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    Bulería Rasgueados - Flamenco Guitar Transcriptions

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    Isaac Iconoclasta
    The document describes 16 different rasgueado strumming patterns used as ending phrases in bulería flamenco guitar playing. It provides musical notation and descriptions of each pattern, attributes some patterns to specific flamenco guitarists, and discusses how some patterns can be varied or combined.

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    © All Rights Reserved
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    Bulería Rasgueados - Flamenco Guitar Transcriptions

    Uploaded by

    Isaac Iconoclasta
    66 views2 pages
    The document describes 16 different rasgueado strumming patterns used as ending phrases in bulería flamenco guitar playing. It provides musical notation and descriptions of each pattern, attributes some patterns to specific flamenco guitarists, and discusses how some patterns can be varied or combined.

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    Bulería Rasgueados - Flamenco Guitar Transcriptions

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    The document describes 16 different rasgueado strumming patterns used as ending phrases in bulería flamenco guitar playing. It provides musical notation and descriptions of each pattern, attributes some patterns to specific flamenco guitarists, and discusses how some patterns can be varied or combined.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    66 views2 pages

    Bulería Rasgueados - Flamenco Guitar Transcriptions

    Uploaded by

    Isaac Iconoclasta
    The document describes 16 different rasgueado strumming patterns used as ending phrases in bulería flamenco guitar playing. It provides musical notation and descriptions of each pattern, attributes some patterns to specific flamenco guitarists, and discusses how some patterns can be varied or combined.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    15/11/2021, 20:58 Bulería Rasgueados - Flamenco Guitar Transcriptions

    resources index versión en español falseta collections

    Flamenco Guitar Transcriptions


    Bulería Rasgueados
    19 December 2020

    Unless otherwise indicated, the following rasgueados are used as ending phrases over beats 7-10.

    Rasgueados 1-3 are shown here to offer a way of building up to rasgueado 4. Rasgueado 2 can be found in the playing of Perico del
    Lunar, Niño Ricardo and Melchor de Marchena, among others.

    Rasgueado 4 is the classic three-finger rasgueado. Notice that, with the little finger, the pattern would involve one beat of sixteenth
    notes and two beats of quintuplets.
    Rasgueados 5-6 are variations with quintuplets at beat 9. Rasgueado 5 starts with
    an index
    upstroke.

    Rasgueados 7-10 start at beat 7.5. Notice that the a-m-i pattern seen in rasgueados 7 and 8 could also be distributed as a single
    sixteenth note and two beats of quintuplets. Rasgueado 9 makes use of the little finger.

    Rasgueado 10, from a recording of Cepero, ends with an index downstroke. Rasgueados 11-13 are played over beats 1-3 to sustain
    the B-flat chord until beat 10 or for another compás. Rasgueado 11 is Melchor, 12 is a modern alternative and 13 is Rafael Alarcón.

    Rasgueados 14 and 15 are played over beats 1-6 (alternating or repeating them) to set up the ending of the compás with a rasgueado
    such as number 4. This classic strumming sequence is often played over the chords D minor-C-B flat-A (or the same starting with F or
    B flat). In rasgueado 16, attributed to Marote, the "q" is a thumb upstroke and the "m" indicates the middle and ring fingers together.

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