Tunings Sheet

Filename Size Description
05-19.scl 5 5 out of 19-tET

05-22.scl 5 Pentatonic "generator" of 09-22.scl
05-24.scl 5 5 out of 24-tET, symmetrical
06-41.scl 6 Hexatonic scale in 41-tET, Magic-6
07-19.scl 7 Nineteen-tone equal major
07-31.scl 7 Strange diatonic-like strictly proper scale
07-37.scl 7 Miller's Porcupine-7
08-19.scl 8 8 out of 19-tET, Mandelbaum
09-15.scl 9 Charyan scale of Andal, Boudewijn Rempt (1999), 1/1=A
09-19.scl 9 9 out of 19-tET, Mandelbaum. Negri[9]
09-19a.scl 9 Second strictly proper 9 out of 19 scale
09-22.scl 9 Trivalent scale in 22-tET, TL 05-12-2000
09-23.scl 9 9 out of 23-tET, Dan Stearns
09-29.scl 9 Cycle of g=124.138 in 29-tET (Negri temperament)
09-31.scl 9 Scott Thompson scale 724541125
10-13-58.scl 10 Single chain pseudo-MOS of major and neutral thirds in 58-tET
10-13.scl 10 10 out of 13-tET MOS, Carl Lumma, TL 21-12-1999
10-19.scl 10 10 out of 19-tET, Mandelbaum. Negri[10]
10-29.scl 10 10 out of 29-tET, chain of 124.138 cents intervals, Keenan
11-18.scl 11 11 out of 18-tET, g=333.33, TL 27-09-2009
11-19-gould.scl 11 11 out of 19-tET, Mark Gould (2002)
11-19-krantz.scl 11 11 out of 19-tET, Richard Krantz
11-19-mclaren.scl 11 11 out of 19-tET, Brian McLaren. Asc: 311313313 Desc:
313131313
11-23.scl 11 11 out of 23-tET, Dan Stearns
11-31.scl 11 Jon Wild, 11 out of 31-tET, g=7/6, TL 9-9-1999
11-34.scl 11 Erv Wilson, 11 out of 34-tET, chain of minor thirds
11-37.scl 11 Jake Freivald, 11 out of 37-tET, g=11/8, TL 22-08-2012
11-limit-only.scl 11 11-limit-only
12-17.scl 12 12 out of 17-tET, chain of fifths
12-19.scl 12 12 out of 19-tET scale from Mandelbaum's dissertation
12-22.scl 12 12 out of 22-tET, chain of fifths
12-22h.scl 12 Hexachordal 12-tone scale in 22-tET
12-27.scl 12 12 out of 27, Herman Miller's Galticeran scale
12-31.scl 12 12 out of 31-tET, meantone Eb-G#
12-31_11.scl 12 11-limit 12 out of 31-tET, George Secor
12-43.scl 12 12 out of 43-tET (1/5-comma meantone)
12-46.scl 12 12 out of 46-tET, diaschismic
12-46p.scl 12 686/675 comma pump scale in 46-tET
12-50.scl 12 12 out of 50-tET, meantone Eb-G#
12-79mos159et.scl 12 12-tones out of 79 MOS 159ET, Splendid Beat Rates Based on
Simple Frequencies version, C=262hz
12-yarman24a.scl 12 12-tones out of Yarman24a, circulating in the style of Rameau's
Modified Meantone Temperament
12-yarman24b.scl 12 12-tones out of Yarman24b, circulating in the style of Rameau's
12-yarman24c.scl 12 12-tones out of Yarman24c, circulating in the style of Rameau's
12-yarman24d.scl 12 12-tones out of Yarman24d, circulating in the style of Rameau's
13-22.scl 13 13 out of 22-tET, generator = 5
13-30t.scl 13 Tritave with 13/10 generator, 91/90 tempered out
13-31.scl 13 13 out of 31-tET Hemiwürschmidt[13]
14-26.scl 14 Two interlaced diatonic in 26-tET, tetrachordal. Paul Erlich (1996)
14-26a.scl 14 Two interlaced diatonic in 26-tET, maximally even. Paul Erlich
(1996)
15-46.scl 15 Valentine[15] in 46-et tuning
16-139.scl 16 g=9 steps of 139-tET. Gene Ward Smith "Quartaminorthirds" 7-limit
temperament
16-145.scl 16 Magic[16] in 145-tET
16-31.scl 16 Armodue semi-equalizzato
17-31.scl 17 17 out of 31, with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
17-53.scl 17 17 out of 53-tET, Arabic Pythagorean scale, Safiyuddîn Al-Urmawî
(Safi al-Din)
19-31.scl 19 19 out of 31-tET, meantone Gb-B#
19-31ji.scl 19 A septimal interpretation of 19 out of 31 tones, after Wilson, XH7+8
19-36.scl 19 19 out of 36-tET, Tomasz Liese, Tuning List, 1997
19-53.scl 19 19 out of 53-tET, Larry H. Hanson (1978), key 8 is Mason Green's
1953 scale
19-any.scl 19 Two out of 1/7 1/5 1/3 1 3 5 7 CPS
20-31.scl 20 20 out of 31-tET
20-55.scl 20 20 out of 55-tET, J. Chesnut: Mozart's teaching of intonation, JAMS
30/2 (1977)
21-any.scl 21 2)7 1.3.5.7.9.11.13 21-any, 1.3 tonic
22-100.scl 22 MODMOS with 10 and 12-note chains of fifths by Gene Ward Smith,
similar to Pajara
22-100a.scl 22 Alternative version with 600 cents period
22-41.scl 22 22 out of 41 by Stephen Soderberg, TL 17-11-98
22-46.scl 22 22 shrutis out of 46-tET by Graham Breed
22-53.scl 22 22 shrutis out of 53-tET
24-41.scl 24 24 out of 41-tET, g=neutral third, 22 neutral triads, Op de Coul
(2001), Hemififths-24
24-60.scl 24 12 and 15-tET mixed. Novaro (1951)
24-80.scl 24 Regular 705-cent temperament, 24 of 80-tET
24-94.scl 24 24 tone schismic temperament in 94-tET, Gene Ward Smith (2002)
28-any.scl 26 6)8 1.3.5.7.9.11.13.15 28-any, only 26 tones
30-29-min3.scl 9 30/29 x 29/28 x 28/27 plus 6/5
31-171.scl 31 Tertiaseptal-31 in 171-tET, g=11\171
46_72.scl 46 46 note subset of 72-tET containing the 17-limit otonalities and
utonalities by Rick Tagawa
53-commas.scl 53 so-called 1/9 comma division of Turkish Music by equal division
of 9/8 into 9 equal string lengths
56-any.scl 48 3)8 1.3.5.7.9.11.13.15 56-any, 1.3.5 tonic, only 48 notes
67-135.scl 67 67 out of 135-tET by Ozan Yarman, g=17.7777
70-any.scl 70 4)8 1.3.5.7.11.13.17.19 70-any, tonic 1.3.5.7
79-159.scl 79 79 out of 159-tET MOS by Ozan Yarman, 79-tone Tuning & Theory
For Turkish Maqam Music
79-159beats.scl 79 79 MOS 159tET Splendid Beat Rates Based on Simple
Frequencies, C=262 hz
79-159first.scl 79 79 MOS 159-tET original pure fourths version
79-159ji.scl 79 79 MOS 159-tET Just Intonation Ratios
79-159_arel-ezgi-uzdilek.scl 24 Arel-Ezgi-Uzdilek style of 11 fifths up, 12 down from tone of
origin in 79 MOS 159-tET
79-159_equidistant5ths.scl 79 79 MOS 159-tET equi-distant fifths from pure 3:2 version.
79-159_splendidbeating.scl 79 79 MOS 159-tET Splendid Beat Rates Based on Simple
80-159.scl 80 80 out of 159-tET MOS by Ozan Yarman, 79-tone Tuning & Theory
For Turkish Maqam Music
80-159beats.scl 80 80 MOS 159tET Splendid Beat Rates Based on Simple
80-159_splendidbeating.scl 80 80 MOS 159-tET Splendid Beat Rates Based on Simple
abell1.scl 12 Ross Abell's French Baroque Meantone 1, a'=520 Hz
ad-dik.scl 24 Amin Ad-Dik, 24-tone Egyptian tuning, d'Erlanger vol.5, p. 42
aeolic.scl 7 Ancient Greek Aeolic, also tritriadic scale of the 54:64:81 triad
aeu-41 ratios.scl 41 AEU extended to quasi-cyclic 41-tones in simple ratios
aeu-41.scl 41 AEU extended to 41-quasi equal tones by Ozan Yarman
agricola.scl 12 Agricola's Monochord, Rudimenta musices (1539)
agricola_p.scl 12 Agricola's Pythagorean-type Monochord, Musica instrumentalis
deudsch (1545)
akea46_13.scl 46 Tridecimal Akea[46] hobbit minimax tuning. Commas 325/324,
352/351, 385/384
al-din.scl 35 Safi al-Din's complete lute tuning on 5 strings 4/3 apart
al-din_19.scl 19 Pythagorean Arabic scale by Safi al-Din
al-farabi.scl 7 Al-Farabi Syn Chrom
al-farabi_19.scl 19 Arabic scale by Al Farabi
al-farabi_22.scl 22 Al-Farabi 22 note ud scale
al-farabi_9.scl 9 Al-Farabi 9 note ud scale
al-farabi_blue.scl 7 Another tuning from Al Farabi, c700 AD
al-farabi_chrom.scl 7 Al Farabi's Chromatic c700 AD
al-farabi_chrom2.scl 7 Al-Farabi's Chromatic permuted
al-farabi_diat.scl 7 Al-Farabi's Diatonic
al-farabi_diat2.scl 7 Old Phrygian, permuted form of Al-Farabi's reduplicated 10/9
diatonic genus, same as ptolemy_diat.scl
al-farabi_div.scl 10 Al Farabi's 10 intervals for the division of the tetrachord
al-farabi_div2.scl 12 Al-Farabi's tetrachord division, incl. extra 2187/2048 &
19683/16384
al-farabi_divo.scl 24 Al Farabi's theoretical octave division with identical tetrachords,
10th c.
al-farabi_dor.scl 7 Dorian mode of Al-Farabi's 10/9 Diatonic
al-farabi_dor2.scl 7 Dorian mode of Al-Farabi's Diatonic
al-farabi_g1.scl 7 Al-Farabi's Greek genus conjunctum medium, Land
al-farabi_g10.scl 7 Al-Farabi's Greek genus chromaticum forte
al-farabi_g11.scl 7 Al-Farabi's Greek genus chromaticum mollissimum
al-farabi_g12.scl 7 Al-Farabi's Greek genus mollissimum ordinantium
al-farabi_g3.scl 7 Al-Farabi's Greek genus conjunctum primum
al-farabi_g4.scl 7 Al-Farabi's Greek genus forte duplicatum primum
al-farabi_g5.scl 7 Al-Farabi's Greek genus conjunctum tertium, or forte aequatum
al-farabi_g6.scl 7 Al-Farabi's Greek genus forte disjunctum primum
al-farabi_g7.scl 7 Al-Farabi's Greek genus non continuum acre
al-farabi_g8.scl 7 Al-Farabi's Greek genus non continuum mediocre
al-farabi_g9.scl 7 Al-Farabi's Greek genus non continuum laxum
al-hwarizmi.scl 6 Al-Hwarizmi's tetrachord division
al-kindi.scl 6 Al-Kindi's tetrachord division
al-kindi2.scl 14 Arabic mode by al-Kindi
al-mausili.scl 11 Arabic mode by Ishaq al-Mausili (? - 850 AD)
alembert-rousseau.scl 12 d'Alembert and Rousseau tempérament ordinaire (1752/1767)
alembert-rousseau2.scl 12 d'Alembert and Rousseau (1752-1767) different interpretation
alembert.scl 12 Jean-Le Rond d'Alembert modified meantone (1752)
alves.scl 13 Bill Alves, tuning for "Instantaneous Motion", 1/1 vol.6 no.3
alves_12.scl 12 Bill Alves, tuning for "Metalloid", TL 12-12-2007
alves_22.scl 22 Bill Alves, 11-limit rational interpretation of 22-tET, TL 9-1-98
alves_pelog.scl 7 Bill Alves JI Pelog, 1/1 vol.9 no.4, 1997. 1/1=293.33 Hz
alves_slendro.scl 5 Bill Alves, slendro for Gender Barung, 1/1 vol.9 no.4, 1997.
1/1=282.86 Hz
amity.scl 39 Amity temperament, g=339.508826, 5-limit
amity53pure.scl 53 Amity[53] in pure-fifths tuning
ammerbach.scl 12 Elias Mikolaus Ammerbach (1571), from Ratte:
Temperierungspraktiken im süddeutschen Orgelbau p. 412
ammerbach1.scl 12 Elias Mikolaus Ammerbach (1571, 1583) interpretation 1, Ratte,
1991
ammerbach2.scl 12 Elias Mikolaus Ammerbach (1571, 1583) interpretation 2, Ratte,
1991
angklung.scl 8 Scale of an anklung set from Tasikmalaya. 1/1=174 Hz
ankara.scl 34 Ankara Turkish State Radio Tanbur Frets
appunn.scl 36 Probable tuning of A. Appunn's 36-tone harmonium w. 3 manuals
80/81 apart (1887)
arabic_bastanikar_on_b.scl 12 Arabic Bastanikar with perde iraq on B by Dr. Ozan Yarman
arabic_bayati_and_bayati-shuri_on_d.scl
11 Arabic Bayati and Bayati-Shuri (Karjighar) with perde dugah on D by Dr.
Oz.
arabic_bayati_and_ushshaq-misri_on_d.scl
11 Arabic Bayati and Ushshaq Misri with perde dugah on D by Dr. Oz.
arabic_huzam_on_e.scl 12 Arabic Huzam with perde segah on E by Dr. Oz.
arabic_rast_on_c.scl 8 Arabic Rast with perde rast on C by Dr. Ozan Yarman
arabic_saba-zamzama_on_d.scl 11 Arabic Saba-Zamzama with perde dugah on D by Dr. Oz.
arabic_saba_on_d.scl 11 Arabic Saba with perde dugah on D by Dr. Oz.
arabic_segah-mustaar_on_e.scl 12 Arabic Segah and Mustaar with perde segah on E by Dr. Oz.
arabic_zanjaran_on_c.scl 7 Arabic Zanjaran with perde rast on C by Dr. Oz.
archchro.scl 7 Archytas' Chromatic in hemif temperament, 58-tET tuning
archytas12.scl 12 Archytas[12] (64/63) hobbit, 9-limit minimax
archytas12sync.scl 12 Archytas[12] (64/63) hobbit, sync beating
archytas7.scl 7 Archytas (64/63) hobbit in POTE tuning
arch_chrom.scl 7 Archytas' Chromatic
arch_chromc2.scl 14 Product set of 2 of Archytas' Chromatic
arch_dor.scl 8 Dorian mode of Archytas' Chromatic with added 16/9
arch_enh.scl 7 Archytas' Enharmonic
arch_enh2.scl 8 Archytas' Enharmonic with added 16/9
arch_enh3.scl 7 Complex 9 of p. 113 based on Archytas's Enharmonic
arch_enhp.scl 7 Permutation of Archytas' Enharmonic with 36/35 first
arch_enht.scl 7 Complex 6 of p. 113 based on Archytas's Enharmonic
arch_enht2.scl 7 Complex 5 of p. 113 based on Archytas's Enharmonic
arch_mult.scl 12 Multiple Archytas
arch_ptol.scl 12 Archytas/Ptolemy Hybrid 1
arch_ptol2.scl 12 Archytas/Ptolemy Hybrid 2
arch_sept.scl 12 Archytas Septimal
ares12.scl 12 Ares[12] (64/63&100/99) hobbit, POTE tuning
ares12opt.scl 12 Lesfip scale derived from Ares[12], 13 cents, 11-limit
ariel1.scl 12 Ariel 1
ariel2.scl 12 Ariel 2
ariel3.scl 12 Ariel's 12-tone JI scale
ariel_19.scl 19 Ariel's 19-tone scale
ariel_31.scl 31 Ariel's 31-tone system
arist_archenh.scl 7 PsAristo Arch. Enharmonic, 4 + 3 + 23 parts, similar to Archytas'
enharmonic
arist_chrom.scl 7 Dorian, Neo-Chromatic,6+18+6 parts = Athanasopoulos'
Byzant.liturg. 2nd chromatic
arist_chrom2.scl 7 Dorian Mode, a 1:2 Chromatic, 8 + 18 + 4 parts
arist_chrom3.scl 7 PsAristo 3 Chromatic, 7 + 7 + 16 parts
arist_chrom4.scl 7 PsAristo Chromatic, 5.5 + 5.5 + 19 parts
arist_chromenh.scl 7 Aristoxenos' Chromatic/Enharmonic, 3 + 9 + 18 parts
arist_chrominv.scl 7 Aristoxenos' Inverted Chromatic, Dorian mode, 18 + 6 + 6 parts
arist_chromrej.scl 7 Aristoxenos Rejected Chromatic, 6 + 3 + 21 parts
arist_chromunm.scl 7 Unmelodic Chromatic, genus of Aristoxenos, Dorian Mode, 4.5 +
3.5 + 22 parts
arist_diat.scl 7 Phrygian octave species on E, 12 + 6 + 12 parts
arist_diat2.scl 7 PsAristo 2 Diatonic, 7 + 11 + 12 parts
arist_diat3.scl 7 PsAristo Diat 3, 9.5 + 9.5 + 11 parts
arist_diat4.scl 7 PsAristo Diatonic, 8 + 8 + 14 parts
arist_diatdor.scl 7 PsAristo Redup. Diatonic, 14 + 2 + 14 parts
arist_diatinv.scl 7 Lydian octave species on E, major mode, 12 + 12 + 6 parts
arist_diatred.scl 7 Aristo Redup. Diatonic, Dorian Mode, 14 + 14 + 2 parts
arist_diatred2.scl 7 PsAristo 2 Redup. Diatonic 2, 4 + 13 + 13 parts
arist_diatred3.scl 7 PsAristo 3 Redup. Diatonic, 8 + 11 + 11 parts
arist_enh.scl 7 Aristoxenos' Enharmonion, Dorian mode
arist_enh2.scl 7 PsAristo 2 Enharmonic, 3.5 + 3.5 + 23 parts
arist_enh3.scl 7 PsAristo Enharmonic, 2.5 + 2.5 + 25 parts
arist_hemchrom.scl 7 Aristoxenos's Chromatic Hemiolion, Dorian Mode
arist_hemchrom2.scl 7 PsAristo C/H Chromatic, 4.5 + 7.5 + 18 parts
arist_hemchrom3.scl 7 Dorian mode of Aristoxenos' Hemiolic Chromatic according to
Ptolemy's interpretation
arist_hypenh2.scl 7 PsAristo 2nd Hyperenharmonic, 37.5 + 37.5 + 425 cents
arist_hypenh3.scl 7 PsAristo 3 Hyperenharmonic, 1.5 + 1.5 + 27 parts
arist_hypenh4.scl 7 PsAristo 4 Hyperenharmonic, 2 + 2 + 26 parts
arist_hypenh5.scl 7 PsAristo Hyperenharmonic, 23 + 23 + 454 cents
arist_intdiat.scl 7 Dorian mode of Aristoxenos's Intense Diatonic according to Ptolemy
arist_penh2.scl 7 Permuted Aristoxenos's Enharmonion, 3 + 24 + 3 parts
arist_penh3.scl 7 Permuted Aristoxenos's Enharmonion, 24 + 3 + 3 parts
arist_pschrom2.scl 7 PsAristo 2 Chromatic, 6.5 + 6.5 + 17 parts
arist_softchrom.scl 7 Aristoxenos's Chromatic Malakon, Dorian Mode
arist_softchrom2.scl 7 Aristoxenos' Soft Chromatic, 6 + 16.5 + 9.5 parts
arist_softchrom3.scl 7 Aristoxenos's Chromatic Malakon, 9.5 + 16.5 + 6 parts
arist_softchrom4.scl 7 PsAristo S. Chromatic, 6 + 7.5 + 16.5 parts
arist_softchrom5.scl 7 Dorian mode of Aristoxenos' Soft Chromatic according to
Ptolemy's interpretation
arist_softdiat.scl 7 Aristoxenos's Diatonon Malakon, Dorian Mode
arist_softdiat2.scl 7 Dorian Mode, 6 + 15 + 9 parts
arist_softdiat7.scl 7 Dorian mode of Aristoxenos's Soft Diatonic according to Ptolemy
arist_synchrom.scl 7 Aristoxenos's Chromatic Syntonon, Dorian Mode
arist_syndiat.scl 7 Aristoxenos's Diatonon Syntonon, Dorian Mode
arist_unchrom.scl 7 Aristoxenos's Unnamed Chromatic, Dorian Mode, 4 + 8 + 18 parts
arist_unchrom2.scl 7 Dorian Mode, a 1:2 Chromatic, 8 + 4 + 18 parts
arnautoff_21.scl 21 Philip Arnautoff, transposed Archytas enharmonic (2005), 1/1
vol.12 no.1
aron-neidhardt.scl 12 Aron-Neidhardt equal beating well temperament
artusi.scl 12 Clavichord tuning of Giovanni Maria Artusi (1603). 1/4-comma with
mean semitones
artusi2.scl 12 Artusi's tuning no. 2, 1/6-comma meantone with mean semitones
artusi3.scl 12 Artusi's tuning no. 3
art_nam.scl 9 Artificial Nam System
athan_chrom.scl 7 Athanasopoulos's Byzantine Liturgical mode Chromatic
atomschis.scl 12 Atom Schisma Scale
augdimhextrug.scl 12 Sister wakalix to Wilson class
augdommean.scl 12 August-dominant-meantone Fokker block
augment15br1.scl 15 Augmented[15] with a brat of 1
augteta.scl 8 Linear Division of the 11/8, duplicated on the 16/11
augteta2.scl 8 Linear Division of the 7/5, duplicated on the 10/7
augtetb.scl 8 Harmonic mean division of 11/8
augtetc.scl 8 11/10 C.I.
augtetd.scl 8 11/9 C.I.
augtete.scl 8 5/4 C.I.
augtetf.scl 8 5/4 C.I. again
augtetg.scl 8 9/8 C.I.
augteth.scl 8 9/8 C.I. A gapped version of this scale is called AugTetI
augtetj.scl 6 9/8 C.I. comprised of 11:10:9:8 subharmonic series on 1 and 8:9:10:11
on 16/11
augtetk.scl 6 9/8 C.I. This is the converse form of AugTetJ
augtetl.scl 6 9/8 C.I. This is the harmonic form of AugTetI
avg_bac.scl 7 Average Bac System
avicenna.scl 7 Soft diatonic of Avicenna (Ibn Sina)
avicenna_17.scl 17 Tuning by Avicenna (Ibn Sina), Ahmed Mahmud Hifni, Cairo,
1977
avicenna_19.scl 19 Arabic scale by Ibn Sina
avicenna_chrom.scl 7 Dorian mode a chromatic genus of Avicenna
avicenna_chrom2.scl 7 Dorian Mode, a 1:2 Chromatic, 4 + 18 + 8 parts
avicenna_chrom3.scl 7 Avicenna's Chromatic permuted
avicenna_diat.scl 7 Dorian mode a soft diatonic genus of Avicenna
avicenna_diff.scl 12 Difference tones of Avicenna's Soft diatonic reduced by 2/1
avicenna_enh.scl 7 Dorian mode of Avicenna's (Ibn Sina) Enharmonic genus
awad.scl 24 d'Erlanger vol.5, p. 37, after Mans.ur 'Awad
awraamoff.scl 12 Awraamoff Septimal Just (1920)
ayers_19.scl 19 Lydia Ayers, NINETEEN, for 19 for the 90's CD. Repeats at 37/19
(or 2/1)
ayers_37.scl 36 Lydia Ayers, algorithmic composition, subharmonics 1-37
ayers_me.scl 9 Lydia Ayers, Merapi (1996), Slendro 0 2 4 5 7 9, Pelog 0 1 3 6 8 9
b10_13.scl 10 10-tET approximation with minimal order 13 beats
badings1.scl 9 Henk Badings, harmonic scale, Lydomixolydisch
badings2.scl 9 Henk Badings, subharmonic scale, Dorophrygisch
bagpipe1.scl 12 Bulgarian bagpipe tuning
bagpipe2.scl 9 Highland Bagpipe, from Acustica4: 231 (1954) J.M.A Lenihan and S.
McNeill
bagpipe3.scl 9 Highland Bagpipe, Allan Chatto, 1991. From Australian Pipe Band
College
bagpipe4.scl 9 Highland Bagpipe, Ewan Macpherson in 'NZ Pipeband', Winter 1998
bailey_well.scl 12 Paul Bailey's proportional beating modern temperament (1993)
bailey_well2.scl 12 Paul Bailey's modern well temperament (2002)
bailey_well3.scl 12 Paul Bailey's equal beating well temperament
balafon.scl 7 Observed balafon tuning from Patna, Helmholtz/Ellis p. 518, nr.81
balafon2.scl 7 Observed balafon tuning from West-Africa, Helmholtz/Ellis p. 518,
nr.86
balafon3.scl 7 Pitt-River's balafon tuning from West-Africa, Helmholtz/Ellis p. 518,
nr.87
balafon4.scl 7 Mandinka balafon scale from Gambia
balafon5.scl 7 An observed balafon tuning from Singapore, Helmholtz/Ellis p. 518,
nr.82
balafon6.scl 7 Observed balafon tuning from Burma, Helmholtz/Ellis p. 518, nr.84
balafon7.scl 5 Observed South Pacific pentatonic balafon tuning, Helmholtz/Ellis p.
518, nr.93
baldy17.scl 17 Baldy[17] 2.9.5.7.13 subgroup scale in 147-tET tuning
bamboo.scl 23 Pythagorean scale with fifth average from Chinese bamboo tubes
banchieri.scl 12 Adriano Banchieri, in L'Organo suonarino (1605)
bapere.scl 5 African, Bapere Horns Aerophone, made of reed, one note each
barbour_chrom1.scl 7 Barbour's #1 Chromatic
barbour_chrom3p.scl 7 permuted Barbour's #3 Chromatic
barbour_chrom3p2.scl 7 permuted Barbour's #3 Chromatic
barbour_chrom4p.scl 7 permuted Barbour's #4 Chromatic
barbour_chrom4p2.scl 7 permuted Barbour's #4 Chromatic
barca.scl 12 Barca
barca_a.scl 12 Barca A
barkechli.scl 27 Mehdi Barkechli, 27-tone pyth. Arabic scale
barlow_13.scl 13 7-limit rational 13-equal, Barlow, On the Quantification of
Harmony and Metre
barlow_17.scl 17 11-limit rational 17-equal, Barlow, On the Quantification of
Harmony and Metre
barnes.scl 12 John Barnes' temperament (1977) made after analysis of
Wohltemperierte Klavier, 1/6 P
barnes2.scl 12 John Barnes' temperament (1971), 1/8 P
barton.scl 12 Jacob Barton, tetratetradic scale on 6:7:9:11
barton2.scl 11 Jacob Barton, mode of 88CET, TL 17-01-2007
battaglia_16.scl 16 Mike Battaglia 5-limit 16-tone scale
beardsley_8.scl 8 David Beardsley's scale used in "Sonic Bloom" (1999)
bedos.scl 12 Temperament of Dom François Bédos de Celles (1770), after M.
Tessmer
belet.scl 13 Belet, Brian 1992 Proceedings of the ICMC pp.158-161.
bellingwolde.scl 12 Current 1/6-P. comma mod.mean of Freytag organ in
Bellingwolde. Ortgies,2002
bellingwolde_org.scl 12 Original tuning of the Freytag organ in Bellingwolde
bell_mt_partials.scl 8 Partials of major third bell. 1/1=523.5677 Hz, hum note=-1200.42
c. André Lehr, 2006.
belobog31.scl 31 Belobog[31] hobbit in 626-tET, commas 3136/3125, 441/440
bemetzrieder2.scl 12 Anton Bemetzrieder temperament nr. 2 (1808), is Vallotti in F#
bendeler-b.scl 12 Die Brüche nach Bendeler, Jerzy Erdmann: Ein Rechenmodell für
historische Mensurationsmethoden, p. 342
bendeler.scl 12 J. Ph. Bendeler well temperament
bendeler1.scl 12 Bendeler I temperament (c.1690), three 1/3P comma tempered fifths
bendeler2.scl 12 Bendeler II temperament (c.1690), three 1/3P comma tempered
fifths
bendeler3.scl 12 Bendeler III temperament (c.1690), four 1/4P tempered fifths
bermudo-v.scl 12 Bermudo's vihuela temperament, 3 1/6P, 1 1/2P comma
bermudo.scl 12 Temperament of Fr. Juan Bermudo (1555)
bermudo2.scl 12 Temperament of Fr. Juan Bermudo, interpr. of Franz Josef Ratte:
Die Temperatur der Clavierinstrumente, p. 227
betacub.scl 46 inverted 3x3x3 9-limit quintad cube beta (5120/5103) synch
tempered
bethisy.scl 12 Bethisy temperament ordinaire, see Pierre-Yves Asselin: Musique et
temperament
biezen.scl 12 Jan van Biezen modified meantone (1974)
biezen2.scl 12 Jan van Biezen 2, also Siracusa (early 17th cent.), modified 1/4
comma MT
biezen3.scl 12 Jan van Biezen 3 (2004) (also called Van Biezen I)
biezen_chaumont.scl 12 Jan van Biezen, after Chaumont, 1/8 Pyth. comma. Lochem,
Hervormde Gudulakerk (1978)
biggulp-bunya.scl 12 Biggulp tempered in POTE-tuned 13-limit bunya
biggulp.scl 12 Big Gulp
bigler12.scl 12 Kurt Bigler, JI organ tuning, TL 28-3-2004
bihex-top.scl 12 Bihexany in octoid TOP tuning
bihex540.scl 12 Bihexany in 540/539 tempering
bihexany-octoid.scl 12 Octoid tempering of bihexany, 600-equal
bihexany.scl 12 Hole around [0, 1/2, 1/2, 1/2]
bihexanymyna.scl 12 Myna tempered bihexany, 89-tET
billeter.scl 12 Organ well temperament of Otto Bernhard Billeter
billeter2.scl 12 Bernhard Billeter's Bach temperament (1977/79), 1/12 and 7/24 Pyth.
comma
bimarveldenewoo.scl 24 bimarveldene = genus(27*25*11) in [10/3 7/2 11] marvel tuning
blackbeat15.scl 15 Blackwood[15] with brats of -1
blackchrome2.scl 10 Second 25/24&256/245 scale
blackjack.scl 21 21 note MOS of "MIRACLE" temperament, Erlich & Keenan,
miracle1.scl,TL 2-5-2001
blackjackg.scl 21 Blackjack on G-D
blackjack_r.scl 21 Rational "Wilson/Grady"-style version, Paul Erlich, TL 28-11-2001
blackjack_r2.scl 21 Another rational Blackjack maximising 1:3:7:9:11, Paul Erlich, TL
5-12-2001
blackjack_r3.scl 21 7-Limit rational Blackjack, Dave Keenan, TL 5-12-2001
blackjb.scl 21 Marvel (1,1) tuning of pipedum_21b
blackj_gws.scl 21 Detempered Blackjack in 1/4 kleismic marvel tuning
blackopkeegil1.scl 15 Blacksmith-Opossum-Keemun-Gilead Wakalix 1
blackopkeegil2.scl 15 Blacksmith-Opossum-Keemun-Gilead Wakalix 2
blackwoo.scl 21 Irregular Blackjack from marvel woo tempering of Cartesian scale
below
blackwood.scl 25 Blackwood temperament, g=84.663787, p=240, 5-limit
blackwood_6.scl 6 Easley Blackwood, whole tone scale, arrangement of
4:5:7:9:11:13, 1/1=G, p.114
blackwood_9.scl 9 Blackwood, scale with pure triads on I II III IV VI and dom.7th on
V. page 83
blasquinten.scl 23 Blasquintenzirkel. 23 fifths in 2 oct. C. Sachs, Vergleichende
Musikwiss. p. 28
blueji-cataclysmic.scl 12 John O'Sullivan's Blueji tempered in 13-limit POTE-tuned
cataclysmic
bluesmarvwoo.scl 12 Marvel woo version of Graham Breed's Blues scale
bluesrag.scl 12 Ragismic tempered bluesji in 8419-tET
bobrova.scl 12 Bobrova Cheerful 12 WT based on *19 EDL
bobro_phi.scl 8 Cameron Bobro's phi scale, TL 06-05-2009
bobro_phi2.scl 6 Cameron Bobro, first 5 golden cuts of Phi, TL 09-05-2009
boeth_chrom.scl 7 Boethius's Chromatic. The CI is 19/16
boeth_enh.scl 8 Boethius's Enharmonic, with a CI of 81/64 and added 16/9
bohlen-eg.scl 13 Bohlen-Pierce with two tones altered by minor BP diesis, slightly
more equal
bohlen-p.scl 13 See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86
(1978)
bohlen-p_9.scl 9 Bohlen-Pierce subscale by J.R. Pierce with 3:5:7 triads
bohlen-p_9a.scl 9 Pierce's 9 of 3\13, see Mathews et al., J. Acoust. Soc. Am. 84, 1214-
1222
bohlen-p_eb.scl 13 Bohlen-Pierce scale with equal beating 5/3 and 7/3
bohlen-p_ebt.scl 13 Bohlen-Pierce scale with equal beating 7/3 tenth
bohlen-p_ebt2.scl 13 Bohlen-Pierce scale with equal beating 7/5 tritone
bohlen-p_et.scl 13 13-tone equal division of 3/1. Bohlen-Pierce equal approximation
bohlen-p_ring.scl 13 Todd Harrop, symmetrical ring of Bohlen-Pierce enharmonics
using 4 major and 8 minor dieses (2012)
bohlen-p_sup.scl 13 Superparticular Bohlen-Pierce scale
bohlen47.scl 21 Heinz Bohlen, mode of 4\47 (1998),
www.huygens-fokker.org/bpsite/pythagorean.html
bohlen47r.scl 23 Rational version, with alt.9 64/49 and alt.38 40/13
bohlen5.scl 13 5-limit version of Bohlen-Pierce
bohlen_11.scl 11 11-tone scale by Bohlen, generated from the 1/1 3/2 5/2 triad
bohlen_12.scl 12 12-tone scale by Bohlen generated from the 4:7:10 triad, Acustica
39/2, 1978
bohlen_8.scl 8 See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86
(1978)
bohlen_arcturus.scl 7 Paul Erlich, Arcturus-7, TOP tuning (15625/15309 tempered)
bohlen_canopus.scl 7 Paul Erlich, Canopus-7, TOP tuning (16875/16807 tempered)
bohlen_coh.scl 13 Differentially coherent Bohlen-Pierce, interval=2
bohlen_coh2.scl 13 Differentially coherent Bohlen-Pierce, interval=1,2,
subharmonic=25
bohlen_coh3.scl 13 Differentially coherent Bohlen-Pierce, interval=1, subharmonic=75
bohlen_delta.scl 9 Bohlen's delta scale, a mode B-P, see Acustica 39: 76-86 (1978)
bohlen_diat_top.scl 9 BP Diatonic, TOP tuning (245/243 tempered)
bohlen_d_ji.scl 9 Bohlen's delta scale, just version. "Dur" form, "moll" is inversion.
bohlen_enh.scl 49 Bohlen-Pierce scale, all enharmonic tones
bohlen_eq.scl 13 Most equal selection from all enharmonic Bohlen-Pierce tones
bohlen_gamma.scl 9 Bohlen's gamma scale, a mode of the Bohlen-Pierce scale
bohlen_g_ji.scl 9 Bohlen's gamma scale, just version
bohlen_harm.scl 9 Bohlen's harmonic scale, inverse of lambda
bohlen_h_ji.scl 9 Bohlen's harmonic scale, just version
bohlen_lambda.scl 9 Bohlen's lambda scale, a mode of the Bohlen-Pierce scale
bohlen_lambda_pyth.scl 9 Dave Benson's BP-Pythagorean scale, lambda mode of
bohlen_pyth.scl
bohlen_l_ji.scl 9 Bohlen's lambda scale, just version
bohlen_mean.scl 13 1/3 minor BP diesis (245/243) tempered 7/3 meantone scale
bohlen_pent_top.scl 5 BP Pentatonic, TOP tuning (245/243 tempered)
bohlen_pyth.scl 13 Cycle of 13 7/3 BP tenths
bohlen_quintuple_j.scl 65 Bohlen-Pierce quintuple scale (just version of 65ED3). Georg
Hajdu (2017)
bohlen_quintuple_t.scl 65 Bohlen-Pierce quintuple scale, 65th root of 3. Georg Hajdu
(2017)
bohlen_sirius.scl 7 Paul Erlich, Sirius-7, TOP tuning (3125/3087 tempered)
bohlen_t.scl 8 Bohlen, scale based on the twelfth
bohlen_t_ji.scl 8 Bohlen, scale based on twelfth, just version
bolivia.scl 7 Observed scale from pan-pipe from La Paz. 1/1=171 Hz
boomsliter.scl 12 Boomsliter & Creel basic set of their referential tuning. [1 3 5 7 9] x
u[1 3 5] cross set
boop19.scl 19 19 note detempered sensi MOS boop (245/243) scale, rms tuning
bossart-muri.scl 12 Victor Ferdinand Bossart's Modified meantone (1743/44), organ in
Klosterkirche Muri
bossart1.scl 12 Victor Ferdinand Bossart (erste Anweisung) organ temperament
(1740?)
bossart2.scl 12 Victor Ferdinand Bossart (zweite Anweisung) organ temperament
(1740?)
bossart3.scl 12 Victor Ferdinand Bossart (dritte Anweisung) organ temperament
(1740?)
boulliau.scl 12 Monsieur Boulliau's irregular temp. (1373), reported by Mersenne in
1636
bourdelle1.scl 88 Compromis Cordier, piano tuning by Jean-Pierre Chainais
bpg55557777.scl 25 Bohlen-Pierce extended to [55557777]
bps_temp17.scl 17 Bohlen-Pierce-Stearn temperament. Highest 7-limit error 8.4 cents,
2001
brac.scl 12 Circulating temperament with simple beat ratios: 4 3/2 4 3/2 2 2
177/176 4 3/2 2 3/2 2
breed-blues1.scl 7 Graham Breed's blues scale in 22-tET
breed-blues2.scl 8 Graham Breed's blues scale in 29-tET
breed-bluesji.scl 12 7-limit JI version of Graham Breed's Blues scale
breed-dias13.scl 46 13-limit Diaschismic temperament, g=103.897, oct=1/2, 13-limit
breed-ht.scl 19 Hemithird temperament, g=193.202, 5-limit
breed-kleismic.scl 7 Kleismic temperament, g=317.080, 5-limit
breed-magic.scl 13 Graham Breed's Magic temperament, g=380.384, 9-limit, close to
41-tET
breed-magic5.scl 19 Magic temperament, g=379.967949, 5-limit
breed-mystery.scl 58 Mystery temperament, g=15.563, oct=1/29, 15-limit
breed.scl 12 Graham Breed's fourth based 12-tone keyboard scale. Tuning List 23-
10-97
breed11.scl 11 Breed[11] hobbit in 2749-tET
breed7-3.scl 10 Graham Breed's 7 + 3 scale in 24-tET
breedball3.scl 12 Third Breed ball around 49/40-7/4
breedball4.scl 14 Fourth Breed ball around 49/40-7/4
breedpump.scl 16 Comma pump in breed (2401/2400 planar) [[1, 1, -2]->[1, 1, -1]-
>[0, 1, -1]->[0, 0, -1]->[0, 0, 0]->[0, -1, 0],[0, -1, 1]->[0, -2, 1]->[-1, -2, 1]
breedt2.scl 12 Graham Breed's 1/5 P temperament, TL 10-06-99
breedt3.scl 12 Graham Breed's other 1/4 P temperament, TL 10-06-99
breetet2.scl 13 doubled Breed tetrad
breetet3.scl 25 tripled Breed tetrad
breeza.scl 27 A 40353607/40000000 & 40960000/40353607 Fokker block with 11
otonal and 10 utonal tetrads
breezb.scl 27 Alternative block to breeza 40353607/40000000 &
40960000/40353607
bremmer.scl 12 Bill Bremmer's Shining Brow (1998)
bremmer_ebvt1.scl 12 Bill Bremmer EBVT I temperament (2011)
bremmer_ebvt2.scl 12 Bill Bremmer EBVT II temperament (2011)
bremmer_ebvt3.scl 12 Bill Bremmer EBVT III temperament (2011)
broadwood.scl 12 Broadwood's Best (Ellis tuner number 4), Victorian (1885)
broadwood2.scl 12 Broadwood's Usual (Ellis tuner number 2), Victorian (1885)
broadwood3.scl 12 John Broadwood´s 1832 unequal temperament compiled by
A.Sparschuh, a=403.0443
broeckaert-pbp.scl 12 Johan Broeckaert-Devriendt, PBP temperament (2007). Equal PBP
for C-E and G-B
brown.scl 45 Tuning of Colin Brown's Voice Harmonium, Glasgow.
Helmholtz/Ellis p. 470-473, genus [3333333333333355]
bruder-vier.scl 12 Ignaz Bruder organ temperament (1829) according to P. Vier
bruder.scl 12 Ignaz Bruder organ temperament (1829), systematised by Ratte, p.
406
bug-pelog.scl 7 Pelog-like subset of bug[9] and superpelog[9], g=260.256797
bugblock19.scl 19 Bug (<<2 3 0||) and <<5 2 -15|| <19 30 45| weak Fokker block:
generators -9 to 9
burma3.scl 7 Burmese scale, von Hornbostel: Über ein akustisches Kriterium..,
1911, p.613. 1/1=336 Hz
burt1.scl 12 W. Burt's 13diatsub #1
burt10.scl 12 W. Burt's 19enhsub #10
burt11.scl 12 W. Burt's 19enhharm #11
burt12.scl 12 W. Burt's 19diatharm #12
burt16.scl 12 W. Burt's 23diatharm #16
burt17.scl 36 W. Burt's "2 out of 3,5,11,17,31 dekany" CPS with 1/1=3/1. 1/1 vol.
10(1) '98
burt18.scl 36 W. Burt's "2 out of 1,3,5,7,11 dekany" CPS with 1/1=1/1. 1/1 vol.
10(1) '98
burt19.scl 20 W. Burt's "2 out of 2,3,4,5,7 dekany" CPS with 1/1=1/1. 1/1 vol. 10(1)
'98
burt20.scl 12 Warren Burt tuning for "Commas" (1993). 1/1=263 Hz, XH 16
burt4.scl 12 W. Burt's 13diatharm #4, see his post 3/30/94 in Tuning Digest #57
burt8.scl 12 W. Burt's 17diatharm #8, harmonics 16 to 32
burt_fibo.scl 12 Warren Burt, 3/2+5/3+8/5+etc. "Recurrent Sequences", 2002
burt_fibo23.scl 23 Warren Burt, 23-tone Fibonacci scale. "Recurrent Sequences", 2002
burt_forks.scl 19 Warren Burt, 19-tone Forks. Interval 5(3): pp. 13+23, Winter 1986-
87
burt_primes.scl 54 Warren Burt, primes until 251. "Some Numbers", Dec. 2002
buselik pentachord 13-limit.scl
4 Buselik pentachord 132:147:156:176:198
buselik pentachord 19-limit.scl
4 Buselik pentachord 48:54:57:64:72
buselik tetrachord 13-limit.scl
3 Buselik tetrachord 132:147:156:176
buselik tetrachord 19-limit.scl
3 Buselik tetrachord 48:54:57:64
bushmen.scl 4 Observed scale of South-African bushmen, almost (4 notes) equal
pentatonic
buurman.scl 12 Buurman temperament, 1/8-Pyth. comma, organ Doetinchem
Gereformeerde Gemeentekerk
buzurg10decoid.scl 10 buzurg_al-erin10 in decoid temperament, POTE tuning
buzurg_al-erin10.scl 10 Decatonic with septimal Buzurg, Rastlike modes (cf. Secor,
blarney.txt)
c1029cp.scl 16 1029/1024 comma pump scale in 190-tET
cairo.scl 26 d'Erlanger vol.5, p. 42. Congress of Arabic Music, Cairo, 1932
cal46.scl 46 Gene Ward Smith, 46 note scale for Caleb
canright.scl 9 David Canright's piano tuning for "Fibonacci Suite" (2001). Also 84-
tET version of 11-limit "Orwell"
cantonpenta.scl 12 Freivald's Canton scale in 13-limit pentacircle (351/350 and
364/363) temperament, 271-tET
capurso.scl 12 Equal temperament with equal beating 3/1 = 4/1 opposite (2009).
Circular Harmonic System C.HA.S.
carlos_alpha.scl 18 Wendy Carlos' Alpha scale with perfect fifth divided in nine
carlos_alpha2.scl 36 Wendy Carlos' Alpha prime scale with perfect fifth divided by
eightteen
carlos_beta.scl 22 Wendy Carlos' Beta scale with perfect fifth divided by eleven
carlos_beta2.scl 44 Wendy Carlos' Beta prime scale with perfect fifth divided by
twentytwo
carlos_gamma.scl 35 Wendy Carlos' Gamma scale with third divided by eleven or fifth
by twenty
carlos_harm.scl 12 Carlos Harmonic & Ben Johnston's scale of 'Blues' from Suite
f.micr.piano (1977) & David Beardsley's scale of 'Science Friction'
carlos_super.scl 12 Carlos Super Just
carlson.scl 19 Brian Carlson's guitar scale (or 7 is 21/16 instead) fretted by Mark
Rankin
cartwheel.scl 17 Andrew Heathwite's 13-limit wakalix
cassandra1.scl 41 Cassandra temperament (Erv Wilson), 13-limit, g=497.866
cassandra2.scl 41 Cassandra temperament, schismic variant, 13-limit, g=497.395
cassmagmirrod.scl 41 Cassandra-magic-miracle-rodan Fokker block 385/384, 441/440,
225/224, 896/891 all generators -20..20
cassmagmonkrod.scl 41 Cassandra-magic-monkey-rodan Fokker block 385/384,
5120/5103, 100/99, 896/891 all generators -20..20
cassmagoctrod.scl 41 Cassandra-magic-octacot-rodan Fokker block 245/243, 441/440,
896/891, 100/99 all generators -20..20 (Paul Erlich, 1999)
cassmagsuprod.scl 41 Cassandra-magic-superkliesmic-rodan Fokker block 385/384,
441/440, 100/99, 896/891 all generators -20..20
cat22.scl 22 5-limit Dwarf(22) in catakleismic tempering, <197 312 457 553 681
728| tuning
catakleismic34.scl 34 Catakleismic[34] 11-limit 3.5 cents lesfip optimized
catakleismic34fok.scl 34 Catakleismic[34] 5-limit 15625/15552&20000/19683 Fokker
transversal
catakleismic34semitransversal.scl
17 17 note 2.3.7 semitransversal of Catakleismic[34]
catakleismic34trans.scl 34 Catakleismic[34] 2.5.7 transversal
catler.scl 24 Catler 24-tone JI from "Over and Under the 13 Limit", 1/1 3(3)
cauldron.scl 12 Circulating temperament with two pure 9/7 thirds and 7 meantone, 2
slightly wide, 3 superpyth fifths
cbrat19.scl 19 Circulating 19-tone temperament with exact brats, G.W. Smith
cdia22.scl 22 Circulating 22 note scale, two 11-tET cycles 5/4 apart, 11 pure major
thirds
ceb88f.scl 13 88 cents steps with equal beating fifths
ceb88s.scl 14 88 cents steps with equal beating sevenths
ceb88t.scl 14 88 cents steps with equal beating 7/6 thirds
cet10.scl 118 20th root of 9/8, on Antonio Soler's tuning box, afinador or templante
cet100.scl 28 28th root of 5
cet100a.scl 12 12-tET 5-limit TOP tuning
cet100b.scl 12 12-tET 5-limit TOP-RMS tuning
cet104.scl 23 23rd root of 4, Tútim Dennsuul
cet104a.scl 38 38th root of 10
cet105.scl 13 13th root of 11/5, has very good 6/5 and 13/8
cet108.scl 11 4th root of 9/7, Chris Vaisvil
cet109.scl 11 LS optimal 11-tET 2.7.9.11.15.17 JI subgroup tuning
cet11.scl 112 36th root of 5/4, Mohajeri Shahin
cet111.scl 25 25th root of 5, Karlheinz Stockhausen in "Studie II" (1954)
cet111a.scl 17 17th root of 3. McLaren 'Microtonal Music', volume 1, track 8
cet112.scl 53 53rd root of 31. McLaren 'Microtonal Music', volume 4, track 16
cet114.scl 21 21st root of 4
cet115.scl 10 2nd root of 8/7. Werner Linden, Musiktheorie, 2003 no.1 midi
15.Eb=19.44544 Hz
cet116.scl 31 31st root of 8, Jake Freivald in "A Call in Summer"
cet117.scl 36 72nd root of 128, step = generator of Miracle
cet117a.scl 11 6th root of 3/2
cet118.scl 16 16th root of 3. McLaren 'Microtonal Music', volume 1, track 7
cet119.scl 10 7th root of phi
cet125.scl 10 125 cents steps
cet126.scl 15 15th root of 3. McLaren 'Microtonal Music', volume 1, track 6
cet126b.scl 22 22th root of 5. Close to every second step of 19-tET
cet133.scl 13 13th root of e
cet139.scl 20 20th root of 5, Hieronymus' tuning
cet14.scl 86 Delta scale, 8th root of 16/15
cet148.scl 21 21th root of 6, Moreno's C-21
cet152.scl 13 13th root of pi
cet156.scl 9 9th root of 9/4
cet158.scl 12 12th root of 3, Moreno's A-12, see dissertation "Embedding Equal
Pitch Spaces"
cet159.scl 8 4e-th root of e. e-th root of e is highest x-th root of x
cet16.scl 72 30th root of 4/3, Aristoxenos
cet160.scl 15 15th root of 4, Rudolf Escher in "The Long Christmas Dinner" (1960)
cet160a.scl 37 37th root of 31, McLaren 'Microtonal Music', volume 2, track 7
cet163.scl 9 9th root of 7/3. Jeff Scott in "Quiet Moonlight" (2001)
cet166.scl 3 3rd root of 4/3
cet173.scl 11 11th root of 3, Moreno's A-11
cet175.scl 7 175 cents steps (Georgian)
cet175b.scl 28 28th root of 7. McLaren 'Microtonal Music', volume 6, track 3
cet181.scl 16 6.625 tET. The 16/3 is the so-called Kidjel Ratio promoted by
Maurice Kidjel in 1958
cet182a.scl 14 10/9 equal temperament
cet198.scl 10 10th root of pi
cet203.scl 12 9/8 equal temperament
cet21.scl 32 32nd root of 3/2
cet21k.scl 56 scale of syntonic comma's, almost 56-tET
cet227.scl 2 square root of 13/10
cet22a.scl 84 84th root of 3, almost equal to 53-tET
cet231.scl 11 8/7 equal temperament
cet233.scl 21 21st root of 17, McLaren 'Microtonal Music', volume 2, track 15
cet33.scl 25 25th root of phi, Walter OĆonnell (1993)
cet35.scl 45 45th root of 5/2, Caleb Morgan (2010)
cet39a.scl 31 31-tET 7-limit TOP-RMS tuning
cet39b.scl 31 31-tET with l.s. 8/7, 5/4, 4/3, 3/2, 8/5, 7/4, 2/1; equal weights
cet39c.scl 31 31-tET 11-limit TOP tuning
cet39d.scl 31 31-tET with l.s. 5/4, 3/2, 7/4
cet39e.scl 15 15th root of 7/5, X.J. Scott
cet39f.scl 31 10th root of 5/4
cet39g.scl 31 31-tET 11-limit TOP-RMS tuning
cet43.scl 28 9th root of 5/4, Samuel Pellman
cet44.scl 28 least maximum error of 10.0911 cents to a set of 11-limit consonances
cet44a.scl 91 91th root of 10, Jim Kukula
cet44b.scl 16 16th root of 3/2
cet45a.scl 13 13th root of 7/5, X.J. Scott
cet46.scl 18 18th root of phi, Walter OĆonnell (1993)
cet49.scl 39 39th root of 3, Triple Bohlen-Pierce, good 3.5.7.11.13 system
cet50.scl 24 14th root of 3/2, stretched 24-tET
cet51.scl 47 47nd root of 4
cet53.scl 5 5th root of 7/6, X.J. Scott
cet54.scl 62 62nd root of 7
cet54a.scl 101 101st root of 24
cet54b.scl 35 35th root of 3 or shrunk 22-tET
cet54c.scl 22 22-tET 11-limit TOP tuning
cet54d.scl 22 22-tET 11-limit TOP-RMS tuning
cet55a.scl 9 9th root of 4/3, 'Noleta' Scale
cet55b.scl 22 7th root of 5/4
cet59.scl 21 12th root of 3/2, Gary Morrison
cet63.scl 30 30th root of 3 or stretched 19-tET
cet63b.scl 19 19-tET 7-limit TOP tuning
cet63c.scl 19 19-tET 7-limit TOP-RMS tuning
cet63d.scl 19 5th root of 6/5
cet63e.scl 19 16th root of 9/5
cet63f.scl 93 93th root of 30 or stretched 19-tET
cet63g.scl 49 49th root of 6
cet63h.scl 25 25th root of 5/2
cet63i.scl 11 11th root of 3/2, half of Carlos Beta
cet65.scl 20 65cET by Andrew Heathwaite
cet68.scl 18 3rd root of 9/8
cet7.scl 271 271th root of 3, Heinz Bohlen (1972)
cet72.scl 33 33rd root of 4, Birgit Maus
cet73.scl 26 26th root of 3, Gene Smith
cet75.scl 16 16-tET 13-limit TOP tuning
cet75a.scl 16 16-tET 13-limit TOP-RMS tuning
cet76.scl 25 25th root of 3 or stretched 16-tET
cet79.scl 24 24th root of 3, James Heffernan (1906)
cet83.scl 15 83.33333 cent steps by Alexander Nemtin (1963)
cet84.scl 33 33rd root of 5
cet87.scl 15 Least-squares stretched ET to telephone dial tones. 1/1=697 Hz
cet88.scl 14 88.0 cents steps by Gary Morrison alias mr88cet
cet88b.scl 14 87.97446 cent steps. Least squares for 7/6, 11/9, 10/7, 3/2, 7/4
cet88b2.scl 14 87.75412 cent steps. Minimax for 7/6, 11/9, 10/7, 3/2, 7/4
cet88b3.scl 14 87.84635 cent steps. Minimax for 3, 5, 7, 8, 11
cet88b4.scl 14 87.80488 cent steps. Least squares for 3, 5, 7, 8, 11
cet88c.scl 38 38th root of 7, McLaren 'Microtonal Music', volume 3, track 7
cet88d.scl 41 41th root of 8
cet88e.scl 35 35th root of 6
cet88f.scl 18 18th root of 5/2
cet88g.scl 27 27th root of 4
cet88_snake.scl 21 3+1 mode of 88cET, nicknamed Snake by Andrew Heathwaite
cet89.scl 31 31st root of 5, McLaren 'Microtonal Music', volume 2, track 22
cet90.scl 17 Scale with limma steps
cet93.scl 9 Tuning used in John Chowning's Stria (1977), 9th root of Phi
cet97.scl 12 Manfred Stahnke, PARTCH HARP synth tuning. Minimax for 5/4 and
7/4, acceptable 11/4
cet98phi.scl 17 Phi + 1 equal division by 17, Brouncker (1653)
chahargah.scl 12 Chahargah in C
chahargah2.scl 7 Dastgah Chahargah in C, Mohammad Reza Gharib
chahargah3.scl 7 Iranian Chahargah, Julien J. Weiss
chalmers.scl 19 Chalmers' 19-tone with more hexanies than Perrett's Tierce-Tone
chalmers_17.scl 17 7-limit figurative scale, Chalmers '96 Adnexed S&H decads
chalmers_17marvwoo.scl 17 Marvel woo version of chalmers_17
chalmers_19.scl 19 7-limit figurative scale. Reversed S&H decads
chalmers_csurd.scl 15 Combined Surd Scale, combination of Surd and Inverted Surd,
JHC, 26-6-97
chalmers_isurd.scl 8 Inverted Surd Scale, of the form 4/(SQRT(N)+1, JHC, 26-6-97
chalmers_ji1.scl 12 Based loosely on Wronski's and similar JI scales, May 2, 1997.
chalmers_ji2.scl 12 Based loosely on Wronski's and similar JI scales, May 2, 1997.
chalmers_ji3.scl 12 15 16 17 18 19 20 21 on 1/1, 15-20 on 3/2, May 2, 1997. See other
scales
chalmers_ji4.scl 12 15 16 17 18 19 20 on 1/1, same on 4/3, + 16/15 on 16/9
chalmers_surd.scl 8 Surd Scale, Surds of the form (SQRT(N)+1)/2, JHC, 26-6-97
chalmers_surd2.scl 40 Surd Scale, Surds of the form (SQRT(N)+1)/4
chalung.scl 11 Tuning of chalung from Tasikmalaya, slendro-like. 1/1=185 Hz
chan34.scl 34 34 note hanson based circulating scale with 15 pure major thirds and
18 -1 brats
chargah pentachord 7-limit.scl 4 Chargah pentachord 150:162:189:200:225
chargah tetrachord 7-limit.scl 3 Chargah tetrachord 150:162:189:200
chaumont.scl 12 Lambert Chaumont organ temperament (1695), 1st interpretation
chaumont2.scl 12 Lambert Chaumont organ temperament (1695), 2nd interpretation
chimes.scl 3 Heavenly Chimes
chimes_peck.scl 8 Kris Peck, 9-tone windchime tuning. TL 7-3-2001
chin_12.scl 12 Chinese scale, 4th cent.
chin_5.scl 5 Chinese pentatonic from Zhou period
chin_60.scl 60 Chinese scale of fifths (the 60 lü)
chin_7.scl 7 Chinese heptatonic scale and tritriadic of 64:81:96 triad
chin_bianzhong.scl 12 Pitches of Bianzhong bells (Xinyang). 1/1=b, Liang Mingyue,
1975.
chin_bianzhong2a.scl 12 A-tones (GU) of 13 Xinyang bells (Ma Cheng-Yuan)
1/1=d#=619 Hz
chin_bianzhong2b.scl 12 B-tones (SUI) of 13 Xinyang bells (Ma Cheng-Yuan)
1/1=b+=506.6 Hz
chin_bianzhong3.scl 26 A and B-tones of 13 Xinyang bells (Ma Cheng-Yuan) abs.
pitches wrt middle-C
chin_bronze.scl 7 Scale found on ancient Chinese bronze instrument 3rd c.BC &
"Scholar's Lute"
chin_chime.scl 12 Pitches of 12 stone chimes, F. Kuttner, 1951, ROMA Toronto.
1/1=b4
chin_ching.scl 12 Scale of Ching Fang, c.45 BC. Pyth.steps 0 1 2 3 4 5 47 48 49 50 51
52 53
chin_di.scl 6 Chinese di scale
chin_di2.scl 7 Observed tuning from Chinese flute dizi, Helmholtz/Ellis p. 518,
nr.103
chin_huang.scl 6 Huang Zhong qin tuning
chin_liu-an.scl 11 Scale of Liu An, in: "Huai Nan Tzu", c.122 BC, 1st known corr. to
Pyth. scale
chin_lu.scl 12 Chinese Lü scale by Huai Nan zi, Han era. Père Amiot 1780, Kurt
Reinhard
chin_lu2.scl 12 Chinese Lü (Lushi chunqiu, by Lu Buwei). Mingyue: Music of the
billion, p.67
chin_lu3.scl 12 Chinese Lü scale by Ho Ch'êng-T'ien, reported in Sung Shu (500
AD)
chin_lu3a.scl 12 Chinese Lü scale by Ho Ch'êng-T'ien, calc. basis is "big number"
177147
chin_lu4.scl 12 Chinese Lü "749-Temperament"
chin_lu5.scl 12 Chinese Lü scale by Ch'ien Lo-Chih, c.450 AD Pyth.steps 0 154 255
103 204 etc.
chin_lusheng.scl 5 Observed tuning of a small Lusheng, 1/1=d, OdC '97
chin_pan.scl 23 Pan Huai-su pure Pythagorean system, in: Sin-Yan Shen, 1991
chin_pipa.scl 5 Observed tuning from Chinese balloon lute p'i-p'a, Helmholtz/Ellis p.
518, nr.109
chin_sheng.scl 7 Observed tuning from Chinese sheng or mouth organ,
Helmholtz/Ellis p. 518, nr.105
chin_shierlu.scl 12 Old Chinese Lü scale, from http://en.wikipedia.org/wiki/Shi_Er_L
%C3%BC
chin_sientsu.scl 5 Observed tuning from Chinese tamboura sienzi, Helmholtz/Ellis p.
518, nr.108
chin_sona.scl 7 Observed tuning from Chinese oboe (so-na), Helmholtz/Ellis p. 518,
nr.104
chin_wang-po.scl 7 Scale of Wang Po, 958 AD. H. Pischner: Musik in China, Berlin,
1955, p.20
chin_yangqin.scl 7 Observed tuning from Chinese dulcimer yangqin, Helmholtz/Ellis
p. 518, nr.107
chin_yunlo.scl 7 Observed tuning from Chinese gong-chime (yün-lo),
Helmholtz/Ellis p. 518, nr.106
chopsticks.scl 10 Symmetrical non-octave MOS, subset of 15-tET
choquel.scl 12 Choquel/Barbour/Marpurg?
chordal.scl 40 Chordal Notes subharmonic and harmonic
chrom15.scl 7 Tonos-15 Chromatic
chrom15_inv.scl 7 Inverted Chromatic Tonos-15 Harmonia
chrom15_inv2.scl 7 A harmonic form of the Chromatic Tonos-15 inverted
chrom17_con.scl 7 Conjunct Tonos-17 Chromatic
chrom21_inv2.scl 7 Inverted harmonic form of the Chromatic Tonos-21
chrom27_inv2.scl 7 Inverted harmonic form of the Chromatic Tonos-27
chrom31.scl 8 Tonos-31 Chromatic. Tone 24 alternates with 23 as MESE or A
chrom33.scl 7 Tonos-33 Chromatic. A variant is 66 63 60 48
chrom_new.scl 7 New Chromatic genus 4.5 + 9 + 16.5
chrom_new2.scl 7 New Chromatic genus 14/3 + 28/3 + 16 parts
chrom_soft.scl 7 100/81 Chromatic. This genus is a good approximation to the soft
chromatic
chrom_soft2.scl 7 1:2 Soft Chromatic
chrom_soft3.scl 7 Soft chromatic genus from Kathleen Schlesinger's modified
Mixolydian Harmonia
chrys_diat-1st-ji.scl 7 Chrysanthos JI Diatonic and 1st Byzantine Liturgical mode
chrys_diatenh-var-ji.scl 7 JI interpretation of Chrysanthos Diatonic-Enharmonic Byzantine
mode
chrys_enhdiat-var-ji.scl 7 JI interpretation of Chrysanthos Enharmonic-Diatonic Byzantine
Mode
cifariello.scl 15 F. Cifariello Ciardi, ICMC 86 Proc. 15-tone 5-limit tuning
circ5120.scl 14 Circle of seven minor, six major, and one subminor thirds in 531-tET
circb22.scl 22 circulating scale from pipedum_22c in 50/49 (-1,5) tuning;
approximate pajara
circle31.scl 31 Approximate 31-tET with 18 5^(1/4) fifths, 12 (56/5)^(1/6) fifths, and
a (4096/6125)*sqrt(5)
circls12.scl 12 Least squares circulating temperament
circos.scl 12 [1, 3] weight range weighted least squares circulating temperament
ckring9.scl 13 Double-tie circular mirroring with common pivot of 3:5:7:9
clampitt_phi.scl 7 David Clampitt, phi+1 mod 3phi+2, from "Pairwise Well-Formed
Scales", 1997
classr.scl 12 Marvel projection to the 5-limit of class
claudi-enigma.scl 15 Claudi Meneghin's 11-limit JI Enigma theme scale
clipper100.scl 17 Clipper(100/99), 2.3.5.11, POTE tuning
clipper1029.scl 7 clipper(1029/1024), 2.3.7, POTE tuning
clipper105.scl 15 Clipper(105/104), 2.3.5.7.13, POTE tuning
clipper126.scl 23 Clipper(126/125) 7-limit, POTE tuning
clipper2048.scl 14 Clipper(2048/2025) 5-limit, POTE tuning
clipper225.scl 17 Clipper(225/224), 7-limit, POTE tuning
clipper243.scl 17 Clipper(243/242), 2.3.11, POTE tuning
clipper245242.scl 17 Clipper(245/242), 2.5.7.11
cluster.scl 13 13-tone 5-limit Tritriadic Cluster
cluster6c.scl 6 Six-Tone Triadic Cluster 3:4:5
cluster6d.scl 6 Six-Tone Triadic Cluster 3:5:4
cluster6e.scl 6 Six-Tone Triadic Cluster 5:6:8
cluster6f.scl 6 Six-Tone Triadic Cluster 5:8:6
cluster6g.scl 6 Six-Tone Triadic Cluster 4:5:7, genus [577]
cluster6i.scl 6 Six-Tone Triadic Cluster 5:6:7
cluster6j.scl 6 Six-Tone Triadic Cluster 5:7:6
cluster8b.scl 8 Eight-Tone Triadic Cluster 4:6:5, genus [3555]
cluster8c.scl 8 Eight-Tone Triadic Cluster 3:4:5
cluster8d.scl 8 Eight-Tone Triadic Cluster 3:5:4
cluster8e.scl 8 Eight-Tone Triadic Cluster 5:6:8
cluster8f.scl 8 Eight-Tone Triadic Cluster 5:8:6
cluster8h.scl 8 Eight-Tone Triadic Cluster 4:7:5, genus [5557]
cluster8i.scl 8 Eight-Tone Triadic Cluster 5:6:7
cluster8j.scl 8 Eight-Tone Triadic Cluster 5:7:6
cohenf_11.scl 11 Flynn Cohen, 7-limit scale of "Rameau's nephew" (1996)
coherent49.scl 49 Generator is the positive root of x^4 - x^2 - 1, Raph, Meta-Sidi,
72&121 temperament sqrtphi <30 35 38 39 ... |
coleman10.scl 12 Coleman 10 (2001)
coleman11.scl 12 Jim Coleman's XI piano temperament. TL 16 Mar 1999
coleman16.scl 12 Balanced 16 from Jim Coleman Sr. (2001)
coleman4.scl 12 Coleman IV from Jim Coleman Sr.
coll7.scl 7 Seven note Collatz cycle scale, -17 starting point
collangettes.scl 24 d'Erlanger vol.5, p. 23. Père Maurice Collangettes, 24 tone Arabic
system
collapsar.scl 12 An 11-limit patent val superwakalix
colonna1.scl 12 Colonna's irregular Just Intonation no. 1 (1618)
colonna2.scl 12 Colonna's irregular Just Intonation no. 2 (1618)
compton48.scl 48 Compton[48] 11-limit tweaked
concertina.scl 14 English Concertina, Helmholtz/Ellis, p. 470
cons11.scl 7 Set of intervals with num + den <= 11 not exceeding 2/1
cons_5.scl 7 Set of consonant 5-limit intervals within the octave
cons_7.scl 10 Set of consonant 7-limit intervals of tetrad 4:5:6:7 and inverse
cons_7a.scl 11 Set of consonant 7-limit intervals, harmonic entropy minima
cont_frac1.scl 14 Continued fraction scale 1, see McLaren in Xenharmonikon 15,
pp.33-38
cont_frac2.scl 15 Continued fraction scale 2, see McLaren in Xenharmonikon 15,
pp.33-38
corner11.scl 15 Quadratic Corner 11-limit. Chalmers '96
corner13.scl 21 Quadratic Corner 13-limit. Chalmers '96
corner17.scl 28 Quadratic Corner 17-limit.
corner17a.scl 42 Quadratic Corner 17 odd limit.
corner7.scl 10 Quadratic corner 7-limit. Chalmers '96
corner9.scl 14 First 9 harmonics of 5th through 9th harmonics
corners11.scl 29 Quadratic Corners 11-limit, John Chalmers (1996)
corners13.scl 41 Quadratic Corners 13-limit. Chalmers '96
corners7.scl 19 Quadratic Corners 7-limit. Chalmers '96
corrette.scl 12 Corrette temperament, modified 1/4-comma meantone
corrette2.scl 12 Michel Corrette, modified meantone temperament (1753)
corrette3.scl 12 Corrette's monochord (1753), also Marpurg 4 and Yamaha Pure
Minor
coul_12.scl 12 Scale 1 5/4 3/2 2 successively split largest intervals by smallest
interval
coul_12a.scl 12 Scale 1 6/5 3/2 2 successively split largest intervals by smallest
interval
coul_12sup.scl 12 Superparticular approximation to Pythagorean scale. Op de Coul,
2003
coul_13.scl 13 Symmetrical 13-tone 5-limit JI scale
coul_17sup.scl 17 Superparticular approximation to Pythagorean 17-tone scale. Op de
Coul, 2003
coul_20.scl 20 Tuning for a 3-row symmetrical keyboard, Op de Coul (1989)
coul_27.scl 27 Symmetrical 27-tone 5-limit just system, 67108864/66430125 and
25/24
counterschismic.scl 53 Counterschismic temperament, g=498.082318, 5-limit
couperin.scl 12 Couperin modified meantone
couperin_org.scl 12 F. Couperin organ temperament (1690), from C. di Veroli, 1985
cpak19a.scl 19 First 19-epimorphic ordered tetrad pack scale, Gene Ward Smith, TL
23-10-2005
cpak19b.scl 19 Second 19-epimorphic ordered tetrad pack scale, Gene Ward Smith,
TL 23-10-2005
cross13.scl 19 13-limit harmonic/subharmonic cross
cross2.scl 9 John Pusey's double 5-7 cross reduced by 3/1
cross2_5.scl 9 double 3-5 cross reduced by 2/1
cross2_7.scl 13 longer 3-5-7 cross reduced by 2/1
cross3.scl 13 John Pusey's triple 5-7 cross reduced by 3/1
crossbone1.scl 12 7-limit Crossbone Scale (1st order, 1st sepent)
cross_7.scl 7 3-5-7 cross reduced by 2/1, quasi diatonic, similar to Zalzal's, Flynn
Cohen
cross_72.scl 13 double 3-5-7 cross reduced by 2/1
cross_7a.scl 7 2-5-7 cross reduced by 3/1
cruciform.scl 12 Cruciform Lattice
cube3.scl 32 7-limit Cube[3] scale, Gene Ward Smith
cube3enn.scl 32 7-limit Cube[3] scale, 3600-ET ennealimmal tempered
cube4.scl 63 7-limit Cube[4] scale, Gene Ward Smith
cube4enn.scl 63 7-limit Cube[4] scale, 3600-tET ennealimmal tempered
cv1.scl 12 First 12/5 <12 19 28 34| epimorphic
cv11.scl 12 Eleventh 12/5 scale <12 19 28 34| epimorphic
cv13.scl 12 Thirteenth 12/5 scale <12 19 28 34| epimorphic
cv5.scl 12 Fifth 12/5 scale <12 19 28 34| epimorphic = inverse hen12
cv7.scl 12 Seventh 12/5 scale <12 19 28 34| epimorphic
cv9.scl 12 Ninth 12/5 scale <12 19 28 34| epimorphic
cw12_11.scl 12 CalkinWilf(<12 19 28 34 42|)
cw19_11.scl 19 CalkinWilf(<19 30 44 53 66|)
cw19_5.scl 19 CalkinWilf(<19 30 44|)
cw19_7.scl 19 CalkinWilf(<19 30 44 53|)
cx4.scl 10 Fourth 10/4 scale <10 16 23 28| epimorphic
cxi1.scl 11 First 11/5 <11 17 26 31| permutation epimorphic scale
cxi3.scl 11 Third 11/5 <11 17 26 31| permutation epimorphic scale
cycle19.scl 19 19-note lesfip scale, 9-limit, 10 cents tolerance
danielou5_53.scl 53 Daniélou's Harmonic Division in 5-limit, symmetrized
danielou_53.scl 53 Daniélou's Harmonic Division of the Octave, see p. 153
dan_seman.scl 12 Semantix-Semantic, 5-limit, common tones to Semantic-36 and
Semantix-36 with different A
dan_semantic.scl 35 The Semantic Scale, from Alain Daniélou: "Sémantique Musicale"
(1967)
dan_semantix.scl 36 Jacques Dudon, Semantix-36, 27/25 generator
darreg.scl 19 This set of 19 ratios in 5-limit JI is for his megalyra family
darreg_ennea.scl 9 Ivor Darreg's Mixed Enneatonic, a mixture of chromatic and
enharmonic
darreg_genus.scl 9 Ivor Darreg's Mixed JI Genus (Archytas Enh, Ptolemy Soft Chrom,
Didymos Chrom
darreg_genus2.scl 9 Darreg's Mixed JI Genus 2 (Archytas Enharmonic and Chromatic
Genera)
david11.scl 22 11-limit system from Gary David (1967)
david7.scl 12 Gary David's Constant Structure (1967). A mode of Fokker's 7-limit
scale
dcon9marvwoo.scl 21 convex closure in marvel of 9-limit diamond, marvel woo tuning
dconv11marv.scl 35 Convex closure in marvel of 11-limit diamond in 166-tET
dconv9gam.scl 31 Convex closure in gamelismic of 9-limit diamond in 190-tET
dconv9marv.scl 21 Convex closure in marvel of 9-limit diamond in 197-tET
ddimlim1.scl 14 First 27/25&2048/1875 scale
dean_81primes.scl 80 Roger Dean's 81 primes non-octave scale (2008)
dean_91primes.scl 90 Roger Dean's 91 primes non-octave scale (2008)
degung-sejati.scl 5 pelog degung sejati, Sunda
degung1.scl 5 Gamelan Degung, Kabupaten Sukabumi. 1/1=363 Hz
degung2.scl 5 Gamelan Degung, Kabupaten Bandung. 1/1=252 Hz
degung3.scl 5 Gamelan Degung, Kabupaten Sumedang. 1/1=388.5 Hz
degung4.scl 5 Gamelan Degung, Kasepuhan Cheribon. 1/1=250 Hz
degung5.scl 5 Gamelan Degung, Kanoman Cheribon. 1/1=428 Hz
degung6.scl 5 Gamelan Degung, Kacherbonan Cheribon. 1/1=426 Hz
deka1029.scl 20 Dekatesserany (2x2x2 chord cube) gamelismic (1029/1024) 2.5.7
convex closure
deka126.scl 14 Dekatesserany (2x2x2 chord cube) is convex in starling (126/125);
5-limit projection
deka1728.scl 21 Dekatesserany (2x2x2 chord cube) orwellismic (1728/1715) 2.3.7
convex closure
deka225.scl 16 Dekatesserany (2x2x2 chord cube) marvel (225/224) 5-limit convex
closure
deka2401.scl 22 Dekatesserany (2x2x2 chord cube) breedsmic (1029/1024) 2.5.7
convex closure
deka245.scl 26 Dekatesserany (2x2x2 chord cube) sensamagic (245/243) 2.3.7
convex closure
deka3136.scl 24 Dekatesserany (2x2x2 chord cube) hemimean (3136/3125) oblique
transversal convex closure
deka4375.scl 34 Dekatesserany (2x2x2 chord cube) ragismic (4375/4374) 5-limit
convex closure
deka5120.scl 38 Dekatesserany (2x2x2 chord cube) hemifamity (5120/5103) 5-limit
convex closure
deka6144.scl 20 Dekatesserany (2x2x2 chord cube) porwell (6144/6125) 2.5.7
convex closure
deka65625.scl 39 Dekatesserany (2x2x2 chord cube) horwell (65625/65536) 5-limit
convex closure
deka875.scl 21 Dekatesserany (2x2x2 chord cube) keemic (875/864) 5-limit convex
closure
dekany-cs-marv.scl 12 dekany-cs in marvel tempering, POTE tuning
dekany-cs.scl 12 CPS ({1,3,7,9,11}, 2) union {77/72, 77/64}. Grady-Narushima
dekany.scl 10 2)5 Dekany 1.3.5.7.11 (1.3 tonic)
dekany2.scl 10 3)5 Dekany 1.3.5.7.9 (1.3.5.7.9 tonic)
dekany3.scl 10 2)5 Dekany 1.3.5.7.9 and 3)5 Dekany 1 1/3 1/5 1/7 1/9
dekany4.scl 10 2)5 Dekany 1.7.13.19.29 (1.7 tonic)
dekanymarvwoo.scl 15 Convex closure of the 2)5 Cps({1,3,5,7,11}, 2)5 dekany in
marvel; marvel woo tuning
dekany_agni.scl 16 Dekany agni {385/384, 1375/1372} oblique transversal convex
closure
dekany_apollo.scl 16 Dekany apollo {100/99, 225/224} 5-limit convex closure
dekany_guanyin.scl 18 Dekany guanyin {176/175, 540/539} oblique transversal convex
closure
dekany_indra.scl 19 Dekany indra {540/539, 1375/1372} oblique transversal convex
closure
dekany_jove.scl 19 Dekany jove {243/242, 441/440} oblique transversal convex
closure
dekany_laka.scl 29 Dekany laka {5120/5103, 540/539} 5-limit convex closure
dekany_laka205.scl 29 Dekany laka convex closure of the 2)5 Dekany 1.3.5.7.11 (1.3
tonic), 205-tET tuning
dekany_marvel.scl 15 Dekany marvel {225/224, 385/384} 5-limit convex closure
dekany_minerva.scl 15 Dekany minerva {99/98, 176/175} 5-limit convex closure
dekany_pele.scl 24 Dekany pele {441/440, 896/891} 5-limit convex closure
dekany_portent.scl 17 Dekany portent {1029/1024, 385/384} 2.5.7 convex closure
dekany_prodigy.scl 20 Dekany prodigy {225/224, 441/440} 5-limit convex closure
dekany_sensamagic.scl 19 Dekany sensamagic {245/243, 385/384} oblique transversal
convex closure
dekany_spectacle.scl 24 Dekany spectacle {225/224, 243/242} oblique transversal convex
closure
dekany_thrush.scl 16 Dekany thrush {126/125, 176/175} 5-limit convex closure
dekany_union.scl 14 Union of 2)5 and 3)5 1.3.5.7.9 dekanies, or 3)6 1.3.5.5.7.9
dekany_zeus.scl 11 Dekany zeus {121/120, 176/175} oblique transversal convex
closure
dent-yn-rwt.scl 12 Tom Dent's Young-Neidhardt well-temperament (rationalized by
George Secor)
dent.scl 12 Tom Dent, well temperament with A=421 Hz and integer Hz beat rates
from A
dent2.scl 12 Tom Dent, well-temperament, 2/32 and 5/32 comma, TL 3 & 5-09-
2005
dent3.scl 12 Tom Dent, Bach harpsichord "sine wave" temperament, TL 10-10-
2005
dent4.scl 12 Tom Dent, modified meantone with appr. to 7/5, 13/11, 14/11, 19/15,
19/16. TL 30-01-2009
dent_19otti.scl 12 Tom Dent's 19otti scale
dent_berger.scl 12 Tom Dent's 19berger scale
dent_mean7.scl 12 Tom Dent's 7-limit irregular meantone
deporcy.scl 15 A 15-note chord-based detempering of 7-limit porcupine
de_caus.scl 12 De Caus (a mode of Ellis's duodene) (1615)
diab17a.scl 17 [25, 125, 175, 2401, 12005] breed diamond
diab17bb.scl 17 [25, 125, 175, 2401, 16807] breed diamond
diab17cb.scl 17 [25, 35, 125, 175, 2401] breed diamond, 3600-tET tempered
diab17db.scl 17 [25, 125, 175, 245, 2401] breed diamond, 3600-tET tempered
diab19a.scl 19 19-tone 7-limit JI scale
diab19ab.scl 19 [25, 125, 175, 245, 1715, 2401] breed diamond, 3600-tET tempered
diab19_612.scl 19 diab19a in 612-tET
diab19_72.scl 19 diab19a in 72-tET
diablack.scl 10 Unique 256/245&2048/2025 Fokker block
diabree.scl 39 detempered convex closure of 11-limit diamond in {243/242,
441/440} temperament plane
diachrome1.scl 10 First 25/24&2048/2025 scale
diaconv1029.scl 19 convex closure of 7-limit diamond with respect to 1029/1024
diaconv2401t.scl 17 convex closure of 7-limit diamond with respect to 2401/2400,
3600-tET
diacycle13.scl 23 Diacycle on 20/13, 13/10; there are also nodes at 3/2, 4/3; 13/9,
18/13
diaddim1.scl 14 First 2048/2025&2048/1875 scale
dialim1.scl 14 First 27/25&2048/2025 scale
diam19.scl 19 Optimized 13-limit from diamond9plus
diamin7.scl 18 permutation epimorphic scale with 7-limit diamond, Hahn and TM
reduced <18 29 42 50|
diamin7marv.scl 18 1/4 kleismic tempered diamin7
diamin7_72.scl 18 diamin7 in 72-tET
diamisty.scl 12 Diamisty scale 2048/2025 and 67108864/66430125
diamond11a.scl 31 11-limit Diamond (partch_29.scl) with added 16/15 & 15/8,
Zoomoozophone tuning: 1/1 = 392 Hz
diamond11ak.scl 31 microtempered version of diamond11a, Dave Keenan TL 11-1-
2000, 225/224&385/384
diamond11map.scl 72 11-limit diamond on a 'centreless' map
diamond11strange.scl 16 Lesfip scale, 11-limit diamond, 10 cents tolerance
diamond11tr.scl 15 11-limit triangular diamond lattice with 64/63 intervals removed
diamond15.scl 59 15-limit diamond + 2nd ratios. See Novaro, 1927, Sistema
Natural...
diamond17.scl 43 17-limit diamond
diamond17a.scl 55 17-limit, +9 diamond
diamond17b.scl 65 17-limit, +9 +15 diamond, Denny Genovese, 3/2=384 Hz
diamond19.scl 57 19-limit diamond
diamond27.scl 13 Diamond 21 23 25 27, Christopher Vaisvil
diamond7-13.scl 13 7 9 11 13 diamond
diamond7.scl 13 7-limit diamond, also double-tie circular mirroring of 4:5:6:7 with
common pivot
diamond7_126.scl 15 7-limit diamond starling (126/125) 5-limit convex closure
diamond7_225.scl 15 7-limit diamond marvel (225/224) 5-limit convex closure
diamond9.scl 19 9-limit tonality diamond
diamond9block.scl 19 Weak Fokker block one note different from the 9-limit diamond
diamond9keemic.scl 19 Keemic (875/864) tempering of 9-limit diamond, POTE tuning
diamond9plus.scl 21 9-limit tonality diamond extended with two secors
diamond9_875.scl 27 9-limit diamond keemic (875/864) 5-limit convex closure
diamondupblock.scl 20 Weak Fokker block with val <20 31 46 59|
diamond_chess.scl 11 9-limit chessboard pattern diamond. OdC
diamond_chess11.scl 17 11-limit chessboard pattern diamond. OdC
diamond_dup.scl 20 Two 7-limit diamonds 3/2 apart
diamond_mod.scl 13 13-tone Octave Modular Diamond, based on Archytas's
Enharmonic
diamond_tetr.scl 8 Tetrachord Modular Diamond based on Archytas's Enharmonic
diaphonic_10.scl 10 10-tone Diaphonic Cycle
diaphonic_12.scl 12 12-tone Diaphonic Cycle, conjunctive form on 3/2 and 4/3
diaphonic_12a.scl 12 2nd 12-tone Diaphonic Cycle, conjunctive form on 10/7 and 7/5
diaphonic_7.scl 7 7-tone Diaphonic Cycle, disjunctive form on 4/3 and 3/2
diat13.scl 7 This genus is from K.S's diatonic Hypodorian harmonia
diat15.scl 8 Tonos-15 Diatonic and its own trite synemmenon Bb
diat15_inv.scl 8 Inverted Tonos-15 Harmonia, a harmonic series from 15 from 30.
diat21_inv.scl 8 Inverted Tonos-21 Harmonia, a harmonic series from 21 from 42.
diat27_inv.scl 8 Inverted Tonos-27 Harmonia, a harmonic series from 27 from 54
diat31.scl 8 Tonos-31 Diatonic. The disjunctive and conjunctive diatonic forms are
the same
diat33.scl 8 Tonos-33 Diatonic. The conjunctive form is 23 (Bb instead of B) 20
18 33/2
diat_chrom.scl 7 Diatonic- Chromatic, on the border between the chromatic and
diatonic genera
diat_dies2.scl 7 Dorian Diatonic, 2 part Diesis
diat_dies5.scl 7 Dorian Diatonic, 5 part Diesis
diat_enh.scl 7 Diat. + Enharm. Diesis, Dorian Mode
diat_enh2.scl 7 Diat. + Enharm. Diesis, Dorian Mode 3 + 12 + 15 parts
diat_enh3.scl 7 Diat. + Enharm. Diesis, Dorian Mode, 15 + 3 + 12 parts
diat_enh4.scl 7 Diat. + Enharm. Diesis, Dorian Mode, 15 + 12 + 3 parts
diat_enh5.scl 7 Dorian Mode, 12 + 15 + 3 parts
diat_enh6.scl 7 Dorian Mode, 12 + 3 + 15 parts
diat_eq.scl 7 Equal Diatonic, Islamic form, similar to 11/10 x 11/10 x 400/363
diat_eq2.scl 7 Equal Diatonic, 11/10 x 400/363 x 11/10
diat_hemchrom.scl 7 Diat. + Hem. Chrom. Diesis, Another genus of Aristoxenos,
Dorian Mode
diat_smal.scl 7 "Smallest number" diatonic scale
diat_sofchrom.scl 7 Diat. + Soft Chrom. Diesis, Another genus of Aristoxenos, Dorian
Mode
diat_soft.scl 7 Soft Diatonic genus 5 + 10 + 15 parts
diat_soft2.scl 7 Soft Diatonic genus with equally divided Pyknon; Dorian Mode
diat_soft3.scl 7 New Soft Diatonic genus with equally divided Pyknon; Dorian Mode;
1:1 pyknon
diat_soft4.scl 7 New Soft Diatonic genus with equally divided Pyknon; Dorian Mode;
1:1 pyknon
didymus19sync.scl 19 Didymus[19] hobbit (81/80) in synchronized tuning ! 3-2x, 5-x,
7-2x, where x is the smaller root of 16x^4 - 96x^3 + 216x^2 - 200x + 1
didy_chrom.scl 7 Didymus Chromatic
didy_chrom1.scl 7 Permuted Didymus Chromatic
didy_chrom2.scl 7 Didymos's Chromatic, 6/5 x 25/24 x 16/15
didy_chrom3.scl 7 Didymos's Chromatic, 25/24 x 16/15 x 6/5
didy_diat.scl 7 Didymus Diatonic
didy_enh.scl 7 Dorian mode of Didymos's Enharmonic
didy_enh2.scl 7 Permuted Didymus Enharmonic
diesic-m.scl 7 Minimal Diesic temperament, g=176.021, 5-limit
diesic-t.scl 19 Tiny Diesic temperament, g=443.017, 5-limit
diff19-9-4.scl 10 Scale derived from (19,9,4) Type Q cyclic difference set, 19-tET
diff31-h8.scl 16 (31, 15, 7) type H8 cyclic difference set, 31-tET
diff31-q.scl 16 (31, 15, 7) type Q cyclic difference set, 31-tET
diff31_72.scl 31 Diff31, 11/9, 4/3, 7/5, 3/2, 7/4, 9/5 difference diamond, tempered to
72-tET
diminished.scl 20 Diminished temperament, g=94.134357 period=300.0, 7-limit
dimteta.scl 7 A heptatonic form on the 9/7
dimtetb.scl 5 A pentatonic form on the 9/7
dint.scl 41 Breed reduction of 43 note scale of all tetrads sharing interval with 7-
limit diamond
divine9.scl 12 Gert Kramer´s Divine 9 tuning, 5-limit with one 7-limit interval
(2011), 1/1=253.125 Hz
div_fifth1.scl 5 Divided Fifth #1, From Schlesinger, see Chapter 8, p. 160
dkring1.scl 12 Double-tie circular mirroring of 4:5:6:7
dodeceny.scl 12 Degenerate eikosany 3)6 from 1.3.5.9.15.45 tonic 1.3.15
domdimpajinjschis.scl 12 Dominant-diminished-pajara-injera-schism wakalix
donar46.scl 46 Donar[46] hobbit in 3390-tET, commas 4375/4374, 3025/3024 and
4225/4224
dorian_chrom.scl 24 Dorian Chromatic Tonos
dorian_chrom2.scl 7 Schlesinger's Dorian Harmonia in the chromatic genus
dorian_chrominv.scl 7 A harmonic form of Schlesinger's Chromatic Dorian inverted
dorian_diat.scl 24 Dorian Diatonic Tonos
dorian_diat2.scl 8 Schlesinger's Dorian Harmonia, a subharmonic series through 13
from 22
dorian_diat2inv.scl 8 Inverted Schlesinger's Dorian Harmonia, a harmonic series from 11
from 22
dorian_diatcon.scl 7 A Dorian Diatonic with its own trite synemmenon replacing
paramese
dorian_diatred11.scl 7 Dorian mode of a diatonic genus with reduplicated 11/10
dorian_enh.scl 24 Dorian Enharmonic Tonos
dorian_enh2.scl 7 Schlesinger's Dorian Harmonia in the enharmonic genus
dorian_enhinv.scl 7 A harmonic form of Schlesinger's Dorian enharmonic inverted
dorian_pent.scl 7 Schlesinger's Dorian Harmonia in the pentachromatic genus
dorian_pis.scl 15 Diatonic Perfect Immutable System in the Dorian Tonos, a non-rep.
16 tone gamut
dorian_schl.scl 12 Schlesinger's Dorian Piano Tuning (Sub 22)
dorian_tri1.scl 7 Schlesinger's Dorian Harmonia in the first trichromatic genus
dorian_tri2.scl 7 Schlesinger's Dorian Harmonia in the second trichromatic genus
doty_14.scl 14 David Doty and Dale Soules, 7-limit just tuning of Other Music´s
American gamelan
doublediadie.scl 23 13-limit 8 cents tolerance
douwes.scl 12 Claas Douwes recommendation of 24/23 and 15/14 steps for
clavichord (1699)
dowland_12.scl 12 subset of Dowland's lute tuning, lowest octave
dow_high.scl 14 Highest octave of Dowlands lute tuning, strings 5,6. 1/1=G (1610)
dow_lmh.scl 55 All three octaves of Dowland's lute tuning
dow_low.scl 17 Lowest octave of Dowlands lute tuning, strings 1,2,3. 1/1=G. (1610)
dow_middle.scl 24 Middle octave of Dowlands lute tuning, strings 3,4,5. 1/1=G
(1610)
druri.scl 4 Scale of druri dana of Siwoli, south Nias, Jaap Kunst
dudon_12_of_19-ht.scl 12 12 of 19-tones harmonic temperament, from 27 to 35
dudon_19-l_rocky_hwt.scl 12 19-limit well-temperament, C to B achieving eq-b of bluesy
DEG-type chords (2005)
dudon_3-limit_with429.scl 12 cycle of 10 pure fourths (4/3) from D ending in 429/256
dudon_a.scl 7 Dudon Tetrachord A
dudon_afshari.scl 12 Avaz-e-Afshari -c JI interpretation
dudon_aka.scl 12 Cylf-scale (Baka sequence- pentatonic Slendro plus pure fifths)
dudon_aksand.scl 12 Fractal Aksaka - c sequence (x^2 - x = 1/4), 16:20:24:29:35, plus
163
dudon_aluna.scl 12 Chromatic scale based on F25, with turkish 31/25 segahs and many
different thirds
dudon_amlak.scl 12 Amlak recurrent sequence (x^2 = x + 1/3), as a matrix for
Ethiopian scales
dudon_appalachian.scl 12 Synchronous beating quasi-1/4 syntonic comma meantone
temperament
dudon_are-are_tapping.scl 12 'Are'are tapping bamboo tubes as collected by Hugo Zemp in
1977, JI interpretation
dudon_are-are_women1.scl 12 'Are'are women songs as collected by Hugo Zemp in 1977, JI
interpretation (2009)
dudon_are-are_women2.scl 12 'Are'are women songs as collected by Hugo Zemp in 1977, JI
interpretation (Dudon 2009)
dudon_armadillo.scl 12 Triple equal-beating sequence from C to B, optimal major chords
on white keys
dudon_atlantis.scl 12 Triple equal-beating of minor triads + septimal sevenths meantone
sequence
dudon_aulos.scl 12 Double clarinet -c version of Ptolemy's Diatonon Homalon
dudon_b.scl 7 Dudon Tetrachord B
dudon_baka.scl 12 Baka typical semifourth pentatonic, can also be accepted as a
circular Slendro
dudon_balafon_semifo.scl 12 Burkinabe typical semifourth pentatonic balafon feast scale
dudon_balasept-above.scl 12 5.7.13.15 tuning based on a single Balasept sequence
dudon_balasept-under.scl 12 5.7.13.15.21 tuning based on a single Balasept sequence
dudon_bala_ribbon.scl 12 Parizekmic scale based on a double Bala sequence
dudon_bala_ribbon19.scl 19 Parizekmic scale based on a double Bala sequence
dudon_bala_ribbon24.scl 24 Parizekmic scale based on a double Bala sequence
dudon_bali-balaeb_14.scl 14 Bali-Bala[14] (676/675 tempering), equal-beating version
dudon_bambara.scl 12 Typical pentatonic balafon ceremonial tuning from Mali or
Burkina Faso
dudon_bayati_in_d.scl 12 Bayati (or Husayni) maqam in D
dudon_baziguzuk.scl 12 8 9 11 12 13 defective Mohajira (Dudon 1985)
dudon_bhairav.scl 12 Bhairav thaat raga, based on 17th harmonic
dudon_bhairavi.scl 12 Bhairavi thaat raga, by Dudon (2004)
dudon_bhatiyar.scl 12 Early morning North indian raga, a modelisation based on Amlak
57
dudon_bhavapriya.scl 12 Bhavapriya (South indian, prati madhyama mela # 44) or
Bhavani (North indian)
dudon_brazil.scl 12 Triple equal-beating 1/5 syntonic comma meantone, limited to 8
tones
dudon_burma.scl 12 Burmese typical diatonic scale, compatible with modes Pule,
Thanyu, Autpyin
dudon_buzurg.scl 12 Decaphonic system inspired by medieval Persian mode Buzurg
(Safi al-Din), Dudon 1997
dudon_byzantine.scl 12 Byzantine scale, JI interpretation and -c extrapolation of turkish
Hijaz in C
dudon_c1.scl 7 Differentially coherent scale in interval class 1
dudon_c12.scl 7 Differentially coherent scale in interval class 1 and 2
dudon_chandrakaus.scl 12 Chandrakaus from Bb on black keys plus other version from D
on white keys
dudon_chiffonie.scl 12 Hurdy-Gurdy variation on fractal Gazelle (Rebab tuning)
dudon_chromatic_subh.scl 12 Chromatic subharmonic scale using smallest possible
numbers
dudon_coherent_shrutis.scl 12 12 of the 22 shrutis (cycle of fifths from A to D), differentially
coherent with C or 2C
dudon_cometslendro1.scl 12 Five septimal tone comets (quasi auto-coherent intervals) in
one octave
dudon_cometslendro2.scl 12 Five septimal tone comets (quasi auto-coherent intervals) in
one octave
dudon_comptine.scl 12 1/4 pyth. comma meantone sequence between C and E,
completed by 8 pure fifths
dudon_comptine_h3.scl 12 1/4 pyth. comma meantone sequence between G and B,
completed by 8 pure fifths
dudon_countrysongs.scl 12 CDEG chords and all transpositions equal-beating meantone
sequence
dudon_country_blues.scl 12 Differentially-coherent 12 tones country blues scale
dudon_crying_commas.scl 12 Pentatonic differentiallly-coherent scale with crying commas
dudon_darbari.scl 12 Darbari Kanada (midnight raga)
dudon_diat.scl 7 Dudon Neutral Diatonic
dudon_diatess.scl 12 Sequence of 11 Diatess fifths from Eb (75)
dudon_didymus.scl 12 Greek-genre scale rich in commas
dudon_egyptian_rast.scl 12 Egyptian style Rast -c modelisation
dudon_evan_thai.scl 12 Evan differentially-coherent double Thai heptaphone
dudon_flamenca.scl 12 Flamenco chromatic scale around the 17th harmonic, in A (=
guitar), Dudon 2005
dudon_fong.scl 12 Differentially-coherent Thai scale, with double seventh note
dudon_gayakapriya.scl 12 South indian raga with Ethiopian flavors, interpreted through a
19-limit Amlak sequence
dudon_gnawa-pelog.scl 12 Differentially-coherent model of a Gnawa scale, with Pelog
variations
dudon_golden_h7eb.scl 12 12 of 19/31/50 etc... Golden meantone harmonic 7-c and eq-b
version
dudon_gulu-nem.scl 12 5 tones Pelog from a sequence of very low "Gulu-nem" fifths
(about 5/9 of an octave)
dudon_harm_minor.scl 12 So-called "harmonic" minor scale, also raga Kiravani, one of
Dudon's versions
dudon_harry.scl 12 Hommage to Harry Partch, 20th century just intonation pioneer
(1901-1974)
dudon_hawaiian.scl 12 Equal-beating lapsteel-style Major 6th chords (C:E:G:A:C:E)
meantone sequence
dudon_hijazira.scl 7 Hijazira = Hijaz-Mohajira
dudon_hiroyoshi.scl 12 Japanese koto most famous mode, also Ethiopian minor scale,
etc.
dudon_homayun.scl 12 Homayun in G
dudon_hoomi.scl 12 Hoomi singing scale in F/F# (on black keys), or in C or G,
CFGACêqual-beating sequence
dudon_ifbis.scl 12 Ifbis -c recurrent sequence: x^5 - x^3 = 1 (not traditional)
dudon_iph-arax.scl 6 Iph-Arax heptatone
dudon_isrep.scl 12 Fractal Isrep -c recurrent sequence, x^2 = 8x - 8 from F=64
dudon_jamlak.scl 12 Cycle of fifths developped around a 19-limit Amlak sequence
dudon_jazz.scl 12 Jazz in 7 tones
dudon_jobim.scl 12 Triple equal-beating 1/5 syntonic comma meantone, full 12 tones
scale
dudon_jog.scl 12 Jog with (ascent only) additional 15/8
dudon_joged-bumbung.scl 12 Typical Balinese grantang and tingklik (bamboo xylophones)
slendro tuning
dudon_kalyana.scl 12 Kalyana thaat raga, harmonics 3-5-17-19-43 version by Dudon
2004
dudon_kanakangi.scl 12 Raga Kanakangi (Karnatic music, suddha madhyama mela # 1)
dudon_kellner_eb.scl 12 JI version of Anton Kellner 1/5 Pyth.c well-temperament, based
on Skisni algorithm
dudon_kidarvani.scl 10 Kidarvani, combination tuning of ragas Kirvani and Darbari
dudon_kirvanti.scl 12 Raga Kirvanti (known also as Hungarian Gypsy scale)
dudon_kora-chimere.scl 12 Kora diatonic, slightly neutral
dudon_kora_snd.scl 12 Kora tuning in the Mandinka semi-neutral diatonic style
dudon_kumoyoshi_19-l.scl 12 Japanese famous mode, -c 17+19th harmonics interpretation
dudon_lakota.scl 12 Comma variations add to the richness of differential tones
dudon_liane.scl 12 Class 1 differentially coherent interleaved intervals, hexatonic scale
dudon_lucie.scl 12 Sequence of 11 fractal Lucie fifths (exactly 695,5023126 c.) from
Eb
dudon_madhuvanti.scl 12 Madhuvanti (also called Ambika), late evening raga
dudon_mahur.scl 12 Persian Dastgah Mahur
dudon_mandinka.scl 12 Guinean Balafon circular tuning, neutral diatonic -c
interpretation
dudon_marovany.scl 12 Typical Malagasy scale, neutral diatonic, multiways -c and eq-b
dudon_marva.scl 12 Raga Marva, differential-coherent version, modelized by Jacques
Dudon
dudon_meancaline.scl 12 12 of 19-tones quasi-equal HT with coherent semifourths on
black keys
dudon_melkis.scl 12 Sequence of 11 Melkis fourths (499.11472 c.) from D
dudon_melkis_3f.scl 12 Sequence of 6 Melkis fourths from G, then 3 pure fourths
between C# and E
dudon_meso-iph12.scl 12 Partial Meso-Iph fifth transposition of two Iph fractal series
(2010)
dudon_meso-iph7.scl 7 Neutral diatonic variation based on two Iph fractal series
dudon_michemine.scl 12 Triple equal-beating of all minor triads meantone sequence
dudon_mohajira.scl 7 Dudon's Mohajira, neutral diatonic. g^5-g^4=1/2
dudon_mohajira117.scl 7 Jacques Dudon Mohajira, 1/1 vol.2 no.1, p. 11, with 3/2
(117:78)
dudon_mohajira_r.scl 7 Jacques Dudon, JI Mohajira, Lumières audibles
dudon_moha_baya.scl 7 Mohajira + Bayati (Dudon) 3 + 4 + 3 Mohajira and 3 + 3 + 4
Bayati tetrachords
dudon_mougi.scl 12 Tsigan-style raga, based on the 19/16 minor third -c properties
dudon_mounos.scl 12 Mounos extended fifths -c sequence, quasi-septimal minor
diatonic scale
dudon_nan-kouan.scl 12 Nan-Kouan (medieval chinese ballade) scale interpretation
dudon_napolitan.scl 12 Napolitan scale, class-1 differential coherence ; whole tone scale
by omitting C
dudon_natte.scl 12 Sequence of 7 consecutive tones of a Natte series from 28 to 151
dudon_nung-phan1.scl 12 7 tones from a sequence of Nung-Phan very low fifths (in
theory 679.5604542 c.)
dudon_nung-phan2.scl 12 7 tones from a Nung-Phan sequence (very low fifths, in theory
679.5604542 c.)
dudon_okna_hwt.scl 12 Harmonic well-temperament for mongolian lute
dudon_over-under_ht.scl 12 Cycle of fifths, one half above 3/2, the other below (meantone)
dudon_pelog_35.scl 12 JI -c Pelog with 5, 13, 35 and complements
dudon_pelog_59.scl 12 JI -c Pelog with 5, 11, 59 and complements
dudon_pelog_ambi.scl 12 Differential-coherent 5 notes Pelog, ambiguous tonic between
C&E
dudon_phi13.scl 13 Division of phi giving close approximations to ratios with
Fibonacci denominators
dudon_phidiama.scl 8 Two Phidiama series, used in "Appel", x^2=3x-1
dudon_piphat.scl 12 Gazelle-Naggar -c series + comma 953-960, major mode
dudon_piphat_min.scl 12 Gazelle-Naggar -c series + comma 953-960, minor mode
dudon_purvi.scl 12 Purvi Thaat Raga
dudon_quechua.scl 12 Gazelle-Naggar -c series + comma 953-960, F.11 mode
dudon_raph.scl 12 Raph recurrent sequence, series Phi17 & Phi93
dudon_rast-iph39.scl 7 Neutral diatonic composed of Rast and Iph tetrachords, based on
F and 3F series
dudon_rast-iph63.scl 7 Neutral diatonic composed of Rast and Iph tetrachords, based on
F and 3F series
dudon_rast-mohajira.scl 12 Rast + Mohajira -c quartertones set
dudon_rast_matrix.scl 12 Wusta-Zalzal Arijaom sequence with Rast on white keys and
other maqamat
dudon_rebab.scl 12 Gazelle, x^5 = 8x^4 - 32, -c series + comma 953-960, Dudon
2009
dudon_s-n-buzurg.scl 12 Decaphonic system inspired by medieval Persian mode Buzurg
(Safi al-Din)
dudon_saba-c.scl 12 Differentially coherent version of Maqam Saba
dudon_sapaan.scl 12 7 tones from a sequence of Sapaan very low fifths (in theory
680.015678 c.)
dudon_saqqara.scl 12 Scale of a ney flute (n¡ 69815) from ancient Egypt found in
Saqqara
dudon_satara.scl 12 Rajasthani double flute drone-c tuning amusement
dudon_saung_gauk.scl 12 Typical diatonic heptaphone played on the saung gauk
(burmese harp)
dudon_segah.scl 12 Dastgah Segah, JI interpretation
dudon_segah_subh.scl 12 Inversed Dudon Neutral Diatonic (mediants of major and
minor)
dudon_septimal_2.scl 12 Slendro formed by five 8/7 separated by two commas, Dudon
(2009)
dudon_septimal_3.scl 12 Five 8/7 or close approximations separated by three commas,
Dudon (2009)
dudon_shaku.scl 12 Japanese Shakuhachi scale, -c interpretation
dudon_shri_rag.scl 12 Sunset indian raga (Purvi Thaat), as modeled from a 19-limit
Amlak sequence
dudon_shur.scl 12 Shur Dastgah -c version, modelisation by Dudon (1990)
dudon_siam_97.scl 12 Black keys = 5 quasi-edo ; White keys = 7 quasi-edo (Dudon
1997)
dudon_simdek.scl 12 Heptatonic scale from a sequence of Simdek very low fifths (in
theory 676,48557456 c.)
dudon_sireine_f.scl 12 Sequence of 11 Sireine fifths (exactly 691.2348426 c.) from F
dudon_skisni.scl 12 Triple equal-beating sequence of 11 quasi-1/5 Pythagorean comma
meantone fifths
dudon_skisni_hwt.scl 12 Triple equal-beating sequence from C to B, optimal major
chords on white keys
dudon_slendra.scl 12 Cylf-scale (Baka pentatonic Slendro plus pure fifths)
dudon_slendro_m-mean.scl 12 Wilson meantone from Bb to F# extended in a Slendro M on
black keys
dudon_slendro_matrix.scl 12 Ten tones for many 7-limit slendros from Lou Harrison, of the
five types N, M, A, S, J
dudon_smallest_numbers.scl 12 Chromatic scale achieved with smallest possible numbers
dudon_soria.scl 12 12 from a 17-notes cycle, equal-beating extended fifths (705.5685
c.) sequence
dudon_soria12.scl 12 12 from a 17-notes cycle, equal-beating extended fifths (705.5685
c.) sequence
dudon_sumer.scl 12 Neutral diatonic soft Rast scale with Ishku -c variations
dudon_synch12.scl 12 Synchronous-beating alternative to 12-tET, cycle of fourths beats
from C:F = 1 2 1 1 2 4 3 6 8 8 8 32
dudon_tango.scl 12 Fractal Melkis lowest numbers HWT fifths sequence, from D
dudon_thai.scl 7 Dudon, coherent Thai heptatonic scale, 1/1 vol.11 no.2, 2003
dudon_thai2.scl 7 Slightly better version, 3.685 cents deviation
dudon_thai3.scl 7 Dudon, Thai scale with two 704/703 = 2.46 c. deviations and
simpler numbers
dudon_tibet.scl 12 Differentially coherent minor pentatonic
dudon_tielenka.scl 12 Tielenka (Romanian harmonic flute) scale JI imitation, Dudon
(2009)
dudon_timbila.scl 12 Bala tuning whole tone intervals -c heptaphone
dudon_tit_fleur.scl 12 Differentially coherent semi-neutral diatonic, small numbers
dudon_todi.scl 12 Morning Thaat raga (with G = Todi ; without G = Gujari Todi)
dudon_tsaharuk24.scl 24 Rational version of Tsaharuk linear temperament
dudon_valiha.scl 12 Typical Malagasy scale, neutral diatonic, equal-beating on minor
triads
dudon_werckmeister3_eb.scl 12 Harmonic equal-beating version of the famous well-
temperament (2006)
dudon_x-slen_31.scl 31 X-slen fractal temperament, sequence of 420 to 1600
dudon_zinith.scl 20 Dudon's "Zinith" generator, (sqrt(3)+1)/2, TL 30-03-2009
dudon_ziraat.scl 10 Dudon's "Zira'at" generator, sqrt(3)+2, TL 30-03-2009
dudon_zurna.scl 12 Quartertone scale with tonic transposition on a turkish segah of
159/128
duncan.scl 12 Dudley Duncan's Superparticular Scale
duoden12.scl 12 Almost equal 12-tone subset of Duodenarium
duodenarium.scl 117 Ellis's Duodenarium : genus [3^12 5^8]
duodene.scl 12 Ellis's Duodene : genus [33355]
duodene14-18-21.scl 12 14-18-21 Duodene
duodene3-11_9.scl 12 3-11/9 Duodene
duodene6-7-9.scl 12 6-7-9 Duodene
duodene_double.scl 24 Ellis's Duodene union 11/9 times the duodene in 240-tET
duodene_min.scl 12 Minor Duodene
duodene_r-45.scl 12 Ellis's Duodene rotated -45 degrees
duodene_r45.scl 12 Ellis's Duodene rotated 45 degrees
duodene_skew.scl 12 Rotated 6/5x3/2 duodene
duodene_t.scl 12 Duodene with equal tempered fifths
duodene_w.scl 12 Ellis duodene well-tuned to fifth=(7168/11)^(1/16)
third=(11/7)^(1/2), G.W. Smith
duohex.scl 12 Scale with two hexanies, inverse mode of hahn_7.scl
duohexmarvwoo.scl 12 Marvel woo version of duohex, a scale with two hexanies
dwarf11marv.scl 11 Semimarvelous dwarf: 1/4 kleismic dwarf(<11 17 26|)
dwarf12marv.scl 12 Marvelous dwarf: 1/4 kleismic tempered duodene
dwarf12_11.scl 12 Dwarf(<12 19 28 34 42|) two otonal hexads
dwarf12_11marvwoo.scl 12 Marvel woo version of Dwarf(<12 19 28 34 42|)
dwarf12_7.scl 12 Dwarf(<12 19 28 34|) five major triads, four minor triads two
otonal pentads
dwarf13_7d.scl 13 Dwarf(<13 21 30 37|)
dwarf14block.scl 14 Weak Fokker block tweaked from Dwarf(<14 23 36 40|)
dwarf14c7-hecate.scl 14 7-limit Dwarf(14c) in hecate tempering, 166-tET tuning
dwarf14marv.scl 14 Semimarvelous dwarf: 1/4 kleismic dwarf(<14 22 33})
dwarf15marv.scl 15 Marvelous dwarf: 1/4 kleismic dwarf(<15 24 35|) subset
rosatimarv
dwarf15marvwoo.scl 15 Marvelous dwarf: dwarf(<15 24 35|) in [10/3 7/2 11] marvel
woo tuning
dwarf17marveq.scl 17 Semimarvelous dwarf: equal beating dwarf(<17 27 40|)
dwarf17marvwoo.scl 17 Semimarvelous dwarf: dwarf(<17 27 40|) in [10/3 7/2 11]
marvel woo tuning
dwarf18marv.scl 18 Marvelous dwarf: 1/4 kleismic dwarf(<18 29 42|)
dwarf19marv.scl 19 Marvelous dwarf: 1/4 kleismic dwarf(<19 30 44|) = inverse
wilson1
dwarf19_43.scl 19 Dwarf scale for 43-limit patent val of 19-tET
dwarf20marv.scl 20 Marvelous dwarf: 1/4 kleismic dwarf(<20 32 47|) = genus(3^4
5^3)
dwarf21marv.scl 21 Marvelous dwarf: 1/4 kleismic dwarf(<21 33 49|)
dwarf22marv.scl 22 Semimarvelous dwarf: 1/4 kleismic dwarf22_5 and dwarf22_7
dwarf25marv.scl 25 Marvelous dwarf: 1/4 kleismic dwarf(<25 40 58|) = genus(3^4
5^4)
dwarf271_bp.scl 271 Tritave dwarf(<171 271 397 480|)
dwarf27_7tempered.scl 27 Irregularly tempered dwarf(<27 43 63 76|)
dwarf31_11.scl 31 Dwarf(<31 49 72 87 107|)
dwarf72277.scl 22 7-limit Dwarf(22) tempered in 77-tET
dwart14block.scl 14 Weak Fokker block tweaked from Dwarf(<14 23 36 40|)
dyadic53tone9div.scl 53 Philolaos tone-9-division 8:9=72:73:74:75:76:77:78:79:80:81
efg333.scl 4 Genus primum [333]
efg333333333337.scl 24 Genus [333333333337]
efg333333355.scl 24 Genus [333333355]
efg33335.scl 10 Genus [33335], Dwarf(<10 16 23|), also blackchrome1
efg3333555.scl 20 Genus [3333555]
efg33335555.scl 25 Genus bis-ultra-chromaticum [33335555], also dwarf25_5,
limmic-magic weak Fokker block
efg333355577.scl 60 Genus [333355577]
efg333357.scl 20 Genus [333357]
efg33337.scl 10 Genus [33337]
efg3335.scl 8 Genus diatonicum veterum correctum [3335]
efg33355.scl 12 Genus diatonico-chromaticum hodiernum correctum [33355]
efg333555.scl 16 Genus diatonico-hyperchromaticum [333555]
efg33355555.scl 24 Genus [33355555]
efg333555777.scl 64 Genus [333555777]
efg333555plusmarvwoo.scl 17 Genus [333555] plus 10125/8192, marvel woo tuning
efg333557.scl 24 Genus diatonico-enharmonicum [333557]
efg33357.scl 16 Genus diatonico-enharmonicum [33357]
efg3335711.scl 32 Genus [3 3 3 5 7 11], expanded hexany 1 3 5 7 9 11
efg333577.scl 24 Genus [333577]
efg3337.scl 8 Genus [3337]
efg33377.scl 12 Genus [33377] Bi-enharmonicum simplex
efg335.scl 6 Genus secundum [335]
efg3355.scl 9 Genus chromaticum veterum correctum [3355]
efg33555.scl 12 Genus bichromaticum [33555]
efg335555577.scl 45 Genus [335555577]
efg335555marvwoo.scl 15 Genus [335555] in marvel temperament, woo tuning
efg33555marvwoo.scl 12 Genus [33555] in marvel temperament, woo tuning
efg33557.scl 18 Genus chromatico-enharmonicum [33557]
efg335577.scl 27 Genus chromaticum septimis triplex [335577]
efg3357.scl 12 Genus enharmonicum vocale [3357]
efg335711.scl 24 Genus [335711]
efg33577.scl 18 Genus [33577]
efg337.scl 6 Genus quintum [337]
efg33777.scl 12 Genus [33777]
efg33777a.scl 10 Genus [33777] with 1029/1024 discarded which vanishes in 31-tET
efg355.scl 6 Genus tertium [355]
efg3555.scl 8 Genus enharmonicum veterum correctum [3555]
efg35555.scl 10 Genus [35555]
efg35557.scl 16 Genus [35557]
efg3557.scl 12 Genus enharmonicum instrumentale [3557]
efg35577.scl 18 Genus [35577]
efg357.scl 8 Genus sextum [357] & 7-limit Octony, see ch.6 p.118
efg35711.scl 16 Genus [3 5 7 11]
efg3571113.scl 32 Genus [3 5 7 11 13]
efg35777.scl 16 Genus [35777]
efg35777a.scl 14 Genus [35777] with comma discarded which disappears in 31-tET
efg3711.scl 8 Genus [3 7 11]
efg377.scl 6 Genus octavum [377]
efg37711.scl 12 Genus [3 7 7 11]
efg37777.scl 10 Genus [37777]
efg37777a.scl 8 Genus [37777] with comma discarded that disappears in 31-tET
efg555.scl 4 Genus quartum [555]
efg55557.scl 10 Genus [55557]
efg55577.scl 12 Genus [55577]
efg557.scl 6 Genus septimum [557]
efg55777.scl 12 Genus [55777]
efg577.scl 6 Genus nonum [577]
efg57777.scl 10 Genus [57777]
efg777.scl 4 Genus decimum [777]
efg77777.scl 6 Genus [77777]
efghalf357777.scl 10 Half genus [357777]
egads.scl 441 Egads temperament, g=315.647874, 5-limit
eikobag.scl 12 3)6 1.3.3.5.7.9 combination product bag
eikohole1.scl 6 First eikohole ball <6 9 13 17 20|-epimorphic
eikohole2.scl 18 Second eikohole ball
eikohole4.scl 24 Fourth eikohole ball
eikohole5.scl 42 Fifth eikohole ball
eikohole6.scl 54 Sixth eikohole ball
eikosany.scl 20 3)6 1.3.5.7.9.11 Eikosany (1.3.5 tonic)
eikosanyplusop.scl 21 Eikosanyplus 11-limit 5 cents optimized
eikoseven.scl 20 Seven-limit version of 385/384-tempered Eikosany
ekring1.scl 12 Single-tie circular mirroring of 3:4:5
ekring5bp.scl 12 Single-tie BP circular mirroring of 3:5:7
ekring7bp.scl 12 Single-tie BP circular mirroring of 5:7:9
elevenplus.scl 12 11-tET plus the 22-tET fifth; C-D-Eb-F-Gb-A-Bb-C' form the
Orgone[7] scale
elf12f.scl 12 A {352/351, 364/363} 2.3.7.11.13 elf transversal
elf87.scl 87 Elf[87], a strictly proper MOS of elf, the 224&311 temperament
elfjove7.scl 7 Jove tempering of [8/7, 11/9, 4/3, 3/2, 18/11, 7/4, 2], 202-tET tuning
elfkeenanismic11c.scl 11 Keenanismic tempered [12/11, 8/7, 5/4, 21/16, 4/3, 3/2, 32/21,
8/5, 7/4, 11/6, 2], 284-tET tuning
elfkeenanismic12.scl 12 Keenanismic tempered [12/11, 8/7, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5,
5/3, 7/4, 11/6, 2], 284et tuning
elfkeenanismic7.scl 7 Keenanismic tempered [8/7, 5/4, 4/3, 3/2, 8/5, 7/4, 2] = cross_7,
284et tuning
elfleapday10.scl 10 Leapday tempering of [21/20, 9/8, 14/11, 4/3, 7/5, 3/2, 11/7, 16/9,
21/11, 2], 46-tET tuning, 13-limit patent val elf
elfleapday12f.scl 12 Leapday tempering of [21/20, 9/8, 13/11, 14/11, 4/3, 7/5, 3/2, 11/7,
22/13, 16/9, 21/11, 2], in 46-tET, 13-limit 12f elf
elfleapday7.scl 7 Leapday tempering of [9/8, 13/11, 4/3, 3/2, 22/13, 16/9, 2], 46-tET
tuning, 13-limit patent val elf
elfleapday8d.scl 8 Leapday tempering of [21/20, 9/8, 4/3, 7/5, 3/2, 16/9, 13/7, 2], 46-
tET tuning, 13-limit 8d elf
elfleapday9.scl 9 Leapday tempering of [9/8, 13/11, 14/11, 4/3, 3/2, 11/7, 22/13, 16/9,
2], 46-tET tuning, 13-limit patent val elf
elfmadagascar12f.scl 12 Madagascar tempering of [26/25, 15/13, 6/5, 9/7, 4/3, 7/5, 3/2,
14/9, 5/3, 26/15, 25/13, 2], 313-tET tuning
elfmagic10.scl 10 Magic tempering of [15/14, 7/6, 5/4, 9/7, 11/8, 14/9, 8/5, 12/7, 15/8,
2], 104-tET tuning, patent val elf
elfmagic12.scl 12 Magic tempering of [25/24, 10/9, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5, 5/3,
9/5, 27/14, 2], 104-tET tuning, patent val elf
elfmagic7.scl 7 Magic tempering of [10/9, 5/4, 4/3, 3/2, 8/5, 27/14, 2], 104-tET
tuning, patent val elf
elfmagic8.scl 8 Magic tempering of [25/24, 6/5, 5/4, 9/7, 8/5, 5/3, 12/7, 2], 104-tET
tuning, patent val elf
elfmagic9.scl 9 Magic tempering of [25/24, 6/5, 5/4, 4/3, 3/2, 8/5, 5/3, 27/14, 2],
104-tET tuning, patent val elf
elfmiracle12.scl 12 Miracle tempered [15/14, 8/7, 7/6, 11/9, 21/16, 7/5, 32/21, 18/11,
12/7, 7/4, 15/8, 2], 72et tuning, 11-limit patent val elf
elfmiracle7.scl 7 Miracle tempered [8/7, 11/9, 21/16, 32/21, 18/11, 15/8, 2], 72-tET
tuning, 11-limit patent val elf
elfmyna7.scl 7 Myna tempered [8/7, 6/5, 7/5, 10/7, 5/3, 7/4, 2] in 58-tET tuning, 13-
limit patent val elf
elfoctacot12f.scl 12 Octacot tempered [21/20, 10/9, 7/6, 11/9, 15/11, 7/5, 22/15, 14/9,
12/7, 9/5, 21/11, 2], 150-tET tuning, 13-limit 12f val
elfqilin10.scl 10 Qilin tempering of [26/25, 15/13, 6/5, 9/7, 13/9, 14/9, 5/3, 26/15,
25/13, 2], POTE tuning, 13-limit patent val elf
elfthrush8d.scl 8 Thrush tempering of [21/20, 6/5, 5/4, 10/7, 3/2, 11/7, 21/11, 2], 89-
tET tuning
elfvalentine8d.scl 8 Valentine tempered [21/20, 6/5, 5/4, 21/16, 8/5, 5/3, 11/6, 2] in 77-
tET tuning, 11-limit 8d elf
elfvalinorsmic10.scl 10 Valinorsmic tempering of [16/15, 11/10, 5/4, 4/3, 11/8, 3/2, 8/5,
20/11, 15/8, 2], 111-tET tuning
elfvalinorsmic11.scl 11 Valinorsmic tempering of [11/10, 9/8, 5/4, 4/3, 15/11, 22/15, 3/2,
8/5, 16/9, 20/11, 2], 111-tET tuning
elfzeus10.scl 10 Zeus tempering of [16/15, 11/10, 5/4, 4/3, 11/8, 3/2, 8/5, 7/4, 11/6,
2], 99-tET tuning
elfzeus12.scl 12 Zeus tempering of [16/15, 11/10, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5, 5/3,
7/4, 11/6, 2], 99-tET tuning
ellis.scl 12 Alexander John Ellis' imitation equal temperament (1875)
ellis_24.scl 24 Ellis, from p. 421 of Helmholtz, 24 tones of JI for 1 manual
harmonium
ellis_eb.scl 12 Ellis's new equal beating temperament for pianofortes (1885)
ellis_harm.scl 12 Ellis's Just Harmonium
ellis_mteb.scl 12 Ellis's equal beating meantone tuning (1885)
ellis_r.scl 12 Ellis's rational approximation of equal temperament
enh14.scl 7 14/11 Enharmonic
enh15.scl 7 Tonos-15 Enharmonic
enh15_inv.scl 7 Inverted Enharmonic Tonos-15 Harmonia
enh15_inv2.scl 7 Inverted harmonic form of the enharmonic Tonos-15
enh17_con.scl 7 Conjunct Tonos-17 Enharmonic
enh2.scl 7 1:2 Enharmonic. New genus 2 + 4 + 24 parts
enh31.scl 8 Tonos-31 Enharmonic. Tone 24 alternates with 23 as MESE or A
enh_invcon.scl 7 Inverted Enharmonic Conjunct Phrygian Harmonia
enh_mod.scl 7 Enharmonic After Wilson's Purvi Modulations, See page 111
enh_perm.scl 7 Permuted Enharmonic, After Wilson's Marwa Permutations, See
page 110.
enlil19_13.scl 19 Enlil[19] hobbit 13 limit minimax, commas 15625/15552, 385/384
and 325/324
ennea45.scl 45 Ennealimmal-45, in a 7-limit least-squares tuning, g=48.999, G.W.
Smith
ennea45ji.scl 45 Detempered Ennealimma-45, Hahn reduced
ennea72.scl 72 Ennealimmal-72 in 612-tET tuning (strictly proper)
ennea72synch.scl 72 Poptimal synchonized beating ennealimmal tuning, TM 10-10-
2005
enneadecal57.scl 57 Enneadecal-57 (152&171) in 171-tET tuning
ennealimmal45trans.scl 45 Ennealimmal-45 symmetric 5-limit transversal
ennon28.scl 28 Nonoctave Ennealimmal, [3, 5/3] just tuning
epimore_enh.scl 7 New Epimoric Enharmonic, Dorian mode of the 4th new
Enharmonic on Hofmann's list
eratos_chrom.scl 7 Dorian mode of Eratosthenes's Chromatic. same as Ptol. Intense
Chromatic
eratos_diat.scl 7 Dorian mode of Eratosthenes's Diatonic, Pythagorean. 7-tone Kurdi
eratos_enh.scl 7 Dorian mode of Eratosthenes's Enharmonic
erlangen.scl 12 Anonymus: Pro clavichordiis faciendis, Erlangen 15th century
erlangen2.scl 12 Revised Erlangen
erlich1.scl 10 Asymmetrical Major decatonic mode of 22-tET, Paul Erlich
erlich10.scl 10 Canonical JI interpretation of the Pentachordal decatonic mode of 22-
tET
erlich10a.scl 10 erlich10 in 50/49 (-1,5) tuning
erlich10coh.scl 10 Differential coherent version of erlich10 with subharmonic 40
erlich10s1.scl 10 Superparticular version of erlich10 using 50/49 decatonic comma
erlich10s2.scl 10 Other superparticular version of erlich10 using 50/49 decatonic
comma
erlich11.scl 10 Canonical JI interpretation of the Symmetrical decatonic mode of 22-
tET
erlich11s1.scl 10 Superparticular version of erlich11 using 50/49 decatonic comma
erlich11s2.scl 10 Other superparticular version of erlich11 using 50/49 decatonic
comma
erlich12.scl 18 Two 9-tET scales 3/2 shifted, Paul Erlich, TL 5-12-2001
erlich13.scl 12 Just 7-limit scale by Paul Erlich
erlich2.scl 10 Asymmetrical Minor decatonic mode of 22-tET, Paul Erlich
erlich3.scl 10 Symmetrical Major decatonic mode of 22-tET, Paul Erlich
erlich4.scl 10 Symmetrical Minor decatonic mode of 22-tET, Paul Erlich
erlich5.scl 22 Unequal 22-note compromise between decatonic & Indian srutis, Paul
Erlich
erlich6.scl 22 Scale of consonant tones against 1/1-3/2 drone. TL 23-9-1998
erlich7.scl 26 Meantone-like circle of sinuoidally varying fifths, TL 08-12-99
erlich8.scl 24 Two 12-tET scales 15 cents shifted, Paul Erlich
erlich9.scl 10 Just scale by Paul Erlich (2002)
erlichpump.scl 15 Scale from a 385/384 comma pump by Paul Erlich (11-limit POTE
tuning)
erlich_bpf.scl 39 Erlich's 39-tone Triple Bohlen-Pierce scale
erlich_bpp.scl 39 Periodicity block for erlich_bpf, 1625/1617 1331/1323 275/273
245/243
erlich_bpp2.scl 39 Improved shape for erlich_bpp
erlich_bppe.scl 39 LS optimal 3:5:7:11:13 tempering, virtually equal, g=780.2702
cents
erlich_bppm.scl 39 MM optimal 3:5:7:11:13 tempering, g=780.352 cents
escot.scl 12 Nicolas Escot, Arcane 17 temperament
et-mix24.scl 180 Mix of all equal temperaments from 1-24 (= 13-24)
et-mix6.scl 12 Mix of equal temperaments from 1-6 (= 4-6)
etdays.scl 366 365.24218967th root of 2, average number of days per tropical year
etdays2.scl 366 365.2563542th root of 2, average number of days per sidereal year
euler.scl 12 Euler's Monochord (a mode of Ellis's duodene) (1739), genus [33355]
euler20.scl 20 Genus [3333555] tempered by 225/224-planar
euler24.scl 24 Genus [33333555] tempered by 225/224-planar
euler_diat.scl 8 Euler's genus diatonicum veterum correctum, 8-tone triadic cluster
4:5:6, genus [3335]
euler_enh.scl 7 Euler's Old Enharmonic, From Tentamen Novae Theoriae Musicae
euler_gm.scl 8 Euler's Genus Musicum, Octony based on Archytas's Enharmonic
even12a.scl 12 first maximally even {15/14,16/15,21/20,25/24} scale
even12b.scl 12 second maximally even {15/14,16/15,21/20,25/24} scale
exptriad2.scl 7 Two times expanded major triad
exptriad3.scl 30 Three times expanded major triad
farey12_101.scl 12 Common denominator=101 Farey approximation to 12-tET
farey12_116.scl 12 Common denominator=116 Farey approximation to 12-tET, well-
temperament
farey3.scl 5 Farey fractions between 0 and 1 until 3rd level, normalised by 2/1
farey4.scl 9 Farey fractions between 0 and 1 until 4th level, normalised by 2/1
farey5.scl 20 Farey fractions between 0 and 1 until 5th level, normalised by 2/1
farnsworth.scl 7 Farnsworth's scale
fibo_10.scl 10 First 13 Fibonacci numbers reduced by 2/1
fibo_9.scl 8 First 9 Fibonacci terms reduced by 2/1, B. McLaren, XH 13, 1991
finnamore.scl 8 David J. Finnamore, tetrachordal scale, 17/16x19/17x64/57, TL 9-5-
97
finnamore53.scl 16 David J. Finnamore, 53-limit tuning for "Crawlspace" (1998)
finnamore_11.scl 14 David J. Finnamore, 11-limit scale, TL 3-9-98
finnamore_7.scl 12 David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in
21/20 &15/14
finnamore_7a.scl 12 David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in
15/14 &21/20
finnamore_jc.scl 7 Chalmers' modification of finnamore.scl, 19/18 x 9/8 x 64/57, TL
9-5-97
fisher.scl 12 Alexander Metcalf Fisher's modified meantone temperament (1818)
fj-10tet.scl 10 Franck Jedrzejewski continued fractions approx. of 10-tet
flattone12.scl 12 Flattone[12] in 13-limit POTE tuning
flavel.scl 12 Bill Flavel's just tuning, mode of Ellis's Just Harmonium. Tuning List
06-05-98
flippery9.scl 9 A 9-note flippery scale
fogliano.scl 14 Fogliano's Monochord with D-/D and Bb-/Bb
fogliano1.scl 12 Fogliano's Monochord no.1, Musica theorica (1529). Fokker block
81/80 128/125
fogliano2.scl 12 Fogliano's Monochord no.2
fokker-h.scl 19 Fokker-H 5-limit per.bl. synt.comma&small diesis, KNAW B71,
1968
fokker-ht.scl 19 Tempered version of Fokker-H per.bl. with better 6 tetrads, OdC
fokker-k.scl 19 Fokker-K 5-limit per.bl. of 225/224 & 81/80 & 10976/10935,
KNAW B71, 1968
fokker-l.scl 19 Fokker-L 7-limit periodicity block 10976/10935 & 225/224 &
15625/15552, 1969
fokker-lt.scl 19 Tempered version of Fokker-L per.bl. with more triads
fokker-m.scl 31 Fokker-M 7-limit periodicity block 81/80 & 225/224 & 1029/1024,
KNAW B72, 1969
fokker-n.scl 31 Fokker-N 7-limit periodicity block 81/80 & 2100875/2097152 &
1029/1024, 1969
fokker-n2.scl 31 Fokker-N different block shape
fokker-p.scl 31 Fokker-P 7-limit periodicity block 65625/65536 & 6144/6125 &
2401/2400, 1969
fokker-q.scl 53 Fokker-Q 7-limit per.bl. 225/224 & 4000/3969 & 6144/6125, KNAW
B72, 1969
fokker-r.scl 53 Fokker-R 7-limit per.bl. 4375/4374 & 65625/65536 & 6144/6125,
1969
fokker-s.scl 53 Fokker-S 7-limit per.bl. 4375/4374 & 323/322 & 64827/65536, 1969
fokker_12.scl 12 Fokker's 7-limit 12-tone just scale
fokker_12a.scl 12 Fokker's 7-limit periodicity block of 2048/2025 & 3969/4000 &
225/224
fokker_12b.scl 12 Fokker's 7-limit semitone scale KNAW B72, 1969
fokker_12c.scl 12 Fokker's 7-limit complementary semitone scale, KNAW B72, 1969
fokker_12m.scl 12 Fokker's 12-tone 31-tET mode, has 3 4:5:6:7 tetrads + 3 inv.
fokker_12t.scl 12 Tempered version of fokker_12.scl with egalised 225/224, see also
lumma.scl
fokker_12t2.scl 12 Another tempered version of fokker_12.scl with egalised 225/224
fokker_22.scl 22 Fokker's 22-tone periodicity block of 2048/2025 & 3125/3072.
KNAW B71, 1968
fokker_22a.scl 22 Fokker's 22-tone periodicity block of 2048/2025 &
2109375/2097152 = semicomma
fokker_31.scl 31 Fokker's 31-tone just system
fokker_31a.scl 31 Fokker's 31-tone first alternate septimal tuning
fokker_31b.scl 31 Fokker's 31-tone second alternate septimal tuning
fokker_31c.scl 31 Fokker's 31-tone periodicity block of 81/80 & 2109375/2097152 =
semicomma
fokker_31d.scl 31 Fokker's 31-tone periodicity block of 81/80 & Würschmidt's
comma
fokker_31d2.scl 31 Reduced version of fokker_31d by Prooijen expressibility
fokker_41.scl 41 Fokker's 7-limit supracomma per.bl. 10976/10935 & 225/224 &
496125/262144
fokker_41a.scl 41 Fokker's 41-tone periodicity block of schisma &
34171875/33554432
fokker_41b.scl 41 Fokker's 41-tone periodicity block of schisma & 3125/3072
fokker_53.scl 53 Fokker's 53-tone system, degree 37 has alternatives
fokker_53a.scl 53 Fokker's 53-tone periodicity block of schisma & kleisma
fokker_53b.scl 53 Fokker's 53-tone periodicity block of schisma & 2109375/2097152
fokker_av.scl 31 Fokker's suggestion for a shrinked octave by averaging
approximations
fokker_bosch.scl 9 Scale of "Naar Den Bosch toe", genus diatonicum cum septimis.
1/1=D
fokker_sr.scl 22 Fokker's 7-limit sruti scale, KNAW B72, 1969
fokker_sr2.scl 22 Fokker's complementary 7-limit sruti scale, KNAW B72, 1969
fokker_sra.scl 22 Two-step approximation 9-13 to Fokker's 7-limit sruti scale
fokker_uv.scl 70 Table of Unison Vectors, Microsons and Minisons, from article
KNAW, 1969
foote.scl 12 Ed Foote, piano temperament. TL 9 Jun 1999, almost equal to
Coleman
foote2.scl 12 Ed Foote´s temperament with 1/6, 1/8 and 1/12 Pyth comma fractions
forster.scl 32 Cris Forster's Chrysalis tuning, XH 7+8
fortuna11.scl 12 11-limit scale from Clem Fortuna
fortuna_a1.scl 12 Clem Fortuna, Arabic mode of 24-tET, try C or G major, superset of
Basandida, trivalent
fortuna_a2.scl 12 Clem Fortuna, Arabic mode of 24-tET, try C or F minor
fortuna_bag.scl 12 Bagpipe tuning from Fortuna, try key of G with F natural
fortuna_eth.scl 12 Ethiopian Tunings from Fortuna
fortuna_sheng.scl 12 Sheng scale on naturals starting on d, from Fortuna
francis_924-1.scl 12 J. Charles Francis, Bach temperament for BWV 924 version 1
(2005)
(2005)
(2005)
(2005)
francis_r12-14p.scl 12 Bach WTC theoretical temperament, 1/14 Pyth. comma, Cornet-
ton, same Maunder III
francis_r12-2.scl 12 J. Charles Francis, Bach WTC temperament R12-2, fifths beat
ratios 0, 1, 2. C=279.331 Cornet-ton
francis_r2-1.scl 12 J. Charles Francis, Bach WTC temperament R2-1, fifths beat ratios
0, 1, 2. C=249.072 Cammerton
francis_r2-14p.scl 12 Bach WTC theoretical temperament, 1/14 Pyth. comma,
Cammerton
francis_seal.scl 12 J. Charles Francis, Bach tuning interpretion as beats/sec. from seal
francis_suppig.scl 12 J. Charles Francis, Suppig Calculus musicus, 5ths beat ratios 0, 1,
2.
freiberg.scl 12 Temperament of G. Silbermann organ (1735), St. Petri in Freiberg
(1985), a=476.3
freivald-star.scl 12 Jake Freivald, starling scale, approximately 8, 15, 20, 25, 28, 32, 40,
45, 60, 65, 72, 77 steps of 77-tET
freivald11.scl 17 Jake Freivald, scale derived mostly from elevens (2011)
freivaldthree.scl 13 JI tritave repeating scale, similar to ennon13. Mode of the 13-note
tritave MOS of ennealimmal
freivald_canton.scl 12 Jake Freivald, a 2.3.11/7.13/7 subgroup scale
freivald_lucky.scl 9 Jake Freivald, Lucky sevens and elevens, two chords 3/2 apart,
superparticular
freivald_sub.scl 12 Jake Freivald, just scale in 5.11.31 subgroup. TL 30-5-2011
freivald_sup.scl 17 Jake Freivald, 4/3 divided into 7 superparticulars, repeated at 3/2,
and the 4/3-3/2 divide split into 25/24, 26/25, 27/26
fribourg.scl 12 Manderscheidt organ in Fribourg (1640), modified meantone
fusc4.scl 15 All rationals with fusc value <= 4
galilei.scl 12 Vincenzo Galilei's approximation
gamelan_udan.scl 12 Gamelan Udan Mas (approx) s6,p6,p7,s1,p1,s2,p2,p3,s3,p4,s5,p5
ganassi.scl 12 Sylvestro Ganassi's temperament (1543)
gann_arcana.scl 24 Kyle Gann, scale for Arcana XVI
gann_charingcross.scl 39 Kyle Gann, scale for Charing Cross (2007)
gann_cinderella.scl 30 Kyle Gann, scale for Cinderella's Bad Magic
gann_custer.scl 31 Kyle Gann, scale from Custer's Ghost to Sitting Bull, 1/1=G
gann_fractured.scl 16 Kyle Gann, scale from Fractured Paradise, 1/1=B
gann_fugitive.scl 21 Kyle Gann, scale for Fugitive Objects (2007)
gann_ghost.scl 8 Kyle Gann, scale from Ghost Town, 1/1=E
gann_love.scl 21 Kyle Gann, scale for Love Scene
gann_new_aunts.scl 27 Kyle Gann, scale from New Aunts (2008), 1/1=A
gann_revisited.scl 29 Kyle Gann, scale for The Day Revisited (2005)
gann_sitting.scl 21 Kyle Gann, tuning for Sitting Bull (1998), 1/1=B
gann_solitaire.scl 36 Kyle Gann, scale from Solitaire (2009), 1/1=Eb
gann_suntune.scl 30 Kyle Gann, tuning for Sun Dance / Battle of the Greasy Grass
River, 1/1=F#
gann_super.scl 22 Kyle Gann, scale from Superparticular Woman (1992), 1/1=G
gann_things.scl 24 Kyle Gann, scale from How Miraculous Things Happen, 1/1=A
gann_wolfe.scl 579 Kyle Gann from Anatomy of an Octave, edited by Kristina Wolfe
(2015)
garcia.scl 29 Linear 29-tone scale by José L. Garcia (1988) 15/13-52/45 alternating
garibaldi24opt.scl 24 13-limit lesfip optimization, 5 cent tolerance
genggong.scl 5 Genggong polos scale, harmonics 5-9
genovese_12.scl 12 Denny Genovese's superposition of harmonics 8-16 and
subharmonics 6-12
genovese_38.scl 38 Denny Genovese's 38-note scale of harmonics 1-16 and
subharmonics 1-12
gf1-2.scl 16 16-note scale with all possible quadruplets of 50 & 100 c. Galois Field
GF(2)
gf2-3.scl 16 16-note scale with all possible quadruplets of 60 & 90 c. Galois Field
GF(2)
gibelius.scl 14 Otto Gibelius, Propositiones Mathematico-musicae, 1666, p.35
gilson7.scl 9 Gilson septimal
gilson7a.scl 9 Gilson septimal 2
gizmo14-ji_transversal.scl 14 Possible JI transversal of gizmo14.scl or gizmo14-pote.scl
gizmo14-pote.scl 14 Gizmo in Parapyth POTE, three ~4:6:7:9:11:13 hexads on 1/1, 9/8,
3/2
gizmo14.scl 14 Parapyth set, three ~4:6:7:9:11:13 hexads on 1/1, 9/8, 3/2 (MET-24
version)
glacial6.scl 6 Glacial[6] 2.9.5.11.13 subgroup MOS in 13\84 tuning
gluck.scl 12 Thomas Glück Bach temperament
godmeankeeflat1.scl 19 Godzilla-meantone-keemun-flattone wakalix
godmeankeeflat3.scl 19 Godzilla-meantone-keemun-flattone wakalix
goebel.scl 12 Joseph Goebel quasi equal temperament (1967)
golden_5.scl 5 Golden pentatonic
gorgo-pelog.scl 7 Pelog-like subset of gorgo[9]
gradus10.scl 27 Intervals > 1 with Gradus = 10
gradus10m.scl 92 Intervals > 1 with Gradus <= 10
grady11.scl 12 Kraig Grady's dual [5 7 9 11] hexany scale
grady_14.scl 14 Kraig Grady, letter to Lou Harrison, published in 1/1 vol. 7 no. 1,
1991, p.5
grady_centaur.scl 12 Kraig Grady's 7-limit Centaur scale (1987), Xenharmonikon 16
grady_centaur17.scl 17 17-tone extension of Centaur, Kraig Grady & Terumi Narushima
(2012)
grady_centaur19.scl 19 19-tone extension of Centaur, Kraig Grady & Terumi Narushima
(2012). Optional 10/9, 63/40, 16/9, 35/18
grady_centaurmarv.scl 12 1/4-kleismic marvel tempered centaur/meandin
grammateus.scl 12 H. Grammateus (Heinrich Schreiber) (1518). B-F# and Bb-F 1/2 P.
Also Marpurg nr.6 and Baron von Wiese and Maria Renold
graupner.scl 12 Johann Gottlieb Graupner's temperament (1819)
groenewald.scl 12 Jürgen Grönewald, new meantone temperament (2001)
groenewald_21.scl 21 Jürgen Grönewald, just tuning (2000)
groenewald_bach.scl 12 Jürgen Grönewald, simplified Bach temperament, Ars Organi
vol.57 no.1, March 2009, p.39
groven.scl 36 Eivind Groven's 36-tone scale with 1/8-schisma temp. fifths and 5/4
(1948)
groven_ji.scl 36 Untempered version of Groven's 36-tone scale
guanyin22.scl 22 Guanyin[22] {176/175, 540/539} hobbit in 111-tET
guanyintet5.scl 5 Guanyintet[5] 2.5.7/3.11/3 subgroup MOS in 70\311 tuning
guiron77.scl 77 Guiron[77] (118&159 temperament) in 159-tET
gunkali.scl 7 Indian mode Gunkali, see Daniélou: Intr. to the Stud. of Mus. Scales,
p.175
gyaling.scl 6 Tibetan Buddhist Gyaling tones measured from CD "The Diamond
Path", Ligon 2002
h10_27.scl 10 10-tET harmonic approximation, fundamental=27
hahn9.scl 9 Paul Hahn's just version of 9 out of 31 scale, TL 6-8-98
hahnmaxr.scl 12 Paul Hahn's hahn_7.scl marvel projected to the 5-limit
hahn_7.scl 12 Paul Hahn's scale with 32 consonant 7-limit dyads. TL '99, see also
smithgw_hahn12.scl
hahn_g.scl 12 Paul Hahn, fourth of sqrt(2)-1 octave "recursive" meantone (1999)
hamilton.scl 12 Elsie Hamilton's gamut, from article The Modes of Ancient Greek
Music (1953)
hamilton_jc.scl 12 Chalmers' permutation of Hamilton's gamut. Diatonic notes on
white
hamilton_jc2.scl 12 EH gamut, diatonic notes on white and drops 17 for 25. JC Dorian
Harmonia on C. Schlesinger's Solar scale
hammond.scl 13 Hammond organ pitch wheel ratios, 1/1=320 Hz. Do "del 0" to get
12-tone scale
hammond12.scl 12 Hammond organ scale, 1/1=277.0731707 Hz, A=440, see
hammond.scl for the ratios
handblue.scl 12 "Handy Blues" of Pitch Palette, 7-limit
handel.scl 12 Well temperament according to Georg Friedrich Händel's rules (c.
1780)
handel2.scl 12 Another "Händel" temperament, C. di Veroli
hanson_19.scl 19 JI version of Hanson's 19 out of 53-tET scale
harm-doreninv1.scl 7 1st Inverted Schlesinger's Enharmonic Dorian Harmonia
harm-dorinv1.scl 7 1st Inverted Schlesinger's Chromatic Dorian Harmonia
harm-lydchrinv1.scl 7 1st Inverted Schlesinger's Chromatic Lydian Harmonia
harm-lydeninv1.scl 7 1st Inverted Schlesinger's Enharmonic Lydian Harmonia
harm-mixochrinv1.scl 7 1st Inverted Schlesinger's Chromatic Mixolydian Harmonia
harm-mixoeninv1.scl 7 1st Inverted Schlesinger's Enharmonic Mixolydian Harmonia
harm10.scl 10 Harmonics 10 to 20
harm12s.scl 11 Harmonics 1 to 12 and subharmonics mixed
harm12_2.scl 12 Harmonics 12 to 24, mode 9
harm14.scl 14 Harmonics 14 to 28, Tessaradecatonic Harmonium, José Pereira de
Sampaio (1903)
harm15a.scl 12 Twelve out of harmonics 15 to 30
harm16.scl 16 Harmonics 16 to 32, Tom Stone's Guitar Scale
harm19.scl 19 Harmonics 19 to 38, odd harmonics until 37
harm1c-hypod.scl 8 HarmC-Hypodorian
harm1c-hypol.scl 8 HarmC-Hypolydian
harm1c-lydian.scl 8 Harm1C-Lydian
harm1c-mix.scl 7 Harm1C-Con Mixolydian
harm1c-mixolydian.scl 7 Harm1C-Mixolydian
harm20_12.scl 12 12-tone subset of harmonics 20 to 40
harm24_12.scl 12 12-tone subset of harmonics 24 to 48
harm24_8.scl 8 Modified Porcupine scale, Mike Sheiman (2011)
harm256.scl 128 Harmonics 2 to 256, Johnny Reinhard
harm28_8.scl 8 8-tone subset of harmonics 28 to 56, Mike Sheiman (2011)
harm28_9.scl 9 9-tone subset of harmonics 28 to 56, Mike Sheiman (2011)
harm7lim.scl 47 7-limit harmonics
harmc-hypop.scl 9 HarmC-Hypophrygian
harmd-15.scl 7 HarmD-15-Harmonia
harmd-conmix.scl 7 HarmD-ConMixolydian
harmd-hypop.scl 9 HarmD-Hypophrygian
harmd-lyd.scl 9 HarmD-Lydian
harmd-mix.scl 7 HarmD-Mixolydian. Harmonics 7-14
harmd-phr.scl 12 HarmD-Phryg (with 5 extra tones)
harme-hypod.scl 8 HarmE-Hypodorian
harme-hypol.scl 8 HarmE-Hypolydian
harme-hypop.scl 9 HarmE-Hypophrygian
harmf10.scl 13 6/7/8/9/10 harmonics
harmf12.scl 20 First 12 harmonics of 6th through 12th harmonics. Also Arnold
Dreyblatt's tuning system with 1/1=349.23 Hz
harmf16.scl 30 First 16 harmonics and subharmonics
harmf30.scl 59 First 30 harmonics and subharmonics
harmf9.scl 10 6/7/8/9 harmonics, First 9 overtones of 5th through 9th harmonics
harmjc-15.scl 12 Rationalized JC Sub-15 Harmonia on C. MD=15, No planetary
assignment.
harmjc-17-2.scl 12 Rationalized JC Sub-17 Harmonia on C. MD=17, No planetary
assignment.
assignment.
assignment.
assignment.
assignment.
assignment.
assignment.
assignment.
assignment.
harmjc-hypod16.scl 12 Rationalized JC Hypodorian Harmonia on C. Saturn Scale on C,
MD=16. (Steiner)
harmjc-hypol20.scl 12 Rationalized JC Hypolydian Harmonia on C. Mars scale on C.,
MD=20
harmjc-hypop18.scl 12 Rationalized JC Hypophrygian Harmonia on C. Jupiter scale on
C, MD =18
harmjc-lydian13.scl 12 Rationalized JC Lydian Harmonia on Schlesinger's Mercury scale
on C, MD = 26 or 13
harmjc-mix14.scl 12 Rationalized JC Mixolydian Harmonia on Schlesinger's Moon
Scale on C, MD = 14
harmjc-phryg12.scl 12 Rationalized JC Phrygian Harmonia on Schlesinger's Venus scale
on C, MD = 24 or 12
harmonical.scl 12 See pages 17 and 466-468 of Helmholtz. Lower 4 oct. instrument
designed and tuned by Ellis
harmonical_up.scl 12 Upper 2 octaves of Ellis's Harmonical
harmsub16.scl 12 16 harmonics on 1/1 and 16 subharmonics on 15/8
harm_bastard.scl 7 Schlesinger's "Bastard" Hypodorian Harmonia & inverse 1)7 from
1.3.5.7.9.11.13
harm_bastinv.scl 7 Inverse Schlesinger's "Bastard" Hypodorian Harmonia & 1)7 from
1.3.5.7.9.11.13
harm_darreg.scl 24 Darreg Harmonics 4-15
harm_mean.scl 9 Harm. mean 9-tonic, 8/7 is HM of 1/1 and 4/3, etc.
harm_pehrson.scl 19 Harm. 1/4-11/4 and subh. 4/1-4/11. Joseph Pehrson (1999)
harm_perkis.scl 12 Harmonics 60 to 30 (Perkis)
harrisonj.scl 12 John Harrison's temperament (1775), almost 3/10-comma. Third =
1200/pi
harrisonm_rev.scl 12 Michael Harrison, piano tuning for "Revelation" (2001), 1/1=F
harrison_15.scl 15 15-tone scale found in Music Primer, Lou Harrison
harrison_16.scl 16 Lou Harrison 16-tone superparticular "Ptolemy Duple", an
aluminium bars instrument
harrison_5.scl 5 From Lou Harrison, a pelog style pentatonic
harrison_5_1.scl 5 From Lou Harrison, a pelog style pentatonic
harrison_8.scl 8 Lou Harrison 8-tone tuning for "Serenade for Guitar"
harrison_bill.scl 6 Lou Harrison, "Music for Bill and Me" (1966) for guitar
harrison_cinna.scl 12 Lou Harrison, "Incidental Music for Corneille's Cinna" (1955-56)
1/1=C
harrison_diat.scl 7 From Lou Harrison, a soft diatonic
harrison_handel.scl 7 Lou Harrison, "In Honor of the Divine Mr. Handel" (1978-2002)
for guitar
harrison_kyai.scl 7 Lou Harrison´s Kyai Udan Arum, pelog just gamelan tuning
harrison_mid.scl 7 Lou Harrison mid mode
harrison_mid2.scl 7 Lou Harrison mid mode 2
harrison_min.scl 5 Lou Harrison, symmetrical pentatonic with minor thirds. Per. block
16/15, 27/25
harrison_mix1.scl 5 A "mixed type" pentatonic, Lou Harrison
harrison_slye.scl 12 11-limit scale by Lou Harrison and Bill Slye for National Reso-
Phonic Just Intonation Guitar
harrison_songs.scl 12 Shared gamut of "Four Strict Songs" (1951-55), each pentatonic
harry58.scl 58 Harry[58] 11-limit least squares optimized
haverstick13.scl 13 Neil Haverstick, scale in 34-tET, MMM 21-5-2006
haverstick21.scl 21 Neil Haverstick, just guitar tuning, TL 19-07-2007
hawkes.scl 12 William Hawkes' modified 1/5-comma meantone (1807)
hawkes2.scl 12 Meantone with fifth tempered 1/6 of 53-tET step by William
Hawkes (1808)
hawkes3.scl 12 William Hawkes' modified 1/5-comma meantone (1811)
helmholtz.scl 7 Helmholtz's Chromatic scale and Gipsy major from Slovakia
helmholtz_24.scl 24 Simplified Helmholtz 24
helmholtz_decad.scl 9 Helmholtz Harmonic Decad, major pentatonic modes mixed
helmholtz_pure.scl 24 Helmholtz's two-keyboard harmonium tuning untempered
helmholtz_temp.scl 24 Helmholtz's two-keyboard harmonium tuning
hemienn82.scl 72 Hemiennealimmal-72 in 612-tET tuning (strictly proper)
hemifamcyc.scl 14 Hemifamity cycle of thirds scale, nearest to proper
hemifamity27.scl 27 (3/2)^9 * (10/9)^3 hemifamity tempered
hemimute31.scl 31 Mutant Hemithirds[31]
hemiwuer24.scl 24 Hemiwürschmidt[24] in 229-tET tuning.
hemiwuerschmidt19trans37.scl 19 Hemiwuerschmidt[19] symmetric 2.3.7 transversal
hem_chrom.scl 7 Hemiolic Chromatic genus has the strong or 1:2 division of the
12/11 pyknon
hem_chrom11.scl 7 11'al Hemiolic Chromatic genus with a CI of 11/9, Winnington-
Ingram
hem_chrom13.scl 7 13'al Hemiolic Chromatic or neutral-third genus has a CI of 16/13
hem_chrom2.scl 7 1:2 Hemiolic Chromatic genus 3 + 6 + 21 parts
hen12.scl 12 Adjusted Hahn12
hen22.scl 22 Adjusted Hahn22
hept_diamond.scl 25 Inverted-Prime Heptatonic Diamond based on Archytas's
Enharmonic
hept_diamondi.scl 25 Prime-Inverted Heptatonic Diamond based on Archytas's
Enharmonic
hept_diamondp.scl 27 Heptatonic Diamond based on Archytas's Enharmonic, 27 tones
herf_istrian.scl 10 Franz Richter Herf, Istrian scale used in "Welle der Nacht" op. 2
heun.scl 12 Well temperament for organ of Jan Heun (1805), 12 out of 55-tET
(1/6-comma meantone)
hexagonal13.scl 13 Star hexagonal 13-tone scale
hexagonal37.scl 37 Star hexagonal 37-tone scale
hexany1.scl 6 Two out of 1 3 5 7 hexany on 1.3
hexany10.scl 6 1.3.5.9 Hexany and Lou Harrison's Joyous 6. Second key is
Harrison's Solemn 6 (1962)
hexany11.scl 6 1.3.7.9 Hexany on 1.3
hexany14.scl 6 5.11.13.15 Hexany (5.15), used in The Giving, by Stephen J. Taylor
hexany15.scl 5 1.3.5.15 2)4 hexany (1.15 tonic) degenerate, symmetrical pentatonic
hexany16.scl 5 1.3.9.27 Hexany, a degenerate pentatonic form
hexany2.scl 12 Hexany Cluster 2
hexany20.scl 6 3.5.7.105 Hexany
hexany21.scl 6 3.5.9.135 Hexany
hexany21a.scl 7 3.5.9.135 Hexany + 4/3. Is Didymos Diatonic tetrachord on 1/1 and
inv. on 3/2
hexany23.scl 5 1.3.11.33 Hexany, degenerate pentatonic form
hexany49.scl 6 1.3.21.49 2)4 hexany (1.21 tonic)
hexany6.scl 12 Hexany Cluster 6, periodicity block 125/108 and 135/128
hexanys-valentino.scl 12 hexanys tempered in 13-limit POTE-tuned valentino
hexanys.scl 12 Hexanys 1 3 5 7 9
hexanys2.scl 12 Hexanys 1 3 7 11 13
hexany_1029.scl 10 Hexany gamelismic (1029/1024) 2.5.7 convex closure
hexany_1728.scl 7 Hexany orwellismic (1728/1715) 2.3.7 convex closure
hexany_245.scl 10 Hexany sensamagic (245/243) 2.3.7 convex closure
hexany_4375.scl 12 Hexany ragismic (4375/4374) 5-limit convex closure
hexany_5120.scl 10 Hexany hemifamity (5120/5103) 5-limit convex closure
hexany_6144.scl 8 Hexany porwell (6144/6125) 2.5.7 convex closure
hexany_65625.scl 11 Hexany porwell (65625/65536) 5-limit convex closure
hexany_875.scl 7 Hexany keema (875/864) 5-limit convex closure
hexany_cl.scl 12 Hexany Cluster 1
hexany_cl2.scl 11 Composed of 1.3.5.45, 1.3.5.75, 1.3.5.9, and 1.3.5.25 hexanies
hexany_tetr.scl 6 Complex 12 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans.scl 6 Complex 1 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans2.scl 6 Complex 2 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans3.scl 6 Complex 9 of p. 115, a hexany based on Archytas's Enharmonic
hexany_u2.scl 25 Hexany union = genus [335577] minus two corners
hexany_union.scl 19 The union of all of the pitches of the 1.3.5.7 hexany on each tone
as 1/1
hexany_urot.scl 24 Aggregate rotations of 1.3.5.7 hexany, 1.3 = 1/1
hexlesfip22.scl 22 15-limit, 10 cent lesfip; no consonances smaller than 12/11
hexlesfip22seed.scl 22 Scale square of 5-limit diamond plus {27/16, 45/32, 75/64}
hexy-miraculous.scl 12 hexy in 13-limit POTE-tuned miraculous
hexy.scl 12 Maximized 9-limit harmony containing a hexany
hexymarv.scl 12 Marvel-tempered hexy, 197-tET
hi19marv.scl 19 inverted smithgw_hahn19 in 1/4 kleismic tempering
higgs.scl 7 From Greg Higgs announcement of the formation of an Internet Tuning
list
highschool1-rodan.scl 12 12highschool1 tempered in 13-limit POTE-tuned rodan
highschool1.scl 12 First 12-note Highschool scale
highschool2-miracle.scl 12 12highschool2 tempered in 11-limit POTE-tuned miracle
highschool2.scl 12 Second 12-note Highschool scale
highschool3.scl 12 Third 12-note Highschool scale, inverse is fourth Highschool scale
highschool_9.scl 9 Nine note Highschool scale, Fokker block 135/128 and 27/25
hijaz pentachord 13-limit a.scl
4 Hijaz pentachord 12:13:15:16:18
hijaz pentachord 13-limit b.scl
4 Hijaz pentachord 78:84:96:104:117
hijaz pentachord 67-limit.scl 4 Hijaz pentachord 54:58:67:72:81
hijaz pentachord 7-limit.scl 4 Hijaz pentachord 90:96:112:120:135
hijaz tetrachord 11-limit.scl 3 Hijaz tetrachord 33:36:42:44
hijaz tetrachord 13-limit a.scl
3 Hijaz tetrachord 12:13:15:16
hijaz tetrachord 13-limit b.scl
3 Hijaz tetrachord 39:42:48:52
hilim13.scl 13 13 patent val epimorphic 2.11.13.17.19 scale
hinsz_gr.scl 12 Reconstructed Hinsz temperament, organ Pelstergasthuiskerk
Groningen. Ortgies,2002
hipkins.scl 7 Hipkins' Chromatic
hirajoshi.scl 5 Observed Japanese pentatonic koto scale. Helmholtz/Ellis p.519,
nr.112
hirajoshi2.scl 5 Japanese pentatonic koto scale, theoretical. Helmholz/Ellis p.519,
nr.110
hirajoshi3.scl 5 Observed Japanese pentatonic koto scale. Helmholtz/Ellis p.519,
nr.111
hirashima.scl 12 Tatsushi Hirashima, temperament of chapel organ of Kobe Shoin
Women's Univ.
hjelmstad-blues.scl 6 Paul Hjelmstad's "blues" scale, TL 27-05-2005
hjelmstad-boogie.scl 10 Paul Hjelmstad's "Boogie Woogie" scale, TL 20-3-2006
hjelmstad-conv.scl 10 Convex closure in breed plane of hjelmboogie.scl
hochgartz.scl 12 Michael Hochgartz, modified 1/5-comma meantone temperament
hofmann1.scl 7 Hofmann's Enharmonic #1, Dorian mode
hofmann2.scl 7 Hofmann's Enharmonic #2, Dorian mode
hofmann_chrom.scl 7 Hofmann's Chromatic
holder.scl 12 William Holder's equal beating meantone temperament (1694). 3/2
beats 2.8 Hz
holder2.scl 12 Holder's irregular e.b. temperament with improved Eb and G#
honkyoku.scl 9 Honkyoku tuning for shakuhachi
horwell22.scl 22 Horwell[22] hobbit in 995-tET tuning
ho_mai_nhi.scl 5 Ho Mai Nhi (Nam Hue) dan tranh scale, Vietnam
hppshq.scl 22 Hedgehog-pajarous-pajara-suprapyth-hedgepig-quasisoup
superwakalix
hulen_33.scl 33 Peter Hulen's ratiotonic temperament, E = 1/1
hummel.scl 12 Johann Nepomuk Hummel's quasi-equal temperament (1829)
hummel2.scl 12 Johann Nepomuk Hummel's temperament according to the second
bearing plan, also John Marsh's quasi-equal temperament (1840)
huntington10.scl 10 Huntington[10] 2.5.7.13 subgroup scale in 400-tET tuning
huntington7.scl 7 Huntington[7] 2.5.7.13 subgroup scale in 400-tET tuning
huseyni pentachord 13-limit.scl
4 Huseyni pentachord 66:72:78:88:99
husmann.scl 6 Tetrachord division according to Husmann
huzzam pentachord 61-limit.scl 4 Huzzam pentachord 114:122:138:150:171
huzzam pentachord 79-limit.scl 4 Huzzam pentachord 60:64:72:79:90
huzzam.scl 7 Arab Huzzam on C, Julien J. Weiss
hyper_enh.scl 7 13/10 HyperEnharmonic. This genus is at the limit of usable tunings
hyper_enh2.scl 7 Hyperenharmonic genus from Kathleen Schlesinger's enharmonic
Phrygian Harmonia
hypodorian_pis.scl 15 Diatonic Perfect Immutable System in the Hypodorian Tonos
hypod_chrom.scl 12 Hypodorian Chromatic Tonos
hypod_chrom2.scl 7 Schlesinger's Chromatic Hypodorian Harmonia
hypod_chrom2inv.scl 7 Inverted Schlesinger's Chromatic Hypodorian Harmonia
hypod_chromenh.scl 7 Schlesinger's Hypodorian Harmonia in a mixed chromatic-
enharmonic genus
hypod_chrominv.scl 7 A harmonic form of Kathleen Schlesinger's Chromatic
Hypodorian Inverted
hypod_diat.scl 12 Hypodorian Diatonic Tonos
hypod_diat2.scl 8 Schlesinger's Hypodorian Harmonia, a subharmonic series through
13 from 16
hypod_diatcon.scl 7 A Hypodorian Diatonic with its own trite synemmenon replacing
paramese
hypod_diatinv.scl 9 Inverted Schlesinger's Hypodorian Harmonia, a harmonic series
from 8 from 16
hypod_enh.scl 12 Hypodorian Enharmonic Tonos
hypod_enhinv.scl 7 Inverted Schlesinger's Enharmonic Hypodorian Harmonia
hypod_enhinv2.scl 7 A harmonic form of Schlesinger's Hypodorian enharmonic
inverted
hypolydian_pis.scl 15 The Diatonic Perfect Immutable System in the Hypolydian Tonos
hypol_chrom.scl 8 Schlesinger's Hypolydian Harmonia in the chromatic genus
hypol_chrominv.scl 8 Inverted Schlesinger's Chromatic Hypolydian Harmonia
hypol_chrominv2.scl 7 harmonic form of Schlesinger's Chromatic Hypolydian inverted
hypol_chrominv3.scl 7 A harmonic form of Schlesinger's Chromatic Hypolydian
inverted
hypol_diat.scl 8 Schlesinger's Hypolydian Harmonia, a subharmonic series through
13 from 20
hypol_diatcon.scl 7 A Hypolydian Diatonic with its own trite synemmenon replacing
paramese
hypol_diatinv.scl 8 Inverted Schlesinger's Hypolydian Harmonia, a harmonic series
from 10 from 20
hypol_enh.scl 8 Schlesinger's Hypolydian Harmonia in the enharmonic genus
hypol_enhinv.scl 8 Inverted Schlesinger's Enharmonic Hypolydian Harmonia
hypol_enhinv2.scl 7 A harmonic form of Schlesinger's Hypolydian enharmonic
inverted
hypol_enhinv3.scl 7 A harmonic form of Schlesinger's Hypolydian enharmonic
inverted
hypol_pent.scl 8 Schlesinger's Hypolydian Harmonia in the pentachromatic genus
hypol_tri.scl 8 Schlesinger's Hypolydian Harmonia in the first trichromatic genus
hypol_tri2.scl 8 Schlesinger's Hypolydian Harmonia in the second trichromatic genus
hypophryg_pis.scl 15 The Diatonic Perfect Immutable System in the Hypophrygian
Tonos
hypop_chrom.scl 12 Hypophrygian Chromatic Tonos
hypop_chromenh.scl 7 Schlesinger's Hypophrygian Harmonia in a mixed chromatic-
enharmonic genus
hypop_chrominv.scl 7 Inverted Schlesinger's Chromatic Hypophrygian Harmonia
hypop_chrominv2.scl 7 A harmonic form of Schlesinger's Chromatic Hypophrygian
inverted
hypop_diat.scl 12 Hypophrygian Diatonic Tonos
hypop_diat2.scl 8 Schlesinger's Hypophrygian Harmonia
hypop_diat2inv.scl 8 Inverted Schlesinger's Hypophrygian Harmonia, a harmonic series
from 9 from 18
hypop_diatcon.scl 7 A Hypophrygian Diatonic with its own trite synemmenon
replacing paramese
hypop_enh.scl 12 Hypophrygian Enharmonic Tonos
hypop_enhinv.scl 7 Inverted Schlesinger's Enharmonic Hypophrygian Harmonia
hypop_enhinv2.scl 7 A harmonic form of Schlesinger's Hypophrygian enharmonic
inverted
hypo_chrom.scl 12 Hypolydian Chromatic Tonos
hypo_diat.scl 12 Hypolydian Diatonic Tonos
hypo_enh.scl 12 Hypolydian Enharmonic Tonos
iivv17.scl 21 17-limit IIVV
ikosany.scl 31 Convex closure of Eikosany in 385/384-tempering, 140-tET tuning
ikosany7.scl 31 Seven-limit tuning of ikosany.scl
indian-ayyar.scl 22 Carnatic sruti system, C.Subrahmanya Ayyar, 1976. alt:21/20 25/16
63/40 40/21
indian-dk.scl 9 Raga Darbari Kanada
indian-ellis.scl 22 Ellis's Indian Chromatic, theoretical #74 of App.XX, p.517 of
Helmholtz
indian-hahn.scl 22 Indian shrutis Paul Hahn proposal
indian-hrdaya1.scl 12 From Hrdayakautaka of Hrdaya Narayana (17th c) Bhatkande's
interpretation
indian-hrdaya2.scl 12 From Hrdayakautaka of Hrdaya Narayana (17th c) Levy's
interpretation
indian-invrot.scl 12 Inverted and rotated North Indian gamut
indian-magrama.scl 7 Indian mode Ma-grama (Sa Ri Ga Ma Pa Dha Ni Sa)
indian-mystical22.scl 23 Srinivasan Nambirajan, 11-limit shruti scale
indian-newbengali.scl 22 Modern Bengali scale,S.M. Tagore: The mus. scales of the
Hindus,Calcutta 1884
indian-old2ellis.scl 22 Ellis Old Indian Chrom2, Helmholtz, p. 517. This is a 4 cent appr.
to #73
indian-oldellis.scl 22 Ellis Old Indian Chromatic, Helmholtz, p. 517. This is a 0.5 cent
appr. to #73
indian-raja.scl 6 A folk scale from Rajasthan, India
indian-sagrama.scl 7 Indian mode Sa-grama (Sa Ri Ga Ma Pa Dha Ni Sa), inverse of
Didymus' diatonic
indian-sarana.scl 26 26 saranas (shrutis) by Acharekar and Acharya Brihaspati, 1/1=240
or 270 Hz
indian-sarana2.scl 26 26 saranas by Vidhyadhar Oak, 1/1=240 Hz
indian-srutiharm.scl 22 B. Chaitanya Deva's sruti harmonium and S. Ramanathan's sruti
vina, 1973. B.C. Deva, The Music of India, 1981, p. 109-110
indian-srutivina.scl 22 Raja S.M. Tagore's sruti vina, measured by Ellis and Hipkins,
1886. 1/1=241.2
indian-vina.scl 12 Observed South Indian tuning of a vina, Ellis
indian-vina2.scl 24 Observed tuning of old vina in Tanjore Palace, Ellis and Hipkins.
1/1=210.7 Hz
indian-vina3.scl 12 Tuning of K.S. Subramanian's vina (1983)
indian.scl 22 Indian shruti scale
indian2.scl 22 Indian shruti scale with tritone 64/45 schisma lower (Mr.Devarajan,
Madurai)
indian2_sm.scl 22 Shruti/Mathieu's Magic Mode scale in 289-equal (schismic)
temperament
indian3.scl 22 Indian shruti scale with 32/31 and 31/16 and tritone schisma lower
indian4.scl 22 Indian shruti scale according to Firoze Framjee: Text book of Indian
music
indian5.scl 23 23 Shrutis, Amit Mitra, 1/1 no. 12:2, Table C.
indian6.scl 77 Shrutis calculated by generation method, Amit Mitra, 1/1 no. 12:2,
Table B.
indian_12.scl 12 North Indian Gamut, modern Hindustani gamut out of 22 or more
shrutis
indian_12c.scl 12 Carnatic gamut. Kuppuswami: Carnatic music and the Tamils, p. v
indian_a.scl 7 One observed indian mode
indian_b.scl 7 Observed Indian mode
indian_c.scl 7 Observed Indian mode
indian_d.scl 7 Indian D (Ellis, correct)
indian_e.scl 7 Observed Indian mode
indian_g.scl 22 Shruti/Mathieu's Magic Mode scale in 94-tET (Schismic, Garibaldi)
temperament
indian_rat.scl 22 Indian Raga, From Fortuna, after Helmholtz, ratios by JC
indian_rot.scl 12 Rotated North Indian Gamut
indium17.scl 17 Indium[17] 2.5/3.7/3.11/3 subgroup scale in 31\253 tuning
indra31.scl 31 Indra[31] (540/539, 1375/1372) hobbit in 296-tET
interbartolo1.scl 12 Graziano Interbartolo & Paolo Venturino Bach temperament nr.1
(2006)
(2006)
(2006)
ionic.scl 7 Ancient greek Ionic
iranian pentachord 7-limit.scl 9 Iranian pentachord 42:45:48:56:63
iran_diat.scl 7 Iranian Diatonic from Dariush Anooshfar, Safi-a-ddin Armavi's scale
from 125 ET
iraq.scl 8 Iraq 8-tone scale, Ellis
isfahan_5.scl 5 Isfahan (IG #2, DF #8), from Rouanet
islamic.scl 5 Islamic Genus (DF#7), from Rouanet
italian.scl 12 Italian organ temperament, G.C. Klop (1974), 1/12 P.comma, also
d'Alembert/Rousseau (1752/67)
iter1.scl 6 McLaren style, IE= 2.414214, PD=5, SD=0
iter10.scl 17 Iterated 5/2 scale, IE=5/2, PD=4, SD=3
iter11.scl 10 Binary 5/3 Scale #2
iter14.scl 11 Binary Divided 3/1 Scale #2
iter15.scl 10 Binary Division Scale
iter16.scl 11 Binary Division Scale 4+2
iter17.scl 17 Binary E Scale #2
iter18.scl 10 Binary E Scale #4
iter19.scl 16 Binary Kidjel Ratio scale #2, IE=16/3
iter2.scl 8 Iterated 1 + SQR(2) Scale, IE=2.414214, PD=5, SD=1
iter20.scl 11 Binary PHI Scale #2
iter21.scl 12 Binary PHI Scale 5+2 #2
iter22.scl 16 Binary PI Scale #2
iter23.scl 16 Binary SQR(3) Scale #2
iter26.scl 17 E Scale
iter27.scl 16 Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=3
iter28.scl 5 McLaren 3-Division Scale
iter29.scl 7 Iterated Binary Division of the Octave, IE=2, PD=6, SD=0
iter3.scl 10 Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=3, SD=2
iter30.scl 6 Iterated E-scale, IE= 2.71828, PD=5, SD=0
iter31.scl 4 Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=0
iter32.scl 9 Iterated PHI scale, IE= 1.61803339, PD=8, SD=0
iter33.scl 5 Iterated PI Scale, IE= 3.14159, PD=4, SD=0
iter34.scl 9 Iterated SQR(3) scale, IE= 1.73205, PD=8, SD=0
iter4.scl 17 Iterated 5/2 scale, IE=5/2, PD=4, SD=3
iter5.scl 10 Iterated 5/3 scale, analog of Hexachord, IE=5/3, PD=3, SD=2
iter6.scl 11 Iterated binary 1+SQR(2) scale, IE= 2.414214, G=2, PD=4, SD=2
iter9.scl 5 Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=2, SD=12
ives.scl 7 Charles Ives' stretched major scale, "Scrapbook" pp. 108-110
ives2a.scl 7 Speculation by Joe Monzo for Ives' other stretched scale
ives2b.scl 7 Alt. speculation by Joe Monzo for Ives' other stretched scale
jademohaporc.scl 7 Jade-mohajira-porcupine wakalix
janke1.scl 12 Reiner Janke, Temperatur I (1998)
janke2.scl 12 Reiner Janke, Temperatur II
janke3.scl 12 Reiner Janke, Temperatur III
janke4.scl 12 Reiner Janke, Temperatur IV
janke5.scl 12 Reiner Janke, Temperatur V
janke6.scl 12 Reiner Janke, Temperatur VI
janke7.scl 12 Reiner Janke, Temperatur VII
jemblung1.scl 5 Scale of bamboo gamelan jemblung from Kalijering, slendro-like.
1/1=590 Hz
jemblung2.scl 5 Bamboo gamelan jemblung at Royal Batavia Society. 1/1=504 Hz
jioct12.scl 12 12-tone JI version of Messiaen's octatonic scale, Erlich & Parízek
jira1.scl 12 Martin Jira, ćlosed´ temperament (2000)
jira2.scl 12 Martin Jira, ópen´ temperament (2000)
ji_10coh.scl 10 Differentially coherent 10-tone scale with subharmonic 48
ji_10coh2.scl 10 Other diff. coherent 10-tone scale with subharmonic 30
ji_10i4.scl 10 7-limit scale with mean variety four
ji_11.scl 11 3 and 7 prime rational interpretation of 11-tET. OdC 2000
ji_12.scl 12 Basic JI with 7-limit tritone. Robert Rich: Geometry
ji_121.scl 121 13-limit detempering of 121-tET
ji_12a.scl 12 7-limit 12-tone scale
ji_12b.scl 12 alternate 7-limit 12-tone scale
ji_13.scl 13 5-limit 12-tone symmetrical scale with two tritones
ji_17.scl 17 3 and 7 prime rational interpretation of 17-tET. OdC
ji_17a.scl 17 3, 5 and 11 prime rational interpretation of 17-tET, OdC
ji_17b.scl 17 Alt. 3, 5 and 11 prime rational interpretation of 17-tET, OdC
ji_18.scl 18 11-limit approximation of 18-tET
ji_19.scl 19 5-limit 19-tone scale, subset of genus [3333555]
ji_20.scl 20 3 and 7 prime rational interpretation of 20-tET. OdC
ji_21.scl 21 7-limit 21-tone just scale, Op de Coul, 2001
ji_22.scl 22 5-limit 22-tone scale (Zarlino?)
ji_29.scl 29 3,5,11-prime rational interpretation of 29-tET, OdC
ji_30.scl 30 11-limit rational interpretation of 30-tET
ji_31.scl 31 A just 7-limit 31-tone scale
ji_311.scl 311 41-limit transversal of 311-tET
ji_5coh.scl 5 Differential fully coherent pentatonic scale
ji_7.scl 7 7-limit rational interpretation of 7-tET. OdC
ji_7a.scl 7 Superparticular approximation to 7-tET. Op de Coul, 1998
ji_9.scl 9 Pseudo-equal 7-limit 9-tET
jobin-bach.scl 12 Emile Jobin, WTC temperament after Bach's signet
johnson-secor_rwt.scl 12 Johnson/Secor proportional-beating well-temperament with five
24/19s.
johnson_44.scl 44 Aaron Johnson, 44-tET approximation
johnson_7.scl 7 Aaron Johnson, 7-tET approximation
johnson_eb.scl 12 Aaron Johnson, "1/4-comma tempered" equal beating C-G-D-A-E
plus just thirds
johnson_ratwell.scl 12 Aaron Johnson, rational well-temperament with five 24/19's
johnson_temp.scl 12 Aaron Johnson, temperament with just 5/4, 24/19 and 19/15
johnston.scl 12 Ben Johnston's combined otonal-utonal scale
johnston_21.scl 21 Johnston 21-note just enharmonic scale
johnston_22.scl 22 Johnston 22-note 7-limit scale from end of string quartet nr. 4
johnston_25.scl 25 Johnston 25-note just enharmonic scale
johnston_6-qt.scl 61 11-limit complete system from Ben Johnston's "6th Quartet"
johnston_6-qt_row.scl 12 11-limit 'prime row' from Ben Johnston's "6th Quartet"
johnston_81.scl 81 Johnston 81-note 5-limit scale of Sonata for Microtonal Piano
jonsson1.scl 12 Magnus Jonsson [1 3 5 7] x [1 3 5 9] cross set (2005)
jonsson2.scl 12 Magnus Jonsson [1 3 5] x [1 3 5 7 11] cross set (2005)
jorgensen.scl 12 Jorgensen's 5&7 temperament, mix of 7-tET and 5-tET shifted 120
cents
jousse.scl 12 Temperament of Jean Jousse (1832)
jousse2.scl 12 Jean Jousse's quasi-equal piano temperament, also Becket and Co.
plan (1840)
jove41.scl 41 Jove[41] 17-limit hobbit in 243-tET, commas 243/242, 441/440,
364/363, 595/594
jubilismic10.scl 10 Jubilismic[10] (50/49) hobbit minimax tuning
julius22.scl 22 Julius[22] hobbit (176/175&896/891) in POTE tuning
julius24.scl 24 Julius[24] hobbit (176/175&896/891) in POTE tuning
kacapi1.scl 5 kacapi indung tuning, Pelog by Uking Sukri, mean of 6 tunings, W.
van Zanten, 1987
kacapi10.scl 5 kacapi indung tuning, Mandalungan by Uking Sukri, mean of 4
tunings, W. van Zanten, 1987
kacapi11.scl 5 kacapi indung tuning, Mandalungan by Bakang & others, mean of 2
kacapi2.scl 5 kacapi indung tuning, Pelog by Bakang & others, mean of 8 tunings,
W. van Zanten, 1987
kacapi3.scl 5 kacapi indung tuning, Pelog by Sulaeman Danuwijaya, mean of 9
kacapi4.scl 5 kacapi indung tuning, Sorog by Uking Sukri, mean of 4 tunings, W.
van Zanten, 1987
kacapi5.scl 5 kacapi indung tuning, Sorog by Bakang & others, mean of 6 tunings,
W. van Zanten, 1987
kacapi6.scl 5 kacapi indung tuning, Salendro by Uking Sukri, mean of 4 tunings,
W. van Zanten, 1987
kacapi7.scl 5 kacapi indung tuning, Salendro by Bakang & others, mean of 4
kacapi8.scl 5 kacapi indung tuning, Mataraman by Uking Sukri, mean of 4 tunings,
W. van Zanten, 1987
kacapi9.scl 5 kacapi indung tuning, Mataraman by Bakang & others, mean of 4
kai-metalbar-exp.scl 7 Kaiveran Lugheidh, ditave scale based on the spectrum of an ideal
metal bar
kai-metalbar.scl 21 K. Lugheidh, GOT "tonality diamond" of a metal bar, 1st overtone
= IoE
kanzelmeyer_11.scl 11 Bruce Kanzelmeyer, 11 harmonics from 16 to 32. Base
388.3614815 Hz
kanzelmeyer_18.scl 18 Bruce Kanzelmeyer, 18 harmonics from 32 to 64. Base
388.3614815 Hz
kayolonian.scl 19 19-tone 5-limit scale of the Kayenian Imperium on Kayolonia
(reeks van Sjauriek)
kayoloniana.scl 19 Amendment by Rasch of Kayolonian scale's note 9
kayolonian_12.scl 12 See Barnard: De Keiaanse Muziek, p. 11. (uitgebreide reeks)
kayolonian_40.scl 40 See Barnard: De Keiaanse Muziek
kayolonian_f.scl 9 Kayolonian scale F and periodicity block (128/125, 16875/16384)
kayolonian_p.scl 9 Kayolonian scale P
kayolonian_s.scl 9 Kayolonian scale S
kayolonian_t.scl 9 Kayolonian scale T
kayolonian_z.scl 9 Kayolonian scale Z
kebyar-b.scl 5 Gamelan kebyar tuning begbeg, Andrew Toth, 1993
kebyar-s.scl 5 Gamelan kebyar tuning sedung, Andrew Toth, 1993
kebyar-t.scl 5 Gamelan kebyar tuning tirus, Andrew Toth, 1993
keemic15.scl 15 Keemic[15] hobbit in minimax tuning
keen1.scl 5 Keenanismic tempering of [5/4, 11/8, 3/2, 12/7, 2], 284-tET tuning
keenan3.scl 11 Chain of 1/6 kleisma tempered 6/5s, 10 tetrads, Dave Keenan, TL
30-Jun-99
keenan3j.scl 11 Chain of 11 nearly just 19-tET minor thirds, Dave Keenan, 1-Jul-99
keenan3rb.scl 11 Chain of 11 equal beating minor thirds, 6/5=3/2 same
keenan3rb2.scl 11 Chain of 11 equal beating minor thirds, 6/5=3/2 opposite
keenan5.scl 31 11-limit, 31 tones, 9 hexads within 2.7c of just, Dave Keenan 27-
Dec-99
keenan6.scl 31 11-limit, 31 tones, 14 hexads within 3.2c of just, Dave Keenan 11-
Jan-2000
keenan7.scl 22 Dave Keenan, 22 out of 72-tET periodicity block. TL 29-04-2001
keenan_b19.scl 19 Dave Keenan, planar tempering of vitale3.scl, in 72-tET
keenan_mt.scl 12 Dave Keenan 1/4-comma tempered version of keenan.scl with 6 7-
limit tetrads
keenan_st.scl 23 Dave Keenan, 7-limit temperament, g=260.353
keenan_t9.scl 12 Dave Keenan strange 9-limit temperament TL 19-11-98
keentet.scl 8 The five keenanismic tetrads, plus o- and u-tonal, in 284-tET
keesred12_5.scl 12 Kees reduced 5-limit 12-note scale = Hahn reduced
kelletat.scl 12 Herbert Kelletat's Bach-tuning (1966), Ein Beitrag zur musikalischen
Temperatur p. 26-27.
kelletat1.scl 12 Herbert Kelletat's Bach-tuning (1960)
kellner.scl 12 Herbert Anton Kellner's Bach tuning. 5 1/5 Pyth. comma and 7 pure
fifths
kellners.scl 12 Kellner's temperament with 1/5 synt. comma instead of 1/5 Pyth.
comma
kellner_eb.scl 12 Equal beating variant of kellner.scl
kellner_org.scl 12 Kellner's original Bach tuning. C-E & C-G beat at identical rates, so
B-F# slightly wider than C-G-D-A-E, 7 pure fifths
kepler1.scl 12 Kepler's Monochord no.1, Harmonices Mundi (1619)
kepler2.scl 12 Kepler's Monochord no.2
kepler3.scl 12 Kepler's choice system, Harmonices Mundi, Liber III (1619)
kilroy.scl 12 Kilroy
kimball.scl 18 Buzz Kimball 18-note just scale
kimball_53.scl 53 Buzz Kimball 53-note just scale
kirkwood.scl 8 Scale based on Kirkwood gaps of the asteroid belt
kirn-stan.scl 12 Kirnberger temperament improved by Charles Earl Stanhope (1806)
kirnberger.scl 12 Kirnberger's well-temperament, also called Kirnberger III, letter to
Forkel 1779
kirnberger1.scl 12 Kirnberger's temperament 1 (1766)
kirnberger2.scl 12 Kirnberger 2: 1/2 synt. comma. "Die Kunst des reinen Satzes"
(1774)
kirnberger24.scl 24 Kirnberger, 24-tone 7-limit JI scale (ca. 1766)
kirnberger3.scl 12 Kirnberger 3: 1/4 synt. comma (1744)
kirnberger3s.scl 12 Sparschuh's (2010) refined epimoric Kirnberger III variant
kirnberger3v.scl 12 Variant well-temperament like Kirnberger 3, Kenneth Scholz,
MTO 4.4, 1998
kirnberger48.scl 48 Kirnberger, 48-tone 7-limit JI scale (ca. 1769)
kite33.scl 33 33 note 7-limit scale used by Kite Giedraitis to retune Liszt's
"Consolation #3"
klais.scl 12 Johannes Klais, Bach temperament. Similar to Kelletat (1960)
kleismic34trans.scl 34 Kleismic[34] transversal (detempering)
kleismic34transex.scl 102 Comma extended Kleismic[34] transversal
klonaris.scl 12 Johnny Klonaris, 19-limit harmonic scale
knot.scl 24 Smallest knot in cubic lattice, American Scientist, Nov-Dec '97 p. 506-
510, trefoil knot of 24 units long
koepf_36.scl 36 Siegfried Koepf, 36-tone subset of 48-tone scale (1991)
koepf_48.scl 48 Siegfried Koepf, 48-tone scale (1991)
kolinski.scl 12 Mieczyslaw Kolinski's 7th root of 3/2 (1959), also invented by
Augusto Novaro and Serge Cordier (1975)
kora1.scl 7 Kora tuning Tomora Ba, also called Silaba, 1/1=F, R. King
kora2.scl 7 Kora tuning Tomora Mesengo, also called Tomora, 1/1=F, R. King
kora3.scl 7 Kora tuning Hardino, 1/1=F, R.King
kora4.scl 7 Kora tuning Sauta (Sawta), 1/1=F, R. King
korea_5.scl 5 Scale called "the delightful" in Korea. Lou Harrison,
"Avalokiteshvara" (1965) for harp
kornerup.scl 19 Kornerup's regular temperament with fifth of (15 - sqrt 5) / 22
octaves, is golden meantone
kornerup_11.scl 11 Kornerup's doric minor
koval.scl 12 Ron Koval Variable 1.0 (2002)
koval2.scl 12 Ron Koval Variable Well 1.5
koval6.scl 12 Ron Koval EBVT (2002)
kraeh_22.scl 22 Kraehenbuehl & Schmidt 7-limit 22-tone tuning
kraeh_22a.scl 46 Kraehenbuehl & Schmidt 7-limit 22-tone tuning with "inflections"
for some tones
kring1.scl 7 Double-tie circular mirroring of 4:5:6 and Partch's 5-limit tonality
Diamond
kring1p3.scl 35 Third carthesian power of double-tie mirroring of 4:5:6 with
kleismas removed
kring2.scl 7 Double-tie circular mirroring of 6:7:8
kring2p3.scl 25 Third power of 6:7:8 mirroring with 1029/1024 intervals removed
kring3bp.scl 7 Double-tie BP circular mirroring of 3:5:7
kring4p3.scl 29 Third power of 4:5:7 mirroring with 3136/3125 intervals removed
kring5p3.scl 33 Third power of 5:7:9 mirroring with 250047/250000 intervals
removed
kring6p3.scl 34 Third power of 6:7:9 mirroring with 118098/117649 intervals
removed
krousseau2.scl 12 19-tET version of Kami Rousseau's tri-blues scale
kukuya.scl 4 African Kukuya Horns (aerophone, ivory, one note only)
kurdi pentachord 17-limit.scl 4 Kurdi pentachord 102:108:120:136:153
kurdi tetrachord 17-limit.scl 3 Kurdi tetrachord 51:54:60:68
kurzweil_arab.scl 12 Kurzweil "Empirical Arabic"
kurzweil_ji.scl 12 Kurzweil "Just with natural b7th", is Sauveur Just with 7/4
kurzweil_pelogh.scl 12 Kurzweil "Empirical Bali/Java Harmonic Pelog"
kurzweil_pelogm.scl 12 Kurzweil "Empirical Bali/Java Melodic Pelog"
kurzweil_slen.scl 12 Kurzweil "Empirical Bali/Java Slendro, Siam 7"
kurzweil_tibet.scl 12 Kurzweil "Empirical Tibetian Ceremonial"
laka-dwarf.scl 17 Laka tempered (205-tET) dwarf(<17 27 40 48 59 63 70|)
lambdoma5_12.scl 42 5x12 Lambdoma
lambdoma_prim.scl 56 Prime Lambdoma
lambert.scl 12 Lambert's temperament (1774) 1/7 Pyth. comma, 5 pure
lara.scl 12 Sundanese 'multi-laras' gamelan Ki Barong tuning, Weintraub, TL 15-
2-99 1/1=497
leapday46.scl 29 13-limit temperament, minimax g=495.66296 cents
leapmute29.scl 29 Mutant Leapday[29]
leapmute46.scl 46 Mutant Leapday[46]
lebanon.scl 7 Lebanese scale? Dastgah Shur
leedy.scl 13 Douglas Leedy, scale for "Pastorale" (1987), 1/1=f, 10/9 only in vocal
parts
leeuw1.scl 13 Ton de Leeuw: non-oct. mode from "Car nos vignes sont en
fleurs",part 5. 1/1=A
leftpistol.scl 12 Left Pistol
legros1.scl 12 Example of temperament with 3 just major thirds
legros2.scl 12 Example of temperament with 2 just major thirds
lehman1.scl 12 Bradley Lehman Bach temperament I (2005)
lehman2.scl 12 Bradley Lehman Bach squiggle keyboard temperament II (2005)
lehman3.scl 12 Bradley Lehman Bach temperament III (2006)
lemba12.scl 12 Lemba[12] in 270-et (poptimal)
lemba22.scl 22 Lemba[22] in 270-et (poptimal)
lemba24.scl 24 24-note Lemba scale for mapping millerlemba24.kbm
lemba8.scl 8 Lemba temperament (4 down, 3 up) 7-limit TOP tuning, Herman
Miller, TL 22-11-2004
leusden.scl 12 Organ in Gereformeerde kerk De Koningshof, Henk van Eeken,
1984, a'=415, modif. 1/4 mean
levens.scl 12 Charles Levens' Monochord (1743)
levens2.scl 12 Levens' Monochord, altered form
ligon.scl 12 Jacky Ligon, strictly proper all prime scale, TL 08-09-2000
ligon10.scl 19 Jacky Ligon, scale from "Symmetries" (2011)
ligon11.scl 7 Jacky Ligon, 7 tone superparticular non-octave scale
ligon2.scl 12 Jacky Ligon, 19-limit symmetrical non-octave scale (2001)
ligon3.scl 16 Jacky Ligon, 23-limit non-octave scale (2001)
ligon4.scl 21 Jacky Ligon, 2/1 Phi Scale, TL 12-04-2001
ligon5.scl 16 Jacky Ligon, scale for "Two Golden Flutes" (2001)
ligon7.scl 7 Jacky Ligon, superparticular 7 tone 11-limit MOS, 27/22=generator,
MMM 22-01-2002
lindley-ortgies1.scl 12 Lindley-Ortgies I Bach temperament (2006), Early Music 34/4,
Nov. 2006
lindley-ortgies2.scl 12 Lindley-Ortgies II Bach temperament (2006), Early Music 34/4,
Nov. 2006
lindley1.scl 12 Mark Lindley I Bach temperament (1993)
lindley2.scl 12 Mark Lindley II Average Neidhardt temperaments (1993)
lindley_ea.scl 12 Mark Lindley +J. de Boer +W. Drake (1991), for organ Grosvenor
Chapel, London
lindley_sf.scl 12 Lindley (1988) suggestion nr. 2 for Stanford Fisk organ
line10.scl 10 [0, -2, 0], [0, -1, 0], [0, 0, 0], [0, 1, 0] line of tetrads
line40.scl 40 |11 -10 -10 10> tempered line scale in 2080-tET tuning
linemarv12.scl 12 [0, 0, 0] to [0, 0, 5]
liu_major.scl 7 Linus Liu's Major Scale, see his 1978 book, "Intonation Theory"
liu_mel.scl 9 Linus Liu's Melodic Minor, use 5 and 7 descending and 6 and 8
ascending
liu_minor.scl 7 Linus Liu's Harmonic Minor
liu_pent.scl 7 Linus Liu's "pentatonic scale"
locomotive.scl 12 A 2.9.11.13 subgroup scale, Gene Ward Smith
london-baroque.scl 12 Well-temperament used by London Baroque, close to Young
lorenzi-m.scl 12 De Lorenzi's Metrofono (monochord) tuning (1870), Barbieri 2009
lorenzi.scl 12 Giambattista de Lorenzi, Venetian temperament (c. 1830), Barbieri,
1986
lorina.scl 12 Lorina
lublin.scl 12 Johannes von Lublin (1540) interpr. by Franz Joseph Ratte, p. 255
lucktenberg.scl 12 George Lucktenberg, general purpose temperament, 1/8P, SEHKS
Newsletter vol.26 no.1 (2005)
lucy01and07tuned0b5s.scl 12 0A440Lucy01&07Tuned 0b5s RootKeyA =
CC#DD#EFF#GG#AA#B
lucy02and14tuned5b0s.scl 12 0A440Lucy02Tuned 5b0s RootKeyA =
CDbDEbEFGbGAbABbB
lucy03tuned4b1s.scl 12 0A440Lucy03Tuned 4b1s RootKeyA = CDbDEbEFF#GAbAB
lucy04and21tuned3b2s.scl 12 0A440Lucy04Tuned 3b2s RootKeyA =
CC#DEbEFF#GAbAB
lucy05tuned2b3s.scl 12 0A440Lucy05Tuned 2b3s RootKeyA =
CC#DEbEFF#GG#ABbB
CC#DD#EFF#GG#ABbB
CC#DD#EE#F#GG#AA#B
B#C#DD#EE#F#GG#AA#B
B#C#DD#EE#F#FxG#AA#B
B#C#CxD#EE#F#FxG#AA#B
lucy13Gxtuned0b11s.scl 12 0A440Lucy13Tuned 0b11s RootKeyA (resetAtoGx=-54.1)
plays B#C#CxD#DxE#F#FxG#GxA#B
CDbDEbEFGbGAbABbCb
CDbDEbFbFGbGAbABbCb
lucy18Bbbtuned9b0s.scl 12 0A440Lucy18Tuned 9b0s RootKeyA (resetAtoBbb=+54.1)
plays CDbEbbEbFbFGbGAbBbbCb
plays CDbEbbEbFbFGbAbbAbBbbBbCb
plays DbbDbEbbEbFbFGbAbbAbBbbCb
lucy22tuned4bGs.scl 12 0A440Lucy22Tuned 4bGs RootKeyA =
CDbDEbEFGbGG#ABbB
lucy23tuned4bDs.scl 12 0A440Lucy23Tuned 4bDs RootKeyA =
CDbDD#EFGbGAbABbB
lucy24tuned4bCs.scl 12 0A440Lucy24Tuned 4bCs RootKeyA =
CC#DEbEFGbGAbABbB
lucy25tunedAb4s.scl 12 0A440Lucy25Tuned Ab4s RootKeyA =
CC#DD#EFF#GAbAA#B
lucy26tunedGb4s.scl 12 0A440Lucy26Tuned Gb4s RootKeyA =
CC#DD#EFGbGG#AA#B
lucy27tunedEb5s.scl 12 0A440Lucy27Tuned Eb4s RootKeyA =
CC#DEbEFF#GG#AA#B
lucy28tunedDb4s.scl 12 0A440Lucy28Tuned 0b5s RootKeyA =
CDbDD#EFF#GG#AA#B
lucy29tunedBbAbGbCsDs.scl 12 0A440Lucy29TunedBbAbGbCsDs RootKeyA =
CC#DD#EFGbGAbABbB
lucy30tunedBbEbGbCsGs.scl 12 0A440Lucy30TunedBbEbGbCsGs RootKeyA =
CC#DEbEFGbGG#ABbB
lucy31tuned3b2sCsAs.scl 12 0A440Lucy31Tuned 3b2s RootKeyA =
CC#DEbEFGbGAbAA#B
lucy32tuned3b2sDsFs.scl 12 0A440Lucy32Tuned 3b2s RootKeyA =
CDbDD#EFF#GAbABbB
lucy33tuned3b2sDsGs.scl 12 0A440Lucy33Tuned 3b2s RootKeyA =
CDbDD#EFGbGG#ABbB
lucy34tuned3b2sDsAs.scl 12 0A440Lucy34Tuned 3b2s RootKeyA =
CDbDD#EFGbGAbAA#B
lucy35tuned3b2sFsGs.scl 12 0A440Lucy35Tuned 3b2s RootKeyA =
CDbDEbEFF#GG#ABbB
lucy36tuned3b2sFsAs.scl 12 0A440Lucy36Tuned 3b2s RootKeyA =
CDbDEbEFF#GAbAA#B
lucy37tuned3b2sGsAs.scl 12 0A440Lucy37Tuned 3b2s RootKeyA =
CDbDEbEFGbGG#AA#B
lucy38tuned2b3sDbEb.scl 12 0A440Lucy38Tuned 2b3s RootKeyA =
CDbDEbEFF#GG#AA#B
lucy39tuned2b3sDbGb.scl 12 0A440Lucy39Tuned 2b3s RootKeyA =
CDbDD#EFGbGG#AA#B
lucy40tuned2b3sDbAb.scl 12 0A440Lucy40Tuned 2b3s RootKeyA =
CDbDD#EFF#GAbAA#B
lucy41tuned2b3sDbBb.scl 12 0A440Lucy41Tuned 2b3s RootKeyA =
CDbDD#EFF#GG#ABbB
lucy42tuned2b3sEbGb.scl 12 0A440Lucy42Tuned 2b3s RootKeyA =
CC#DEbEFGbGG#AA#B
lucy43tuned2b3sEbAb.scl 12 0A440Lucy43Tuned 2b3s RootKeyA =
CC#DEbEFF#GAbAA#B
lucy44tuned2b3sGbAb.scl 12 0A440Lucy44Tuned 2b3s RootKeyA =
CC#DD#EFGbGAbAA#B
lucy45tuned2b3sGbBb.scl 12 0A440Lucy45Tuned 2b3s RootKeyA =
CC#DD#EFGbGG#ABbB
lucy46tuned2b3sAbBb.scl 12 0A440Lucy46Tuned 2b3s RootKeyA =
CC#DD#EFF#GAbABbB
lucy50Bbbtuned6b1sFs.scl 12 0A440Lucy50Tuned 6b1s RootKeyA (resetAtoBbb=+54.1)
plays CDbDEbEFF#GAbABbCb
lucy51Bbbtuned3b3sBbEbDbBbbFsGsFx.scl
12 0A440Lucy51Tuned 3b3s RootKeyA (resetAtoBbb=+54.1) plays
CDbDEbEFF#FxG#BbbBbB
lucy52tuned4b1sAs.scl 12 0A440Lucy52Tuned 4b1s RootKeyA =
CDbDEbEFGbGAbAA#B
lucy53tuned4b2sCsFCb.scl 12 0A440Lucy53Tuned 4b2s RootKeyA =
CC#DEbEFF#GAbABbCb
lucy55tuned3b3sCxFb.scl 12 0A440Lucy55Tuned 3b3s RootKeyA =
CC#CxEbFbFF#GAbABbB
lucy56tuned4b3sEs.scl 12 0A440Lucy56Tuned 4b3s RootKeyA =
CC#DEbEE#F#GAbABbCb
lucy57tuned7b0sAbbGbb.scl 12 0A440Lucy57Tuned 7b BbEbAbDbGbAbbGbb RootKeyA
= CDbDEbEGbbGbAbbAbABbCb
CDbDEbEE#F#GAbABbCb
lucy59Bbbtuned9b0sE.scl 12 0A440Lucy59Tuned 9b0s RootKeyA (resetAtoBbb=+54.1)
plays CDbEbbEbEFGbAbbAbBbbBbCb
CDbDEbEE#F#GG#AA#Cb
plays CDbEbbEbFbFGbGAbBbbCb
lucy62tuned4b3sBbbEs.scl 12 0A440Lucy62Tuned 4b3s RootKeyA =
CC#DEbEE#F#GAbABbbCb
CDbDEbEFGbGGxABbAx
lucy64tuned7b0snoF.scl 12 0A440Lucy64Tuned 7b0s no F RootKeyA =
CDbDEbEFbGbGAbABbCb
CC#DEbEFF#GG#ABbA#
lucy_19.scl 19 Lucy's 19-tone scale
lucy_24.scl 24 Lucy/Harrison, meantone tuning from Bbb to Cx, third=1200.0/pi,
1/1=A
lucy_31.scl 31 Lucy/Harrison's meantone tuning, 1/1=A
lucy_7.scl 7 Diatonic Lucy's scale
lumma5.scl 12 Carl Lumma's 5-limit version of lumma7, also Fokker 12-tone just.
lumma_10.scl 10 Carl Lumma's 10-tone 125 cent Pyth. scale, TL 29-12-1999
lumma_12p5.scl 12 Well-temperament 1/5Pyth. comma C-G-D A-E-B G#-Eb
lumma_12p6.scl 12 Well-temperament 1/6Pyth. comma C-G-D-A-E-B G#-Eb
lumma_12p7.scl 12 Well-temperament 1/7Pyth. comma F-C-G-D-A-E F#-C#-G#
lumma_12_fun.scl 12 Rational well temperament based on 577/289, 3/2, and 19/16
lumma_12_moh-ha-ha.scl 12 Rational well temperament
lumma_12_strangeion.scl 12 19-limit "dodekaphonic" scale
lumma_17.scl 17 Carl Lumma, intervals of attraction, minus inversions, trial and
error (1999)
lumma_22.scl 22 Carl Lumma, intervals of attraction by trial and error (1999)
lumma_5151.scl 12 Carl Lumma's 5151 temperament III (1197/709.5/696), June 2003
lumma_al1.scl 12 Alaska I (1197/709.5/696), Carl Lumma, 6 June 2003.
lumma_al2.scl 12 Alaska II (1197/707/696.5), Carl Lumma, 6 June 2003.
lumma_al3.scl 12 Alaska III (1197/707/696.5), Carl Lumma, 6 June 2003.
lumma_al4.scl 12 Alaska IV (1196/701/697), Carl Lumma, 6 June 2003.
lumma_al5.scl 12 Alaska V (1197/702/696.375), Carl Lumma, 6 June 2003.
lumma_al6.scl 12 Alaska VI (1196/701/696), Carl Lumma, 6 June 2003.
lumma_al7.scl 12 Alaska VII, Carl Lumma, 27 Jan 2004
lumma_dec1.scl 10 Carl Lumma, two 5-tone 7/4-chains, 5/4 apart in 31-tET, TL 9-2-
2000
lumma_dec2.scl 10 Carl Lumma, two 5-tone 3/2-chains, 7/4 apart in 31-tET, TL 9-2-
2000
lumma_magic.scl 12 Magic chord test, Carl Lumma, TL 24-06-99
lumma_prism.scl 12 Carl Lumma's 7-limit 12-tone scale, a.k.a GW Smith's Prism. TL
21-11-98
lumma_prismkeen.scl 12 Dave Keenan's adaptation of Prism scale to include 6:8:11, TL
17-04-99
lumma_prismt.scl 12 Tempered Prism scale, 6 tetrads + 4 triads within 2c of Just, TL
19-2-99
lumma_stelhex.scl 12 12-out-of [4 5 6 7] stellated hexany
lumma_synchtrines+2.scl 12 The 12-tone equal temperament with 2:3:4 brats of +2
lumma_wt19.scl 12 Carl Lumma, {2 3 17 19} well temperament, TL 13-09-2008
luyten.scl 19 Carl Luyten, harpsichord tuning. Praetorius, 1619.
lydian_chrom.scl 24 Lydian Chromatic Tonos
lydian_chrom2.scl 7 Schlesinger's Lydian Harmonia in the chromatic genus
lydian_chrominv.scl 7 A harmonic form of Schlesinger's Chromatic Lydian inverted
lydian_diat.scl 24 Lydian Diatonic Tonos
lydian_diat2.scl 8 Schlesinger's Lydian Harmonia, a subharmonic series through 13
from 26
lydian_diat2inv.scl 8 Inverted Schlesinger's Lydian Harmonia, a harmonic series from 13
from 26
lydian_diatcon.scl 7 A Lydian Diatonic with its own trite synemmenon replacing
paramese
lydian_enh.scl 24 Lydian Enharmonic Tonos
lydian_enh2.scl 7 Schlesinger's Lydian Harmonia in the enharmonic genus
lydian_enhinv.scl 7 A harmonic form of Schlesinger's Enharmonic Lydian inverted
lydian_pent.scl 7 Schlesinger's Lydian Harmonia in the pentachromatic genus
lydian_pis.scl 15 The Diatonic Perfect Immutable System in the Lydian Tonos
lydian_tri.scl 7 Schlesinger's Lydian Harmonia in the first trichromatic genus
lydian_tri2.scl 7 Schlesinger's Lydian Harmonia in the second trichromatic genus
machine_lf.scl 11 Mike 11:9:7:4 Lesfip scale
madagascar19.scl 19 Madagascar[19] (19&53&58) hobbit in 313-tET tuning
madenda-sejati.scl 5 Sorog madenda sejati, Sunda
madimba.scl 5 Madimba from Luba/Lulua tuning. 1/1=132 Hz, Tracey TR-35 A-
3,4
magic-majthird13.scl 13 Magic-major thirds[13] major thirds repetition MOS, 11-limit TE
tuning, also known as Devadoot
magic-shrutis.scl 22 Magic[22] in 41-tET tuning usable as shrutis, Gene Ward Smith
magic16septimage.scl 16 Magic[16] in regular Septimage tuning
magic16terzbirat.scl 16 Magic[16] in regular Terzbirat tuning
magic19trans37.scl 19 Magic-19 2.3.7 transversal
magic19trans37ex.scl 57 Extended Magic-19 2.3.7 transversal
magic22trans37.scl 22 Magic-22 2.3.7 transversal
magic22trans37ex.scl 66 Extended Magic-22 2.3.7 transversal
mahur tetrachord 13-limit.scl 3 Mahur tetrachord 39:44:49:52
mahur tetrachord 19-limit.scl 3 Mahur tetrachord 120:135:152:160
maihingen.scl 12 Tuning of the Baumeister organ in Maihingen (1737)
majmin.scl 17 Malcolm & Marpurg 4 (Yamaha major & minor) mixed.
Mersenne/Ban without D#
major_clus.scl 12 Chalmers' Major Mode Cluster
major_wing.scl 12 Chalmers' Major Wing with 7 major and 6 minor triads
major_wing_lesfip.scl 12 Lesfip version of Chalmers' Major Wing, 7-limit, 15 cents
makoyan.scl 12 Makoyan's temperament (1999)
malco.scl 12 malcolm tempered in malcolm temperament, 94-tET tuning
malcolm.scl 12 Alexander Malcolm's Monochord (1721), and C major in Yamaha
synths, Wilkinson: Tuning In
malcolm2.scl 12 Malcolm 2, differentially coherent
malcolme.scl 12 Most equal interval permutation of Malcolm's Monochord
malcolme2.scl 12 Inverse most equal interval permutation of Malcolm's Monochord
malcolms.scl 12 Symmetrical version of Malcolm's Monochord and Riley's Albion
scale. Also proposed by Hindemith in Unterweisung im Tonsatz
malcolm_ap.scl 12 Best approximations in mix of all ETs from 12-23 to Malcolm's
Monochord
malcolm_me.scl 7 Malcolm's Mid-East
malerbi.scl 12 Luigi Malerbi's well-temperament nr.1 (1794) (nr.2 = Young). Also
Sievers
malgache.scl 12 tuning from Madagascar
malgache1.scl 12 tuning from Madagascar
malgache2.scl 12 tuning from Madagascar
malkauns.scl 5 Raga Malkauns, inverse of prime_5.scl
mambuti.scl 8 African Mambuti Flutes (aerophone; vertical wooden; one note each)
mandela.scl 14 One of the 195 other denizens of the dome of mandala, <14 23 36
40| weakly epimorphic
mandelbaum5.scl 19 Mandelbaum's 5-limit 19-tone scale, kleismic detempered circle
of minor thirds. Per.bl. 81/80 & 15625/15552
mandelbaum7.scl 19 Mandelbaum's 7-limit 19-tone scale
mandelbaum7keemun.scl 19 Keemun Fokkerization of mandelbaum7.scl, Gene Ward
Smith, TL 8-3-2012
mander.scl 12 John Pike Mander's Adlington-Hall organ tuning compiled by
A.Sparschuh
marimba1.scl 17 Marimba of the Bakwese, SW Belgian Congo (Zaire). 1/1=140.5
Hz
marimba2.scl 17 Marimba of the Bakubu, S. Belgian Congo (Zaire). 1/1=141.5 Hz
marimba3.scl 10 Marimba from the Yakoma tribe, Zaire. 1/1=185.5 Hz
marion.scl 19 scale with two different ET step sizes
marion1.scl 24 Marion's 7-limit Scale # 1
marissing.scl 12 Peter van Marissing, just scale, Mens en Melodie, 1979
marpurg-1.scl 12 Other temperament by Marpurg, 3 fifths 1/3 Pyth. comma flat
marpurg-a.scl 12 Marpurg's temperament A, 1/12 and 1/6 Pyth. comma
marpurg-b.scl 12 Marpurg's temperament B, 1/12 and 1/6 Pyth. comma
marpurg-c.scl 12 Marpurg's temperament C, 1/12 and 1/6 Pyth. comma
marpurg-d.scl 12 Marpurg's temperament D, 1/12 and 1/6 Pyth. comma
marpurg-e.scl 12 Marpurg's temperament E, 1/12 and 1/6 Pyth. comma
marpurg-g.scl 12 Marpurg's temperament G, 1/5 Pyth. comma
marpurg-t1.scl 12 Marpurg's temperament nr.1, Kirnbergersche Temperatur (1766).
Also 12 Indian shrutis
marpurg-t11.scl 12 Marpurg's temperament nr.11, 6 tempered fifths
marpurg-t1a.scl 12 Marpurg's temperament no. 1, 1/12 and 1/6 Pyth. comma
marpurg-t2.scl 12 Marpurg's temperament nr.2, 2 tempered fifths, Neue Methode
(1790)
marpurg-t2a.scl 12 Marpurg's temperament no. 2, 1/12 and 5/24 Pyth. comma
marpurg.scl 12 Marpurg, Versuch über die musikalische Temperatur (1776), p. 153
marpurg1.scl 12 Marpurg's Monochord no.1 (1776)
marpurg3.scl 12 Marpurg 3
marsh.scl 12 John Marsh's meantone temperament (1809)
marvbiz.scl 19 1/4 kleismic tempered marvel "byzantine" scale
marvel10.scl 10 Marvel[10] hobbit in 197-tET
marvel19woo.scl 19 Woo tuning of 7-limit 19 note marvel hobbit
marvel22_11.scl 22 Unidecimal Marvel[22] hobbit, minimax tuning, commas 225/224,
385/384, 540/539
marvel6.scl 6 11-limit marvel tempering of [7/6, 9/7, 10/7, 8/5, 11/6, 2], 166-tET
tuning
marveldene.scl 12 BlueJI in 197-tET (= Duodene, etc, in 197-tET)
maunder1.scl 12 Richard Maunder Bach temperament I (2005), also Daniel Jencka
maunder2.scl 12 Richard Maunder Bach temperament II (2005)
mavila12.scl 12 A 12-note mavila scale (for warping meantone-based music), 5-limit
TOP
mavila9.scl 9 Mavila-9 in 5-limit TOP tuning
mavlim1.scl 9 First 27/25&135/128 scale
mavsynch16.scl 16 Mavila[16] in meta (brat=-1) tuning, fifth satisfies f^4 + f^3 - 8 =
0
mavsynch7.scl 7 Mavila[7] in meta (brat=-1) tuning, fifth satisfies f^4 + f^3 - 8 = 0
max7amarvwoo.scl 7 Marvel woo tempering of [9/8, 5/4, 32/25, 3/2, 8/5, 15/8, 2]
mbira_banda.scl 7 Mubayiwa Bandambira's tuning of keys R2-R9 from Berliner: The
soul of mbira.
mbira_banda2.scl 21 Mubayiwa Bandambira's Mbira DzaVadzimu tuning B1=114 Hz
mbira_budongo.scl 5 Mbira budongo from Soga. 1/1=328 Hz, Tracey TR-140 A-6
mbira_budongo2.scl 5 Mbira budongo from Soga. 1/1=260 Hz, Tracey TR-141 A-1,2
mbira_chilimba.scl 7 Mbira chilimba from Bemba. 1/1=228 Hz, Tracey TR-182 B-7
mbira_chisanzhi.scl 6 Mbira chisanzhi from Luchazi. 1/1=256 Hz, Tracey TR-184 B-4,5
mbira_chisanzhi2.scl 7 Mbira chisanzhi from Lunda. 1/1=212 Hz, Tracey TR-179 B-5,6
mbira_chisanzhi3.scl 6 Mbira chisanzhi from Luba. 1/1=134 Hz, Tracey TR-40 A-4,5,6
mbira_chisanzhi4.scl 5 Mbira chisanzhi (likembe) from Luba. 1/1=324 Hz, Tracey TR-
177 B-3,4
mbira_deza.scl 7 Mbira deza from Valley Tonga. 1/1=192 Hz, Tracey TR-41 A-3
mbira_ekembe.scl 6 Mbira ekembe from Binza. 1/1=212 Hz, Tracey TR-128 A-5,6,7,8
mbira_ekembe2.scl 5 Mbira ekembe from Zande/Bandiya. 1/1=220 Hz, Tracey TR-122
B-4,5,6
mbira_gondo.scl 21 John Gondo's Mbira DzaVadzimu tuning B1=122 Hz
mbira_ikembe.scl 5 Mbira ikembe from Rundi/Hangaza. 1/1=300 Hz, Tracey TR-147
B-1,2
mbira_ilimba.scl 5 Mbira ilimba from Gogo. 1/1=268 Hz, Tracey TR-154 B-4-5
mbira_isanzo.scl 5 Mbira isanzo from Zande. 1/1=268 Hz, Tracey TR-121 B-7,8,9,10
mbira_kalimba.scl 5 Mbira kalimba from Tumbuka/Henga. 1/1=182 Hz, Tracey TR-90
B-3
mbira_kalimba2.scl 6 Mbira kalimba from Nyanja/Chewa. 1/1=296 Hz, Tracey TR-191
B-2,3,4
mbira_kalimba3.scl 6 Mbira kalimba from Sena/Nyungwe. 1/1=220 Hz, Tracey TR-91
A-4,5
mbira_kangombio.scl 7 Mbira kangombio from Lozi. 1/1=138 Hz, Tracey TR-67 B-4,5
mbira_kangombio2.scl 7 Mbira kangombio from Lozi. 1/1=226 Hz, Tracey TR-80 A-2,3
mbira_kankowela.scl 7 Mbira kankowela from Valley Tonga. 1/1=240 Hz, Tracey TR-
41 B-6
mbira_kankowela2.scl 7 Mbira kankowela from Valley Tonga. 1/1=264 Hz, Tracey TR-
41 B-7
mbira_kankowela3.scl 7 Mbira kankowela from Valley Tonga. 1/1=264 Hz, Tracey TR-
42 B-2
mbira_kankowele.scl 7 Mbira kankowele from Lala. 1/1=252 Hz, Tracey TR-14 A-
6,7,8,9
mbira_katima.scl 5 Mbira katima. 1/1=364 Hz, Tracey TR-127 B-10
mbira_kiliyo.scl 5 Mbira kiliyo. 1/1=364 Hz, Tracey TR-127 B=11,12,13
mbira_kombi.scl 5 Mbira kombi from Yogo. 1/1=224 Hz, Tracey TR-118 B-6,7
mbira_kunaka.scl 7 John Kunaka's mbira tuning of keys R2-R9
mbira_kunaka2.scl 21 John Kunaka's Mbira DzaVadzimu tuning B1=113 Hz
mbira_limba.scl 5 Mbira limba from Nyakyusa. 1/1=224 Hz, Tracey TR-158 A-5
mbira_malimba.scl 7 Mbira malimba from Nyamwezi. 1/1=244 Hz, Tracey TR-148 A-
1,2
mbira_mang_baru.scl 5 Mbira mang 'baru (likembe) from Nande. 1/1=364 Hz, Tracey
TR-127 B-9
mbira_marimbe.scl 7 Mbira marimbe from Zinza. 1/1=166 Hz, Tracey TR-147 A-
3,4,5,6
mbira_mbele_ko_fuku.scl 5 Mbira mbele ko fuku from Yogo. 1/1=280 Hz, Tracey TR-119
A-11,12
mbira_mbira.scl 6 Mbira mbira from Karanga/Duma. 1/1=212 Hz, Tracey TR-80 A-
2,3
mbira_muchapata.scl 6 Mbira muchapata from Luvale/Lwena. 1/1=244 Hz, Tracey TR-
36 B-1,2
mbira_mude.scl 21 Hakurotwi Mude's Mbira DzaVadzimu tuning B1=132 Hz
mbira_mujuru.scl 21 Ephat Mujuru's Mbira DzaVadzimu tuning, B1=106 Hz
mbira_mumamba.scl 7 Mbira mumamba from Bemba. 1/1=140 Hz, Tracey TR-24 A-1
mbira_natine.scl 5 Mbira natine and minu from Alur. 1/1=268 Hz, Tracey TR-124 A-
5,6
mbira_neikembe.scl 7 Mbira neikembe from Medje. 1/1=320 Hz, Tracey TR-120 B-1,2
mbira_sansi.scl 5 Mbira sansi from Nyanja/Chewa. 1/1=202 Hz, Tracey TR-78 A-1
mbira_sansi2.scl 5 Mbira sansi from Nyanja/Chewa. 1/1=176 Hz, Tracey TR-191 A-
10,11,12
mbira_zimb.scl 7 Shona mbira scale
mboko_bow.scl 2 African Mboko Mouth Bow (chordophone, single string, plucked)
mboko_zither.scl 7 African Mboko Zither (chordophone; idiochordic palm fibre,
plucked)
mcclain.scl 12 McClain's 12-tone scale, see page 119 of The Myth of Invariance
mcclain_18.scl 18 McClain's 18-tone scale, see page 143 of The Myth of Invariance
mcclain_8.scl 8 McClain's 8-tone scale, see page 51 of The Myth of Invariance
mccoskey_22.scl 22 31-limit rational interpretation of 22-tET, Marion McCoskey
mcgoogy_phi.scl 18 Brink McGoogy's Phinocchio tuning, mix of 5th (black keys) and
7th (white keys) root of phi
mcgoogy_phi2.scl 18 Brink McGoogy's Phinocchio tuning with symmetrical "brinko"
mclaren_bar.scl 13 Metal bar scale. see McLaren, Xenharmonicon 15, pp.31-33
mclaren_cps.scl 15 2)12 [1,2,3,4,5,6,8,9,10,12,14,15] a degenerate CPS
mclaren_harm.scl 11 from "Wilson part 9", claimed to be Schlesingers Dorian
Enharmonic, prov. unkn
mclaren_rath1.scl 12 McLaren Rat H1
mclaren_rath2.scl 12 McLaren Rat H2
mean10.scl 12 3/10-comma meantone scale
mean11.scl 12 3/11-comma meantone scale. A.J. Ellis no. 10
mean11ls_19.scl 19 Least squares appr. to 3/2, 5/4, 7/6, 15/14 and 11/8, Petr Parízek
mean14.scl 12 3/14-comma meantone scale (Giordano Riccati, 1762)
mean14a.scl 12 fifth of sqrt(5/2)-1 octave "recursive" meantone, Paul Hahn
mean14_15.scl 15 15 of 3/14-comma meantone scale
mean14_19.scl 19 19 of 3/14-comma meantone scale
mean14_7.scl 7 Least squares appr. of 5L+2S to Ptolemy's Intense Diatonic scale
mean17.scl 12 4/17-comma meantone scale, least squares error of 5/4 and 3/2
mean17_17.scl 17 4/17-comma meantone scale with split C#/Db, D#/Eb, F#/Gb,
G#/Ab and A#/Bb
mean17_19.scl 19 4/17-comma meantone scale, least squares error of 5/4 and 3/2
mean18.scl 12 5/18-comma meantone scale (Smith). 3/2 and 5/3 eq. beat. A.J. Ellis
no. 9
mean19.scl 12 5/19-comma meantone scale, fifths beats three times third. A.J. Ellis
no. 11
mean19r.scl 12 Approximate 5/19-comma meantone with 19/17 tone, Petr Parizek
(2002)
mean19t.scl 12 Approximate 5/19-comma meantone with three 7/6 minor thirds
mean23.scl 12 5/23-comma meantone scale, A.J. Ellis no. 4
mean23six.scl 12 6/23-comma meantone scale
mean24rat.scl 24 Meantone[24] in a rational tuning with brats of 4
mean25.scl 12 7/25-comma meantone scale, least square weights 3/2:0 5/4:1 6/5:1
mean26.scl 12 7/26-comma meantone scale (Woolhouse 1835). Almost equal to
meaneb742.scl
mean26_21.scl 21 21 of 7/26-comma meantone scale (Woolhouse 1835)
mean2nine.scl 12 2/9-comma meantone scale, Lemme Rossi, Sistema musico (1666)
mean2nine_15.scl 15 15 of 2/9-comma meantone scale
mean2sev.scl 12 2/7-comma meantone scale. Zarlino's temperament (1558). See also
meaneb371
mean2sev10.scl 12 2/17-comma meantone scale
mean2seveb.scl 12 "2/7-comma" meantone with equal beating fifths. A.J. Ellis no. 8
mean2sevr.scl 12 Rational approximation to 2/7-comma meantone, 1/1 = 262.9333
mean2sev_15.scl 15 15 of 2/7-comma meantone scale
mean4nine.scl 12 4/9-comma meantone scale
meanbrat32.scl 12 Beating of 5/4 = 1.5 times 3/2 same. Almost 1/3-comma
meanbrat32a.scl 12 Beating of 5/4 = 1.5 times 3/2 opposite. Almost 3/16 Pyth. comma
meanbratm32.scl 12 Beating of 6/5 = 1.5 times 3/2 same. Almost 4/15-comma
meandia.scl 21 Detempered Meantone[21]; contains 7-limit diamond
meaneb1071.scl 12 Equal beating 7/4 = 3/2 same.
meaneb1071a.scl 12 Equal beating 7/4 = 3/2 opposite.
meaneb341.scl 12 Equal beating 6/5 = 5/4 same. Almost 4/15 Pyth. comma
meaneb371.scl 12 Equal beating 6/5 = 3/2 same. Practically 2/7-comma (Zarlino)
meaneb371a.scl 12 Equal beating 6/5 = 3/2 opposite. Almost 2/5-comma
meaneb381.scl 12 Equal beating 6/5 = 8/5 same. Almost 1/7-comma
meaneb451.scl 12 Equal beating 5/4 = 4/3 same, 5/24 comma meantone. A.J. Ellis no.
6
meaneb471.scl 12 Equal beating 5/4 = 3/2 same. Almost 5/17-comma. Erv Wilson's
'metameantone'
meaneb471a.scl 12 Equal beating 5/4 = 3/2 opposite. Almost 1/5 Pyth. Gottfried
Keller (1707)
meaneb471b.scl 12 21/109-comma meantone with 9/7 major thirds, almost equal
beating 5/4 and 3/2
meaneb472.scl 12 Beating of 5/4 = twice 3/2 same. Almost 5/14-comma
meaneb472a.scl 12 Beating of 5/4 = twice 3/2 opposite. Almost 3/17-comma
meaneb472_19.scl 19 Beating of 5/4 = twice 3/2 same, 19 tones
meaneb732.scl 12 Beating of 3/2 = twice 6/5 same. Almost 4/13-comma
meaneb732a.scl 12 Beating of 3/2 = twice 6/5 opposite. Almost 1/3 Pyth. comma
meaneb732_19.scl 19 Beating of 3/2 = twice 6/5 same, 19 tones
meaneb742.scl 12 Beating of 3/2 = twice 5/4 same.
meaneb742a.scl 12 Beating of 3/2 = twice 5/4 opposite. Almost 3/13-comma, 3/14
Pyth. comma
meaneb891.scl 12 Equal beating 8/5 = 5/3 same. Almost 5/18-comma
meaneight.scl 12 1/8-comma meantone scale
meaneightp.scl 12 1/8 Pyth. comma meantone scale
meanfifth.scl 12 1/5-comma meantone scale (Verheijen)
meanfifth2.scl 12 1/5-comma meantone by John Holden (1770)
meanfiftheb.scl 12 "1/5-comma" meantone with equal beating fifths
meanfifth_19.scl 19 19 of 1/5-comma meantone scale
meanfifth_43.scl 43 Complete 1/5-comma meantone scale
meanfifth_french.scl 12 Homogeneous French temperament, 1/5-comma, C. di Veroli
meangolden.scl 12 Meantone scale with Blackwood's R = phi, and diat./chrom.
semitone = phi, Kornerup. Almost 4/15-comma
meangolden_top.scl 12 Meantone scale with Blackwood's R = phi, TOP tuning
meanhalf.scl 12 1/2-comma meantone scale
meanhar2.scl 12 1/9-Harrison's comma meantone scale
meanhar3.scl 12 1/11-Harrison's comma meantone scale
meanharris.scl 12 1/10-Harrison's comma meantone scale
meanhsev.scl 41 1/14-septimal schisma tempered meantone scale
meanhskl.scl 12 Half septimal kleisma meantone
meanlst357_19.scl 19 19 of mean-tone scale, least square error in 3/2, 5/4 and 7/4
meanmalc.scl 12 Meantone approximation to Malcolm's Monochord, 3/16 Pyth.
comma
meannine.scl 12 1/9-comma meantone scale, Jean-Baptiste Romieu
meannkleis.scl 12 1/5 kleisma tempered meantone scale
meanpi.scl 12 Pi-based meantone with Harrison's major third by Erv Wilson
meanpi2.scl 12 Pi-based meantone by Erv Wilson analogous to 22-tET
meanpkleis.scl 12 1/5 kleisma positive temperament
meanquar.scl 12 1/4-comma meantone scale. Pietro Aaron's temp. (1523). 6/5 beats
twice 3/2
meanquareb.scl 12 Variation on 1/4-comma meantone with equal beating fifths
meanquarm23.scl 12 1/4-comma meantone approximation with minimal order 23
beatings
meanquarn.scl 44 Non-octave quarter-comma meantone, fifth period
meanquarr.scl 12 Rational approximation to 1/4-comma meantone, Kenneth Scholz,
MTO 4.4, 1998
meanquarw2.scl 12 1/4-comma meantone with 1/2 wolf, used in England in 19th c.
(Ellis)
meanquarw3.scl 12 1/4-comma meantone with 3 superpythagorean fifths, C. di Veroli
& S. Leidemann (1985), also called Rainbow
meanquar_14.scl 14 1/4-comma meantone scale with split D#/Eb and G#/Ab, Otto
Gibelius (1666)
meanquar_15.scl 15 1/4-comma meantone scale with split C#/Db, D#/Eb and G#/Ab
meanquar_16.scl 16 1/4-comma meantone scale with split C#/Db, D#/Eb, G#/Ab and
A#/Bb
meanquar_17.scl 17 1/4-comma meantone scale with split C#/Db, D#/Eb, F#/Gb,
G#/Ab and A#/Bb
meanquar_19.scl 19 19 of 1/4-comma meantone scale
meanreverse.scl 12 Reverse meantone 1/4 82/81-comma tempered
meansabat.scl 12 1/9-schisma meantone scale of Eduard Sábat-Garibaldi
meansabat_53.scl 53 53-tone 1/9-schisma meantone scale
meanschis.scl 12 1/8-schisma temperament, Helmholtz
meanschis7.scl 12 1/7-schisma linear temperament
meanschis_17.scl 17 17-tone 1/8-schisma linear temperament
meansept.scl 12 Meantone scale with septimal diminished fifth
meansept2.scl 19 Meantone scale with septimal neutral second
meansept3.scl 41 Pythagorean scale with septimal minor third
meansept4.scl 41 Pythagorean scale with septimal narrow fourth
meansev.scl 12 1/7-comma meantone scale, Jean-Baptiste Romieu (1755)
meansev2.scl 12 Meantone scale with 1/7-comma stretched octave (stretched
meansept.scl)
meanseveb.scl 12 "1/7-comma" meantone with equal beating fifths
meansev_19.scl 19 19 of 1/7-comma meantone scale
meansixth.scl 12 1/6-comma meantone scale (tritonic temperament of Salinas)
meansixtheb.scl 12 "1/6-comma" meantone with equal beating fifths
meansixthm.scl 12 modified 1/6-comma meantone scale, wolf spread over 2 fifths
meansixthm2.scl 12 modified 1/6-comma meantone scale, wolf spread over 4 fifths
meansixthpm.scl 12 modified 1/6P-comma temperament, French 18th century
meansixthso.scl 12 1/6-comma meantone scale with 1/6-comma stretched oct, Dave
Keenan TL 13-12-99
meansixth_19.scl 19 19 of 1/6-comma meantone scale
meansqunumigpopmo.scl 31 Meantone-squares-nusecond-migration-meanpop-mohajira
superwakalix
meanstr.scl 12 Meantone with 1/9-comma stretched octave, Petr Parizek (2006)
meanten.scl 12 1/10-comma meantone scale
meanthird.scl 12 1/3-comma meantone scale (Salinas)
meanthirdeb.scl 12 "1/3-comma" meantone with equal beating fifths
meanthirdp.scl 12 1/3-P comma meantone scale
meanthird_19.scl 19 Complete 1/3-comma meantone scale
meantone-fifths11.scl 11 Meantone-fifths[11] fifths-repetition MOS, pure 2 and 5 (1/4
comma)
meantone19trans37.scl 19 Meantone-19 symmetric 2.3.7 transversal
meantone19trans37ex.scl 57 Meantone-19 extended 2.3.7 transversal
meantone31trans37.scl 31 Meantone-31 symmetric 2.3.7 transversal
meantone31trans37ex.scl 93 Meantone-31 extended 2.3.7 transversal
meanvar1.scl 12 Variable meantone 1: C-G-D-A-E 1/4, others 1/6
meanvar2.scl 12 Variable meantone 2: C..E 1/4, 1/5-1/6-1/7-1/8 outward both
directions
meanvar3.scl 12 Variable meantone 3: C..E 1/4, 1/6 next, then Pyth.
meanvar4.scl 12 Variable meantone 4: naturals 1/4-comma, accidentals Pyth.
meister-p12.scl 12 Temperament with 1/6 and 1/12 P comma, W.Th. Meister, p. 117
meister-s4.scl 12 Temperament with 1/4 comma, W.Th. Meister, p. 120
meister-s5.scl 12 Temperament with 1/5 comma, W.Th. Meister, p. 121
meister-synt.scl 12 Halved syntonic comma's, Wolfgang Theodor Meister, Die
Orgelstimmung in Süddeutschland, 1991, p. 117
meister-t.scl 12 A temperament, W.Th. Meister, p. 35-36
melog.scl 5 pelog melog, Sunda
mercadier.scl 12 Mercadier's well-temperament (1777), 1/12 and 1/6 Pyth. comma
mercadier2.scl 12 Mercadier de Belestas (1776)
mercator.scl 19 19 out of 53-tET, see Mandelbaum p. 331
mercury_sand.scl 7 Mercury Sand, 7-limit JI heptatonic MOS by Andrew Heathwaite
(2018)
merrick.scl 12 A. Merrick's melodically tuned equal temperament (1811)
mersen-ban.scl 18 For keyboard designs of Mersenne (1635) & Ban (1639), 10 black
and extra D. Traité, p. 44-45
mersenmt1.scl 12 Mersenne's Improved Meantone 1
mersenmt2.scl 12 Mersenne's Improved Meantone 2
mersenne-t.scl 12 Marin Mersenne, equal temp with just 5/4 (1636)
mersenne_26.scl 26 26-note choice system of Mersenne, Traité de l'orgue, 1635, p. 46-
48
mersenne_31.scl 31 31-note choice system of Mersenne, Harmonie universelle (1636)
mersen_l1.scl 12 Mersenne lute 1
mersen_l2.scl 12 Mersenne lute 2
mersen_s1.scl 12 Mersenne spinet 1, Traité de l'orgue, 1635, p. 43
met24-byz-1st_pl-trans.scl 7 1st plagal Byzantine Liturgical Mode transposed (E-E, final A
or ~4/3 step)
met24-byz-2nd_pl.scl 7 2nd plagal Byzantine Liturgical or Palace Mode with upper
Diatonic tetra
met24-byz-3rd-ditonic.scl 7 3rd Byzantine Liturgical mode, ditonic, ~12.5-12.5-5 parts of 72
met24-byz-3rd.scl 7 3rd Byzantine Liturgical mode (cf. tiby1.scl), ~12.5-14-3.5 parts of
72
met24-byz-4th_e.scl 7 4th Byzantine Liturgical mode, legetos type (final on E)
met24-byz-4th_e2.scl 7 4th Byzantine Liturgical mode, legetos type, ~7-12-12-9-7-12-9
parts of 68
met24-byz-4th_pl-var1.scl 7 4th plagal Byzantine Liturgical mode (C-C) type with
consistent Bb
met24-byz-4th_pl-var2.scl 7 4th plagal Byzantine Liturgical mode with consistent Bb as
~7/4
met24-byz-4th_pl.scl 7 4th plagal Byzantine Liturgical mode (cf. 68: 12-9-7 or 72: 12-
10-8)
met24-byz-barys_diat.scl 7 Byzantine Barys Diatonic Liturgical mode with upper Soft
Chromatic tetra
met24-byz-palace1.scl 7 Byzantine Palace Mode, symmetrical, ~5-20-5 parts of 72
met24-byz-palace2.scl 7 Byzantine Palace Mode, ~22:21-11:9-126:121 or ~5-21-4 parts
of 72
met24-byz-schrom.scl 7 Byzantine Soft Chromatic, 2nd Liturgical mode (~14:13-8:7-
13:12)
met24-byz-schrom2.scl 7 Byzantine Soft Chromatic, 2nd Liturgical mode (~13:12-8:7-
14:13)
met24-chrys_chrom-2nd_pl.scl 7 Near Chrysanthos 2nd plagal Byzantine Liturgical mode (7-
18-3 parts of 68)
met24-chrys_chromdiat.scl 7 Near Chrysanthos Hard Chromatic/Diatonic Byzantine mode
(68: 7-18-3-12-9-7-12)
met24-chrys_diat-1st-68.scl 7 Near Chrysanthos 1st Byzantine Liturgical mode (68: 9-7-12-
12-9-7-12)
met24-chrys_diat-1st.scl 7 Near Chrysanthos JI diatonic, also 1st Byzantine Liturgical mode
met24-chrys_diat-4th-68.scl 7 Near Chrysanthos 4th Byzantine Liturgical mode (68: 12-9-7-
12-9-7-12)
met24-chrys_diat-4th.scl 7 Near Chrysanthos 4th Byzantine Liturgical mode, JI (also
zalzal.scl)
met24-chrys_diat-4th_pl.scl 7 Near Chrysanthos 4th Byzantine Liturgical mode, JI
met24-chrys_diatenh.scl 7 Near Chrysanthos Diatonic-Enharmonic Byzantine mode (68: 9-
7-12-12-3-13-12)
met24-chrys_enhdiat.scl 7 Near Chrysanthos Enharmonic-Diatonic Byzantine mode (68:
13-12-3-12-9-7-12)
met24c-cs12-archytan-maqam_cup.scl
12 Constant Structure, tempered subdivision of Archytas Chromatic
metals.scl 9 Gold, silver, titanium - strong metastable intervals between 1 and 2.
metdia.scl 19 Consists of the tetrads of detempered Meantone[21] = meandia.scl
meyer.scl 19 Max Meyer, see Doty, David, 1/1 August 1992 (7:4) p.1 and 10-14
meyer_29.scl 29 Max Meyer, see David Doty, 1/1, August 1992, pp.1,10-14
mgr12.scl 12 Modular Golomb Ruler of 12 segments, length 133
mid_enh1.scl 7 Mid-Mode1 Enharmonic, permutation of Archytas's with the 5/4
lying medially
mid_enh2.scl 7 Permutation of Archytas' Enharmonic with the 5/4 medially and
28/27 first
miller7.scl 12 Herman Miller, 7-limit JI. mode of parizek_ji1
millerop.scl 12 Lesfip 7 cents version of miller_12.scl
miller_12.scl 12 Herman Miller, scale with appr. to three 7/4 and one 11/8, TL 19-11-
99
miller_12a.scl 12 Herman Miller, "Starling" scale, alternative version TL 25-11-99
miller_12r.scl 12 Herman Miller, "Starling" scale rational version
miller_ar1.scl 12 Herman Miller, "Arrow I" well-temperament
miller_ar2.scl 12 Herman Miller, "Arrow II" well-temperament
miller_b1.scl 12 Herman Miller, "Butterfly I" well-temperament
miller_b2.scl 12 Herman Miller, "Butterfly II" well-temperament
miller_bug.scl 12 Herman Miller, "Bug I" well-temperament
miller_lazy.scl 12 Herman Miller, JI tuning for Lazy Summer Afternoon
miller_nikta.scl 19 Herman Miller, 19-tone scale of "Nikta", TL 22-1-1999
miller_reflections.scl 12 Herman Miller, 7-limit (slightly tempered) "reflections" scale
miller_sp.scl 14 Herman Miller, Superpelog temperament, TOP tuning
minerva12.scl 12 Minerva[12] (99/98&176/175) 11-limit hobbit, POTE tuning
minerva22.scl 22 Minerva[22] 11-limit JI hobbit <22 35 51 62 76|
minerva22x.scl 22 Minerva[22] (176/175, 99/98) hobbit irregular
minorthird_19.scl 19 Chain of 19 minor thirds
minortone.scl 46 Minortone temperament, g=182.466089, 5-limit
minor_5.scl 5 A minor pentatonic, subharmonics 6 to 10
minor_clus.scl 12 Chalmers' Minor Mode Cluster, Genus [333335]
minor_wing.scl 12 Chalmers' Minor Wing with 7 minor and 6 major triads
miracle1.scl 21 21 out of 72-tET Pyth. scale "Miracle/Blackjack", Keenan & Erlich,
TL 2-5-2001
miracle1a.scl 21 Version of Blackjack with just 11/8 intervals
miracle2.scl 31 31 out of 72-tET Pythagorean scale "Miracle/Canasta", tempered
Fokker-M, 36 7-limit tetrads
miracle21trans.scl 21 Miracle-21 (Blackjack) symmetric 5-limit transversal
miracle21trans511.scl 21 Miracle-21 (Blackjack) symmetric 2.5.11 transversal
miracle24.scl 24 Miracle-24 in 72-tET tuning.
miracle2a.scl 31 Version of Canasta with just 11/8 intervals
miracle2m.scl 31 Fractal form with division=2*sqrt(7)+5 by Jacques Dudon, TL 12-
2-2010
miracle3.scl 41 41 out of 72-tET Pythagorean scale "Miracle/Studloco",
Erlich/Keenan (2001)
miracle31s.scl 31 Miracle-31 with Secor's minimax generator of 116.7155941 cents
(5:9 exact). XH5, 1976
miracle31trans.scl 31 Miracle-31 (Canasta) symmetric 5-limit transversal
miracle31trans511.scl 31 Miracle-31 2.5.11 symmetric transversal
miracle3a.scl 41 Version of Studloco with just 11/8 intervals
miracle3p.scl 41 Least squares Pythagorean approximation to partch_43
miracle41s.scl 41 Miracle-41 with Secor's minimax generator of 116.7155941 cents
(5:9 exact). XH5, 1976
miracle_10.scl 10 A 10-tone subset of Blackjack, g=116.667
miracle_12.scl 12 A 12-tone subset of Blackjack with six 4-7-9-11 tetrads
miracle_12a.scl 12 A 12-tone chain of Miracle generators and subset of Blackjack
miracle_24hi.scl 24 24 note mapping for Erlich/Keenan Miracle scale
miracle_24lo.scl 24 24 note mapping for Erlich/Keenan Miracle scale, low version,
tuned to 72-equal
miracle_8.scl 8 tet3a.scl in 72-tET
miring.scl 5 sorog miring, Sunda
miring1.scl 5 Gamelan Miring from Serdang wetan, Tangerang. 1/1=309.5 Hz
miring2.scl 5 Gamelan Miring (Melog gender) from Serdang wetan
misca.scl 9 21/20 x 20/19 x 19/18=7/6 7/6 x 8/7=4/3
miscb.scl 9 33/32 x 32/31x 31/27=11/9 11/9 x 12/11=4/3
miscc.scl 9 96/91 x 91/86 x 86/54=32/27. 32/27 x 9/8=4/3.
miscd.scl 9 27/26 x 26/25 x 25/24=9/8. 9/8 x 32/27=4/3.
misce.scl 9 15/14 x 14/13 x 13/12=5/4. 5/4 x 16/15= 4/3.
miscf.scl 9 SupraEnh 1
miscg.scl 9 SupraEnh 2
misch.scl 9 SupraEnh 3
misty.scl 63 Misty temperament, g=96.787939, p=400, 5-limit
mistyschism.scl 12 Mistyschism scale 32805/32768 and 67108864/66430125
mitchell.scl 10 Geordan Mitchell, fractal Koch flake monochord scale. XH 18, 2006
mixed9_3.scl 9 A mixture of the hemiolic chromatic and diatonic genera, 75 + 75 +
150 + 200 c
mixed9_4.scl 9 Mixed enneatonic 4, each "tetrachord" contains 67 + 67 + 133 + 233
cents.
mixed9_5.scl 9 A mixture of the intense chromatic genus and the permuted intense
diatonic
mixed9_6.scl 9 Mixed 9-tonic 6, Mixture of Chromatic and Diatonic
mixol_chrom.scl 24 Mixolydian chromatic tonos
mixol_chrom2.scl 7 Schlesinger's Mixolydian Harmonia in the chromatic genus
mixol_chrominv.scl 7 A harmonic form of Schlesinger's Chromatic Mixolydian inverted
mixol_diat.scl 24 Mixolydian diatonic tonos
mixol_diat2.scl 8 Schlesinger's Mixolydian Harmonia, a subharmonic series though
13 from 28
mixol_diatcon.scl 7 A Mixolydian Diatonic with its own trite synemmenon replacing
paramese
mixol_diatinv.scl 7 A Mixolydian Diatonic with its own trite synemmenon replacing
paramese
mixol_diatinv2.scl 8 Inverted Schlesinger's Mixolydian Harmonia, a harmonic series
from 14 from 28
mixol_enh.scl 24 Mixolydian Enharmonic Tonos
mixol_enh2.scl 7 Schlesinger's Mixolydian Harmonia in the enharmonic genus
mixol_enhinv.scl 7 A harmonic form of Schlesinger's Mixolydian inverted
mixol_penta.scl 7 Schlesinger's Mixolydian Harmonia in the pentachromatic genus
mixol_pis.scl 15 The Diatonic Perfect Immutable System in the Mixolydian Tonos
mixol_tri1.scl 7 Schlesinger's Mixolydian Harmonia in the first trichromatic genus
mixol_tri2.scl 7 Schlesinger's Mixolydian Harmonia in the second trichromatic genus
mmmgeo1.scl 7 Scale for MakeMicroMusic in Peppermint 24, maybe a bit like
Georgian tunings
mmmgeo2.scl 7 Scale for MakeMicroMusic in Peppermint 24, maybe a bit like
Georgian tunings
mmmgeo3a.scl 7 Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-
like"?
mmmgeo4a.scl 7 Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-
like"?
mmmgeo4b.scl 7 Peppermint 24 scale for MakeMicroMusic, maybe a bit
"Georgian-like"?
mmswap.scl 12 Swapping major and minor in 5-limit JI
moantone12.scl 12 Moantone[12] (Passion) in 86-tET
mobbs-mackenzie.scl 12 Kenneth Mobbs and Alexander Mackenzie of Ord, Bach
temperament (2005)
mohaj-bala_213.scl 12 Parizekmic Mohajira+Bala scale, based on a double Bala
sequence
mohaj-bala_443.scl 12 Parizekmic Mohajira+Bala scale, based on a double Bala
sequence
mohajira-to-slendro.scl 12 From Mohajira to Aeolian and Slendros
mokhalif.scl 7 Iranian mode Mokhalif from C
monarda_ji.scl 12 Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, previous to
273/272 561/560 441/440 225/224 (Tannic) tempering (2018)
monarda_tannic_pote.scl 12 Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, with
273/272 561/560 441/440 225/224 (Tannic) POTE tempering (2018)
monarda_tannic_te.scl 12 Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, with
273/272 561/560 441/440 225/224 (Tannic) tempering (2018)
montvallon.scl 12 Montvallon's Monochord, Nouveau sisteme de musique (1742)
monza.scl 12 Irregular tuning for 18th century Italian music
monzismic.scl 53 Monzismic temperament, g=249.018448, 5-limit
monzo-sym-11.scl 41 Monzo symmetrical system: 11-limit
monzo_pyth-quartertone.scl 24 Joe Monzo, approximation to 24-tET by 2^n*3^m
monzo_sumerian_2place12.scl 12 Monzo - most accurate 2-place sexagesimal 12-tET
approximation
monzo_sumerian_simp12.scl 12 Monzo - simplified 2-place sexagesimal 12-tET
approximation
moore.scl 12 Moore representative Victorian well-temperament (1885)
morgan.scl 12 Augustus de Morgan's temperament (1843)
morgan_c_36.scl 36 Caleb Morgan's Hairy UnJust Tuning
morgan_c_46.scl 46 Caleb Morgan's 13-limit superparticular tuning
moscow.scl 12 Charles E. Moscow's equal beating piano tuning (1895)
mothra11br4.scl 11 Mothra[11] with a brat of 4
mothra11rat.scl 11 Mothra[11] with exact 8/7 as generator
mothra11sub.scl 11 Mothra[11] with subminor third beats
mothra16br4.scl 16 Mothra[16] with a brat of 4
mttfokker.scl 24 MTT-24-like Fokker block in POTE parapyth tuning, two chains of
fifths 7/6 apart
munakata.scl 15 Nobuo Munakata, shamisen Ritsu Yang and Yin tuning, 1/1=E, TL
19-04-2008
mund45.scl 45 Tenney reduced 11-limit Miracle[45]
mundeuc45.scl 45 Euclidean reduced detempered Miracle[45] with Tenney tie-
breaker
musaqa.scl 7 Egyptian scale by Miha'il Musaqa
musaqa_24.scl 24 d'Erlanger vol.5, p. 34. After Mih.a'il Mu^saqah, 1899, a Lebanese
scholar
mustear pentachord 17-limit.scl
4 Mustear pentachord 42:48:51:56:63
mustear pentachord 5-limit.scl 4 Mustear pentachord 120:135:144:160:180
myna15br25.scl 15 Myna[15] with a brat of 5/2
myna15br3.scl 15 Myna[15] with a brat of 3
myna19trans.scl 19 Myna[19] symmetric 5-limit transversal
myna19trans37.scl 19 Myna[19] 2.3.7 transversal
myna23.scl 23 Myna[23] temperament, TOP tuning, g=309.892661 (Paul Erlich)
myna7opt.scl 7 Lesfip version of 7-limit Myna[7]
mynafip22.scl 22 Lesfip scale with two ~17/14 semi-wolves, 11-limit diamond target,
10 cents error
mystery.scl 58 Mystery temperament, minimax with pure octaves, g=15.021612, 13-
limit
mystic-r.scl 5 Skriabin's mystic chord, op. 60 rationalised
mystic.scl 5 Skriabin's mystic chord, op. 60
nakika12.scl 12 Nakika[12] (100/99&245/242) hobbit, 41-tET tuning
namo17.scl 17 Namo[17] 2.3.11.13 subgroup MOS in 128\437 tuning
narushima-vex.scl 21 To accommodate the 21 different spellings of notes in Satie’s
score
nassarre.scl 12 Nassarre's Equal Semitones
ndau1.scl 6 Ndau mbira tuning, Zimbabwe. 1/1=204 Hz, Tracey TR-205
negri5_19.scl 19 Negri[19], 5-limit
negri_19.scl 19 Negri temperament, 13-limit, g=124.831
neid-mar-morg.scl 12 Neidhardt-Marpurg-de Morgan temperament (1858)
neidhardt-f10.scl 12 Neidhardt's fifth-circle no. 10, 1/6 and 1/4 Pyth. comma
neidhardt-f10i.scl 12 Neidhardt's fifth-circle no. 10, idealised
neidhardt-f11.scl 12 Neidhardt's fifth-circle no. 11, 1/12, 1/6 and 1/4 Pyth. comma
neidhardt-f12.scl 12 Neidhardt's fifth-circle no. 12, 1/12, 1/6 and 1/4 Pyth. comma
(1732)
neidhardt-f2.scl 12 Neidhardt's fifth-circle no. 2, 1/6 Pyth. comma, 9- 3+
neidhardt-f3.scl 12 Neidhardt's fifth-circle no. 3, 1/6 Pyth. comma. Also Marpurg's
temperament F
neidhardt-f4.scl 12 Neidhardt's fifth-circle no. 4, 1/4 Pyth. comma
neidhardt-s1.scl 12 Neidhardt's sample temperament no. 1, 1/1, -1/1 Pyth. comma
(1732)
neidhardt-s2.scl 12 Neidhardt's sample temperament no. 2, 1/12, 1/6 and 1/4 Pyth.
comma (1732)
neidhardt-s3.scl 12 Neidhardt's sample temperament no. 3, 1/12, 1/6 and 1/4 Pyth.
comma (1732)
neidhardt-t1.scl 12 Neidhardt's third-circle no. 1, 1/12, 1/6 and 1/4 Pyth. comma (1732)
'Dorf'
neidhardt-t2.scl 12 Neidhardt's third-circle no. 2, 1/12, 1/6 and 1/4 Pyth. comma (1732)
'kleine Stadt'
neidhardt-t3.scl 12 Neidhardt's third-circle no. 3, 1/12 and 1/6 Pyth. comma
neidhardt1.scl 12 Neidhardt I temperament (1724)
neidhardt2.scl 12 Neidhardt II temperament (1724)
neidhardt3.scl 12 Neidhardt III temperament (1724) 'große Stadt'
neidhardt4.scl 12 Neidhardt IV temperament (1724), equal temperament
neidhardtn.scl 12 Johann Georg Neidhardt's temperament (1732), alt. 1/6 & 0 P. Also
Marpurg nr. 10
nestoria17.scl 17 Nestoria[17], 2.3.5.19 subgroup scale in 171-tET tuning
neutr_diat.scl 7 Neutral Diatonic, 9 + 9 + 12 parts, geometric mean of major and
minor
neutr_pent1.scl 5 Quasi-Neutral Pentatonic 1, 15/13 x 52/45 in each trichord, after
Dudon
neutr_pent2.scl 5 Quasi-Neutral Pentatonic 2, 15/13 x 52/45 in each trichord, after
Dudon
newcastle.scl 12 Newcastle modified 1/3-comma meantone
newton_15_out_of_53.scl 15 from drawing: Cambridge Univ.Lib.,Ms.Add.4000,fol.105v ;
November 1665
newts.scl 41 11-limit scale with boatload of neutral thirds
new_enh.scl 7 New Enharmonic
new_enh2.scl 7 New Enharmonic permuted
niederbobritzsch.scl 12 Göthel organ, Niederbobritzsch, 19th cent. from Klaus Walter,
1988
nikriz pentachord 13-limit.scl 4 Nikriz pentachord 32:36:39:45:48
norden.scl 12 Reconstructed Schnitger temperament, organ in Norden. Ortgies,
2002
notchedcube.scl 28 Otonal tetrads sharing a note with the root tetrad, a notched chord
cube
nova-lesfip.scl 8 9-limit lesfip version of Nova transversal, 14 to 21 cent tolerance
novadene.scl 12 Novadene, starling-tempered skew duodene in 185-tET tuning
novaro.scl 23 9-limit diamond with 21/20, 16/15, 15/8 and 40/21 added for
evenness
novaro15.scl 49 1-15 diamond, see Novaro, 1927, Sistema Natural base del Natural-
Aproximado, p
novaro_eb.scl 12 Novaro (?) equal beating 4/3 with stretched octave, almost pure 3/2
nufip15.scl 15 A 15-note lesfip mutant nusecond, target 11-limit diamond, error
limit 12 cents
ochmohaporc.scl 7 Jade-mohajira-porcupine wakalix
oconnell.scl 25 Walter O'Connell, Pythagorean scale of 25 octaves reduced by Phi,
Xenharmonikon 15 (1993)
oconnell_11.scl 11 Walter O'Connell, 11-note mode of 25-tone scale
oconnell_9.scl 9 Walter O'Connell, 9-tone mode of 25-tone scale
oconnell_9a.scl 9 Walter O'Connell, 7+2 major mode analogy for 25-tone scale
octasquare25.scl 25 5x5 generator square octagar tempered scale
octocoh.scl 8 Differential coherent octatonic with subharmonic 32
octoid72.scl 72 Octoid[72] in 224-tET tuning
octone.scl 8 octone around 60/49-7/4 interval
octony_min.scl 8 Octony on Harmonic Minor, from Palmer on an album of Turkish
music
octony_rot.scl 8 Rotated Octony on Harmonic Minor
octony_trans.scl 8 Complex 10 of p. 115, an Octony based on Archytas's Enharmonic
octony_trans2.scl 8 Complex 6 of p. 115 based on Archytas's Enharmonic, an Octony
octony_trans3.scl 8 Complex 5 of p. 115 based on Archytas's Enharmonic, an Octony
octony_trans4.scl 8 Complex 11 of p. 115, an Octony based on Archytas's Enharmonic,
8 tones
8 tones
8 tones
octony_u.scl 8 7)8 octony from 1.3.5.7.9.11.13.15, 1.3.5.7.9.11.13 tonic
(subharmonics 8-16)
odd1.scl 12 ODD-1
odd2.scl 12 ODD-2
odonnell.scl 12 John O'Donnell Bach temperament (2006), Early Music 34/4, Nov.
2006
oettingen.scl 53 von Oettingen's Orthotonophonium tuning
oettingen2.scl 53 von Oettingen's Orthotonophonium tuning with central 1/1
ogr10.scl 10 Optimal Golomb Ruler of 10 segments, length 72
ogr10a.scl 10 2nd Optimal Golomb Ruler of 10 segments, length 72
ogr5b.scl 5 3rd Optimal Golomb Ruler of 5 segments, length 17
ogr5c.scl 5 4th Optimal Golomb Ruler of 5 segments, length 17
ogr6b.scl 6 3rd Optimal Golomb Ruler of 6 segments, length 25
ogr6c.scl 6 4th Optimal Golomb Ruler of 6 segments, length 25
ogr6d.scl 6 5th Optimal Golomb Ruler of 6 segments, length 25
oktone.scl 8 202-tET tempering of octone (15/14 60/49 5/4 10/7 3/2 12/7 7/4 2)
oldani.scl 12 5-limit JI scale by Norbert L. Oldani (1987), Interval 5(3), p.10-11
oljare.scl 12 Mats Öljare, scale for "Tampere" (2001)
oljare17.scl 8 Mats Öljare, scale for "Fafner" (2001), MOS in 17-tET, Sentinel[8]
olympos.scl 5 Scale of ancient Greek flutist Olympos, 6th century BC as reported
by Partch
omaha.scl 12 Omaha 2.3.11 just scale
omahat.scl 12 243/242 tempered Omaha 2.3.11 scale, 380-tET tuning
opelt.scl 19 Friederich Wilhelm Opelt 19-tone
organ1373a.scl 12 English organ tuning (1373) with 18:17:16 ficta semitones (Eb-G#)
organ1373b.scl 12 English organ tuning (1373) with 18:17:16 accidental semitones
(Eb-G#), Pythagorean whole tones
orwell-graham.scl 9 Orwell tempering of [16/15, 7/6, 5/4, 11/8, 3/2, 8/5, 7/4, 15/8, 2],
53-tET tuning
orwell13-modmos-containing-minvera12.scl
13 A MODMOS of orwell[13] (LLsLLssLLLsLL) containing a differently-
tempered version of minerva12.scl, POTE tuning
orwell13eb.scl 13 Equal beating version of Orwell[13], x^10 + 2x^3 - 8 generator
orwell13trans.scl 13 Orwell[13] 5-limit symmetric transversal
orwell13trans57.scl 13 Orwell[13] 2.5.7 symmetric transversal
orwell13trans57ex.scl 39 Orwell[13] extended 2.5.7 transversal
orwell22.scl 22 Orwell[22] 7-limit 6 cents lesfip optimized
orwell22trans.scl 22 Orwell[22] 5-limit transversal
orwell22trans57.scl 22 Orwell[22] 2.5.7 transversal
orwell31trans.scl 31 Orwell[31] 5-limit transversal
orwell31trans57.scl 31 Orwell[31] 2.5.7 symmetric transversal
orwell9-12.scl 12 Twelve notes of Orwell[9], POTE tuning. Useful to retune 12-tET
To Orwell[9]
orwellismic22_11.scl 22 Unidecimal Orwellismic[22] {1728/1715, 540/539} hobbit in
111-tET
orwellismic9.scl 9 Orwellismic[9] 1728/1715 hobbit in 142-tET
p4.scl 4 First 4 primes, for testing tempering
p5a.scl 9 First 5 primes plus superparticulars, for testing tempering
p6a.scl 11 First 6 primes plus superparticulars, for testing tempering
pagano_b.scl 12 Pat Pagano and David Beardsley, 17-limit scale, TL 27-2-2001
pajara_mm.scl 22 Paul Erlich's Pajara or Twintone with minimax optimal generator
and just octave
pajara_rms.scl 22 Paul Erlich's Pajara or Twintone with RMS optimal generator and
just octave
pajara_top.scl 22 Paul Erlich's Pajara, TOP tuning
pajhedgepythquas1.scl 22 Pajara-hedgehog-superpyth-quasisuper wakalix 1
pajhedgepythquas2.scl 22 Pajara-hedgehog-superpyth-quasisuper wakalix 2
pajmagorpor22.scl 22 Pajara-magic-orwell-porcupine Fokker block
pajmagorpor22apollo.scl 22 Apollo tempering of pajmagorpor22, POTE tuning
pajmagorpor22ares.scl 22 Ares tempering of pajmagorpor22, POTE tuning
pajmagorpor22marvel.scl 22 Marvel tempering of pajmagorpor22, POTE tuning
pajmagorpor22minerva.scl 22 Minerva tempering of pajmagorpor22, POTE tuning
pajmagorpor22supermagic.scl 22 Supermagic tempering of pajmagorpor22, POTE tuning
pajmagorpor22_100.scl 22 Rank four 100/99 tempering of pajmagorpor22, POTE tuning
palace.scl 12 Palace mode+
palace2.scl 7 Byzantine Palace mode, 17-limit
panpipe1.scl 6 Palina panpipe of Solomon Islands, 1/1=f+45c, from Ocora CD
Guadalcanal
panpipe2.scl 15 Lalave panpipe of Solomon Islands. 1/1=f'+47c.
panpipe3.scl 15 Tenaho panpipe of Solomon Islands. 1/1=f'+67c.
parachrom.scl 7 Parachromatic, new genus 5 + 5 + 20 parts
parakleismic.scl 42 Parakleismic temperament, g=315.250913, 5-limit
parapyth12-7.scl 12 2.3.7 transversal of parapyth12
parapyth12.scl 12 A triple Fokker block of the 2.3.7.11.13 temperament called
Parapyth, TOP tuning
parapyth12trans.scl 12 A JI transversal of parapyth17.scl for use in calculations. If you
temper out 352/351 and 364/363 it becomes parapyth17
parapyth17-7.scl 17 2.3.7 transversal of parapyth17
parapyth17trans.scl 17 A JI transversal of parapyth17.scl for use in calculations. If you
temper out 352/351 and 364/363 it becomes parapyth17
parizekhex.scl 17 Union of the parizek-miller wakalix hexagon, itself a 17c wakalix
parizek_13lqmt.scl 12 13-limit Quasi-meantone (darker)
parizek_17lqmt.scl 12 17-limit Quasi-meantone
parizek_7lmtd1.scl 12 7-limit Quasi-Meantone No. 1, 1/1=D
parizek_7lqmtd2.scl 12 7-limit Quasi-meantone no. 2 (1/1 is D)
parizek_cirot.scl 12 Overtempered circular tuning (1/1 is F)
parizek_epi.scl 12 In The Epimoric World
parizek_epi2.scl 24 In the Epimoric World - extended (version for two keyboards)
parizek_epi2a.scl 24 In the Epimoric World 2a (Almost the same as EPI2)
parizek_ji1.scl 12 Petr Parizek, 12-tone septimal tuning (2002). Dominant-diminished-
pajara-injera-meantone wakalix
parizek_jiweltmp.scl 12 19-limit Rational Well Temperament
parizek_jiwt2.scl 12 Rational Well Temperament 2 (1/1 is Db)
parizek_jiwt3.scl 12 Rational Well-temperament 3
parizek_llt7.scl 7 7-tone mode of Linear Level Tuning 2000 (= wilson_helix.scl)
parizek_lt13.scl 13 Linear temperament, g=sqrt(11/8)
parizek_lt130.scl 13 Linear temperament, g=13th root of 130, with good 1:2:5:11:13.
TL 23-03-2008
parizek_meanqr.scl 12 Rational approx. of 1/4-comma meantone for beat-rate tuning, 1/1
= 257.2 Hz, TL 17-12-2005
parizek_part7_12.scl 12 Partial 7-limit half-octave temperament
parizek_qmeb1.scl 12 Equal beating quasi-meantone tuning no. 1 - F...A# (1/1 =
261.7Hz)(3/2 5/3 5/4 7/4 7/6)
parizek_qmeb2.scl 12 Equal beating quasi-meantone tuning no. 2 - F...A# (1/1 =
262.7Hz)
parizek_qmeb3.scl 12 Equal beating quasi-meantone tuning no. 3 - F...A#. 1/1 = 262Hz
parizek_qmtp12.scl 12 12-tone quasi-meantone tuning with 1/9 Pyth. comma as basic
tempering unit (F...A#)
parizek_qmtp24.scl 24 24-tone quasi-meantone tuning with 1/9 Pyth. comma as basic
tempering unit (Bbb...C##)
parizek_ragipuq1.scl 17 17-step ragisma pump, symmetric (7/6, 5/1, 2/7)
parizek_rphi.scl 10 The most difficult 10-tone quasi-linear normalized phi chain
parizek_syndiat.scl 12 Petr Parizek, diatonic scale with syntonic alternatives
parizek_syntonal.scl 12 Petr Parizek, Syntonic corrections in JI tonality, Jan. 2004
parizek_temp.scl 6 Nice small scale, TL 10-12-2007
parizek_temp19.scl 12 Petr Parizek, genus [3 3 19 19 19] well temperament
parizek_triharmon.scl 20 The triharmonic scale
parizek_well.scl 12 Well-temperament with 1/6-P fifths
parizek_xid1.scl 16 Semisixth in two octaves
parizek_xid2.scl 16 Semitenth in two octaves
parrot.scl 14 jamesbond-bipelog-decimal-injera 14c wakalix
part12.scl 12 9+3=12 partition scale <12 19 27| epimorphic
partch-barstow.scl 18 Guitar scale for Partch's Barstow (1941, 1968)
partch-greek.scl 12 Partch Greek scales from "Two Studies on Ancient Greek Scales"
on black/white
partch-grm.scl 9 Partch Greek scales from "Two Studies on Ancient Greek Scales"
mixed
partch-indian.scl 22 Partch's Indian Chromatic, Exposition of Monophony, 1933
partch_29-av.scl 29 29-tone JI scale from Partch's Adapted Viola (1928-1930)
partch_29.scl 29 Partch/Ptolemy 11-limit Diamond
partch_37.scl 37 From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9
no.2
partch_39.scl 39 Ur-Partch Keyboard 39 tones, published in Interval
partch_41.scl 41 13-limit Diamond after Partch, Genesis of a Music, p 454, 2nd
edition
partch_41a.scl 41 From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9
no.2
partch_41comb.scl 41 41-tone JI combination from Partch's 29-tone and 37-tone scales
partch_43.scl 43 Harry Partch's 43-tone pure scale
partch_43a.scl 43 From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9
no.2
patala.scl 7 Observed patala tuning from Burma, Helmholtz/Ellis p. 518, nr.83
paulsmagic.scl 22 Circulating Magic[22] lesfip, 9-limit, 12 cent tolerance, from Paul
Erlich erlich5.scl
pel-pelog.scl 7 Pelog-like pelogic[7]
pelog1.scl 7 Gamelan Saih pitu from Ksatria, Den Pasar (South Bali). 1/1=312.5
Hz
pelog10.scl 7 Balinese saih 7 scale, Krobokan. 1/1=275 Hz. McPhee, Music in Bali,
1966
pelog11.scl 7 Balinese saih pitu, gamelan luang, banjar Sèséh. 1/1=276 Hz.
McPhee, 1966
pelog12.scl 7 Balinese saih pitu, gamelan Semar Pegulingan, Tampak Gangsai,
1/1=310, McPhee
pelog13.scl 7 Balinese saih pitu, gamelan Semar Pegulingan, Klungkung, 1/1=325.
McPhee, 1966
pelog14.scl 7 Balinese saih pitu, suling gambuh, Tabanan, 1/1=211 Hz, McPhee,
1966
pelog15.scl 7 Balinese saih pitu, suling gambuh, Batuan, 1/1=202 Hz. McPhee,
1966
pelog16.scl 5 Balinese 5-tone pelog, "Tembung chenik", 1/1=273 Hz, McPhee,
1966
pelog17.scl 5 Balinese 5-tone pelog, "Selisir Sunarèn", 1/1=310 Hz, McPhee, 1966
pelog18.scl 5 Balinese 5-tone pelog, "Selisir pelègongan", 1/1=305 Hz, McPhee,
1966
pelog19.scl 5 Balinese 5-tone pelog, "Demung", 1/1=362 Hz, McPhee, 1966
pelog2.scl 7 Bamboo gambang from Batu lulan (South Bali). 1/1=315 Hz
pelog20.scl 4 Balinese 4-tone pelog, gamelan bebonang, Sayan village, 1/1=290 Hz,
McPhee, 1966
pelog3.scl 5 Gamelan Gong from Padangtegal, distr. Ubud (South Bali). 1/1=555
Hz
pelog4.scl 7 Hindu-Jav. demung, excavated in Banjarnegara. 1/1=427 Hz
pelog5.scl 7 Gamelan Kyahi Munggang (Paku Alaman, Jogja). 1/1=199.5 Hz
pelog6.scl 6 Gamelan Semar pegulingan, Ubud (S. Bali). 1/1=263.5 Hz
pelog7.scl 7 Gamelan Kantjilbelik (kraton Jogja). Measured by Surjodiningrat,
1972.
pelog8.scl 14 from William Malm: Music Cultures of the Pacific, the Near East and
Asia.
pelogic.scl 9 Pelogic temperament, g=521.089678, 5-limit
pelogic2.scl 12 Pelogic temperament, g=677.137654 in cycle of fifths order
pelog_24.scl 7 Subset of 24-tET (Sumatra?). Also Arabic Segah (Dudon) Two
4+3+3 tetrachords
pelog_9.scl 7 9-tET "Pelog"
pelog_a.scl 7 Pelog, average class A. Kunst 1949
pelog_av.scl 7 "Normalised Pelog", Kunst, 1949. Average of 39 Javanese gamelans
pelog_b.scl 7 Pelog, average class B. Kunst 1949
pelog_c.scl 7 Pelog, average class C. Kunst 1949
pelog_he.scl 7 Observed Javanese Pelog scale, Helmholtz/Ellis p. 518, nr.96
pelog_jc.scl 5 John Chalmers' Pelog, on keys C# E F# A B c#, like Olympos'
Enharmonic on 4/3. Also hirajoshi2
pelog_laras.scl 7 Lou Harrison, gamelan "Si Betty"
pelog_mal.scl 5 Malaysian Pelog, Pierre Genest: Différentes gammes encore en
usage
pelog_me1.scl 7 Gamelan Kyahi Kanyut Mesem pelog (Mangku Nagaran). 1/1=295
Hz
pelog_me2.scl 7 Gamelan Kyahi Bermara (kraton Jogja). 1/1=290 Hz
pelog_me3.scl 7 Gamelan Kyahi Pangasih (kraton Solo). 1/1=286 Hz
pelog_pa.scl 7 "Blown fifth" pelog, von Hornbostel, type a.
pelog_pa2.scl 7 New mixed gender Pelog
pelog_pb.scl 7 "Primitive" Pelog, step of blown semi-fourths, von Hornbostel, type
b.
pelog_pb2.scl 7 "Primitive" Pelog, Kunst: Music in Java, p. 28
pelog_schmidt.scl 7 Modern Pelog designed by Dan Schmidt and used by Berkeley
Gamelan
pelog_selun.scl 11 Gamelan selunding from Kengetan, South Bali (Pelog), 1/1=141 Hz
pelog_slen.scl 11 W.P. Malm, pelog+slendro, Musical Cultures Of The Pacific, The
Near East, And Asia. P: 1,3,5,6,8,10; S: 2,4,7,9
pelog_str.scl 9 JI Pelog with stretched 2/1 and extra tones between 2-3, 6-7. Wolf,
XH 11, '87
penchgah pentachord 7-limit.scl
4 Penchgah pentachord 40:45:50:56:60
penta1.scl 12 Pentagonal scale 9/8 3/2 16/15 4/3 5/3
penta2.scl 12 Pentagonal scale 7/4 4/3 15/8 32/21 6/5
pentadekany.scl 15 2)6 1.3.5.7.11.13 Pentadekany (1.3 tonic)
pentadekany2.scl 15 2)6 1.3.5.7.9.11 Pentadekany (1.3 tonic)
pentatetra1.scl 9 Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 =
4/3
4/3
4/3
pentatriad.scl 11 4:5:6 Pentatriadic scale
pentatriad1.scl 11 3:5:9 Pentatriadic scale
penta_opt.scl 5 Optimally consonant major pentatonic, John deLaubenfels (2001)
pepper.scl 17 Keenan Pepper's 17-tone jazz tuning, TL 07-06-2000
pepper2.scl 12 Keenan Pepper's "Noble Fifth" with chromatic/diatonic semitone =
Phi (12)
pepper_archytas12.scl 12 A 3-distributionally even scale in archytas (64/63 planar)
temperament
pepper_archytas7.scl 7 A trivalent scale in archytas (64/63 planar) temperament
pepper_archytas8.scl 8 A 3-distributionally even scale in archytas (64/63 planar)
temperament
pepper_didymus9.scl 9 A trivalent scale in didymus (81/80 planar) temperament
pepper_jubilee12.scl 12 A 3-distributionally even scale in jubilee (50/49 planar)
temperament
pepper_meantone-killer.scl 15 15 circulating notes of porcupine (sort of nusecond in the far
keys)
pepper_orwellian13.scl 13 A trivalent scale in orwellian temperament
pepper_orwellian9.scl 9 A trivalent scale in orwellian temperament
pepper_portent11.scl 11 A trivalent scale in portent temperament
pepper_sengic7.scl 7 A trivalent scale in sengic temperament
pepper_sengic8.scl 8 A 3-distributionally even scale in sengic temperament
pepper_sengic9.scl 9 A trivalent scale in sengic temperament
pepper_sonic13.scl 13 A trivalent scale in sonic temperament
pepper_sonic15.scl 15 A trivalent scale in sonic temperament
pepper_starling11.scl 11 A trivalent scale in starling temperament
pepper_starling7.scl 7 A trivalent scale in starling temperament
pepper_zeus7.scl 7 A trivalent scale in zeus temperament
pepper_zeus8.scl 8 A 3-distributionally even scale in zeus temperament
perkis-indian.scl 22 Indian 22 Perkis
perrett-tt.scl 19 Perrett Tierce-Tone
perrett.scl 7 Perrett / Tartini / Pachymeres Enharmonic
perrett_14.scl 14 Perrett's 14-tone system (subscale of tierce-tone)
perrett_chrom.scl 7 Perrett's Chromatic
perry.scl 12 Robin Perry, Tuning List 22-9-'98
perry2.scl 12 Robin Perry, 7-limit scale, TL 22-10-2006
perry3.scl 13 Robin Perry, symmetrical 3,5,17 scale, TL 22-10-2006
perry4.scl 27 Robin Perry, Just About fretboard
persian-far.scl 17 Hormoz Farhat, average of observed Persian tar and sehtar tunings
(1966)
persian-far53.scl 18 Hormoz Farhat, pitches in The Dastgah Concept in Persian Music
in 53-tET
persian-hr.scl 18 Hatami-Rankin Persian scale
persian-vaz.scl 17 Vaziri's Persian tuning, using quartertones
persian.scl 17 Persian Tar Scale, from Dariush Anooshfar, TL 2-10-94
persian2.scl 17 Traditional Persian scale, from Mark Rankin
phi1_13.scl 13 Pythagorean scale with (Phi + 1) / 2 as fifth
phillips_19.scl 19 Pauline Phillips, organ manual scale, TL 7-10-2002
phillips_19a.scl 19 Adaptation by Gene Ward Smith with more consonant chords, TL
25-10-2002
phillips_22.scl 22 All-key 19-limit JI scale (2002), TL 21-10-2002
phillips_ji.scl 21 Pauline Phillips, JI 0 #/b "C" scale (2002), TL 8-10-2002
phi_10.scl 10 Pythagorean scale with Phi as fifth
phi_11.scl 11 Non-octave Phi-based scale, Aaron Hunt, TL 29-08-2007
phi_12.scl 12 Non-octave Pythagorean scale with Phi as fourth. Jacky Ligon TL 12-
04-2001
phi_13.scl 13 Pythagorean scale with Phi as fifth
phi_13a.scl 13 Non-octave Pythagorean scale with Phi as fifth, Jacky Ligon TL 12-
04-2001
phi_13b.scl 13 Non-octave Pythagorean scale with 12 3/2s, Jacky Ligon, TL 12-04-
2001
phi_7b.scl 7 Heinz Bohlen's Pythagorean scale with Phi as fifth (1999)
phi_7be.scl 7 36-tET approximation of phi_7b
phi_8.scl 8 Non-octave Pythagorean scale with 4/3s, Jacky Ligon, TL 12-04-2001
phi_8a.scl 8 Non-octave Pythagorean scale with 5/4s, Jacky Ligon, TL 12-04-2001
phi_inv_13.scl 13 Phi root of 2 generator, WF=Fibonacci series. Jacky Ligon/Aaron
Johnson
phi_inv_8.scl 8 Phi root of 2 generator, WF=Fibonacci series. Jacky Ligon/Aaron
Johnson
phi_mos2.scl 9 Period Phi, generator 2nd successive golden section of Phi, Cameron
Bobro
phi_mos3.scl 7 Period Phi, generator 3rd successive golden section of Phi, Cameron
Bobro
phi_mos4.scl 11 Period Phi, generator 4th successive golden section of Phi, Cameron
Bobro
phrygian.scl 12 Old Phrygian ??
phrygian_diat.scl 24 Phrygian Diatonic Tonos
phrygian_enh.scl 12 Phrygian Enharmonic Tonos
phryg_chromcon2.scl 7 Harmonic Conjunct Chromatic Phrygian
phryg_chromconi.scl 7 Inverted Conjunct Chromatic Phrygian
phryg_chrominv.scl 7 Inverted Schlesinger's Chromatic Phrygian
phryg_chromt.scl 24 Phrygian Chromatic Tonos
phryg_diat.scl 8 Schlesinger's Phrygian Harmonia, a subharmonic series through 13
from 24
phryg_diatcon.scl 7 A Phrygian Diatonic with its own trite synemmenon replacing
paramese
phryg_diatinv.scl 7 Inverted Conjunct Phrygian Harmonia with 17, the local Trite
Synemmenon
phryg_diatsinv.scl 8 Inverted Schlesinger's Phrygian Harmonia, a harmonic series from
12 from 24
phryg_enh.scl 7 Schlesinger's Phrygian Harmonia in the enharmonic genus
phryg_enhcon.scl 7 Harmonic Conjunct Enharmonic Phrygian
phryg_enhinv.scl 7 Inverted Schlesinger's Enharmonic Phrygian Harmonia
phryg_enhinv2.scl 7 Inverted harmonic form of Schlesinger's Enharmonic Phrygian
phryg_penta.scl 7 Schlesinger's Phrygian Harmonia in the pentachromatic genus
phryg_pis.scl 15 The Diatonic Perfect Immutable System in the Phrygian Tonos
phryg_tri1.scl 7 Schlesinger's Phrygian Harmonia in the chromatic genus
phryg_tri1inv.scl 7 Inverted Schlesinger's Chromatic Phrygian Harmonia
phryg_tri2.scl 7 Schlesinger's Phrygian Harmonia in the second trichromatic genus
phryg_tri3.scl 7 Schlesinger's Phrygian Harmonia in the first trichromatic genus
piano.scl 19 Enhanced Piano Total Gamut, 1/1 vol.8 no.2 January 1994
piano7.scl 12 Enhanced piano 7-limit
pipedum_10.scl 10 2048/2025, 34171875/33554432 are homophonic intervals
pipedum_10a.scl 10 2048/2025, 25/24 are homophonic intervals
pipedum_10b.scl 10 225/224, 64/63, 25/24 are homophonic intervals
pipedum_10c.scl 10 225/224, 64/63, 49/48 are homophonic intervals
pipedum_10d.scl 10 1029/1024, 2048/2025, 64/63 are homophonic intervals
pipedum_10e.scl 10 2048/2025, 64/63, 49/48 are homophonic intervals
pipedum_10f.scl 10 225/224, 64/63, 28/27 are homophonic intervals
pipedum_10g.scl 10 225/224, 1029/1024, 2048/2025 are homophonic intervals
pipedum_10h.scl 10 225/224, 1029/1024, 64/63 are homophonic intervals
pipedum_10i.scl 10 225/224, 2048/2025, 49/48 are homophonic intervals
pipedum_10j.scl 10 25/24, 28/27, 49/48, Gene Ward Smith, 2002
pipedum_10k.scl 10 2048/2025, 225/224, 2401/2400
pipedum_10l.scl 10 64/63, 225/224 and 2401/2400
pipedum_10m.scl 10 2.7.13 Fokker block (free-floating parallelogram definition)
343/338, 28672/28561. Keenan Pepper, 2011
pipedum_11a.scl 11 126/125, 1728/1715, 10/9, Gene Ward Smith, 2002
pipedum_11b.scl 11 16/15, 49/45, 126/125, Carl Lumma, 2010
pipedum_12b.scl 12 64/63, 50/49 comma, 36/35 chroma
pipedum_12c.scl 12 225/224, 64/63, 36/35 are homophonic intervals
pipedum_12d.scl 12 50/49, 128/125, 225/224 are homophonic intervals
pipedum_12e.scl 12 50/49, 225/224, 3136/3125 are homophonic intervals
pipedum_12f.scl 12 128/125, 3136/3125, 703125/702464 are homophonic intervals
pipedum_12g.scl 12 50/49, 225/224, 28672/28125 are homophonic intervals
pipedum_12h.scl 12 2048/2025, 67108864/66430125, Gene Ward Smith, 2004
pipedum_12i.scl 12 64/63, 6561/6272, Gene Ward Smith, 2004
pipedum_12j.scl 12 6561/6272, 59049/57344
pipedum_12k.scl 12 64/63, 729/686, a no-fives 7-limit Fokker block, Gene Ward
Smith, 2004
pipedum_12l.scl 12 81/80, 361/360, 513/512, Gene Ward Smith
pipedum_13.scl 13 33275/32768, 163840/161051 are homophonic intervals. Op de
Coul, 2001
pipedum_130.scl 130 2401/2400, 3136/3125, 19683/19600, Gene Ward Smith, 2002
pipedum_13b.scl 13 15/14, 3136/3125, 6144/6125, Gene Ward Smith, 2002
pipedum_13bp.scl 13 78732/78125, 250/243, twelfth based, Manuel Op de Coul, 2003
pipedum_13bp2.scl 13 250/243, 648/625, twelfth based, Manuel Op de Coul, 2003
pipedum_13c.scl 13 15/14, 2401/2400, 6144/6125, Gene Ward Smith, 2002
pipedum_13d.scl 13 125/121, 33275/32768, Joe Monzo, 2003
pipedum_13e.scl 13 33275/32768, 163840/161051, Op de Coul, 2004
pipedum_14.scl 14 81/80, 49/48, 2401/2400, Paul Erlich, TL 17-1-2001
pipedum_140.scl 140 2401/2400, 5120/5103, 15625/15552
pipedum_14a.scl 14 81/80, 50/49, 2401/2400, Paul Erlich, 2001
pipedum_14c.scl 14 245/243, 50/49 comma, 25/24 chroma
pipedum_15.scl 15 126/125, 128/125, 875/864, 5-limit, Paul Erlich, 2001
pipedum_15a.scl 15 Septimal version of pipedum_15, Manuel Op de Coul, 2001
pipedum_15b.scl 15 126/125, 128/125, 1029/1024, Paul Erlich, 2001
pipedum_15c.scl 15 49/48, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_15d.scl 15 64/63, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_15e.scl 15 64/63, 875/864, 1029/1024, Paul Erlich, 2001
pipedum_15f.scl 15 126/125, 64/63 comma, 28/27 chroma
pipedum_15g.scl 15 128/125, 250/243
pipedum_15h.scl 15 121/120, 1331/1323, 4375/4356, 15625/15552
pipedum_16.scl 16 50/49, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_17c.scl 17 1605632/1594323, 177147/175616, Manuel Op de Coul, 2002
pipedum_17d.scl 17 243/242, 99/98, 64/63, Manuel Op de Coul, 2002
pipedum_17e.scl 17 245/243, 1728/1715, 32805/32768, Manuel Op de Coul, 2003
pipedum_17f.scl 17 243/242, 8192/8019, Manuel Op de Coul
pipedum_17g.scl 17 243/242, 896/891, 99/98, Manuel Op de Coul
pipedum_19b.scl 19 225/224, 3136/3125, 4375/4374, Op de Coul, 2000
pipedum_19f.scl 19 225/224, 245/243, 3645/3584, Paul Erlich, 2001
pipedum_19g.scl 19 10976/10935, 225/224, 126/125, Paul Erlich, 2001
pipedum_19h.scl 19 126/125, 81/80 comma, 49/48 chroma
pipedum_19i.scl 19 225/224, 81/80 comma, 49/48 chroma
pipedum_19k.scl 19 21/20, 3136/3125, 6144/6125, Gene Ward Smith, 2002
pipedum_19l.scl 19 21/20, 2401/2400, 6144/6125, Gene Ward Smith, 2002
pipedum_19m.scl 19 126/125, 1728/1715, 16/15, Gene Ward Smith, 2002
pipedum_19n.scl 19 126/125, 2401/2400, 16/15, Gene Ward Smith, 2002
pipedum_19o.scl 19 16875/16384, 81/80
pipedum_20.scl 20 9801/9800, 243/242, 126/125, 100/99, Paul Erlich, 2000
pipedum_21.scl 21 36/35, 225/224, 2401/2400, P. Erlich, 2001. Just PB version of
miracle1.scl
pipedum_21a.scl 21 1029/1024, 81/80 comma, 25/24 chroma
pipedum_21c.scl 21 128/125, 34171875/33554432 Fokker block
pipedum_22b.scl 22 2025/2048, 245/243, 64/63, P. Erlich "7-limit Indian", TL 19-12-
2000
pipedum_22b2.scl 22 Version of pipedum_22b with other shape, Paul Erlich
pipedum_22h.scl 22 225/224, 1728/1715, 875/864, Paul Erlich, 2001
pipedum_22i.scl 22 1728/1715, 245/243, 245/243, Paul Erlich, 2001
pipedum_22k.scl 22 121/120, 2048/2025, 4125/4096, Manuel Op de Coul
pipedum_22l.scl 22 121/120, 736/729, 100/99, 2048/2025
pipedum_22m.scl 22 Pajara-magic-orwell-porcupine 385/384, 176/175, 100/99 and
225/224
pipedum_23.scl 23 6144/6125, 15625/1552, 5103/5000, Manuel Op de Coul, 2003
pipedum_24.scl 24 121/120, 16384/16335, 32805/32768. Manuel Op de Coul, 2001
pipedum_26b.scl 26 81/80, 78125/73728, Gene Ward Smith, 2005
pipedum_27.scl 27 126/125, 1728/1715, 4000/3969 are homophonic intervals, Paul
Erlich
pipedum_27h.scl 27 2401/2400, 1728/1715, 64/63, Paul Erlich, 2001
pipedum_27i.scl 27 2401/2400, 1728/1715, 245/243, Paul Erlich, 2001
pipedum_27j.scl 27 78732/78125, 390625000/387420489
pipedum_27k.scl 27 67108864/66430125, 25/24
pipedum_28.scl 28 393216/390625, 16875/16384
pipedum_29a.scl 29 49/48, 55/54, 65/64, 91/90, 100/99
pipedum_31.scl 31 81/80, 225/224, 1029/1024 are homophonic intervals
pipedum_31a2.scl 31 Variant of pipedum_31a, corner clipped genus
pipedum_31c.scl 31 126/125, 225/224, 1029/1024, Op de Coul
pipedum_31d.scl 31 1728/1715, 225/224, 81/80
pipedum_31e.scl 31 81/80, 126/125, 1029/1024, "Synstargam", Gene Ward Smith,
2005
pipedum_31f.scl 31 225/224, 2401/2400, 1728/1715
pipedum_31g.scl 31 540/539, 2401/2400, 3025/3024, 5632/5625
pipedum_32.scl 32 225/224, 2048/2025, 117649/116640
pipedum_32a.scl 32 589824/588245, 225/224, 2048/2025
pipedum_342.scl 342 kalisma, ragisma, schisma and Breedsma, Manuel Op de Coul,
2001
pipedum_34a.scl 34 15625/15552, 2048/2025, Manuel Op de Coul, 2001
pipedum_34b.scl 34 100/99, 243/242, 5632/5625, Manuel Op de Coul
pipedum_36.scl 36 1029/1024, 245/243 comma, 50/49 chroma, Gene Ward Smith,
2001
pipedum_36a.scl 36 1125/1024, 531441/524288, Op de Coul
pipedum_38.scl 38 81/80, 1224440064/1220703125, Manuel Op de Coul, 2001
pipedum_41.scl 41 100/99, 105/104, 196/195, 275/273, 385/384, Paul Erlich, TL 3-
11-2000
pipedum_41a.scl 41 pipedum_41 improved shape by Manuel Op de Coul, all intervals
superparticular
pipedum_41b.scl 41 pipedum_41 more improved shape by M. OdC, all intervals
superparticular
pipedum_41c.scl 41 225/224, 245/243, 1029/1024, Gene Ward Smith, 2002
pipedum_41d.scl 41 33554432/33480783, 1029/1024
pipedum_45a.scl 45 81/80, 2401/2400, 4375/4374, Gene Ward Smith
pipedum_46b.scl 46 2048/2025, 78732/78125
pipedum_46c.scl 46 126/125, 176/175, 385/384, 896/891, Paul Erlich
pipedum_46d.scl 46 91/90, 121/120, 126/125, 169/168, 176/175
pipedum_53a.scl 53 225/224, 1728/1715, 4375/4374, Manuel Op de Coul, 2001
pipedum_53c.scl 53 225/224, 2430/2401 and 5120/5103
pipedum_58.scl 58 9801/9800, 2401/2400, 5120/5103, 896/891
pipedum_58a.scl 58 126/125, 144/143, 176/175, 196/195, 364/363
pipedum_5a.scl 5 27/25, 81/80
pipedum_65.scl 65 1216/1215, 32805/32768, 39858075/39845888. Manuel Op de
Coul, 2001
pipedum_65a.scl 65 78732/78125, 32805/32768
pipedum_72a.scl 72 4375/4374, 2401/2400, 15625/15552, Manuel Op de Coul, 2002
pipedum_72b.scl 72 225/224, 3025/3024, 1375/1372, 4375/4374
pipedum_72b2.scl 72 Optimised version of pipedum_72b, Manuel Op de Coul
pipedum_72c.scl 72 441/440, 2401/2400, 4375/4374, 1375/1372
pipedum_8.scl 8 50/49, 126/125 and 686/675
pipedum_87.scl 87 67108864/66430125, 15625/15552, Op de Coul
pipedum_8a.scl 8 16/15 and 250/243, or 250/243 and 648/625
pipedum_9.scl 9 225/224, 49/48, 36/35 are homophonic intervals
pipedum_9a.scl 9 4375/4374, 2401/2400, 21/20
pipedum_9b.scl 9 128/125, 2109375/2097152
pipedum_9c.scl 9 49/48, 21/20, 99/98, 121/120, Gene Ward Smith, 2002
pipedum_9d.scl 9 128/125, 36/35, 99/98, 121/120, Gene Ward Smith, 2002
pipedum_9e.scl 9 21/20, 27/25, 128/125
pleyel-dussek.scl 12 Pleyel and Dussek's temperament (1797) according to vague
instructions
plum.scl 12 686/675 comma pump scale in 46-tET
polansky_owt1.scl 12 Optimal WT 1, from A Math. Model for Optimal Tuning
Systems, 2008
polansky_owt2.scl 12 Optimal WT 2, from A Math. Model for Optimal Tuning
Systems, 2008
polansky_ps.scl 50 Three interlocking harmonic series on 1:5:3 by Larry Polansky in
Psaltery
ponsford1.scl 12 David Ponsford Bach temperament I (2005)
ponsford2.scl 12 David Ponsford Bach temperament II (2005)
poole-rod.scl 17 Rod Poole's 13-limit scale
poole.scl 7 Henry Ward Poole's double diatonic or dichordal scale, also Ewan
Macpherson's experimentally-verified great highland bagpipe tuning
poole_100.scl 100 Henry Ward Poole's 100 note 7-limit scale, Helmholtz page 474
porcupine.scl 37 Porcupine temperament, g=162.996, 7-limit
porcupine15cfip.scl 15 A circulating Porcupine[15] lesfip scale, 11-limit target, 15 cent
tolerance
porcupine15fip.scl 15 Lesfip version of Porcupine[15], 11-limit diamond target, 15 cent
tolerance
porcupine15lfip.scl 15 Porcupine-related lesfip scale
porcupinewoo15.scl 15 [8/5 12/7] eigenmonzo porcupine, -6 to 8 gamut
porcupinewoo22.scl 22 [8/5 12/7] eigenmonzo porcupine, -10 to 11 gamut
portbag1.scl 7 Portugese bagpipe tuning
portbag2.scl 10 Portugese bagpipe tuning 2
portent11tri.scl 11 Portent tempered scale with trivalence proprty, 190et tuning,
abababababc
portent26.scl 26 Portent[26] hobbit minimax tuning
portsmouth.scl 12 Portsmouth, a 2.3.7.11 subgroup scale
pps7.scl 7 Merged transpositions of superparticular 8/7 7/6 6/5 5/4 4/3 3/2 2/1
precata19.scl 19 Cata[19] transversal
prelleur.scl 12 Peter Prelleur's well temperament (1731)
preston.scl 12 Preston's equal beating temperament (1785)
preston2.scl 12 Preston's theoretically correct well temperament
primewak15.scl 15 Blacksmith-augene-porcupine-progress-kumbaya-nuke 13-limit
wakalix; all generators -7 to 7; patent epimorphic
prime_10.scl 10 First 10 prime numbers reduced by 2/1
prime_12.scl 12 Prime dodecatonic scale
prime_5.scl 5 What Lou Harrison calls "the Prime Pentatonic", a widely used scale
prime_7.scl 7 Prime heptatonic scale
prinz.scl 12 Prinz well-tempermament (1808)
prinz2.scl 12 Prinz equal beating temperament (1808)
pris.scl 12 Optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale.
prisun.scl 12 Unimarv tempered pris/cv3, 166-tET
prod13.scl 27 13-limit binary products [1 3 5 7 9 11 13]
prod7d.scl 39 Double Cubic Corner 7-limit. Chalmers '96
prod7s.scl 20 Single Cubic Corner 7-limit = superstellated three out of 1 3 5 7
tetrany
prodigy11.scl 11 Prodigy[11] (225/224, 441/400) hobbit in 72-tET
prodigy12.scl 12 Prodigy[12] (225/224, 441/440) hobbit, 72-tET tuning. As a miracle
scale, [-8, -7, -6, -2, -1, 0, 1, 2, 5, 6, 7, 8]
prodigy29.scl 29 Prodigy[29] (225/224, 441/440) hobbit irregular tuning
prodq13.scl 40 13-limit Binary products&quotients. Chalmers '96
prog_ennea.scl 9 Progressive Enneatonic, 50+100+150+200 cents in each half (500
cents)
prog_ennea1.scl 9 Progressive Enneatonic, appr. 50+100+150+200 cents in each half
(500 cents)
(500 cents)
(500 cents)
prooijen1.scl 7 Kees van Prooijen, major mode of Bohlen-Pierce
prooijen2.scl 7 Kees van Prooijen, minor mode of Bohlen-Pierce
prop10a.scl 10 10 note proper scale, 11-limit optimized
prop10b.scl 10 10 note proper scale, 11-limit optimized
prop10c.scl 10 10 note proper scale, 11-limit optimized
prop10d.scl 10 10 note proper scale, 11-limit optimized
prop10e.scl 10 10 note proper scale, 13-limit optimized
prop10f.scl 11 10 note proper scale, 13-limit optimized
prop10g.scl 10 10 note proper scale, 13-limit optimized
prop10h.scl 10 10 note proper scale, 11-limit optimized
prop10i.scl 10 10 note proper scale, 11-limit optimized
prop10j.scl 10 10 note proper scale, 11-limit optimized
prop10k.scl 10 10 note proper scale, 11-limit optimized
prop10l.scl 10 10 note proper scale, 11-limit optimized
prop8i.scl 8 8 note proper scale, 11-limit optimized
prop9l.scl 9 9 note proper scale, 13-limit optimized
prop9o.scl 9 9 note proper scale, 11-limit optimized
prop9q.scl 9 9 note proper scale, 11-limit optimized
prop9r.scl 9 9 note proper scale, 11-limit optimized
ps-dorian.scl 7 Complex 4 of p. 115 based on Archytas's Enharmonic
ps-enh.scl 7 Dorian mode of an Enharmonic genus found in Ptolemy's Harmonics
ps-hypod.scl 7 Complex 7 of p. 115 based on Archytas's Enharmonic
ps-hypod2.scl 7 Complex 8 of p. 115 based on Archytas's Enharmonic
ps-mixol.scl 7 Complex 3 of p. 115 based on Archytas's Enharmonic
ptolemy.scl 7 Ptolemy's Intense Diatonic Syntonon, also Zarlino's scale
ptolemy_chrom.scl 7 Ptolemy Soft Chromatic
ptolemy_ddiat.scl 7 Lyra tuning, Dorian mode, comb. of diatonon toniaion & diatonon
ditoniaion
ptolemy_diat.scl 7 Ptolemy's Diatonon Ditoniaion & Archytas' Diatonic, also Lyra
tuning
ptolemy_diat2.scl 7 Dorian mode of a permutation of Ptolemy's Tonic Diatonic
ptolemy_diat3.scl 7 Dorian mode of the remaining permutation of Ptolemy's Intense
Diatonic
ptolemy_diat4.scl 7 permuted Ptolemy's diatonic
ptolemy_diat5.scl 7 Sterea lyra, Dorian, comb. of 2 Tonic Diatonic 4chords, also
Archytas' diatonic
ptolemy_diff.scl 7 Difference tones of Intense Diatonic reduced by 2/1
ptolemy_enh.scl 7 Dorian mode of Ptolemy's Enharmonic
ptolemy_exp.scl 24 Intense Diatonic expanded: all interval combinations
ptolemy_ext.scl 12 Jon Lyle Smith, extended septimal Ptolemy, MMM 7-2-2011
ptolemy_hom.scl 7 Dorian mode of Ptolemy's Equable Diatonic or Diatonon Homalon
ptolemy_hominv.scl 7 Just Rast scale, inverse of Ptolemy's Equable Diatonic, 11-limit
superparticular
ptolemy_hominv2.scl 14 Densified version of ptolemy_hominv.scl
ptolemy_iast.scl 7 Ptolemy's Iastia or Lydia tuning, mixture of Tonic Diatonic &
Intense Diatonic
ptolemy_iastaiol.scl 7 Ptolemy's kithara tuning, mixture of Tonic Diatonic and Ditone
Diatonic
ptolemy_ichrom.scl 7 Dorian mode of Ptolemy's Intense Chromatic
ptolemy_idiat.scl 7 Dorian mode of Ptolemy's Intense Diatonic (Diatonon Syntonon)
ptolemy_imix.scl 11 Ptolemy Intense Diatonic mixed with its inverse
ptolemy_malak.scl 7 Ptolemy's Malaka lyra tuning, a mixture of Intense Chrom. &
Tonic Diatonic
ptolemy_malak2.scl 7 Malaka lyra, mixture of his Soft Chromatic and Tonic Diatonic.
ptolemy_mdiat.scl 7 Ptolemy soft diatonic
ptolemy_mdiat2.scl 7 permuted Ptolemy soft diatonic
ptolemy_mdiat3.scl 7 permuted Ptolemy soft diatonic
ptolemy_meta.scl 7 Metabolika lyra tuning, mixture of Soft Diatonic & Tonic Diatonic
ptolemy_mix.scl 19 All modes of Ptolemy Intense Diatonic mixed
ptolemy_perm.scl 35 Ptolemy all interval permutations
ptolemy_prod.scl 21 Product of Intense Diatonic with its intervals
ptolemy_tree.scl 14 Intense Diatonic with all their Farey parent fractions
pum14marvwoo.scl 14 pum14 in [10/3 7/2 11] marvel woo tuning
pummelmarvwoo.scl 15 Convex closure of 7-limit diamond in marvel; marvel woo
tuning
pump12_1.scl 12 Pump1 35 intervals 30 triads 197-tET
pump12_2.scl 12 Pump2 35 intervals 30 triads 197-tET
pump13.scl 13 Pump13 tetrads of dwarf15_5 in 197-tET
pump14.scl 14 Pump14 tetrads of dwarf17_5a in 197-tET
pump15.scl 15 Marvel pump scale in 197-tET
pump16.scl 16 Marvel tempered pentad comma pump in 197-tET
pump17.scl 17 Marvel tempered comma pump scale in 197-tET
pump18.scl 18 Tetrads from dwarf22_5 marvel tuned in 197-tET
pyclesfip17.scl 17 9-limit 15 cent lesfip derived from Pycnic[17]
pygmie.scl 5 Pygmie scale
pyle.scl 12 Howard Willet Pyle quasi equal temperament
pyra.scl 19
pyramid.scl 12 This scale may also be called the "Wedding Cake"
pyramid_down.scl 12 Upside-Down Wedding Cake (divorce cake)
pyth_12.scl 12 12-tone Pythagorean scale
pyth_12s.scl 12 Pythagorean with major thirds flat by a schisma
pyth_17.scl 17 17-tone Pythagorean scale. Used in Persian music
pyth_17s.scl 17 Schismatically altered 17-tone Pythagorean scale
pyth_22.scl 22 Pythagorean shrutis
pyth_7a.scl 12 Pythagorean 7-tone with whole tones divided arithmetically
pyth_chrom.scl 8 Dorian mode of the so-called Pythagorean chromatic, recorded by
Gaudentius
pyth_sev.scl 26 26-tone Pythagorean scale based on 7/4
pyth_sev_16.scl 16 16-tone Pythagorean scale based on 7/4, "Armodue"
pyth_third.scl 31 Cycle of 5/4 thirds
quasic22.scl 22 A 22 note quasi-circulating scale in the major third
quasi_9.scl 9 Quasi-Equal Enneatonic, Each "tetrachord" has 125 + 125 + 125 +
125 cents
quint_chrom.scl 7 Aristides Quintilianus' Chromatic genus
qx1.scl 31 breed tempered |-15 0 -2 7> |-9 0 -7-9> Fokker block
qx2.scl 31 breed tempered |-15 0 -2 7> |-9 0 -7-9> Fokker block
ragib.scl 24 Idris Rag'ib Bey, vol.5 d'Erlanger, p. 40.
ragib7.scl 24 7-limit version of Idris Rag'ib Bey scale
ragipu16.scl 16 16-step ragisma pump (1/3, 10/7, 7/2)
ragipu17.scl 17 17-step ragisma pump (7/6, 5/1, 2/7)
ragismic19.scl 19 Ragismic[19] hobbit in 6279-tET
rain123.scl 12 Raintree scale tuned to 123-tET
rain159.scl 12 Raintree scale tuned to 159-tET
raintree.scl 12 Raintree Goldbach 12-tone 5-limit JI tuning, TL 14-3-2007
raintree2.scl 12 Raintree Goldbach Celestial tuning, TL 15-10-2009
rameau-flat.scl 12 Rameau bemols, see Pierre-Yves Asselin in "Musique et
temperament"
rameau-french.scl 12 Standard French temperament, Rameau version (1726), C. di
Veroli, 2002
rameau-gall.scl 12 Rameau's temperament, after Gallimard (1st solution)
rameau-gall2.scl 12 Rameau's temperament, after Gallimard (2nd solution)
rameau-merc.scl 12 Rameau's temperament, after Mercadier
rameau-minor.scl 9 Rameau's systeme diatonique mineur on E. Asc. 4-6-8-9, desc. 9-
7-5-4
rameau-nouv.scl 12 Temperament by Rameau in Nouveau Systeme (1726)
rameau-sharp.scl 12 Rameau dieses, see Pierre-Yves Asselin in "Musique et
temperament"
rameau.scl 12 Rameau's modified meantone temperament (1725)
ramis.scl 12 Monochord of Ramos de Pareja (Ramis de Pareia), Musica practica
(1482). 81/80 & 2048/2025. Switched on Bach
rankfour46a.scl 46 Rank four hobbit 441/440, 364/363 in 393-tET
rankfour46b.scl 46 Rankfour46b hobbit minimax tuning, commas 385/384, 325/324
rapoport_8.scl 8 Paul Rapoport, cycle of 14/9 close to 8 out of 11-tET, XH 13, 1991
rast pentachord 11-limit.scl 4 Rast pentachord 72:81:88:96:108
rast tetrachord 11-limit.scl 3 Rast tetrachord 72:81:88:96
rastgross2.scl 7 rastmic-grossmic {243/242, 144/143} tempering of [11/10, 11/9,
11/8, 3/2, 22/13, 11/6, 2], POTE tuning
rastgross3.scl 7 rastmic-grossmic {243/242, 144/143} tempering of [9/8, 11/9, 11/8,
20/13, 22/13, 11/6, 2]
rast_11-limit.scl 7 2.3.11 subgroup Rast
rast_7-limit.scl 7 7-limit diatonic Rast scale
rast_moha.scl 7 Rast + Mohajira (Dudon) 4 + 3 + 3 Rast and 3 + 4 + 3 Mohajira
tetrachords
rat_dorenh.scl 7 Rationalized Schlesinger's Dorian Harmonia in the enharmonic
genus
rat_hypodenh.scl 7 1+1 rationalized enharmonic genus derived from K.S.'s 'Bastard'
Hypodorian
rat_hypodenh2.scl 7 1+2 rationalized enharmonic genus derived from K.S.'s 'Bastard'
Hypodorian
rat_hypodenh3.scl 7 1+3 rationalized enharmonic genus derived from K.S.'s 'Bastard'
Hypodorian
rat_hypodhex.scl 7 1+1 rationalized hexachromatic/hexenharmonic genus derived from
K.S.'Bastard'
rat_hypodhex2.scl 7 1+2 rat. hexachromatic/hexenharmonic genus derived from K.S.'s
'Bastard' Hypodo
rat_hypodhex3.scl 7 1+3 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard'
Hypodorian
Hypodorian
Hypodorian
rat_hypodhex6.scl 7 2+3 rationalized hexachromatic/hexenharmonic genus from K.S.'s
'Bastard' hypod
rat_hypodpen.scl 7 1+1 rationalized pentachromatic/pentenharmonic genus derived
from K.S.'s 'Bastar
rat_hypodpen2.scl 7 1+2 rationalized pentachromatic/pentenharmonic genus from
K.S.'s 'Bastard' hyp
'Bastard' Hypodorian
rat_hypodtri.scl 7 rationalized first (1+1) trichromatic genus derived from K.S.'s
'Bastard' hyp
rat_hypodtri2.scl 7 rationalized second (1+2) trichromatic genus derived from K.S.'s
'Bastard' hyp
rat_hypolenh.scl 8 Rationalized Schlesinger's Hypolydian Harmonia in the enharmonic
genus
rat_hypopchrom.scl 7 Rationalized Schlesinger's Hypophrygian Harmonia in the
chromatic genus
rat_hypopenh.scl 7 Rationalized Schlesinger's Hypophrygian Harmonia in the
enharmonic genus
rat_hypoppen.scl 7 Rationalized Schlesinger's Hypophrygian Harmonia in the
pentachromatic genus
rat_hypoptri.scl 7 Rationalized Schlesinger's Hypophrygian Harmonia in first
trichromatic genus
rat_hypoptri2.scl 7 Rationalized Schlesinger's Hypophrygian Harmonia in second
trichromatic genus
rectsp10.scl 32 Rectangle minimal beats spectrum of order 10
rectsp10a.scl 45 Rectangle minimal beats spectrum of order 10 union with inversion
rectsp6.scl 12 Rectangle minimal beats spectrum of order 6, also Songlines.DEM,
Bill Thibault and Scott Gresham-Lancaster (1992)
rectsp6amarvwoo.scl 17 Marvel woo version of rectsp6a
redfield.scl 7 John Redfield, New Diatonic Scale (1930), inverse of
ptolemy_idiat.scl
reinhard.scl 12 Andreas Reinhard's Monochord (1604) (variant of Ganassi's). Also
Abraham Bartolus (1614)
reinhardj17.scl 17 Johnny Reinhard's Harmonic-17 tuning for "Tresspass" (1998)
renteng1.scl 5 Gamelan Renteng from Chileunyi (Tg. Sari). 1/1=330 Hz
renteng2.scl 5 Gamelan Renteng from Chikebo (Tg. Sari). 1/1=360 Hz
renteng3.scl 6 Gamelan Renteng from Lebakwangi (Pameungpeuk). 1/1=377 Hz
renteng4.scl 5 Gamelan Renteng Bale` bandung from Kanoman (Cheribon). 1/1=338
Hz
riccati.scl 12 Giordano Riccati, Venetian temperament, Barbieri, 1986
riemann.scl 29 Imaginary part of zeroes of the Riemann Zeta function
riley_albion.scl 12 Terry Riley's Harp of New Albion scale, inverse Malcolm's
Monochord, 1/1 on C#
riley_rosary.scl 12 Terry Riley, tuning for Cactus Rosary (1993)
robot_dead.scl 12 Dead Robot (see lattice)
robot_live.scl 12 Live Robot
rodan26opt.scl 26 Rodan[26] 13-limit 5 cents lesfip optimized
rodan31opt.scl 31 Rodan[31] 13-limit 6 cents lesfip optimized
rodan41opt.scl 41 Rodan[41] 13-limit 6 cents optimized
rodgers_chevyshake.scl 10 Scale used in Prent Rodgers' The Stick Shift Chevy Shake
rogers_7.scl 7 Prent Rogers, scale of Serenade for Alto Flute nr.10
rogers_wind.scl 12 Prent Rogers, scale for Dry Hole Canyon for Woodwind Quintet
romieu.scl 12 Romieu's Monochord, Mémoire théorique & pratique (1758)
romieu_inv.scl 12 Romieu inverted, Pure (just) C minor in Wilkinson: Tuning In
rosati_21.scl 21 Dante Rosati, JI guitar tuning
rosati_21a.scl 21 Alternative version of rosati_21 with more tetrads
rosati_21m.scl 21 1/4-kleismic marvel tempering of rosati_21.scl
roulette19.scl 19 Roulette[19] 2.5.7.11.13 subgroup scale in 37-tET tuning
rousseau.scl 12 Rousseau's Monochord, Dictionnaire de musique (1768)
rousseau2.scl 12 Standard French temperament Rousseau-2, C. di Veroli
rousseau3.scl 12 Standard French temperament Rousseau-3, C. di Veroli, 2002
rousseau4.scl 12 Standard French temperament Rousseau-4, C. di Veroli
rousseauk.scl 12 Kami Rousseau's 7-limit tri-blues scale
rousseauw.scl 12 Jean-Jacques Rousseau's temperament (1768)
rozencrantz.scl 19 Irrational scale, generator=phi period=pi
rsr_12.scl 12 RSR - 7 limit JI
rvf1.scl 19 RVF-1: D-A 695 cents, the increment is 0.25 cents, interval range 49.5
to 75.5
rvf2.scl 19 RVF-2: 695 cents, 0.607 cents, 31-90 cents, C-A# is 7/4.
rvf3.scl 19 RVF-3: 694.737, 0.082, 25-97, the fifth E#-B# is 3/2.
rvf4.scl 12 697-703 cents, increments of 1 cent
rvfj_12.scl 12 Regularly varied fifths well temperament with just fifth. Op de Coul
(2007)
saba pentachord 13-limit a.scl 4 Saba pentachord 10:11:12:13:15
saba pentachord 13-limit b.scl 4 Saba pentachord 22:24:26:28:33
saba pentachord 19-limit.scl 5 Saba pentachord 44:48:52:56:57:66
saba pentachord 23-limit a+b.scl
5 Saba pentachord 42:46:50:54:55:63
saba pentachord 23-limit a.scl 4 Saba pentachord 42:46:50:54:63
saba pentachord 23-limit b.scl 4 Saba pentachord 42:46:50:55:63
saba pentachord 31-limit.scl 5 Saba pentachord 96:105:114:124:126:144
saba_sup.scl 8 Superparticular version of maqam Sabâ
sabbagh.scl 7 Tawfiq al-Sabbagh, a composer from Syria. 1/1=G
sabbagh2.scl 24 Tawfiq al-Sabbagh, Arabic master musical scale in 53-tET (1954)
safiyuddin_actual_buzurg.scl 8 Actual Buzurg by Safi al-Din Urmavi in Risala al-Sharafiyyah
according to Dr. Oz.
safiyuddin_actual_isfahan.scl 8 Actual Isfahan on 3/2 by Safi al-Din Urmavi in Risala al-
Sharafiyyah according to Dr. Oz.
safiyuddin_actual_rahavi.scl 7 Actual Rahavi on 16/13 by Safi al-Din Urmavi in Risala al-
Sharafiyyah according to Dr. Oz.
safiyuddin_actual_zirefkend_octavedgenus.scl
8 Actual Zirefkend by Safi al-Din Urmavi in Risala al-Sharafiyyah
according to Dr. Oz.
safiyuddin_udfretratios.scl 21 Two conjunct tetrachords in an octave from Ud fret ratios by
Safi al-Din Urmavi
safi_arabic.scl 17 Arabic 17-tone Pythagorean mode, Safiyuddîn Al-Urmawî (Safi al-
Din)
safi_arabic_s.scl 17 Schismatically altered Arabic 17-tone Pythagorean mode
safi_buzurk.scl 5 Buzurk genus by Safi al-Din Urmavi
safi_diat.scl 7 Safi al-Din's Diatonic, also the strong form of Avicenna's 8/7 diatonic
safi_diat2.scl 7 Safi al-Din's 2nd Diatonic, a 3/4 tone diatonic like Ptolemy's Equable
Diatonic
safi_isfahan.scl 4 Isfahan genus by Safi al-Din Urmavi
safi_isfahan2.scl 4 Alternative Isfahan genus by Safi al-Din Urmavi
safi_major.scl 6 Singular Major (DF #6), from Safi al-Din, strong 32/27 chromatic
safi_rahevi.scl 3 Rahevi genus by Safi al-Din Urmavi
safi_unnamed1.scl 5 Unnamed genus by Safi al-Din Urmavi (Ferahnak-like)
safi_unnamed2.scl 5 Unnamed genus by Safi al-Din Urmavi (Ushshaq-like)
safi_unnamed3.scl 5 Unnamed genus by Safi al-Din Urmavi (Karjighar-like)
safi_unnamed4.scl 5 Unnamed genus by Safi al-Din Urmavi (Saba/Rast-like)
safi_zirefkend-i.scl 5 Zirefkend-i Koutchek genus by Safi al-Din Urmavi
safi_zirefkend.scl 4 Zirefkend genus by Safi al-Din Urmavi
safi_zirefkend2.scl 6 Zirefkend genus by Safi al-Din Urmavi that confirms with the 17-
tone Edvar on Zirefkend
salinas_19.scl 19 Salinas enharmonic tuning for his 19-tone instr. "instrumentum
imperfectum"
salinas_24.scl 24 Salinas enharmonic system "instrumentum perfectum". Subset of
Mersenne
salinas_enh.scl 7 Salinas's and Euler's enharmonic
salunding.scl 5 Gamelan slunding, Kengetan, South-Bali. 1/1=378 Hz
samad_oghab_dokhtaramme_zurnascale.scl
12 Ushshaq-like Zurna scale on A from Dokhtar Amme sang by Samad
Oghab
sankey.scl 12 John Sankey's Scarlatti tuning, personal evaluation based on
d'Alembert's
santur1.scl 8 Persian santur tuning. 1/1=E
santur2.scl 8 Persian santur tuning. 1/1=E
sanza.scl 8 African N'Gundi Sanza (idiophone; set of lamellas, thumb-plucked)
sanza2.scl 7 African Baduma Sanza (idiophone, like mbira)
sauveur.scl 12 Sauveur's tempered system of the harpsichord. Traité (1697)
sauveur2.scl 12 Sauveur's Système Chromatique des Musiciens (Mémoires 1701), 12
out of 55.
sauveur_17.scl 17 Sauveur's oriental system, aft. Kitab al-adwar (Bagdad 1294) by
Safi al-Din
sauveur_ji.scl 12 Application des sons harmoniques à la composition des jeux
d'orgues (1702) (PB 81/80 & 128/125)
savas_bardiat.scl 7 Savas's Byzantine Liturgical mode, 8 + 12 + 10 parts
savas_barenh.scl 7 Savas's Byzantine Liturgical mode, 8 + 16 + 6 parts
savas_chrom.scl 7 Savas's Chromatic, Byzantine Liturgical mode, 8 + 14 + 8 parts
savas_diat.scl 7 Savas's Diatonic, Byzantine Liturgical mode, 10 + 8 + 12 parts
savas_palace.scl 7 Savas's Byzantine Liturgical mode, 6 + 20 + 4 parts
sazkar7.scl 8 Septimal variant of Sazkar
sc311_41.scl 311 A 311 note 41-limit epimorphic JI scale
scalatron.scl 19 Scalatron (tm) 19-tone scale, see manual, 1974
scheffer.scl 12 H.Th. Scheffer (1748) modified 1/5-comma temperament, Sweden
schiassi.scl 12 Filippo Schiassi
schidlof.scl 21 Schidlof
schillinger.scl 36 Joseph Schillinger's double equal temperament, p.664 Mathematical
Basis...
schis41.scl 41 Tenney reduced version of wilson_41
schisynch17.scl 17 Schismatic[17] in synch (brat=-1) tuning
schlesinger_jupiter.scl 12 Schlesinger's Jupiter scale
schlesinger_mars.scl 12 Schlesinger's Mars scale
schlesinger_saturn.scl 12 Schlesinger's Saturn scale
schlick-barbour.scl 12 Reconstructed temp. A. Schlick, Spiegel d. Orgelmacher und
Organisten (1511) by Barbour
schlick-husmann.scl 12 Schlick's temperament reconstructed by Heinrich Husmann
(1967)
schlick-lange.scl 12 Reconstructed temp. Arnoldt Schlick (1511) by Helmut Lange, Ein
Beitrag zur musikalischen Temperatur, 1968, p. 482
schlick-ratte.scl 12 Schlick's temperament reconstructed by F.J. Ratte (1991)
schlick-schugk.scl 12 Schlick's temperament reconstructed by Hans-Joachim Schugk
(1980)
schlick-tessmer.scl 12 Schlick's temperament reconstructed by Manfred Tessmer (1994)
schlick2.scl 12 Another reconstructed Schlick's modified meantone (Poletti?)
schlick3.scl 12 Possible well-tempered interpretation of 1511 tuning, Margo Schulter
schlick3a.scl 12 Variation on Schlick (1511), all 5ths within 7c of pure, Margo
Schulter
schneegass1.scl 12 Cyriacus Schneegaß (1590), meantone, 1st method: rational
approximation
schneegass2.scl 12 Cyriacus Schneegaß (1590), meantone, 2nd method: geometric
approximation
schneegass3.scl 12 Cyriacus Schneegaß (1590), meantone, 3rd method: numeric
approximation
schneider_log.scl 12 Robert Schneider, scale of log(4) .. log(16), 1/1=264Hz
scholz.scl 8 Simple Tune #1 Carter Scholz
scholz_epi.scl 40 Carter Scholz, Epimore
schulter_10.scl 10 Margo Schulter, 13-limit tuning, TL 14-11-2007
schulter_12.scl 12 Margo Schulter's 5-limit JI virt. ET, "scintilla of Artusi" tempered,
TL 22-08-98
schulter_14_13-12.scl 12 Temperament with just 14/13 apotome, close to Pepper Noble
Fifth
schulter_17.scl 17 Neo-Gothic well-temperament (14:11, 9:7 hypermeantone fifths) TL
04-09-2000
schulter_24.scl 24 Rational intonation (RI) scale with some "17-ish" features (24
notes)
schulter_24a.scl 24 M. Schulter, just/rational intonation system - with circulating 24-
note set
schulter_34.scl 34 "Carthesian tuning" with two 17-tET chains 55.106 cents apart
schulter_44_39-12.scl 12 12-note chromatic tuning with 352:351, 364:363 (G=1/1, Eb-G#)
schulter_44_39-12_c.scl 12 44_39-12.scl with C as 1/1 (Eb-G#)
schulter_44_39-diat1.scl 7 Diatonic involving 352:351 and 364:363
schulter_bamm24b-pegasus12d.scl
12 Offshoot of Kraig Grady's Centaur: Rast/Penchgah plus Archytas-like
modes on 1/1
schulter_biapotomic_septimal24.scl
24 Biapotomic: two apotomes = 7/6; virtually just 23/16
schulter_cantonpentalike34.scl 34 Variation on Gene Ward Smith Cantonpenta, 34-note superset
in 271-tET
schulter_cantonpentamint58.scl 58 Rank-3 variant on Gene Ward Smith's Cantonpenta with just
12:13:14
schulter_christmas_eve24.scl 24 ChristmasEve or 12/24, just 14/11; 13 fourths up = ~128/99
schulter_diat7.scl 7 Diatonic scale, symmetrical tetrachords based on 14/11 and 13/11
triads
schulter_ham.scl 17 New rational tuning of "Hammond organ type", TL 01-03-2002
schulter_indigo12.scl 12 Expansion of 12:13:14:16:18:21:22:24 by Margo Schulter, TL 9-
7-2010
schulter_jot17a.scl 17 Just octachord tuning 4:3-9:8-4:3 division, 17 steps (7 + 3 + 7),
Bb-Bb
schulter_jot17bb.scl 17 Just octachord Tuning (Bb-Eb, F-Bb), 896:891 divided into
1792:1787:1782
schulter_jwt17.scl 17 "Just well-tuned 17" circulating system
schulter_lin76-34.scl 24 Two 12-note chains, ~704.160 cents, 34 4ths apart (32 4ths =
7:6), TL 29-11-02
schulter_met12.scl 12 Milder Extended Temperament, 5ths average 703.711 cents
schulter_met24-buzurg_al-erin10_cup.scl
10 Decatonic with septimal Buzurg & Rastlike modes
schulter_met24-canonical.scl 24 Smoothed MET-24 in 2048-tET, generators (2/1, 703.711c,
57.422c)
schulter_met24-ji1.scl 24 Possible JI interpretation of MET-24
schulter_met24-ji3_a.scl 24 JI interpretation of MET-24, 1/1 is A or 22/13 of C-C version
schulter_met24-semineutral17_F#.scl
17 17-CS semineutral sixth from two large major thirds (~63:81:104)
schulter_met24.scl 24 Milder Extended Temperament, 5ths avg. 703.658c, spaced
57.422c
schulter_met24pote.scl 24 MET-24 parapyth temperament Fokker block in POTE tuning
schulter_neogeb24.scl 24 Neo-Gothic e-based lineotuning (T/S or Blackwood's R=e,
~2.71828), 24 notes
schulter_neogji12.scl 12 M. Schulter, neo-Gothic 12-note JI (prim. 2/3/7/11) 1/1=F with
Eb key as D+1
schulter_neogp16a.scl 16 M. Schulter, scale from mainly prime-to-prime ratios and octave
complements (Gb-D#)
schulter_O3-reg-24.scl 24 O3 temperament, regular version: pure 22/21, 7/4, 11/6
schulter_O3-zalzalian12_D.scl 12 Sampling of Zalzalian maqam/dastgah modes, slendro/pelog
modes
schulter_O3_24.scl 24 O3 or "Ozone" (24): just 22/21 limma, 7/4, 11/6, 1024-tET
schulter_patheq58.scl 58 Aug2-plus-spacing and 21-fifths pathways to 5/4 equally
(in)accurate
schulter_pel.scl 5 Just pelog-style Phrygian pentatonic
schulter_peppermint.scl 24 Peppermint 24: Wilson/Pepper apotome/limma=Phi, 2 chains
spaced for pure 7:6
schulter_piaguilike2.scl 12 Like Mario Pizarro's Piagui: steps of (9/8)^1/2 and (128/81)^1/8
schulter_qcm62a.scl 62 1/4-comma meantone, two 31-notes at 1/4-comma (Vicentino-
like system)
schulter_qcmlji24.scl 24 24-note adaptive JI (Eb-G#/F'-A#') for Lasso's Prologue to
_Prophetiae_
schulter_qcmqd8_4.scl 12 F-C# in 1/4-comma meantone, other 5ths ~4.888 cents wide or
(2048/2025)^(1/4)
schulter_rbuzurg-buzurg8_cup.scl
8 Buzurg pentachord plus 133-229-133 tetrachord at ~3/2
schulter_rbuzurg-buzurg_hijaz_cup.scl
8 Qutb al-Din al-Shirazi's Buzurg plus upper Hijaz (JI 12:11-7:6-22:21)
schulter_semineutral36.scl 17 Semineutral tuning in 36-tET, 0-433.33-866.67 cents
schulter_shur10.scl 10 Tuning set for "Prelude in Shur for Erv Wilson"
schulter_shur17.scl 17 Peppermint 17-note thirdtone set for Persian dastgah-ha
schulter_simplemint24.scl 24 Rank 3 temperament (2-3-7-9-11-13), 704c 5th, 58c spacing,
1200-tET
schulter_sq.scl 24 "Sesquisexta" tuning, two 12-tone Pyth. manuals a 7/6 apart. TL 16-
5-2001
schulter_tedorian.scl 7 Eb Dorian in temperament extraordinaire, neo-medieval style
schulter_turquoise17-104ed2.scl
17 Turquoise 17 in 104-tET, ~33:36:39:42:44 at steps 0 7 10
schulter_turquoise17.scl 17 Turquoise 17 in 1024-tET, ~33:36:39:42:44 at steps 0 7 10
schulter_wilsonistic.scl 12 Margo Schulter, Wilsonistic Pivot on C
schulter_xenoga24.scl 24 M. Schulter, 3+7 ratios Xeno-Gothic adaptive tuning (keyboards
64:63 apart)
schulter_xenogj24.scl 24 Neo-Gothic 3/17-flavor JI (keyboards 459:448 apart)
schulter_zarte84.scl 12 Temperament extraordinaire, Zarlino's 2/7-comma meantone (F-
C#)
schulter_zarte84n.scl 12 Zarlino temperament extraordinaire, 1024-tET mapping
scotbag.scl 7 Scottish bagpipe tuning
scotbag2.scl 7 Scottish bagpipe tuning 2, symmmetrical
scotbag3.scl 7 Scottish bagpipe tuning 3
scotbag4.scl 7 Scottish Higland Bagpipe by Macdonald, Edinburgh. Helmholtz/Ellis
p. 515, nr.52
scottd1.scl 12 Dale Scott's temperament 1, TL 9-6-1999
scottj.scl 4 Jeff Scott's "seven and five" tuning, fifth-repeating. TL 20-04-99
scottj2.scl 19 Jeff Scott's "just tritone/13" tuning. TL 17-03-2001
scottr_ebvt.scl 12 Robert Scott Equal Beating Victorian Temperament (2001)
scottr_lab.scl 12 Robert Scott Tunelab EBVT (2002)
secor12_1.scl 12 George Secor's 12-tone temperament ordinaire #1, proportional
beating
secor12_2.scl 12 George Secor's closed 12-tone well-temperament #2, with 7 just
fifths
secor12_3.scl 12 George Secor's closed 12-tone temperament #3 with 5 meantone, 3
just, and 2 wide fifths
secor17htt1.scl 17 George Secor's 17-tone high-tolerance temperament subset #1 on C
(5/4 & 7/4 exact)
secor17htt2.scl 17 George Secor's 17-tone high-tolerance temperament subset #2 on Eo
(5/4 & 7/4 exact)
secor17htt3.scl 17 George Secor's 17-tone high-tolerance temperament subset #3 on G
(5/4 & 7/4 exact)
secor17htt4.scl 17 George Secor's 17-tone high-tolerance temperament subset #4 on
Bo (5/4 & 7/4 exact)
secor17wt.scl 17 George Secor's well temperament with 5 pure 11/7 and 3 near just
11/6
secor17zrt.scl 17 George Secor's 17-tone Zany Rational Temperament (2012)
secor19wt.scl 19 George Secor's 19-tone well temperament with ten 5/17-comma
fifths
secor19wt1.scl 19 George Secor's 19-tone proportional-beating (5/17-comma) well
temperament (v.1)
secor19wt2.scl 19 George Secor's 19-tone proportional-beating (5/17-comma) well
temperament (v.2)
secor1_4tx.scl 12 George Secor's rational 1/4-comma temperament extraordinaire
secor1_5tx.scl 12 George Secor's 1/5-comma temperament extraordinaire (ratios
supplied by G. W. Smith)
secor22_17p5.scl 22 George Secor's 17-tone temperament plus 5 extra 5-limit intervals
secor22_19p3.scl 22 George Secor's 19+3 well temperament with ten ~5/17-comma
(equal-beating) fifths and 3 pure 9:11. TL 28-6-2002,26-10-2006. Aux=1,10,19
secor22_ji29.scl 22 George Secor's 22-tone just intonation (29-limit otonality on 4/3)
secor29htt.scl 29 George Secor's 29-tone 13-limit high-tolerance temperament (5/4 &
7/4 exact)
secor29tolerant.scl 29 Version of George Secor's secor29htt in tolerant temperament,
POTE tuning
secor34wt.scl 34 George Secor's 34-tone well temperament (with 10 exact 11/7)
secor41htt.scl 41 George Secor's 13-limit high-tolerance temperament superset (5/4 &
7/4 exact)
secor5_23stx.scl 12 George Secor's synchronous 5/23-comma temperament
extraordinaire
secor5_23tx.scl 12 George Secor's rational 5/23-comma temperament extraordinaire
secor5_23wt.scl 12 George Secor's rational 5/23-comma proportional-beating well-
temperament
secoralternative10.scl 10 George Secor "meantone alternative", {196/195, 676/675}-
tempering in POTE tuning of 2.3.5.7.13 scale
secor_bicycle.scl 12 George Secor, 13-limit harmonic bicycle (1963), also Erv Wilson,
see David Rosenthal: Helix Song, XH 7&8, 1979
secor_pelogic11.scl 11 George Secor's isopelogic scale with ~537.84194 generator and
just 13/11 (1979)
secor_pelogic7.scl 7 George Secor's isopelogic scale with ~537.84194 generator, just
13/11 and near just 11:13:15:19 tetrads (1979)
secor_pelogic9.scl 9 George Secor's isopelogic scale with ~537.84194 generator and
just 13/11 (1979)
secor_swt149.scl 12 George Secor's 149-based synchronous WT
secor_vrwt.scl 12 George Secor's Victorian rational well-temperament (based on Ellis
#2)
secor_wt1-5.scl 12 George Secor's 1/5-comma well-temperament (ratios supplied by
G. W. Smith)
secor_wt1-7.scl 12 George Secor's 1/7-comma well-temperament
secor_wt1-7r.scl 12 George Secor's 1/7-comma well-temperament, Gene Ward Smith
rational version
secor_wt10.scl 12 George Secor's 12-tone well-temperament, proportional beating
secor_wt2-11.scl 12 George Secor's rational 2/11-comma well-temperament
secor_wtpb-24a.scl 12 George Secor's 24-triad proportional-beating well-temperament
(24a)
secor_wtpb-24b.scl 12 George Secor's 24-triad proportional-beating well-temperament
(24b)
secor_wtpb-24c.scl 12 George Secor's 24-triad proportional-beating well-temperament
(24c)
secor_wtpb-24d.scl 12 George Secor's 24-triad proportional-beating well-temperament
(24d)
secor_wtpb-24e.scl 12 George Secor's 24-triad proportional-beating well-temperament
(24e)
segah pentachord 17-limit.scl 4 Segah pentachord 42:45:51:56:63
segah pentachord 5-limit.scl 4 Segah pentachord 30:32:36:40:45
segah-ferahnak pentachord 19-limit.scl
5 Segah-Ferahnak pentachord 14:15:17:19:20:21
segah2.scl 7 Iranian mode Segah from C
segah99.scl 7 segah_rat in 99-tET tempering
segah_rat.scl 7 Rationalized Arabic Segâh
seidel_12.scl 12 Dave Seidel, Harmonicious 12-tone scale, TL 31-01-2009
seidel_32.scl 32 Dave Seidel, Base 9:7:4 Symmetry, scale for Passacaglia and Fugue
State (2005)
seikilos.scl 12 Seikilos Tuning
sejati.scl 5 salendro sejati, Sunda
sekati1.scl 7 Gamelan sekati from Sumenep, East-Madura. 1/1=244 Hz
sekati2.scl 7 Gamelan Kyahi Sepuh from kraton Solo. 1/1=216 Hz
sekati3.scl 7 Gamelan Kyahi Henem from kraton Solo. 1/1=168.5 Hz
sekati4.scl 7 Gamelan Kyahi Guntur madu from kraton Jogya. 1/1=201.5 Hz
sekati5.scl 7 Gamelan Kyahi Naga Ilaga from kraton Jogya. 1/1=218.5 Hz
sekati6.scl 7 Gamelan Kyahi Munggang from Paku Alaman, Jogya. 1/1=199.5 Hz
sekati7.scl 7 Gamelan of Sultan Anom from Cheribon. 1/1=282 Hz
sekati8.scl 7 The old Sultans-gamelan Kyahi Suka rame from Banten. 1/1=262.5 Hz
sekati9.scl 7 Gamelan Sekati from Katjerbonan, Cheribon. 1/1=292 Hz
selisir.scl 5 Gamelan semara pagulingan, Bali. Pagan Kelod
selisir2.scl 5 Gamelan semara pagulingan, Bali. Kamasan
selisir3.scl 5 Gamelan gong, Pliatan, Bali. 1/1=280 Hz, McPhee, 1966
selisir4.scl 5 Gamelan gong, Apuan, Bali. 1/1=285 Hz. McPhee, 1966
selisir5.scl 5 Gamelan gong, Sayan, Bali. 1/1=275 Hz. McPhee, 1966
selisir6.scl 5 Gamelan gong, Gianyar, Bali. 1/1=274 Hz. McPhee, 1966
semafip.scl 9 Lesfip scale related to Semaphore[9]
semmeanflat1.scl 19 Semaphore-meantone-flattone wakalix
senior.scl 171 Senior temperament, g=322.801387, 5-limit
sensax.scl 21 Sensamagic tweak
sensi19.scl 19 Sensi[19]
sensi19br1.scl 19 Sensi[19] with a brat of 1
sensidia.scl 27 Detempered Sensi[27]; contains 7-limit diamond
sensisynch19.scl 19 Sensi[19] in synch (brat=-1) tuning, generator ~162/125 satisfies
g^9-g^7-4=0
septenarius440.scl 12 Andreas Sparschuh's septenarius @ middle c'=263Hz or a'=440Hz
septenarius440a.scl 12 Tom Dent's septenarius @ middle c'=262 Hz or a'=440 Hz
septenariusGG49.scl 12 Sparschuh's version @ middle-c'=262Hz or a'=440Hz
septicyc.scl 11 Gene Ward Smith, septicyclic 1029/1024-tempered scale, in 252-tET
serafini-11.scl 12 Carlo Serafini, scale of "Piano 11"
serafini-moonsuite.scl 12 Carlo Serafini, empirical tuning for Moonsuite (2008)
serafini-q.scl 12 Subset of Carlos Gamma for In Q (2015)
serafini-sunday.scl 12 Scale for A Nearly Normal Sunday (2015)
serre_enh.scl 7 Dorian mode of the Serre's Enharmonic
set70a.scl 44 44th root of 6
sev-elev.scl 12 "Seven-Eleven Blues" of Pitch Palette
sevish.scl 12 Sean "Sevish" Archibald's "Trapped in a Cycle" JI scale
sevish_22.scl 7 7 out of 22 used in Dirty Drummer on Golden Hour
sevish_no.scl 5 Sean "Sevish" Archibald's non-octave empirical scale
sevish_pom.scl 12 Non-octave just scale used in Parliament of Moon on Golden Hour
sevish_umbriel.scl 7 Just scale used in Umbriel on Golden Hour
sevish_whitey.scl 12 Just scale used in Whitey on Golden Hour
sha.scl 24 Three chains of sqrt(3/2) separated by 10/7
shahin.scl 18 Mohajeri Shahin Iranian style scale, TL 9-4-2006
shahin2.scl 18 Mohajeri Shahin 17-limit 18-tone Persian scale, TL 08-07-2007
shahin_adl.scl 12 Mohajeri Shahin, arithmetic division of length temperament, TL 14-
12-2006
shahin_agin.scl 12 Mohajeri Shahin, Microaginco (2007)
shahin_baran.scl 12 Mohajeri Shahin, Baran scale
shahin_dance.scl 7 Mohajeri Shahin, microtonal dance, 2 unequal tetrachords. TL 01-
10-2007
shahin_wt.scl 12 Mohajeri Shahin, well temperament, TL 28-12-2006
shalfun.scl 24 d'Erlanger vol.5, p. 40. After Alexandre ^Salfun (Chalfoun)
shansx.scl 12 Untempered Tanaka/Hanson harmonic system including the kleisma
sharm1c-conm.scl 7 Subharm1C-ConMixolydian
sharm1c-conp.scl 7 Subharm1C-ConPhryg
sharm1c-dor.scl 8 Subharm1C-Dorian
sharm1c-lyd.scl 8 Subharm1C-Lydian
sharm1c-mix.scl 7 Subharm1C-Mixolydian
sharm1c-phr.scl 7 Subharm1C-Phrygian
sharm1e-conm.scl 7 Subharm1E-ConMixolydian
sharm1e-conp.scl 7 Subharm1E-ConPhrygian
sharm1e-dor.scl 8 Subharm1E-Dorian
sharm1e-lyd.scl 8 Subharm1E-Lydian
sharm1e-mix.scl 7 Subharm1E-Mixolydian
sharm1e-phr.scl 7 Subharm1E-Phrygian
sharm2c-15.scl 7 Subharm2C-15-Harmonia
sharm2c-hypod.scl 8 SHarm2C-Hypodorian
sharm2c-hypol.scl 8 SHarm2C-Hypolydian
sharm2c-hypop.scl 8 SHarm2C-Hypophrygian
sharm2e-15.scl 7 Subharm2E-15-Harmonia
sharm2e-hypod.scl 8 SHarm2E-Hypodorian
sharm2e-hypol.scl 8 SHarm2E-Hypolydian
sharm2e-hypop.scl 8 SHarm2E-Hypophrygian
sheiman.scl 14 Michael Sheiman's harmonic scale, TL 2-2-2009
sheiman_7.scl 7 Michael Sheiman's 7-tone 11-limit symmetrical just scale, TL 79656
sheiman_9.scl 9 Michael Sheiman's 9-tone JI scale, TL 27-03-2009
sheiman_michael-phi.scl 9 Michael Sheiman's Phi Section scale, from Tuning List
sheiman_phiter6.scl 6 Michael Sheiman's Phiter scale
sheiman_phi_r.scl 8 Rational version of Michael Sheiman's Phi scale
sheiman_silver.scl 12 Michael Sheiman's Silver scale, TL 26-03-2010
shell5_2.scl 13 5-limit Hahn Shell 2, Gene Ward Smith
sherwood.scl 12 Sherwood's improved meantone temperament
shmigelsky.scl 23 Shmigelsky's 7-limit just scale (2002)
shrutar-shrutis.scl 22 Shrutar[22] in 46-tET tuning usable as shrutis, Gene Ward Smith
shrutar.scl 22 Paul Erlich's Shrutar tuning (from 9th fret) tempered with Dave
Keenan
shrutart.scl 22 Paul Erlich's 'Shrutar' tuning tempered by Dave Keenan, TL 29-12-
2000
shrutar_temp.scl 22 Shrutar temperament, 11-limit, g=52.474, 1/2 oct.
siamese.scl 12 Siamese Tuning, after Clem Fortuna's Microtonal Guide
silbermann1.scl 12 Gottfried Silbermann's temperament nr. 1
silbermann2.scl 12 Gottfried Silbermann's temperament nr. 2, 1/6 Pyth. comma
meantone
silbermann2a.scl 12 Modified Silbermann's temperament nr. 2, also used by Hinsz in
Midwolda
silver.scl 12 Equal beating chromatic scale, A.L.Leigh Silver JASA 29/4, 476-481,
1957
silvermean.scl 7 First 6 approximants to the Silver Mean, 1+sqr(2) reduced by 2/1
silver_11.scl 11 Eleven-tone MOS from 1+sqr(2), 1525.864 cents
silver_11a.scl 11 Eleven-tone MOS from 317.17 cents
silver_11b.scl 11 Eleven-tone MOS from 331.67 cents
silver_15.scl 15 Sqrt(2) + 1 equal division by 15, Brouncker (1653)
silver_7.scl 7 Seven-tone MOS from 1+sqr(2), 1525.864 cents, Aksaka, Pell
silver_8.scl 8 Eight-tone MOS from 273.85 cents
silver_9.scl 9 Nine-tone MOS from 280.61 cents
simonton.scl 12 Simonton Integral Ratio Scale, JASA 25/6 (1953): A new integral
ratio scale
simp12-amity.scl 12 simp12 tempered in amity, 99-tET tuning
simp12.scl 12 Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
sims.scl 18 Ezra Sims' 18-tone mode
sims2.scl 20 Sims II, harmonics 20 to 40
sims_24.scl 24 Ezra Sims, Reflections on This and That, 1991, p.93-106
sims_herf.scl 14 Reflections on This and That, 1991. Used by Richter-Herf in
Ekmelischer Gesang
sin.scl 21 1/sin(2pi/n), n=4..25
sinemod12.scl 19 Sine modulated F=12, A=-.08203754
sinemod8.scl 19 Sine modulated F=8, A=.11364155. Deviation minimal3/2, 4/3, 5/4,
6/5, 5/3, 8/5
singapore.scl 7 An observed xylophone tuning from Singapore
singapore_coh.scl 7 Differentially coherent interpretation of xylophone tuning from
Singapore
sintemp6.scl 12 Sine modulated fifths, A=1/6 Pyth, one cycle, f0=-90 degrees
sintemp6a.scl 12 Sine modulated fifths, A=1/12 Pyth, one cycle, f0= D-A
sintemp_19.scl 19 Sine modulated thirds, A=7.366 cents, one cycle over fifths, f0=90
degrees
sintemp_7.scl 7 Sine modulated fifths, A=8.12 cents, one cycle, f0=90 degrees
skateboard11.scl 11 Skateboard[11] 2.5/3.7/3.11.13/9 subgroup MOS in 17\65 tuning
slendro.scl 5 Observed Javanese Slendro scale, Helmholtz/Ellis p. 518, nr.94
slendro10.scl 5 Low gender from Singaraja (banjar Lod Peken), Bali, 1/1=172 Hz,
McPhee, 1966
slendro11.scl 5 Low gender from Sawan, Bali, 1/1=167.5 Hz, McPhee, 1966
slendro12.scl 4 Saih angklung, 4-tone slendro from Mas village, 1/1=410 Hz,
McPhee, 1966
slendro13.scl 4 Saih angklung, 4-tone slendro from Kamassan village, 1/1=400 Hz,
McPhee, 1966
slendro14.scl 4 Saih angklung, 4-tone slendro from Sayan village, 1/1=365 Hz,
McPhee, 1966
slendro15.scl 4 Saih angklung, 4-tone slendro from Tabanan, 1/1=326 Hz, McPhee,
1966
slendro2.scl 5 Gamelan slendro from Ranchaiyuh, distr. Tanggerang, Batavia.
1/1=282.5 Hz
slendro3.scl 5 Gamelan kodok ngorek. 1/1=270 Hz
slendro4.scl 5 Low gender in saih lima from Kuta, Bali. 1/1=183 Hz. McPhee, 1966
slendro5_1.scl 5 A slendro type pentatonic which is based on intervals of 7; from Lou
Harrison
slendro5_2.scl 5 A slendro type pentatonic which is based on intervals of 7, no. 2
slendro5_4.scl 5 A slendro type pentatonic which is based on intervals of 7, no. 4
slendro6.scl 5 Low gender from Klandis, Bali. 1/1=180 Hz. McPhee, 1966
slendro8.scl 5 Low gender from Tabanan, Bali, 1/1=179 Hz, McPhee, 1966
slendro9.scl 5 Low gender from Singaraja (banjar Panataran), Bali. 1/1=175 Hz.
McPhee, 1966. Ayers ICMC 1996
slendrob1.scl 5 Gamelan miring of Musadikrama, desa Katur, Bajanegara. 1/1=434
Hz
slendrob2.scl 5 Gamelan miring from Bajanegara. 1/1=262 Hz
slendrob3.scl 5 Gamelan miring from Ngumpak, Bajanegara. 1/1=266 Hz
slendroc1.scl 5 Kyahi Kanyut mesem slendro (Mangku Nagaran Solo). 1/1=291 Hz
slendroc2.scl 5 Kyahi Pengawe sari (Paku Alaman, Jogja). 1/1=295 Hz
slendroc3.scl 5 Gamelan slendro of R.M. Jayadipura, Jogja. 1/1=231 Hz
slendroc4.scl 5 Gamelan slendro, Rancha iyuh, Tanggerang, Batavia. 1/1=282.5 Hz
slendroc5.scl 5 Gender wayang from Pliatan, South Bali. 1/1=611 Hz
slendroc6.scl 10 from William Malm: Music Cultures of the Pacific, the Near East
and Asia.
slendrod1.scl 5 Gender wayang from Ubud (S. Bali). 1/1=347 Hz
slendro_7_1.scl 5 Septimal Slendro 1, from HMSL Manual, also Lou Harrison,
Jacques Dudon
slendro_7_2.scl 5 Septimal Slendro 2, from Lou Harrison, Jacques Dudon's APTOS
slendro_7_3.scl 5 Septimal Slendro 3, Harrison, Dudon, called "MILLS" after Mills
Gamelan
slendro_7_4.scl 5 Septimal Slendro 4, from Lou Harrison, Jacques Dudon, called
"NAT"
slendro_7_5.scl 5 Septimal Slendro 5, from Jacques Dudon
slendro_7_6.scl 5 Septimal Slendro 6, from Robert Walker
slendro_a1.scl 5 Dudon's Slendro A1, "Seven-Limit Slendro Mutations", 1/1 8:2'94
hexany 1.3.7.21
slendro_ang.scl 5 Gamelan Angklung Sangsit, North Bali. 1/1=294 Hz
slendro_ang2.scl 5 Angklung from Banyuwangi. 1/1=298 Hz. J. Kunst, Music in Java,
p.198
slendro_av.scl 5 Average of 30 measured slendro gamelans, W. Surjodiningrat et al.,
1993.
slendro_dudon.scl 5 Dudon's Slendro from "Fleurs de lumière" (1995)
slendro_gum.scl 5 Gumbeng, bamboo idiochord from Banyumas. 1/1=440 Hz
slendro_ky1.scl 5 Kyahi Kanyut Me`sem slendro, Mangku Nagaran, Solo. 1/1=291 Hz
slendro_ky2.scl 5 Kyahi Pengawe' sari, Paku Alaman, Jogya. 1/1=295 Hz
slendro_laras.scl 7 Lou Harrison, gamelan "Si Betty"
slendro_m.scl 5 Dudon's Slendro M from "Seven-Limit Slendro Mutations", 1/1 8:2
Jan 1994. Also scale by Giovanni Marco Marci (17th cent.)
slendro_madu.scl 5 Sultan's gamelan Madoe kentir, Jogjakarta, Jaap Kunst
slendro_pa.scl 5 "Blown fifth" primitive slendro, von Hornbostel
slendro_pas.scl 5 Gamelan slendro of regent of Pasoeroean, Jaap Kunst
slendro_pb.scl 5 "Blown fifth" medium slendro, von Hornbostel
slendro_pc.scl 5 "Blown fifth" modern slendro, von Hornbostel
slendro_pliat.scl 9 Gender wayang from Pliatan, South Bali (Slendro), 1/1=305.5 Hz
slendro_q13.scl 5 13-tET quasi slendro, Blackwood
slendro_s1.scl 5 Dudon's Slendro S1 from "Seven-Limit Slendro Mutations", 1/1 8:2
Jan 1994
slendro_udan.scl 5 Slendro Udan Mas (approx)
slendro_wolf.scl 5 Daniel Wolf's slendro, TL 30-5-97
slen_pel.scl 12 Pelog white, Slendro black
slen_pel16.scl 12 16-tET Slendro and Pelog
slen_pel23.scl 12 23-tET Slendro and Pelog
slen_pel_jc.scl 12 Slendro (John Chalmers) plus Pelog
S1c,P1c#,S2d,eb,P2e,S3f,P3f#,S4g,ab,P4a,S5bb,P5b
slen_pel_schmidt.scl 12 Dan Schmidt (Pelog white, Slendro black)
smithgw46.scl 8 Gene Ward Smith 46-tET subset "Star"
smithgw46a.scl 8 46-tET version of "Star", alternative version
smithgw72a.scl 11 Gene Ward Smith trivalent 72-tET subset, TL 04-01-2002
smithgw72c.scl 9 Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72d.scl 8 Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72e.scl 8 Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72f.scl 5 Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72g.scl 5 Gene Ward Smith trrivalent 72-tET subset, TL 04-01-2002
smithgw72h.scl 7 Gene Ward Smith 72-tET subset, TL 09-01-2002
smithgw72i.scl 12 Gene Ward Smith 72-tET subset version of Duodene, TL 02-06-
2002
smithgw72j.scl 10 {225/224, 441/440} tempering of decad, 72-et version (2002)
smithgw_15highschool1.scl 15 First 15-note Highschool scale
smithgw_15highschool2.scl 15 Second 15-note Highschool scale
smithgw_18.scl 18 Gene Ward Smith chord analogue to periodicity blocks, TL 12-07-
2002
smithgw_19highschool1.scl 19 First 19-note Highschool scale
smithgw_19highschool2.scl 19 Second 19-note Highschool scale
smithgw_21.scl 21 Gene Ward Smith symmetrical 7-limit JI version of Blackjack, TL
10-5-2002
smithgw_22highschool.scl 22 22-note Highschool scale
smithgw_45.scl 45 Gene Ward Smith large limma repeating 5-tone MOS
smithgw_58.scl 58 Gene Ward Smith hypergenesis 58-tone 11-limit epimorphic
superset of Partch's 43-tone scale
smithgw_9.scl 9 Gene Ward Smith "Miracle-Magic square" tuning, genus
chromaticum of ji_12a
smithgw_al-baked.scl 12 Baked alaska, with beat ratios of 2 and 3/2
smithgw_al-fried.scl 12 Fried alaska, with octave-fifth brats of 1 and 2
smithgw_asbru.scl 12 Modified bifrost (2003)
smithgw_ball.scl 38 Ball 2 around tetrad lattice hole
smithgw_ball2.scl 55 7-limit crystal ball 2
smithgw_bifrost.scl 12 Six meantone fifths, four pure, two of sqrt(2048/2025 sqrt(5))
smithgw_cauldron.scl 12 Circulating temperament with two pure 9/7 thirds
smithgw_choraled.scl 26 Scale used in "choraled" by Gene Ward Smith
smithgw_circu.scl 12 Circulating temperament, brats of 1.5, 2.0, 4.0
smithgw_ck.scl 72 Catakleismic temperament, g=316.745, 11-limit
smithgw_decab.scl 10 (10/9) <==> (16/15) transform of decaa
smithgw_decac.scl 10 inversion of decaa
smithgw_decad.scl 10 inversion of decab
smithgw_dhexmarv.scl 12 Dualhex in 11-limit minimax Marvel ({225/224, 385/384}-
planar)
smithgw_diff13.scl 13 mod 13 perfect difference set, 7-limit
smithgw_duopors.scl 12 3-->10/3 5-->24/3 sorted rotated Duodene in 22-tET
smithgw_dwarf6_7.scl 6 Dwarf(<6 10 14 17|)
smithgw_ennon13.scl 13 Nonoctave Ennealimmal, [3, 5/3] just tuning
smithgw_euclid3.scl 43 7-limit Euclid ball 3
smithgw_exotic1.scl 12 Exotic temperament featuring four pure 14/11 thirds and two
pure fifths
smithgw_fifaug.scl 15 Three circles of four (56/11)^(1/4) fifths with 11/7 as wolf
smithgw_gamelion.scl 10 Gene Smith's 3136:3125 planar-tempered decatonic
smithgw_glamma.scl 12 Glamma = reca1c2, <12 19 27 34|-epimorphic
smithgw_glumma-hendec.scl 12 glumma tempered in 13-limit POTE-tuned hendec
smithgw_glumma.scl 12 Gene Smith's 7-limit Glumma scale (2002)
smithgw_gm.scl 41 Gene Ward Smith "Genesis Minus" periodicity block
smithgw_grail.scl 12 Holy Grail circulating temperament with two 14/11 and one 9/7
major third
smithgw_graileq.scl 12 56% RMS grail + 44% JI grail
smithgw_grailrms.scl 12 RMS optimized Holy Grail
smithgw_hahn12.scl 12 Hahn-reduced 12 note scale, Fokker block 225/224, 126/125,
64/63
smithgw_hahn15.scl 15 Hahn-reduced 15 note scale
smithgw_hemw.scl 41 Hemiwürschmidt TOP tempering of 43 notes of septimal ball 3
smithgw_indianred.scl 22 32805/32768 Hahn-reduced
smithgw_klv.scl 15 Variant of kleismic with 9/7 thirds, g=316.492
smithgw_majraj1.scl 12 Majraj 648/625 6561/6250 scale
smithgw_majsyn1.scl 12 First Majsyn 648/625 81/80 scale
smithgw_majsyn2.scl 12 Second Majsyn 648/625 81/80 scale
smithgw_majsyn3.scl 12 Third Majsyn 648/625 81/80 scale
smithgw_meandin.scl 12 Gene Smith, inverted detempered 7-limit meantone
smithgw_meanlesfip.scl 12 12-note 5-limit meantone lesfip
smithgw_meanred.scl 12 171-et Hahn reduced rational Meantone[12]
smithgw_meansp.scl 7 Strictly proper scale in 1/4-comma meantone, TL 10-6-2006
smithgw_meantune.scl 16 Meantune scale/temperament, Gene Ward Smith (2003)
smithgw_mir22.scl 22 11-limit Miracle[22]
smithgw_mmt.scl 12 Modified meantone with 5/4, 14/11 and 44/35 major thirds, TL
17-03-2003
smithgw_modmos12a.scl 12 A 12-note modmos in 50-et meantone
smithgw_monzoblock37.scl 37 Symmetrical 13-limit Fokker block containing all of the
primes as scale degrees
smithgw_mush.scl 12 Mysterious mush scale. Gene Smith's meantone to TOP pelogic
transformation
smithgw_nova.scl 8 Nova scale of Valentine temperament in 185-tET
smithgw_orw18r.scl 18 Rational version of two cycles of 9-tone "Orwell"
smithgw_pel1.scl 12 125/108, 135/128 periodicity block no. 1
smithgw_pel3.scl 12 125/108, 135/128 periodicity block no. 3
smithgw_pk.scl 15 Parakleismic temperament, g=315.263, 5-limit
smithgw_pris.scl 12 optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
smithgw_prisa.scl 12 optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
smithgw_propsep.scl 11 Proper septicyclic 1029/1024-tempered scale in 252-tET
smithgw_pum13marv.scl 13 pum13 marvel tempered and in epimorphic order
smithgw_qm3a.scl 10 Qm(3) 10-note quasi-miracle scale, mode A, 72-tET, TL 04-01-
2002
smithgw_qm3b.scl 10 Qm(3) 10-note quasi-miracle scale, mode B
smithgw_ragasyn1.scl 12 Ragasyn 6561/6250 81/80 scale
smithgw_ratwell.scl 12 7-limit rational well-temperament
smithgw_ratwolf.scl 12 Eleven fifths of (416/5)^(1/11) and one 20/13 wolf, G.W. Smith
2003
smithgw_rectoo.scl 12 Hahn-reduced circle of fifths via <12 19 27 34| kernel
smithgw_red72_11geo.scl 72 Geometric 11-limit reduced scale
smithgw_red72_11pro.scl 72 Prooijen 11-limit reduced scale
smithgw_sc19.scl 19 Fokker block from commas <81/80, 78732/78125>, Gene Ward
Smith 2002
smithgw_sch13.scl 29 13-limit schismic temperament, g=704.3917, TL 31-10-2002
smithgw_sch13a.scl 29 13-limit schismic temperament, g=702.660507, TL 31-10-2002
smithgw_scj22a.scl 22 <3125/3072, 250/243> Fokker block
smithgw_scj22b.scl 22 <2048/2025, 250/243> Fokker block
smithgw_scj22c.scl 22 <2048/2025, 3125/3072> Fokker block
smithgw_secab.scl 10 {126/125, 176/175} tempering of decab, 328-et version
smithgw_secac.scl 10 {126/125, 176/175} tempering of decac, 328-et version
smithgw_secad.scl 10 {126/125, 176/175} tempering of decad, 328-et version
smithgw_sixtetwoo.scl 12 Six 7-limit tetrads marvel woo scale with 51 11-limit dyads
smithgw_smalldi11.scl 11 Small diesic 11-note block, <10/9, 126/125, 1728/1715>
commas
smithgw_smalldi19a.scl 19 Small diesic 19-note block, <16/15, 126/125, 1728/1715>
commas
smithgw_smalldi19b.scl 19 Small diesic 19-note block, <16/15, 126/125, 2401/2400>
commas
smithgw_smalldi19c.scl 19 Small diesic 19-note scale containing glumma
smithgw_smalldiglum19.scl 19 Small diesic "glumma" variant of 19-note MOS, 31/120
version
smithgw_smalldimos11.scl 11 Small diesic 11-note MOS, 31/120 version
smithgw_smalldimos19.scl 19 Small diesic 19-note MOS, 31/120 version
smithgw_sqoo.scl 18 3x3 chord square, 2401/2400 projection of tetrad lattice (612-et
tuning)
smithgw_star.scl 8 Gene Ward Smith "Star" scale, untempered version, key of
cluster8f.scl
smithgw_star2.scl 8 Gene Ward Smith "Star" scale, alternative untempered version
smithgw_starra.scl 12 12 note {126/125, 176/175} scale, 328-tET version (inverse of
smithgw_starrb.scl)
smithgw_starrb.scl 12 12 note {126/125, 176/175} scale, 328-tET version (inverse of
smithgw_starra.scl)
smithgw_starrc.scl 12 12 note {126/125, 176/175} scale, 328-et version
smithgw_suzz.scl 10 {385/384, 441/440} suzz in 190-tET version
smithgw_syndia2.scl 12 Second 81/80 2048/2025 Fokker block
smithgw_syndia3.scl 12 Third 81/80 2048/2025 Fokker block
smithgw_syndia4.scl 12 Fourth 81/80 2048/2025 Fokker block
smithgw_syndia6.scl 12 Sixth 81/80 2048/2025 Fokker block
smithgw_tetra.scl 12 {225/224, 385/384} tempering of two-tetrachord 12-note scale
smithgw_tr31.scl 15 6/31 generator supermajor seconds tripentatonic scale
smithgw_tr7_13.scl 12 81/80 ==> 28561/28672
smithgw_tr7_13b.scl 12 reverse reduced 81/80 ==> 28561/28672
smithgw_tr7_13r.scl 12 reduced 81/80 ==> 28561/28672
smithgw_tra.scl 12 81/80 ==> 1029/512
smithgw_tre.scl 12 81/80 ==> 1029/512 ==> reduction
smithgw_treb.scl 12 reversed 81/80 ==> 1029/512 ==> reduction
smithgw_trx.scl 12 reduced 3/2->7/6 5/4->11/6 scale
smithgw_trxb.scl 12 reversed reduced 3/2->7/6 5/4->11/6 scale
smithgw_wa.scl 12 Wreckmeister A temperament, TL 2-6-2002
smithgw_wa120.scl 12 120-tET version of Wreckmeister A temperament
smithgw_wb.scl 12 Wreckmeister B temperament, TL 2-6-2002
smithgw_well1.scl 12 Well-temperament, Gene Ward Smith (2005)
smithgw_whelp1.scl 12 Well-temperament with one pure third, Gene Ward Smith
(2003)
smithgw_whelp2.scl 12 well-temperament with two pure thirds
smithgw_whelp3.scl 12 well-temperament with three pure thirds
smithgw_wilcmarv11.scl 12 Wilson Class scale in 11-limit minimax Marvel
smithgw_wilcmarv7.scl 12 Wilson Class scale in 1/4-kleisma Marvel
smithgw_wiz28.scl 28 11-limit Wizard[28]
smithgw_wreckpop.scl 12 "Wreckmeister" 13-limit meanpop (50-et) tempered thirds
smithgw_yarman12.scl 12 Gene Ward Smith's Circulating 12-tone Temperament in 159-
tET inspired by Ozan Yarman
smithj12.scl 12 Jon Lyle Smith, 5-limit JI scale, MMM 21-3-2006
smithj17.scl 17 Jon Lyle Smith 17-tone well temperament, MMM 12-2006
smithj24.scl 24 Jon Lyle Smith 5-limit JI scale, TL 8-4-2006
smithrk_19.scl 19 19 out of 612-tET by Roger K. Smith (1978)
smithrk_mult.scl 19 Roger K. Smith, "Multitonic" scale, just version
smith_eh.scl 12 Robert Smith's Equal Harmony temperament (1749)
smith_mq.scl 12 Robert Smith approximation of quarter comma meantone fifth
snow_31.scl 31 Jim Snow, 19-limit JI tuning for 31-tone keyboard
snyder.scl 168 Jeff Snyder, 19-limit normal scale for adaptable JI (2010)
solar.scl 8 Solar system scale: 0=Pluto, 8=Mercury. 1/1=248.54 years period
solfeggio.scl 6 Ancient Solfeggio scale of Guido d'Arezzo, 1/1=396 Hz
solfeggio2.scl 13 Ancient Solfeggio scale with additional tones, 1/1=63 Hz
sonbirkezsorted.scl 12 Sonbirkez Huzzam scale
sorge.scl 12 Sorge's Monochord (1756). Fokker block 81/80 128/125
sorge1.scl 12 Georg Andreas Sorge temperament I (1744)
sorge2.scl 12 Georg Andreas Sorge temperament II (1744)
sorge3.scl 12 Georg Andreas Sorge temperament III (1744)
sorge4.scl 12 Georg Andreas Sorge, well temperament, (1756, 1758)
sorog9.scl 5 9-tET Sorog
spanyi.scl 12 Miklós Spányi Bach temperament (2007)
sparschuh-2009well885Hz.scl 12 Andreas Sparschuh, modern pianos with an fusing 3rd: C-E
~+0.654...c "sharp" above 5/4
sparschuh-442widefrench5th-a.scl
12 Margo Schulter's proposed revision with A at 885/529
sparschuh-442widefrench5th.scl 12 Rational temperament, 1/1=264.5 Hz, Andreas Sparschuh
(2008)
sparschuh-885organ.scl 12 Andreas Sparschuh, for neobaroque pipe-organs with fusing
3rds C-E, G-B & F-A (2009)
sparschuh-eleven_eyes.scl 12 12 out of 53 starting from a'=440Hz
sparschuh-epimoric7.scl 12 Sparschuh's epimoric two- and one-7th part of syntonic comma
(2010)
sparschuh-eqbeat-fac_ceg.scl 12 Sparschuh's 'Equal-Beating' major triads F~A~C & C~E~G
well-temperament (2014)
sparschuh-equalbeating.scl 12 Sparschuh's Equal-Beating, A4=440Hz, TL 14-5-2010
sparschuh-gothic440.scl 12 Andreas Sparschuh, Gothic style, A=440
sparschuh-jsbloops440.scl 12 Sparschuh's 2007 interpretation of J.S. Bach's WTC loops @
440 cps
sparschuh-neovictorian.scl 12 Andreas Sparschuh, epimoric neo-Victorian well-temperament
sparschuh-neovictorian2.scl 12 Andreas Sparschuh, neo-Victorian temperament, C4 = 262 Hz
or A = 440
sparschuh-oldpiano.scl 12 Sparschuh's-Old-Piano in absolute Hertzians and cents
approximation
sparschuh-pc-div.scl 8 Andreas Sparschuh, division of Pyth. comma in 8 superparticular
steps (1999)
sparschuh-pc.scl 12 Andreas Sparschuh, division of Pyth. comma, Werckmeister
variant
sparschuh-sc.scl 12 Syntonic comma variant of sparschuh-pc.scl. TL 08-02-2009
sparschuh-squiggle_clavichord.scl
12 Bach temperament, a'=400 Hz
sparschuh-squiggle_harpsichord.scl
12 Andreas Sparschuh, Bach temperament
sparschuh-stanhope.scl 12 Sparschuh's (2010) septenarian variant of Stanhopes (1806) idea
sparschuh-wohltemperiert.scl 12 C-major beats C:E:G = 4: 5*(1316/1315): 6*(1314/1315)
synchronously, Andreas Sparschuh (2008)
sparschuh_19limwell.scl 12 Sparschuh's 19-limit well-temperament with epimoric 5ths &
3rds (2010)
sparschuh_41_23_bi_epi.scl 12 Sparschuh's 41- and 23-limit bi-epimoric well-temperament
(2010)
sparschuh_53in13lim.scl 53 Sparschuh's overtone-series 1:3:5:7:9:11:13:15 interpolation
(2012)
sparschuh_53tone5limit.scl 53 Sparschuh's tri-section of Mercator's-comma into (schisma)*2-
Monzisma
sparschuh_53via19lim.scl 53 Sparschuh's Symmetric 53-tone well-temperament via 19-limit
(2012)
sparschuh_5limdodek.scl 12 Sparschuh's 5-limit dodecatonics with two Kirnberger 5ths: C-
G & A-E
sparschuh_bach19lim.scl 12 Sparschuh's (2012) 19-limit Bach's decorative ornament tuning
sparschuh_bach_cup.scl 12 Septenarian interpretation of J.S.Bach's cup compiled by
A.Sparschuh
sparschuh_dent.scl 12 Modified Sparschuh temperament with a'=419 Hz by Tom Dent
sparschuh_dyadrat53.scl 53 Sparschuh's Dyadic-Rational 53 in Philolaos/Boethius style
(2010)
sparschuh_ji53.scl 53 Sparschuh's rational 53-tone with some epimoric biased 5ths
(2010)
sparschuh_ji53a.scl 53 Sparschuh's tri-section of Mercator's-comma into (schisma)*2-
Monzisma
sparschuh_mietke.scl 12 Andreas Sparschuh, proposal for Mietke's lost "Bach" hpschd,
1/1=243, a=406, TL 6-10-2008
sparschuh_septenarian29.scl 29 Sparschuh's C-major-JI and 2 harmonic overtone-series
1:3:5:7:9:11:15 over F & C
sparschuh_septenarian53.scl 53 Sparschuh's 53 generalization of Werckmeister's septenarius
temperament
sparschuh_wtc.scl 12 Andreas Sparschuh WTC temperament. 1/1=250 Hz, modified
Collatz sequence
spec1_14.scl 12 Spectrum sequence of 8/7: 1 to 27 reduced by 2/1
spec1_5.scl 12 Spectrum sequence of 1.5: 1 to 27 reduced by 2/1
specr2.scl 12 Spectrum sequence of sqrt(2): 1 to 29 reduced by 2/1
specr3.scl 12 Spectrum sequence of sqrt(3): 1 to 31 reduced by 2/1
spectacle31.scl 31 Spectacle[31] (225/224, 243/242) hobbit irregular tuning
spon_chal1.scl 9 JC Spondeion, from discussions with George Kahrimanis about
tritone of spondeion
spon_chal2.scl 9 JC Spondeion II, 10 May 1997. Various tunings for the parhypatai
and hence trito
spon_mont.scl 5 Montford's Spondeion, a mixed septimal and undecimal pentatonic
(1923)
spon_terp.scl 5 Subharm. 6-tone series, guess at Greek poet Terpander's, 6th c. BC &
Spondeion, Winnington-Ingram (1928)
sqrtphi.scl 23 Sqrtphi[23], the 23-note MOS of the 49&72 temperament in sqrt(phi)
tuning
squares.scl 13 Robert Walker, scale steps are of form n^2/(n^2-1), TL 20-8-2004
stade.scl 12 Organs in St. Cosmae, Stade; Magnuskerk, Anloo; H.K. Sluipwijk,
modif. 1/4 mean
stanhope.scl 12 Well temperament of Charles, third earl of Stanhope (1801)
stanhope2.scl 12 Stanhope temperament (real version?) with 1/3 synt. comma temp.
stanhope_f.scl 12 Stanhope temperament, equal beating version by Farey (1807)
stanhope_m.scl 12 Stanhope's (1806) monochord string lenghts compiled by
A.Sparschuh
stanhope_s.scl 12 Stanhope temperament, alt. version with 1/3 syntonic comma
star-lesfip.scl 8 11-limit lesfip version of 77-tET star, 6 to 12 cent tolerance
starling.scl 12 Starling temperament, Herman Miller (1999)
starling11.scl 11 Starling[11] hobbit <11 18 26 31| in <135 214 314 379| tuning
starling12.scl 12 Starling[12] hobbit in <135 214 314 379| tuning
stearns.scl 7 Dan Stearns, guitar scale
stearns2.scl 22 Dan Stearns, scale for "At A Day Job" based on harmonics 10-20 and
14-28
stearns3.scl 9 Dan Stearns, trivalent version of Bohlen's Lambda scale
stearns4.scl 7 Dan Stearns, 1/4-septimal comma temperament, tuning-math 2-12-
2001
steldek1.scl 30 Stellated two out of 1 3 5 7 9 dekany
steldek1s.scl 34 Superstellated two out of 1 3 5 7 9 dekany
steldek2.scl 35 Stellated two out of 1 3 5 7 11 dekany
steldek2s.scl 40 Superstellated two out of 1 3 5 7 11 dekany
steldia.scl 18 Stellated hexany plus diamond; superparticular ratios
steleik1.scl 70 Stellated Eikosany 3 out of 1 3 5 7 9 11
steleik1s.scl 80 Superstellated Eikosany 3 out of 1 3 5 7 9 11
steleik2.scl 80 Stellated Eikosany 3 out of 1 3 5 7 11 13
steleik2s.scl 92 Superstellated Eikosany 3 out of 1 3 5 7 11 13
stelhex-catakleismic.scl 12 Stelhex tempered in 13-limit POTE-tuned catakleismic
stelhex1.scl 14 Stellated two out of 1 3 5 7 hexany <14 23 36 40| weakly epimorphic,
also dekatesserany, tetradekany, Fokblock 288/245, 56/45, 63/50
stelhex1star.scl 14 Starling (126/125) tempered dekatesserany, one major and minor
triad extra
stelhex2.scl 12 Stellated two out of 1 3 5 9 hexany
stelhex3.scl 14 Stellated Tetrachordal Hexany based on Archytas's Enharmonic
stelhex4.scl 14 Stellated Tetrachordal Hexany based on the 1/1 35/36 16/15 4/3
tetrachord
stelhex5.scl 12 Stellated two out of 1 3 7 9 hexany, stellation is degenerate
stelhex6.scl 14 Stellated two out of 1 3 5 11 hexany, from The Giving, by Stephen J.
Taylor
stelhexplus.scl 16 13-limit 8 cents tolerance least squares
stellar.scl 20 stellar scale in 1/4 kleismic marvel tempering
stellar5.scl 20 Marvel scale stellar in 5-limit detempering
stellarhex.scl 16 mandala/stelhex/cube(2) plus 7/6 and 7/5; convex in marvel
tempering
stellarhexmarvwoo.scl 16 stellarhex tempered in marvel, marvel woo tuning
stellblock.scl 20 Weak Fokker block, <20 32 45 54| epimorphic; mutated from stella
stelpd1.scl 71 Stellated two out of 1 3 5 7 9 11 pentadekany
stelpd1s.scl 110 Superstellated two out of 1 3 5 7 9 11 pentadekany
stelpent1.scl 30 Stellated one out of 1 3 5 7 9 pentany
stelpent1s.scl 55 Superstellated one out of 1 3 5 7 9 pentany
steltet1.scl 16 Stellated one out of 1 3 5 7 tetrany
steltet1s.scl 20 Superstellated one out of 1 3 5 7 tetrany
steltet2.scl 16 Stellated three out of 1 3 5 7 tetrany
steltri1.scl 6 Stellated one out of 1 3 5 triany
steltri2.scl 6 Stellated two out of 1 3 5 triany
sternbrocot4.scl 16 Level 4 of the Stern-Brocot tree
stevin.scl 12 Simon Stevin, monochord division of 10000 parts for 12-tET (1585)
stopper.scl 19 Bernard Stopper, piano tuning with 19th root of 3 (1988)
storbeck.scl 21 Ulrich Storbeck 7-limit JI scale (2001)
strahle.scl 12 Daniel P. Stråhle's Geometrical scale (1743)
studwacko.scl 41 Tweaked miracle41s.scl, Gene Ward Smith, 2010
sub24-12.scl 12 Subharmonics 24-12. Phrygian Harmonia-Aliquot 24 (flute tuning)
sub40.scl 12 Subharmonics 40-20
sub50.scl 12 12 out of subharmonics 25-50
sub8.scl 8 Subharmonics 16-8
sullivan7.scl 7 John O'Sullivan, 7-limit just scale (2011)
sullivan_blue.scl 12 John O'Sullivan, Blue Temperament (2010), many good intervals
within 256/255
sullivan_blueji.scl 12 John O'Sullivan, Blue JI, 7-limit Natural Pan Tuning (2007). 3/2 is
also tonic
sullivan_cjv.scl 22 John O'Sullivan, 7-limit JI for Chris Vaisvil (2013)
sullivan_eagle.scl 12 John O'Sullivan, Eagle temperament (2016)
sullivan_raven.scl 12 John O'Sullivan, Raven temperament v2 (2012)
sullivan_ravenji.scl 12 John O'Sullivan, Raven JI (2016)
sullivan_sh.scl 12 John O'Sullivan, 7-limit Seventh Heaven scale (2011)
sullivan_zen.scl 12 John O'Sullivan, 7-limit just Zen scale (2011)
sullivan_zen2.scl 12 John O'Sullivan, Zen temperament (2011)
sumatra.scl 9 "Archeological" tuning of Pasirah Rus orch. in Muaralakitan,
Sumatra. 1/1=354 Hz
superclipgenus19.scl 19 Mode of Genus [333357] with 567/512 removed, <19 30 42 55|
superwakalix
superfif7a.scl 7 3/2 repeating 12-tET patent val. August-Dominant-Diminished-
Pajara-Injera-Schism superduperwakalix
superfif7b.scl 7 3/2 repeating 12-tET patent val August-Dominant-Diminished-
Pajara-Injera-Meantone superduperwakalix
supermagic15.scl 15 Supermagic[15] hobbit in 5-limit minimax tuning
supertriskaideka.scl 13 13d superwakalix
super_10.scl 10 A superparticular 10-tone scale
super_19a.scl 19 Another superparticular 19-tone scale
super_19b.scl 19 Another superparticular 19-tone scale
super_22a.scl 22 Another superparticular 22-tone scale
super_24.scl 24 Superparticular 24-tone scale, inverse of Mans.ur 'Awad
suppig.scl 19 Friedrich Suppig's 19-tone JI scale. Calculus Musicus, Berlin 1722
surupan_7.scl 7 7-tone surupan (Sunda)
surupan_9.scl 9 Theoretical nine-tone surupan gamut
surupan_ajeng.scl 5 Surupan ajeng, West-Java
surupan_degung.scl 5 Surupan degung, Sunda
surupan_madenda.scl 5 Surupan madenda
surupan_melog.scl 5 Surupan melog jawar, West-Java
surupan_miring.scl 5 Surupan miring, West-Java
surupan_x.scl 5 Surupan tone-gender X (= unmodified nyorog)
surupan_y.scl 5 Surupan tone-gender Y (= mode on pamiring)
sverige.scl 24 Scale on Swedish 50 crown banknote with Swedish fiddle
swet1.scl 5 Swetismic tempering of [7/6, 9/7, 3/2, 11/6, 2], 578-tET tuning
syntonolydian.scl 7 Greek Syntonolydian, also genus duplicatum medium, or ditonum
(Al-Farabi)
syrian.scl 30 d'Erlanger vol.5, p. 29. After ^Sayh.'Ali ad-Darwis^ (Shaykh Darvish)
t-side.scl 12 Tau-on-Side
t-side2.scl 12 Tau-on-Side opposite
tagawa_55.scl 55 Rick Tagawa, 17-limit diamond subset with good 72-tET
approximation (2003)
tamil.scl 22 Possible Tamil sruti scale. Alternative 11th sruti is 45/32 or 64/45
tamil_vi.scl 12 Vilarippalai scale in Tamil music, Vidyasankar Sundaresan
tamil_vi2.scl 12 Vilarippalai scale with 1024/729 tritone
tanaka.scl 26 26-note choice system of Shohé Tanaka, Studien i.G.d. reinen
Stimmung (1890)
tanbur.scl 12 Sub-40 tanbur scale
tansur.scl 12 William Tans'ur temperament from A New Musical Grammar (1746)
p. 73
tapek-ribbon.scl 12 Eq-diff ribbon extension of Superpyth, made of two Tapek
sequences
tartini_7.scl 7 Tartini (1754) with 2 neochromatic tetrachords, 1/1=d, Minor Gipsy
(Slovakia)
taylor_g.scl 12 Gregory Taylor's Dutch train ride scale based on pelog_schmidt
taylor_n.scl 12 Nigel Taylor's Circulating Balanced temperament (20th cent.)
telemann.scl 44 G.Ph. Telemann (1767). 55-tET interpretation of Klang- und
Intervallen-Tafel
telemann_28.scl 28 Telemann's tuning as described on Sorge's monochord, 1746,
1748, 1749
temes-mix.scl 9 Temes' 5-tone Phi scale mixed with its octave inverse
temes.scl 5 Lorne Temes' 5-tone phi scale (1970)
temes2-mix.scl 18 Temes' 2 cycle Phi scale mixed with its 4/1 inverse
temes2.scl 10 Lorne Temes' 5-tone Phi scale / 2 cycle (1970)
temp10ebss.scl 10 Cycle of 10 equal "beating" 15/14's
temp11ebst.scl 11 Cycle of 11 equal beating 9/7's
temp12b2w.scl 12 The fifths on black keys beat twice the amount of fifths on white
keys
temp12bf1.scl 12 Temperament with fifths beating 1.0 Hz at 1/1=256 Hz
temp12eb46o.scl 12 Equal temperament with equal beating 4/1 = 6/1 opposite
temp12ebf.scl 12 Equal beating temperament, Barthold Fritz (1756), The Best
Factory Tuners (1840)
temp12ebf4.scl 12 Eleven equal beating fifths and just fourth
temp12ebfo.scl 12 Equal beating fifths and fifth beats equal octave opposite at C
temp12ebfo2o.scl 12 Equal beating fifths and fifth beats twice octave opposite at C
temp12ebfp.scl 12 All fifths except G#-Eb beat same as 700 c. C-G
temp12ebfr.scl 12 Exact values of equal beating temperament of Best Factory Tuners
(1840)
temp12ep.scl 12 Pythagorean comma distributed equally over octave and fifth: 1/19-
Pyth comma
temp12fo1o.scl 12 Fifth beats equal octave opposite
temp12fo2o.scl 12 Fifth beats twice octave opposite
temp12k4.scl 12 Temperament with 4 1/4-comma fifths
temp12p10.scl 12 1/10-Pyth. comma well temperament
temp12p6.scl 12 Modified 1/6-Pyth. comma temperament
temp12p6a.scl 12 Alternating just and 1/6-Pyth. comma fifths
temp12p8.scl 12 1/8-Pyth. comma well temperament
temp12p8a.scl 12 1/8-Pyth. comma well temperament, consecutive just fifths
temp12rwt.scl 12 [2 3 17 19] well temperament
temp12septendec.scl 12 Scale with 18/17 steps
temp12w2b.scl 12 The fifths on white keys beat twice the amount of fifths on black
keys
temp152-171.scl 38 152&171 temperament, 2 cycles of 19-tET separated by one step
of 171-tET
temp15coh.scl 15 Differential coherent 15-tone scale, OdC, 2003
temp15ebmt.scl 15 Cycle of 15 equal beating minor thirds
temp15ebsi.scl 15 Cycle of 15 equal beating major sixths
temp15mt.scl 15 Cycle of 15 minor thirds, Petr Parizek
temp15rbt.scl 15 Cycle of 15 minor thirds, 6/5 equal beats 5/4 opposite
temp16d3.scl 16 Cycle of 16 thirds tempered by 1/3 small diesis
temp16d4.scl 16 Cycle of 16 thirds tempered by 1/4 small diesis
temp16ebs.scl 16 Cycle of 16 equal beating sevenths
temp16ebt.scl 16 Cycle of 16 equal beating thirds
temp16l4.scl 16 Cycle of 16 fifths tempered by 1/4 major limma. Mavila with just
6/5
temp17ebf.scl 17 Cycle of 17 equal beating fifths
temp17fo2.scl 17 Fifth beats twice octave opposite
temp17nt.scl 17 17-tone temperament with 27/22 neutral thirds
temp17s.scl 17 Margo Schulter, cycle of 17 fifths tempered by 2 schismas, TL 10-9-
98
temp19d5.scl 19 Cycle of 19 thirds tempered by 1/5 small diesis. Third = 3\5
temp19ebo.scl 19 Cycle of 19 equal beating octaves in twelfth
temp19k10.scl 19 Chain of 19 minor thirds tempered by 1/10 kleisma
temp19lst.scl 19 Cycle of 19 least squares thirds 5/4^5 = 3/2
temp19mto.scl 19 Minor third beats equal octave opposite
temp19tf2.scl 19 Major third beats twice fifth
temp22fo2.scl 22 Fifth beats twice octave opposite
temp23ebs.scl 23 Cycle of 23 equal beating major sixths
temp24ebaf.scl 24 Cycle of 24 equal beating 11/8's
temp24ebf.scl 24 24-tone ET with 23 equal beatings fifths. Fifth on 17 slightly
smaller.
temp24ebt.scl 24 Two octaves with equal beating twelfths
temp26rb3.scl 26 Cycle of 26 fifths, 5/4 beats three times 3/2
temp26so1o.scl 26 Seventh beats equal octave opposite
temp27c8.scl 27 Cycle of 27 fifths tempered by 1/8 of difference between augm. 2nd
and 5/4
temp27rb2.scl 27 Cycle of 27 fourths, 5/4 beats twice 4/3
temp28fo1o.scl 28 Third beats equal octave opposite
temp29c14.scl 29 Cycle of 29 fifths 1/14 comma positive
temp29fo1o.scl 29 Fifth beats equal octave opposite
temp31c51.scl 31 Cycle of 31 51/220-comma tempered fifths (twice diff. of 31-tET
and 1/4-comma)
temp31g3.scl 31 Wonder Scale, cycle of 31 sevenths tempered by 1/3 gamelan
residue, s.wonder1.scl
temp31g4.scl 31 Cycle of 31 sevenths tempered by 1/4 gamelan residue
temp31h10.scl 31 Cycle of 31 fifths tempered by 1/10 Harrison's comma
temp31ms.scl 31 Cycle of 31 5th root of 5/4 chromatic semitones
temp31mt.scl 31 Cycle of 31 square root of 5/4 meantones
temp31rb1.scl 31 Meta-Würschmidt cycle of 31 thirds, 3/2 beats equal 5/4
temp31rb1a.scl 31 Cycle of 31 thirds, 5/4 beats equal 7/4
temp31rb2.scl 31 Cycle of 31 thirds, 3/2 beats twice 5/4
temp31rb2a.scl 31 Cycle of 31 thirds, 5/4 beats twice 3/2
temp31rb2b.scl 31 Cycle of 31 thirds, 5/4 beats twice 7/4 (7/4 beats twice 5/4 gives
31-tET)
temp31rbf2.scl 31 Cycle of 31 fifths, 3/2 beats equal 7/4. Meta-Huygens
temp31rbs1.scl 31 Cycle of 31 sevenths, 3/2 beats equal 7/4. 17/9 schisma fifth
temp31rbs2.scl 31 Cycle of 31 sevenths, 3/2 beats twice 7/4. Almost 31-tET
temp31smith.scl 31 Gene Ward Smith, {225/224, 385/384, 1331/1323}, 11-limit TOP
temp31so2o.scl 31 Seventh beats twice octave opposite
temp31st2o.scl 31 Seventh beats twice third opposite
temp31to.scl 31 Third beats equal octave opposite
temp31w10.scl 31 Cycle of 31 thirds tempered by 1/10 Wuerschmidt comma
temp31w15.scl 31 Cycle of 31 thirds tempered by 1/15 Wuerschmidt comma, almost
31-tET
temp33a12.scl 33 Cycle of 33 fifths tempered by 1/12 "11 fifths" comma
temp34rb2a.scl 34 Cycle of 34 thirds, 5/4 beats twice 3/2
temp53ebs.scl 53 Cycle of 53 equal beating harmonic sevenths
temp6.scl 6 Tempered wholetone scale with approximations to 5/4 (4), 7/5 (4) and
7/4 (1)
temp6eb2.scl 6 Cycle of 6 equal beating 9/8 seconds
temp6teb.scl 6 Cycle of 6 equal beating 6/5's in a twelfth
temp7-5ebf.scl 12 7 equal beating fifths on white, 5 equal beating fifths on black
temp7ebnt.scl 7 Cycle of 7 equal beating 11/9 neutral thirds
temp8eb3q.scl 8 Cycle of 8 equal "beating" 12/11's
temp9ebmt.scl 9 Cycle of 9 equal beating 7/6 septimal minor thirds
tenn41a.scl 41 29&41 Tenney reduced fifths from -20 to 20
tenn41b.scl 41 41&53 Tenney reduced fifths from -20 to 20
tenn41c.scl 41 53&118 Tenney reduced fifths from -20 to 20
tenney_11.scl 11 Scale of James Tenney's "Spectrum II" (1995) for wind quintet
tenney_8.scl 8 James Tenney, first eight primes octatonic
terrain.scl 12 JI version of generated scale for 63/50 and 10/9 effectively
250047/250000 (landscape) tempering in 2.9/5.9/7 subgroup
tertia78.scl 78 Tertiaseptal[78] in 140-tET tuning
tertiadia.scl 12 Tertiadia 2048/2025 and 262144/253125 scale
tertiadie.scl 12 First Tertiadie 262144/253125 and 128/125 scale
tet3a.scl 8 Eight notes, two major one minor tetrad
tetragam-di.scl 12 Tetragam Dia2
tetragam-enh.scl 12 Tetragam Enharm.
tetragam-hex.scl 12 Tetragam/Hexgam
tetragam-py.scl 12 Tetragam Pyth.
tetragam-slpe.scl 12 Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B
tetragam-slpe2.scl 12 Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B
tetragam-sp.scl 12 Tetragam Septimal
tetragam-un.scl 12 Tetragam Undecimal
tetragam13.scl 12 Tetragam (13-tET)
tetragam9a.scl 12 Tetragam (9-tET) A
tetragam9b.scl 12 Tetragam (9-tET) B
tetraphonic_31.scl 31 31-tone Tetraphonic Cycle, conjunctive form on 5/4, 6/5, 7/6 and
8/7
tetratriad.scl 9 4:5:6 Tetratriadic scale
tetratriad1.scl 9 3:5:9 Tetratriadic scale
tetratriad2.scl 9 3:5:7 Tetratriadic scale
thailand.scl 7 Observed ranat tuning from Thailand, Helmholtz/Ellis p. 518, nr.85
thailand2.scl 7 Observed ranat t'hong tuning, Helmholtz/Ellis p. 518
thailand3.scl 7 Observed tak'hay tuning. Helmholtz, p. 518
thailand4.scl 15 Khong mon (bronze percussion vessels) tuning, Gemeentemuseum
Den Haag. 1/1=465 Hz
thailand5.scl 7 Observed Siamese scale, C. Stumpf, Tonsystem und Musik der
Siamesen, 1901, p.137. 1/1=423 Hz
thailand6.scl 7 Theoretical equal tempered Thai scale
thirds.scl 12 Major and minor thirds parallellogram. Fokker block 81/80 128/125
thirteendene.scl 12 Detempered 2.3.5.7.13 transversal of marveldene, hecate (225/224,
325/324, 385/384) version
thirteenten.scl 9 Tarkan Grood's 2.3.13/5 scale
thomas.scl 12 Tuning of the Thomas/Philpott organ, Gereformeerde Kerk, St.
Jansklooster
thrush12.scl 12 Thrush[12] (126/125, 176/175) hobbit in the POTE tuning
thrush15.scl 15 Thrush[15] hobbit 7&9 limit minimax tuning, commas 126/125,
176/175
thunor46.scl 46 Thunor[46] hobbit in 494-tET, commas 4375/4374, 3025/3024,
1716/1715
tiby1.scl 7 Tiby's 1st Byzantine Liturgical genus, 12 + 13 + 3 parts
tiby2.scl 7 Tiby's second Byzantine Liturgical genus, 12 + 5 + 11 parts
tiby3.scl 7 Tiby's third Byzantine Liturgical genus, 12 + 9 + 7 parts
tiby4.scl 7 Tiby's fourth Byzantine Liturgical genus, 9 + 12 + 7 parts
tickner_whirlwind.scl 22 Jack Tickner Scale
timbila1.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-198 A-1,2
timbila2.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-200 B-3
timbila3.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-202 B-4
timbila4.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-206
timbila5.scl 7 Timbila from Chopi tuning. 1/1=268 Hz, Tracey TR-207 A-1,2,3
timbila6.scl 7 Timbila from Chopi tuning. 1/1=268 Hz, Tracey TR-207 A-4,5,6
timbila7.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-207 B-4,5
timbila8.scl 7 Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-208 B-2,3,4,5
todi_av.scl 7 Average of 8 interpretations of raga Todi, in B. Bel, 1988.
tonos15_pis.scl 15 Diatonic Perfect Immutable System in the new Tonos-15
tonos31_pis2.scl 15 Diatonic Perfect Immutable System in the new Tonos-31B
toof1.scl 80 12&224[80] in 224-et tuning
torb24.scl 24 detempering C2 x C12 {648/625, 2048/2025} with generators 45/32
and 135/128
trab19.scl 19 Diamond {1,3,5,45,75,225}
trab19a.scl 19 Diamond {1,3,9,15,675}
trab19marv.scl 19 1/4 kleismic tempered trab19
tranh.scl 5 Bac Dan Tranh scale, Vietnam
tranh2.scl 5 Dan Ca Dan Tranh scale
tranh3.scl 6 Sa Mac Dan Tranh scale
trawas.scl 5 Observed East-Javanese children's Trawas-songs scale. J. Kunst,
Music in Java, p. 584.
tri12-1.scl 12 12-tone Tritriadic of 7:9:11
tri12-2.scl 12 12-tone Tritriadic of 6:7:9
tri19-1.scl 19 3:5:7 Tritriadic 19-Tone Matrix
triangs11.scl 10 The first 11 terms of the triangular number series, octave reduced
triaphonic_12.scl 12 12-tone Triaphonic Cycle, conjunctive form on 4/3, 5/4 and 6/5
triaphonic_17.scl 17 17-tone Triaphonic Cycle, conjunctive form on 4/3, 7/6 and 9/7
trichord-witchcraft.scl 11 trichord-11 in POTE tuned 13-limit Witchcraft
trichord7.scl 11 Trichordal undecatonic, 7-limit
tridec8.scl 8 Tridec[8] 2.7/5.11/5.13/5 subgroup scale in 89\235 tuning
trikleismic57.scl 57 Trikleismic[57] in 159-tET tuning
trithagorean.scl 13 Tritave scale with a 5/3 generator
tritriad.scl 7 Tritriadic scale of the 10:12:15 triad, natural minor mode
tritriad10.scl 7 Tritriadic scale of the 10:14:15 triad
tritriad3.scl 7 Tritriadic scale of the 3:5:7 triad. Possibly Mathews's 3.5.7a
tritriad3c.scl 7 From 1/1 7/6 7/5, a variant of the 3.5.7 triad
tritriad3d.scl 7 From 1/1 7/6 5/3, a variant of the 3.5.7 triad
tritriad5.scl 7 Tritriadic scale of the 5:7:9 triad. Possibly Mathews's 5.7.9a.
tritriad68i.scl 7 Tritriadic scale of the subharmonic 6:7:8 triad
tritriad69.scl 7 Tritriadic scale of the 6:7:9 triad, septimal natural minor
trost.scl 12 Johann Caspar Trost, organ temperament (1677), from Ratte, p. 390
tsikno_2nd.scl 7 Tsiknopoulos 2nd Byzantine Liturgical mode (68: 7-14-7-12-7-14-7)
tsjerepnin.scl 9 Scale from Ivan Tsjerepnin's Santur Opera (1977) & suite from it
Santur Live!
tsuda13.scl 12 Mayumi Tsuda's Harmonic-13 scale. 1/1=440 Hz
tuinstra.scl 12 Organ tuning after Stef Tuinstra of organ in Bethelkerk, Bodegraven
(2014)
tuneable3.scl 101 Marc Sabat, 3 octaves of intervals tuneable by ear
tuners1.scl 12 The Tuner's Guide well temperament no. 1 (1840)
turkish.scl 7 Turkish, 5-limit from Palmer on a Turkish music record, harmonic
minor inverse
turkish_17.scl 17 Turkish THM folk music gamut in 53-tET
turkish_24.scl 24 Ra'uf Yekta, 24-tone Pythagorean Turkish Theoretical Gamut,
1/1=D (perde yegah) at 294 Hz
turkish_24a.scl 24 Turkish gamut with schismatic simplifications
turkish_29.scl 29 Gültekin Oransay, 29-tone Turkish gamut, 1/1=D
turkish_29a.scl 29 Combined gamut of KTM and THM in 53-tET
turkish_41.scl 41 Abdülkadir Töre and M. Ekrem Karadeniz theoretical Turkish
gamut
turkish_41a.scl 41 Karadeniz's theoretical Turkish gamut, quantized to subset of 53-
tET
turkish_aeu.scl 24 Arel-Ezgi-Uzdilek (AEU) 24 tone theoretical system
turkish_aeu41.scl 41 Arel-Ezgi-Uzdilek extended to 41-quasi equal
turkish_awjara_on_b.scl 12 Turkish Awjara with perde iraq on B by Dr. Oz.
turkish_bagl.scl 17 Ratios of the 17 frets on the neck of "Baglama" ("saz") according to
Yalçýn Tura
turkish_bestenigar_on_b.scl 12 Turkish Bestenigar with perde iraq on B by Dr. Oz.
turkish_buselik_on_d.scl 10 Turkish Buselik with perde buselik on E by Dr. Oz.
turkish_huseyni_and_neva.scl 10 Turkish Huseyni and Neva (also Tahir, Muhayyer,
Gerdaniye, simple Isfahan & Gulizar) with perde dugah on D by Dr. Oz.
turkish_mahur_and_penchgah.scl 10 Turkish Mahur and Penchgah with perde rast on C by Dr.
Oz.
turkish_mahur_and_zavil.scl 10 Turkish Mahur and Zavil with perde rast on C by Dr. Oz.
turkish_nishabur_on_e.scl 9 Turkish Nishabur with perde buselik on E by Dr. Oz.
turkish_rast_and_penchgah_on_c.scl
9 Turkish Rast, Acemli Rast and Penchgah with perde rast on C by Dr. Ozan
Yarman
turkish_segah-huzzam-mustear_on_e.scl
12 Turkish Segah, Huzzam and Mustear with perde segah on E by Dr. Oz.
turkish_segah-huzzam-mustear_v2_on_e.scl
12 Turkish Segah, Huzzam and Mustear ver.2 with perde segah on E by Dr.
Oz.
turkish_segah_on_e.scl 12 Turkish Segah with perde segah on E by Dr. Oz.
turkish_sivas.scl 15 Notes on a baglama from Sivas
turkish_sunbule_on_d.scl 11 Turkish Sunbule with perde dugah on D (also Chargah on F)
by Dr. Oz.
turkish_ushshaq-bayati_on_d.scl
10 Turkish Ushshaq/Bayati with perde dugah on D by Dr. Oz.
turko-arabic_(kurdili)hijazkar-suznak-nawruz_neveser_nikriz_on_c.scl
12 Mixture of Turkish and Arabic intonations of Hijazkar, Kurdili-Hijazkar,
Suznak, Nawruz, (Kurdili)Neveser, and Nikriz with perde rast on C by Dr. Oz
turko-arabic_(kurdili)neveser_and_nikriz_on_c.scl
11 Mixture of Turkish and Arabic intonations of Neveser, Kurdili Neveser,
and Nikriz with perde rast on C by Dr. Oz.
turko-arabic_hijaz-humayun-zirgule_on_d.scl
12 Mixture of Turkish and Arabic intonations of Hijaz, Humayun, and
Zirgule with perde dugah on D by Dr. Oz.
turko-arabic_hijazkar_and kurdili-hijazkar_on_c.scl
10 Mixture of Turkish and Arabic intonations of Hijazkar and Kurdili
Hijazkar with perde rast on C by Dr. Oz.
turko-arabic_iraq-awdj_and_ferahnak_on_b.scl
12 Mixture of Turkish and Arabic intonations of Iraq/Awdj and Ferahnak
with perde iraq on B by Dr. Oz.
turko-arabic_karjighar-bayati_shuri_on_d.scl
10 Mixture of Turkish and Arabic intonations of Karjighar (Bayati Shuri)
with perde dugah on D by Dr. Oz.
turko-arabic_kurdi_buselik_nishabur_on_d.scl
12 Mixture of Turkish and Arabic intonations of Kurdi, Buselik and
Nishabur with perde dugah on D and buselik on E by Dr. Oz.
turko-arabic_kurdi_on_d.scl 7 Mixture of Turkish and Arabic intonations of Kurdi with perde
dugah on D by Dr. Oz.
turko-arabic_nihavend(murassah)_zanjaran_on_c.scl
12 Mixture of Turkish and Arabic intonations of Nihavend (Murassah) and
Zanjaran with perde rast on C by Dr. Oz.
turko-arabic_nihavend_and_nihavend-murassah_on_c.scl
10 Mixture of Turkish and Arabic intonations of Nihavend and Nihavend
Murassah with perde rast on C by Dr. Oz.
turko-arabic_rast_huseyni_uzzal-garip.scl
12 Mixture of Turkish and Arabic general intonations of Rast, Huseyni,
Uzzal and Garip Hijaz and with perde rast on C, dugah on D by Dr. Oz.
turko-arabic_rast_on_c.scl 10 Mixture of Turkish and Arabic general intonations of Rast by
Dr. Oz.
turko-arabic_saba_on_d.scl 12 Mixture of Turkish and Arabic intonations of Saba (also
Koutchek) with perde dugah on D (and Muberka on E) by Dr. Oz.
turko-arabic_suznak-nawruz_on_c.scl
9 Mixture of Turkish and Arabic intonations of Suznak and Nawruz with
perde rast on C by Dr. Oz.
turko-arabic_ushshaq-bayati_and_huseyni_on_d.scl
9 Mixture of Turkish and Arabic intonations of Ushshaq/Bayati and Huseyni
with perde dugah on D by Dr. Oz.
turko-arabic_uzzal-garip.scl 11 Mixture of Turkish and Arabic general intonations of Uzzal
and Garip Hijaz with perde dugah on D by Dr. Oz.
two29.scl 58 Two 29-tET scales 25 cents shifted, many near just intervals
two29a.scl 58 Two 29-tET scales 15.826 cents shifted, 13-limit chords, Mystery
temperament, Gene Ward Smith
twofifths1.scl 75 152&159[75] in 159-et tuning
twofifths2.scl 64 19&159[64] in 159-et tuning
ulimba.scl 7 Ulimba from Nyanja tuning. 1/1=126 Hz, Tracey TR-89 A-1,2
ultimate12_nr1.scl 12 Ultimate Proportional Synchronous Beating Well-Temperament
by Ozan Yarman
ultimate12_nr2.scl 12 Ultimate Proportional Synchronous Beating Well Temperament
nr.2 by Ozan Yarman
ultimate12_nr3.scl 12 Ultimate Synchronous Proportional Beating Well-Temperament
nr.3 by Ozan Yarman
ultimate12_nr4a.scl 12 Ultimate Synchronous Proportional Beating Well-Temperament
nr.4a by Ozan Yarman
ultimate12_nr4b.scl 12 Ultimate Synchronous Proportional Beating Well-Temperament
nr.4b by Ozan Yarman
unimajor.scl 12 A 2.3.11/7 subgroup scale
unimajorpenta.scl 12 Pentacircle (896/891) tempered unimajor in 152\259 tuning
unimarv19.scl 19 Unimarv[19] (Unidecimal marvel 225/224&385/384) hobbit in
POTE tuning ! as catakleismic [-17, -16, -12, -11, -10, -6, -5, -4, -1, ! 0, 1, 4, 5, 6, 1
urania24.scl 24 Urania[24] hobbit (81/80, 121/120) in POTE tuning
urmawi.scl 7 al-Urmawi, one of twelve maqam rows. First tetrachord is Rast
uruk.scl 17 Jon Lyle Smith's "Uruk" scale
ushaq99.scl 8 yarman_ushaq in 99ef tempering
ushshaq tetrachord 11-limit.scl
3 Ushshaq tetrachord 81:88:96:108
vaisvil_70.scl 70 Chris Vaisvil, disjunct 70 tones
vaisvil_diam7pluswoo.scl 17 Chris Vaisvil, 7-limit diamond; in [10/3 7/2 11] marvel woo
tuning
vaisvil_goldsilver.scl 9 Chris Vaisvil, notes from golden and silver section scales
combined, TL 09-05-2009
vaisvil_halfdiamond91.scl 91 Chris Vaisvil, 91 note half diamond
vaisvil_harm3-26.scl 12 Chris Vaisvil, octave reduced harmonic scale 3-26 with 4 skipped
val-werck.scl 12 Vallotti-Young and Werckmeister III, 10 cents 5-limit lesfip scale
valamute31.scl 31 Mutant Valentine[31] 13-limit least squares optimum
valamute46.scl 46 Mutant Valentine[46] 13-limit least squares
valenporc15.scl 15 Valentine-porcupine circulating strictly proper 15-note lesfip scale,
11 limit diamond target, 13.8 to 15.5 cent tolerance. Can be tuned in 77-tET
valentine.scl 12 Robert Valentine, tuning with primes 3 & 19, TL 7-2-2002
valentine2.scl 15 Robert Valentine, two octave 31-tET subset for guitar, TL 10-5-2002
vallotti-broekaert.scl 12 Version of Tartini-Vallotti with equal beating tempered fifths by
Johan Broekaert (2016)
vallotti.scl 12 Vallotti & Young scale (Vallotti version) also known as Tartini-
Vallotti (1754)
vallotti2.scl 12 Francesco Antonio Vallotti temperament, 1/6-comma
vavoom.scl 75 Vavoom temperament, g=111.875426, 5-limit
velde_9.scl 9 Marcel de Velde, TL 09-07-2010
velde_ji.scl 12 Marcel de Velde, 12 tone JI scale (2011)
venkataramana.scl 33 Praveen Venkataramana, 7-limit diamond 1 3 5 7 9 15 21 35, TL
24-03-2009, 1/1=390 Hz
veroli-ord.scl 12 Tempérament ordinaire after Veroli, W.Th. Meister, 1991, p. 126
veroli.scl 12 Claudio di Veroli's well temperament (1978)
veroli1.scl 12 Claudio di Veroli Bach temperament I (2009)
veroli2.scl 12 Claudio di Veroli Bach temperament II (2009)
vertex_chrom.scl 7 A vertex tetrachord from Chapter 5, 66.7 + 266.7 + 166.7 cents
vertex_chrom2.scl 7 A vertex tetrachord from Chapter 5, 83.3 + 283.3 + 133.3 cents
vertex_chrom3.scl 7 A vertex tetrachord from Chapter 5, 87.5 + 287.5 + 125 cents
vertex_chrom4.scl 7 A vertex tetrachord from Chapter 5, 88.9 + 288.9 + 122.2 cents
vertex_diat.scl 7 A vertex tetrachord from Chapter 5, 233.3 + 133.3 + 133.3 cents
vertex_diat10.scl 7 A vertex tetrachord from Chapter 5, 212.5 + 162.5 + 125 cents
vertex_diat12.scl 7 A vertex tetrachord from Chapter 5, 200 + 125 + 175 cents
vertex_sdiat.scl 7 A vertex tetrachord from Chapter 5, 87.5 + 187.5 + 225 cents
vertex_sdiat2.scl 7 A vertex tetrachord from Chapter 5, 75 + 175 + 250 cents
vertex_sdiat3.scl 7 A vertex tetrachord from Chapter 5, 25 + 225 + 250 cents
vertex_sdiat4.scl 7 A vertex tetrachord from Chapter 5, 66.7 + 183.3 + 250 cents
vertex_sdiat5.scl 7 A vertex tetrachord from Chapter 5, 233.33 + 16.67 + 250 cents
vicentino1.scl 36 Usual Archicembalo tuning, 31-tET plus D,E,G,A,B a 10th tone
higher
vicentino2.scl 36 Alternative Archicembalo tuning, lower 3 rows the same upper 3
rows 3/2 higher
vicentino2q217.scl 36 Vicentino's second tuning, 217-tET version
vicentino36.scl 36 Vicentino's second tuning of 1555
vicentino38.scl 38 Vicentino's second archicembalo tuning, 1/4-comma (Gb-B#, Db'-
F##')
victorian.scl 12 Form of Victorian temperament (1885)
victor_eb.scl 12 Equal beating Victorian piano temperament, interpr. by Bill
Bremmer (improved)
vines_ovovo10eb5w6w7_0_D.scl 10 Mark Vines, 4:5:6:7 equal beating in 1 of 10 keys, an
Eronyme algorithmic temperament
vines_ovovo22eb9w14w15_00_D.scl
22 Mark Vines ovovo temperament, 8:9:14:15 equal beating in 3 of 22 keys
vines_ovovo27eb5w6w7_00_D.scl 27 4:5:6:7 equal beating in 12 of 27 keys, slendro
temperament from chain links inverting the smallest Pisot-Vijayaraghavan number
vitale1.scl 16 Rami Vitale's 7-limit just scale
vitale2.scl 16 Rami Vitale, inverse mode of vitale1.scl
vitale3.scl 23 Superset of several Byzantine scales by Rami Vitale, TL 29-Aug-2001
vogelh_b.scl 12 Harald Vogel's temperament, van Eeken organ in Bunschoten,
Immanuelkerk, 1992
vogelh_fisk.scl 12 Modified meantone tuning of Fisk organ in Memorial Church at
Stanford
vogelh_hamburg.scl 12 Harald Vogel's temperament for the Schnitger organ in St.
Jakobi, Hamburg (1993)
vogelh_hmean.scl 12 Harald Vogel hybrid meantone (1984)
vogel_21.scl 21 Martin Vogel's 21-tone Archytas system, see Divisions of the
tetrachord
volans.scl 7 African scale according to Kevin Volans 1/1=G
vong.scl 7 Vong Co Dan Tranh scale, Vietnam
vries19-72.scl 18 Leo de Vries 19/72 Through-Transposing-Tonality 18 tone scale
vries6-31.scl 11 Leo de Vries 6/31 TTT used in "For 31-tone organ" (1995)
waka3-7-17.scl 7 Spectra Ce 2.3.7.17 subgroup 7-note wakalix
walkerr_11.scl 11 Robert Walker, "Seven to Pi" scale, TL 09-07-2002
walker_21.scl 21 Douglas Walker, for Out of the fathomless dark/into the limitless
light (1977)
wang-pho.scl 12 Wang Pho, Pythagorean-type Monochord (10th cent.)
wauchope.scl 8 Ken Wauchope, symmetrical 7-limit whole-half step scale
wegscheider.scl 12 Kristian Wegscheider, Bach-temperament after "H.C. Snerha"
(2003). A=416 Hz
wegscheider_1a.scl 12 Kristian Wegscheider, temperament 1A, equal beating with two
pure fifths, Tuning Methods in Organbuilding
weingarten.scl 12 Gabler organ in Weingarten (1750). 1/11-(synt.+Pyth. comma)
meantone
weingarten2.scl 12 Temperament of Gabler organ in Weingarten after restauration
(1983)
weiss1.scl 105 J.J. Weiss, system 1 qanun tuning (1990), Stefan Pohlit thesis, 2011
weiss2.scl 105 J.J. Weiss, system 2 qanun tuning (2007), Stefan Pohlit thesis, 2011
weiss_mandal.scl 72 J.J. Weiss, tempered Mandal Set, tuning for Turkish qanun based
on 18/17, Stefan Pohlit thesis, 2011
wellfip17.scl 17 17-note lesfip scale, 11-limit diamond target, 8.6 to 10.8 cents
tolerance
wendell1.scl 12 Robert Wendell's Natural Synchronous well-temperament (2003)
wendell1r.scl 12 Rational version of wendell1.scl by Gene Ward Smith
wendell2.scl 12 Robert Wendell's Very Mild Synchronous well-temperament (2003)
wendell2p.scl 12 1/5P version of wendell2.scl, Op de Coul
wendell3.scl 12 Robert Wendell Modern Well (2002)
wendell4.scl 12 Robert Wendell's ET equivalent (2002)
wendell5.scl 12 Robert Wendell Synchronous Victorian (2002)
wendell6.scl 12 Robert Wendell's RPW Synchronous well (2002)
wendell7.scl 12 Robert Wendell Tweaked Synchronous Well
werc4.scl 5 Werckismic tempering of [9/8, 11/8, 11/7, 7/4, 2], 320-tET tuning
werck1.scl 20 Werckmeister I (just intonation)
werck3.scl 12 Andreas Werckmeister's temperament III (the most famous one,
1681)
werck3_eb.scl 12 Werckmeister III equal beating version, 5/4 beats twice 3/2
werck3_ebm.scl 12 Harmonic equal-beating meta-version of Werckmeister III by
Jacques Dudon (2006)
werck3_mim.scl 12 Werckmeister III, 10 cents 5-limit mimafip scale
werck3_mod.scl 12 Modified Werckmeister III with B between E and F#, Nijsse
(1997), organ Soest
werck3_turck.scl 12 Daniel Gottlob Türck's 1806 Werckmeister III compiled by
Andreas Sparschuh, TL 28-05-2010
werck4.scl 12 Andreas Werckmeister's temperament IV
werck5.scl 12 Andreas Werckmeister's temperament V
werck6.scl 12 Andreas Werckmeister's "septenarius" tuning VI, D is probably
erroneous
werck6_cor.scl 12 Corrected Septenarius with D string length=175 by Tom Dent
(2006)
werck6_dup.scl 12 Andreas Werckmeister's VI in the interpretation by Dupont (1935)
werckmeisterIV_variant.scl 12 Werckmeister IV with 1/3 syntonic comma temperings
werckmeisterIV_variant_c.scl 12 Werckmeister IV variation, 1/3-SC, all intervals in cents
werck_cl5.scl 12 Werckmeister Clavier temperament (Nothw. Anm.) Poletti reconstr.
1/5-comma
werck_cl6.scl 12 Werckmeister Clavier temperament (Nothw. Anm.) Poletti reconstr.
1/6-comma
werck_puzzle.scl 12 From Hypomnemata Musica, 1697, p. 49, 1/1=192, fifths
tempered superparticular
white.scl 22 Justin White's 22-tone scale based on Al-Farabi's tetrachord
whoosh.scl 441 Whoosh temperament, g=560.54697, 5-limit
wicks_eb.scl 12 Mark Wicks' equal beating temperament for organs (1887)
wiegleb-book.scl 12 Werkstattbuch Wiegleb, organ temperament, 2nd half 18th cent.,
from Ratte, p. 406
wiegleb.scl 12 Wiegleb's organ temperament (1790)
wier_15.scl 15 Danny Wier, 11-limit JI scale, TL 27-07-2009
wier_53.scl 53 Danny Wier's schismatically-altered 53-Pythagorgean scale (2002)
wier_cl.scl 12 Danny Wier, ClownTone (2003)
wier_j.scl 12 Danny Wier, 8 1/4P, 4 -1/4P temperament
wiese1.scl 12 Christian Ludwig Gustav von Wiese's 1/2P-comma temperament no.
1 (1793)
wiese3.scl 12 Christian Ludwig Gustav von Wiese's 1/2P-comma temperament no.
3 (1793). Also Grammateus (1518) according to Ratte, p. 249
wilcent17.scl 17 Wilson 17-tone 11-limit scale
wilson-rastbayyati24.scl 24 Erv Wilson scale from Rast/Bayyati matrix (27/22, 11/9)
wilson1.scl 19 Erv Wilson 19-tone Scott scale (1976)
wilson11.scl 19 Wilson 11-limit 19-tone scale (1977)
wilson1t.scl 19 Wilson Scott scale, wilson1, in minimax minerva tempering
wilson2.scl 19 Wilson 19-tone (1975)
wilson3.scl 19 Wilson 19-tone
wilson5.scl 22 Wilson's 22-tone 5-limit scale
wilson7.scl 22 Wilson's 22-tone 7-limit 'marimba' scale
wilson7_2.scl 22 Wilson 7-limit scale
wilson7_3.scl 22 Wilson 7-limit scale
wilson7_4.scl 22 Wilson 7-limit 22-tone scale XH 3, 1975
wilson_17.scl 17 Wilson 17-tone 5-limit scale
wilson_31.scl 31 Wilson 11-limit 31-tone scale XH 3, 1975
wilson_41.scl 41 Wilson 11-limit 41-tone scale XH 3, 1975
wilson_alessandro.scl 56 D'Alessandro, genus [3 3 3 5 7 11 11] plus 8 pigtails, XH 12,
1989
wilson_bag.scl 7 Erv's bagpipe, after Theodore Podnos (37-39), (March 1997)
wilson_class.scl 12 Wilson's Class Scale, 9 July 1967
wilson_dia1.scl 22 Wilson Diaphonic cycles, tetrachordal form
wilson_dia2.scl 22 Wilson Diaphonic cycle, conjunctive form
wilson_dia3.scl 22 Wilson Diaphonic cycle on 3/2
wilson_dia4.scl 22 Wilson Diaphonic cycle on 4/3
wilson_duo.scl 22 Wilson 'duovigene'
wilson_enh.scl 7 Wilson's Enharmonic & 3rd new Enharmonic on Hofmann's list of
superp. 4chords
wilson_enh2.scl 7 Wilson's 81/64 Enharmonic, a strong division of the 256/243
pyknon
wilson_facet.scl 22 Wilson study in 'conjunct facets', Hexany based
wilson_gh1.scl 7 Golden Horagram nr.1: 1phi+0 / 7phi+1
wilson_hebdome1.scl 58 Wilson 1.3.5.7.9.11.13.15 hebdomekontany, 1.3.5.7 tonic
wilson_hexflank.scl 12 Hexany Flanker, 7-limit, from Wilson
wilson_hypenh.scl 7 Wilson's Hyperenharmonic, this genus has a CI of 9/7
wilson_l1.scl 22 Wilson 11-limit scale
wilson_l6.scl 22 Wilson 1 3 7 9 11 15 eikosany plus 9/8 and tritone. Used Stearns:
Jewel
wilson_pelog.scl 7 Wilson Stretched Pelog, generator close to 15/11. (c. 1993)
window.scl 21 Window lattice
wizard22.scl 22 Wizard[22] 11-limit, 4 cents lesfip optimized
wonder1.scl 31 Wonder Scale, gen=~233.54 cents, 8/7+1029/1024^7/25, LS
12:14:18:21, M.Schulter
wonder36.scl 31 Wonder Scale, 36-tET version
wookie58.scl 58 Wookie[58], a 58&113 temperament MOS, in 171-tET tuning
woz31.scl 31 2401/2400 norm reduced 31
wronski.scl 12 Wronski's scale, from Jocelyn Godwin, "Music and the Occult", p.
105.
wurschmidt.scl 12 Würschmidt's normalised 12-tone system
wurschmidt1.scl 19 Würschmidt-1 19-tone scale
wurschmidt2.scl 19 Würschmidt-2 19-tone scale
wurschmidt_31.scl 31 Würschmidt's 31-tone system
wurschmidt_31a.scl 31 Würschmidt's 31-tone system with alternative tritone
wurschmidt_53.scl 53 Würschmidt's 53-tone system
wyschnegradsky.scl 5 Ivan Wyschnegradsky, scale for "Cosmos" op. 28 for 4 pianos
(1938/40 rev. 1945)
xenakis_chrom.scl 7 Xenakis's Byzantine Liturgical mode, 5 + 19 + 6 parts
xenakis_diat.scl 7 Xenakis's Byzantine Liturgical mode, 12 + 11 + 7 parts
xenakis_schrom.scl 7 Xenakis's Byzantine Liturgical mode, 7 + 16 + 7 parts
xylophone2.scl 10 African Yaswa xylophones (idiophone; calbash resonators with
membrane)
xylophone3.scl 5 African Banyoro xylophone (idiophone; loose log)
xylophone4.scl 10 African Bapare xylophone (idiophone; loose log)
yajna31.scl 31 Yajna[31] hobbit in 520-tET, commas 540/539, 1375/1372, 625/624
yarman-36a_12core.scl 12 12-tone Modified Meantone Temperament core (Layer I) of
Yarman36a_nr1, A=438.410457150843
yarman12-135.scl 12 12 out of 135-tET by Ozan Yarman
yarman12-159.scl 12 12 out of 159-tET by Ozan Yarman
yarman24a-rational.scl 24 24-tone maqam music tuning with 12-tones tempered in the style
of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24a.scl 24 24-tone maqam music tuning with 12-tones tempered in the style of
Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24b-rational.scl 24 24-tone maqam music tuning with 12-tones tempered in the
style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24b-rational2.scl 24 24-tone maqam music tuning with 12-tones tempered in the
yarman24b.scl 24 24-tone maqam music tuning with 12-tones tempered in the style of
yarman24c.scl 24 24-tone maqam music tuning with 12-tones tempered in the style of
yarman24d-equalizedmtfifth.scl 24 24-tone maqam music tuning with 12-tones tempered in the
yarman31b-rational-practical.scl
31 Yarman24b extended to 31 notes using missing "comma" flats and sharps
--rationalized & fretting friendly
yarman31b-rational.scl 31 Yarman24b extended to 31 notes using missing "comma" flats
and sharps --rationalized
yarman31b.scl 31 Yarman24b extended to 31 notes using missing "comma" flats and
sharps
yarman31c-rational-practical.scl
31 Yarman24c extended to 31 notes using missing "comma" flats and sharps
yarman31c-rational.scl 31 Yarman24c extended to 31 notes using missing "comma" flats
yarman31c.scl 31 Yarman24c extended to 31 notes using missing "comma" flats and
sharps
yarman31c_final.scl 31 Final version of Yarman24c extended to 31 notes
yarman31d-equalizedmtfifth.scl 31 Yarman24d extended to 31 notes using missing "comma"
flats and sharps
yarman31d-rational-practical.scl
31 Yarman24d extended to 31 notes using missing "comma" flats and sharps
yarman31d-rational.scl 31 Yarman24d extended to 31 notes using missing "comma" flats
yarman36a_nr1-438hz.scl 36 Triplex Modified Meantone Temperaments spaced at 11/9
from G and 5/3 from C#, A=438.410457150843
yarman36a_nr2-440hz.scl 36 Triplex Modified Meantone Temperaments spaced at 11/9
from G and 5/3 from C#, A=440hz
yarman36b.scl 36 12-tone bike-chains equally dividing the 441/220 octave like
yarman36a
yarman36c.scl 36 With proportional beat rates and 441/220 octave in the manner of
yarman36b
yarman_17etx3.scl 51 Three times 17-tET -15.482 and -35.294 cents apart by Ozan
Yarman
yarman_19etx2.scl 38 Two 19-tone equal scales 14.239 cents apart by Ozan Yarman
yarman_19etx3.scl 57 Three 19-tone equal scales 14.239 and 24.459 cents apart
respectively by Ozan Yarman
yarman_buselik.scl 8 8-tone Buselik by Ozan Yarman
yarman_hijaz.scl 8 8-tone Hijaz by Ozan Yarman
yarman_hijazkar.scl 10 Hijazkar/Kürdili Hijazkar mixed by Ozan Yarman
yarman_karjighar.scl 9 9-tone Karjighar by Ozan Yarman
yarman_mahur.scl 10 Mahur by Ozan Yarman
yarman_nihavend.scl 8 8-tone Nihavend by Ozan Yarman
yarman_rast.scl 11 11-tone Arabian and Turkish Rast/Penchgah by Ozan Yarman
yarman_saba.scl 12 Saba by Ozan Yarman
yarman_segah.scl 10 10-tone Segah/Huzzam by Ozan Yarman
yarman_ushaq.scl 10 10-tone Ushaq/Huseyni by Ozan Yarman
yasser_6.scl 6 Yasser Hexad, 6 of 19 as whole tone scale
yasser_diat.scl 12 Yasser's Supra-Diatonic, the flat notes are V,W,X,Y,and Z
yasser_ji.scl 12 Yasser's just scale, 2 Yasser hexads, 121/91 apart
yekta-41.scl 41 Yekta-24 extended to 41-quasi equal tones by Ozan Yarman
yekta-cataclysmic.scl 12 yekta tempered in 13-limit POTE-tuned cataclysmic
yekta.scl 12 Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music
Encyclopedia
young-g.scl 28 Gayle Young's Harmonium, see PNM 26(2): 204-212 (1988)
young-lm_guitar.scl 12 LaMonte Young, tuning of For Guitar '58. 1/1 March '92, inv.of
Mersenne lute 1
young-lm_piano.scl 12 LaMonte Young's Well-Tuned Piano
young-w10.scl 10 William Lyman Young 10 out of 24-tET (1961)
young-w14.scl 14 William Lyman Young 14 out of 24-tET (1961)
young-wt.scl 7 William Lyman Young "exquisite 3/4 tone Hellenic Lyre" dorian
young.scl 12 Thomas Young well temperament (1807), also Luigi Malerbi nr.2
(1794)
young1.scl 12 Thomas Young well temperament no.1 (1800), 1/12 and 3/16 synt.
comma
young2.scl 12 Thomas Young well temperament no.2 (1799)
yugo_bagpipe.scl 12 Yugoslavian Bagpipe
zalzal.scl 7 Tuning of popular flute by Al Farabi & Zalzal. First tetrachord is
modern Rast
zalzal2.scl 7 Zalzal's Scale, a medieval Islamic with Ditone Diatonic & 10/9 x 13/12
x 72/65
zapf-dent.scl 12 Thomas Dent, theoretical Zapf temperament, 1/13P (2005)
zapf.scl 12 Michael Zapf Bach temperament (2001)
zarlino2.scl 16 16-note choice system of Zarlino, Sopplimenti musicali (1588)
zarlino24.scl 24 Possible 31-tET tuning for 24-note keyboard by Zarlino (1548)
zarte24-volans_b.scl 7 Equable heptatonic like volans.scl (reported African scale)
zartehijaz1.scl 9 Scale from Zarlino temperament extraordinaire, lower Hijaz
tetrachord
zesster_a.scl 8 Harmonic six-star, group A, from Fokker
zesster_b.scl 8 Harmonic six-star, group B, from Fokker
zesster_c.scl 8 Harmonic six-star, group C on Eb, from Fokker
zesster_mix.scl 16 Harmonic six-star, groups A, B and C mixed, from Fokker
zest24-persian_Eb.scl 17 Version somewhat like Darius Anooshfar's persian.scl, Eb-Eb
zest24-supergoya17plus3_Db.scl 20 Goya-17 plus 484, 676, and 1180 cents
zest24.scl 24 Zarlino Extraordinaire Spectrum Temperament (two circles at ~50.28c
apart)
zeta12.scl 12 Margo Schulter's Zeta Centauri tuning inspired by Kraig Grady's
Centaur
zeus1.scl 6 Zeus tempering of [11/10, 5/4, 11/8, 3/2, 11/6, 2], 99-tET tuning
zeus22.scl 22 Zeus[22] hobbit (121/120&176/175) in POTE tuning
zeus24.scl 24 Zeus[24] hobbit (121/120&176/175) in POTE tuning
zeus7tri.scl 7 Trivalent scale in Zeus temperament; thirds are all {7/6, 6/5, 5/4}; 99-
tET tuning; aabacab
zeus8tri.scl 8 Zeus tempered scale with 3DE property, 99-tET tuning, mmmLmmms
zex46.scl 46 Irregularized Zeus[46]
zir_bouzourk.scl 6 Zirafkend Bouzourk (IG #3, DF #9), from both Rouanet and Safi al-
Din
zwolle.scl 12 Henri Arnaut De Zwolle. Pythagorean on G flat.
zwolle2.scl 12 Henri Arnaut De Zwolle's modified meantone tuning (c. 1440)

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05-19.scl 5 5 out of 19-tET

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