Damien Lagger: 3 Cornets, Flugelhorn, E

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XXV

3 Cornets, Flugelhorn, E Horn & Brass Band


Damien Lagger
EMR 9918

1 Full Score 2 1st B Baritone


1 1. B Cornet Solo 2 2nd B Baritone
1 2. B Cornet Solo 2 1st Trombone + 
1 3. B Cornet Solo 2 2nd Trombone + 
1 4. B Flugelhorn Solo 2 Bass Trombone + 
1 5. E Horn Solo 2 B Euphonium
3 E Bass
1 E Cornet 3 B Bass
5 Solo B Cornet 1 Timpani
1 Repiano Cornet 1 Percussion 1 (Tubular Bells / B.D. / Vibraphone)
3 2nd B Cornet 1 Percussion 2 (Vibraphone / Xylophone)
3 3rd B Cornet 1 Percussion 3 (Susp. Cymb. / Tam-Tam / Drum Set)
2 1st E Horn
2 2nd E Horn

Print & Listen


Drucken & Anhören
Imprimer & Ecouter

www.reift.ch

Route du Golf 150 CH-3963 Crans-Montana (Switzerland)


Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : info@reift.ch www.reift.ch
Pour leur 25 ans d'activités
| Alain, Edi, François, Claude, Eric
Photocopying
is illegal!
XXV Damien Lagger
1 2 3 4 5 6 7 8
Lento, ca q = 60

  
                   
3

    
1. Bb Cornet
SOLO
p dolce mp p mf
  
                   
 
2. Bb Cornet
SOLO

p dolce mp p mf mp
     
3. Bb Cornet
             


  
SOLO 
p dolce mp p mf mp
     
               

4. Bb Flugel Horn
SOLO
p dolce mp p mf
  
mp
 
5. Eb Horn 
                        
SOLO 
p dolce mp p mf mp

   
Eb Cornet        
  
Solo Bb Cornet          
  
Repiano Bb Cornet          
 
2nd Bb Cornet           

         
3rd Bb Cornet 

          

1st Eb Horn


         
2nd Eb Horn 
   
1st Bb Baritone          

         
2nd Bb Baritone 

    harmon mute
 
1st Bb Trombone           gliss.   gliss.  
p
  
  
mf p
     
harmon mute
2nd Bb Trombone   
    p
       
Bass Trombone  
 
            
Bb Euphonium   
mp

 
         

Eb Bass

  
Bb Bass           
Upturned Cym.

 
on Timp. gliss.
        
Timpani
       
pp mp


Tubular bells
Percussion 1
 
(Tubular bells /
Bass Drum /
                     
Vibraphone) mp

   Vibraphone

     
Percussion 2
    
    

(Vibraphone /
Xylophone)    
p Tam-tam

 (xylophoneTosticks)
Susp. Cymb.


(soft sticks)
Percussion 3
  To Tam-tam Susp. Cymb.
         


(Suspended Cymbal / 
Tam-Tam /
Drum Set) pp mp mp
EMR 9918
© COPYRIGHT BY EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND)
ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED www.reift.ch
4 9 10 11 A 12 13 14 15

                           
    
1st SOLO   
    
3
f mp mf mp f
         
3

2nd SOLO                
  
  
    
f mp mf mp f

               
3
        
         
3rd SOLO
f mp mf mp f
 
        
3

      
  
             
4th SOLO

f mp mf mp f
 
                  
3

                
 
5th SOLO
f mp mf mp f

Eb Cnt.
 
                 

mp mf p
mf

  
tutti

      
1.

       
Solo Cnt.
      
p mp p mp p mf

Rep Cnt.             
p mp p mf

           

2nd Cnt.
p mp p mf
   
3rd Cnt.          
p mp p
mf

          
      

1st Hn.
p mp p mf

2nd Hn.        


        
p mp p mf

 
        
1st Bar.           
mp f p mp p mf
 
2nd Bar.            
        
mp f p mp p mf

   
         
open

1st Tbn.     gliss.    


   


mp p mp p mf

   
  
open

           
   
2nd Tbn.

   
p mp p mf

B.Tbn.         
    
mp f p mp p mf

    
     
                              

Euph.
         
f mp mf mp
f
     
        

Eb Bass
 
mp f p mp mp mf
     
Bb Bass      
    
 

  

mf p mp p mf
       
Timp.
 

Perc.1                 

 
             
 

      
Perc.2  
 f p mp p mf
Susp. Cymb.
 To Tam-tam
       


(soft sticks)
Perc.3 
pp mp

EMR 9918 www.reift.ch


5
16 17 18 19 20 B 21 22
Andante, ca q = 72
        
1st SOLO       
ff f
 
2nd SOLO          
        
ff f mp 3

3rd SOLO               
   
ff f mp

                  
3 3 3 3 3 3 3 3

  
        
4th SOLO

ff mp

      
     
3 3 3 3
5th SOLO
   3  3   3  
ff mf
    
Eb Cnt.
 
      
ff f

  
3
  
    
1.

    
Solo Cnt. 
3

ff ff mf
     
Rep Cnt.      
ff ff
3


mf
2nd Cnt.         
ff f

3rd Cnt.          
ff f

  
1st Hn.
 
              
ff f mp
3
   mf

2nd Hn.              
ff f


 
  
3
        
1st Bar.         
 3
 
ff f mf mp pp
        
2nd Bar.         

   
3
ff ff mf mp pp
      
          

1st Tbn.
ff mf p

2nd Tbn.

           
ff mf p
  
B.Tbn.          
 
 mf
p
ff
 
Euph.            
3
         
ff mf mp
 
p

            

Eb Bass   
ff mf p

Bb Bass        

    

  
ff mf p
Upturned Cym.

  
on Timp. gliss.
    
Timp.
  
pp mf 

Perc.1              


           
 
Perc.2


Susp. Cymb.
ff

(soft sticks)
Tam-tam To Susp. Cymb.
  (xylophone sticks)      


Perc.3 
mf pp mp

EMR 9918 www.reift.ch


6 23 24 25 26 27 28 29

         
1st SOLO             
  mf
mp

2nd SOLO  
         

 
      
3
3rd SOLO      


                      
        
4th SOLO
mp mf mf
  
                        
5th SOLO
 
mf mf

              
Eb Cnt.  
mf 3

 
           
Solo Cnt.
 
mf 3

   
Rep Cnt.       
mp

2nd Cnt.          
mp

3rd Cnt.           
mp

  
1st Hn.
 
            
3 mp
mp mf

2nd Hn.          
mp

       
1st Bar.   
mf mp

      
2nd Bar.   
mp

     
1st Tbn.     


2nd Tbn.        

   
B.Tbn.        
mp

  
Euph.       


      

Eb Bass
mp

Bb Bass         
mp


Timp.       


Perc.1         


Perc.2            
mp

 
To Tam-tam
      


Perc.3 
p mf

EMR 9918 www.reift.ch


30 31 32
7
opt.
                                 
       
                                
1st SOLO                            
mf


2nd SOLO                                                       
mf
              
   
            
          
3rd SOLO
mf

   
                 
   

4th SOLO

        
                   
5th SOLO 

              
  

Eb Cnt.  
 
Solo Cnt.          


Rep Cnt.          


2nd Cnt.          

3rd Cnt.           

 
1st Hn.       

2nd Hn.        

 
1st Bar.       

2nd Bar.        
   
1st Tbn.
   
      
mf
  
            
2nd Tbn.  
mf

B.Tbn.        

    
Euph. 

Eb Bass

   


Bb Bass     

   
 
 
 
Timp.
mf

Perc.1      


Perc.2           
  
Perc.3 

EMR 9918 www.reift.ch


8 33 34 35 36 37
3 rall.
               
3
        
1st SOLO      
   
f 3
3
ff

  
3
  3 3

  
         
3

       
2nd SOLO
3
ff p
  

  
3

             
3
 
3rd SOLO  
3 f p

f
     

mf

          
4th SOLO
 
f mf p

3
          
3
     
5th SOLO      
3 f mf

3

f
              
Eb Cnt.  
f mf
 
 
Solo Cnt.                 
 f pp

 
3
          

Rep Cnt.
mf f pp


3
2nd Cnt.            
mf  pp
f


3
3rd Cnt.             
mf 
f pp

1st Hn.   

      
mf 
f mf

2nd Hn.   
       
mf 
f mf
 
1st Bar.   
      
mf 

f mf

        

2nd Bar. 
mf
 f mf
          
1st Tbn.        
f mf f mf
   
  
          
2nd Tbn.

f mf f mf
 
B.Tbn.            
mf

f mf
   
 
Euph.         
  f mf
mf
 
Eb Bass
 

  

   
mf f mf

Bb Bass    

 
   

mf 
f mf
  
Timp.   





f pp

Perc.1        


  
        
Perc.2   
mf 
Tam-tam 
f pp

  


(tam-tam sticks)
Perc.3
f pp

EMR 9918 www.reift.ch


C
38 39 40 41 42 43 44 45
9
Poco meno mosso, ca q = 68 rit.
    
1st SOLO                       
p mp p mf
                 
2nd SOLO                    
 

   
mp p p mf

3rd SOLO   
       
             
  mf
p mp p
 
                          

4th SOLO
3 p mf
  
    
          
         
5th SOLO
 
p 3
mp p p mf

         
Eb Cnt. 


Solo Cnt.         


Rep Cnt.         


2nd Cnt.         


3rd Cnt.          

         
1st Hn. 

2nd Hn.          

 
1st Bar.         


2nd Bar.          

         
1st Tbn. 


2nd Tbn.         

         
B.Tbn.  

  solo
   
Euph.      
p mf

           
Eb Bass 
mp

Bb Bass           

mp


Timp.        


Perc.1               


To Xylophone
Perc.2          

       
Perc.3 

EMR 9918 www.reift.ch


10 D 46 47 48 49
Cadenza ad lib.
   
   
5

1st SOLO                  
       
p f

  
    
6

                      
5

                 
2nd SOLO
p f p f

  
                     

5 6
3rd SOLO
                 
 p f

 
p f
  
  
solo libero

       
3 5 6
4th SOLO 
    
               
mp

f p f
solo libero    
5th SOLO                            
mp 3
f
 
   
     
Eb Cnt. 

  
Solo Cnt.         

  
Rep Cnt.         

  
2nd Cnt.         

 
        
3rd Cnt. 

 
        

1st Hn.

 
2nd Hn.          

   
1st Bar.         

 
        
2nd Bar. 

   
1st Tbn.         

  
2nd Tbn.         

 
B.Tbn.

          

   
Euph.         

 
 
 
 
Eb Bass

  

 
      
Bb Bass   
Upturned Cym.
 
 
 
 
 
on Timp. gliss.

Timp.   
 
mp
  
Perc.1        
    
  
  



Perc.2       

  



     
To Drum set
Perc.3 
mp

EMR 9918 www.reift.ch


50 51 52
E 53 54 11
rit. Moderato with groove, ca q = 112
solo libero
                  
6
                               
1st SOLO           
6 6 6 3 3
3


mp f

2nd SOLO         

 
3rd SOLO         

 
4th SOLO         


    
                  
solo

     
3

 
5th SOLO
mf   

Eb Cnt.
  
       

 
Solo Cnt.         

  
Rep Cnt.        

 
2nd Cnt.         

  
3rd Cnt.         


1st Hn.
  
       


2nd Hn.  
      

   
1st Bar.        


       
2nd Bar. 

   
1st Tbn.        

  
2nd Tbn.        

   
B.Tbn.  
     

   
Euph.        


Eb Bass
  
       

  
       
Bb Bass
 

  
Timp.     


      
  
To Bass Drum
Perc.1

  
Perc.2         

    
Drum set
             
Perc.3 
mp

EMR 9918 www.reift.ch


12 55 56 57 58 59

               
1st SOLO              
mf
      
     
 
        

  

2nd SOLO

mf
 

    
         

    
3rd SOLO
      
mf
     
           
        
4th SOLO
mf  
     
3

5th SOLO                                                    
3 3

       


             
 
Eb Cnt.      


mute
     

     
  

Solo Cnt.
fp f fp

 
    
mute

      
Rep Cnt.    

fp f fp


mute

   

       
 
2nd Cnt.
 
fp f fp


mute

      
 
 
   
3rd Cnt.
 
fp f fp
 
1st Hn.     




mp

    
 
2nd Hn. 
mp

 
1st Bar.          
mf
  
2nd Bar.        
mp

  
1st Tbn.       


mp

     
 
2nd Tbn.
mp
     
   
B.Tbn.
mp

      
tutti

Euph.                   
                  
mp mf

                    
Eb Bass         
mf

     
Bb Bass  

    
Timp.       
mp

   
Bass Drum

Perc.1           
mp

Perc.2        

                               
        
Perc.3       
mf
EMR 9918 www.reift.ch
BRASS BAND Cornet & Brass Band (Fortsetzung - Continued - Suite)
EMR 3386 Morning Has Broken RICHARDS
EMR 3917 Moto Perpetuo (Cornet Trio) PAGANINI (Andrews / Moren)
CORNET & BRASS BAND EMR 2509 My Way FRANCOIS (Schneiders)
EMR 1424 A Bumble Bee's Fantasy DEBONS EMR 3541 Peaceful Moment ROCHA
EMR 3189 A Cornet's Pleasure KÜBLER EMR 2524 Petite Fleur BECHET (Schneiders)
EMR 9130 Ad Astra ROCHA EMR 9054 Polovetzian Dance BORODINE (Naulais)
EMR 3870 Adventure Quest MOREN EMR 2589 Porgy And Bess (Summertime) (Eb or Bb Solo) GERSHWIN (Schneiders)
EMR 1287 Amazing Grace TRADITIONAL (Mortimer) EMR 2935 Prelude & Burlesque DEBONS
EMR 3730 Aria BACH (Naulais) EMR 2956 Qu'est ce qu'on attend ? HORNEZ / MISRAKI (Mortimer)
EMR 3320 Arioso BACH (Naulais) EMR 1311 Rhapsodie Fantasque DEBONS
EMR 3737 Ave Maria GOUNOD (Naulais) EMR 1099 Rolipops (Cornet Duet) MICHEL
EMR 9052 Ave Maria GOUNOD (Naulais) EMR 1412 Romance WEBER (Mortimer)
EMR 9005 Ave Maria (Bb Cornet Solo) CACCINI (Oliver) EMR 3063 Romancing NORIS
EMR 9006 Ave Maria (Eb Cornet Solo) CACCINI (Oliver) EMR 3184 Romantic Blue ARMITAGE
EMR 3641 Badinerie BACH, Johann Sebastian (Bach) EMR 1890 Saltatio Diabolica DEBONS
EMR 3710 Bayside NAULAIS EMR 2588 Silberfäden DANKS (Schneiders)
EMR 9047 Bayside (Cornet Trio) NAULAIS EMR 3726 Slavonic Fantasy HOHNE (Moren)
EMR 2887 Beautiful Girl NORIS EMR 2536 Soleado DAMMICCO (Schneiders)
EMR 2530 Benny Hill (Yackety Sax) RICH / RANDOLPH (Schneiders) EMR 9065 South American Suite PARSON
EMR 3713 Blue Day NAULAIS EMR 3098 Souvenir Polka (Cornet Trio) CARRON
EMR 3625 Blue Flugel NAULAIS EMR 2788 Spanish Trumpet THOMAS
EMR 3718 Carnival (Trumpet or Cornet Solo) MOREN EMR 2502 Strangers In The Night KAEMPFERT (Tailor)
EMR 3612 Chorus Of Hebrew Slaves VERDI (Oliver) EMR 9111 Summer Concertino (Bb Cornet Solo) MOREN
EMR 1163 Concerto GLIERE (Mortimer) EMR 9109 Summer Concertino (Eb Cornet Solo) MOREN
EMR 3528 Concerto Pour Un Eté MORISOD (Saurer) EMR 3418 Swing Low TRADITIONAL (Oliver)
EMR 3880 Concerto Pour Une Voix SAINT-PREUX (Naulais) EMR 3636 Take-Off ARMITAGE
EMR 9003 Connemara (Bb Cornet Solo) MOREN EMR 3711 The Cuckoo Clock TAILOR (Saurer)
EMR 9002 Connemara (Eb Cornet Solo) MOREN EMR 1266 The Flight Of The Bumble Bee RIMSKY-KORSAKOV (Reift)
EMR 3729 Cornet Wizards (Cornet Duet) MOREN EMR 1305 The Happy Twins (Cornet Duet) ARMITAGE
EMR 1052 Csardas (Version in C minor) MONTI (Reift) EMR 3736 Toundra NAULAIS
ENR 3104 Danses Païennes (Bb Cornet or Trumpet Solo) DEBONS EMR 2523 Trumpet Blues and Cantabile (Cornet Solo or Trio) JAMES (Thomas)
EMR 2940 Danses Païennes (Eb Cornet Solo) DEBONS EMR 3860 Trumpet Holiday (3 Cornets) TSCHANNEN
EMR 3482 Devil's Concertino MOREN EMR 3069 Trumpet In The Night NORIS
EMR 1232 Dinardzade DEBONS EMR 1687 Trumpet Playtime (Cornet Quartet) ARMITAGE
EMR 3826 Divertimento DEBONS (Moren) EMR 3499 Trumpet Tango (Cornet Duet) TAILOR (Saurer)
EMR 2600 Don't Cry For Me, Argentina WEBBER (Tailor) EMR 3523 Trumpeter's Dream TAILOR
EMR 3340 Down By The Riverside (Cornet Duet) NAULAIS EMR 3872 Two Faces ROCHA
EMR 3485 Eastern Dances MOREN EMR 3431 Viva Italia (Cornet Quartet) SUBA
EMR 1170 Einsamer Hirte LAST (Mortimer) EMR 3432 Winter Days MORTIMER
EMR 3989 El Baile De Luis Alonso (Cornet Trio) GIMENEZ (Suba-Moren) EMR 2958 Zece Prajini DEBONS
EMR 3342 El Condor Pasa Arr.: NAULAIS EMR 2576 Zigeunerweisen SARASATE (Dokshitser)
EMR 2790 El Condor Pasa (Cornet Solo or Duet) ROBLES / MILCHBERG (Tailor) EMR 3183 Zingaresca DEBONS
EMR 3247 El Sol De Sevilla (Cornets Feature) MOREN
EMR 9046 Elisa Arr.: NAULAIS FLUGELHORN & BRASS BAND
EMR 3343 Elite Syncopations JOPLIN (King) EMR 9005 Ave Maria CACCINI (Oliver)
EMR 2939 Evasion NAULAIS EMR 3625 Blue Flugel NAULAIS
EMR 3979 Fantasietta DEBONS EMR 3612 Chorus Of Hebrew Slaves VERDI (Oliver)
EMR 3954 Fantasy On Themes From Carmen (Cornet Trio) MOREN EMR 3734 It's Time NAULAIS
EMR 2525 Feelings MORRIS (Tailor) EMR 3738 Just One NAULAIS
EMR 3542 Fiesta MOREN EMR 3541 Peaceful Moment ROCHA
EMR 3854 Flamme And Co (Cornet Solo) NAULAIS EMR 3872 Two Faces ROCHA
EMR 3741 For You NAULAIS
EMR 3350 Funiculi Funicula (3 or 4 Trumpets or Cornets) Arr.: NAULAIS b
E HORN & BRASS BAND
EMR 3351 Gershwin Fantasy (Duet) Arr.: MORTIMER
EMR 1622 A Bumble Bee's Fantasy DEBONS
EMR 2590 Gloryland RICHARDS
EMR 2586 Gramercy Park TAILOR EMR 3730 Aria BACH (Naulais)
EMR 3217 At Hell's Gate MOREN
EMR 3735 Greensleeves Arr.: NAULAIS
EMR 9006 Ave Maria CACCINI (Oliver)
EMR 9060 Happy Trumpets (Cornet Trio) PARSON
EMR 3612 Chorus Of Hebrew Slaves VERDI (Oliver)
EMR 9108 Harley Quinn's Madness ROCHA
EMR 1218 Haunting Melody ARMITAGE EMR 1560 Concertino GOURLAY
EMR 9100 Concerto BELLINI (Andrews)
EMR 1281 Hello, Dolly ! HERMAN (Mortimer)
EMR 9002 Connemara MOREN
EMR 3740 It's Just Like A Dream NAULAIS
EMR 3734 It's Time NAULAIS EMR 1052 Csardas (Version in C minor) MONTI (Reift)
EMR 2940 Danses Païennes DEBONS
EMR 3369 Jeux Interdits Arr.: NAULAIS
EMR 3340 Down By The Riverside (Eb Horn Duet) NAULAIS
EMR 3739 Julito Mio NAULAIS
EMR 3978 Julito Moi (Cornet Duo or Trio) NAULAIS EMR 3245 Duel (Duet) MOREN
EMR 3738 Just One NAULAIS EMR 2586 Gramercy Park TAILOR
EMR 1281 Hello Dolly! HERMAN (Mortimer)
EMR 2947H Keep On Smiling TAILOR
EMR 3369 Jeux Interdits Arr.: NAULAIS
EMR 3712 Key West NAULAIS
EMR 3191 Kirbo (Cornet or Trumpet Solo) DEBONS EMR 2947J Keep On Smiling TAILOR
EMR 3216 Kirbo DEBONS
EMR 3216 Kirbo (Eb Cornet Solo) DEBONS
EMR 3722 Korobushka MOREN
EMR 9062 Klezmer Fantasy (Cornet Trio) SAURER
EMR 1532 Konzerstück Nr. 1 BRANDT (Mortimer) EMR 1196 Les Feuilles Mortes PREVERT / KOSMA (Mortimer)
EMR 2509 My Way FRANCOIS (Schneiders)
EMR 1534 Konzerstück Nr. 2 BRANDT (Mortimer)
EMR 1054 Nordlicht Variationen VOEGELIN
EMR 3543 Konzert-Etüde GOEDICKE (Mortimer)
EMR 3541 Peaceful Moment ROCHA
EMR 2501 L'Ete Indien DASSIN (Mortimer)
EMR 3372 La Cucaracha (Trio) Arr.: NAULAIS EMR 2589 Porgy And Bess (Summertime) GERSHWIN (Schneiders)
EMR 3184 Romantic Blue ARMITAGE
EMR 2543 La Maladie d'Amour REVAUX (Tailor)
EMR 2899 Saltatio Diabolica DEBONS
EMR 3375 Latin Lovers (Cornet Duet) SUBA
EMR 2760 Londonderry Air TRADITIONAL (Tailor) EMR 1304 Solitude NUSSBAUMER
EMR 2502 Strangers In The Night KAEMPFERT (Tailor)
EMR 1299 Meditation From "Thaïs" (Eb Cornet Solo) MASSENET (Cheseaux)
EMR 9109 Summer Concertino MOREN
EMR 3764 Meditation From Thaïs (Bb Cornet Solo) MASSENET (Mortimer)
EMR 3636 Take-Off ARMITAGE
EMR 1208 Mellow-Melody (Cornet Duet) ARMITAGE
EMR 3383 Mexican Hat Dance (Trio) SUBA EMR 3875 The Carnival Of Venice ARBAN (Le Clair)
EMR 1264 The Flight Of The Bumble Bee RIMSKY-KORSAKOV (Reift)
EMR 3733 Morning NAULAIS
EMR 3432 Winter Days MORTIMER
EMR 2587 Morning Has Broken TRADITIONAL (Schneiders)

Editions Marc Reift ● CH-3963 Crans-Montana (Switzerland) ● Tel. +41 (0) 27 483 12 00 ● Fax +41 (0) 27 483 42 43 ● info@reift.ch ● www.reift.ch

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