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Simplifier Manual

Manual simplifier
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0% found this document useful (0 votes)
371 views21 pages

Simplifier Manual

Manual simplifier
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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This is a moment to celebrate another milestone for us.

Since our begining, we are here, to explore and bring you new universes of sounds.

After creating the amazing Simplifier, we decided to challenge ourselves again, beyond any limits. Evolv-
ing, to something we believe is the epitome of the ultimate musicians tool.

Because sailing in unknown waters, is what defines the human nature, today, we are coming back from
that journey to present you, the Simplifier DLX.

Reach out this exceptional creation, and begin to surf a sea of sonic possibilities
Because analog will stand

Jano Acevedo
CEO & Founder

After 15 years of work the Simplifier Deluxe offers the world's finest
all analog 0 wt dual channel amp, with cab simulator, multi-stage reverb, and ultimate connectivity
options.

With this device, we want to bring musicians, endless boutique sound possibilities, flexibility and
extreme portability.

The SIMPLIFIER DLX, also carries an ultra connectivity platform. As an example, you can use it as a
2-channel stereo amplifier, or 2-parallel amplifiers for a full stereo signal chain.

You can even connect 2 guitars at the same time, each with its own amp and fx loop.

Daniel Schwartz M.
CTO & Founder
INDEX
Main Features 3
Signal Flow Schematic 4
Input & Input mode 4
Routing options 6
MONO INPUT, TWO-CHANNEL STEREO AMP 6
MONO INPUT, PARALLEL AMPS 7
FULL PARALLEL AMPS 8
Preamp Modules 9
Gain Mode 9
Gain Knob 10
Amp Type 10
Tone Stack 10
Level 10
Effects Loop 11
FX Send 11
Preamp bypass switches 11
FX Return R 11
FX Return L 11
“2 Channel Amp / Parallel Amps” Switch 11
Reverb 12
Power amp Sim 13
Cabinet simulation 13
Outputs 14
Right and Left Balanced DI outputs: 14
Right and Left ¼” Unbalanced: 14
Right and Left ¼” Through: 14
Headphone amp 15
Spread Switch 15
Footswitch 16
Sample Settings 17
Tech Specs 18
EMI/EMC Emissions 18
Warranty 19
MAIN FEATURES
The Simplifier DLX is a stereo, analog, zero-watt guitar amplifier with stereo reverb,
fully packed with routing and tone sculpting options.

These features include:

- Stereo TRS input


- Stereo TRS thru outputs
- 2 preamps with 3 amp types and 3 gain modes, each.
- Preamps can be used as a 2-channel amp, or in parallel for full stereo signal chains.
- Stereo FX loop, with stereo TRS send jack, and two independent return jacks.
- Stereo Reverb with 3 modes (Room, Ether and Plate) and mix for each channel.
- Power amp simulation with presence, resonance, and tube type for each channel.
- Cabinet simulation with cab type and mic placement for each channel.
- Two Balanced DI outs with ground lift.
- Powerful headphone amplifier with volume control and aux input.
- External footswitch (included) for channel and reverb on/off, compatible with external
TRS controllers.
- Spread switch for widening the stereo imaging or correcting phase issues.
SIGNAL FLOW SCHEMATIC
Channel Sw
THRU

Preamp A Byp
Pre A
Buffer
A/B A/B

INPUT Buffer Pre B Buffer FX Send


Mono/Stereo

Preamp B Byp

SEND B
SEND AB

Cab Bypass
Reverb Cabsim
Return R LVL R
TS OUT R
Buffer Reverb R Pow R Cab R

HP
RTRN L Rev FootSw AUX Level
Parallel/2-Channel

Rev Type DI OUT R

Buffer Reverb L Pow L Cab L

Return L
Reverb GND
LVL L LIFT

DI OUT L

Cabsim
Cab Bypass
TS OUT L
TRS INPUT JACK

INPUT & INPUT MODE


The Simplifier DLX features a Stereo TRS input jack with mono and stereo modes.

For standard input mode, set the INPUT MODE switch to MONO. In this mode, only the
TIP of the plug is considered and sent to both preamps, as a regular amp.

Input Mode
For dual input, set the INPUT MODE switch to Stereo. This will enable the RING signal
and route the Tip to Preamp A, and Ring to Preamp B.

NOTE: Use this mode with channel A selected. If the channel is switched to B, both
signals will mix into channel B.
ROUTING OPTIONS: INPUT

MONO INPUT, TWO-CHANNEL STEREO AMP


EXAMPLE APPLICATION

CHANNEL A

MONO CHANNEL B

To use it as a typical 2-channel amp with a mono input,


set the panel switches as follows:

NOTE: If using the FX loop in stereo


(using a TRS for the SEND signal) the
RING will have channel B only, and the TIP
side will select A or B.
MONO INPUT, PARALLEL AMPS
EXAMPLE APPLICATION

MONO

In this configuration, you can use a mono input, and each preamp channel will
be routed to each AMP side, resulting in a stereo parallel amplifier.

Select Channel A (red light) for this configuration.


You will have channel A on the Right side, and Channel B on the left side.

NOTE: This configuration works only if the FX loop is


empty. Use a stereo FX LOOP routing (Stereo TRS
send, R+L returns) to get parallel amps if using
effects on the loop.
NOTE 2: If the preamp channel is switched to B, both
sides will have channel B preamp signal.
FULL PARALLEL AMPS
EXAMPLE APPLICATION

STEREO FX
tape dly RIGHT
MONO DELAY
stereo
LEFT

In this configuration, you can use a stereo input, from a stereo effect,
different drives per each channel, or even 2 different guitars to play a duo.
Select Channel A (red light) for this configuration.
Use a Y cable (*compliment Y cable included) to connect both signals.
The TIP will go to Channel A, and Ring to Channel B.

NOTE: Use a stereo FX LOOP routing


(Stereo TRS send, R+L returns) to get
parallel amps if using effects on the loop.
NOTE 2: If the preamp channel is
switched to B, both sides will have chan-
nel B preamp signal. Both inputs will be
mixed into channel B.
PREAMP MODULES

The Simplifier DLX features two state of the art, low noise, and ultra versatile pre-
amps that go from ultra clean “American” style up to fire-breather “MS Brit” hi-gain
chunk.

Both channels are very similar but no equal. Channel A (“PUSHED”) adds the
asymmetric clipping typical of tube phase splitters, adding extra harmonic complexi-
ty and more aggressive feel at high gain, great for lead solos and pyrotechnical
rhythm styles.

Channel B (NORMAL) is sweeter and rounder, best for clean to high gain rhythm
work without too much sizzle.

At low-mid gains, both channels behave identically.

Each channel features the following controls:

GAIN MODE
Selects the following gain modes:

CLEAN The lowest gain, higher headroom mode. It behaves just like the original
amps stock, where some gain cranking results in pleasant compression and over-
drive.

CRUNCH Mid gain with some extra grit, like a boosted amp.

LEAD Focused High gain like hot-rodded amps.

GAIN KNOB: Sets the gain/overdrive of the channel. While on LEAD mode, the last
10% of the turn adds a mid boost.
The Gain range is very large on all modes, even on Lead mode, you can get a clean
tone if turned down enough.
AMP TYPE
Selects the following Amp Types:

AC BRIT: Classic AC30 sparkly and three-dimensional sound. A true British


heritage since the 60's.

AMERICAN: Classic blackface deluxe sound. Sweet and dynamic with a bal-
anced response. By far the most used amp on studio recordings.

MS BRIT: Classic clean-to-crunch vintage Plexi style amp. The sound that
defined rock music.

TONE STACK ( TREBLE - MID - BASS )


A key part of a tube amp sound and response is the tone stack behavior. The
tone stack on the Simplifier is a genuine configurable three band classic
amplifier topology, keeping the same feel, response and interaction of the
original amp.

LEVEL
Sets the volume level of the respective Channel.
FX LOOP

The Simplifier DLX features a stereo effects loop with multiple options, enabling to
bypass each preamp, or selecting Parallel mode or 2 Channel mode when nothing is
connected to the Left return input.

FX SEND
The FX send is a TRS jack (STEREO), where the TIP comes from Preamp A or B
(whichever is active by channel switching), and RING comes from Preamp B only. You
can use a mono cable for 2-channel preamp use, or stereo cable for full stereo parallel
setup.

PREAMP BYPASS SWITCHES


You can Bypass each preamp at the FX send point by using the mini switches under
the jack. You can use these switches if you want to use an external preamp. *Bypass-
ing the Preamps without a proper PreAmp may result in very bad tone. We recom-
mend to keep it always in preamp position.

FX RETURN R
The FX Return R jack is the input for the Right channel Reverb, Power Amp and Cabi-
net Simulator path.

FX RETURN L
The FX Return L jack is the input for the Right channel Reverb, Power Amp and Cabi-
net Simulator path.

2 CHANNEL AMP/ PARALLEL AMPS SWITCH


If nothing is connected into the Return L jack, you can select “2 channel mode”, where
the signal is taken from the Channel switching output, or “Parallel mode”, where is
taken from Channel B.
- Use “2 Channel” mode if you want to use the Simplifier DLX as a 2-channel amp with
stereo power amps.
- Use “Parallel” mode if you want to use a true stereo signal path, or 2 amp models in
parallel.

NOTE: If a plug is connected to the Return Left jack, this switch will be defeated.
REVERB
The Simplifier DLX integrates a stereo digital
reverb with mix control for each side, and 3
modes of reverb:

ROOM: Short and warm decay that recreates


the natural sound reflections of a ballroom.

ETHER: Very long and Spatial reverb. Con-


ceibed for ambience design purposes, this
reverb is a perfect companion from open
clean chords to heavily distorted “shoegaze”
tones.

PLATE: Mid length decay that recreates the


natural sound reflections of a small venue.

REVERB MODE
SWITCH
POWER AMP SIM
This stage is an accurate approxima-
tion of the interaction between the
power tubes,output transformer and
global feedback,which produces a
particular frequency response for
different tubes and speakers.

This stage can be tailored by PRES-


ENCE and RESONANCE controls, and
select between 6L6, EL34 and KT88
power TUBES response.

CABINET SIM
Tweakable Cabinet simulator that takes the heri-
tage and experience of ©DSM Noisemaker devel-
oping the most useful and innovative cabsims of
the market. You can easily dial two independent
cabinet simulators panned LEFT - RIGHT with MIC
POSITION controls that respond as a real CEN-
TER/OFF AXIS microphone position adjusting the
precise amount of high-end roll off you look for.

A three way toggle switch allows you to choose


independent CAB STYLE for each side. 1x12
Combo, 2x12 or big 4x12 cabinet simulations that
you can combine with any of the 3 preamps per
channel, adding an extra dimension to your sound
development.
OUTPUTS

GROUND/LIFT SWITCH CABSIM BYPASS SWITCH

BALANCED 1/4 UNBALANCED


DI OUTPUTS (XLR) OUTPUTS (TS)
RIGHT AND LEFT BALANCED DI: RIGHT AND LEFT 1/4 UNBALANCED:

Low Impedance (150 Ohms) XLR outputs Unbalanced TS outputs for left and right
for left and right signals, with Ground Lift. signals. You can Bypass the cabinet simu-
These outputs carry the final output with lation on each side with the “Cabsim
cabsim always ON. Bypass” switch. If Cabsim is Bypassed,
the signal will include Preamp + FX loop +
NOTE: The DI outs can withstand phan- Reverb stages.
tom power voltage without damage, but it
will affect the quality of the sound, mainly NOTE: If Cabsim is bypassed, a loss of
causing low-end distortion and/or lack of volume is normal, as the cabsim stage
bass frequencies. Make sure to have Phan- adds about 9dB of boost to the preamp
tom Power Off before using the unit. stage.

RIGHT AND LEFT 1/4 THRU:


TRS Jack with Tip = Input A and Ring =
Input B. Through output bypasses the
whole unit by being directly connected to
the inputs.

NOTES: Very useful for reamping two


channels or two guitars at the same time.
Channel B through is buffered, and CH A is
hardwired.

*Use a TRS cable to enable


THRU OUTPUT Stereo output
(TRS STEREO)
HEADPHONE AMP SPREAD SWITCH

The unit includes a powerful This unique feature allows you to


135mW stereo headphone ampli- create a pseudo stereo imaging,
fier with stereo AUX input, for by shifting the phase of one
those silent late night practice channel on selected key frequen-
sessions, or even in-ear monitor- cies. It will make your sound
ing. bigger and 3 dimensional, even if
you are using a mono configura-
The Amplifier works best with tion.
Headphones between 32 and 96
Ohms.

SPREAD
SWITCH

PHONES PHONES
OUTPUT LEVEL
FOOTSWITCH
The Simplifier DLX includes a footswitch input to control the channel selection and
Reverb on/off status. This Footswitch is compatible with TRS channel controllers (as
found in many pedal switchers). The Tip controls the Channel selection, and Ring
controls the Reverb.
* For your convenience, we’ve included a TRS 3.5mm cable to operate footswitch
(Only available on Bundle format).

CHANNEL SELECTOR
SWITCH
FOOTSWITCH *Disabled when D L X
INPUT Footswitch is
(3,5 TRS) connected
SAMPLE SETTINGS

CLASSIC PLEXI TWIN 65 / BASSMAN CRUNCH

AC 30 / TOP BOOST EVH

FAVORITE PRESET 1 FAVORITE PRESET 2

*PRINT THIS PAGE AND ADD YOUR FAV PRESETS


TECH SPECS
Weight: 435 grs (0,95 lb)
Dimensions: 130 x 95 x 60 mm (5,11 x 3,7 x 2,32 inches)

Power supply requirements:


Voltage: 9 to 12V DC regulated
Connector: 2.1mm DC jack, Center negative
Current consumption: 150mA
Recommended supply current: 200mA and up

Input Impedance:
Input: 1Meg Ohm
L & R return: 1Meg Ohm

Output impedance:
Send: 1K Ohm
Unbalanced Outputs: 4.7K Ohms
Balanced Outputs: 100 Ohms

Headphone amp specs:


Power: 135mW into 32 Ohms.
* Use with 16, 32, 64 and 96 Ohm Headphones.
* Loss of power can occur with higher impedance headphones.
EMI/EMC EMISSIONS
The manufacturer claims that the above product fulfills the requirements
as set by EN55013, EN55020, EN60555-2, EN60555-3, RoHS, WEEE.
EMC / EMI This equipment has been tested and found to comply with
the limits for a Class B Digital device, pursuant to part 15 of the FCC
rules. These limits are designed to provide reasonable protection against
harmful interference in residential installations. This equipment gener-
ates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful inter-
ference to radio communications. There is no guarantee that interference
will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be deter-
mined by turning the equipment off and on, the user is encouraged to
try to correct the interference by one or more of the following measures:
· Reorient or relocate the receiving antenna.
· Increase the separation between the equipment and receiver.
· Connect the equipment to an outlet on a circuit different from that to
which the receiver is connected.
· Consult the dealer or an experienced radio/TV technician for help

WARRANTY
:All of our products have a 2 year warranty covering production defects
or malfunctions. If you have any issue with your unit, please contact your
dealer or contact us at [email protected]
©DSM & HUMBOLDT 2021
Av. Del Parque #4928, Of. 426
Huechuraba
Santiago de Chile

# A N A L O G W I L L S T A N D

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