Community Journalism: A Concept of Connectedness
Community Journalism: A Concept of Connectedness
Community Journalism
A Concept of Connectedness
Bill Reader
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4 FOUNDATIONS OF COMMUNITY JOURNALISM
❖ ORIGINS
than for newspapers in general (Lavrakas & Holley, 1989) and another
demonstrating that editors of some small newspapers viewed ethics
more in terms of responsibility to their communities than did some edi-
tors of large newspapers, who tended to view ethics more in terms of
the professional reputation of the newspaper itself (Reader, 2006). That
“nearness to people” can, Byerly argued, increase the community’s
accessibility to the journalists (often described in terms of “bumping
into them on the street”), which in turn can increase journalists’ sense of
accountability for their behaviors within a community. It also can cause
the journalist to be much less forthcoming with information that could
be embarrassing or harmful to individual community members or to the
community as a whole (a concept explored in some detail in the oft-cited
University of Minnesota studies of Tichenor, Donohue, & Olien, 1980).
As an example of that community-focused restraint, Byerly included in
his book this explanation from the editor of a small Wisconsin weekly:
Byerly may have coined the term community journalism, but the idea
that journalism at the community level is different from regional/
national/global journalism was hardly a new idea in the mid
20th century. The importance of local, community-focused media was
celebrated by democracy’s early champions, not least among them
Alexis de Tocqueville, who wrote in his Democracy in America:
Well into the middle of the 20th century, the work of the com-
munity press was similarly heralded as the backbone of democracy,
as celebrated in occasional profiles of the “country editors” working
in idyllic small towns. Those often romanticized accounts appeared
in national magazines such as The Saturday Evening Post (Byers, 1937;
“The Country Newspaper,” 1946) and The Nation (Conason, 1975).
That romanticism also was captured in the memoirs of some renowned
“country editors,” such as:
• William Allen White of The Emporia Gazette in Kansas. White’s
editorial, “What’s the Matter With Kansas?” earned him
8 FOUNDATIONS OF COMMUNITY JOURNALISM
Why add to the penalty meted out by law? In a small town, who is
punished more in this case, the offender, or his wife and children?
If a town is small enough to support a friendly, neighborly paper,
isn’t it big enough to omit a name that would make publicity the
worst part of the punishment? (Cutler, 1965, p. 136)
Community Journalism 9
dailies and weeklies are the backyard of the trade, repositories for any
piece of journalistic junk tossed over the fence, run as often by print-
shop proprietors as by editors. Mostly they serve as useful bulletin
boards of births, deaths, and marriages (providing this news comes
in by its own initiative); only in exceptional cases do they raise and
resolve important local issues. When it comes to transmitting signals
from the outside world, a remarkable number of these papers con-
vey pure—that is, unadulterated—press agentry. Its subject matter,
which is printed both as “news” and as editorial comment, ranges
from mouthwash to politics—usually right wing. (p. 102)
Certainly we’re all talking about it, and we’re all concerned about
it. . . . The Ottaway papers tend to be local papers. They’re not
centralized. If any of these papers were to lose that local flavor, the
readership would plunge. And that would create a void for the
local advertisers. (Weisman, 2007, p. D1)
The concerns of the local business owner about the flavor of a small-
town newspaper illustrate another important criticism of community
journalism—the close connections between the business side of the
operation and the news side. Community journalism is usually much
less rigid in regard to the “wall” between newsroom operations and
business operations typically found at larger news organizations
(An & Bergen, 2007). It is certainly far less adversarial, viewing adver-
tisers not just as sources of revenue, but also as legitimate members of
the community. Some community editors consider advertising to be edi-
torial copy and will accept only ads that are appropriate for their read-
ers, preferring advertisements from businesses within the community.
In his memoir, Hough suggested that approaches to advertising
provided another example of how community journalism differed
from the journalism of the major newspapers of his day:
The acute and direct competition came into our field when a
neighboring daily decided that it would “cover like a friendly
blanket” our towns and many others in order to offer some thou-
sands of “rural and suburban circulation” for a price in the slave
14 FOUNDATIONS OF COMMUNITY JOURNALISM
❖ CONCLUSION
❖ REFERENCES
An, S., & Bergen, L. (2007). Advertiser pressure on daily newspapers. Journal of
Advertising, 36(2), 111–121.
Anderson, R., Dardenne, R., & Killenberg, G. M. (1994). The conversation of jour-
nalism: Conversation, community, and news. Westport, CT: Praeger.
Bagdikian, B. H. (1964, December). Behold the grass-roots press, alas! Harper’s
Magazine, 102–110.
Benjamin, W. (1969). The work of art in the age of mechanical reproduction.
In Illuminations: Essays and reflections (pp. 217–251). New York: Schocken
Books.
Byerly, K. R. (1961). Community journalism. Philadelphia: Chilton.
Byers, M. R. (1937, May 29). I want to see the editor. The Saturday Evening Post,
100–105.
Conason, J. (1975, November 8). A press for the people. The Nation, 467–468.
The country newspaper: Symbol of democracy. (1946). The Saturday Evening
Post, 218(47), 160.
Cutler, J. H. (1960). Put it on the front page, please! New York: Ives Washburn.
Cutler, J. H. (1965). Cancel my subscription, please! New York: Ives Washburn.
Gibbs, C. (1995). Big help for small papers. Quill, 83(2), 32–35.
Hough, H. B. (1974). Country editor. Riverside, CT: Chatham.
Kennedy, B. M. (1974). Community journalism: A way of life. Ames, IA: Iowa State
University Press.
Community Journalism 19
Linda Steiner
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22 FOUNDATIONS OF COMMUNITY JOURNALISM
❖ REFERENCES
Linda Steiner is a professor and director of research and doctoral studies at the
University of Maryland’s Philip Merrill College of Journalism. She studies how and
when gender matters in news and newsrooms and how feminist groups use media.
Other research areas include media ethics, journalism history, and public journalism.
Steiner is editor of Critical Studies in Media Communication and serves on six
editorial boards. Her most recent book is Key Concepts in Critical Cultural Studies
(University of Illinois Press, 2010), coedited with Clifford Christians of the University
of Illinois at Urbana–Champaign.