Olive Schreiner The Woman's Rose
Olive Schreiner The Woman's Rose
Olive Schreiner The Woman's Rose
Schreiner was a South African writer best known for her outstandingly original
and gripping novel The Story of an African Farm. In this story, a woman looks
back to her youth and remembers an occasion when cynicism was overcome and
female solidarity triumphed over petty competition. This is a symbolic affirmative
tale.
I have an old, brown carved box; the lid is broken and tied with a
string. In it I keep little squares of paper, with hair inside, and a
little picture which hung over my brother's bed when we were
children, and other things as small. I have in it a rose. Other
women also have such boxes where they keep such trifles, but no
one has my rose.
There were other flowers in the box once; a bunch of white acacia
flowers, gathered by the strong hand of a man, as we passed down a
village street on a sultry afternoon, when it had rained, and the
drops fell on us from the leaves of the acacia trees. The flowers
were damp; they made mildew marks on the paper I folded them
in. After many years I threw them away. There is nothing of them
left in the box now, but a faint, strong smell of dried acacia, that
recalls that sultry summer afternoon; but the rose is in the box still.
It is many years ago now; I was a girl of fifteen, and I went to visit
in a small up-country town. It was young in those days, and two
days' journey from the nearest village; the population consisted
mainly of men. A few were married, and had their wives and
children, but most were single. There was only one young girl there
when I came. She was about seventeen, fair, and rather fully-
fleshed; she had large dreamy blue eyes, and wavy light hair; full,
rather heavy lips, until she smiled; then her face broke into
dimples, and all her white teeth shone. The hotel-keeper may have
had a daughter, and the farmer in the outskirts had two, but we
never saw them. She reigned alone. All the men worshipped her.
She was the only woman they had to think of. They talked of her on
the stoep, at the market, at the hotel; they watched for her at street
corners; they hated the man she bowed to or walked with down the
street. They brought flowers to the front door; they offered her
their horses; they begged her to marry them when they dared.
Partly, there was something noble and heroic in this devotion of
men to the best woman they knew; partly there was something
natural in it, that these men, shut off from the world, should pour
at the feet of one woman the worship that otherwise would have
been given to twenty; and partly there was something mean in their
envy of one another. If she had raised her little finger, I suppose,
she might have married any one out of twenty of them.
At last the time for my going came. I was to leave the next day.
Someone I knew gave a party in my honour, to which all the village
was invited.
I looked in the glass. She had taken the white rose from her breast,
and was fastening it in my hair.
"How nice dark hair is; it sets off flowers so." She stepped back and
looked at me. "It looks much better there!"
I turned round.
"Y-e-s," she said, with her slow Colonial drawl; "I'm so glad."
Then they came in and swept us away to dance. All the evening we
did not come near to each other. Only once, as she passed, she
smiled at me.