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Joseph Joseph - Complete

This document contains musical notation for three guitar licks or short melodic phrases. The first lick begins in the key of A minor and features notes from the E altered scale. The second lick stays largely in the keys of E minor and A minor. The third lick uses notes from the E altered scale and moves between the keys of E minor and A minor.

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258 views9 pages

Joseph Joseph - Complete

This document contains musical notation for three guitar licks or short melodic phrases. The first lick begins in the key of A minor and features notes from the E altered scale. The second lick stays largely in the keys of E minor and A minor. The third lick uses notes from the E altered scale and moves between the keys of E minor and A minor.

Uploaded by

sebastian
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Joseph Joseph

 
A-6

                   
1 1 2

      
 
 
3 1 2
3 3 3 1 1 1 1 2 2 1
2
1 3 1 2 1 1 3 3 3 1

  
3

     
     3          
  

 
5 7 5 4 5 6 6 5 6 5 6 6 5 6 5
5 7 5 5
7 7
7 7 7 7

 
E7

        
5

  
        
3 1 2 3
1 2 2 1


1 1 1 1 1 1 1 2 2

3

3

      3       3 

 

 
5 7 5 4 5 6 6 5 6 5
7 5 4 4 4 4 5 6

 
D- E7

         
9
          
2 3 1 4


2 1 2 1 1 1 1 2 2 3 2 1


3 3

    3        3   
   


5 6 5
7 6 7 7 5 4 7 7 7 7 6 5 4
7
2


A-6

      
13

         
3 1 2

   
1 2 3 3 1 2 1 3 2 2 1 2 3 1
1 1 3 3 3

        
Great E7 to A minor lick featuring part of the E altered scale (which has the
same notes as F minor melodic) which is all the rage nowadays with the hip
kids in gypsy jazz!

                   
  

6 5
4 7 7 5 5
4 5 6 6 5 7
8 7 5 7 7
8 7 5 5 5

  
A-6


           
17 2 1

 
 
3 1 2
1 2 2 2 3 2 1


1 1 1 1 1 1

 
     3       



5

 
5 7 5 4 5 6 6 5 6 5 6 6 5 6 5
7 5

A7

     
D-6

      
2


21 1 4 4 2 2


1 2 2

 
1 1 1


2

 3           



5 6 5
8 8 6 6 5 5 8 8 6
7 7
3

                
D-6 A-6

  
3
25 2

      
4
4 1 1 1
2 2 1


3 2 3 1 1 3 1 1 3 1 1 3 2 2 2

  
Cool lick from D minor to A minor. There's a place for this lick on all those gypsy jazz
minor tunes like Minor Swing and Dark Eyes!

                     
 

5 8 7 5 4
5 6 8 6 5
7 6 7 7 5 4 7 4 5 9
7
7 7 7 7

 
  
F7 E7 A-6

    
3

 
E7

  
29
          
4 4 4 4 1

 
1 1 1 1 2 3 2
3 1 1 3 1

      
 
Dim arpeggio

                 

   

7 10
9
8 8 8 8 8 7 5 7 10
7 7 6 9
6 6 6 6 6 5 3 8 6 7
5 5

A-6

     
       
3


1 1 3
33
 
1 1 1


3 3

       
1 1 1


2 3 1 3 1 3 1 3 2 2 3 1 1 2 12 1 2 1 1 3

3
    
Stochelo messes up a bit Up and down A-6 arpeggios, also good for D7
in the first two beats, I changed

       
it to something else that fits.
3                
 
 

8 10 8 7 7 10 8
10 7 7 10 7
9 9 9
10 7 7 10 10 7
9 7 9 7
8 7 8 7 7 8 7 5 7
4

          
E7
             
37 2 3


1 1


2 1 1 2

   
1 1 3 2
3 3 1 1 4 2 1 4 2 1 2 3 1 4 1 4 2 1


Standard a minor lick ending on a
maj, 7th (G#) followed by the 9 (B) Excellent lick for E7b9, practice in all keys!

                         


10 9 12 10 12 10 9
9 10 9 10 9
7 9 10 12 10 9 9 12 12 10 9
7 12 10 9 10 11
8

    
 
D-
  
3
E7
        
3 3

  
1 3 1 1
41

1 1 1 2


1 3 1 3


1 3 1 4 3 2 1 1

    
3 1 1 2 4 4 2 3

Learn this in all keys and you'll have enough material to fill any dominant chord for any length of time!

      3                     


12 10 10 12 13 11
13 10 12
10 10 9 10 13
12 10 12 10 9 9 12 12 10 9 9 12
12 9 10 11 11

     

A-6
      
2 3
45 1 1 1 4 3 2 1 2

    
1 2 1 1


3 3 2 1 3 2 1 4 2 1 1 4 1 2 3 1 3 1

                  

                             


12 7 10 8 7
10 7 8 9 6 5
7 5
6 5 3
8 7 5 7 5 3 2 2 5
8 5 4 5 2 3 4
5

         

A-6
        
2

 
2 1 2 1

 
1 1
49 2

    
1 1 1 2

 
3 1 1 2 1
2 1 2 3 1
3 1 3 3 1 1 2 1 2 1 1

Beautiful Django lick and actually easier when played with two fingers like Django
Already on A7

                         3      


4 7 5 5 8 7 7 10 8 8 12 10 12 10 9
6 5 9 10 11 10
4 7 5 7 9 12 10 9
6 7 9 10

D-6

           
       
2 3

  
2 2 3
A7 1 1 1 1 1 1
3


2
53 3


2

      
1


2 1 3 1 2 1 3 3 1 1 2 1 2 1 1

 3 3
Lick based around a descending D minor arpeggio

             3              3  


12 15 13 15 13 12 13 15 16 17 13
14 15
12 15 14
12 11 11 14 15 12
13 11 12 12
13 12 13 12 10

A-6
      
                 
4 4 4 4 4


 
D-6 4

         
1 1 1 1 1 1
2 2 2 2 2 2 4 2
57 3 1
2 1 3 1

 
2 1 1 2
1

3
Notice that Stochelo is not making rest strokes on the D-note. In order to
make the sharp accents on the high "A" he needs to not make rest strokes on the
note before.

                     3        


17 13 17 13 17 13 17 13 17 13 14 12
15 15 15 15 13 13 15 13 12 12
14 13 12 13 12 11 14 12 13
6

            
F7


1
3 1 E7 A-6
1 4
E7
    
4 1 2

   
61 1 2

     
1 1 3 1 2
3


2 1 3 2 1 2 3 1

Stochelo ignore the F7 and just plays two bars of E7

                  


12 13 15 13 12


15 15 13 12
14 13 5
15 14 12 6 7
15 14 12 11 14 12 12

             
A-6

      
65


1 2 2 1 2 3 2

          
1 1 1 1 1 1 4 2 1 2 1 4 2 1 4 2

Playing E-7 over A- creates a dorian sound and


invokes a "modal" sound.

       3              
    

5 5 4 5 6 6 5 6 5
7 5 4
5 2
7 5 2 3 5 3 2
5 5

E7

          
       
2


69
 
1


2 2 2 2

  
1 1 2 4 1 2 2
2 1


1 1 1 4 2 1 3 1 4


1 3 3 1 1 3 3

    
Practice arpegiio based lick in all keys

            
             


10 10 10 10 9 10 9 9
9 10 9 10 9 9 10
7 9 10 12 10 9 9 12
7 12 9 10 11
5 5 7 8
7

         
E7

         

2

        
1 2 1 3
2 1
73 D- 3

  
1 1 1 1
2 3 1 1
1 3 2 4 2 2 2
4 1

 
2 1 3 1 3 4 1 4 1

Dim arpeggio Well known Stochelo signature lick


              3             


10 12 15 13 15 13 12
12 15 13 15 13 12 12 12
9 10 13 14 13 13 13 13
12 10 9 9 12 15 14 12 12
11 15

A-6

        
  
3 2 3 1

       
1 1 2 1 1 1
77 2

   
4 1

4

 
4 1 4 3

  
1 2 1 1 3 1 3 1

Dim arpeggio

                      



10 13 11 12 12 12 14 12 11 12


12
10 13
14 12 10 9 9 12
14 14 12 14 12 11 11

A-6
     
81                          

4 4 4 4 4 4

    
1 1 1 1 1 1 1 1 3
2 2 2 2 2 2 2 1 1 2
3 1


2 3 3
1


3

Powerful lick for A-6, very usable in Minor Swing as well. Again no rest stroke on the note before Anticipating the A7 in the next
the accent. bar. Anticipating chords by a half
or even one bar can sound great,
especially when the chord is a

                       
dominant.
 3   


14 12 14 12 14 12 14 12 14 12 14 12 12 10 12 10 9
13 13 13 13 13 13 13 11 10
14 12 11 14 12
8

    
D-6

     
A7
        
3 1

 
1

 
3


3
85
    
2 1 1

  
3 2 2


3 1 2 1 1 3 3
1


1 2 1 3 1 3 1 3 1

Dim arpeggio D-6 argeggios, practice in all keys!

                           


12 15 13
14 15 12 12 15 15
10 9 12 15 14 14
12 11 11 14 15 12 12 15
13 11 12 14 12 14

     
A-6

       
    
2
D-6 3 3
1 1 2 2 2 1 1 1 1 3
1 1

  
89

     
3 2 3 1

  
1


2

3 
Simple licks like these are also good to practice in all keys (in this case
also in major byraising the minor 3rd (F) to the major 3rd (F#)

            3        
     

12 12 13 13 15 15 13 13 12 10 10 12 10 8
15 15 10
9
10 7
7
8

       
E7 A-6
F7

                
93 3


1 3 3 3 2

  
1 1 1 3 1 1 2 1 3 1 3 1 3 2 1 1 1

 
3 3

 3                 3 
  

6 5 5 5 7 5
5 5 7 5 4 7 5 7 5 4 4 7 7 5
7 6 7
7 7

 
E7 A-6
F7

         
97
      
3


2 2 1


1 2 1 3 1 2 1

        
 3

    

4 5 5 7 5
7 5 7 5
7 7 7 7 7
9

  
2

  

E7 A-6 4
101 F7 3

       
1

 
     
1 2 1 3 1 2 1 1 2 2 2 2 2 2 2 1

 

              

 
  

4
4 5
7 5 7 5 5
7 4
7 6 7 8 9 10 11 12 7
5

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