Music As A Communication in A Philippine Musical Theater
Music As A Communication in A Philippine Musical Theater
Music As A Communication in A Philippine Musical Theater
NAME: DATE:
NAME OF TEACHER : SECTION :
MODULE in MUSIC 7
FOURTH QUARTER/WEEK 4
INTRODUCTION:
This module will help you understand the importance of Music in a Philippine Musical Theater.
OBJECTIVE:
Describes how a specific idea or story is communicated through music in a particular Philippine
Musical Theater.
REVIEW
JUMBLED LETTERS. Direction: Arrange the jumbled letters to reveal the hidden word related with
Philippine Musical Theater.
BODABIL 3. B D A O B I L A theatrical form that became famous during the Japanese occupation.
Discussion
Music has been an integral part of theater in the Western world as far back as the tragedies and comedies
of ancient Greece. Music can reveal the inner emotional life of a character, foreshadow a vicious attack or
budding love, or comment on the action onstage.
According to the first theatrical scholar, Aristotle, the six elements that make up any drama are plot,
character, thought, diction, music, and spectacle. Other traditions of theater from Asia, Africa, and elsewhere,
share in the essential nature of music in theater.
From that point forward, music has always been an integral part of theatrical production. Historically,
almost every known form of theater has included a musical element: Roman Theater, liturgical drama, commedia
dell'arte, Renaissance drama, Elizabethan theater, restoration plays, and more.
Here is a sample on how a specific idea or story is communicated through music in a particular
Philippine Musical Theater:
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PASAY-MUSIC7-Q4-W4
NAME: DATE:
NAME OF TEACHER : SECTION :
1. “Moro-Moro” ( Ang Digmaan sa pagitan ng Muslim at Kristiyano )
https://www.youtube.com/watch?v=fSgt1powkoI
It is a type of secular komedya that depicts the battle between the Christians and the Muslims.
It was the most popular theatre performance during the Spanish period. It is a traditional music play
that depicts the battle between the Christians and the Muslims.
The actors and actresses in Zarswela (Sarswela) sings their lines and dialogues. There are
solo parts like solo male or solo female but there are also group parts of the choir. The music with the
lyrics enhances the mood of thestory and gives empahasis to each word spoken by the actors. The
musical experience in the Philippine Sarzuela triggers the emotion of the audience to be able to
connect the message of the story. Severino Reyes wrote and staged the Tagalog sarswela Walang
Sugat ( Not Wounded) in 1902
Category 5 4 3
Exceeds Meets Developing
Mastery Able to perform all Perform only some of Unable to perform majority
the listed skills the listed skills. of the skills.
Accompaniment Able to act and Able to act and sing it Unable to act and sing it
sing it with a clear with only a few errors correctly, the rhythmic
rhythmic pattern. in the use of the pattern is not clear.
rhythmic pattern.
Improvised Improvised Improvised costumes Improvised costumes used
costumes costumes used used were almost the were far from the original.
near to original. same to the original.
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PASAY-MUSIC7-Q4-W4
NAME: DATE:
NAME OF TEACHER : SECTION :
Activity 2 : ESSAY
Directions: Write a short essay about the importance of Philippine theatre. Consider the rubrics
below in writing.
Philippine theatre has been very helpful and significant not only to Filipinos but also
to those people of different nationalities. It does not only help in promoting Filipino culture
and heritage, but it also discusses and gives artists opportunity to speak up and voice their
opinions through theatre plays. Moreover, it offers several opportunities for Filipinos to show-
case their beauty and talents here and abroad. Furthermore, it seeks to entertain people as
well as imparts knowledge through telling a story in a creative way.
References:
Writer:
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Name: Grade & Section:
Name of Teacher: _
A. Objectives
➢ Explain what makes each of the Philippine festivals unique through a visual presentation.
➢ Design the visual elements and components of the selected festival or theatrical form through
costumes, props, etc.
B. Lesson Proper
There are all sorts of activities in the celebration of festivities, such as games, contests,
procession, street dancing and band parade. The fiesta — always colorful, always accompanied by
music, feasting, and camaraderie — is of importance on a town’s calendar.
• Performers and people use sunflowers to • The Colors of kiping are derived from food
decorate their costumes and props. coloring of radiant red, yellow, fuschia, green and
• They also combine their creativity with the now some variants come with blue, white and
native attires to help showcase the purple shades. When the sunlight strikes on
Cordilleran pride. them, a wonderful rainbow-like wall of colors is
seen.
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Name: Grade & Section:
Name of Teacher: _
• Each town has its own Moriones group, which • The street parade is known as "Sadsad", which
patrol the street of their respective towns. is also what the locals call their way of dancing.
• Playing the role of Roman soldiers, they sing,
court, and dance for the ladies, while scaring
children away.
• The word ‘Sinulog’ is from the Cebuano adverb • Dinagyang Festival performances are based on a
‘sulog’. It means “water current movement.” folkloric story about the Barter of Panay.
• It is shown in the forward-backward step • The story is about how 10 Bornean datus and
movement of the Sinulog dance. their families escaped from a tyrannical ruler in
Borneo early in the 13th century and sailed
towards the island of Panay.
• When they arrived, the Borneans bargained with
the native Atis to occupy the lowlands.
• To celebrate the barter, the Borneans painted
their bodies with soot and danced with the Atis.
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Name: Grade & Section:
Name of Teacher: _
C. References
➢ Department of Education, Republic of the Philippines (2017). Music and Arts Learner’s Material 7
➢ C. David, (2021). Colorful Festivals of the Philippines. https://www.datacolor.com/colorful-festivals-
philippines/
➢ G. Muzones .11 Best Festivals to Join in the Philippines.
https://guidetothephilippines.ph/articles/history-culture/best-festivals-philippines.
➢ The Happy Trip — Designed by WPZOOM, 2021.https://thehappytrip.com/list-of-festivals-in-the-
philippines/.
D. Generalization
Each festival is unique. Flowers and ornamentals dominate the Panagbenga, kiping in the
Pahiyas, colors and paints in Maskara, Ati-atihan and Sinulog, and products in other
festivals.
Several festivals are profit-oriented; others are religious in spirit; while others are festivals for
a cause. No matter what type of festival is celebrated, the important element is that the
community is united in these festivals.
E. Evaluation
Directions: Identify the festival and its elements being referred to by the given items below.
Afterwards, design and color them appropriately.
A man wears his Moriones costume and The main element of the festival is the mask
must stand and walk around in the hot sun, worn by the participants. The festival
while carrying the weight of a wooden mask features various activities that makes the
and colorful armor that serve as their town filled with vibrant colors, lively spirits,
costume and plays the role of a Roman. and a tremendous number of smiles
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MELC: PE7RD-Ivd-h-4 MODULE CODE: PASAY-PE7-Q4-04
Name: Date: _
Name of teacher: Grade & Section :
MODULE IN MAPEH 7
FOURTH GRADING /WEEK 4
Objectives:
a. Discuss the different non – locomotor and manipulative skills in dance
b. Execute the non – locomotor skills properly and observe safety measures
Fundamental skills is needed by a person for a living and being which are sometimes considered basic or
functional. Movements is an act of changing physical location/position or stationary. In dancing, it is important to
move your body to strengthen your muscles, which improves stability, balance, and coordination. Don’t forget
stretching helps maintain your muscle health as well.
In the previous module, the topic is all about locomotor skills, these are movements that allow us to move
from one point in space to another. It is canned from two words, “locos” which means place, and “motor” which
means movement. Today we will discuss about the non – locomotor and manipulative skills in dance.
PRE – ASSESSMENT
Direction: Identify the following Locomotor skills. Choose your answer on the box below.
TIME TO READ
Manipulative Skills
This are the skills developed when handling an object. Most of this skills involve the hands and feet but
other parts of the body can be also be used like catching, kicking, throwing, etc.
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MELC: PE7RD-Ivd-h-4 MODULE CODE: PASAY-PE7-Q4-04
Name: Date: _
Name of teacher: Grade & Section :
Procedure:
a. Wear your proper workout attire
b. Do some stretching exercises to warm up your body
c. Choose atleast three non – locomotor skills on the table above
d. Perform the non – locomotor skills you selected five times
e. Observe safety measures in performing the skills at home
Questions:
1. What did you feel about the activity?
I felt that my muscles were being stretched and needs some rest and recovery.
2. Were you able to perform the non – locomotor skills properly?
Yes
3. What should be observed in performing the non – locomotor skills in dance?
Proper stretching exercises to warm up the body
4. After learning the non – locomotor skills, do you think it can help you improve your skills in dancing?
Yes
5. Does executing the non – locomotor skills require your body to have endurance and muscular
strength?Why?
Yes, because in this activity we can explore the way in which our bodies can be moved, controlled, or balanced on by
the shapes that our bodies can make.
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MELC: PE7RD-Ivd-h-4 MODULE CODE: PASAY-PE7-Q4-04
Name: Date: _
Name of teacher: Grade & Section :
Evaluation – MATCHING TYPE
Directions: Match column A to column B. Write the correct answer on the space provided.
A B
References:
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MODULE CODE: PASAY-H7-Q4-04
Name: Date : _
Name of Teacher: Section :
MODULE IN HEALTH 7
QUARTER 4/ WEEK 4
NON-COMMUNICABLE DISEASES
B.INTRODUCTION/LESSON PROPER:
Here are the few myths and fallacies and its facts about non-communicable diseases that
can directly or indirectly impact our health:
2. Myth: An amulet or anting-anting protects the wearer from diseases and helps counteract
witchery.
3. Myth: Relapse or binat caused by eating certain kinds of food or by cutting the hair too soon
after illness. This is best treated by fumigating the patient with smoke produced by burning the
offending food or the patient’s hair.
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MODULE CODE: PASAY-H7-Q4-04
Name: Date : _
Name of Teacher: Section :
7. Myth: No cost-effective solutions exist for NCDs
Facts: Cost-effective technologies do exist to fight NCDs and while new ones are being
rolled out there’s still a need for investment in treatment and prevention
9. Myth: NCDs affect high-income (developed) countries only/ low/ middle-income countries
do not need to worry about NCDs.
Fact: NCDs affect all countries. High-income countries used to account for a
disproportionately large number of cases and deaths due to NCDs in the past. Currently, nearly
80% of NCD deaths occur in low- and middle-income countries (except Africa).
*Even in Africa, they are projected to be the leading cause of death by 2030.
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MODULE CODE: PASAY-H7-Q4-04
Name: Date : _
Name of Teacher: Section :
C. EVALUATION
Multiple Choice
References:
https://globalhealth.org/five-myths-about-ncds/
https://doh.gov.ph/lifestyle-related-diseases
https://www.who.int/philippines/news/commentaries/detail/time-for-action-to-stop-the-deadliest-
diseases-in-the-philippines
https://communitymedicine4all.com/2014/09/21/non-communicable-diseases-popular-myths-and-key-
preventative-interventions/
https://brainly.ph/question/1339468#:~:text=The%20Need%20to%20Correct%20Myths,among%20me
mbers%20in%20the%20society.
https://www.livinginthephilippines.com/culture-and-people/philippine-culture/superstitions-and-
beliefs/423-belief-that-sickness-is-the-work-of-some-evil-spirits
Teachers Guide: Physical Education and Health pp.417-435
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