Village Merlo Typeface

Hi
Feliciano Type Foundry This is Merlo
Design
Mário Feliciano
Publication date
2008
About FTF Merlo™ (1998–2004) is an interpretation of the types of Ismael Merlo shown in Muestras
de los punzones y matrices de letra que se funde en el obrador de la Imprenta Real, Madrid, 1799.
Having a Spanish flavour with french influences, Merlo is a true revival that has adapted well
to current technology. It was formerly a typeface that was only available in a technology
that is now obsolete. Conceived as a book face, Merlo consists of Roman and Italic weights,
both with old style and lining figures (text and table) as well as small caps. Merlo was selected
as one of the ‘favorite fonts of 2004’, (a selection of favorites promoted by Typographica).
Weights Roman
small caps
Italic
italic small caps
Available formats Mac

Legacy Postscript Type 1
PC
Legacy Postscript Type 1
Price Family
$120 US
++1 718 852 1005 /// [email protected] /// www.vllg.com /// © 2010 Village /// All rights reserved
lowercase
UPPERCASE
text line measure
letterspacing
composition
full colophon
63 point
44 point headline
A Brief History of Type

a brief history of type
A Brief History of Type
a brief history of type
20 / 24 Roman & Roman Small Caps
typography is both the art and technique of arranging

type, type design, and modifying type glyphs. Type
glyphs are created and modified using a variety of
illustration techniques. The layout of type involves the
selection of typefaces, point size, line length, leading
(line spacing), letterspacing (tracking) and kerning.
Typography is performed by typesetters, compositors,
typographers, graphic designers, art directors, comic
book artists, clerical workers, etc….
13 / 17 Italic & Italic Small Caps
Typography traces its origins to the first punches and dies used to make seals and currency in
ancient times. The first known movable type printing artifact is probably the Phaistos Disc,
though its real purpose remains disputed. The item dates between 1850 bc and 1600 bc, back
to the Minoan age.
9 / 12 Roman, Roman Small Caps & Italic
in traditional typography, text is composed to create newspapers and magazines rely on compact, tightly-fitted
a readable, coherent, and visually satisfying whole text romans specially designed for the task, which offer
that works invisibly, without the awareness of the maximum flexibility, readability and efficient use of page
reader. Even distribution with a minimum of distrac- space. Sans serif text fonts are often used for introductory
tions and anomalies are aimed at producing clarity paragraphs, incidental text and whole short articles. A
and transparency. current fashion is to pair sans serif type for headings with a
high-performance seriffed font of matching style for the
Choice of font(s) is perhaps the primary aspect of text
text of an article.
typography—prose fiction, non-fiction, editorial,
educational, religious, scientific, spiritual and commercial The text layout, tone or color of set matter, and the inter-
writing all have differing characteristics and requirements. play of text with white space of the page and other graphic
For historic material, established text typefaces are often elements combine to impart a feel or resonance to the
chosen according to a scheme of historical genre acquired subject matter. With printed media typographers are also
by a long process of accretion, with considerable overlap concerned with binding margins, paper selection and
between historical periods. printing methods.
Contemporary books are more likely to be set with Typography is modulated by orthography and linguistics,
state-of-the-art seriffed text romans or book romans with word structures, word frequencies, morphology, phonetic
design values echoing present-day design arts, which constructs and linguistic syntax. Typography also is
are closely based on traditional models such as those of subject to specific cultural conventions. For example, in
Nicolas Jenson, Francesco Griffo (a punchcutter who French it is customary to insert a non-breaking space
created the model for Aldine typefaces), and Claude before a colon (:) or semicolon (;) in a sentence, while in
Garamond. With their more specialized requirements, English it is not.
60 point Roman
60 point Roman Small Caps
60 point Italic
60 point Italic Small Caps
Roman character set
Basic alphabet
Numerals: proportional old

style, proportional lining,
tabular lining, numerators
& denominators
Accented &
alternate characters
Superscript characters
Ligatures
Fractions
Currency symbols
Punctuation
Italic character set
Basic alphabet
Numerals: proportional old

style, proportional lining &
tabular lining
Accented &
alternate characters
Superscript characters
Ligatures
Fractions
Currency symbols
Punctuation
Roman
6/8 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility is simply a matter of type size;
more often, however, it is a matter of typeface design. Generally speaking, typefaces that are true to the basic letterforms are more
legible than typefaces that have been condensed, expanded, embellished, or abstracted.
7/9 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility is simply a
matter of type size; more often, however, it is a matter of typeface design. Generally speaking, typefaces that are
true to the basic letterforms are more legible than typefaces that have been condensed, expanded, embellished,
or abstracted.
8 / 10 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility
is simply a matter of type size; more often, however, it is a matter of typeface design. Generally
speaking, typefaces that are true to the basic letterforms are more legible than typefaces that have
been condensed, expanded, embellished, or abstracted.
9 / 11 The typeface chosen should be legible, that is, it should be read without effort. Sometimes
legibility is simply a matter of type size; more often, however, it is a matter of typeface
design. Generally speaking, typefaces that are true to the basic letterforms are more
10 / 12 The typeface chosen should be legible, that is, it should be read without effort.
Sometimes legibility is simply a matter of type size; more often, however, it
is a matter of typeface design. Generally speaking, typefaces that are true to the
basic letterforms are more legible than typefaces that have been condensed,
expanded, embellished, or abstracted.
11 / 13 The typeface chosen should be legible, that is, it should be read without
effort. Sometimes legibility is simply a matter of type size; more often,
however, it is a matter of typeface design. Generally speaking, typefaces
that are true to the basic letterforms are more legible than typefaces that
have been condensed, expanded, embellished, or abstracted.
12 / 15 The typeface chosen should be legible, that is, it should be read

without effort. Sometimes legibility is simply a matter of type size;
more often, however, it is a matter of typeface design. Generally
speaking, typefaces that are true to the basic letterforms are more
legible than typefaces that have been condensed, expanded,
embellished, or abstracted.
14 / 17 The typeface chosen should be legible, that is, it should

be read without effort. Sometimes legibility is simply a
matter of type size; more often, however, it is a matter
of typeface design. Generally speaking, typefaces that are
true to the basic letterforms are more legible than type-
faces that have been condensed, expanded, embellished,
or abstracted.
Roman Small Caps
6/8 the typeface chosen should be legible, that is, it should be read without effort. sometimes legibility is simply a matter
of type size; more often, however, it is a matter of typeface design. generally speaking, typefaces that are true to the
basic letterforms are more legible than typefaces that have been condensed, expanded, embellished, or abstracted.
7/9 the typeface chosen should be legible, that is, it should be read without effort. sometimes legibility
is simply a matter of type size; more often, however, it is a matter of typeface design. generally
8 / 10 the typeface chosen should be legible, that is, it should be read without effort. sometimes
design. generally speaking, typefaces that are true to the basic letterforms are more legible
than typefaces that have been condensed, expanded, embellished, or abstracted.
9 / 11 the typeface chosen should be legible, that is, it should be read without effort.
sometimes legibility is simply a matter of type size; more often, however, it is
a matter of typeface design. generally speaking, typefaces that are true to the
10 / 12 the typeface chosen should be legible, that is, it should be read without
effort. sometimes legibility is simply a matter of type size; more often,
however, it is a matter of typeface design. generally speaking, typefaces
that are true to the basic letterforms are more legible than typefaces
that have been condensed, expanded, embellished, or abstracted.
11 / 13 the typeface chosen should be legible, that is, it should be read

without effort. sometimes legibility is simply a matter of type
size; more often, however, it is a matter of typeface design. gener-
ally speaking, typefaces that are true to the basic letterforms
are more legible than typefaces that have been condensed,
12 / 15 the typeface chosen should be legible, that is, it should be

read without effort. sometimes legibility is simply a matter
of type size; more often, however, it is a matter of typeface
design. generally speaking, typefaces that are true to the
basic letterforms are more legible than typefaces that have
14 / 17 the typeface chosen should be legible, that is, it

should be read without effort. sometimes legibility
is simply a matter of type size; more often, however,
it is a matter of typeface design. generally speaking,
typefaces that are true to the basic letterforms
are more legible than typefaces that have been
condensed, expanded, embellished, or abstracted.
Italic
6/8 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility is simply a matter of type size; more often,
however, it is a matter of typeface design. Generally speaking, typefaces that are true to the basic letterforms are more legible than typefaces that
7/9 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility is simply a matter of type
size; more often, however, it is a matter of typeface design. Generally speaking, typefaces that are true to the basic letterforms
are more legible than typefaces that have been condensed, expanded, embellished, or abstracted.
8 / 10 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility is simply
a matter of type size; more often, however, it is a matter of typeface design. Generally speaking, typefaces that
are true to the basic letterforms are more legible than typefaces that have been condensed, expanded, embellished,
or abstracted.
9 / 11 The typeface chosen should be legible, that is, it should be read without effort. Sometimes legibility
is simply a matter of type size; more often, however, it is a matter of typeface design. Generally
10 / 12 The typeface chosen should be legible, that is, it should be read without effort.Sometimes
design. Generally speaking, typefaces that are true to the basic letterforms are more
11 / 13 The typeface chosen should be legible, that is, it should be read without effort.
Sometimes legibility is simply a matter of type size; more often, however, it
is a matter of typeface design. Generally speaking, typefaces that are true to the
12 / 15 The typeface chosen should be legible, that is, it should be read without
effort. Sometimes legibility is simply a matter of type size; more often,
however, it is a matter of typeface design. Generally speaking, typefaces
that are true to the basic letterforms are more legible than typefaces that
14 / 17 The typeface chosen should be legible, that is, it should be read

without effort. Sometimes legibility is simply a matter of
type size; more often, however, it is a matter of typeface design.
Generally speaking, typefaces that are true to the basic
letterforms are more legible than type-faces that have been
Italic Small Caps
6/8 the typeface chosen should be legible, that is, it should be read without effort. sometimes legibility is simply a matter of type
size; more often, however, it is a matter of typeface design. generally speaking, typefaces that are true to the basic letterforms
are more legible than typefaces that have been condensed, expanded, embellished, or abstracted.
7/9 the typeface chosen should be legible, that is, it should be read without effort. sometimes legibility is simply
a matter of type size; more often, however, it is a matter of typeface design. generally speaking, typefaces
that are true to the basic letterforms are more legible than typefaces that have been condensed, expanded,
8 / 10 the typeface chosen should be legible, that is, it should be read without effort. sometimes
legibility is simply a matter of type size; more often, however, it is a matter of typeface design.
generally speaking, typefaces that are true to the basic letterforms are more legible than
typefaces that have been condensed, expanded, embellished, or abstracted.
9 / 11 the typeface chosen should be legible, that is, it should be read without effort.
sometimes legibility is simply a matter of type size; more often, however, it is a
matter of typeface design. generally speaking, typefaces that are true to the basic
letterforms are more legible than typefaces that have been condensed, expanded,
10 / 12 the typeface chosen should be legible, that is, it should be read without
effort. sometimes legibility is simply a matter of type size; more often,
however, it is a matter of typeface design. generally speaking, typefaces
that are true to the basic letterforms are more legible than typefaces
that have been condensed, expanded, embellished, or abstracted.
11 / 13 the typeface chosen should be legible, that is, it should be read

without effort. sometimes legibility is simply a matter of type size;
more often, however, it is a matter of typeface design. generally
speaking, typefaces that are true to the basic letterforms are more
legible than typefaces that have been condensed, expanded,
12 / 15 the typeface chosen should be legible, that is, it should be

read without effort. sometimes legibility is simply a matter of
type size; more often, however, it is a matter of typeface design.
generally speaking, typefaces that are true to the basic
letterforms are more legible than typefaces that have been
14 / 17 the typeface chosen should be legible, that is, it

should be read without effort. sometimes legibility is
simply a matter of type size; more often, however, it
is a matter of typeface design. generally speaking,
typefaces that are true to the basic letterforms are
more legible than typefaces that have been
Supported languages Afrikaans

Albanian
Basque
Catalan
Danish
Dutch
English
Faroese
Finnish
French
German
Icelandic
Irish
Italian
Norwegian
Portuguese
Romansch
Scottish
Spanish
Swahili
Swedish
Supported Language French
6/8 Considérant que la reconnaissance de la dignité inhérente à tous les membres de la famille humaine et de leurs droits égaux et
inaliénables constitue le fondement de la liberté, de la justice et de la paix dans le monde,
7/9 Considérant que la méconnaissance et le mépris des droits de l’homme ont conduit à des actes de barbarie qui
révoltent la conscience de l’humanité et que l’avènement d’un monde où les êtres humains seront libres de parler
et de croire, libérés de la terreur et de la misère, a été proclamé comme la plus haute aspiration de l’homme,
8 / 10 Considérant qu’il est essentiel que les droits de l’homme soient protégés par un régime de droit
pour que l’homme ne soit pas contraint, en suprême recours, à la révolte contre la tyrannie et
l’oppression,
9 / 11 Considérant qu’il est essentiel d’encourager le développement de relations amicales

entre nations,
10 / 12 Considérant que dans la Charte les peuples des Nations Unies ont proclamé à
nouveau leur foi dans les droits fondamentaux de l’homme, dans la dignité
et la valeur de la personne humaine, dans l’égalité des droits des hommes et des
femmes, et qu’ils se sont déclarés résolus à favoriser le progrès social et à instaurer
de meilleures conditions de vie dans une liberté plus grande,
11 / 13 Considérant que les Etats Membres se sont engagés à assurer, en coopér-

ation avec l’Organisation des Nations Unies, le respect universel et
effectif des droits de l’homme et des libertés fondamentales,
12 / 15 Considérant qu’une conception commune de ces droits et libertés

est de la plus haute importance pour remplir pleinement cet
engagement,
14 / 17 L’Assemblée générale Proclame la présente Déclaration

universelle des droits de l’homme comme l’idéal commun
à atteindre par tous les peuples et toutes les nations afin
que tous les individus et tous les organes de la société,
ayant cette Déclaration constamment à l’esprit, s’effor-
cent, par l’enseignement et l’éducation, de développer le
respect de ces droits et libertés et d’en assurer, par des
mesures progressives d’ordre national et international,
la reconnaissance et l’application universelles et
effectives, tant parmi les populations des Etats Membres
eux-mêmes que parmi celles des territoires placés sous
leur juridiction.
Supported Language German
6/8 Da die Anerkennung der angeborenen Würde und der gleichen und unveräußerlichen Rechte aller Mitglieder der Gemeinschaft
der Menschen die Grundlage von Freiheit, Gerechtigkeit und Frieden in der Welt bildet,
7/9 da die Nichtanerkennung und Verachtung der Menschenrechte zu Akten der Barbarei geführt haben, die das
Gewissen der Menschheit mit Empörung erfüllen, und da verkündet worden ist, daß einer Welt, in der die
Menschen Rede- und Glaubensfreiheit und Freiheit von Furcht und Not genießen, das höchste Streben des
Menschen gilt,
8 / 10 da es notwendig ist, die Menschenrechte durch die Herrschaft des Rechtes zu schützen, damit der
Mensch nicht gezwungen wird, als letztes Mittel zum Aufstand gegen Tyrannei und Unterdrüc-
kung zu greifen,
9 / 11 da es notwendig ist, die Entwicklung freundschaftlicher Beziehungen zwischen den

Nationen zu fördern,
10 / 12 da die Völker der Vereinten Nationen in der Charta ihren Glauben an die
grundlegenden Menschenrechte, an die Würde und den Wert der menschlichen
Person und an die Gleichberechtigung von Mann und Frau erneut bekräftigt
und beschlossen haben, den sozialen Forschritt und beßere Lebensbeding-
ungen in größerer Freiheit zu fördern,
11 / 13 da die Mitgliedstaaten sich verpflichtet haben, in Zusammenarbeit mit

den Vereinten Nationen auf die allgemeine Achtung und Einhaltung
der Mensch-enrechte und Grundfreiheiten hinzuwirken,
12 / 15 da ein gemeinsames Verständnis dieser Rechte und Freiheiten

von größter Wichtigkeit für die volle Erfüllung dieser
Verpflichtung ist,
14 / 17 verkündet die Generalversammlung diese Allgemeine

Erklärung der Menschenrechte als das von allen Völkern
und Nationen zu erreichende gemeinsame Ideal, damit
jeder einzelne und alle Organe der Gesellschaft sich diese
Erklärung stets gegenwärtig halten und sich bemühen,
durch Unterricht und Erziehung die Achtung vor diesen
Rechten und Freiheiten zu fördern und durch fortschreit-
ende nationale und internationale Maßnahmen ihre
allgemeine und tatsächliche Anerkennung und Einhal-
tung durch die Bevölkerung der Mitgliedstaaten selbst
wie auch durch die Bevölkerung der ihrer Hoheitsgewalt
unterstehenden Gebiete zu gewährleisten.
Supported Language Icelandic
6/8 Það ber að viðurkenna, að hver maður sé jafnborinn til virðingar og réttinda, er eigi verði af honum tekin, og er þetta undirstaða
frelsis, réttlætis og friðar i heiminum.
7/9 Hafi mannréttindi verið fyrir borð borin og lítilsvirt, hefur slíkt haft í för með sér siðlausar athafnir, er ofboðið
hafa samvizku mannkynsins, enda hefur því verið yfir lýst, að æðsta markmið almennings um heim allan sé að
skapa veröld, þar sem menn fái notið málfrelsis , trúfrelsis og óttaleysis um einkalíf afkomu.
8 / 10 Mannréttindi á að vernda með lögum. Að öðrum kosti hljóta menn að grípa til þess örþrifaráðs að
rísa upp gegn kúgun og ofbeldi.
9 / 11 Það er mikilsvert að efla vinsamleg samskipti þjóða í milli.
10 / 12 Í stofnskrá sinni hafa Sameinuðu þjóðdirnar lýst yfir trú sinni á grundvallaratriði
mannréttinda, á göfgi og gildi mannsins og jafnrétti karla og kvernna, enda
munu þær beita sér fyrir félagslegum framförum og betri lífsafkomu með auknu
frelsi manna.
11 / 13 Aðildarríkin hafa bundizt samtökum um að efla almenna virðingu fyrir

og gæzlu hinna mikilsverðustu mannréttinda í samráði við Sameinuðu
þjóðirnar.
12 / 15 Til þess að slík samtök megi sem best takast, er það ákaflega mikil-
vægt, að almennur skilningur verði vakinn á eðli slíkra réttinda
og frjálsræðis.
14 / 17 Fyrir því hefur allsherjarþing Sameinuðu þjóðanna fallizt

á mannréttindayfirlý-singu þá, sem hér með er birt öllum
þjóðum og ríkjum til fyrirmyndar. Skulu einstaklingar
og yfirvöld jafnan hafa yfirlýsingu þessa í huga og
kappkosta með fræðslu og uppeldi að efla virðingu fyrir
réttindum Þeim og frjálstræÞi, sem hér er að stefnt. Ber
og hverjum einum að stuðla Þeim framförum, innan
ríkis og ríkja í milli, er að markmiðum yfirlýsingarinnar
stefna, tryggja almenna og virka viðurkenningu á
grundvallaratriðum hennar og sjá um, að Þau verði í
heiðri höfó, bæði meðal Þjóða aðildarríkjanna sjálfra og
meðal Þjóða á landsvæðum Þeim, er hlita lögsögu
aðildarríkja.
Supported Language Norwegian
6/8 Då det å godkjenne det naturlege menneskeverdet med like og umissande rettar for alle menneske på jorda er grunnlaget for
fridom, rettferd og fred i verda,
7/9 og då hån og vørdsløyse mot menneskerettane har ført til barbariske handlingar som har skaka samvitet til
menneskeretta, er framvoksteren i den verda der menneska skal ha talefridom og trusfridom og vere løyste frå
otte og naud, kunngjord som det høgste målet for kvart menneske,
8 / 10 og då det er nødvendig at menneskerettane blir verna om av lover slik at menneska ikkje blir
tvinga til å finne den siste utvegen i å gjere opprør mot tyranni og trælekår,
9 / 11 og då det er nødvendig å arbeide for betre tilhøve mellom nasjonane,
10 / 12 og då folka i Dei Sameinte Nasjonane har stadfest trua si i denne pakta, på

grunnleggjande menneskerettar, på menneskeverd og på same rett for mann
og kvinne, og har vedteke å arbeide for sosiale framsteg og betre levevilkår
i større fridom,
11 / 13 og då medlemsstatane har bunde seg til å fremje allmenn vørdnad

for pakta og halde seg etter menneskerettane og den grunnleggjande
fridomen i samarbeid med Dei Sameinte Nasjonane,
12 / 15 og då denne retten og fridomen må bli godkjend av alle dersom

pakta skal bli røyndom,
14 / 17 den internasjonale fråsegna om menneskerettane, som

skal peike mot eit sams mål for alle folk og nasjonar.
Fråsegna må alltid vere i tankane til den einskilde og dei
styrande og få dei til å styrkje vørdnaden for rett og
fridom gjennom undervisning og oppseding. Dei skal
syte for at fråsegna blir allment kjend og etterlevd både i
medlemslanda og i tilsynsområda, og arbeide trufast
med dette både på nasjonalt og internasjonalt grunnlag.
Feliciano Type Foundry This Agreement is made between Mário Feliciano / Feliciano Type Foundry, Lisboa, Portugal, and you.
end user license agreement
Page 1 of 2 1. allowed uses
You may use the licensed fonts to create images on any surface such as computer screens, paper,
web pages, photographs, movie credits, printed material, T-shirts and any printable surface
in unlimited number of copies.
2. users, workstations and devices

Licenses are attributed per user. Each user is allowed to install the fonts on a maximum of
two computers (e.g. one working machines and a laptop). For a multi-user licence all users
shall work at the same location. In this case the fonts may be also installed on a server as long
as the fonts are only accessible to those covered buy the license agreement.
3. third parties
You may provide the fonts to a graphic designer, printer or other service bureau that is
working on your behalf only if they agree to use the font exclusively for your work, agree to
the terms of this license, and retain no copies of the font on completion of the work. You
may not provide the font or make it accessible to any other third parties beyond the above
mentioned instances.
4. embedding
The licensed fonts may be embedded in documents only if these documents are not editable
and the fonts cannot be extracted. You may not publish the fonts embedded in Adobe
Acrobat documents that can be viewed with Adobe Acrobat Reader 3.0. You may not, under
any circumstances embed the licensed fonts into software or hardware products in which
the fonts will be used by the purchasers of such products.
5. modif ications
You may import characters from the font as graphic objects into a drawing program, such as
Adobe Illustrator or CorelDraw, and modify them as graphic objects. You may not modify,
adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based
on the licensed font itself without Feliciano Type Foundry’s prior written consent.
6. copyright
The font and the accompanying materials are copyrighted and contain proprietary information
and trade secrets belonging to Feliciano Type Foundry. Unauthorized copying of the Product
even if modified, merged, or included with other software, or of the written materials, is
expressly forbidden. You may be held legally responsible for any infringement of the foundry’s
intellectual property rights that is caused or encouraged by your failure to abide by the terms
of this Agreement.
7. termination
This Agreement is effective until terminated. This Agreement will terminate automatically
without notice from Feliciano Type Foundry if you fail to comply with any provision
contained herein. Upon termination, you must destroy the written materials, the Product,
and all copies of them, in part and in whole, including modified copies, if any.
8. disclaimer and limited warranty

Feliciano Type Foundry warrants the Product to be free from defects in materials and work-
manship under normal use for a period of twenty one (21) days from the date of delivery as
shown on your receipt. Feliciano Type Foundry shall have no responsibility to replace the
product or refund the purchase price if failure results from accident, abuse or misapplication,
or if any product is lost or damaged due to theft, fire, or negligence. Any replacement
product will be warranted for twenty one (21) days.
Feliciano Type Foundry The entire risk as to the quality and performance of the Product rests upon you. Feliciano
end user license agreement Type Foundry does not warrant that the functions contained in the Product will meet your
Page 2 of 2 requirements or that the operation of the software will be uninterrupted or error free.
Feliciano Type Foundry shall not be liable for any direct, indirect, consequential, or incidental
damages (including damages from loss of business profits, business interruption, loss of
business information, and the like) arising out of the use of or inability to use the product
even if the foundry has been advised of the possibility of such damages. Because some states
do not allow the exclusion or limitation of liability for consequential or incidental damages,
the above limitation may not apply to you.
9. this agreement shall be governed by the law of the portugal.

The competent court of law shall be the Court of the Civil Judge in Lisbon. This Agreement
contains the entire understanding between the parties and supersedes any prior understandings
and agreements, oral or written, between the parties regarding the subject matter of this
Agreemeent. No amendment to this Agreement shall be effective unless it is in writing and
executed by both parties.

Village Merlo Typeface

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Village Merlo Typeface

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Village Merlo Typeface

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Copyright:

Available Formats

Hi

Feliciano Type Foundry This is Merlo

Available formats Mac

A Brief History of Type

20 / 24 Roman & Roman Small Caps

typography is both the art and technique of arranging

9 / 12 Roman, Roman Small Caps & Italic

60 point Roman Small Caps

60 point Italic Small Caps

Roman character set

Numerals: proportional old

Italic character set

Numerals: proportional old

12 / 15 The typeface chosen should be legible, that is, it should be read

14 / 17 The typeface chosen should be legible, that is, it should

Roman Small Caps

11 / 13 the typeface chosen should be legible, that is, it should be read

12 / 15 the typeface chosen should be legible, that is, it should be

14 / 17 the typeface chosen should be legible, that is, it

14 / 17 The typeface chosen should be legible, that is, it should be read

Italic Small Caps

11 / 13 the typeface chosen should be legible, that is, it should be read

12 / 15 the typeface chosen should be legible, that is, it should be

14 / 17 the typeface chosen should be legible, that is, it

Supported languages Afrikaans

Supported Language French

9 / 11 Considérant qu’il est essentiel d’encourager le développement de relations amicales

11 / 13 Considérant que les Etats Membres se sont engagés à assurer, en coopér-

12 / 15 Considérant qu’une conception commune de ces droits et libertés

14 / 17 L’Assemblée générale Proclame la présente Déclaration

Supported Language German

9 / 11 da es notwendig ist, die Entwicklung freundschaftlicher Beziehungen zwischen den

11 / 13 da die Mitgliedstaaten sich verpflichtet haben, in Zusammenarbeit mit

12 / 15 da ein gemeinsames Verständnis dieser Rechte und Freiheiten

14 / 17 verkündet die Generalversammlung diese Allgemeine

Supported Language Icelandic

9 / 11 Það er mikilsvert að efla vinsamleg samskipti þjóða í milli.

11 / 13 Aðildarríkin hafa bundizt samtökum um að efla almenna virðingu fyrir

14 / 17 Fyrir því hefur allsherjarþing Sameinuðu þjóðanna fallizt

Supported Language Norwegian

9 / 11 og då det er nødvendig å arbeide for betre tilhøve mellom nasjonane,

10 / 12 og då folka i Dei Sameinte Nasjonane har stadfest trua si i denne pakta, på

11 / 13 og då medlemsstatane har bunde seg til å fremje allmenn vørdnad

12 / 15 og då denne retten og fridomen må bli godkjend av alle dersom

14 / 17 den internasjonale fråsegna om menneskerettane, som

2. users, workstations and devices

8. disclaimer and limited warranty

9. this agreement shall be governed by the law of the portugal.

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