Color Theory
Color Theory
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1. THE HAIR. PRE-COLORING
MORPHOLOGY. COLOR THEORY. HAIR COLORING.
PARTS OF THE HAIR OSWALD COLOR STAR & IMPORTANT ADVICE &
TONE AND HIGHLIGHT DIVINA COLOR CODES COLORING & TECHNIQUES
Page. 3 Page. 4 Page. 7
Page. 5 Page. 8-10
Page. 6
3. HAIR BLEACHING.
TECHNIQUE Page. 103-104 SUPERBLANC.BLUE Page. 105
1.
THE HAIR.
PRE-COLORING.
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Cuticle.
The outer part of the hair. It consists of 5-7 layers of transparent cells, one
on top of the other. Its main function is protection.
Medulla.
Found in the center, it has a soft texture. It consists of joined keratinized
cells.
Cortex.
The main, middle part of the hair, it surrounds the medulla. The pigments
are fixed in the cortex, where the TONE and HIGHLIGHT are determined.
Tone Highlight
This is determined by the amount and distribution of Light given off by healthy hair. It is determined by the trans-
melanin, which is found in the hair cortex in the form of parency of the hair color. It is classified according to the
tiny granules. percentage of pigment; the lighter the color, the more
*Tones can be classified by numbers from 1 to 10. highlights there are.
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1. THE HAIR.
Hair color is defined in terms of primary and The color star tells us that the colors on opposite sides
secondary colors. (referred to as complementary) become “neutralized”.
PRIMARY COLORS
+ =
Initial color + Artificial color
The Oswald color star contains all the colors (both = Final result
primary and secondary) and divides them into
cool and warm tones. This allows highlights to be
classified according to whether they are cool, warm
or luminous.
Using Oswald’s star, we are able to control the coloring
COOL HIGHLIGHTS: correspond to a dark process. It is a very useful tool to predict the color result
application base, which develops black as pure on a specific base, and thus avoid undesired highlights.
color and blue as the main highlight
The numbering of the highlight tones is what allows us to
interpret the code of a Divina color.
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5/6 Red
P
Iridescent 2 4 Copper
S S
Warm highlights
Cool highlights
P P
Blue 7 3 Golden
S
1 Ash
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DIVINA CODES.
To understand how to read the code of a DIVINA color, keep in mind the meaning of each of the three digits.
7 35
4. Chestnut 4. Copper
5. Light chestnut 5. Mahogany
6. Dark blond 6. Reddish
7. Blond
8. Light blond
9. Very light blond
10. Platinum blond
e
exampl
COOL CHESTNUT WARM CHESTNUT COPPER IRIDESCENT DARK CHESTNUT IRIDESCENT LIGHT CHESTNUT
3 02 5 04 5 34 3 02 5 20
Soft iridescent Soft copper Golden+copper Soft iridescent Very iridescent
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1. THE HAIR.
HAIR.
COSMETICS. If no there is no reaction, you can apply the same color on the client’s hair
3 24 hours later.
- Properties
- Indications
It is important to keep in
mind the effects of the
color. NOT ALL ARE THE
SAME IF THE HAIR IS NOT In the case of red
skin and/or itching,
VIRGIN. remove the color
immediately and
do not use it on
this client.
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1. THE HAIR.
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1 GOING FROM A DARK TO A LIGHT TONE. 2 GOING FROM A LIGHT TO A DARK TONE.
LIGHTENING BY “2” TO “3” TONES: Always use low-concentration oxidizing agents (maximum
20 vol.)
In most cases, this can be done directly, using oxidizing
agents in the most appropriate concentration (20 vol. - 30 If the hair has previously undergone drastic lightening or
vol.). bleaching and it has been made porous, it is recommend-
ed to apply one tone darker than desired.
LIGHTENING BY “4”/ + TONES:
e
exampl
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It is very important to keep in mind that in certain types of Once we have bleached the lock of hair using the normal
hair, it is naturally difficult to cover up grey hair. In these technique, we must wash it as well as possible to eliminate
cases, we need to use color lines that, by nature, have a any remains of the bleaching agent (even a tiny amount of
greater coverage capacity. residue can ruin the later color toning application).
Always use a 20-vol. oxidizing agent. For colors with Next, we prepare the color to be used for the toning:
highlights, it is recommended to mix with the base tone.
If we want to remove golden-yellowish highlights and
tone ash-colored highlights, we must use: MIXER 0.17
and 0.10
(see how to use the mixture).
45gr 7.34 i d y
D ow...o u
kn
(one or the other) ... Divina Skin protector is A
Complement to the Divina line?
HOW TO USE:
Apply with the fingertips
before coloring or perms
to the *areas with the
greatest risk of being
stained.
Good prevention is a
sign of professionalism,
and will set the service
apart from
the rest.
*Ears, nape of the neck, forehead.
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2.
COLORING PROCESS.
TECHNOLOGY & TECHNIQUES
2.1. DIVINA COLOR WORLD.
professional coloring
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2. COLORING PROCESS.
TECHNOLOGY VIDEO
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AL
S US
+ AN T E S IXE
RS VA
TI PL AR DI
M
L
N
PER AC
E SSE
DIVINA.ONE VIDEO
BENEFICIOS
*Results related to a comparative test done with Chromatech formula, after 20 washes. Test done in an independent laboratory. (1)
Color loss resis-
tance: ALL TONALITIES (except reds): +10% RED TONALITIES: +30%
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ESSENTIALS FAMILY
Features
Naturals Violets
MAXIMUM UNIFORMITY Browns Reds
Cool Browns Golden blonds
MAXIMUM NATURALNESS Warm Browns Extra light blonds
DAZZLING SHINE Ash/Iridescents AntiAge
Copper
A wide range of basic colors family. Natural looking essential tonalities and a multifunctional use
with a perfect grey hair coverage.
With essentials range you’ll get a perfect balance between pigment and highlight.
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ESSENTIALS FAMILY
“Natural” line
1 Black 4+ Chestnut +
2.10 Bluish black 5+ Light Chestnut +
4 Chestnut 6+ Dark bonde +
5 Light chestnut 7+ Bonde +
6 Dark blonde 8+ Light blonde +
7 Blonde 9+ Extra light blonde +
8 Light blonde
9 Extra light blonde
10 Platinum blonde
DIFFERENCES
The natural tones are the most important on the color chart, since they are used most often;
they’re the best-sellers and no hair salon should be without.
In the Divina line, we have basic natural standard colors with warmer pigmentation and highlights
and natural plus+ colors with more intense pigmentation and cooler highlights. They can be
used separately or mixed together for perfect coverage with more personalized shades.
In most cases, these are used to even out the These are recommended for hair with very
natural tone of the person’s natural hair color dark pigmentation where, due to its very
when grey hair starts to appear. nature, undesired red, copper and golden
highlights appear. The tint of the plus+
They’re perfect for when we want a good neutralizes this effect, for natural and much
evening out of the color from the roots to the longer-lasting colors.
ends. We can apply them anytime, depending
on the result we want. Can also be used for very crystalline grey hair.
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ESSENTIALS FAMILY
“Natural” line
es
exampl
If someone prefers a warmer result and good grey hair coverage, we recommend, for example,
mixing: ½ 7+ with ½ 7.
7 8 8 7
In both examples: If the hair is very bleached and/or damaged, apply directly throughout the hair.
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Natural
A wide range of basic colors full of naturalness and personality.
1 2.10 3 4
BLACK BLUISH BLACK DARK CHESTNUT BROWN CHESTNUT BROWN
4+ 5 5+ 6
CHESTNUT BROWN + LIGHT CHESTNUT BROWN LIGHT CHESTNUT BROWN + DARK BLONDE
6+ 7
DARK BLONDE + BLONDE
7+ 8 8+
BLONDE + LIGHT BLONDE LIGHT BLONDE +
9 9+ 10
EXTRA LIGHT BLONDE EXTRA LIGHT BLONDE + PLATINUM BLONDE
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ESSENTIALS FAMILY
“Browns” line
Standard browns:
e
exampl
20vol
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Browns
Brown shades with sophisticated highlights.
4. 04 5. 35 5. 42 6. 53
COFFEE BROWN PERU BROWN HURRICAINE BROWN HABANA BROWN
6. 35 6. 42 6. 45
GLACÉ BROWN BROWN ICE BROWN HAZELNUT BROWN
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ESSENTIALS FAMILY
“Cool Browns” line
This line is one of the latest from DIVINA.ONE, This entire range ensures 100% coverage
with brown and chestnut colors with a touch of of grey hair, although in super-crystalline
highlights, creating very natural colors. They’re and very hard hair it is necessary to mix a
perfect for those who need to color their first bit more base tone to cover these difficult
grey hairs and want a brown that is as close as roots.
possible to their own natural shade.
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Cool Browns
The most intensive browns with fashion accents.
3. 02 4. 02 5. 02 5. 13
SUISS BROWN VIENNA BROWN MONACO BROWN COPENHAGUEN BROWN
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ESSENTIALS FAMILY
“Warm Browns” line
What stands out about this line is its highlights full of shine, each with golden and copper shades,
which are already tones with double highlights.
If there is no grey hair, all the warm brown tones can be applied directly, using a 20-vol. or 30-vol.
oxidizing agent. It is necessary to remember that when working with very high volumes, the result is
lighter and the highlights are more vibrant, which means that the hair tends to dry out more easily.
In cases where there is more than 50% grey hair, it is recommended to mix the desired tone with
the appropriate base tone to obtain maximum coverage:
e
exampl
1/2 1/2
20vol o 30vol
Root
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Warm Browns
Sublime and surprising gourmet browns full of vitality.
5. 04 5. 34 5. 3
CHOCOLATE BROWN MIAMI BROWN PANNA BROWN
6. 04 6. 34 7. 35 7. 23
PRALINÉ BROWN MOCHA BROWN IRISH BROWN CAPPUCCINO BROWN
7. 42 7. 34 8. 35
TOBACCO BROWN MACCHIATO BROWN WALNUT BROWN
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ESSENTIALS FAMILY
“Golden blondes” line
e e
exampl exampl
1/4
7.03 7.3+ 1+1
BASE 7 7.3+
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Golden Blondes
Blond shades with its own light for an elegant and natural style.
6. 3 7. 3 7. 03 8. 3 8. 31
BLONDE MISSISSIPI OLYMPIC BLONDE IROKO BLONDE CARIBBEAN BLONDE MEDITERRANEAN BLONDE
6.3+ 7.3+ 8. 03 8. 32 8. 34
BLONDE MISSISSIPI + OLYMPIC BLONDE + ALDER BLONDE ARABIA BLONDE SAHARA BLONDE
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ESSENTIALS FAMILY
“Extra-light blondes” line
12.0 Ultra natural blonde Very shiny and natural warm highlight
12.16 Ultra super beige blonde Very light Iridescent and pearly highlight
12.07 Ultra natural beige blonde Very light ash highlights
12.1 Ultra ash blonde Natural ash highlights
12.11 Ultra super ash blonde Deep ash highlight
12.17 Ultra silver ash blonde Soft ash highlight
The developer to use will depend on the It is not recommended to work with
desired level of lightening. If we use 30 volumes above 30 vol., as too much
vol. developer, the resulting tone will be oxidation occurs and the result will be too
lighter. yellow in tone.
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e
exampl
A range of extra-light and platinum blondes
with subtle highlights and delicate shades.
20vol
time
30 / 35 min
TSuitable tones for correcting highlights
that are too orange: 12.11,12.17. 60 ml. 90 ml. *(Depending of base
and how porous the
Suitable tones for correcting highlights hair is).
that are too yellow: 12.16,12.1,12.07.
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Extra-light Blondes
New extreme blonds. Reach the most trendy blonds.
9. 3 9. 03 9. 13 9. 31
MINERVA EXTRA BLONDE SHEENA EXTRA BLONDE FAIRY EXTRA BLONDE BANACK EXTRA BLONDE
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ESSENTIALS FAMILY
“Violet” line
Standard Violets:
If the hair is colored a dark color and we want Keeping in mind that violet 7.22
to apply a 6.20 or 7.22 to achieve the is not only the most attractive and
correct level of lightening, a soft color bleach extreme of the line, it is also the
is required. most intense of all the colors, which
means that the highlight will not
last as long and needs more care.
For grey, porous hair at risk for color loss, we
recommend the mixture:
1/2 1/2
20vol
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Violets
Powerful violets with lots of intensities.
3. 20 4. 20 5. 20 6. 20 7. 22
INDIGO VIOLET BLUEBERRY VIOLET GRAPE VIOLET BLACKBERRY VIOLET PLUM VIOLET
Did ywo..u.
kno
...red, copper
and violet tones
need extra color
protection?
EVAHAIRCARE has
developed a color
treatment: COLOR
SHAMPOO and FIX
COLOUR. The perfect allies
to protect hair from color
loss.
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ESSENTIALS FAMILY
“Ash” line
It could be said that ash tones are technically the most complicated and most difficult to work with.
They are tones in high demand from clients, but they are also cool, penetrating tones, which tends
to make them dull and unflattering.
Tones 6.12 and 7.12 are highly recommended for toning highlights and hair that has turned
too orange after bleaching. The iridescent highlights of these tones perfectly neutralizes these
undesired highlights.
Ash colors on very light bases: The hair absorbs the highlight very quickly and it can turn out too
ashy in color, making the hair too dark.
To obtain ash highlights, the tone to apply must be 1 tone lighter than the application base.
Ash 6.1+ y 7.1+ are deeper, more intense tones, ideal for better coverage of grey hair and to
mix with bases in cases where we need to neutralize tones that are too orange
In cases where we have more than 50% grey hairs at the roots and we want an attractive ash
highlight, we need to mix the ash color with the base tone.
e
exampl
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Ash
The most selected colors, with new iridescent and ash tonalities.
5. 1 6. 1 7. 1 8. 1 9. 1
DARK ASH MEDIUM ASH BLONDE ASH LIGHT ASH EXTRA LIGHT ASH
10. 1 6. 1+ 7. 1+
PLATINUM ASH MEDIUM ASH + BLONDE ASH+
6. 12 7. 12
DARK IRIDESCENT LIGHT IRIDESCENT
Color charts are very helpful for determining the tone the client wants, although it is always
necessary to keep in mind that the colors on them are a theoretical guide and never
represent exactly the color we want to obtain.
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ESSENTIALS FAMILY
“Reds” line
Rojos estándar:
e
In cases where a color bleach is called for, exampl
it is recommended to bleach with a 10-
vol. oxidizing agent. Excessive bleaching 70% grey hair
is not necessary to apply on reds. Color on the mid-sections and ends: 7.6
Bleaching with a 10-vol. oxidizing agent Desired color: 7.64
will be enough to ensure spectacular reds
without damaging the hair fiber. Root Med-sections & ends
1/2 1/2
20vol
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Reds
Attractive and sexy; find the most passionate reds inside this range.
5. 6 6. 5 7. 6 7. 64 7. 65
FIUSHA RED SIENNA RED CORAL RED PASSION RED GRAND CANYON RED
6. 6 6. 65 8. 6 8. 64 7. 54
BURGUNDY RED CHERRY RED FIRE RED CARMINE RED DELIRIUM RED
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ESSENTIALS FAMILY
“Copper” line
With more than 50% grey hair, it is 6.4+ This color can be applied by itself
recommended to mix with the base tone for and has the capacity to provide 100%
best results. coverage.
e
exampl
3/4 1/4
For a perfectly even color result from the roots
to the ends, we must choose the right tone.
20vol
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Copper
Cheeky and combinable, the most vital colors in fashion
6. 4+
MALTA COPPERY +
6. 40 7. 40 7. 44 7. 45 7. 46
AMARETTO COPPERY BOURBON COPPERY WHISKY COPPERY RUM COPPERY COGNAC COPPERY
8. 45 8. 46
SAN FRANCISCO COPPERY COINTREAU COPPERY
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FEATURES:
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80% of
grey hair
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See
color chart
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How to use:
Use a 1+1,5 mixture for dark tones. Use a 1+2 mixture for medium tones.
Processing Processing
time time
40-45 40
min min
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Super Highlift
Super Highlift colors full of light. Formulated with its maximum highlight power, to control and
neutralize all highlights.
917s 910s 00
MOON SUPER-HIGHLIFT VENUS SUPER-HIGHLIFT DIAMOND SUPER-HIGHLIFT
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BENEFITS:
SPECIAL TONES
AND TECHNIQUES. Divina.One Divina.Oxi
30 ml 10 vol.
CORRECTS, 60 ml
ADDS AND
PERSONALIZES A
TONE.
Processing
time
5-15
min
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Tone Highlight to be Recommended Within the MIXERS line we find special tones
level corrected tint called fantasy tones. Their special feature is
that they use pure pigments that invade the
8&9 Golden copper 0.17 / 0.10 hair with color.
9 & 10 Coppery golden 0.22 / 0.12 For the correct application of these tones, it
is essential to bear in mind the base on which
the color is going to be applied. First it is
This mixers also can be used together with necessary to perform a very important task,
very White bases with levels 10, 11 and 12. which involves obtaining the appropriate base.
To obtain brilliant color results it will be Tone 0.44 y 0.66 need a level 6 - 7
necessary to apply mixers on a very White base.
base.
Tone 0.77 needs a level 10 base.
A 10 vol. oxidizing agent will always be
recommended for use in this case. Neutralizes undesirable
highlights.
These tones require a lot of attention, since
the processing time of the correctors varies If we have a hair with a cold or warm
according to the condition of the hair and reflection and we neutralize this effect, we
the highlight to be corrected. need to use the tone with the opposite
reflection.
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Sandard Mixers
Technical and special colors. To create fantasy, fashion or to use in technical situations.
0. 22 0. 10 0. 12 0. 17
MOTHER-OF_PEARL ONIX PEARL SILVER
Fantasy Mixers
0. 20 0. 44
AMATISTA TOPACIO
0. 66
RUBÍ
0.33 CITRINO, IDEAL FOR:
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VOLUMES
- Ideal for sensitive, itchy scalps. - The mixture proportion must always be
determined for each case and desired
- For use with Divina special tints and result, and measured with a measuring
fantasy highlights. glass.
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RECOMMENDATIONS
Plus +:
2 tones.
Super-lighteners:
4-6 tones.
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Essentials
1+1 1+1,5
Divina.One Divina.Oxi Divina.One Divina.Oxi
1 tube 20 - 30 vol. 1 tube 20 - 30 vol.
60 ml 60 ml 60 ml 90 ml
Processing Processing
y hair
time
ha i r
time
30-35 35
g re
rey
min No
min
G
Plus +
1+1 1+1,5
Divina.One Divina.Oxi Divina.One Divina.Oxi
1 tube 20 - 30 vol. 1 tube 20 - 30 vol.
60 ml 60 ml 60 ml 90 ml
Processing Processing
y hair
time time
hai r
30-35 30-35
g re
rey
G
min No min
Super HL
1+1,5 1+2
Divina.One Divina.Oxi Divina.One Divina.Oxi
1 tube 30 - 40 vol. 30 ml 20 - 30 vol.
60 ml 90 ml 60 ml
Processing Processing
tones
tones
time time
40-45 40
ium
rk
min min
Da d
Me
Mixers Diva
1+2 1+1,5
Divina.Diva
Divina.One Divina.Oxi Divina.Oxi
1 tube
30 ml 10 vol. 20-30 vol.
60 ml
60 ml 90 ml
Processing Processing
time time
5-15 30-35
min min
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2.1. DIVINA COLOR WORLD.
PERMANENT HAIR COLORING
AMMONIA FREE
SIMPLY NATURAL, TOTALLY PROFESSIONAL.
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2. COLORING PROCESS.
ZI
SI
LK BRA L N
UT
OIL
Natural extracts, oils carefully chosen for their
function and properties, and a combination of
direct pigments that maximize comfort during
the coloring process. YOU WILL GET:
RICH, RADIANT COLORS
DIVINA PURE has been enriched with Óleo- SILKY, SHINY HAIR
k-Rich, a new active complex that acts LONG-LASTING RESULTS
deep down, thanks to the powerful cosmetic
properties of its ingredients.
¿How it works?
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Divina pure is a permanent hair coloring Both the packaging and all the materials used
with powerful treatment effects that is to present this product are ecological and
still respectful of both your hair and the biodegradable. We’re committed not only to
environment. the health of your client’s hair, but also to the
environment.
Ingredients such as ammonia and artificial
fragrances have been eliminated, making way Divina pure is a colouring with powerful
for new formulas that guarantee maximum treatning properties for a well – nourished hair.
comfort and care for your client’s hair.
DIVINA.PURE VIDEO
AMMONIA-FREE
PERFUME-FREE
PARABEN-FREE
MAXIMUM COVERAGE
MAXIMUM COMFORT
HIGHLIGHT POWER:
3 SHADES
SUBLIME COLORS
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Its formula makes it ideal for Commited people with respect Those who have never colored
all hair types. for the environment. their hair.
Cool browns 5,02 / 5,13 4,02 / 5,02 / 5,1 3,02 / 4,02 / 5,02 3,02 / 4,02
Warm browns 6,23 / 7,21 / 7+ 6,23 / 7,21 6,23
Coppers 5,4 5,4 / 6,40 5,4 / 6,40
Violets 4,20 / 5,20 4,20 / 5,20 4,20
Reds 5,6 / 6,6 5,6 / 6,6
The best coverage is
Ashes 8,1 6,1 / 7,1 / 8,1 5,1 / 6,1 5,1 archieved by mixing 3/4
of the highlight colour
Light ash blondes 9,12 / 9,01 and natural shade. 18 vol.
Black 1 / 1+ 1 / 1+ 5,4%
EG: 3/4 of DIVINA PURE
Dark chestnut brown 4 4 4 6,23 + 1/4 of Divina
Pure 5+.
Chestnut brown 5 / 5+ 5 / 5+ 4 / 5 / 5+
Dark blonde 6 6
Blonde 7 / 7+ 7 / 7+
Light blonde 8 8
Lightest blonde 9 9
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NATURAL LINE
The natural tones are the most important on the color chart, since they are the best-sellers that no hair
salon should be without.
In the Divina Pure line, we have natural standard colors with warmer pigmentation and highlights
and natural plus+ colors with more intense pigmentation and cooler highlights. They can be used
separately or mixed together for perfect coverage with more personalized shades.
e
exampl
3/4 1/4
18vol
18vol
7 7+ 7
If the hair is very bleached or damaged, apply directly throughout the hair.
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NATURAL / NATURAL +
Technically perfects, basically luminous and with a great versatility. You’ll get great hair care
coverage and extra shine.
PLUS +. Born to be different, stands out for its intensity inner its category. Never before a + has given so
much there was been giving so… discover its coverage power.
1 1+ 4 5 5+
BLACK INTENSE BLACK DARK BROWN BROWN INTENSE DARK
BLONDE
6 7 7+ 8 9
DARK BLONDE BLONDE INTENSE NATURAL LIGHT BLONDE LIGHTEST BLONDE
BLONDE +
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Line of chestnut browns with barely-there highlights, for colors with very natural highlights. These
tones are ideal for grey hair. Coverage strength up to 100%.
In case of more than 50% grey hair, for maximum coverage, we recommend mixing the desired tone
with the appropriate base tone:
e
exampl
80% grey hair.
Base color: 5 chestnut brown
Desired color: 5.13
1/2 1/2
18vol
18vol
28vol
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COOL BROWNS
Divina.Pure cool browns, the most selected browns. Mystery and sophistication involve to more selected
browns for Divina Pure. Reflects and multiple properties, it has born from most fashionable and actual
trends to dress most exigent hair.
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Can be applied directly to grey-free hair, using the appropriate oxidizer, according to the desired result.
For example, if we want:
Shine, highlights and tint: Use the color with 8 vol. oxidizer.
Lightening, coverage and shine: Use the color with 18 vol. oxidizer.
For greater lightening power: Use the color with 28 vol. oxidizer.
In cases where there is more than 50% grey hair, it is recommended to mix the desired tone with the
appropriate base tone to obtain maximum coverage:
e
exampl
3/4 1/4
18vol
18vol
28vol
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WARM BROWNS
Seduction and sensuality presents on the warm browns range. The sand tones more exclusives are the
range’s protagonists. An extra shine and suavity, for a perfect finish.
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VIOLETS LINE
Satandard violets:
Violets are colors that are very flattering when combined with blacks and other dark tones.
They are also very attractive when used to tone highlights. For toning, 8 vol. oxidizer is recommended.
e
exampl
If we want to apply a 5.20 and we have more than 50% grey hairs, it is recommended to mix with
violet 4.20:
3/4 1/4
18vol
18vol
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VIOLETS
Style and class for vibrant, uniforms and shiny violets. Reach everything you propose: great naturalness
and personalized finish.
4.20 5.20
VIOLIN DARK LIGHT VIOLIN
BROWN BROWN
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REDS LINE
Standard reds:
It has two intense red highlight tones that are highly recommended for those with very dark pigmentation
who want to change their color.
They are also very attractive when used to tint highlights. For tinting, 8 vol. oxidizer is recommended.
Mixing reddish tones with violet highlights creates very extreme, pretty colors.
e
exampl
3/4 1/4
18vol
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REDS
Strength and character to define Divina Pure’s red range. Deep and durable nuances; red highlights are
intense, uniform and with a sublime shine.
5.6 6.6
DARK RED GARNET RED
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COPPERS LINE
Standard coppers:
Two tones with a slight coppery highlight. These colors have very natural, shiny highlights.
They are also very attractive when used to tint highlights. In this case, 8 vol. oxidizer is recommended.
For maximum coverage or in cases where there is more than 50% grey hair, it is recommended to mix
the tone to be applied with the appropriate base tone.
e
exampl
3/4 1/4
18vol
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COOPERS
Brings to your client’s the most fashionable coppers. Trendy colors, with a great personality; the purest of
color with treating and nourishes properties. Divina Pure coppers, a great combination
between naturalness and fashion.
5.4 6.40
DARK COPPERY LIGHT COPPERY
BROWN BROWN
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ASH LINE
Standard ash:
It could be said that the ash line is technically the most complicated and most difficult to work with.
They are tones in high demand by clients, but they are also so cool and penetrating that they tend to
be dull and unflattering.
On very light bases, the hair absorbs the highlight very quickly and it can turn out too ashy in color,
making the hair too dark.
Tones 9.12 y 9.01 are recommended to tone highlights, especially those that are too orange (an effect
that sometimes occurs with bleaching). The iridescent and ash highlights of these tones perfectly
neutralize these undesired highlights.
To obtain ash highlights, the tone to apply must be 1 tone lighter than the application base, for
example: Desired base color: 6.1 Color to apply: 7.1
In cases where we have more than 50% grey hair at the roots and we want an attractive ash highlight,
we need to mix the ash color with the base color:
e
exampl
70% grey hair.
Base color: 6
Desired color: 6.1
3/4 1/4
Roots 20 min
18vol
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ASH
Exceptionally pure, brilliant and uniform colours. Reflects with more intense and durable shades.
9.12 9.01
Did ywo..u.
PEARLY BLONDE SILVERY BLONDE
kno
...blond colors can
turn yellow over
time?
BLONDE SHAMPOO is
perfect for protecting blond
hair color.
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Did ywo..u.
kno
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PROPORTIONS TABLE.
NO GREY HAIR
GREY HAIR
Processing Processing
1+1 time 1+1,5 time
WITH HEAT WITH HEAT
Activating - 20 min - Activating - 20 min -
Divina.Pure Cream Divina.Pure Cream
1 tube 18 vol. 1 tube 18 vol.
Processing 60 ml 90 ml Processing
60 ml 60 ml
time time
WITHOUT WITHOUT
HEAT HEAT
- 35 min - - 35 min -
(1) Empty out the necessary quantity of C (Divina Pure Color) and A (Divina Pure Activating Cream) in a noon-metallic bowl and mix until a homogeneous cream is achieved.
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2.COLORING PROCESS
UCS TECHNOLOGY
Eva Professional introduces a revolutionary concept in hair color, thanks to UCS: Ultra Color
system technology.
HOW IT WORKS?
It includes a set of active ingredients that accentuate and improve the coloring results. Soya
protein concentrate and the crystallized micropigments act in perfect harmony to
boost color penetration.
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e t s
ESSENTIALS TENACITY AT SUPER HL
Perfect for tone leveling and Ideal for grey hair problems. Specially designed to obtain
lightening. greater lightening.
KEY POINTS
UCS technology
Large line with lots of possibilities
Maximum grey hair coverage
Creamy texture (easy-to-handle cream-gel)
Speeds up the mixing process
Makes application easier
Pleasant odor
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ESSEN
TIALS
FAMILY
Perfect for tone leveling and lightening.
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Natural bases:
1 Black
2.10 Bluish black
3 Dark chestnut
4 Chestnut
5 Light chestnut
6 Dark blond
7 Blond
8 Light blond Tint / Natural standard
9 Very light blond Lightening / Up to 3 shades
10 Platinum blond Coverage / 70% to 100%
Natural basics shades are the most frequently used and important tones in a color chart, and they are a must in any hair
salon. Natural basic shades are mostly used for:
e
exampl
70% grey hair
Base color: 7
Desired color: 7.3
1/2 1/2
20/30 vol
20vol
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1 2.10 3 4 5
Black Bluish back Dark chestnut Chestnut Light chestnut
6 7 8
Dark blond Blond Light blond
9 10
Very light blond Platinum blond
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COOL browns
This line is one of the latest from DIVINA.XL, with brown colors with a
Cold browns: touch of highlights, creating very natural colors.
3.02 Cool dark brown They’re perfect for those who need to colour their first grey hairs and
4.02 Cool brown want a brown that is as close as possible to their own natural shade.
5.13 Cool Chestnut brown
6.13 Frost brown These tones are ideal, since they perfectly cover grey hair without any
overly intense, copper or reddish highlights. For hair that does not appear
to be colored.
WARM browns
What stands out about this line is its highlights full of shine, each with
golden and copper shades, as they are tones with double highlights.
Warm browns:
If there is no grey hair /
4.04 Coffee brown
5.04 Chocolate brown All the brown tones can be applied directly, using a 20-vol or 30-vol
6.04 Praline brown oxidizing agent. It is necessary to remember that when working with very
6.53 Havana brown high volumes, the result is lighter and the highlights are more vibrant,
7.23 Mediterranean sand brown which means that the hair tends to dry out more easily.
e
exampl
80% grey hair
Base color: 6
Desired color: 6.53
Roots Mid-sections and ends
1/2 1/2
20/30 vol
20vol
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GOLDEN browns
Line of predominant browns with double golden reddish highlights
Golden browns: If there is no grey hair /
5.35 Mahogany golden light Directly applied using a 20-vol or 30-vol oxidizing agent.
chestnut
5.42 Chestnut brown See mixture proportions.
5.3 Golden light brown
6.34 Coppery golden dark blond And in cases where there is more than 50% grey hair, it is recommended
6.35 Mahogany golden dark blond to mix the desired tone with the appropriate base tone to obtain perfect
6.42 Brown coverage
6.45 Hazelnut brown
7.34 Coppery golden blond
7.35 Mahogany golden blond
e
7.42 Tobacco brown exampl
8.35 Walnut brown
1/2 1/2
20/30 vol
20vol
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ESSENTIALS / BROWNS
COOL BROWNS
WARM BROWNS
6.53 7.23
Havana brown Mediterranean sand brown
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ESSENTIALS / BROWNS
GOLDEN BROWNS
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REDS
Line of soft reds and intense reds. Colors easy to apply on persons with
very dark pigmentation that want to change their color.
Reds:
On hair with 3, 4 and 5 level bases, tones 5.6, 6.6 and 6.65 can be
5.5 Mahogany light chestnut applied directly.
5.6 Dark burgundy
6.6 Burgundy See how to use
6.65 Cherry
7.6 Ruby red To apply an intense reddish tone like 7.54, 7.65 or 7.64 on hair with
7.54 Brick red bases darker than a level 7, you must apply a gentle color bath.
7.65 Colorado red
7.64 Copper reddish blond In grey or porous hair, the most recommendable tones are 5.6 and 6.65.
These tones have maximum durability. The recommended oxidizing agent
for red tones is 20 vol.
With more than 50% grey hair at the roots, it is recommended to mix the
color to be applied with tones 6.65 or 5.6.
e
exampl
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COPPERS
With more than 50% grey hair, it is recommended to mix with the base
tone for best results.
Coppers:
To apply an intense copper tone, we need hair with a level 7 base.
6.40 Amaretto
7.40 Bourbon On hair with bases darker than a level 7, you must apply a gentle color
7.44 Deep copper blond bath.
7.45 Mahogany copper blond
7.46 Cognac
8.46 Copper reddish light blond
Bear in mind that the colour only has the capacity to
lighten the hair 2-3 tones as compared to the natural
base.
VIOLETS
Line of tones with intense, shiny violet highlights.
Violets: Tones 3.20, 4.20 and 5.20 can be applied directly, taking into account
color theory. The recommended oxidizing agent for violet tones is 20 vol.
3.20 Dark violin
4.42 Iridescent copper chestnut If we have a dark colored hair and we want to apply a 6.20 o 7.20 a soft
4.20 Intense violin dark chestnut color bath is required.
5.20 Intense violin light chestnut
6.20 Blackberry For grey, porous hair at risk for color loss, we recommend the mixture:
7.20 Plum
1/2 1/2
20vol
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REDS
COPPERS
8.46
Copper reddish light blond
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VIOLETS
6.20 7.20
Blackberry Plum
e c u e r da
R e...
qu
...red, copper and violet
tones need extra color
protection.
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To obtain ash highlights, the application base must be at least one tone lighter than the desired tone.
On very light bases, the hair absorbs the ash very quickly and it can turn out too ashy in color, making the hair too dark.
Ash 6.1 AT and 7.1 AT are deeper, more intense tones, ideal for better coverage of grey hair and to mix in cases where
we need to neutralize tones that are too orange.
(See Tenacity)
In cases where we have more than 50% grey hair at the roots and we want an attractive ash highlight, we need to mix
the ash color with base tone.
e
exampl
20vol
Emulsify means wetting the hair with warm water and then spread the dye evenly over the
rest of the hair.
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Golden blonds:
6.3 Golden dark blond 9.0SN Super-natural very light blond
7.3 Golden blond 8.3 Golden light blond
7.0SN Super-natural blond 8.31 Ash golden light blond
7.3 Golden blond 8.32 Desert sand
8.0SN Super-natural light blond 8.34 Coppery golden light blond
These colors have a soft, subtle golden highlight Tone recommended for hair that is too yellowish.
(recommended for people who prefer a super-natural
effect, with lots of shine). Soft, iridescent highlights with this color neutralize this
effect, creating a more subtle, natural blond.
In the case of more than 50% grey hair, we recommend
mixing the golden tone with base tone for greater An ideal tone for tinting bleached highlights, this color
coverage. iridescent highlight neutralizes the undesirable orange,
yellowish tones that appear with the use of these
techniques.
e
exampl
80% grey hair
Base color: 8 In hair with a tendency to have
Desired color: 8.31 excessively dull, cold and matte
highlights, it is recommended to mix the
indicated base color with these golden
Roots Mid-sections tones..
1/2 1/2
20/30 vol
e
exampl
8.31 8/8AT 8.31 1+1
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da
Recuee.r..
qu
...blond colors can
turn yellow over
time.
BLONDE SHAMPOO is
perfect for protecting
blond hair color.
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Extra-lights:
Line of extra-light blonds with the same lightening strength as the rest of the ESSENTIALS. Line of very light tones with
soft, shiny highlights.
The oxidizing agent used will depend on the desired level of lightening. Higher volumes provide lighter results.
It is not recommended to work with volumes greater than 30 vol, since there is too much oxidation; while the hair is
lighter, the result is too yellowish.
Color theory tells us that this line can be mixed with any base tone to obtain custom, professional colors.
e
exampl
3/4 1/4
20 vol
9.31 9 1+1
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ESSENTIALS / EXTRA-LIGHTS
10.00 10.17
Orange blossom extra Arctic extra blond
blond
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TENA // FEATURES
CITY
This family is intended to cover up grey and increase
color intensity.
FAMILY
Grey hair coverage: Up to 100%.
e
exampl
Natural basic shades:
Example to obtain a golden blond with coverage.
4 AT. Chestnut
5 AT. Natural chestnut 90% grey hair
6 AT. Dark blond Base color: 8
7 AT. Natural blond Desired color: 8.3
8 AT. Natural light blond
Golden:
6.3 AT. Golden dark blond 8.3 7.3 AT 1+1 8.3 1+1
7.3 AT. Golden natural blond
Example to obtain a copper tone with coverage
Coppers:
60% grey hair
6.4 AT. Coppery dark blond Base color: 7
7.4 AT. Coppery natural blond Desired color: 7.44
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TENACITY / BASICS
4 5 6 7 8
AT Chestnut AT Natural chestnut AT Dark blond AT Natural blond AT Natural
light blond
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SUPER
HL.
FAMILY
Specially designed to obtain greater lightening.
Super Lighteners:
Line of tones with stronger lightening power than ESSENTIALS. All have the same lightening power: from 4 to 6 tones.
All have the same lightening power, but with a different shade. This characteristic means that as they lighten, they also
neutralize undesired highlights created during the lightening process.
00 is the super lightener that allows us to create custom colors, while at the same time obtaining greater lightening with
extra light blonds and golden blonds.
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917 S / Recommended in cases where an undesired copper highlight is the main problem.
912 S / Recommended in cases where an undesired golden highlight is the main problem.
Keep in mind that to obtain results with light tones and natural highlights, the most suitable bases for the application of
these tones are 7 or above.
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SUPER HL
Super-Highlift powder.
910 S 917 S 00
Super-highlift Super-highlift Highlift base
nordic blond polar blond
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10 vol / 3%
coloring or bleaching technique.
- Ideal for sensitive, itchy scalps.
Divina.Oxi has optimal color-leveling power.
- For use with Divina special tints and fantasy
highlights.
Indispensable for developing the coloring agents. - The mixture proportion must always be
determined for each case and desired result, and
Its creamy formula improves the texture of the color measured with a measuring glass.
mixture, making it easier to apply and helping it
penetrate the hair.
The concentration of this oxidizer is volumetric: it is available - Recommended to obtain greater lightening and
in 4 volumes to achieve the best professional results. shinier highlights.
30 vol / 9%
• 3% (10 volume). Balanced oxidizer for low-oxidation - Highly recommended for extra-light colors and
reactions. the super-lightener family.
• 6% (20 volume). Balanced oxidizer for an even color - Also frequently used in bleaching.
reaction between grey hair and hair with its own natural
pigment. - The mixture proportion must always be
determined for each case and desired result, and
• 9% (30 volume). The perfect oxidizer for special measured with a measuring glass.
lightening processes and to intensify color with highlights.
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RECOMMENDATIONS /
AT:
2 tones.
Super-lighteners:
4 tones.
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PROPORTIONS TABLE
TIALS
NO GREY HAIR
GREY HAIR
Divina.XL Divina.OXI Divina.XL Divina.OXI
60 ml 20 vol. 60 ml 30 vol.
60 ml 90 ml
Processing Processing
time time
30 / 35 min. 30 / 35 min.
HIGH 1+1
In this type of coloring will always
use the oxidant mixture in equal
Processing
time
30 / 35 min.
HL
MEDIUM TONES
DARK TONES
Processing Processing
time time
40 / 45 min. 40 / 45 min.
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3.
BLEACHING
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3. BLEACHING.
Bleaching involves the mixture of substances that release BLEACHING TYPES.
ammonia, such as ammonium persulphate.
Bleaching is used when it is necessary to lighten the
The bleaching power of these products depends on the hair by more than 3 tones, as a process prior to coloring,
volume concentration of oxidizer used. as well as in different highlight, ombré and splashlight
techniques, etc.
To determine whether a bleaching agent is good, we must
consider whether it has the following qualities: Depending on the bleaching power and processing time,
bleaching can be:
Easy and convenient to mix and prepare. - Gentle: when it lightens the hair by 2 to 3 tones.
- Medium: when it lightens the hair by 3 to 5 tones.
Mixture that can be applied and spread comfortably - Strong: when it lightens the hair by 5 to 7 tones.
and precisely.
Knowledge of the
techniques
Creativity
Sense of style
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3. BLEACHING / SUPERBLANC.BLUE
superblanc.BLUE
Superblanc.BLUE is the ideal bleaching powder for use HOW TO USE:
when we want to lighten the hair by more than 4 tones,
and whenever it is used as a process prior to coloring or in The mixture oxidizer proportion is always measured:
different highlight, decapage and other similar techniques.
COLORED
HAIR:
20 volume
peroxide x4 100 ml
SPECIAL
LIGHTENING:
40 volume
peroxide
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Ramon Fargell, 60
08243 Manresa - Spain
www.evaprofessional.com
[email protected]
+34 93 874 85 86