information ( ). In this case, RAW processing
produces JPEG or HEIF images with cropping information.
Note
Vertical lines indicating your specified aspect ratio are displayed on the screen.
885
Audio compression
Sets audio compression for movie recording. [Disable] allows higher audio quality than
when audio is compressed, but file sizes are larger.
ON: Enable
OFF: Disable
Caution
Editing movie files recorded with [Disable] and then saving them with compression
will also compress the audio.
Audio is compressed even if [Disable] is selected when [Movie rec. size] is set to
(NTSC) or (PAL).
Default Erase option
You can set which option is selected by default in the erase menu ( ), which is accessed
by pressing the < > button during image playback or during review after shooting.
By setting an option other than [Cancel], you can simply press the < > button to erase
images quickly.
: [Cancel] selected
: [Erase] selected
: [Erase ] selected
: [Erase non- ] selected
Caution
Be careful not to erase images accidentally when an option other than [Cancel] is
set.
Release shutter w/o lens
You can specify whether shooting still photos or movies is possible without a lens attached.
OFF: Disable
ON: Enable
886
Retract lens on power off
You can set whether to retract gear-type STM lenses (such as RF35mm F1.8 Macro IS
STM) automatically when the camera's power switch is set to < >.
ON: Enable
OFF: Disable
Caution
With auto power off, the lens will not retract regardless of the setting.
Before detaching the lens, make sure that it is retracted.
Note
When [Enable] is set, this function takes effect regardless of the setting of the
focus mode switch (AF or MF) on the camera or lens.
887
C.Fn5
Clear all Custom Func. (C.Fn)
Selecting [ : Clear all Custom Func. (C.Fn)] clears all Custom Function settings except
[Customize buttons] and [Customize dials].
Note
To clear settings configured with [ : Customize buttons] and [ : Customize

dials], select [ : Clear customized settings].
888
Tab Menus: My Menu
(1) Add My Menu tab

(2) Delete all My Menu tabs
(3) Delete all items
(4) Menu display
889
Registering My Menu
Creating and Adding My Menu Tabs
Registering Menu Items on My Menu Tabs
My Menu Tab Settings
Deleting All My Menu Tabs/Deleting All Items
Menu Display Settings
On the My Menu tab, you can register menu items and Custom Functions you often adjust.
890
Creating and Adding My Menu Tabs
1. Select [Add My Menu tab].
2. Select [OK].
You can create up to five My Menu tabs by repeating steps 1 and 2.
891
Registering Menu Items on My Menu Tabs
1. Select [MY MENU*: Configure].
2. Select [Select items to register].
3. Register the desired items.
Select an item, then press the < > button.

You can register up to six items.
To return to the screen in step 2, press the < > button.
892
My Menu Tab Settings
You can sort and delete items on the menu tab, and rename or delete the menu tab itself.
Sort registered items

You can change the order of the registered items in My Menu. Select [Sort registered
items], select an item to rearrange, then press the < > button. With [ ] displayed,
turn the < > dial to rearrange the item, then press the < > button.
Delete selected items/Delete all items on tab

You can delete any of the registered items. [Delete selected items] deletes one item at
a time, and [Delete all items on tab] deletes all the registered items on the tab.
Delete tab
You can delete the current My Menu tab. Select [Delete tab] to delete the [MY MENU*]
tab.
893
Rename tab
You can rename the My Menu tab from [MY MENU*].
1. Select [Rename tab].
2. Enter text.
3. Confirm input.
Press the < > button, then select [OK].
894
Deleting All My Menu Tabs/Deleting All Items
You can delete all the created My Menu tabs or My Menu items registered on them.
Delete all My Menu tabs

You can delete all My Menu tabs you created. When you select [Delete all My Menu
tabs], all the tabs from [MY MENU1] to [MY MENU5] will be deleted and the [ ] tab will
revert to its default.
Delete all items

You can delete all the items registered under the [MY MENU1] to [MY MENU5] tabs. The
tabs themselves will remain.
Caution
Performing [Delete tab] or [Delete all My Menu tabs] will also delete tab names
renamed with [Rename tab].
895
Menu Display Settings
You can select [Menu display] to set the menu screen that is to appear first when you press
the < > button.
Normal display
Displays the last displayed menu screen.
Display from My Menu tab

Displays with the [ ] tab selected.
Display only My Menu tab

Restricts display to the [ ] tab ([ ]/[ ]/[ ]/[ ]/[ ]/[ ] tabs are not displayed).
896
Reference
This chapter provides reference information on camera features.
• Importing Images to a Computer

• Importing Images to a Smartphone
• Using a USB Power Adapter to Charge/Power the Camera
• Troubleshooting Guide
• Error Codes
• ISO Speed in Movie Recording
• Information Display
• Specifications
897
Importing Images to a Computer
Connecting to a Computer with an Interface Cable
Using a Card Reader
You can use EOS software to import images from the camera to a computer.
Connecting to a Computer with an Interface Cable
1. Install EOS Utility ( ).
2. Connect the camera to the computer.
Use an interface cable.

Connect the other end to a USB port on the computer.
3. Use EOS Utility to import the images.
Refer to the EOS Utility Instruction Manual.
Caution
With a Wi-Fi connection established, the camera cannot communicate with the
computer even if they are connected with an interface cable.
898
Using a Card Reader
You can use a card reader to import images to a computer.
1. Install Digital Photo Professional ( ).
2. Insert the card into the card reader.
3. Use Digital Photo Professional to import the images.
Refer to the Digital Photo Professional Instruction Manual.
Note
When downloading images from the camera to a computer with a card reader
without using EOS software, copy the DCIM folder on the card to the computer.
899
You can connect the camera to the computer via Wi-Fi and import images to the computer
( ).
900
Importing Images to a Smartphone
Preparation
Using Camera Connect
Using Smartphone Features
You can import images captured with the camera to a smartphone by connecting the
smartphone to the camera with Multi-Function Shoe Adapter for Smartphone Link AD-P1
(sold separately, for Android smartphones only) or a USB cable.
Preparation
1. Select an option in [ : Choose USB connection app] ( ).
Select [Photo Import/Remote Control] when connecting an Android

smartphone, or when connecting an iPhone and using the Photos app.
Select [Canon app(s) for iPhone] when connecting an iPhone and

using Camera Connect.
After the settings are complete, turn the camera off.
2. Connect the camera to the smartphone with AD-P1 or a USB cable.
When using AD-P1, refer to the instruction manual included with

AD-P1.
Use of a Canon USB cable (Interface Cable IFC-100U or IFC-400U) is

recommended when connecting Android smartphones.
For details on USB cables used to connect iPhones, visit the Canon
website.
901
Using Camera Connect
1. Install Camera Connect on the smartphone and start it.
For details on installing Camera Connect, see Installing Camera

Connect on a Smartphone.
2. Turn the camera on.
3. Tap [Images on camera].
Select images displayed to import them to the smartphone.
902
Using Smartphone Features
1. Turn the camera on.
2. Use the smartphone to import images.
Android smartphones: In the [Files] menu, select [Canon Digital

Camera ***], then import images in the DCIM folder.
iPhones: Start the Photos app, then import images from the card.
903
Using a USB Power Adapter to Charge/Power the
Camera
Using USB Power Adapter PD-E1 (sold separately), you can charge Battery Pack LP-E6NH
or LP-E6N without removing it from the camera. The camera can also be powered. Note
that Battery Pack LP-E6 cannot be charged this way.
Charging
1. Connect the USB power adapter.
With the camera power switch set to < >, insert the USB power
adapter plug fully into the digital terminal.
904
2. Connect the power cord.
Connect the power cord to the USB power adapter and plug the other
end into a power outlet.
Charging begins, and the access lamp (1) is lit in green.
When charging is finished, the access lamp turns off.
Supplying power
To power the camera without charging batteries, set the camera power switch to < > or
< >. However, batteries are charged during auto power off.
The battery level indicator is gray when power is supplied.
To change from powering the camera to charging, set the camera power switch to
< >.
905
Caution
The camera cannot be powered unless a battery pack is in it.

When batteries are depleted, the adapter charges them. In this case, power is not
supplied to the camera.
To protect the battery pack and keep it in optimal condition, do not charge it
continuously for more than 24 hours.
If the charging lamp fails to light up or a problem occurs during charging (shown by
the access lamp blinking in green), unplug the power cord, reinsert the battery, and
wait a few minutes before plugging it in again. If the problem persists, take the
camera to the nearest Canon Service Center.
The charging time required and the amount charged vary depending on ambient
temperature and remaining capacity.
For safety, charging in low temperatures takes longer.
The remaining battery level may decline when power is supplied to the camera. To
avoid running out of battery power, use a fully charged battery when shooting at
regular intervals.
Before disconnecting USB power adapters, set the camera power switch to
< >.
906
Troubleshooting Guide
Power-related problems
Shooting-related problems
Problems with wireless features
Operation problems
Display problems
Playback problems
Sensor cleaning problems
Computer connection problems
Problems with the multi-function shoe
If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this
Troubleshooting Guide does not resolve the problem, take the camera to the nearest Canon
Service Center.
Power-related problems
Batteries cannot be charged with the battery charger.
If the battery's remaining capacity ( ) is 94% or higher, the battery will not be charged.
Do not use any battery packs other than a genuine Canon Battery Pack LP-E6NH/
LP-E6N/LP-E6.
In case of charging or charger issues, see Charging the Battery.
The charger's lamp blinks at high speed.
Constant, rapid orange blinking of the lamp indicates that a protection circuit has
stopped charging because (1) there is a problem with the battery charger or battery, or
(2) communication with the battery failed (with a non-Canon battery, for example). In the
case of (1), unplug the charger, reinsert the battery, and wait a few minutes before
plugging the charger in again. If the problem persists, take the camera to the nearest
Canon Service Center.
907
The charger's lamp does not blink.
For safety, hot or cold batteries inserted in the charger are not charged, and the lamp
remains off. In this case, let the battery adjust to the ambient temperature before
attempting to charge it again. During charging, if the battery's temperature becomes
high for any reason, charging will stop automatically (lamp blinks). When the battery
temperature goes down, charging will resume automatically.
Batteries cannot be charged with the USB power adapter (sold

separately).
Batteries are not charged while the camera power switch is set to < >. However,
batteries are charged during auto power off.
Battery Pack LP-E6 cannot be charged.
Batteries are not charged when their remaining capacity is already approx. 94% or
higher.
Operating the camera will stop charging in progress.
The access lamp blinks during charging with the USB power adapter.
In case of charging problems, the access lamp blinks in green and a protective circuit
stops charging. In this case, unplug the power cord, reattach the battery, and wait a few
minutes before plugging it in again. If the problem persists, take the camera to the
nearest Canon Service Center.
If batteries are hot or cold, the access lamp blinks in green and a protective circuit stops
charging. In this case, let the battery adjust to the ambient temperature before
attempting to charge it again.
The access lamp is not lit during charging with the USB power adapter.
Try unplugging the USB power adapter and plugging it in again.
The camera cannot be powered with the USB power adapter.
Check the battery compartment. The camera cannot be powered without a battery pack.
Check the remaining battery level. When batteries are depleted, the adapter charges
them. In this case, power is not supplied to the camera.
The camera is not activated even when the power switch is set to
< >.
Make sure the battery is inserted properly in the camera ( ).

Make sure the card slot cover is closed ( ).
Charge the battery ( ).
908
The access lamp still lights or blinks even when the power switch is set
to < >.
If the power is turned off while an image is being recorded to the card, the access lamp
will remain on or continue to blink for a few seconds. When the image recording is
complete, the power will turn off automatically.
[Battery communication error. Does this battery/do these batteries

display the Canon logo?] is displayed.
Do not use any battery packs other than a genuine Canon Battery Pack LP-E6NH/
LP-E6N/LP-E6.
Remove and install the battery again ( ).
If the electrical contacts are dirty, use a soft cloth to clean them.
The battery becomes exhausted quickly.
Use a fully charged battery ( ).

The battery performance may have degraded. See [ : Battery info.] to check the
battery recharge performance level ( ). If the battery performance is poor, replace the
battery with a new one.
The number of available shots will decrease with any of the following operations:
• Pressing the shutter button halfway for a prolonged period
• Activating the AF frequently without taking a picture
• Using the lens's Image Stabilizer
• Using the wireless communication functions
The camera turns off by itself.
Auto power off is in effect. To deactivate auto power off, set [Auto power off] in [ :
Power saving] to [Disable] ( ).
Even if [Auto power off] is set to [Disable], the screen and viewfinder will still turn off
after the camera is left idle for the time set in [Screen off] or [Viewfinder off] (although
the camera itself remains on).
909
Shooting-related problems
The lens cannot be attached.
To attach EF or EF-S lenses, you will need a mount adapter. The camera cannot be
used with EF-M lenses ( ).
No images can be shot or recorded.
Make sure the card is properly inserted ( ).

Slide the card's write-protect switch to the Write/Erase setting ( ).
If the card is full, replace the card or delete unnecessary images to make space
( , ).
Shooting is not possible if the AF point turns orange when you attempt to focus. Press
the shutter button halfway again to refocus automatically, or focus manually ( , ).
The card cannot be used.
If a card error message is displayed, see Inserting/Removing Cards and Error Codes.
An error message is displayed when the card is inserted in another

camera.
Since SDXC cards are formatted in exFAT, if you format a card with this camera and
then insert it into another camera, an error may be displayed and it may not be possible
to use the card.
The image is out of focus or blurred.
Set the focus mode to < > ( ).

Press the shutter button gently to prevent camera shake ( ).
With a lens equipped with an Image Stabilizer, set the Image Stabilizer switch to
< >.
In low light, the shutter speed may become slow. Use a faster shutter speed ( ), set a
higher ISO speed ( ), use flash ( ), or use a tripod.
See Minimizing blurred photos.
I cannot lock the focus and recompose the shot.
Set the AF operation to One-Shot AF ( ). Shooting with the focus locked is not
possible with Servo AF ( ).
910
The continuous shooting speed is slow.
High-speed continuous shooting may be slower depending on the battery level, ambient
temperature, flicker reduction, shutter speed, aperture value, subject conditions,
brightness, AF operation, type of lens, use of flash, shooting settings, and other
conditions. For details, see Selecting the Drive Mode or Still photo file size / Number of
shots available.
The maximum burst during continuous shooting is lower.
Shooting intricate subjects such as fields of grass may result in larger file sizes, and the
actual maximum burst may be lower than the guidelines in Still photo file size / Number
of shots available.
Even after I change the card, the maximum burst displayed for
continuous shooting does not change.
Estimated maximum burst indicated in the viewfinder does not change when you switch
cards, even if you switch to a high-speed card. Maximum burst listed in Still photo file
size / Number of shots available is based on the standard Canon test card, and the
actual maximum burst is higher for cards with faster writing speeds. For this reason,
estimated maximum burst may differ from actual maximum burst.
High-speed display is not available during high-speed continuous

shooting.
Refer to the high-speed display requirements in High-Speed Display.
The aspect ratio cannot be set.
Aspect ratios cannot be set when [ : Add cropping information] is set to an option
other than [Disable].
ISO 100 cannot be set for still photo shooting.
The minimum speed in the ISO speed range is ISO 200 when [ : Highlight tone
priority] is set to [Enable] or [Enhanced].
911
Expanded ISO speeds cannot be selected for still photo shooting.
Check the [ISO speed range] setting under [ : ISO speed settings].
Expanded ISO speeds are not available when [ : Highlight tone priority] is set to
[Enable] or [Enhanced].
Expanded ISO speeds are not available when [ : HDR shooting ] is set to
[Enable].
Even if I set a decreased exposure compensation, the image comes out

bright.
Set [ : Auto Lighting Optimizer] to [Disable] ( ). When [Low], [Standard], or

[High] is set, even if you set a decreased exposure compensation or flash exposure
compensation, the image may come out bright.
I cannot set the exposure compensation when both manual exposure

and ISO Auto are set.
See M: Manual Exposure to set the exposure compensation.
Not all the lens aberration correction options are displayed.
With [Digital Lens Optimizer] set to [Standard] or [High], [Chromatic aberr corr] and
[Diffraction correction] are not displayed, but they are both set to [Enable] for
shooting.
During movie recording, [Digital Lens Optimizer] or [Diffraction correction] are not
displayed.
Using flash in < > or < > mode lowers the shutter speed.
Set [Slow synchro] in [ : External Speedlite control] to [1/320-1/60 sec. auto] (or
[1/250-1/60sec. auto]) or [1/320 sec. (fixed)] (or [1/250 sec. (fixed)]) ( ).
The flash does not fire.
Make sure any flash units are securely attached to the camera.
912
The flash always fires at full output.
Flash units other than EL/EX series Speedlites used in autoflash mode always fire at full
output ( ).
The flash always fires at full output when [Flash metering mode] in external flash
Custom Function settings is set to [1:TTL] (autoflash) ( ).
Flash exposure compensation cannot be set.
If flash exposure compensation is already set with the Speedlite, flash exposure
compensation cannot be set with the camera. When the Speedlite's flash exposure
compensation is canceled (set to 0), flash exposure compensation can be set with the
camera.
High-speed sync is not available in < > or < > mode.
Set [Slow synchro] in [ : External Speedlite control] to an option other than [1/320
sec. (fixed)] (or [1/250 sec. (fixed)]) ( ).
Remote control shooting is not possible.
In still photo shooting, set the drive mode to [ ] or [ ] ( ). In movie recording, set
[ : Remote control] to [Enable] ( ).
Check the position of the remote control's release timing switch.
If you are using Wireless Remote Control BR-E1, see Remote Control Shooting or
Connecting to a Wireless Remote Control.
Infrared remote controllers such as the RC-6 cannot be used for remote control shooting
when the camera is paired via Bluetooth with a smartphone or wireless remote control.
Set [Bluetooth settings] to [Disable].
To use a remote control for time-lapse movie recording, see Time-Lapse Movies.
A white [ ] or red [ ] icon is displayed during movie

recording.
Indicates that the camera's internal temperature is high. For details, see the information
on warning indicator display in movie recording ( ).
Movie recording stops by itself.
If the card's writing speed is slow, movie recording may stop automatically. For details
on cards that can record movies, see Card performance requirements. To find out the
card's writing speed, refer to the card manufacturer's website, etc.
Perform low-level formatting to initialize the card if the card's writing or reading speed
seems slow ( ).
Recording stops automatically once your movie reaches 6 hr. (or 1 hr. 30 min. for a High
Frame Rate movie).
913
The ISO speed cannot be set for movie recording.
ISO speed is set automatically in [ ] recording mode. In [ ] mode, you can manually
set the ISO speed ( ).
The minimum speed in the ISO speed range is ISO 200 when [ : Highlight tone
priority] is set to [Enable] or [Enhanced].
Expanded ISO speeds cannot be selected for movie recording.
Check the [ISO speed range] setting under [ : ISO speed settings].
Expanded ISO speeds are not available when [ : Highlight tone priority] is set to
[Enable] or [Enhanced].
The exposure changes during movie recording.
If you change the shutter speed or aperture value during movie recording, the changes
in the exposure may be recorded.
Recording a few test movies is recommended if you intend to perform zooming during
movie recording. Zooming as you record movies may cause exposure changes or lens
sounds to be recorded, or loss of focus.
The image flickers or horizontal stripes appear during movie recording.
Flickering, horizontal stripes (noise), or irregular exposures can be caused by

fluorescent lighting, LED lighting, or other light sources during movie recording. Also,
changes in the exposure (brightness) or color tone may be recorded. In [ ] mode,
using a slower shutter speed may reduce the problem. The problem may be more
noticeable in time-lapse movie recording.
914
The subject looks distorted during movie recording.
If you move the camera to the left or right (panning) or shoot a moving subject, the
image may look distorted. The problem may be more noticeable in time-lapse movie
recording.
Sound is not recorded in movies.
Sound is not recorded in High Frame Rate movies.
A time code is not added.
Time codes are not added when you record High Frame Rate movies with [Count up] in
[ : Time code] set to [Free run] ( ). Additionally, no time code is added to HDMI
video output ( ).
Time codes advance faster than the actual time.
Time codes in High Frame Rate movie recording advance 4 sec. per second ( ).
I cannot take still photos during movie recording.
Still photos cannot be taken during movie recording. To shoot still photos, stop recording
the movie, then select a shooting mode for still photos.
I cannot record movies during still photo shooting.
It may not be possible to record movies during still photo shooting if operations such as
extended Live View display increase the camera's internal temperature. Turn off the
camera or take other measures, and wait until the camera cools down.
Reducing the movie recording size may enable recording.
The camera vibrates.
Image stabilization by the camera may make the camera seem to vibrate. This does not
indicate damage.
915
Problems with wireless features
Cannot pair with a smartphone.
Use a smartphone compliant with Bluetooth Specification Version 4.1 or later.

Turn on Bluetooth from the smartphone settings screen.
Pairing with the camera is not possible from the smartphone's Bluetooth settings screen.
Install the dedicated app Camera Connect (free of charge) on the smartphone ( ).
Pairing with a previously paired smartphone is not possible if pairing information
registered for another camera remains on the smartphone. In this case, remove the
camera's registration retained in the Bluetooth settings on the smartphone and try
pairing again ( ).
Wi-Fi functions cannot be set.
If the camera is connected to a computer or another device with an interface cable,

Wi-Fi functions cannot be set. Disconnect the interface cable before setting any
functions ( ).
A device connected with an interface cable cannot be used.
Other devices, such as computers, cannot be used with the camera by connecting them
with an interface cable while the camera is connected to devices via Wi-Fi. Terminate
the Wi-Fi connection before connecting the interface cable.
Operations such as shooting and playback are not possible.
With a Wi-Fi connection established, operations such as shooting and playback may not
be possible. Terminate the Wi-Fi connection, then perform the operation.
Cannot reconnect to a smartphone.
Even with a combination of the same camera and smartphone, if you have changed the
settings or selected a different setting, reconnection may not be established even after
selecting the same SSID. In this case, delete the camera connection settings from the
Wi-Fi settings on the smartphone and set up a connection again.
A connection may not be established if Camera Connect is running when you
reconfigure connection settings. In this case, quit Camera Connect for a moment and
then restart it.
916
Cannot connect via Wi-Fi to a Wi-Fi printer.
Wi-Fi connections using the camera as an access point are not possible unless printer
encryption supports WPA3.
Update the printer firmware.
Connect using the printer as an access point.
917
Operation problems
Settings change when I switch from still photo shooting to movie

recording or vice versa.
Separate settings are retained for use when shooting still photos and recording movies.
Settings cannot be changed with < >, < >, < >, < >, or < >.
Press the < > button to release the Multi-function lock ( ).

Check the [ : Multi function lock] setting ( ).
Touch operation is not possible.
Make sure [ : Touch control] is set to [Standard] or [Sensitive] ( ).
A camera button or dial does not work as expected.
In movie recording, check the [ : Shutter btn function for movies] setting ( ).
Check the [ : Customize buttons], [ : Customize dials], and [Switch /
when shooting] settings ( , , ).
918
Display problems
The menu screen shows fewer tabs and items.
Tabs and items on the menu screen vary for still photos and movies.
The display starts with [ ] My Menu, or the [ ] tab alone is displayed.
[Menu display] on the [ ] tab is set to [Display from My Menu tab] or [Display only
My Menu tab]. Set [Normal display] ( ).
The file name's first character is an underscore (“_”).
Set [ : Color space] to [sRGB]. If [Adobe RGB] is set, the first character will be an
underscore ( ).
The fourth character in the file name changes.
[ : File name] is set to [*** + image size]. Select either the camera's unique file name
or the file name registered in User setting 1 ( ).
The file numbering does not start from 0001.
If the card already contains recorded images, the image number may not start from
0001 ( ).
The shooting date and time displayed are incorrect.
Make sure the correct date and time are set ( ).

Check the time zone and daylight saving time ( ).
The date and time are not in the image.
The shooting date and time do not appear in the image. The date and time are recorded
in the image data as shooting information. When you print photos, this information can
be used to include the date and time ( ).
[###] is displayed.
If the number of images recorded on the card exceeds the number the camera can
display, [###] will be displayed.
919
The screen does not display a clear image.
If the screen is dirty, use a soft cloth to clean it.

The screen display may seem slightly slow in low temperatures or may look black in
high temperatures, but it will return to normal at room temperature.
920
Playback problems
Part of the image blinks in black.
[ : Highlight alert] is set to [Enable] ( ).
A red box is displayed on the image.
[ : AF point disp.] is set to [Enable] ( ).
During image playback, the AF points are not displayed.
AF points are not displayed when the following types of images are played back:
• Images taken with Multi Shot Noise Reduction applied.
• Cropped images.
• Images from HDR shooting with [Auto Image Align] set to [Enable].
The image cannot be erased.
If the image is protected, it cannot be erased ( ).
Still photos and movies cannot be played back.
The camera may not be able to play back images taken with another camera.
Movies edited with a computer cannot be played back with the camera.
Only few images can be played back.
The images have been filtered for playback with [ : Set image search conditions]
( ). Clear the image search conditions.
Mechanical sounds or sounds of camera operations can be heard

during movie playback.
The camera's built-in microphone may also record mechanical sounds of the lens or
sounds of camera/lens operations if AF operations are performed or the camera or lens
is operated during movie recording. In this case, using an external microphone may
reduce these sounds. If the sounds are still distracting with an external microphone, it
may be more effective to remove the external microphone from the camera and position
it away from the camera and lens.
921
Movie playback stops by itself.
Extended movie playback or movie playback under high ambient temperature may
cause the camera's internal temperature to rise, and movie playback may stop
automatically.
If this happens, playback is disabled until the camera's internal temperature decreases,
so turn off the power and let the camera cool down a while.
The movie appears to freeze momentarily.
Significant change in the exposure level during autoexposure movie recording may
cause recording to stop momentarily until the brightness stabilizes. In this case, record
in [ ] mode ( ).
The movie is played in slow motion.
High Frame Rate movies are recorded at 29.97 fps or 25.00 fps, so they are played in
slow motion at 1/4 speed.
No picture appears on the television.
Make sure [ : Video system] is set to [For NTSC] or [For PAL] correctly for the video
system of your television.
Make sure the HDMI cable's plug is inserted all the way in ( ).
There are multiple movie files for a single movie recording.
If the movie file size reaches 4 GB, another movie file will be created automatically ( ).
However, if you use an SDXC card formatted with the camera, you can record a movie
in a single file even if it exceeds 4 GB.
My card reader does not recognize the card.
Depending on the card reader used and the computer's operating system, SDXC cards
may not be correctly recognized. In this case, connect the camera to the computer with
the interface cable, then import the images to the computer using EOS Utility (EOS
software, ).
Images cannot be resized or cropped.
This camera cannot resize JPEG images, RAW images, or frame-grab images from
4K movies saved as still photos ( ).
This camera cannot crop RAW images or frame-grab images from 4K movies saved as
still photos ( ).
922
Dots of light appear on the image.
White, red, or blue dots of light may appear in captured images if the sensor is affected
by cosmic rays or similar factors. Their appearance may be reduced by performing
[Clean now ] under [ : Sensor cleaning] ( ).
923
Sensor cleaning problems
The shutter makes a sound during sensor cleaning.
Although there is a mechanical sound from the shutter during cleaning after [Clean now
] is selected, no image is recorded to the card ( ).
Automatic sensor cleaning does not work.
Repeatedly turning the power switch < > and < > within a short period may
prevent the [ ] icon from being displayed ( ).
924
Computer connection problems
I cannot import images to a computer.
Install EOS Utility (EOS software) on the computer ( ).

Make sure the main EOS Utility window is displayed.
If the camera is already connected via Wi-Fi, it cannot communicate with any computer
connected with an interface cable.
Check the version of the application.
Communication between the connected camera and computer does not

work.
When using EOS Utility (EOS software), set [ : Time-lapse movie] to [Disable] ( ).
925
Problems with the multi-function shoe
A message was displayed on the screen when I attached an accessory.
If [Communication error Reattach accessory] is displayed, reattach the accessory. In

case this message is displayed again after reattachment, make sure the terminals of the
multi-function shoe and accessory are clean and dry. If you cannot remove the dirt or
moisture, contact a Canon Service Center.
If [Accessory unavailable status] is displayed, check the terminals of the multi-function
shoe and accessory and make sure the accessory is not damaged.
926
Error Codes
(1) Error number

(2) Cause and countermeasures
If there is a problem with the camera, an error message will appear. Follow the on-screen
instructions.
If the problem persists, write down the error code (Err xx) and request service.
927
ISO Speed in Movie Recording
In [ ], [ ], and [ ] mode
ISO speed is set automatically in a range of ISO 100–12800.

Setting [Max for Auto] in [ : ISO speed settings] to [H (25600)] ( ) expands the
maximum speed in the automatic setting range to H (equivalent to ISO 25600).
The minimum speed in the automatic setting range is ISO 200 when [ : Highlight
tone priority] is set to [Enable] or [Enhanced] ( ). The maximum limit is not
expanded, even when expansion is set in [Max for Auto].
The minimum speed in the automatic setting range is ISO 800 when [ : Canon Log
settings] is set to [On ( )] ( ). ISO speeds lower than ISO 800 are an expanded
ISO speed (L).
In [ ] mode
With ISO speed set to [AUTO], ISO speed is set automatically in a range of ISO 100–
12800.
When ISO Auto is set, setting [Max for Auto] in [ : ISO speed settings] to [H
(25600)] ( ) expands the maximum speed in the automatic setting range to H
(equivalent to ISO 25600).
ISO speed can be set manually in a range of ISO 100–12800. Setting [ISO speed
range] in [ : ISO speed settings] to [H (25600)] ( ) expands the maximum
speed in the manual setting range to H (equivalent to ISO 25600).
The minimum speed in the automatic or manual setting range is ISO 200 when [ :
Highlight tone priority] is set to [Enable] or [Enhanced] ( ). Even when ISO speed
expansion is set, the maximum limit will not be expanded.
The minimum speed in the automatic setting range is ISO 800 when [ : Canon Log
settings] is set to [On ( )] ( ). ISO speeds lower than ISO 800 are an expanded
ISO speed (L).
928
Information Display
Still Photo Shooting Screen
Movie Recording Screen
Scene Icons
Playback Screen
Still Photo Shooting Screen
Each time you press the < > button, the information display will change.
The display will show only the settings currently applied.
(13)
(14)
(1) (15)
(2) (16)
(3) (17)
(4) (18)
(5) (19)
(6) (20)
(7) (21)
(8) (22)
(9) (23)
(10) (24)
(11) (25)
(12)
929
(1) Maximum burst
(2) Number of available shots/Sec. until self-timer shoots
(3) Focus bracketing/HDR/Multiple exposures/Multi Shot Noise Reduction/Bulb timer/Interval
timer
(4) Shooting mode
(5) AF area
(6) AF operation
(7) Image quality
(8) Card
(9) Drive mode
(10) Metering mode
(11) Electronic level
(12) AF point (1-point AF)
(13) No. of remaining shots for focus bracketing, multiple exposures, or interval timer
(14) Movie recording time available
(15) Battery level
(16) Image Stabilizer (IS mode)
(17) Multi-function lock warning
(18) Quick Control button
(19) Anti-flicker shooting
(20) White balance/White balance correction
(21) Picture Style
(22) Creative filters
(24) GPS
(25) Histogram (Brightness/RGB)
930
(26)
(27) (36)
(28) (37)
(29) (38)
(30)
(31) (39)
(40)
(32)
(41)
(33) (42)
(34) (43)
(35) (44)
(26) AEB/FEB
(27) View Assist
(28) HDR PQ
(29) Flash ready/FE lock/High-speed sync
(30) Accessory attached indicator
(31) Touch Shutter/Create folder
(32) Electronic shutter
(33) AE lock
(34) Shutter speed
(35) Aperture value
(36) Wi-Fi function
(37) Wi-Fi signal strength
(39) Exposure simulation
(40) Magnify button
(41) ISO speed
(43) Exposure compensation
(44) Exposure level indicator
Note
You can specify the information displayed in response to pressing the < >
button ( ).
The electronic level is not displayed when the camera is connected via HDMI to a
television.
Other icons may be displayed temporarily after setting adjustments.
The electronic level is not displayed when the auto level feature is set to [Enable].
931
Movie Recording Screen
Each time you press the < > button, the information display will change.
The display will show only the settings currently applied.
(1)
(2)
(3) (13)
(4) (14)
(5) (15)
(6)
(7) (16)
(8) (17)
(9) (18)
(10) (19)
(11) (20)
(12) (21)
(1) Multi-function lock warning

(2) Battery level
(3) Movie recording time available/Elapsed recording time
(4) Image Stabilizer (IS mode)
(5) Shooting mode
(6) AF area
(7) Card for recording/playback
(8) Movie recording size
(9) Digital zoom
(10) Audio recording level (manual)
(11) Headphone volume
(12) Movie Servo AF
(13) AF point (1-point AF)
(15) Movie recording in progress
(16) White balance/White balance correction
(17) Picture Style
(18) Creative filters
(20) GPS
(21) Electronic level
932
(30)
(22) (31)
(23) (32)
(33)
(24)
(25) (34)
(26) (35)
(27) (36)
(28) (37)
(29) (38)
(22) HDR PQ
(23) Canon Log
(24) Audio recording level indicator (manual)
(26) AE lock
(27) Shutter speed
(28) Overheat control
(29) Aperture value
(30) View Assist
(31) Wi-Fi function
(34) Magnify button
(35) ISO speed
(37) Exposure compensation
(38) Exposure level indicator (metering levels)
Caution
You can specify the information displayed in response to pressing the < >
button ( ).
The electronic level is not displayed when the camera is connected via HDMI to a
television.
The electronic level, grid lines, and histogram cannot be displayed during movie
recording (and if they are currently displayed, recording a movie will clear the
display).
When movie recording starts, the movie recording remaining time will change to the
elapsed time.
933
Note
Other icons may be displayed temporarily after setting adjustments.
934
Scene Icons
In < > shooting mode, the camera detects the type of scene and sets all settings
accordingly. The detected scene type is indicated in the upper left of the screen.
People Subjects Other Than People

Subject
Nature/ Background Color
Background In Motion*1 Outdoor In Motion*1 Close*2
Scene
Bright
Gray
Backlit
Blue Sky Included

Light blue
Backlit
Sunset *3 *3 Orange
Spotlight
Dark Dark blue
With Tripod*1 *4 *5 *3 *3
* 1: Not displayed during movie recording.

* 2: Displayed when the attached lens has distance information. With an extension tube or close-up
lens, the icon displayed may not match the actual scene.
* 3: Icons of scenes selected from those that can be detected are displayed.
* 4: Displayed when all the following conditions apply.
The shooting scene is dark, it is a night scene, and the camera is mounted on a tripod.
* 5: Displayed with any of the following lenses.
• EF300mm f/2.8L IS II USM
• EF400mm f/2.8L IS II USM
• EF500mm f/4L IS II USM
• EF600mm f/4L IS II USM
• Image Stabilizer lenses released in and after 2012.
* Slower shutter speeds are used when the conditions in both *4 and *5 apply.
Note
For certain scenes or shooting conditions, the icon displayed may not match the
actual scene.
935
Playback Screen
Basic information display for still photos

(1) (10)
(2)
(3) (11)
(4) (12)
(5) (13)
(6) (14)
(7) (15)
(8) (16)
(9) (17)
(1) HDR output status/View Assist
(4) Wi-Fi function
(5) Battery level
(6) Current image no./Total images/No. of images found
(7) Shutter speed
(8) Aperture value
(9) Exposure compensation amount
(10) Already sent to a computer/smartphone
(11) Rating
(12) Image protection
(13) Card no.
(14) Folder no.-File no.
(15) Image quality/Edited image/Cropping/Frame Grab
(16) ISO speed
936
Caution
If the image was taken by another camera, certain shooting information may not be
displayed.
It may not be possible to play back images taken with this camera on other
cameras.
937
Detailed information display for still photos
(1) (10)
(2) (11)
(3) (12)
(4)
(13)
(5) (14)
(15)
(6)
(16)
(7)
(8) (17)
(9) (18)
(1) Aperture value
(2) Picture Style/Settings
(3) Shutter speed
(4) White balance correction/Bracketing
(5) Shooting mode/Multiple exposure/Frame Grab
(6) White balance
(8) First image of scene
(9) Image quality/Edited image/Cropping
(10) Exposure compensation amount
(11) Shooting date and time
(13) Scroll bar
(14) ISO speed
(16) Metering mode
(17) File size
(18) Flash exposure compensation amount/Bounce/HDR shooting/Multi Shot Noise Reduction
* For images captured in RAW+JPEG/HEIF shooting, indicates RAW file sizes.

* Lines indicating the image area are displayed for images taken with the aspect ratio set ( ) and with RAW or RAW+JPEG set
for image quality.
* For images with added cropping information, lines are shown to indicate the image area.
* During flash photography without flash exposure compensation, [ ] will be displayed.
*[ ] indicates images shot with bounce flash photography.
* The dynamic range adjustment amount is shown for images captured in HDR shooting.
*[ ] indicates images captured in multiple-exposure shooting.
*[ ] indicates images processed with Multi Shot Noise Reduction.
*[ ] indicates test shots for time-lapse movies.
*[ ] indicates images created and saved by performing RAW image processing, resizing, cropping, or frame-grabbing.
*[ ] indicates images cropped and then saved.
938
Detailed information display for movies
(6)
(1)
(2)
(3)
(4) (7)
(5) (8)
(1) Movie playback
(2) Movie recording mode/High Frame Rate mode
(3) Movie recording size
(4) Frame rate
(5) Compression method
(6) Movie orientation information
(7) Recording time/Time code
(8) Movie recording format
* For simplicity, explanations are omitted for items that are also included in basic/detailed information display for still photos,
which are not shown here.
Note
During movie playback, “*, *” is displayed for the [Fineness] and [Threshold]
parameters of [Sharpness] in [Picture Style].
939
Specifications
Type
Type: Digital single-lens non-reflex AF/AE camera

Lens mount: Canon RF mount
Compatible lenses: Canon RF and RF-S lens groups
* Using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (EF-M lenses not compatible)
Lens focal length: Approx. 1.6 times the focal length indicated on the lens
Image sensor
Type: CMOS sensor
Effective pixels*1*2 Max. approx. 32.5 megapixels
Total pixels*1 Approx. 34.4 megapixels
Screen size Approx. 22.3 × 14.8 mm
CMOS size APS-C
Dual Pixel CMOS AF Supported
* 1: Rounded to the nearest 100,000.

* 2: Using RF or EF lenses.
The effective pixel count may be lower with certain lenses and image processing.
Recording system
Image recording format: Compliant with Design rule for Camera File system 2.0 and Exif
2.31*1
* 1: Supports time difference information
Image type and extension
Image type Extension
JPEG JPG
HEIF HIF
RAW
Still photos
Dual Pixel RAW
CR3
RAW burst
C-RAW
Movies ALL-I*1, IPB (Std), IPB (Light) MP4
* 1: Time-lapse movies only
940
Recording media
Recording media
SD, SDHC, SDXC memory cards
SD speed class Supported
UHS speed class Supported
UHS-I Supported
UHS-II Supported
Card slot: Equipped with dual card slots
• Card slot 1: UHS-II supported

• Card slot 2: UHS-II supported
Still photo recording
Still photo pixel count
Recorded pixels
Image quality Aspect ratio
3:2 4:3 16:9 1:1
Approx. 32.3 Approx. 28.6 Approx. 27.2 Approx. 21.5

megapixels megapixels*1 megapixels*1 megapixels
(6960 × 4640) (6160 × 4640) (6960 × 3904) (4640 × 4640)
JPEG/ (4800 × 3200) (4256 × 3200) (4800 × 2688) (3200 × 3200)
HEIF Approx. 8.1 Approx. 7.1 Approx. 6.8 Approx. 5.4
megapixels*1 megapixels*1 megapixels*1 megapixels
(3472 × 2320) (3072 × 2320) (3472 × 1952) (2320 × 2320)
(2400 × 1600) (2112 × 1600) (2400 × 1344) (1600 × 1600)
Approx. 32.3 megapixels
RAW / (6960 × 4640)
* Values for recorded pixels are rounded off to the nearest 100,000th.
* RAW/C-RAW images are generated at 3:2, with information added about the specified aspect ratio, and
JPEG images are generated at the specified aspect ratio.
* These aspect ratios (M / S1 / S2) and pixel counts also apply to resizing.
* 1: Aspect ratios are slightly different for these image sizes.
941
Still photo file size / Number of shots available
File size Available shots

Image quality
[Approx. MB] [Approx.]*1
10.6 2881
5.5 5549
6.0 5124
JPEG*2 3.2 9383
3.7 8317
2.1 14129
1.8 16914
10.4 2928
7.9 3871
6.3 4891
HEIF*3 4.8 6328
4.2 7304
3.3 9164
2.0 14995
35.1 873
RAW*2
17.9 1735
+ 35.1 + 10.6 669

RAW+JPEG*2
+ 17.9 + 10.6 1082
+ 38.1 + 10.4 627

RAW+HEIF*3
+ 20.8 + 10.4 976
* 1: Number of shots available applies to a 32 GB card conforming to Canon testing standards.

* 2: When set to [HDR shooting : Disable].
* 3: When set to [HDR shooting : Enable].
* File size and number of shots available are measured based on Canon testing standards.
* File size and number of shots available vary depending on shooting conditions (including aspect ratio,
subject, ISO speed, Picture Style, and Custom Function).
942
Maximum burst for continuous shooting [Approx.]
Number of shots available when set to [Drive mode: ] without slower continuous
shooting
Mechanical shutter / Electronic
Shutter mode Electronic shutter
1st-curtain
Continuous shooting speed Approx. 30 shots/sec.
Approx. 15 shots/sec.
Standard High-speed Standard High-speed
Card used for recording
card*1 card*2 card*1 card*2
184 224 117 126
222 222 115 118

JPEG*3
203 203 115 120
210 210 111 119
184 190 117 122
190 190 115 118

HEIF*4
190 190 115 120
190 190 111 119
46 59 41 42
RAW*3
105 187 87 93
+ 46 51 41 42
RAW+JPEG*3
+ 101 144 84 93
+ 46 51 41 41
RAW+HEIF*4
+ 101 109 84 93
* Maximum burst as measured under conditions conforming to Canon testing standards (High-speed
continuous + in One-Shot AF mode, ISO 100, and Standard Picture Style).
* Number of shots available varies depending on shooting conditions (including aspect ratio, subject,
memory card brand, ISO speed, Picture Style, and Custom Function).
* 1: When using a 32 GB UHS-I card that conforms to Canon testing standards.
* 2: When using a 32 GB UHS-II card that conforms to Canon testing standards.
* 3: When set to [HDR shooting : Disable].
* 4: When set to [HDR shooting : Enable].
943
Movie recording
Movie recording format: MP4
Estimated recording time, movie bit rate, and file size
Canon Log: Off, HDR PQ: Off

Total recording time
Movie recording size
(Approx.) Movie bit
File size
Frame rate rate
(Approx.
(fps) Compression 128 512 (Approx.
Movie recording 32 GB MB/min.)
method GB GB Mbps)
NTSC PAL
2 hr. 9 hr.
IPB 35
21 27 120 860
(Standard) min.
29.97 min. min.
4K UHD Fine 25.00
23.98 1 hr. 4 hr. 18 hr.
IPB
10 43 52 60 431
(Light)
min. min. min.
1 hr. 4 hr.
IPB 18
14 56 230 1647
(Standard) min.
min. min.
59.94 50.00
2 hr. 9 hr.
IPB 35
21 27 120 860
(Light) min.
min. min.
4K UHD
2 hr. 9 hr.
IPB 35
21 27 120 860
(Standard) min.
29.97 min. min.
25.00
23.98 1 hr. 4 hr. 18 hr.
IPB
10 43 52 60 431
(Light)
min. min. min.
1 hr. 4 hr.
IPB 18
14 56 230 1647
(Standard) min.
min. min.
4K UHD Crop 59.94 50.00
2 hr. 9 hr.
IPB 35
21 27 120 860
(Light) min.
min. min.
2 hr.
4K UHD 36
29.97 25.00 ALL-I 9 min. 25 470 3362
(Time-lapse movies) min.
min.
944
2 hr. 9 hr.
IPB 35
22 28 120 858
(Standard) min.
Full HD min. min.
119.88 100.00
(High Frame Rate movies) 16 hr.
IPB 1 hr. 0 4 hr. 3
15 70 501
(Light) min. min.
min.
1 hr. 4 hr. 18 hr.
IPB
10 43 52 60 431
(Standard)
min. min. min.
59.94 50.00
32 hr.
IPB 2 hr. 0 8 hr. 3
15 35 252
(Light) min. min.
min.
Full HD
2 hr. 9 hr. 37 hr.
IPB
20 23 35 30 216
(Standard)
29.97 min. min. min.
25.00
23.98 5 hr. 23 hr. 92 hr.
IPB
47 11 47 12 88
(Light)
min. min. min.
12 hr.
Full HD 47 3 hr. 9
29.97 25.00 ALL-I 38 90 644
(Time-lapse movies) min. min.
min.
* Bit rate only applies to video output, not audio or metadata.

* When audio data is set to [C.Fn 4-2 Audio compression: Enable] (audio: AAC recording).
* Movie recording stops when the maximum recording time per movie is reached.
* Sound is not recorded for approx. the last two frames when the compression method for movie recording
quality is IPB (Standard) and the camera is set to [C.Fn 4-2 Audio compression: Enable] or IPB (Light)
(audio: AAC). Moreover, the video and sound may be slightly out of sync when movies are played back in
Windows.
945
Canon Log: On, or HDR PQ: On
Total recording time
Movie recording size
(Approx.) Movie bit
File size
Frame rate rate
(Approx.
(fps) Compression 32 128 512 (Approx.
Movie recording MB/min.)
method GB GB GB Mbps)
NTSC PAL
1 hr.
IPB 25 6 hr.
40 170 1218
(Standard) min. 40 min.
29.97 min.
4K UHD Fine 25.00
23.98 3 hr.
IPB 50 13 hr.
20 85 610
(Light) min. 20 min.
min.
IPB 12 50 3 hr.
340 2434
(Standard) min. min. 20 min.
59.94 50.00 1 hr.
IPB 25 6 hr.
40 170 1218
min.
4K UHD 1 hr.
IPB 25 6 hr.
40 170 1218
29.97 min.
25.00
23.98 3 hr.
IPB 50 13 hr.
20 85 610
min.
IPB 12 50 3 hr.
340 2434
4K UHD
59.94 50.00 1 hr.
Crop IPB 25 6 hr.
40 170 1218
min.
4K UHD 36 2 hr.
29.97 25.00 ALL-I 9 min. 470 3362
(Time-lapse movies) min. 25 min.
946
1 hr.
IPB 23 6 hr.
34 180 1287
Full HD min.
119.88 100.00
(High Frame Rate movies) 2 hr.
IPB 42 11 hr.
50 100 715
min.
IPB 47 3 hr. 9 12 hr.
90 646
59.94 50.00 1 hr. 5 hr.
IPB 22 hr.
24 39 50 360
(Light) 38 min.
min. min.
Full HD 1 hr. 6 hr.
IPB 25 hr.
34 17 45 324
(Standard) 8 min.
29.97 min. min.
25.00
23.98 2 hr.
IPB 10 hr. 40 hr.
30 28 202
(Light) 3 min. 15 min.
min.
Full HD 31 2 hr. 6 8 hr.
29.97 25.00 ALL-I 135 966
(Time-lapse movies) min. min. 25 min.
* Bit rate only applies to video output, not audio or metadata.

* When audio data is set to [C.Fn 4-2 Audio compression: Enable] (audio: AAC recording).
* Movie recording stops when the maximum recording time per movie is reached.
* Sound is not recorded for approx. the last two frames when the compression method for movie recording
quality is IPB (Standard) and the camera is set to [C.Fn 4-2 Audio compression: Enable] or IPB (Light)
(audio: AAC). Moreover, the video and sound may be slightly out of sync when movies are played back in
Windows.
947
Card performance requirements (movie recording) [write/read speed]
Movie recording size SD card
Frame rate
(fps) Compression 10 bit
Resolution 8 bit
method (Canon Log 3 / HDR PQ)
NTSC PAL
UHS Speed Class 3 or Video Speed Class V60 or

IPB (Standard)
higher higher
59.94 50.00
4K UHD Fine IPB (Light) UHS Speed Class 3 or higher
4K UHD
4K UHD Crop IPB (Standard) UHS Speed Class 3 or higher
29.97
25.00
23.98 SD Speed Class 10 or UHS Speed Class 3 or
IPB (Light)
higher higher
IPB (Standard) UHS Speed Class 3 or higher

119.88 100.00
SD Speed Class 10 or UHS Speed Class 3 or
IPB (Light)
higher higher
SD Speed Class 10 or UHS Speed Class 3 or
IPB (Standard)
higher higher
Full HD 59.94 50.00
SD Speed Class 6 or SD Speed Class 10 or
IPB (Light)
higher higher
IPB (Standard) SD Speed Class 6 or higher

29.97
25.00
23.98
IPB (Light) SD Speed Class 4 or higher
4K
29.97 25.00 ALL-I Read speed of 60 MB/sec. or higher
(Time-lapse movies)
Full HD
29.97 25.00 ALL-I Read speed of 30MB/sec. or higher
(Time-lapse movies)
948
Built-in and external microphones
Built-in microphone: Stereo microphones

External microphone (External microphone IN terminal): 3.5 mm diameter stereo mini
jack
External microphone (Multi-function shoe): Compatible with Directional Stereo
Microphone DM-E1D
Viewfinder
Type: OLED color electronic viewfinder

Screen size: Approx. 1.00 cm (0.39 inch)
Dot count: Approx. 2,360,000 dots
Magnification / angle of view: Approx. 1.15× / 33° (with 3:2 display, an RF50mm F1.2 L
USM lens at infinity, –1 m–1)
Coverage: Approx. 100%
Eyepoint: Approx. 22 mm (at –1 m–1 from eyepiece lens end)
Dioptric adjustment: Approx. –4.0 to +2.0 m–1 (dpt)
Screen
Type: TFT color, liquid-crystal monitor

Screen size: Approx. 7.5 cm (3.0 inch) (screen aspect ratio of 3:2)
Dot count: Approx. 1,620,000 dots
Angle of view: Approx. 170° vertically and horizontally
Coverage: Approx. 100% vertically and horizontally (at L image quality and an aspect ratio
of 3:2)
Screen brightness: Adjustable to one of seven brightness levels
Touch-screen: Capacitive sensing
HDMI output
HDMI video / audio output: HDMI micro OUT terminal (Type D)

* HDMI CEC not supported
HDMI resolution: Auto / 1080p
949
Autofocus
Focusing method: Dual Pixel CMOS AF
Focusing brightness range

Still photo shooting: EV –5.0 to 20
Conditions: When used with an f/1.2 lens*, center AF point, One-Shot AF, at room
temperature and ISO 100
* Except for RF lenses with a Defocus Smoothing (DS) coating.
Movie recording: EV –3.5 to 20

Conditions: When used with an f/1.2 lens*, center AF point, One-Shot AF, at room
temperature and ISO 100, recording in Full HD (29.97 / 25.00 fps)
* Except for RF lenses with a Defocus Smoothing (DS) coating.
Focusing operation
Still photo shooting Movie recording
• One-Shot AF
• Servo AF
• One-Shot AF
AF operation • In A+ mode, automatically
switched from One-Shot AF to • Movie Servo AF
Servo AF depending on the
subject
Manual focus Supported Supported
Focus mode switch: AF / MF

* Applies when an RF or RF-S lens without a focus mode switch is attached.
* When lenses with a focus mode switch are attached, the setting on the lens takes precedence.
Lens compatibility based on AF area: Refer to the Canon website
Number of AF area available for automatic selection
Focusing area Horizontal: Approx. 100%, Vertical: Approx. 100%
Still photos Max. 651 zones (31 × 21)
Movies Max. 527 zones (31 × 17)
Selectable positions for AF point
Focusing area Horizontal: Approx. 90%, Vertical: Approx. 100%
Still photos Max. 5915 positions (91 × 65)

Numbers of
positions
Movies Max. 4823 positions (91 × 53)
* When set to [1-point AF] and selected using the Multi-controller.
950
Exposure control
Metering functions under various shooting conditions
Item Still photo shooting Movie recording
Metering sensor 384-zone (24×16) metering using image sensor output signals
Evaluative ○
○
metering * When faces is detected
○
Partial metering
* Approx. 6.0% in the center of the screen
Metering mode ○
Spot metering
* Approx. 3.0% in the center of the screen
Center-weighted ○
○ * When face is not detected
average
* When set to Canon Log 3
Metering brightness range (At room

EV –2 to 20 EV 0 to 20
temperature, ISO 100)
ISO speed (recommended exposure index) in still photo shooting
Manual ISO speed setting for still photos
Normal ISO speed ISO 100–32000 (in 1/3-stop or 1-stop increments)
Expanded ISO speed H (equivalent to ISO 51200)
* ISO 200–32000 when [Highlight tone priority] is configured.

* Expanded ISO speeds cannot be set in HDR mode or for HDR shooting (HDR PQ).
Manual ISO speed setting range limits for still photos
Maximum ISO 200–H (equivalent to ISO 51200, in 1-stop increments)
Minimum ISO 100–32000 (in 1-stop increments)
ISO Auto setting range limits for still photos
Maximum ISO 200–32000 (in 1-stop increments)
951
ISO Auto details for still photos
Shooting mode Using flash

No flash
Variable control of maximum ISO
Compatible lens Incompatible lens
Auto limit for E-TTL
ISO 100*1*2–32000*2 ISO 100*1*2–6400*2 ISO 100*1*2–1600*2

Creative Zone
ISO 400*3 ISO 400*3 ISO 400*3
ISO 100–6400 ISO 100–6400 ISO 100–1600
Basic Zone Varies by shooting mode
Varies by shooting mode
* 1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced].

* 2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range].
* 3: If outside the setting range, changed to the value most close to ISO 400.
Variable control of maximum ISO Auto limit for E-TTL for still photos: Supported
952
ISO speed (recommended exposure index) in movie recording
Manual ISO speed setting for movies (in M mode)
Canon Log 3 ISO speed
Off ISO 100–12800 (in 1/3- or 1-stop increments)

Normal ISO speed
On ISO 800–12800 (in 1/3- or 1-stop increments)
Off H (equivalent to ISO 16000–25600; in 1/3-stop increments)
Expanded ISO speed L (equivalent to ISO 100–640), H (equivalent to 16000–

On 25600)
(in 1/3-stop increments)
* Maximum and minimum ISO speed when set manually corresponds to the [ISO speed range] setting.
* The setting range is ISO 200–12800 when [Highlight tone priority] is configured.
* Expanded ISO speeds are not available in HDR PQ movie, HDR movie, or High Frame Rate movie
recording.
* The default setting range when set to Canon Log 3 is L and ISO 800–12800.
Automatic ISO speed setting for movies (in P / Tv / Av mode, and in M [ISO Auto]
mode)
Canon Log 3 ISO speed
Off ISO 100–12800 (in 1/3- or 1-stop increments)

Normal ISO speed
On ISO 800–12800 (in 1/3- or 1-stop increments)
Off
Expanded ISO speed H (equivalent to ISO 25600)
On
* Maximum ISO speed when set automatically corresponds to the [Max for Auto] setting.
* The setting range is ISO 200–12800 when [Highlight tone priority] is configured.
* Expanded ISO speeds are not available in HDR PQ movie, HDR movie, or High Frame Rate movie
recording.
Manual ISO speed setting range for movies

The manual ISO speed setting range (maximum and minimum) can be changed.
Maximum ISO 200–12800 or H (equivalent to ISO 25600, in 1-stop increments)
Maximum ISO Auto setting for movies
Max for ISO Auto ISO 6400 / 12800 / H (equivalent to ISO 25600)
Time-lapse movies
ISO 400–12800 (in 1-stop increments)
Max for ISO Auto
953
Shutter
Shutter functionality in still photo shooting
Type:
Electronically controlled focal-plane shutter
Rolling shutter, using the image sensor
Shutter mode
Flash photography
Mechanical shutter Possible
Electronic 1st curtain Possible
Electronic shutter Disabled
Shutter speed / X-sync speed
Shutter mode Setting range Setting increments X-sync
Mechanical shutter 1/8000–30 sec., Bulb 1/3 stop, 1/2 stop 1/250 sec.
Electronic 1st curtain 1/8000–30 sec., Bulb 1/3 stop, 1/2 stop 1/320 sec.
1/16000, 1/8000–30
Electronic shutter 1/3 stop, 1/2 stop
sec., Bulb
* 1/16000 sec. with electronic shutter is settable only in Tv or M mode. It is not available in Fv, P and Av
modes or Basic Zone modes.
* Even in Tv or M mode, 1/16000 sec. with electronic shutter is not available with conditions as below.
- When setting to HDR mode or focus bracketing shooting.
- If [ISO speed/Shutter speed] or [Shutter speed] is set for Maintaining exposure when the aperture value
changes.
Shutter functionality in movie recording
Type: Rolling shutter, using the image sensor
Shutter Speed:
Movie auto exposure: 1/4000–1/25*1 sec.
Movie shutter-priority/manual exposure: 1/4000–1/8*1 sec.
* Varies by shooting mode and frame rate.
* 1: 1/125 sec. (NTSC) or 1/100 sec. (PAL) with [High Frame Rate] set to [Enable].
954
External flash
Accessory shoe contacts: 21 pins for accessories compatible with the multi-function shoe,
5 pins for X-sync and communication
Flash exposure compensation: ±3-stops in 1/3- or 1/2-stop increments
Drive
Drive mode and continuous shooting speed
Drive modes AF operation Mechanical shutter Electronic 1st curtain Electronic shutter
Single shooting ○
High-speed One-Shot AF
Max. approx. 15 Max. approx. 15 Max. approx. 30
continuous shooting
shots/sec. shots/sec. shots/sec.
+ Servo AF
One-Shot AF
High-speed Max. approx. 6.5 Max. approx. 8.0 Max. approx. 15
continuous shooting shots/sec. shots/sec. shots/sec.
Servo AF
One-Shot AF
Low-speed Max. approx. 3.0 Max. approx. 3.0 Max. approx. 3.0
continuous shooting shots/sec. shots/sec. shots/sec.
Servo AF
Self-timer: 10 sec / remote control ○
Self-timer: 2 sec / remote control ○
Self-timer: Continuous ○
Image stabilization (IS mode): Provided
955
Playback functions
Item Still photos Movies
AF point display 〇
Playback grid Off / 3x3 / 6x4 / 3x3+diag
Magnified view 1.5×–10× (15 levels)
Search conditions
Set image search conditions
Rating / Date / Folder / Protection / Type of file (1) / Type of file (2)
OFF / ★ to ★★★★★
Rating Select images / Select range / All images in folder / All images on card / All
found images
Select images / Select range / All images in folder / Unprotect all images in
Protect images folder / All images on card / Unprotect all images on card / All found
images / Unprotect all found images
In-camera RAW image processing 〇
Resizing 〇
Cropping 〇
Cloud RAW image processing
A feature for uploading images to image.canon for cloud-based RAW processing. Requires
some preparation, such as pairing the camera and submitting information for billing
purposes.
Frame grab from 4K movies
Individual frames of 4K movies recorded with this camera can be saved as approx. 8.3-
megapixel (3840×2160) still photos (JPEG or HEIF*).
* From normal movies, still photos are saved as JPEGs, and from HDR PQ movies, as HEIF images.
* Movies enabling extraction: 4K Fine / 4K / 4K Crop
* Extracted still photos cannot be resized or cropped within the camera.
Print order (DPOF)
Compliant with DPOF Version 1.1
956
External interface
Digital terminal
Terminal type USB Type-C
Transmission Equivalent to SuperSpeed Plus USB (USB 3.2 Gen 2)
• For computer communication / smartphone communication

Applications
• USB battery charging / camera power supply
HDMI output terminal: HDMI micro OUT terminal (Type D)

External microphone input terminal: Equipped with the 3.5 mm diameter stereo mini jack
Headphone terminal: Equipped with the 3.5 mm diameter stereo mini jack
Remote control terminal: Remote Switch RS-60E3 type terminal supported
957
Power source
Battery
Compatible battery packs LP-E6NH / LP-E6N / LP-E6
Quantity used 1
USB battery charging/Camera power supply: Using USB Power Adapter PD-E1
AC power source
Power source section AC Adapter AC-E6N
Connected section DC Coupler DR-E6
Number of shots available
Battery life (Approx. number of shots)

Type of shooting Temperature
Power saving*1 Smooth*2
Viewfinder shooting 500 380

+23°C / 73°F
On-screen shooting 770 660
* 1: CIPA guidelines compliant.

* 2: Based on CIPA guidelines, conforming to Canon testing standards.
* Using a new, fully charged LP-E6NH, with an SD card conforming to Canon testing standards.
* The number of shots available may vary greatly depending on the shooting environment.
* Fewer shots may be available with a compatible accessory attached to the multifunction shoe, because
the camera powers the accessory.
Available operating time

Available operating
Conditions of use Temperature
time
Time available for bulb exposure +23°C / 73°F Approx. 5 hr.
Time available for Live View display (on-screen shooting) +23°C / 73°F Approx. 5 hr.
+23°C / 73°F Approx. 3 hr. 50 min.

Time available for • IPB (Standard)
movie recording Full HD
* Movie Servo AF: • 29.97 fps / 25.00
Disable fps 0°C / 32°F Approx. 3 hr. 30 min.
Available movie • IPB (Standard)

playback time 4K • 59.94 fps / 50.00 +23°C / 73°F Approx. 5 hr. 30 min.
(normal playback) fps
* With a fully charged LP-E6NH
958
Dimensions and weight
Dimensions
(W) × (H) × (D) Approx. 132.0 × 90.4 × 91.7 mm / 5.20 × 3.56 × 3.61 in.
* Based on CIPA guidelines.
Weight
Body
(including battery and card 1) Approx. 612 g / 21.59 oz.
* Based on CIPA guidelines.
Body only Approx. 530 g / 18.70 oz.
* Not including body cap or shoe cover.
Operating environment
Operating temperature: 0–40°C / 32–104°F

Operating humidity: 85% or less
959
Wi-Fi (Wireless LAN) communication
Supported standards (Equivalent to IEEE 802.11b/g/n standards)
Wi-Fi standards Transmission method Maximum link speed
IEEE 802.11b DSSS modulation 11 Mbps
IEEE 802.11g 54 Mbps

OFDM modulation
IEEE 802.11n 72.2 Mbps
Transmission frequency (Center frequency)
Frequency 2412 to 2462 MHz
Channels 1 to 11 ch
Authentication and data encryption methods
Connection method Authentication Encryption
WPA2 / WPA3-Personal AES

Camera access point
Open Disable
WEP
Open
Disable
Infrastructure
Shared key WEP
TKIP
WPA / WPA2 / WPA3-Personal
AES
Bluetooth
Standards compliance: Bluetooth Specification Version 4.2 compliant (Bluetooth Low

Energy technology)
Transmission method: GFSK modulation
All data above is based on Canon testing standards and CIPA (Camera & Imaging
Products Association) testing standards and guidelines.
Dimensions and weight listed above are based on CIPA Guidelines (except weight for
camera body only).
Product specifications and appearance are subject to change without notice.
If a problem occurs with a non-Canon lens attached to the camera, contact the
respective lens manufacturer.
960
Trademarks and Licensing
Trademarks
About MPEG-4 Licensing
Accessories
Trademarks
Adobe is a trademark of Adobe Systems Incorporated.

Microsoft and Windows are trademarks or registered trademarks of Microsoft
Corporation in the United States and/or other countries.
App Store and macOS are trademarks of Apple Inc., registered in the U.S. and other
countries.
Google Play and Android are trademarks of Google LLC.
IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and
is used under license.
QR Code is a trademark of Denso Wave Inc.
SDXC logo is a trademark of SD-3C, LLC.
HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered
trademarks of HDMI Licensing LLC.
The Wi-Fi CERTIFIED logo and the Wi-Fi Protected Setup mark are trademarks of the
Wi-Fi Alliance.
The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth
SIG, Inc. and any use of such marks by Canon Inc. is under license. Other trademarks
and trade names are those of their respective owners.
USB Type-C™ and USB-C™ are trademarks of USB Implementers Forum.
All other trademarks are the property of their respective owners.
961
About MPEG-4 Licensing
“This product is licensed under AT&T patents for the MPEG-4 standard and may be used for
encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was
encoded only (1) for a personal and non-commercial purpose or (2) by a video provider
licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted
or implied for any other use for MPEG-4 standard.”
THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR
THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT
RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
STANDARD (''AVC VIDEO'') AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY
A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM
A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED
OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM
* Notice displayed in English as required.
962
Accessories
Use of genuine Canon accessories is recommended

This product is designed to achieve optimum performance when used with genuine Canon
accessories. Therefore, using this product with genuine accessories is highly recommended.
Canon shall not be liable for any damage to this product and/or accidents such as
malfunction, fire, etc. caused by the failure of non-genuine Canon accessories (e.g., a
leakage and/or explosion of a battery). Please note that repairs arising out of the malfunction
of non-genuine accessories will not be covered by the warranty for repairs, although you
may request such repairs on a chargeable basis.
Caution
Battery Pack LP-E6NH is dedicated to Canon products only. Using it with an

incompatible battery charger or product may result in malfunction or accidents for
which Canon cannot be held liable.
Check the following website for details on compatible accessories.
963

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Advanced User Guide

CT2-D181-A © CANON INC. 2022

Before starting to shoot, be sure to read the following

Take some test shots, and understand about product liability

Battery Pack LP-E6NH

Battery Charger LC-E6/LC-E6E*

Check the following website for details on compatible accessories.

The included Instruction Manual provides basic camera instructions.

Advanced User Guide

Lens/Software Instruction Manual

Select [ : Manual/software URL] to display the QR code on the camera screen.

1. Insert the battery ( ).

Upon purchase, charge the battery to start using ( ).

2. Insert the card ( ).

You can insert two cards.

3. Attach the lens ( ).

5. Set the power switch to < >( ).

6. Flip out the screen ( ).

When the date/time/zone setting screen is displayed, see Date/Time/

All the necessary camera settings is set automatically.

8. Focus on the subject ( ).

A tracking frame [ ] for AF appears over any face detected.

9. Take the picture ( ).

Press the shutter button completely to take the picture.

Icons in This Guide

Basic Assumptions for Operational Instructions and Sample Photos

Icons in This Guide

< > Indicates the Main dial.

< > Indicates the Quick control dial.

< > Indicates the Multi-controller.

< > Indicates the Quick Control/Set button.

Warning to prevent shooting problems.

Tips or advice for better shooting.

SD/SDHC/SDXC memory cards

Cards That Can Record Movies

In this guide, “card” refers to SD memory cards, SDHC memory cards,

Be sure to read these instructions in order to operate the product safely.

WARNING: Denotes the risk of serious injury or death.

Keep the product out of the reach of young children.

Do not fire the flash near the eyes.

Do not touch the screen storage compartment (A), because its

This camera is a precision instrument. Do not drop it or subject it to physical shock.

Screen and viewfinder

The following does not affect images captured by the camera.

Smudges on the image sensor

Tips for using the battery and charger

Store in a cool, dry, well-ventilated location.

Long-term battery storage

Charge about once a year.

Attaching the Strap

(1) Viewfinder eyepiece

(1) Serial number (body number)

(1) Basic Zone

: Scene Intelligent Auto ( )

Group Photo Food

Landscape Night Portrait

Panoramic shot Handheld Night Scene

Sports HDR Backlight Control

Grainy B/W Miniature effect