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193 views

Script First Draft

Uploaded by

api-601408470
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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FADE IN:

1 INT. THEATER ROOM - NIGHT

A close-up of a hand knocking on a door is seen.


MARIAM opens the door and greets FARAH and DIANA.

MARIAM
Salam alaikum, come in come in.

FARAH and DIANA are then seen entering. The girls


take their snacks then sit down on their chairs.

MARIAM & DIANA


(giggling and small talk)

As FARAH is about to sit down on the furthest chair,


she starts hearing whispers. A close-up of FARAH’s
face, and as she turns to the right, the camera moves
with her to reveal the wall next to her.

FARAH then looks confused and anxious, but carries on


watching the movie…

Time goes by, MARIAM, DIANA and FARAH are shown from
the back of their heads, eating popcorn and watching
the film. The camera is positioned as an extreme long
shot behind them, with the background of the movie
being played(screen is flashing bright lights on and
off). FARAH is later shown in a medium shot looking
tired and sick with the lighting changing on her face,
showing the film’s flashing lights. FARAH then stands
up randomly with her hand on her head

FARAH
I need to take a walk…

DIANA
Ok, take care.
FARAH leaves…

2 EXT. PATHWAY - NIGHT

She makes her way to the house. As she's walking, a


dolly movement of the camera goes backwards, leading
FARAH as if she's walking towards the camera. A
shadowy figure holding a lantern appears behind her as
she’s walking.
FARAH feels shivery and gets goosebumps but does not
notice the shadowy figure’s appearance as it
disappeared.

As FARAH reaches the house’s door, she starts reaching


for the handle and opens the door…

3 INT. ABANDONED SCHOOL - NIGHT

FARAH transitions to her old school, leaving her with


shock and confusion (shown by her facial expressions.)
After opening the door, she makes her way through the
hallway. When she reaches the glass door, the black
shadowy figure appears again, which is now shown more
clearly (but we still can't see it’s face). The
shadowy figure is watching FARAH slowly from it’s POV,
as FARAH walks to the glass door.

4 EXT. ABANDONED SCHOOLYARD - NIGHT

FARAH is opening the glass door, goes outside and


starts walking until she reaches behind the front
steps. She looks at the benches with hurt and sadness.
An extreme close-up to her face, mostly focusing on
her eyes while she shows a shock in her.

BEGIN FLASHBACK

5 EXT. SCHOOLYARD - MORNING

TEENAGER FARAH is sitting down reading her book.


MARIAM and DIANA walk toward her. FARAH does not
notice them until MARIAM starts grabbing FARAH’s book
and throws it on the floor.

FARAH stands abruptly.

FARAH
Hey!

At an extreme low angle (worms view), Farah tries to


stand and get her book but before she pulls her legs
out of the bench, mariam pushes her. Meanwhile, DIANA
is standing behind not knowing what to do, but doesnt
help FARAH.

MARIAM
You don't get to stand up

FARAH is seen on the floor hurt. MARIAM and DIANA run


off leaving FARAH miserable and alone.

FLASHBACK END

6 EXT. ABANDONED SCHOOLYARD - NIGHT

A close-up of FARAH’s face looking hurt after the


flashback. She starts looking down, feeling low and
stands still right when she’s about to cry.

The shadowy figure appears closer than ever, revealing


THE CURSED WIDOW, which was now standing behind FARAH.
THE CURSED WIDOW, grabs FARAH’s shoulder in a
surprising motion. FARAH gets startled and
instantaneously looks behind her…

7 INT. THEATER ROOM - NIGHT

FARAH wakes up from an unexpected nap. FARAH, still in


confusion, looks at her friends who she sees are dead.
Farah starts to scream in shock, then cries. In an
extreme long shot, FARAH is seen on the floor
traumatized, holding her head and screaming. THE BLACK
WIDOW is seen behind FARAH, at the far corner. THE
BLACK WIDOW starts turning around revealing her face
behind the translucent, black veil, then turns more
with her lantern covering the shot.

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