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Intro-Type Specimen

The document summarizes updates made to the Intro typeface family from Fontfabric Type Foundry, including the addition of 2 new weights and styles for a total of 8 weights and 72 fonts. Other updates include revised weight distributions, oblique alternatives, condensed versions, additional inline styles, expanded language support for Cyrillic and Latin characters, rewritten OpenType features, and an expanded glyph set.

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0% found this document useful (0 votes)
65 views14 pages

Intro-Type Specimen

The document summarizes updates made to the Intro typeface family from Fontfabric Type Foundry, including the addition of 2 new weights and styles for a total of 8 weights and 72 fonts. Other updates include revised weight distributions, oblique alternatives, condensed versions, additional inline styles, expanded language support for Cyrillic and Latin characters, rewritten OpenType features, and an expanded glyph set.

Uploaded by

Nona
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Intro

specimen

Type system of 72 Fonts


by Fontfabric Type Foundry

We’re happy to finally reveal the next big update to the Intro family,
featuring some essential upgrades to this classy contemporary sans
serif. In addition to the completely revised weight distributions, the
package brings with it 2 new weights and matching italics, for a total
of 8 weights and 72 fonts!

Intro’s cultivated playfulness was further emphasized by adding some


special ingredients, including carefully adjusted Oblique alternatives
that fit next to the existing upright ones. All of the styles are available
as Condensed versions, and on top of that we featured 3 extra inline
styles for you to dabble with.

The glyph case was expanded to cover Extended Latin and Cyrillic with
adequate language localization. All OpenType features were rewritten,
and now allow for case-sensitive forms and contextual alternates, as
well as plenty of stylistic alternates. The standard numerals set also
covers tabular figures and symbols, superiors and inferiors, numerators
and denominators, plus fractions.

Type Direction: Svet Simov


Type Designers: Svet Simov, Stan Partalev

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A
A
Intro Thin Intro Regular

AA
AA
A
A Intro Light Intro Medium Intro Bold

Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa
Aa Aa Aa Aa Aa Aa Aa Aa Aa

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ĉhiĺliņğ INTRO THIN

INTRODUCTION
INTRO BLACK

alternative look INTRO EXLIGHT ALT

Jușt exčeršize INTRO COND BOLD ITALIC

spęčialtȳ INTRO LIGHT

listening to a lovely music


INTRO COND SEMIBOLD OBLIQUE

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Ǿẞ ЄŨ
ЛĦ Â Intro
SemiBold
120pt

Ŕ ZHД
Ę ИQB
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каламбуры INTRO THIN

ИНТРОДУКЦИЯ INTRO BLACK

«эксклюзивное»
здоровый
INTRO ALT EXLIGHT

INTRO COND BLACK ITALIC

наклонился слушая
INTRO COND SEMIBOLD OBLIQUE

(имбирем) INTRO LIGHT

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Alternative
Fonts

The wisdom is
in knowing you
know nothing.
The wisdom is
in knowing you
know nothing.
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писменост INTRO THIN

КУРСИВНИТЕ INTRO BLACK

международната INTRO ALT LIGHT

развита INTRO COND BLACK ITALIC

последната фаза INTRO COND SEMIBOLD OBLIQUE

(автори) INTRO LIGHT

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Numerals

0 1 2 3
4 5 6 7
8 9 # Intro
Bold
120pt

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DESIGNING THIN

ALFABETO LIGHT

SEVERAL MEDIUM

MUSICA BOLD

IMAGES BLACK

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OpenType
Features

г→ г 1 →1
{nN} Num2
I→ I H₂0
2⁄3 1ª

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COMPUTER THIN

BETWEEN LIGHT

SYMBOL MEDIUM

PLIABLE BOLD

SEWING BLACK

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Typography
The art and technique of arranging type

Typography is the art and technique of (e.g., greater legibility with the use of serifs,
arranging type to make written language upper and lower case, contrast, etc.) through
legible, readable, and appealing when understanding the limitations of human
displayed. The arrangement of type involves vision, typography as often encountered may
selecting typefaces, point sizes, line lengths, fail to achieve its principal objective:
line-spacing (leading), and letter-spacing effective communication.
(tracking), and adjusting the space between
pairs of letters. The term typography is also Although typically applied to printed,
applied to the style, arrangement, and published, broadcast, and reproduced
appearance of the letters, numbers, and materials in contemporary times,
symbols created by the process. Type design is all words, letters, symbols, and numbers
a closely related craft, sometimes considered written alongside the earliest naturalistic
part of typography; most typographers do not drawings by humans may be called typography.
design typefaces, and some type designers do The word, typography, is derived from
not consider themselves typographers. the Greek words τύπος typos “form” or
Typography also may be used as a decorative “impression” and γράφειν graphein “to write”,
device, unrelated to communication of traces its origins to the first punches
information. Typography is the work of and dies used to make seals and currency
typesetters (also known as compositors), in ancient times, which ties the concept
typographers, graphic designers, art to printing.
directors, manga artists, comic book artists,
graffiti artists, and, now, anyone who arranges
words, letters, numbers, and symbols
for publication, display, or distribution, from
clerical workers and newsletter writers to
anyone self-publishing materials. Until the
Digital Age, typography was a specialized
occupation. Digitization opened up
typography to new generations of previously
unrelated designers and lay users. As the
capability to create typography has become
ubiquitous, the application of principles and
best practices developed over generations
of skilled workers and professionals
has diminished. So at a time when scientific
techniques can support the proven traditions

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With the exception of a few palasoliths from the surface of the Syrian desert, near the Euphrates
valley, not a single implement of the Age of Stone has yet been found in Southern Mesopotamia,
whereas Egypt has yielded to us the most perfect examples of the flint-knapper’s art known, flint
tools and weapons more beautiful than the finest that Europe and America can show.

INTRO REGULAR & BOLD 9PT

With the exception of a few palasoliths from the surface of the Syrian desert, near the
Euphrates valley, not a single implement of the Age of Stone has yet been found in
Southern Mesopotamia, whereas Egypt has yielded to us the most perfect examples of
the flint-knapper’s art known, flint tools and weapons more beautiful than the finest
that Europe and America can show.

INTRO REGULAR & BOLD 10PT

With the exception of a few palasoliths from the surface of the Syrian desert, near
the Euphrates valley, not a single implement of the Age of Stone has yet been
found in Southern Mesopotamia, whereas Egypt has yielded to us the most perfect
examples of the flint-knapper’s art known, flint tools and weapons more beautiful
than the finest that Europe and America can show.

INTRO REGULAR & BOLD 11PT

With the exception of a few palasoliths from the surface of the Syrian
desert, near the Euphrates valley, not a single implement of the Age of
Stone has yet been found in Southern Mesopotamia, whereas Egypt has
yielded to us the most perfect examples of the flint-knapper’s art known,
flint tools and weapons more beautiful than the finest that Europe and
America can show.

INTRO REGULAR & BOLD 12PT

With the exception of a few palasoliths from the surface of the Syrian
desert, near the Euphrates valley, not a single implement of the Age of
Stone has yet been found in Southern Mesopotamia, whereas Egypt
has yielded to us the most perfect examples of the flint-knapper’s art
known, flint tools and weapons more beautiful than the finest that
Europe and America can show.

INTRO REGULAR & BOLD 13PT

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Bulgarian
Localization

Ученето никога
не изтощава
разума.

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