Eng 102 BA Syllabus
Eng 102 BA Syllabus
Writing Center:
For face to face courses: The Writing Center, located in Bradley Hall and the Library, offers one-
on-one tutoring as well as workshops. For remote courses, check with The Writing Center to see
if Zoom conferencing is available. Bradley Hall: 516-572-7195 Library: 516-572-3595
[email protected] www.ncc.edu/writingcenter
A Note to All Students: If the college permits access to campus, & if you are having difficulty
affording groceries or accessing sufficient food to eat every day or if you lack basic necessities
and believe this may affect your performance in the course, I urge you to visit The NEST @ NCC
Food Pantry in North Hall (N Bldg) Basement. The NEST provides free groceries and personal
care items to all NCC students and their families and can assist you in accessing other necessary
resources. The NEST is open 6 days a week. Hours can be found on the NCC Portal and posted
on the door of the pantry. Please visit The NEST’s website for further
information: http://nestncc.weebly.com
Course Policies: (where any of these policies related to student conduct are seriously breeched,
the Classroom Disruption Policy will be enacted).
Lateness & Leaving: For face to face courses: regarding lateness, take responsibility & be here on
time. If you are forced to be late, enter quietly & take the nearest seat to the door. Regarding
leaving the classroom during class, I expect you shouldn’t have to very often. Should lateness
(especially by more than 10 minutes) or leaving the classroom for an extended period of time
become chronic, it will lower your participation grade. In cases where bus schedules, delayed
buses or where a student must depend on an unreliable ride are ongoing, certain dispensations are
possible. Please see me immediately if said circumstances apply. For remote courses: you are
expected to sign onto the class at the time the class begins & mainatin your presence visually
throughout the entirety of the class.
If the class is conducted face to face, the normal rules related to course materials & modalities as
outlined in my syllabus will be followed. If the course is taught remotely, every student will have
to have:
Familiarity with or willingness to learn how to use / navigate Blackboard for course handouts,
writing prompts via Discussion Board, announcements, email, etc.
(for either face to face or remote courses) An account established with Turnitin.com in order to
access your specific course & submit assigned papers. I will provide the appropriate information
to each class so students can access their course.
(for either face to face or remote courses) The assigned text(s) available in either digital or print
format.
If the class is conducted face to face, classroom comportment as outlined in my syllabus & the
classroom disruption policy will be followed. If the course is taught remotely, classroom
comportment, especially as related to successful & engaged remote discussions, means that
students use Zoom appropriately. This requires:
You agree to no recording of Zoom meetings. Because of privacy laws, no Zoom meetings will
be recorded by you or myself.
I prefer to be able to see my students. We cannot get to know each other, & the class cannot
become a cohesive community unless we can all see one another. Nonetheless, I’m aware that
there are often issues in the home that require privacy. Should said issues require you to turn
your camera off, you are free to do so. Please know that I will check to make certain that students
whose cameras are off are present. If you are not, this will affect your absences as well as your
participation grade.
As students, you are required to make choices. Please approach your Zoom camera choices with
the integrity & seriousness that are required in a college classroom.
The same goes for your use of the microphone. If background noise is overwhelming, please
mute your microphone. I will often ask questions of the entire class, & since discussion of
literature is crucial to understanding it, you need to be prepared to listen when a classmate is
speaking & to respond when they are done. Open discussion with all students unmuted will often
be necessary, but managing your background noise is essential to a successful open discussion.
Required Text:
Kelly J. Mays, Editor. The Norton Introduction To Literature, Shorter 13th
Edition. New York: Norton, 2019.
Catalog Description:
This course is an introduction to writing about literature. The course is designed for students to
practice close reading and organizing evidence to support their written interpretation and analysis
of literary texts. The course offers students continued practice in drafting, revising, and editing
essays. A primary goal for students is to produce clear, well-developed, well-organized,
grammatical writing. For at least one essay, students use research materials. SUNY GEN ED-
GBCM, GHUM; NCC GEN ED-COMP, HUM: Pre-requisites: ENG 100 or 101 or 108
The essential content of this course will be clarified during the next sixteen weeks. However, I
must, at least, describe a bit about the course goal. It is to learn about selected literature, studying
themes, literary devices, the historical context surrounding the literature, biographical & literary
scholarship related to the literature, etc. Toward this end, you’ll be reading selected fiction,
poetry, & drama. Will read a varity of literature, mostly American, from the American
Romanticism, Realism / Naturalism, Modernism, Harlem Renaissance, & Contemporary periods.
A goal of the course is also to help you further develop reflective / thoughtful college-level, thesis
driven prose. You will be, via your own time & class conferences, writing responses to prompts,
taking notes, & writing short analytical papers on the texts we read.
What you put in is what you’ll get out. I promise to put in more than 100% of my heart & head.
Please do the same.
Please note that the literature we will read in this course & the discussions we will have about
said texts will ask you to explore societal, social, psychodynamic, & emotional aspects of your
lives. These subjects are often charged with content you may not have examined before. Please
be prepared to handle these subjects / discussions as adult, college students.
Graded Assignments:
Participation: There are three participation grades in the course, Each grade will be factored into
your final grade. (See grade percentages below). Factors considered for, but not limited to,
grading participation are:
First draft / Questions (participation): For both face to face & remote courses, a developing draft
along with prepared questions is due, typed, (to be worked on in class) during end of unit
conferences. See paper assignment handouts for more information. Also, see the sample question
handout for more information. If this draft & related materials are not in hand on the due date,
your participation grade will be lowered, depending on what's missing.
Papers: There are three paper grades in the course. Each grade will be factored into your final
grade (see grade percentages below).
Note: Your second paper is a rewrite of paper one. The rewrite is required, even if you’re
satisfied with your paper one grade. For both face to face & remote courses: on the first
conference day of unit two, you are required to have made revisions to paper one based on my
comments, to have prepared questions re. my comments, & to have done some writing toward the
additional analysis required for the rewrite. If these assignments are not in hand on the first unit
two conference day, your participation grade will be lowered, depending on what's missing.
Again, read the unit paper handouts for specifics. The grade you receive on the paper one rewrite
will replace the grade you receive on paper one. However, if you don’t turn in paper one, you fail
(this grade will remain a zero), & you are not eligible for paper one rewrite. In such a case, the
student will have to write a separate paper for a grade on what would have been your rewrite
paper.
Late Papers: I don’t give a midterm or a final in this course. You write three papers all semester
long, the second being a rewrite of the first. Each receives a grade. You have an ample amount
of time to evolve your thinking, your ideas, & to turn in your work. Every paper due date is a
hard deadline. If you don’t submit the paper on time, you fail, & I will not discuss excuses with
students: period. I don't accept late work unless the emergency clause is utilized.
Grade Percentages:
There are six grades in the courses: three paper grades & three participation grades. Each of these
grades is worth a 1/6 of your final grade, roughly 16 percent.
I grade on the cumulative scale according to gpa. As stated above, you are held responsible for
six total grades in the course. Thus, should you receive a A, A, B, B, A, A for these six grades,
the letter grades would translate to an 4, 4, 3, 3, 4, 4 on the cumlulative gpa scale. These numbers
add up to 22. 22 divided by 6 (total grades) roughly equals a 3.8, which is a B+. The writing
prompt extra credit, if awarded, is worth 2 points. Based on this example example, the extra
credit would bring your points to 24. Twenty four divided by 6 equals a 4.0, which is an A. I
don't bump up grades. The total points you earn equal the grade you recieve. In certain cases, if
a student has shown exceptional work on a final paper, his or her effort has been outstanding, &
said student is one point away from receiving the higher grade, I might bump said student's grade
up. But you should not count on it.
F: 0-5
D: 6-8
D+: 9-11
C: 12-14
C+: 15-17
B: 18-20
B+: 21-23
A: 24
Course Schedule:
Jan:
Feb:
2nd: Read 173-179, Poe's "The Cask of Amontillado"
7th: Read 571-582, Gilman, “The Yellow Wallpaper”
9th: Read 568-570, Chopin, “The Story of an Hour”
14th: Read 433-450, Crane, “The Open Boat"
16th: Read 665-668, Hemingway, “Hills Like White Elephants”
21st: Presidents’ Day Holiday
23rd: Read Hemingway’s “A Clean, Well-Lighted Place” pdf in the course materials
folder on BB
28th: Read 91-113, Baldwin, “Sonny’s Blues
March:
April:
May: