Jallikattu
Jallikattu
Jallikattu
INTRODUCTION:
Name: Jallikatti (Tamizh: Sallikattu)
Other names: Eruthazhuvudhal, Manjuvirattu, Pollerudhu Pidithal
What is it: A sport
How is it played: A bull is released into a crowd of volunteers, who need to hold the hump
of the bull and bring it to a stop
Prize: Money or gifts
When is it played: Harvest festival of Pongal, mid-January
Places held: The bull-taming sport is popular in Madurai, Tiruchirappalli, Theni, Pudukkottai
and Dindigul districts — known as the Jallikattu belt
Important locations: Alanganallur, Avaniapuram and Palemedu in Madurai district;
Tiruvapur near Pudukottai; Thammampatti in Salem; Sravayal near Karaikudi; Kanduppatti
near Sivagangai; Venthanpatti in Pudukottai district; and Pallavarayanpatty near Cumbum
Popular breeds used: Pulikulam, Kangayam, Umbalachery, Barugur and Malai Maadu
SPORT DESCRIPTION:
The bulls are domesticated and maintained wild in a balance. The calves with competent
characters and structure are selected and are brought up carefully by being provided quality
nutritious food. They are even given swimming exercises to strengthen their muscles. They
are then taken to smaller grounds to practice, and then are familiarized with the concept of
“fight or flight”, which is seen as an important base of this sport.
The contesting bull enters the competition area through a gate called the “vaadi vaasal”. The
game proceeds depending on the variations. The biggest open space available in each village
is used for the sport.
The bulls which get weak in the sport will be used for the agriculture.
The prize items and money have changed according to the era. Bull owners are seemed to
encourage to train their bulls based on that, because otherwise, the mechanized farming
sector provides not much benefits for them with the bulls.
HISTORY:
Jallikattu has been known to be practiced during the Tamizh classical period which existed
between 400-100 BCE.
The ancient Tamizh Sangam literature from 3rd century BCE to 4th century CE mentions
“bull-grapping” as popular sport amongst the Velir chieftains, who were then small rulers in
different parts of the ancient Tamizh land. This group, also referred to as “Ay-Velirs” are
referred so by using the prefix “Ay” to denote the “Ayar” cowherd community, which is
believed to be the Hindu God Krishna’s Yadava dynasty, who are believed to have migrated
southwards after the collapse of the Indus Vallye Civilization from the 1900 BCE. This is
testified by the Sangam Literature as well as multiple copper-plate charters of the Tamizh
kings.
Kaikkiyur, situated about 40 km from Kotagiri town, is the biggest rock art site in south
India. This site contains several rock paintings that are more than 3,500 years old which show
men chasing bulls.
Another single painting discovered in a cave at Kalluthu Mettupatti near Madurai shows a
lone man trying to control a bull. This painting done in white kaolin is estimated to be 1500
years old.
This sport is believed to have begun largely as a wedding custom. In the book, Temples of
Krsna in South India, it is observed that, “A verse in Kalithokai says that an Ay girl would
not marry the man who was afraid to face a bull fight. This shows that ‘it was a custom in the
cowherd community for young girls, until they were married, to select their own bulls from
the common stall and to tend them. The bulls would then be let loose, and which ever young
cowherd could successfully bring the beast under control in an open contest, was deemed the
proper life-partner for the girl.”
Later, this sport had been transformed into a game of exhibition of “masculinity” and
bravery.
DISPUTES ABOUT ORIGIN:
A seal found at Mohenjodaro, now in Pakistan, shows a single bull with curved horns in the
“action” of goring a single man or several men. Historians seem to agree that this seal can be
interpreted as one man, who is flung into the air by the bull, his flying, his plunging, his
somersaulting and finally sitting on his haunch. This can thus indicate that Jallikattu
originated from the Indus Valley Civilization and was then brought to Dravidian culture.
Various evidences, especially material culture, has shown that Dravidian and Indus Valley
cultures could be linked.