How To Make Laser Shows: The Complete Guide
How To Make Laser Shows: The Complete Guide
Laser shows can take many forms. But in general, a laser show is a display combining
laser light, music and at times other multimedia elements (such as LED lighting, video,
pyro and more) to create a choreographed sequence of effects captivating audiences,
bringing people together in a fun, exciting, and unique way.
Laser beam and aerial effects are generally broken down into a few basic categories.
These include beams and aerial effects, laser fans and laser tunnels, and liquid sky
laser effects (we call them liquid skies, as the effect projects a sheet or tunnel of laser
light above your head, which looks like a liquid sky when combined with haze or fog).
At times, you might also see laser shows projected into an audience area, where
people can actually touch the laser light. This is called “Audience Scanning” and it is
one of the most beautiful effects that can be created with laser. However, it also
requires a deeper understanding of laser safety to ensure no one in your audience is
harmed from laser coming in contact with their eyes.
Laser graphics and effects (including laser logos, text, abstracts and 3D content)
Laser graphics are another fun type of laser effect that can be crated. These also take
multiple forms and may include animated laser graphics, laser logos, laser text, laser
abstracts, 3D laser images, and even fully animated graphical laser shows.
Laser mapping and architectural laser lighting
One of the newest and fastest growing laser effects, is called “laser mapping”. When
you create laser mapping effects, you take a laser projection system and use it to map
out the edges of a building, object or surface (such as a city building or structure, car,
stage, etc.). This is very popular among architects and designers, looking to highlight
and accent a structure or object.
* All the different types of laser shows noted above, can be performed both indoors and outdoors *
Below you can find pictures and links illustrating all of the
laser shows and effects we have discussed here.
LASER BEAM AND AERIAL EFFECTS
Laser logos and projections
Laser text
Laser abstracts
3D Laser animations (notice how you can layer images)
LASER MAPPING EFFECTS
VIDEO LINKS
Check out these awesome videos, showing different types of laser shows!
Laser graphics:
• https://www.youtube.com/watch?v=otFM46BpfOs&list=PLYN8RZ0FldXHgWU8aPJSLZ2LSuRJ39u8T&index=13
• https://www.youtube.com/watch?v=-WlIWemMcUY&index=21&list=PLYN8RZ0FldXHgWU8aPJSLZ2LSuRJ39u8T
• https://www.youtube.com/watch?v=g8fubr6I5Io
Laser mapping:
• https://www.youtube.com/watch?v=ZubQNEmXMDM
• https://www.youtube.com/watch?v=mPyK4-lMT9w
To create and run a laser show, you need a laser control system. A laser control system
is a combination of laser control hardware and software. The software allows you to
design and create your desired laser shows and effects, and the hardware plays that
content back across the laser projector. In order to create laser shows like the ones
shown above, you need to have a laser control system.
When you are new to lasers, an important thing to consider when purchasing a laser
control system and laser projector is “how” you want to run your show - literally
meaning, how do you want to physically setup and run everything. Below we will
discuss the most commonly used laser show control hardware systems, and explain
how you can setup them up in a real world scenarios. This will provide you with a better
understanding of what laser control hardware setup is right for you.
• Protocols supported: USB, ILDA (DMX and ArtNet through Pangolin software)
The FB3QS hardware is a simple and easy to use laser control hardware, great for
people who are new to lasers. It connects to your PC via USB, and then to the laser
projector using an ILDA cable. Diagrams showing the basic setups available with this
hardware are shown below.
Basic diagram showing FB3QS and laser setup
NOTE: Here we have PC running Pangolin software. It connects to the FB3QS via USB, and then to the
laser projector using a ILDA cable run. You can also control this setup from a DMX console if you desire,
when using Pangolin QuickShow or BEYOND software together with the FB3QS.
FB4 INSIDE - The future of laser projectors
• Protocols supported: Network, DMX, ArtNet, Stand-alone (with real time clock), ILDA
DMX (in/out)
ILDA (in/out)
FB4 Media Server
The latest technology on the market now, is having the FB4 media server entirely
integrated with your laser projector. This setup offers a wide variety of advantages, as it
substantially simplifies the control setup, reduces cabling, and makes control of
multiple projector shows a lot easier. Not only that, but it allows lighting professionals to
integrate lasers into multimedia setups, in a much more convenient way. Currently most
professional laser projectors have the ability for FB4 to be integrated, and in time, all
laser projectors will operate in this manner. It truly is the future of laser show technology
in that regard.
When working with FB4, there are three powerful, yet easy to use setups for controlling
your laser show. These are outlined below.
How to use FB4 inside your laser
PC mode - Simply run a network cable from your PC to your laser projector with FB4,
and you are setup and done. It’s just that simple.
Network (CAT5/CAT6)
Lighting console mode - Lasers with FB4 support both the DMX and ArtNet
protocols . And as mentioned above FB4 also has on board SD card memory. This
makes it easy to control a laser with FB4, from any lighting or DMX console. Simply
create your laser content in software (QuickShow or BEYOND), and save it to FB4.
Then, you can run a DMX or ArtNet feed to the laser projector with FB4 and you are
setup and done. You can then control your laser with FB4 from any lighting or DMX
console of your choice. Pangolin also has profiles available, for all popular lighting
consoles on the market.
DMX or ArtNet
You can also update content on the laser with FB4, over a network cable. Making it
very easy to change and edit content, when you need to.
• Example... Lets say you programmed a show, and you want it to run every Friday evening at 20:00
hours (8:00pm). You can create that content in laser design software like QuickShow or BEYOND, save
it to FB4, and then set the clock on FB4 to play it back automatically at that specified date and time.
As long as the laser projector with FB4 inside has power, the show will run automatically at the date
and time you specified. And no PC or console needs to be used to trigger this.
Step 1 - Program your content in software, and save to FB4 inside your laser.
* NOTE - You can also send content to the memory of FB4 on your laser, over the network cable.
Step 2 - Set the clock on FB4, to display that content at a given date and time.
Step 3 - Your show will run itself automatically, at the date and time you specified. No
PC or console needed to trigger this. It is truly automatic in that regard.
FB4 EXTERNAL - An external media server, for laser shows
• Protocols supported: Network, DMX, ArtNet, Stand-alone (with real time clock), and ILDA
Display
Network
DMX in/out ILDA out
or ArtNet
FB4 is a media server for laser shows. It is a network based control system with
support for all major lighting protocols (network, DMX, ArtNet, stand-alone and ILDA).
It features a full color display, as well as an onboard SD card memory system. When
using an external FB4 device, you have a few more control possibilities, than you do
with the standard FB3QS. These are outlined below.
How to use FB4 external with your laser
PC mode - Simply run a network cable from your PC to the FB4 external hardware, and
then from the hardware, run an ILDA cable to the back of the laser.
Network ILDA
Stand alone operation (RTC) - All FB4 devices support a standard called “RTC” or
real time clock. We also call this “stand alone operation”. When using FB4 External in
this setup, you can create your content in laser design software (like QuickShow or
BEYOND), and then save it to the memory system on the FB4. FB4 has a built in clock,
so that you can tell the system to play the show or content you created back, at a
specified date and time. And you do not need to have a PC, console or anything
connected, to trigger the playback. Just run power to the FB4 External and laser show
projector, and the show will run itself automatically, without the need of a PC or console,
to trigger and start the show.
• Example... Lets say you programmed a show, and you want it to run every Friday evening, at 20:00
hours (8:00pm). You can create that content in laser design software like QuickShow or BEYOND, save
it to FB4, and then set the clock on FB4 to play it back automatically at that specified date and time.
As long as the FB4 External and laser projector have power, the show will run automatically at the date
and time you specified. And no PC or console needs to be used, to trigger this.
Step 1 - Program your content in software, and save to FB4
Step 2 - Set the clock on FB4, to display that content at a given date and time
Step 3 - Run your show in stand alone mode (no PC or console required)
As long as the FB4 external and laser have power, your show will run at the specified date and time you
define. You can also update content on the FB4, over a network cable
Power to laser
ILDA based laser projector
HOW TO DESIGN LASER SHOWS
In order to create a real laser show, you need laser show software. These programs are
required in order to create laser shows and effects, like the one’s we described above.
There are two industry standards for laser show software. These are called QuickShow
and BEYOND. A brief overview of both is noted below:
QuickShow allows you to create all types of laser shows and content, including laser
beam effects, laser graphics, laser text, laser logos and full scale laser animations. This
software allows you to run your shows “live” to the beat of music, or preprogrammed on
a timeline. And you can control your shows with QuickShow from a PC, MIDI console,
DMX console or lighting console.
There are several tools in QuickShow, that make creating custom laser content and
effects very easy. These include...
QuickShow also includes hundreds of FREE laser shows, and thousands of pieces of
laser clip art all accessible through the integrated Pangolin Cloud feature.
The QuickShow software is FREE, with the purchase of any Pangolin hardware device.
The system also includes several tutorial video which help learn how to get the most
out of the program
Learn more about QuickShow, see videos and try a FREE demo here:
www.Pangolin.com/QuickShow
BEYOND - BEYOND is the world’s most powerful laser show design and multimedia
control software. BEYOND not only allows you to design, create and control laser
shows, but it can also control multimedia content (including video, LED based lighting,
pyro, audio and more).
The BEYOND software supports all major lighting industry protocols, including network,
DMX, ArtNet, SMPTE, MIDI, OSC, and ILDA. It also features a variety of powerful tools
allowing you to easily control a show from any lighting, DMX or MIDI console you
prefer. And you can also map those devices out, and create custom profiles, using the
software’s “scripting tools” (these allow you to access the core of the software, and
then customize it to meet you specific needs).
BEYOND also has an immensely powerful effect engine, allowing you to create a
multitude of sophisticated and complex laser effects, in an easy to use manner.
And for clients who enjoy laser graphics, or who enjoy designing 3D laser content,
BEYOND has a powerful 3D animation program built directly inside the software,
allowing you to create any type of laser animations, or 3D objects you like. It also
supports popular 3D animation software programs including 3D Studio Max, Cinema
4D, Maya, Blender, and others.
The advanced drawing program inside of BEYOND is truly like “photoshop” for lasers,
allowing you to draw and design any type of laser content you can imagine. It also
features in incredibly powerful abstract generator, that can be used to create stunning
abstract laser content.
When it comes to color mixing, BEYOND cannot be beat. The software’s advanced
color palette training systems allows you to quickly and easily balance colors across all
laser show projectors in your setup. And it allows you to get more colors, from a laser
projector.
The program also has excellent tools for geometric correction, and laser mapping.
Making it easy to project lasers onto complex surfaces, or to set specific projection
areas for laser to go into.
One new and innovative new tool emerging in the laser show industry, is the ability to
create interactive laser displays. BEYOND features an awesome interactive show
module, that allows you to make the lasers move, using your body movement.
And just like QuickShow, BEYOND comes with hundreds of FREE laser shows and
laser clip art frames included, and gives you full access to the revolutionary new
Pangolin Cloud.
BEYOND is software, and when you purchase BEYOND, is gets licensed to one of your
Pangolin hardware devices (such as the FB3QS or FB4). It works in a master / slave
setup, so that you only need one BEYOND license for a piece of hardware, and then
that unit becomes your “master dongle”. Then, any additional laser control hardware
you connect in the setup, will work as a slave within the system. This makes the cost of
running large scale laser shows with BEYOND, very affordable. Because you only need
one BEYOND license, and then you can control multiple pieces of laser show control
hardware.
Learn more about BEYOND, see videos and try a FREE demo here:
www.Pangolin.com/beyond
HOW TO CONTROL LASER SHOWS
Live laser shows are perhaps the most popular way of controlling a laser show. You see
these often at festivals, nightclubs, and similar events and they are mostly “laser beam
and arial shows” but may at times also include various laser graphics and in rare
cases, laser mapping and interactive effects. When performing a live laser show, you
are generally performing to the beat of the music playing, and you can run this from a
PC, touchscreen, MIDI, DMX or lighting console.
Many clients will control their live laser shows from a PC or touchscreen computer. This
sort of setup is very common. A picture showing a basic setup is below.
PC or touchscreen
running Pangolin QuickShow or BEYOND software
Live from a MIDI or DMX console (with a PC)
Some clients prefer the touch and feel a MIDI or DMX console has to offer. And in this
fashion, they connect their MIDI or DMX console to the PC, and then control the
software and show live, from that device.
PC or touchscreen
We also have clients who come from lighting design background, and prefer to control
their entire show from a lighting or DMX console (such as a GrandMA, Chamsys, Hog,
Avolites, etc). This can also be done with our without a PC connected. Examples are
shown below.
PC or touchscreen
running Pangolin QuickShow Lighting or DMX console
or BEYOND software
From a Lighting / DMX console (no PC)
You can also run the entire show from a lighting or DMX console, without a PC in the
setup. This is very popular with lighting designers. In such a setup, you design your
desired laser show and content in software (QuickShow or BEYOND). Then, you save
that content to the FB4 hardware (Internal or External version). After that, you can
control the content saved on FB4, from any lighting console of your choice.
DMX or ArtNet
Pre-programmed laser shows are perhaps the second most popular type of laser show
you will see. These are common on large scale musical tours, and corporate events
(where the exact music that will play is known ahead of time) as well as at permanent
installations (theme parks, hotels, etc.).
Pre-programmed shows may consist of laser beam and arial shows, as well as laser
graphics, laser mapping effects, and interactive laser shows.
A stand-alone laser show is one where the show “runs itself”. Stand alone laser shows
can consist of laser beam and arial effects, laser graphics, and laser mapping effects.
Stand alone laser shows are accomplished using a laser projector or laser setup with
FB4 hardware. In such shows, the show content is created in software (QuickShow or
BEYOND), and then saved to the memory on FB4. Then, using RTC (real time clock
feature) the show content can be set to project at a specified date and time. When
running stand alone laser shows, you can project complete laser shows, as well as
specific laser content, cues and workspaces. The laser projector and FB4 only need to
have power, and they will run your show automatically, without the need to trigger
anything. It is truly automatic, in that regard.
* The principles described here apply to all means of controlling a laser show (live,
pre-programed, and stand-alone). These principles are also universal in both
QuickShow, BEYOND and all laser show software.
To begin, you should first understand the difference between “shared control” and.
“independent control”.
Independent control - This is where each of the lasers in your setup can do something
different, at the same time. When working in this fashion, each laser projector needs to
have it’s own control hardware behind it, so that it can receive an independent control
signal from your control station. This is the most common type of laser setup, especially
when working with multiple laser projectors, as it allows you to create more types of
laser effects, and more sophisticated laser shows.
Shared control - This is where each of the lasers in your setup are doing the same
thing, at the same time, as they are sharing the same control signal.
Understanding Zones - A zone is a feature inside of laser control that allows you
define the exact area laser content will be projected. Each laser projector can also
have multiple zones assigned to it, so that it can project content in multiple areas. when
controlling multiple laser projectors in a show, zones also help you define which laser
projector, content will go to. It’s a great feature, and helps you create better looking
laser shows and effects.
Watch and learn - Check out this great tutorial video illustrating these principles in
action (the tutorial was made using QuickShow software and FB3QS hardware, but
again, the principles are universal in this regard).
https://www.youtube.com/watch?v=4I-hWbi7E5E
* Diagrams on the following pages show various independent show setups, using both
FB3QS and FB4 laser control hardware.
FB3QS - Independent control example
ILDA cable
FB3QS
USB cable
Control Station
This can be a PC, console, etc.
Each laser in this setup has it’s own FB3QS controlling it, so
each laser can do something different at the same time.
FB4 External - Independent control example
ILDA cable
FB4
External
Network cable,
DMX or ArtNet
Control Station
This can be a PC, console, etc.
Each laser in this setup has it’s own FB4 External controlling it, so each laser can do something
different at the same time. When working with FB4 external, you can control the show from a PC,
touchscreen, MIDI console, DMX console, or lighting console (with or without a PC, as noted
previously). And because FB4 external supports network, DMX, and ArtNet, you can choose
which type of control cable you run, depending on your control setup.
FB4 inside your laser - Independent control example
FB4 Inside
your laser
Network cable,
DMX or ArtNet
Control Station
This can be a PC, console, etc.
Each laser in this setup has it’s own FB4 inside controlling it, so each laser can do something
different at the same time. When working with FB4 inside, you can control the show from a PC,
touchscreen, MIDI console, DMX console, or lighting console (with or without a PC, as noted
previously). And because FB4 inside supports network, DMX, and ArtNet, you can choose which
type of control cable you run, depending on your control setup.
* All laser projectors offered by Pangolin, can be setup and configured this way.
FB4 inside your laser - Independent control example with daisy chain
FB4 Inside
your laser with Network or ArtNet
integrated switch
daisy chain
Network or ArtNet
Control Station
This can be a PC, console, etc.
In this example, each laser has FB4 inside, with a built-in switch. This allows you to run a single
network or ArtNet control feed, and then daisy chain across each unit. And because each unit has
FB4 inside, they are each independently controlled. This is currently the most convenient way to
setup a laser show, as it dramatically reduces the amount of cables involved. And your control
station can be a PC, or any console of your choice.
* All laser projectors offered by Pangolin, can be setup and configured this way.
FB3QS - Shared control example
ILDA cable
ILDA cable daisy chain
FB3QS
USB cable
Control Station
This can be a PC, console, etc.
In this setup, we have three lasers, and only one FB3QS. Then, we “share” that signal from the
single FB3QS, to the other lasers in the setup, using an “ILDA daisy chain”. So each laser in this
setup, will do the same thing, at the same time, as they are sharing the same signal. If you use an
advanced projector (like what we offer here at Pangolin) you can invent your axis on X and Y, to
make a “mirrored” effect.
FB4 external - Shared control example
ILDA cable
ILDA cable daisy chain
FB4 EXTERNAL
Network cable,
DMX or ArtNet
Control Station
This can be a PC, console, etc.
In this setup, we have three lasers, and only one FB4 external device. Then, we “share” that signal
from the single FB4, to the other lasers in the setup, using an “ILDA daisy chain”. So each laser in
this setup, will do the same thing, at the same time, as they are sharing the same signal.
If you use an advanced projector (like what we offer here at Pangolin) each laser will have an
ILDA-in and ILDA-out connection, allowing you to do this. In addition, you can invent your axis on
X and Y, to make a “mirrored” effect.
LASER SHOW PROJECTORS
To provide a simple definition, a laser projector is any laser system which projects laser
output for entertainment purposes. Most entertainment laser projectors generally
consists of one or more laser sources (red, green and blue) which are combined
together with an optical scanning system and various drive electronics, and then
integrated into a laser housing. This allows for the projection of 2D and 3D laser
content and objects. Laser projectors (as noted above in the previous sections) can be
controlled in a lot of different ways. But most commonly they are controlled from a PC
or lighting / DMX console. They can also be controlled in stand-alone or “auto-mode”, if
they are used in conjunctions with an FB4 hardware device.
Here you can see the general construction of a professional laser projector.
Mounting bracket
Housing
Output window
Manual Shutter
The back of the laser projector
On the back of professional laser projectors, you will see the control inputs, as well as
various adjustment and safety options that are commonly available. These are shown
below (they may also vary from laser to laser - this is a general overview).
Power on/off
E-stop interlock
(safety feature)
ILDA in and ILDA out
control inputs
Power inputs
Invert X, Y, Z
Safety on/off
Laser technology is constantly evolving, and new higher end professional laser
systems are now using network based laser controllers, that get integrated inside of the
laser projector. This helps make the setup of a laser show a lot easier, and in addition,
makes the control of multiple laser projectors much simpler.
The industry standard network laser control system being integrated, is called “FB4”.
FB4 offers a much greater degree of control possibilities. So newer professional lasers
on the market, will tend to look more like the laser projector below.
DMX (in/out)
Power on/off
Power input
ILDA (in/out)
FB4 Media Server
E-stop interlocks
(safety feature) This device is a media server for laser shows, integrated
with the laser projector. It is basically a small computer
within the laser, and allows you to control all projector
Key switch (safety feature) parameters (including colors, safety, geometric correction
and more). In addition, it allows your lasers to more easily
interface with other production equipment. It also features
a full color display, and onboard memory systems.
* Ethercon available
* Network and ArtNet in/out also available
Inside the laser projector
A laser show projector generally consists of red, green and blue laser sources which
are combined together with an optical scanning system, dichros (optics), and various
drive electronics, and then integrated into a protective housing.
Dichros (optics)
Optical scanning
system
A laser module is the light source, inside of a laser projector. Think of this like the
lightbulb inside of a lamp, the same principle applies. Inside of a laser module you
have various laser diodes and optics / crystals. A laser diode is the component that
emits laser light within the module itself.
To offer a bit of history… Laser modules were first gas laser tubes holding a specific
gas, argon, or mixture of gases or helium-neon, and a large amount of power was used
to excite the gas and create a laser beam. This technology later evolved to DPSS,
which stands for Diode-Pumped Solid State. DPSS lasers used a very high powered
infrared light source which was then focused onto a specific crystal (Nd:Yag) to create
various lasers wavelengths (colors). Most recently, diode laser technology has become
the standard for laser show laser modules. This technology uses an electrical current
applied to a laser diode, which is then passed through a laser crystal, to create laser
light. This has become the standard type of laser module in the laser light show
industry, due to the reliability and longevity it offers.
Here is a quick photo of what a professional pure diode laser module looks like
(showing both the external housing, and inside the module).
Laser diode
LASORB
You will notice that inside of the laser module, we have the laser diodes, and various optics used
to create the laser beam.
IMPORTANT: You will also see a component called LASORB, connected to each laser diode.
LASORB is a protection device used on professional laser projectors, that protects the diodes
inside from ESD (electro static discharge) as well as power surges. ESD and power surges are
two of the biggest causes of premature laser failure, and LASORB guarantees your laser module
and laser diodes, will not be harmed from these elements.
* You can see why you want to have LASORB inside of your module, by watching this video:
https://www.youtube.com/watch?v=Bow7pL4n3Ak
Another type of laser light source which is common only in very high end laser show
projectors, is OPSL technology. OPSL stands for Optical Pumped Solid State, and to
put it simply, it offers a very low beam divergence (meaning the laser beam is tighter,
and thus, appears brighter). OPSL laser modules are mostly integrated into high end
laser show projectors, used for large scale outdoor applications, and stadium sized
shows. A picture of an OPSL module and what it looks like inside of its housing, are
provided below. Lasers offered by Pangolin integrate OPSL laser sources into nearly all
of our high power laser projectors. Helping clients get a much brighter laser system,
but still at a cost effective price point.
An optical scanning system is really the heart and soul of a laser show projector. It
consists of two small electronic motors placed inside of a mount on an X and Y axis.
Each of the motors has a mirror connected to it, to reflect laser light. And on the bottom
of the motor there is a position detector, to receive a control signal from a laser control
system. These motors are driven by a servo amplifier.
When the scanners receive the signal from your laser show control system, they move
back and forth at very rapid speeds, reflecting the laser light off of them and allowing
you to project 2D and 3D laser show images and displays.
• A “Galvo” is another name for an optical scanner. Galvo is the scientific term
used when discussing the motor itself.
• A “Scanner” is just another name for a “Galvo”. The name derived as people
saw the “Galvo” scanning the laser beam off of it.
• The “servo amplifier” (or amplifier for short) is the drive electronic, used to send
the signal to the optical scanning system.
Optical Scanning System
inside a laser projector
Body
Position detector
Servo Amplifier (driver) Position Detector
There are a lot of laser projectors on the market today, and not all lasers are created
equal. The configuration of your laser projector and the quality of the components used
inside, have a direct impact on the type of laser shows and content you can create.
Here will will provide some basic guidance to help you understand what to look for
when buying or comparing laser show projectors.
Lasers come in a wide variety of power levels, and the power of the laser is important
to understand when choosing the right laser for your desired application. Laser powers
are generally specified in terms of “watts (W)” or “mili-watts (mw)”.
• 1W = 1,000mw
• Take note of this, as it is important when understanding the power of your laser.
You also need to be careful when looking at laser powers as different manufacturers
use clever terms to specify the actual power of their lasers, which in some cases
inadvertently makes a laser projector look more powerful than it actually is.
When you are looking at different laser systems, it is important to know the exact output
power of the laser, at the output window. As that is the real amount of power you will
have to work with, when performing shows. This is also very important for various laser
safety aspects, especially if you are performing an Audience Scanning laser show.
** All laser projectors offered by Pangolin have their specification for power listed at the
output window. So you will get the exact laser power specified - and sometimes even
more : )
Deciding what power of laser to get can also be confusing at times, as there are a lot of
laser powers available. A basic guide of what power is right for a given application, is
noted below.
• Low Power Lasers (500mw - 3W) - Well suited for indoor shows, such as small to
medium size clubs. Also great for home use.
• Medium Power Lasers (3w+ - 12W) - Well suited for medium to large scale indoor
venues, as well as certain types of outdoor laser shows (think small festivals). These
are also well suited for graphic projections outdoors (during nighttime hours).
• High Power Lasers (12w+ - 40W) - Well suited for large scale indoor venues (think
stadium sized shows) as well as large outdoor shows (festivals, stadiums, long
distance arial projection, sky projections, etc.).
Laser colors (and laser modulation)
Most laser projectors have one to three laser modules (red, green, and blue) but the
international standard provides for up to 6 color channels to control up to 6 different
color laser modules. A laser module’s color is determined by its wavelength which is
measured in nanometers (nM). All 6 international standard colors, are noted below.
With that being said, the vast majority of laser show projectors on the market, use three
color sources (Red, Green and Blue). We call these “RGB” laser projectors. And with
RGB based laser projectors, you can create nearly any color in the spectrum.
When working with RGB laser projectors, it is very important to have a system with an
even balance of red, green and blue laser sources inside, as this is a critical element
that allows you to create a wider variety of colors from the laser projector.
A good ratio of red, green and blue is about 20-30% red, 30-40% green, and around
40-50% blue. Green is the most visible color for lasers. Blue is also the cheapest laser
source. So it is common for some budget manufacturers to advertise high power
lasers, that use a lot of blue. This is generally not good, because even though you have
more power, you have unbalanced colors. And in reality, an evenly balanced laser with
good color combination and divergence, will appear brighter to the human eye, than
even a higher power system with an uneven balance of red, green and blue. So when
comparing brightness, it is not just about “power” ... Color balance, divergence, quality
optics, and internal components, are all equally and if not more important overall.
* NOTE - Divergence is the width of the laser beam. Meaning how large is the “spot
size”… The lower the divergence, the better looking the laser beam is. Generally a
system with <1mrad (full angle) is a good starting point.
There are two types of lasers when it comes to the type of modulation they have. These
include “analog” and “TTL” based systems. Without getting too technical, if you use an
analog laser projector with good linear modulation, you can create millions of different
color combinations, and evenly fade in, and fade out those colors when creating
different laser effects.
If you have a TTL based laser, you are limited to only seven colors in total, and you
cannot fade in, and fade out across different colors. Generally speaking, budget level
lasers or those which are lower in price ($1,000 or less), are TTL based. While more
professional lasers tend to be analog modulated.
This is an externally caused change in laser power, which turns the laser on/off and
also allows for the fading of colors. Blanking, or tuning a laser module all the way off, is
used in drawing laser animations to separate image components so they are not
connected by a low power line.
For example, if the word “TEXT” is projected, a properly blanked laser with analog
response and a good linear balance, would turn off (0% power) between each letter of
the word, allowing you to clearly see each letter in the projected image.
Whereas in less lower-end laser systems, you will see a line or tail going through the
word “TEXT” as illustrated below.
Most laser projector manufacturers use the term “KPPS” or kilo points per second,
when defining optical scanning speeds. So you might see specifications like “20K,
30K, 40K, 60K, etc.. When looking at the optical scanning speeds.
But what is just as important as the speed of the optical scanning system, is the angle
which it can perform at. All optical scanning specifications inside of laser projectors
should be done at 8°. This is the standard set by the International Laser Display
Association, which oversees most laser specifications on the market currently. We use
8°, because this is really the smallest scan angle you would ever really use in a real
world scenario.
So for example, you might see “30K @ 8°” or “40K @ 8°”, etc... Again, make sure you
are closely watching the angle at which the speed is defined, because you do not want
to get taken advantage of, by some of the manufacturers on the market who fudge this
specification, to make their laser appear better than it actually is.
• Caution... Some people will say “30K @ 4°”... Well, this is really 15K @ 8°. So in
reality, you did not get a real “30K” laser projector, you actually got a 15K laser,
accordingly to the international standard. We cannot stress how important this is to
take note of. Because the optical scanning system plays a huge part, in the overall
quality of your laser, and the type of effects it can create.
Another important thing to consider when looking at optical scanning systems on your
laser projector, is the optical degrees it can project at, on an X and Y axis. For
example, some people will say +/- 60° optical on the X and Y axis. You want to take
note of this, because the angle you can project at, on the X and Y axis, directly effects
how large of a projection area you can cover with a single laser. Better lasers on the
market will start at +/- 60° optical on the X and Y axis.
So here is an overview of optical scanning specifications, and how they related to the
effects you can create...
• 30K @ 8° (+/- 60+° optical on the X and Y axis) - This will be well suited for laser
beam effects, and it can also be used for basic laser graphics, text and logo
projections. The +/- 60° optical is a pretty large scan angle, and will allow you to
cover a relatively wide projection area.
• 40K @ 8° (+/- 60+° optical on the X and Y axis) - This will be well suited for laser
beam effects, and it will also can also give you a big sharper looking laser graphics,
text, and logo projections. The +/- 60° optical is a pretty large scan angle, and will
allow you to cover a relatively wide projection area.
• 50K @ 8° (+/- 60+° optical on the X and Y axis) - This will be well suited for laser
beam effects, and it will also can also give you very sharp looking laser graphics,
text, and logo projections. The +/- 60° optical is a pretty large scan angle, and will
allow you to cover a relatively wide projection area.
• 60K @ 8° (+/- 60+° optical on the X and Y axis) - This will be well suited for nearly
any type of laser display you might wish to create. However, there are only a few
optical scanning which can really achieve this speed.
Below is a list of today’s best quality optical scanning systems, available inside
of various laser projectors on the market.
• ScannerMAX Saturn 1 - A high end optical scanning system, which performs high
quality laser beam effects, and exceptionally crisp laser graphics, text and logos.
This is currently the fastest optical scanning system in the world. If you need
precise laser graphics, on a low power to medium power laser projector, this is the
best optical scanning system to use. But, it is a bit expensive. If you do not need
this precision, the Compact-506 is generally well suited for most standard
applications.
• ScannerMAX Saturn 5 - A high end optical scanning system, which performs high
quality laser beam effects, and exceptionally crisp laser graphics, text and logos. If
you need precise laser graphics, on a low high power laser system, this is the best
optical scanning system to use.
• Cambridge CT6215 - This is another great optical scanning system, and commonly
used across the industry because it was one of the first optical scanning systems
integrated into a laser show projector. You will mostly find these integrated into high
power lasers, starting at around 9W in power, up to 40W.
• ScannerMAX Saturn 9 - A high end optical scanning system, which performs high
quality laser beam effects, and exceptionally crisp laser graphics, text and logos.
These are generally integrated into lasers, that have a large beam diameter and
thus require a larger mirror to hold the beam.
Our team here at Pangolin has over 30-years of international experience in the
development and application of laser light show technology. If you have questions
about finding the right laser projector, let us know.
We work with all of the world’s leading laser projector manufacturers, and have also
visited nearly every single factory worldwide, making laser show systems. As such, we
can provide great insight on what laser show projector would be right for your needs,
and desired application.
William R. Benner Jr., President and CTO of Pangolin Laser Systems, Inc. holds over
30-international patents, for laser related technologies he has developed. Benner is
considered by many, to be the world’s premier expert on optical scanning technology,
and in addition to his role at Pangolin, he has consulted with many of the world’s
largest optical scanning and laser technology related companies, about how to
improve and integrate optical scanning technology. In addition, Mr. Benner has
published books and various articles, discussing optical scanning, the technology
behind it, and how it can be used in real world scenarios.
Mr. Benner wrote an entire book about optical scanning technology, which you
can download for FREE, by going to this website:
http://www.pangolin.com/_Files/LASER_SCANNERS_Book.pdf
* Password is “hello”
LASER SHOW RESOURCES
Laser light shows have been taking place for more than forty years. In all of this time, a
very small number of incidents have been reported, claiming that an audience member
was injured or harmed as a result of a laser light show. Frankly speaking, laser shows
are one of the safest special effects that can be produced, especially when the
operator employs the required laser safety precautions and procedures. However,
certain laser effects carry an increased potential of an unsafe exposure, and as such,
an understanding of the hazard potential of each type of effect, and how to perform
these effects safely, is imperative for any laser operator. Typically, the only laser effects
that are potentially hazardous, are those effects that come in direct contact with the
audience. Why? We will explain the answer to this question here, without getting too
technical.
Why laser effects are potentially more hazardous than typical light sources
The following diagram provides a great illustration and starting point, to help explain
why directly viewing a laser beam can be potentially hazardous.
As the diagram above helps illustrate, the human eye is able to focus laser light much
more efficiently than it can other types of light (such as sunlight or light from an
incandescent light bulb). The better focusing action leads to greater concentration of
the light. And, just like when holding a magnifying glass to focus a beam of sunlight
into a given area, the human eye will focus laser light into a very small spot. At very
high levels, the concentrated energy could become hazardous.
This is a major reason why there are regulations surrounding the use of Audience
Scanning-type laser effects, especially in the United States, but also in Europe and
some other countries. And, it is also why we at Pangolin strongly urge anyone
performing Audience Scanning, to first understand these laser effects, understand
what makes the effect potentially hazardous, and to learn how to perform Audience
Scanning shows safely and correctly, before presenting this type of effect in a live show
scenario.
As a world leader in laser show safety, our team here at Pangolin has compiled a
wealth of great articles that discuss the various laser safety aspects touched on in this
book; including Audience Scanning safety and the use of lasers in airspace. You can
access these articles, using the links below:
Audience Scanning Safety Article - Making laser shows safe and enjoyable,
by William R. Benner Jr.
http://www.pangolin.com/resguide09a.htm
At Pangolin, we don’t just talk about laser safety, we live by it. As such, we’ve
developed a variety of laser safety technologies over the years, that help make laser
safety easier for operators to understand, incorporate and handle. A brief overview of
these technologies, as well as information on how they help make shows safer, is
presented below.
The Beam Attenuation Map - Pangolin’s patented Beam Attenuation Map (or BAM for
short) is a safety feature inside of all Pangolin software. The Beam Attenuation Map
allows the laser operator to define safe areas within your projection space. Using the
BAM, you can reduce the laser output power by a predefined amount when projected
into areas that might be deemed more sensitive. For example, if you will be projecting
laser into an audience area (i.e. Audience Scanning), you can reduce the laser output
by a given amount (say 50, 60, or 70%), when it is projected into that audience area.
However, the laser power will not be reduced when projected into other “safe” areas
(for example above the heads of the audience or into predefined termination areas).
You can easily control the amount of exposure using a simple grid inside of the BAM,
as you can see below.
QuickShow
For more information on PASS certified integrators, and how to get a laser projector
with PASS inside, please contact at Pangolin.
Additional Steps you can take, to learn about laser safety
This report is not the “end all, be all” guide to laser safety. It is merely a guide,
providing you with additional information and resources, which you can use to help
ensure you are performing shows in a safe manner.
In addition to this report, we would strongly urge anyone performing laser light shows,
to take a laser safety operator course. Contact us here at Pangolin and we can help
you find the appropriate courses to take, to become a laser safety officer.
We would also like to note, that if you have any questions about laser safety, Pangolin
Safety Products, or the industry in general, please feel free to contact us at anytime.
We value the relationships we have with our clients, and will always be happy to help
you.
An additional video that covers the topics presented in this report can be found here:
https://www.youtube.com/watch?v=pohPyDRsCRk.
Laser classifications
There are different classes of laser projectors, and those classes have different rules
and regulations associated with them in different parts of the world. In the laser light
show and laser entertainment industry, we generally deal with “Class 4” laser
projectors, which are the most powerful type of systems available.
• Class 2 - A Class 2 laser or laser system must emit a visible laser beam.
Because of its brightness, Class 2 laser light will be too dazzling to stare into for
extended periods. Momentary viewing is not considered hazardous since the
upper radiant power limit on this type of device is less than the MPE (Maximum
Permissible Exposure) for momentary exposure of 0.25 second or less.
Intentional extended viewing, however, is considered hazardous.
• Class 3 - A Class 3 laser or laser system can emit any wavelength, but it cannot
produce a diffuse (not mirror-like) reflection hazard unless focused or viewed for
extended periods at close range. It is also not considered a fire hazard or
serious skin hazard. Any continuous wave (CW) laser that is not Class 1 or Class
2 is a Class 3 device if its output power is 0.5 W (500mw) or less. Since the
output beam of such a laser is definitely hazardous for intra-beam viewing,
control measures center on eliminating this possibility.
• Class 4 - A Class 4 laser or laser system is any that exceeds the output limits
(Accessible Emission Limits, AEL's) of a Class 3 device. As would be expected,
these lasers may be either a fire or skin hazard or a diffuse reflection hazard.
Very stringent control measures are required for a Class 4 laser or laser system.
In the United States, as well as many other countries (including Germany, the UK,
Australia, France and Singapore), regulations are in place to ensure the safe operation
of laser shows and those viewing them.
We’ll focus mostly on US regulations here, as they tend to be the most stringent. We
also notice that some other countries follow the United State’s lead when it comes to
laser show safety.
In the United States, laser show projectors (and lasers in general) are regulated by a
division of the FDA called the CDRH (Center for Devices and Radiological Health).
CDRH has been chartered by Congress to standardize the performance safety of all
manufactured laser products entering into US commerce. All laser products that have
been manufactured and entered into commerce, after August 2, 1976, must comply
with their regulations.
For the laser light show industry, this means that in order to use a laser show projector
in the United States having Class 3b or higher, the system must be certified with the
CDRH. That certification usually includes a manufacturer’s variance, and in order to
receive that certification and variance, the laser must have the following basic safety
system integrated:
• Interlock - A small device that needs to be connected, in order for the laser to
turn on - Most professional lasers use a 3-pin XLR Emergency-stop safety
system.
• Key Switch - Just like it sounds… A key that is used to turn the laser on. Without
the key, the laser will not start.
• Mechanical Shutter - This is a device inside the laser, which will block laser
output if the content being projected is deemed to be unsafe. It’s normally
positioned inside the laser, near the optical scanning system.
• Emission delay - This is a setting that prevents laser output from being
projected upon the start of the system, for a few seconds. Intended to prevent a
targeted laser beam, from accidentally hitting someone nearby.
In addition, the operator of the laser projector must also have a “license” to run his
show. This is called an “operators variance” and just think of it like your license, to
legally operate a laser show, in the United States.
When performing laser shows in the USA, you want to follow some basic guidelines as
well, these include:
• Use compliant equipment - Make sure you are using a laser show projector,
that is certified and compliant in the United States. Some unprofessional
companies out there might claim they are selling you a laser that is certified and
that has a variance. We have seen a lot of customers have issues by using non-
compliant laser equipment. You can check to see if a laser projector is certified,
by going to www.regulations.gov. You can look up that manufacturer’s
variance, and then see if they are, in fact, selling compliant laser show
projectors.
• Have a variance - You need to make sure when performing laser shows, that
you have a valid laser show variance. This is separate from the “manufacturer’s
variance” on the laser projector itself, and is like your “license” of sorts, to run a
laser show in public, in the United States.
• The 3 Meter rule - When projecting at an audience, keep the laser content 3
meters above people’s head. DO NOT PROJECT LASERS INTO THE
AUDIENCE, UNLESS YOU HAVE BEEN PROPERLY TRAINED, AND HAVE
THE PROPER VARIANCES, CERTIFICATIONS AND EQUIPMENT TO DO SO.
• Outdoor shows - When doing an outdoor show, you must make sure your laser
beams “terminate” (meaning they do not project on into airspace, and are
physically blocked by some kind of object - such as a wall, building, etc.).
1. Your laser show projector generally must have Pangolin’s PASS hardware
integrated properly by a certified laser projector manufacturer who has been
approved and trained on how to integrate PASS, by Pangolin.
2. Next, you will need to hire laser safety consultant to work with you to file the
appropriate paperwork, to certify your laser show projector with PASS, as well as
to file your show report - which is a document detailing how you will setup and
operate an Audience Scanning laser show, to ensure you are operating within
whats called “MPE” or maximum permissible exposure. This process is quite
complex, and that is why most everyone hires a laser safety consultant, to assist
with the process.
3. Finally, you need to take and pass an laser safety officer course, and then
purchase the necessary laser safety test equipment, that is used during the
course of setting up an Audience Scanning show.
For more information about laser compliance, and laser compliance related
information, you can visit the FDA / CDRH’s website here: www.regulations.gov.
Where to get FREE laser shows
The Pangolin Cloud is a new and innovative feature inside Pangolin software, that
provides clients with hundreds of FREE laser shows, and thousands of laser frames
and pieces of content. In addition, you can create your own profile to upload laser
shows and content to share with others around the world.
The Pangolin Cloud is directly integrated inside of QuickShow and BEYOND (versions
3.0 and higher).
Watch this video, that shows how to use and work with the Pangolin Cloud:
https://www.youtube.com/watch?v=T191ofwnxeA.
Another great way to get laser shows and content, is to join our Facebook
communities. In our Facebook groups, you can connect with thousands of laser artists
from around the world, many of whom specialize in creating custom shows and content
for clients. You can join us on Facebook and social media, using the links below:
Friend us on Facebook: www.Facebook.com/PangolinSystems.
Join our Facebook Group: https://www.facebook.com/groups/PoweredbyPangolin/.
Follow us on Twitter: www.Twitter.com/PangolinSystems.
• Get inspired, and watch a bunch of great videos showing our lasers
• Visit our YouTube channel, and see more videos all related to laser shows
THANK YOU FOR READING!
From all of us here at Team Pangolin, we hope that you enjoyed reading this E-Book on
how to create shows. And again, please know that if you have any questions about
laser light shows, the technology or the industry in general, you can always contact us.
We pride ourselves on the service and support we provide to our clients. If there is ever
anything we can do to help, let us know!